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Edna Sweetlove Aug 2015
This is one of the racier "Memories" poems by the great Barry Hodges, my alter ego.
It might well make you come involuntarily in your ******.

How happy was I once with the wind in my hair
Wandering o'er the dales with joyousness unmeasur'd,
In the sweet long passed innocent days of platonic love
When stolen gropes and kiss were to be treasured.

But all good and true things come to a sad close
And my poor first love lies in her grave so sorrowfully
Having been crushed to death by a runaway steamroller
Before I managed to go all the way quite thoroughly.

What a waste of delightful teenage flesh was that
Yet perhaps I had a narrow escape from the derangement
Which might have been mine had our trysting
Led to a semi-permanent matrimonial arrangement.

For I recall one afternoon in the old ABC cinema
In the delighful Yorkshire spa town of Harrogate,
Sitting next to my gorgeous love in the back row,
Exploring her not so very private parts on a hot date.

How I cursed the management's niggardly folly
In not showing a film with hot romantic blood
But saving pathetic pennies by putting on
Daffy ******* Duck and Elmer ******* Fudd.

But yet I perserved with my digital explorations
Unaware that the throbs my fingers felt were no dream
But darling Elsie laughing like a proverbial drain
At Daffy's hilarious anatine adventures on-screen.

'Twas then I began to wonder about the viscous liquid
I had hitherto imagined was Elsie's lovejuice flowing
(dear, dear reader, cease your perusal of my tale forthwith
if you are of a nervous disposition or prone to food up-throwing)*.

It was only a careful examination of my sopping knuckles
In the dimly lit gents after old Daffy's film was done and dusted
Which revealed that my dearly beloved had leaked
Big time out of both ends, leaving my fingers well encrusted.

O to think that, but for Daffy, I might have been lumbered
With a different kind of bird for whom double incontinence
Was a way of life (thus, the fatal steamroller she encountered
The very next day was a blessing from kindly Providence).
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...
Nigel Morgan Nov 2012
(poems from the Chinese translated by Arthur Waley)

Last night the clouds scattered away;
A thousand leagues, the same moonlight scene.
When dawn came, I dreamt I saw your face;
It must have been that you were thinking of me.
In my dream, I thought I held your hand
And asked you to tell me what your thoughts were.
And you said: ‘I miss you bitterly . . . “

As Helen drifted into sleep the source of that imagined voice in her last conscious moment was waking several hundred miles away. For so long now she was his first and only waking thought. He stretched his hand out to touch her side with his fingertips, not a touch more the lightest brush: he did not wish to wake her. But she was elsewhere. He was alone. His imagination had to bring her to him instead. Sometimes she was so vivid a thought, a presence more like, that he felt her body surround him, her hand stroke the back of his neck, her ******* fall and spread against his chest, her breath kiss his nose and cheek. He felt conscious he had yet to shave, conscious his rough face should not touch her delicate freckled complexion . . . but he was alone and his body ached for her.

It was always like this when they were apart, and particularly so when she was away from home and full to the brim with the variously rich activities and opportunities that made up her life. He knew she might think of him, but there was this feeling he was missing a part of her living he would never see or know. True, she would speak to him on the phone, but sadly he still longed to read her once bright descriptions that had in the past enabled him to enter her solo experiences in a way no image seemed to allow. But he had resolved to put such possible gifts to one side. So instead he would invent such descriptions himself: a good, if time-consuming compromise. He would give himself an hour at his desk; an hour, had he been with her, they might have spent in each other’s arms welcoming the day with such a love-making he could hardly bare to think about: it was always, always more wonderful than he could possibly have imagined.

He had been at a concert the previous evening. He’d taken the train to a nearby town and chosen to hear just one work in the second part. Before the interval there had been a strange confection of Bernstein, Vaughan-Williams and Saint-Saens. He had preferred to listen to *The Symphonie Fantastique
by Hector Berlioz. There was something a little special about attending a concert to hear a single work. You could properly prepare yourself for the experience and take away a clear memory of the music. He had read the score on the train journey, a journey across a once industrial and mining heartland that had become an abandoned wasteland: a river and canal running in tandem, a vast but empty marshalling yard, acres of water-filled gravel pits, factory and mill buildings standing empty and in decay. On this early evening of a thoroughly wet and cold June day he would lift his gaze to the window to observe this sad landscape shrouded in a grey mist tinted with mottled green.

Andrew often considered Berlioz a kind of fellow-traveller on his life’s journey of music. Berlioz too had been a guitarist in his teenage years and had been largely self-taught as a composer. He had been an innovator in his use of the orchestra and developed a body of work that closely mirrored the literature and political mores of his time.  The Symphonie Fantastique was the ultimate love letter: to the adorable Harriet Smithson, the Irish actress. Berlioz had seen her play Ophelia in Shakespeare’s Hamlet (see above) and immediately imagined her as his muse and life’s partner. He wrote hundreds of letters to her before eventually meeting her to declare his love and admiration in person. A friend took her to hear the Symphonie after it had got about that this radical work was dedicated to her. She was appalled! But, when Berlioz wrote Lélio or The Return to Life, a kind of sequel to his Symphonie, she relented and agreed to meet him. They married in 1833 but parted after a tempestuous seven years. It had surprised Andrew to discover Lélio, about which, until quite recently, he had known nothing. The Berlioz scholar David Cairns had written fully and quite lovingly about the composition, but reading the synopsis in Wikipedia he began to understand it might be a trifle embarrassing to present in a concert.

The programme of Lélio describes the artist wakening from these dreams, musing on Shakespeare, his sad life, and not having a woman. He decides that if he can't put this unrequited love out of his head, he will immerse himself in music. He then leads an orchestra to a successful performance of one of his new compositions and the story ends peacefully.

Lélio consists of six musical pieces presented by an actor who stands on stage in front of a curtain concealing the orchestra. The actor's dramatic monologues explain the meaning of the music in the life of the artist. The work begins and ends with the idée fixe theme, linking Lélio to Symphonie fantastique.


Thoughts of the lovely Harriet brought him to thoughts of his own muse, far away. He had written so many letters to his muse, and now he wrote her little stories instead, often imagining moments in their still separate lives. He had written music for her and about her – a Quintet for piano and winds (after Mozart) based on a poem he’d written about a languorous summer afternoon beside a river in the Yorkshire Dales; a book of songs called Pleasing Myself (his first venture into setting his own words). Strangely enough he had read through those very songs just the other day. How they captured the onset of both his regard and his passion for her! He had written poetic words in her voice, and for her clear voice to sing:

As the light dies
I pace the field edge
to the square pond
enclosed, hedged and treed.
The water,
once revealed,
lies cold
in the still air.

At its bank,
solitary,
I let my thoughts of you
float on the surface.
And like two boats
moored abreast
at the season’s end,
our reflections merge
in one dark form.


His words he felt were true to the model of the Chinese poetry he had loved as a teenager, verse that had helped him fashion his fledgling thoughts in music.

And so it was that while she dined brightly with her team in a Devon country pub, he sat alone in a town hall in West Yorkshire listening to Berlioz’ autobiographical and unrequited work.

A young musician of extraordinary sensibility and abundant imagination, in the depths of despair because of hopeless love, has poisoned himself with *****. The drug is too feeble to **** him but plunges him into a heavy sleep accompanied by weird visions. His sensations, emotions, and memories, as they pass through his affected mind, are transformed into musical images and ideas. The beloved one herself becomes to him a melody, a recurrent theme [idée fixe] which haunts him continually.

Yes, he could identify with some of that. Reading Berlioz’ own programme note in the orchestral score he remembered the disabling effect of his first love, a slight girl with long hair tied with a simple white scarf. Then he thought of what he knew would be his last love, his only and forever love when he had talked to her, interrupting her concentration, in a college workshop. She had politely dealt with his innocent questions and then, looking at the clock told him she ‘had to get on’. It was only later – as he sat outside in the university gardens - that he realized the affect that brief encounter might have on him. It was as though in those brief minutes he knew nothing of her, but also everything he ever needed to know. Strange how the images of that meeting, the sound of her voice haunted him, would appear unbidden - until two months later a chance meeting in a corridor had jolted him into her presence again  . . . and for always he hoped.

After the music had finished he had remained in the auditorium as the rather slight audience took their leave. The resonance of the music seemed to be a still presence and he had there and then scanned back and forward through the music’s memory. The piece had cheered him, given him a little hope against the prevailing difficulties and problems of his own musical creativity, the long, often empty hours at his desk. He was in a quiet despair about his current work, about his current life if he was honest. He wondered at the way Berlioz’ musical material seemed of such a piece with its orchestration. The conception of the music itself was full of rough edges; it had none of that exemplary finish of a Beethoven symphony so finely chiseled to perfection.  Berlioz’ Symphonie contained inspired and trite elements side by side, bar beside bar. It missed that wholeness Beethoven achieved with his carefully honed and positioned harmonic structures, his relentless editing and rewriting. With Berlioz you reckoned he trusted himself to let what was in his imagination flow onto the page unhindered by technical issues. Andrew had experienced that occasionally, and looking at his past pieces, was often amazed that such music could be, and was, his alone.

Returning to his studio there was a brief text from his muse. He was tempted to phone her. But it was late and he thought she might already be asleep. He sat for a while and imagined her at dinner with the team, more relaxed now than previously. Tired from a long day of looking and talking and thinking and planning and imagining (herself in the near future), she had worn her almost vintage dress and the bright, bright smile with her diligent self-possessed manner. And taking it (the smile) into her hotel bedroom, closing the door on her public self, she had folded it carefully on the chair with her clothes - to be bright and bright for her colleagues at breakfast next day and beyond. She undressed and sitting on the bed in her pajamas imagined for a brief moment being folded in his arms, being gently kissed goodnight. Too tired to read, she brought herself to bed with a mental list of all the things she must and would do in the morning time and when she got home – and slept.

*They came and told me a messenger from Shang-chou
Had brought a letter, - a simple scroll from you!
Up from my pillow I suddenly sprang out of bed,
And threw on my clothes, all topsy-turvey.
I undid the knot and saw the letter within:
A single sheet with thirteen lines of writing.
At the top it told the sorrows of an exile’s heart;
At the bottom it described the pains of separation.
The sorrows and pains took up so much space
There was no room to talk about the weather!
The poems that begin and end Being Awake are translations by Arthur Waley  from One Hundred and Seventy Poems from the Chinese published in 1918.
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

matrimony a blessing of enduring love
a troth gifted by the Lord up above
choirs of birds shall sing of devotion
as the wedded couple bind in adoration

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

the sacred vows of love ever entwining
holding through the years of shining
love's sweet bloom flourishing so bright  
in a divine accord of special delight

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

a life time of endearments they'll share  
beginning on the nuptial day so fair
a kiss of blissfulness sealing the oneness
between the couple in true togetherness

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness
Come live with me, and be my love,
And we will all the pleasures prove,
That hills and valleys, dales and fields,
And all the craggy mountain yields.

There we will sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses,
With a thousand fragrant posies,
A cap of flowers and a kirtle
Embroidered all with leaves of myrtle;

A gown made of the finest wool,
Which from our pretty lambs we pull;
Fair lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and ivy buds,
With coral clasps and amber studs;
And if these pleasures may thee move,
Come live with me, and be my love.

The shepherd swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me, and be my love.
Valsa George May 2017
On the bank of a rushing brook
I sat for hours watching its course.
Peered into the clear gurgling mass
That cascaded down from a mountainous source

Like a slithering snake, it slinks and slips
It babbles downhill night and day
Rolling and gliding through plains and dales
It winds its way to the wider bay.

Dipping my fingers in its icy chill
How my hand got repelled as from a shock!
In its ripples stirred by the kissing breeze,
I saw trees, clouds and the jutting rock-

All floating in queer, fanciful shapes,
Shuddering, trembling and standing still
And the fishes leaving zigzag trails,
Swishing and swimming in the winding rill.

As I quietly watched her speedy flight
With her ***** rising in mournful heaves,
In my ears fell her whispering soft
Orchestrated by the rustle of quivering leaves

I hardly knew the time speeding by
Nor noticed the birds’ homeward flight
Or the Sun moving to the west end side
And the Sky reddening at his sight

As the brook thus continued her headlong ride
To be mingled finally with the ocean wide
I walked, brooding over man’s relentless stride
To be merged eventually with the Cosmic Guide.
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
Terry O'Leary Feb 2015
The Rulers wield their silver shields,
             wear golden coronets
while warders guard the prison yard,
             boast brazen bayonets
and unicorns flaunt ivory horns
             defending martinets.

While Bankers beam Their self-esteem
             (bailed out of broker's debts),
and Bureaucrats grow rich and fat
             in six-star luncheonettes,
the deep, devout and down and out
             survive as silhouettes.

The Press take pains to wash our brains,
             Their words have mesmerized.
So, mild and meek, we fear to speak
             in worlds They’ve polarized,
and rush to war, through Satan's door,
             watch cities vaporized.

The Lord of Lore tells tales of war,
             of victories far away,
where eyes stare stark within the dark
             and death is painted gray
on faces cold, some young, some old,
             in spectral disarray.

We're taught at school the Golden Rule
             for all to live in bliss,
but in the wars on foreign shores
             the only rule is this:
“Yo! You and I must fight and die
             inside the black abyss!”

But well alive, the Merchants thrive
            on sales of armaments
that Barons built (with pride, not guilt)
            to quell the dissidents,
while Partisans are posing plans
             to conquer continents.

And back at home, the rumors roam
             “Good times are soon to come,
despite the breeze on frozen seas
             in weathers wet and numb.”
When we’re in need, They’ll intercede
             with prayers if we succumb.

A Tabloid screams of phantom dreams
             to keep our minds at sea
and TV skews the evening news,
             ensures we all agree:
“With dynamite we fight for right
             and not for tyranny.”

The brain aborts when drugged with sports
               and fashions of the day,
and sevenfold, men think as told
              and so are led astray;
and like some sheep (unless asleep)
             they baa when they obey.  

In search of sense in sounds intense
             of droning drum tattoos
(the beat sustains the endless reigns
             which swamp the avenues)
souls, thin and worn, traipse by, forlorn,
             delayed by shackled shoes.

Ten thousand eyes belong to Spies
            who watch us day and night
to track our trails and read our mails
             and say They have the right
to know our thoughts and thwart our plots
             to cease Their oversight.

Behind the scenes, behind the screens,
             the rules are fixed, arranged
(contorted smiles conceal Their wiles -
             Their goals have never changed).
When upside-down, a grin is frown
             and common sense deranged.

Along the roads, the future bodes
             in legends made of dust,
and ashes gray the alleyway
             'neath lampposts scaled with rust.
While Divas dine with cakes and wine
             pale orphans share a crust.

Dead colonies of humble bees,
             a ravaged hornets' hive,
rain forests, dales and minke whales
             soon nothing left alive…        
a world laid waste is to Their taste,
             as long as They survive.

As sunlight wanes in winter rains
             and sullen shadows crawl,
the evening ebbs, and spider's webs
             seem tattooed on the wall.
Upon the night the Masters write
             The Final Protocol.
The Angel ended, and in Adam’s ear
So charming left his voice, that he a while
Thought him still speaking, still stood fixed to hear;
Then, as new waked, thus gratefully replied.
What thanks sufficient, or what recompence
Equal, have I to render thee, divine
Historian, who thus largely hast allayed
The thirst I had of knowledge, and vouchsafed
This friendly condescension to relate
Things, else by me unsearchable; now heard
With wonder, but delight, and, as is due,
With glory attributed to the high
Creator!  Something yet of doubt remains,
Which only thy solution can resolve.
When I behold this goodly frame, this world,
Of Heaven and Earth consisting; and compute
Their magnitudes; this Earth, a spot, a grain,
An atom, with the firmament compared
And all her numbered stars, that seem to roll
Spaces incomprehensible, (for such
Their distance argues, and their swift return
Diurnal,) merely to officiate light
Round this opacous Earth, this punctual spot,
One day and night; in all her vast survey
Useless besides; reasoning I oft admire,
How Nature wise and frugal could commit
Such disproportions, with superfluous hand
So many nobler bodies to create,
Greater so manifold, to this one use,
For aught appears, and on their orbs impose
Such restless revolution day by day
Repeated; while the sedentary Earth,
That better might with far less compass move,
Served by more noble than herself, attains
Her end without least motion, and receives,
As tribute, such a sumless journey brought
Of incorporeal speed, her warmth and light;
Speed, to describe whose swiftness number fails.
So spake our sire, and by his countenance seemed
Entering on studious thoughts abstruse; which Eve
Perceiving, where she sat retired in sight,
With lowliness majestick from her seat,
And grace that won who saw to wish her stay,
Rose, and went forth among her fruits and flowers,
To visit how they prospered, bud and bloom,
Her nursery; they at her coming sprung,
And, touched by her fair tendance, gladlier grew.
Yet went she not, as not with such discourse
Delighted, or not capable her ear
Of what was high: such pleasure she reserved,
Adam relating, she sole auditress;
Her husband the relater she preferred
Before the Angel, and of him to ask
Chose rather; he, she knew, would intermix
Grateful digressions, and solve high dispute
With conjugal caresses: from his lip
Not words alone pleased her.  O! when meet now
Such pairs, in love and mutual honour joined?
With Goddess-like demeanour forth she went,
Not unattended; for on her, as Queen,
A pomp of winning Graces waited still,
And from about her shot darts of desire
Into all eyes, to wish her still in sight.
And Raphael now, to Adam’s doubt proposed,
Benevolent and facile thus replied.
To ask or search, I blame thee not; for Heaven
Is as the book of God before thee set,
Wherein to read his wonderous works, and learn
His seasons, hours, or days, or months, or years:
This to attain, whether Heaven move or Earth,
Imports not, if thou reckon right; the rest
From Man or Angel the great Architect
Did wisely to conceal, and not divulge
His secrets to be scanned by them who ought
Rather admire; or, if they list to try
Conjecture, he his fabrick of the Heavens
Hath left to their disputes, perhaps to move
His laughter at their quaint opinions wide
Hereafter; when they come to model Heaven
And calculate the stars, how they will wield
The mighty frame; how build, unbuild, contrive
To save appearances; how gird the sphere
With centrick and eccentrick scribbled o’er,
Cycle and epicycle, orb in orb:
Already by thy reasoning this I guess,
Who art to lead thy offspring, and supposest
That bodies bright and greater should not serve
The less not bright, nor Heaven such journeys run,
Earth sitting still, when she alone receives
The benefit:  Consider first, that great
Or bright infers not excellence: the Earth
Though, in comparison of Heaven, so small,
Nor glistering, may of solid good contain
More plenty than the sun that barren shines;
Whose virtue on itself works no effect,
But in the fruitful Earth; there first received,
His beams, unactive else, their vigour find.
Yet not to Earth are those bright luminaries
Officious; but to thee, Earth’s habitant.
And for the Heaven’s wide circuit, let it speak
The Maker’s high magnificence, who built
So spacious, and his line stretched out so far;
That Man may know he dwells not in his own;
An edifice too large for him to fill,
Lodged in a small partition; and the rest
Ordained for uses to his Lord best known.
The swiftness of those circles attribute,
Though numberless, to his Omnipotence,
That to corporeal substances could add
Speed almost spiritual:  Me thou thinkest not slow,
Who since the morning-hour set out from Heaven
Where God resides, and ere mid-day arrived
In Eden; distance inexpressible
By numbers that have name.  But this I urge,
Admitting motion in the Heavens, to show
Invalid that which thee to doubt it moved;
Not that I so affirm, though so it seem
To thee who hast thy dwelling here on Earth.
God, to remove his ways from human sense,
Placed Heaven from Earth so far, that earthly sight,
If it presume, might err in things too high,
And no advantage gain.  What if the sun
Be center to the world; and other stars,
By his attractive virtue and their own
Incited, dance about him various rounds?
Their wandering course now high, now low, then hid,
Progressive, retrograde, or standing still,
In six thou seest; and what if seventh to these
The planet earth, so stedfast though she seem,
Insensibly three different motions move?
Which else to several spheres thou must ascribe,
Moved contrary with thwart obliquities;
Or save the sun his labour, and that swift
Nocturnal and diurnal rhomb supposed,
Invisible else above all stars, the wheel
Of day and night; which needs not thy belief,
If earth, industrious of herself, fetch day
Travelling east, and with her part averse
From the sun’s beam meet night, her other part
Still luminous by his ray.  What if that light,
Sent from her through the wide transpicuous air,
To the terrestrial moon be as a star,
Enlightening her by day, as she by night
This earth? reciprocal, if land be there,
Fields and inhabitants:  Her spots thou seest
As clouds, and clouds may rain, and rain produce
Fruits in her softened soil for some to eat
Allotted there; and other suns perhaps,
With their attendant moons, thou wilt descry,
Communicating male and female light;
Which two great sexes animate the world,
Stored in each orb perhaps with some that live.
For such vast room in Nature unpossessed
By living soul, desart and desolate,
Only to shine, yet scarce to contribute
Each orb a glimpse of light, conveyed so far
Down to this habitable, which returns
Light back to them, is obvious to dispute.
But whether thus these things, or whether not;
But whether the sun, predominant in Heaven,
Rise on the earth; or earth rise on the sun;
He from the east his flaming road begin;
Or she from west her silent course advance,
With inoffensive pace that spinning sleeps
On her soft axle, while she paces even,
And bears thee soft with the smooth hair along;
Sollicit not thy thoughts with matters hid;
Leave them to God above; him serve, and fear!
Of other creatures, as him pleases best,
Wherever placed, let him dispose; joy thou
In what he gives to thee, this Paradise
And thy fair Eve; Heaven is for thee too high
To know what passes there; be lowly wise:
Think only what concerns thee, and thy being;
Dream not of other worlds, what creatures there
Live, in what state, condition, or degree;
Contented that thus far hath been revealed
Not of Earth only, but of highest Heaven.
To whom thus Adam, cleared of doubt, replied.
How fully hast thou satisfied me, pure
Intelligence of Heaven, Angel serene!
And, freed from intricacies, taught to live
The easiest way; nor with perplexing thoughts
To interrupt the sweet of life, from which
God hath bid dwell far off all anxious cares,
And not ****** us; unless we ourselves
Seek them with wandering thoughts, and notions vain.
But apt the mind or fancy is to rove
Unchecked, and of her roving is no end;
Till warned, or by experience taught, she learn,
That, not to know at large of things remote
From use, obscure and subtle; but, to know
That which before us lies in daily life,
Is the prime wisdom:  What is more, is fume,
Or emptiness, or fond impertinence:
And renders us, in things that most concern,
Unpractised, unprepared, and still to seek.
Therefore from this high pitch let us descend
A lower flight, and speak of things at hand
Useful; whence, haply, mention may arise
Of something not unseasonable to ask,
By sufferance, and thy wonted favour, deigned.
Thee I have heard relating what was done
Ere my remembrance: now, hear me relate
My story, which perhaps thou hast not heard;
And day is not yet spent; till then thou seest
How subtly to detain thee I devise;
Inviting thee to hear while I relate;
Fond! were it not in hope of thy reply:
For, while I sit with thee, I seem in Heaven;
And sweeter thy discourse is to my ear
Than fruits of palm-tree pleasantest to thirst
And hunger both, from labour, at the hour
Of sweet repast; they satiate, and soon fill,
Though pleasant; but thy words, with grace divine
Imbued, bring to their sweetness no satiety.
To whom thus Raphael answered heavenly meek.
Nor are thy lips ungraceful, Sire of men,
Nor tongue ineloquent; for God on thee
Abundantly his gifts hath also poured
Inward and outward both, his image fair:
Speaking, or mute, all comeliness and grace
Attends thee; and each word, each motion, forms;
Nor less think we in Heaven of thee on Earth
Than of our fellow-servant, and inquire
Gladly into the ways of God with Man:
For God, we see, hath honoured thee, and set
On Man his equal love:  Say therefore on;
For I that day was absent, as befel,
Bound on a voyage uncouth and obscure,
Far on excursion toward the gates of Hell;
Squared in full legion (such command we had)
To see that none thence issued forth a spy,
Or enemy, while God was in his work;
Lest he, incensed at such eruption bold,
Destruction with creation might have mixed.
Not that they durst without his leave attempt;
But us he sends upon his high behests
For state, as Sovran King; and to inure
Our prompt obedience.  Fast we found, fast shut,
The dismal gates, and barricadoed strong;
But long ere our approaching heard within
Noise, other than the sound of dance or song,
Torment, and loud lament, and furious rage.
Glad we returned up to the coasts of light
Ere sabbath-evening: so we had in charge.
But thy relation now; for I attend,
Pleased with thy words no less than thou with mine.
So spake the Godlike Power, and thus our Sire.
For Man to tell how human life began
Is hard; for who himself beginning knew
Desire with thee still longer to converse
Induced me.  As new waked from soundest sleep,
Soft on the flowery herb I found me laid,
In balmy sweat; which with his beams the sun
Soon dried, and on the reeking moisture fed.
Straight toward Heaven my wondering eyes I turned,
And gazed a while the ample sky; till, raised
By quick instinctive motion, up I sprung,
As thitherward endeavouring, and upright
Stood on my feet: about me round I saw
Hill, dale, and shady woods, and sunny plains,
And liquid lapse of murmuring streams; by these,
Creatures that lived and moved, and walked, or flew;
Birds on the branches warbling; all things smiled;
With fragrance and with joy my heart o’erflowed.
Myself I then perused, and limb by limb
Surveyed, and sometimes went, and sometimes ran
With supple joints, as lively vigour led:
But who I was, or where, or from what cause,
Knew not; to speak I tried, and forthwith spake;
My tongue obeyed, and readily could name
Whate’er I saw.  Thou Sun, said I, fair light,
And thou enlightened Earth, so fresh and gay,
Ye Hills, and Dales, ye Rivers, Woods, and Plains,
And ye that live and move, fair Creatures, tell,
Tell, if ye saw, how I came thus, how here?—
Not of myself;—by some great Maker then,
In goodness and in power pre-eminent:
Tell me, how may I know him, how adore,
From whom I have that thus I move and live,
And feel that I am happier than I know.—
While thus I called, and strayed I knew not whither,
From where I first drew air, and first beheld
This happy light; when, answer none returned,
On a green shady bank, profuse of flowers,
Pensive I sat me down:  There gentle sleep
First found me, and with soft oppression seised
My droused sense, untroubled, though I thought
I then was passing to my former state
Insensible, and forthwith to dissolve:
When suddenly stood at my head a dream,
Whose inward apparition gently moved
My fancy to believe I yet had being,
And lived:  One came, methought, of shape divine,
And said, ‘Thy mansion wants thee, Adam; rise,
‘First Man, of men innumerable ordained
‘First Father! called by thee, I come thy guide
‘To the garden of bliss, thy seat prepared.’
So saying, by the hand he took me raised,
And over fields and waters, as in air
Smooth-sliding without step, last led me up
A woody mountain; whose high top was plain,
A circuit wide, enclosed, with goodliest trees
Planted, with walks, and bowers; that what I saw
Of Earth before scarce pleasant seemed.  Each tree,
Loaden with fairest fruit that hung to the eye
Tempting, stirred in me sudden appetite
To pluck and eat; whereat I waked, and found
Before mine eyes all real, as the dream
Had lively shadowed:  Here had new begun
My wandering, had not he, who was my guide
Up hither, from among the trees appeared,
Presence Divine.  Rejoicing, but with awe,
In adoration at his feet I fell
Submiss:  He reared me, and ‘Whom thou soughtest I am,’
Said mildly, ‘Author of all this thou seest
‘Above, or round about thee, or beneath.
‘This Paradise I give thee, count it thine
‘To till and keep, and of the fruit to eat:
‘Of every tree that in the garden grows
‘Eat freely with glad heart; fear here no dearth:
‘But of the tree whose operation brings
‘Knowledge of good and ill, which I have set
‘The pledge of thy obedience and thy faith,
‘Amid the garden by the tree of life,
‘Remember what I warn thee, shun to taste,
‘And shun the bitter consequence: for know,
‘The day thou eatest thereof, my sole command
‘Transgressed, inevitably thou shalt die,
‘From that day mortal; and this happy state
‘Shalt lose, expelled from hence into a world
‘Of woe and sorrow.’  Sternly he pronounced
The rigid interdiction, which resounds
Yet dreadful in mine ear, though in my choice
Not to incur; but soon his clear aspect
Returned, and gracious purpose thus renewed.
‘Not only these fair bounds, but all the Earth
‘To thee and to thy race I give; as lords
‘Possess it, and all things that therein live,
‘Or live in sea, or air; beast, fish, and fowl.
‘In sign whereof, each bird and beast behold
‘After their kinds; I bring them to receive
‘From thee their names, and pay thee fealty
‘With low subjection; understand the same
‘Of fish within their watery residence,
‘Not hither summoned, since they cannot change
‘Their element, to draw the thinner air.’
As thus he spake, each bird and beast behold
Approaching two and two; these cowering low
With blandishment; each bird stooped on his wing.
I named them, as they passed, and understood
Their nature, with such knowledge God endued
My sudden apprehension:  But in these
I found not what methought I wanted still;
And to the heavenly Vision thus presumed.
O, by what name, for thou above all these,
Above mankind, or aught than mankind higher,
Surpassest far my naming; how may I
Adore thee, Author of this universe,
And all this good to man? for whose well being
So amply, and with hands so liberal,
Thou hast provided all things:  But with me
I see not who partakes.  In solitude
What happiness, who can enjoy alone,
Or, all enjoying, what contentment f
Hal Loyd Denton Apr 2012
To serve as a sub title I would call this antidote presented in a flowered bouquet first of flowers then
Thoughts that are found in such gifts of treasured beauty an antidote in the central theme of my life

Trying to give any and all relief from pain and suffering if nothing else it will serve as a brief distraction
As you read unfortunately we can only win small victories but anything to help just possibly it will make
A crack that will lead to understanding and more winning can occur

The gold bejeweled lives I have known they the towers the earth’s perennial flowers they were the all
Consuming hours of my life others view life conceptually one part is a stone wall that grows the figwort

With the other English Ivy Hedera the first has the notation of growing in old ruins here
Is the represented tendrils of the heart ever growing ever showing a map of feelings ether joyful or

Tragic within their sinew your strengths and weakness are displayed yes they are hidden to the natural
Eye but in quiet conversation they reveal themselves in the loveliest ways they are rhythmic waves that

Flow over those that we love instilling in them our secret otherwise unknown selves then now I would
Like to present the main body of this piece what are the first words women say when they receive

Flowers how lovely is their words for this to happen their heavenly Father stood before this blue globe
And spoke to the wayward wind my desire is to make an unquestionable quality that will be the very

Essence from where its fragrance is derived he told the wind go and do my bidding instantly the wind
Split into four parts from that time till now it is called and said gather from the four winds in obedience

To the master one part rushed down and felt the tearing of mountain peaks it screamed with delight
And pain it soothed itself by quietly passing over knolls that stood on lonely hill tops then through vales

And valleys it made progress looked across the great span of earth to see what its kindred brothers and
Sisters were finding in its drift and wonderings it noticed one was awaking the wild African world then it

Turned and whirled as it picked up the scent of Africa’s coffee fields instinctively it knew where it must
Go next to the southern tobacco fields it delighted in the pungent promise where in parlors ever so

Humble the tiny pleasurable string like smoke would lay on the air and from a great distance far from
This domestic scene it could see its fellow kiss and roll across the earth’s great rivers the Nile and its

Rectangular pyramids the burial enclosures of the pharos with reverence they silently passed to deepen
This they drove onward until they felt the sacred Ganges below they drank of the sighs of millions of

India’s people refreshed by this dearness to link themselves to the one true God they set a course that
Would take them to where in future days a Union Jack would have the notoriety that the sun never set

In far off lands without its shadow proudly waving it pointed glory folds back to the Thymes where the
British crown would nobly reign and one of its greatest achievements would be the land of free men

That it spawned so out to sea it turned to visit this kingdom not of royal crowns but the garland of
Freedom that rested on every man woman and child it was home for many waters the Mongolia the

Ohio north lay the Great lakes in its center the old Mississippi it followed it down and made its turn west
To rivers called Rio Grande the Red Brazos on to the Colorado the snake and if they could be heard

Speaking they be saying Chisim Platt fairest blue bells I know your home in these familiar dales and pick
Up the from the arid desert from dry river beds biting sand go to its roots and you would know long

Ago waters that held brimming life over the gold fields it continues and dips into the blue pacific
Washing sand an grit its next stop was turquoise waters rainbows and waterfalls it fell into the swaying

Palms coconut papaya pineapple layered it with richness it would create the fabled trade winds it turned
To view it exact opposite its brother wind that came down from the pole it knew Russia’s Siberia Alaskan

Tundra at this point it heard the Father state you have done well he drew a great breath that captured
All that was gathered in the heart of the wind then he turned to carpeted fields that stood incomplete

Flowers were as a sea but they were empty petals they were the reproductive part of flowers but they
Were barren of vividness and true deep colors but worst of all they were odorless and then God

Breathed upon them the secrets that the wind had stored from the four corners of the earth in that
Moment flowers became the true marvel and were forever established as the hallmark of romantic

Expression first picturesque layered with gratitude stillness the chill from the pole that reached down
Through the Canucks of Canada there is the splash of **** frost felt if not known the enticement of the

Soul of cool contrasted with the deserts heat cacti drenched in sunlight never to be complete always in
Rays that makes it beholden in glimmers it shimmers it touts a glory born from harshness it lingers as

Indescribable beauty burnished sands its court this is also found in the allure of flowers hidden within
Is weariness but it is the refined kind it speaks to you not of tiredness but of rest of shade and shadow

A quest is announced do you not feel a sweet breeze how else does its fragrance come within reach
You’re carried back to mountain meadows meows from baby mountain lion kittens are laced within

The story flowers release through their fragrance and truly this just one of Gods many gifts to man
And the greatest Rose of all is His Son the Rose of Sharon
Written in April 1798, during the alarm of an invasion

A green and silent spot, amid the hills,
A small and silent dell! O’er stiller place
No singing skylark ever poised himself.
The hills are heathy, save that swelling *****,
Which hath a gay and gorgeous covering on,
All golden with the never-bloomless furze,
Which now blooms most profusely: but the dell,
Bathed by the mist, is fresh and delicate
As vernal cornfield, or the unripe flax,
When, through its half-transparent stalks, at eve,
The level sunshine glimmers with green light.
Oh! ’tis a quiet spirit-healing nook!
Which all, methinks, would love; but chiefly he,
The humble man, who, in his youthful years,
Knew just so much of folly as had made

His early manhood more securely wise!
Here he might lie on fern or withered heath,
While from the singing lark (that sings unseen
The minstrelsy that solitude loves best),
And from the sun, and from the breezy air,
Sweet influences trembled o’er his frame;
And he, with many feelings, many thoughts,
Made up a meditative joy, and found
Religious meanings in the forms of Nature!
And so, his senses gradually wrapped
In a half sleep, he dreams of better worlds,
And dreaming hears thee still, O singing lark,
That singest like an angel in the clouds!

My God! it is a melancholy thing
For such a man, who would full fain preserve
His soul in calmness, yet perforce must feel
For all his human brethren—O my God!
It weighs upon the heart, that he must think
What uproar and what strife may now be stirring
This way or that way o’er these silent hills—
Invasion, and the thunder and the shout,
And all the crash of onset; fear and rage,
And undetermined conflict—even now,
Even now, perchance, and in his native isle:
Carnage and groans beneath this blessed sun!
We have offended, Oh! my countrymen!
We have offended very grievously,
And been most tyrannous. From east to west
A groan of accusation pierces Heaven!
The wretched plead against us; multitudes
Countless and vehement, the sons of God,
Our brethren! Like a cloud that travels on,
Steamed up from Cairo’s swamps of pestilence,
Even so, my countrymen! have we gone forth
And borne to distant tribes slavery and pangs,
And, deadlier far, our vices, whose deep taint
With slow perdition murders the whole man,
His body and his soul! Meanwhile, at home,
All individual dignity and power
Engulfed in Courts, Committees, Institutions,
Associations and Societies,
A vain, speech-mouthing, speech-reporting Guild,
One Benefit-Club for mutual flattery,
We have drunk up, demure as at a grace,
Pollutions from the brimming cup of wealth;
Contemptuous of all honourable rule,
Yet bartering freedom and the poor man’s life
For gold, as at a market! The sweet words
Of Christian promise, words that even yet
Might stem destruction, were they wisely preached,
Are muttered o’er by men, whose tones proclaim
How flat and wearisome they feel their trade:
Rank scoffers some, but most too indolent
To deem them falsehoods or to know their truth.
Oh! blasphemous! the Book of Life is made
A superstitious instrument, on which
We gabble o’er the oaths we mean to break;
For all must swear—all and in every place,
College and wharf, council and justice-court;
All, all must swear, the briber and the bribed,
Merchant and lawyer, senator and priest,
The rich, the poor, the old man and the young;
All, all make up one scheme of perjury,
That faith doth reel; the very name of God
Sounds like a juggler’s charm; and, bold with joy,
Forth from his dark and lonely hiding-place
(Portentous sight!) the owlet Atheism,
Sailing on obscene wings athwart the noon,
Drops his blue-fringed lids, and holds them close,
And hooting at the glorious sun in Heaven,
Cries out, “Where is it?”

Thankless too for peace,
(Peace long preserved by fleets and perilous seas)
Secure from actual warfare, we have loved
To swell the war-whoop, passionate for war!
Alas! for ages ignorant of all
Its ghastlier workings, (famine or blue plague,
Battle, or siege, or flight through wintry snows,)
We, this whole people, have been clamorous
For war and bloodshed; animating sports,
The which we pay for as a thing to talk of,
Spectators and not combatants! No guess
Anticipative of a wrong unfelt,
No speculation on contingency,
However dim and vague, too vague and dim
To yield a justifying cause; and forth,
(Stuffed out with big preamble, holy names,
And adjurations of the God in Heaven,)
We send our mandates for the certain death
Of thousands and ten thousands! Boys and girls,
And women, that would groan to see a child
Pull off an insect’s leg, all read of war,
The best amusement for our morning meal!
The poor wretch, who has learnt his only prayers
From curses, who knows scarcely words enough
To ask a blessing from his Heavenly Father,
Becomes a fluent phraseman, absolute
And technical in victories and defeats,
And all our dainty terms for fratricide;
Terms which we trundle smoothly o’er our tongues
Like mere abstractions, empty sounds to which
We join no feeling and attach no form!
As if the soldier died without a wound;
As if the fibres of this godlike frame
Were gored without a pang; as if the wretch,
Who fell in battle, doing ****** deeds,
Passed off to Heaven, translated and not killed;
As though he had no wife to pine for him,
No God to judge him! Therefore, evil days
Are coming on us, O my countrymen!
And what if all-avenging Providence,
Strong and retributive, should make us know
The meaning of our words, force us to feel
The desolation and the agony
Of our fierce doings?

Spare us yet awhile,
Father and God! O, spare us yet awhile!
Oh! let not English women drag their flight
Fainting beneath the burthen of their babes,
Of the sweet infants, that but yesterday
Laughed at the breast! Sons, brothers, husbands, all
Who ever gazed with fondness on the forms
Which grew up with you round the same fireside,
And all who ever heard the Sabbath-bells
Without the Infidel’s scorn, make yourselves pure!
Stand forth! be men! repel an impious foe,
Impious and false, a light yet cruel race,
Who laugh away all virtue, mingling mirth
With deeds of ******; and still promising
Freedom, themselves too sensual to be free,
Poison life’s amities, and cheat the heart
Of faith and quiet hope, and all that soothes,
And all that lifts the spirit! Stand we forth;
Render them back upon the insulted ocean,
And let them toss as idly on its waves
As the vile seaweed, which some mountain-blast
Swept from our shores! And oh! may we return
Not with a drunken triumph, but with fear,
Repenting of the wrongs with which we stung
So fierce a foe to frenzy!

I have told,
O Britons! O my brethren! I have told
Most bitter truth, but without bitterness.
Nor deem my zeal or fractious or mistimed;
For never can true courage dwell with them
Who, playing tricks with conscience, dare not look
At their own vices. We have been too long
Dupes of a deep delusion! Some, belike,
Groaning with restless enmity, expect
All change from change of constituted power;
As if a Government had been a robe
On which our vice and wretchedness were tagged
Like fancy-points and fringes, with the robe
Pulled off at pleasure. Fondly these attach
A radical causation to a few
Poor drudges of chastising Providence,
Who borrow all their hues and qualities
From our own folly and rank wickedness,
Which gave them birth and nursed them. Others, meanwhile,
Dote with a mad idolatry; and all
Who will not fall before their images,
And yield them worship, they are enemies
Even of their country!

Such have I been deemed.—
But, O dear Britain! O my Mother Isle!
Needs must thou prove a name most dear and holy
To me, a son, a brother, and a friend,
A husband, and a father! who revere
All bonds of natural love, and find them all
Within the limits ot thy rocky shores.
O native Britain! O my Mother Isle!
How shouldst thou prove aught else but dear and holy
To me, who from thy lakes and mountain-hills,
Thy clouds, thy quiet dales, thy rocks and seas,
Have drunk in all my intellectual life,
All sweet sensations, all ennobling thoughts,
All adoration of the God in nature,
All lovely and all honourable things,
Whatever makes this mortal spirit feel
The joy and greatness of its future being?
There lives nor form nor feeling in my soul
Unborrowed from my country! O divine
And beauteous Island! thou hast been my sole
And most magnificent temple, in the which
I walk with awe, and sing my stately songs,
Loving the God that made me!—

May my fears,
My filial fears, be vain! and may the vaunts
And menace of the vengeful enemy
Pass like the gust, that roared and died away
In the distant tree: which heard, and only heard
In this low dell, bowed not the delicate grass.

But now the gentle dew-fall sends abroad
The fruit-like perfume of the golden furze:
The light has left the summit of the hill,
Though still a sunny gleam lies beautiful,
Aslant the ivied beacon. Now farewell,
Farewell, awhile, O soft and silent spot!
On the green sheep-track, up the heathy hill,
Homeward I wind my way; and lo! recalled
From bodings that have well-nigh wearied me,
I find myself upon the brow, and pause
Startled! And after lonely sojourning
In such a quiet and surrounded nook,
This burst of prospect, here the shadowy main,
Dim-tinted, there the mighty majesty
Of that huge amphitheatre of rich
And elmy fields, seems like society—
Conversing with the mind, and giving it
A livelier impulse and a dance of thought!
And now, beloved Stowey! I behold
Thy church-tower, and, methinks, the four huge elms
Clustering, which mark the mansion of my friend;
And close behind them, hidden from my view,
Is my own lowly cottage, where my babe
And my babe’s mother dwell in peace! With light
And quickened footsteps thitherward I tend,
Remembering thee, O green and silent dell!
And grateful, that by nature’s quietness
And solitary musings, all my heart
Is softened, and made worthy to indulge
Love, and the thoughts that yearn for human kind.
Valsa George Nov 2016
Oh, my Father in Heaven
Guarding me from all perils and trials  
And sets my heart free of all clutter
For you, my songs of praise, I reserve

All my life, I shall sing
Without fail, in bloom or gloom
On every unfolding day
Through months and years
Till death and beyond
Let my songs sail across the skies
And with the chorus of the heavenly band, unite

Oh, the benevolent Lord of all creation
Custodian of all wealth
Contriver of birth and death
The Master Crafts man
Everything is your handiwork.

The lofty mounts
Veiled in misty snow
The verdant dales
Lush and still
The fathomless deep
Where mysteries peep
All the flowers
That bloom and wither
All things
Bright and beautiful
Everything, above and below
In all,
Let me behold thy grace
And sing Thee praise!

Oh! Redeemer of Mankind
Guide me through the dark
Guard my steps where dangers lurk
Hold my hand
And never loosen your grip

Make me face the light
Illumine me with wisdom serene
And fill me with love divine;
So that you be glorified
Here, on Earth
And in Heaven be!
Hal Loyd Denton Nov 2012
Priceless Times


To serve as a sub title I would call this antidote presented in a flowered bouquet first of flowers then
Thoughts that are found in such gifts of treasured beauty an antidote in the central theme of my life

Trying to give any and all relief from pain and suffering if nothing else it will serve as a brief distraction
As you read unfortunately we can only win small victories but anything to help just possibly it will make
A crack that will lead to understanding and more winning can occur

The gold bejeweled lives I have known they the towers the earth’s perennial flowers they were the all
Consuming hours of my life others view life conceptually one part is a stone wall that grows the figwort

With the other English Ivy Hedera the first has the notation of growing in old ruins here
Is the represented tendrils of the heart ever growing ever showing a map of feelings ether joyful or

Tragic within their sinew your strengths and weakness are displayed yes they are hidden to the natural
Eye but in quiet conversation they reveal themselves in the loveliest ways they are rhythmic waves that

Flow over those that we love instilling in them our secret otherwise unknown selves then now I would
Like to present the main body of this piece what are the first words women say when they receive

Flowers how lovely is their words for this to happen their heavenly Father stood before this blue globe
And spoke to the wayward wind my desire is to make an unquestionable quality that will be the very

Essence from where its fragrance is derived he told the wind go and do my bidding instantly the wind
Split into four parts from that time till now it is called and said gather from the four winds in obedience

To the master one part rushed down and felt the tearing of mountain peaks it screamed with delight
And pain it soothed itself by quietly passing over knolls that stood on lonely hill tops then through vales

And valleys it made progress looked across the great span of earth to see what its kindred brothers and
Sisters were finding in its drift and wonderings it noticed one was awaking the wild African world then it

Turned and whirled as it picked up the scent of Africa’s coffee fields instinctively it knew where it must
Go next to the southern tobacco fields it delighted in the pungent promise where in parlors ever so

Humble the tiny pleasurable string like smoke would lay on the air and from a great distance far from
This domestic scene it could see its fellow kiss and roll across the earth’s great rivers the Nile and its

Rectangular pyramids the burial enclosures of the pharos with reverence they silently passed to deepen
This they drove onward until they felt the sacred Ganges below they drank of the sighs of millions of

India’s people refreshed by this dearness to link themselves to the one true God they set a course that
Would take them to where in future days a Union Jack would have the notoriety that the sun never set

In far off lands without its shadow proudly waving it pointed glory folds back to the Thymes where the
British crown would nobly reign and one of its greatest achievements would be the land of free men

That it spawned so out to sea it turned to visit this kingdom not of royal crowns but the garland of
Freedom that rested on every man woman and child it was home for many waters the Mongolia the

Ohio north lay the Great lakes in its center the old Mississippi it followed it down and made its turn west
To rivers called Rio Grande the Red Brazos on to the Colorado the snake and if they could be heard

Speaking they be saying Chisim Platt fairest blue bells I know your home in these familiar dales and pick
Up the from the arid desert from dry river beds biting sand go to its roots and you would know long

Ago waters that held brimming life over the gold fields it continues and dips into the blue pacific
Washing sand an grit its next stop was turquoise waters rainbows and waterfalls it fell into the swaying

Palms coconut papaya pineapple layered it with richness it would create the fabled trade winds it turned
To view it exact opposite its brother wind that came down from the pole it knew Russia’s Siberia Alaskan

Tundra at this point it heard the Father state you have done well he drew a great breath that captured
All that was gathered in the heart of the wind then he turned to carpeted fields that stood incomplete

Flowers were as a sea but they were empty petals they were the reproductive part of flowers but they
Were barren of vividness and true deep colors but worst of all they were odorless and then God

Breathed upon them the secrets that the wind had stored from the four corners of the earth in that
Moment flowers became the true marvel and were forever established as the hallmark of romantic

Expression first picturesque layered with gratitude stillness the chill from the pole that reached down
Through the Canucks of Canada there is the splash of **** frost felt if not known the enticement of the

Soul of cool contrasted with the deserts heat cacti drenched in sunlight never to be complete always in
Rays that makes it beholden in glimmers it shimmers it touts a glory born from harshness it lingers as

Indescribable beauty burnished sands its court this is also found in the allure of flowers hidden within
Is weariness but it is the refined kind it speaks to you not of tiredness but of rest of shade and shadow

A quest is announced do you not feel a sweet breeze how else does its fragrance come within reach
You’re carried back to mountain meadows meows from baby mountain lion kittens are laced within

The story flowers release through their fragrance and truly this just one of Gods many gifts to man
And the greatest Rose of all is His Son the Rose of Sharon
someone out in cyber-land
might just be
copying a poem which they'll
attribute to their own tee

unscrupulous replicators
have no qualms
on flagrantly stealing the lines
from genuine arms

when they take a fancy
to your brilliance of verse
they'll naff off with all or part of it
and stow it within their purse

piracy is rife around
online writing dales and dells
it's the pilfering of an authentic
author's heart and soul bells

they say that imitation
is the sincerest form of flattery
but an alternate opinion
would say plagiarists are bereft
of an original wordage battery
Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry '**** the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.

But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.

These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight—
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.

These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.—The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,—with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her *******, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:—she from a casket takes
A little book,—and then a joy awakes
About each youthful heart,—with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
He was known as the local Mycophagist
In the dales, the woods and the hills,
What happened was sad, for he wasn’t so bad
Just a tad underdone, Toby Gills,
They say that the cord was around his neck,
He was born with a carroty mop,
And a pale white head, he was almost dead
When the doctor had called out ‘Stop!’

They cut the cord and they let him breathe,
The damage was already done,
The blood had been stopped to his carroty top
So they said that he’d always be dumb.
But he found a niche where the fungi creeps
And went out collecting the spore,
In a year or two he knew more than you
And the college Professor next door.

He studied his mushrooms with loving intent,
He knew about hen of the woods,
He knew about bracket and shaggy manes, magic
And paddy straw, they were the goods;
He fostered his lobster and hedgehog and oyster
And coral fungi and stinkhorns,
But didn’t discern between fly agarics
And toadstools that grew in the lawn.

He grew his spore in a deep, dark cellar
And sold to the folk who came by,
And never would judge between Widow Weller
And the ordinary witches of Rye,
He’d sell death caps, and pigskin puffballs
Not thinking to question them why,
Or who would be eating his laughing Jim’s
And whether they knew they would die.

The air was thick and the air was damp
And he fell in the dark one day,
Scattering toadstools into the air
And their spores had floated away,
He breathed the spores right into his lungs
For he hadn’t been wearing a mask,
But ****** them in right over his tongue
And they came to his lungs, at last.

I happened to see him out in the street
He was finding it hard to breathe,
He could only take a couple of steps
Then sit on the kerb, to heave,
I tried to help but he waved me away
And his eyes were yellow and cruel,
Then I saw what he’d thrown up on the kerb
Some yellow and red toadstools.

The man was a walking toadstool spore
They were popping up out of his hair,
Pushing their way though his carroty top
In a bid to get to the air,
And his skin was blotched like a puffball, he
Looked up at me, and he cried,
As a giant toadstool grew from his throat
And he lay on his side, and died.

David Lewis Paget
Hal Loyd Denton Nov 2011
Happy Trails

The trail with Roy is a long and winding one for the family I was in we were the ones who chased the
Television viewing from friends and family’s house one night Lucy who made your jaw hurt from
Laughing so hard then Saturday night lineup at grandma Denton’s but it was best on Saturday afternoon
When we went to Tower Hill on the egg run the last house in the neighborhood on the south side they
Had the corner house and out the back door you would go right into the field. The way the magic started
Run in set down in the floor the old gentlemen would put it on the right channel and
Then there he would be shooting riding the golden palomino as he rode it was a high point every time I used
to Fantasize That he and Dale would come through Pana in their big blue Cadillac especially after it raced through the Prayer room at our United Pentecostal church that Roy and Dale received the Holy Ghost later is was a
Thrill when Colonel Harland Sanders followed in Roy and Dales steps for Roy it was all of his sheet music
Showed up at our church for the Colonel it was Kentucky Fried chicken buckets at general conference for
Offering collection plates. He wouldn’t come to me so I went to him Tower Hill to Apple Valley took
some years I was on my way to Palm Springs that lies about a hundred and some miles further out in the
Desert first I was doing what I have always loved and it was more thrilling to be going to his house I was
Cutting across the high desert in a brand new car I was breaking it in I ran in excess of a hundred miles
An hour for over an hour just me the desert and the Joshua trees they held their arms skyward as their
Name sake held his arms skyward to Jehovah in bible times while I smoked a streak across that beautiful
Stark landscape I stayed first at Victorville about four miles from Apple Valley where back then Roy had
His museum his house on Tomahawk Lane and the museum were both built by his son Dusty’s
Construction Company the house is round and the stone fence contained wagon wheels with RR as a
Brand inlaid in metal it was kind of funny at the motel I watched Gene and Pat Butrum movies while
They introduced them form a studio made at his museum in LA as the desert wind howled throughout the night I never caught Roy
At the museum on his frequent visits but I did meet Dale at her house and talked to her briefly half a
Dream fulfilled I got a special answer to the other after returning home I sent my writing to Roy it was
The early stuff not the fifty pieces I’ve written here but it included lost friend Disgrace Imposter life force
And about thirty total he and Dale and the Sons of the pioneers were making an appearance at
Marriott’s Great America I stood back off at the side but Dale spoke to Roy he focused on me and held
My gaze for a long time he showed me to him I had value my writing has effected others they stare long
And hard trying to get it and understand some say it’s too deep and hard to understand not if you
Approach it thoughtfully if you want shallow meaningless quick reading you will have to look else where
Trails end we were at the Hilton Suites at Disneyland it was our anniversary I opened the door to get the
Complimentary paper there was Roy rearing on trigger he traded the golden palomino for streets of gold as Iva and Others I’m looking forward to that great waking up morning.
Through the sunlit valley they dance and sing
smiling with constant purity in the arms of spring
in the dales, new born lambs are bleating
daffodils push up to the sun, kindly beating

The buttercup pixies start to find worm holes
to pop there little seeds in threes into
then by night and day they watch the seedlings grow
underneath the shelter of a nearby toadstool

Then at six in the morning
when most folks are yawning
they gather their red hats as a team
and skip to the nearby crystal stream

Then with hats in hand scoop up the water
no more then just over a quarter
then bound back to water their seedlings
sweetly fastidious and tending with feeling


By Christos Andreas Kourtis aka NeonSolaris
Where be ye going, you Devon maid?
      And what have ye there i' the basket?
Ye tight little fairy, just fresh from the dairy,
      Will ye give me some cream if I ask it?

I love your meads, and I love your flowers,
      And I love your junkets mainly,
But 'hind the door, I love kissing more,
      O look not so disdainly!

I love your hills, and I love your dales,
      And I love your flocks a-bleating;
But O, on the heather to lie together,
      With both our hearts a-beating!

I'll put your basket all safe in a nook,
      Your shawl I'll hang up on this willow,
And we will sigh in the daisy's eye,
      And kiss on a grass-green pillow.
Slowly it slides on sub zero waters
trying to find a pathway to the sea
sheet of pure blue and heaven white
lumbers discreetly for aquiline is quite

From the top of the world
frozen fingers reach down
claws frantic on solid ground

No religion no sage
no saviour just age
and the relentless pull of gravity
will take it from mountain to the sea

This sculptress of valleys and dales
and fjords that can be seen for miles
travels without sound
onward bound

By Christos Andreas Kourtis aka NeonSolaris
Terry O'Leary Jul 2013
Fat midnight bats feast, gnawing gnats, and flit away serene
      while on the trails in distant dales the lonesome wolverine
            sate appetites as dawn alights and daytime's crystalline.

A migrant feeds on rotting seeds with fingers far from clean
      and thereby’s blessed with barren breast (the easier to wean) -
            her baby ***** an arid flux and fades away unseen.
K Balachandran Jun 2013
Stellar spirit, fearless flier to high skies, your wings are gifts of freedom,
your florid songs, tug at my heart as much as those plumage,
your elan, though subdued a bit by harsh weather, takes new shoots,
never in disquiet, indomitable, your inner lamp, now burns with camphor light.
I see you fly above the storm clouds, singing anthem of your soul,
spectacular, in clear weather, cheered by your dear ones near,
the hillsides, valleys and dales resound with your dulcet tunes.
Francie Lynch Mar 2016
On the Emerald Isle when the brier's green,
Occur strange sights seldom seen.
There's golden rainbows and small clay pipes,
And wee folk dancing every night.

I've heard stories of the leprechaun, but
Before I see 'em they're usually gone.
Yet one green misty night in the brier,
I saw them jigging round the fire.

Sean and I were in green Irish woods,
Gathering shamrocks and just being good.
While searching near a hidden creek,
We heard faint giggles from fifty feet.

Near the giggles grew a small green fire,
Perhaps six inches high - no higher.
We crouched low for a better look,
To our surprise we saw a small green cook.

He wore a tall green hat and pulled-up socks,
And stirred a *** of simmering shamrocks.
Smoke curled from his pipe of clay,
Why, I remember his grin still today.

A band of gold encircled his brim,
My little finger seemed bigger than him.
He had golden buckles and a puggish nose,
Glimmering eyes and curly toes.

Sweet music floated on wings of air,
Fifty-one leprechauns were dancing near.
They passed the poteen with a smack of their lips,
As each in turn took a good Gaelic sip.

Suddenly the gaiety quickly slowed down.
Sure we were that we'd been found.
But they all looked north with reverent faces,
Bowed their heads, stood still in their places.

The banshee's wailing was heard afar,
O'erhead the Death Coach had a full car.
The wee folk respect, it must be said,
Erin's children when they're dead.

Soon flying fast through the green night air,
We spied King Darby hurrying near.
He rode atop his beloved steed,
O'er dales and glens, woods and mead.

His hummingbird lighted on a leaf,
And all the wee folk knelt beneath.
With a golden smile he waved to all,
To officially begin The Leprechaun Ball.

Tiny green fiddlers fiddled their fiddles,
That sounded just like ten thousand giggles.
Dancers danced on mists of green,
Pipers piped, but none were seen.

They danced and ate and passed the ladle,
And kicked up their heels to Irish reels.
We enjoyed the sight late into the night,
But suddenly they gave us a terrible fright.

They saw us cowering behind the trees,
So they cast a spell which made us freeze.
We'd heard what happens to caught spies,
That now are spiders, toads or flies.

Well, old King Darby drew us near,
Sean and I were in a terrible fear.
With a grin and a snap he made us small,
And requested our presence at the Leprechaun Ball.

We reeled and laughed with our new found friends,
'Til the green mist lifted to signal the end.
With a glean in his eye the good King said:
"'Tis sure'n the hour yous be abed."

He waved his shillelagh to return our height,
Wished us well and bade good-night.
And as they rode the winds away
I suddenly remembered it was St. Patrick's Day.

I'm sure the lot of you think me a blarney liar, but that night I assure you
I danced 'round a green fire.
A fav I re-post every St. Paddy's Day.
Thou still unravish'd bride of quietness,
    Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
    A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
    Of deities or mortals, or of both,
        In Tempe or the dales of Arcady?
    What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
        What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
    Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
    Thy song, nor ever can those trees be bare;
        Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
    She cannot fade, though thou hast not thy bliss,
        For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
    Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
    For ever piping songs for ever new;
More happy love! more happy, happy love!
    For ever warm and still to be enjoy'd,
        For ever panting, and for ever young;
All breathing human passion far above,
    That leaves a heart high-sorrowful and cloy'd,
        A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
    To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
    And all her silken flanks with garlands drest?
What little town by river or sea shore,
    Or mountain-built with peaceful citadel,
        Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
    Will silent be; and not a soul to tell
        Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
    Of marble men and maidens overwrought,
With forest branches and the trodden ****;
    Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
    When old age shall this generation waste,
        Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
    "Beauty is truth, truth beauty,--that is all
        Ye know on earth, and all ye need to know."
Paul Butters Oct 2018
Let me inspire you to go higher:
Lost among the stars.
Our universe glitters, spread across the sky.
The world keeps turning,
Resplendent with hills and mountains,
Dales and plains.
Continents surrounded with seas and oceans
And clothed by grass and trees.

Mother Earth is blessed with flora and fauna:
Sentient beings of every shape and size,
From mighty whales and elephants,
Through furry friends like dogs and cats,
Tall giraffes, slithery snails, right down
To scattering ants and pesky flies.

Smell that fresh sea breeze,
Hear those rolling waves,
Screams of gulls
And twittering sparrows.
Feel the warm moist air
Of an Indian Summer.

Be mindful of all that is around,
Yet let imagination wonder,
For out there
There is more
So much more.

Dark Monsters of The Id
Are out there too,
We all know that.

But Life in all its splendour
And determination
Is there for all to see.
Oh to live forever with such things.

Paul Butters

© PB 16\10\2018.
This is what poetry is about.
Hazel Connelly Nov 2012
Inflow of confetti, brings happiness and fun
Newly wed romance in the November sun
From the valley of dreams, mid the hills and dales
Azure the sky and green the vales
Tantalizing melodies in the afternoon air
Unaware of love lingering everywhere
Against the backdrop of a cloudless sky
The snow capped mountain stands so high
Infatuation or love? A beautiful sight
Oblivious of day turning into night
Nostalgia enters, and music plays in the moonlight.


© Hazel
On snow shrouded hills,
In bright sun light,
They dance like mites,
And spin like dancers,
White showers in circles,
Dust devils of snow,
Moving and spinning,
They catch the eye,
Round and round,
A play of wind,
Glittering and shining,
The sun's bright light,
Over and over,
And back and forth,
Like snow faeries dancing,
And calling you forth,
Winter's bright spritelings,
Like willow-the-wisps,
Those who follow,
Might never return,
'Cross snow shrouded hills,
And cold shadows dales,
Right out of the Dreaming,
And into the Veil,
Lost to this world,
And all they have known,
'Neath snow shrouded hills,
That the faeries call home,
Ever wandering forever,
In a land not quite home,
Forever living,
And never alone,
Onward and inward,
Forevermore,
'Cross cold shadowed dales,
And snow shrouded hills.

~Muninn's Kiss, December 8, 2013
Terry O'Leary Nov 2013
’Tween hither and thither we wended our way
skipping, dancing through sand dunes, in seascape croquet.
While woven in waves watching dolphins at play
I first tasted her lips in the ocean’s wild spray.

Mystic moonbeams, suffusing clouds’ shimmering sails,
unleashed us and whisked us down sensuous trails,
soon evoking the trills of untamed nightingales
as our passions pervaded green valleys and dales.

Being spectres of splendour in wanton sashay
we mastered our meaning in love’s matinee –
the breezes, in passing, slowed down to survey
blazing bodies embraced in youth’s blooming bouquet.

With the wind as our wings, till the Never we flew,
two gypsies, on junkets through dusk’s residue
gently floating like pollen to everywhere new,
so eluding pearled teardrops that paint the past blue.

Yes, we gamboled and gambled, two waifs led astray,
with our shackles afire and anchors aweigh –
rising higher and higher, the sun lured our sleigh,
teasing time was our temptress, night’n day after day.

Having stars in our eyes and all time as our view,
we’ve drifted, like dreamers where sprites rendezvous
and feasted on laughter and sipped morning dew
while rambling forever as one made of two.
Ryan McKenzie Jan 2013
Where have all the Juliet’s gone.
The princess' to rescue, the maids to save.
A woman’s gift use to be so more defined.
As was the part I had to play.
Not that I was a very good actor.
Was never much of a factor on the main stage?
If I could go back to the days of Arthur, when chivalry was alive.
Joust with evil princes and slay fire breathing dragons
to ride, on an steed through the meadows and dales.
Listening to minstrels sing my story accompanied by a lyre.
Guinevere wouldn't run from this mans passion.
Exalibur would be pulled from the stone.
Alas I live in the technology age the dark ones are well past gone.
What is good for only some, never ever lasts.
I still have my pen which lets me sit and fret
and lament for a sweet Juliet.
Francie Lynch Jan 2015
Those dog days of summer
Near forgotten and gone,
Are stored for the winter,
And remembered in song.

The dogs' days of winter
Tell a different tale,
Of dogs pulling sleds
In Alaska for mail;
Or searching the Alps
Bringing whiskey and ale,
Panting and pulling
In hills, waters and dales.

Siberian Huskies,
The Great Pyrenees,
The Alaskan Malamute,
Run off their tails
Battling death and disease.

The Keeshond  
Doesn't wear
Wooden clogs,
Like the Newfie
And Wolfhound,
They're winter work dogs.

If working in snow
Isn't enough to freeze fur,
Look to the Lab,
In frigid waters
In layers of warm flab
Helping fishermen,
Or retrieving a lad.
These warm furied friends
Will work til their end.

The dog days of summer
Ran off with the pack,
Leaving the dogs
Of our winters
To haul, trail and track.
Our best friends.
Francie Lynch Mar 2015
On the Emerald Isle when the brier's green,
Occur strange sights seldom seen.
There's golden rainbows and small clay pipes,
And wee folk dancing every night.

I've heard stories of the leprechaun, but
Before I see 'em they're usually gone.
Yet one green misty night in the brier,
I saw them jigging round the fire.

Sean and I were in green Irish woods,
Gathering shamrocks and just being good.
While searching near a hidden creek,
We heard faint giggles from fifty feet.

Near the giggles grew a small green fire,
Perhaps six inches high - no higher.
We crouched low for a better look,
To our surprise we saw a small green cook.

He wore a tall green hat and pulled-up socks,
And stirred a *** of simmering shamrocks.
Smoke curled from his pipe of clay,
Why, I remember his grin still today.

A band of gold encircled his brim,
My little finger seemed bigger than him.
He had golden buckles and a puggish nose,
Glimmering eyes and curly toes.

Sweet music floated on wings of air,
Fifty-one leprechauns were dancing near.
They passed the poteen with a smack of their lips,
As each in turn took a good Gaelic sip.

Suddenly the gaiety quickly slowed down.
Sure we were that we'd been found.
But they all looked north with reverent faces,
Bowed their heads, stood still in their places.

The banshee's wailing was heard afar,
O'erhead the Death Coach had a full car.
The wee folk respect, it must be said,
Erin's children when they're dead.

Soon flying fast through the green night air,
We spied King Darby hurrying near.
He rode atop his beloved steed,
O'er dales and glens, woods and mead.

His hummingbird lighted on a leaf,
And all the wee folk knelt beneath.
With a golden smile he waved to all,
To officially begin The Leprechaun Ball.

Tiny green fiddlers fiddled their fiddles,
That sounded just like ten thousand giggles.
Dancers danced on mists of green,
Pipers piped, but none were seen.

They danced and ate and passed the ladle,
And kicked up their heels to Irish reels.
We enjoyed the sight late into the night,
But suddenly they gave us a terrible fright.

They saw us cowering behind the trees,
So they cast a spell which made us freeze.
We'd heard what happens to caught spies,
That now are spiders, toads or flies.

Well, old King Darby drew us near,
Sean and I were in a terrible fear.
With a grin and a snap he made us small,
And requested our presence at the Leprechaun Ball.

We reeled and laughed with our new found friends,
'Til the green mist lifted to signal the end.
With a glean in his eye the good King said:
"'Tis sure'n the hour yous be abed."

He waved his shillelagh to return our height,
Wished us well and bade good-night.
And as they rode the winds away
I suddenly remembered it was St. Patrick's Day.

I'm sure the lot of you think me a blarney liar, but that night I assure you
I danced 'round a green fire.
SE Reimer Dec 2013
oh, rising sun on east horizon,
shine your light through purple hues;
sunbeam fingers reaching long,
spreading warmth ‘cross mountains blue.
awake, oh towering pine majestic,
for deep below your roots flows pure
crystal liquid falls in dance, 
fills each pool with nature's mirror.
this my Oregon, i call her home,
where skies of grey and winter long
chills milder souls to the bone,
yet hardy stock from which i come
know her best, still to be sung.
her rocky crags where eagles soar,
her mountain lakes, her breaking shores,
her rapid’s ripple, current strong,
her open skies and painted rocks,
from each she springs alive with flame,
floral tapestry, her fields ablaze,
here streams cascade through canyons tall,
tumbling long in waterfall,
through rock and mountain, a gorge cut deep,
a bridge to history, the gods they speak  (1
a people weary, journey long,
struggling forward they sang their song.
first the solo, small band of men
discovery's chorus, brave brethren;  (2
a choir growing, families joined, 
came for land, they stayed for joy 
by beauty smitten, they wrote her lore.  (3
today her wonder, her majesty
sings to her young, *“come, walk with me,
come ******* bounty from forests green,
from lakes, from streams, from ocean deep,
from waving fields of amber grains,
abundant yields, endure my rains.,
come sip my wines, my vineyards flow,
come drink my waters, winter’s snow,
drawn from my wells, my streams below,
my plains and valleys, my hills and dales,
i offer richness within my veil.
when journey’s burden becomes too great
find respite in my sunset’s slate,
my star-kissed skies they offer thee,
my arms, my breast, thy comfort be."
Post script.

i am hardly an expert on this subject, projecting here only my viewpoint and perspective garnered since my arrival in my late teens. hidden meanings tied to Oregon history abound here. for some reference i invite you to join me on a quick journey: 
(i am blocked from supplying the full links below, but am certain this will not deter your uncovering of these snippets :-)
(1  wikipedia.../'Bridge_of_the_Gods_(land_bridge)
(2  wikipedia... /Corps_of_Discovery
(3  wikipedia.../Oregon_pioneer_history
Maggie Emmett Nov 2014
There walks no Daphnis with his mournful song
Blinded by the vengeful nymph, whose love was unrequited
He does not wander in the hills above this place
Playing his pipe and singing of his sadness
Aphrodite can punish him no more
For he is gone to the quiet land of shadows
Taken by Hermes, herald and messenger
Of the mightiest of gods, to cross the river Styx
His soul guided by his father’s loving hand,
to Hades and the final still of time and season.

In the quartz sculpted gorge, beneath the waterfall
Naiads lithe and languorous once bathed
Alabaster skinned, in the crystal brook
Auburn ringlet tresses were shaken free
When they stepped among the mossy rocks and ferns
Their peachy cheeks flushed vital rose
Their strawberry ******* raised and glistening
Their teasing laughter that once echoed in these dales
Through verdant pastures and the bluebelled wood
Is heard no more, for they have passed into memory.

It is silent now, the Jackals are not howling
The threat of Wolves and Lions gone
This pastoral world of goatherds pining
Is but a world of dust and dreams.
This poem was written for an Idyll section competition. It was first published in Yellow Moon Issue 17, Winter 2005; p.39.
It uses all the traditional Greek images with a little twist or two.
Hal Loyd Denton Jan 2012
Churning

Boisterous to me life a high powerful stormy sea will I ever see land again those peaceful
Dales the trees so deeply rooted in there canopy the swaying seems as undersea waves so softly they
Stir as at play deep valleys and hills below above aluminous sun light makes a rich glow in its tow I go
Ever so slow the sea grass moves in a musical undulating fashion the same as the grass on the plains
Colors diverse with coral markers at depths that unrest at the surface doesn’t reach the frothing foam
As it were a great goblet filled for god to drink a offering of thanks for such wonder that can be a
Complexity at once filling heights of emotional strands then instantly terrifying foreboding illustrious
Without equal so vast stretching all the bounds you have ever known by the sea blown tales that are
As voluminous as the sea itself adventure in the raw highlighted with charm by the cawing of the seagull
With the same speed they dive and climb on the surface races the dolphin the embodiment of joy and
Laughter the sea rescuers has been some of their duties to the blessing of many lost mariners in cold
Chilly waters these bubbly ones was the difference between life and death the sea does spray as with
Glory unbound in this all concluding vesture that is seamless all consuming tiring but invigorating once
The sea salt has entered your blood there is no escape its lore hypnotic unbreakable break waters will
Carry you inland by that she granted your greatest desire after she has reared her head and gave you
The Undeniable look at deaths watery jaws but when on her mercy you survive or in some fashion are
Flung on the shore you lose your emotional tiller and blubber like a baby then the manly part curses all
She Put you through you know one thing for certain never will she catch you a float but little do you
Know her winsome call withers all about so you hungrily crave the sea tossed tempest its excitement is a
Drug that a ****** has no cure for it puts robust living in your path all of your days while the timid land
Dwellers only look on in awe and admiration
My organs need aligning      
To my mind's meandering tract.
Irrespective if she loved me,
I should have loved her back.  

August 1st 1994

What do you want from me? I am not just,
As you desire; I am not whole or part
Of your antiquity. I know I must
Deplete my ore of you; I must depart,
If only to withstand the judgment call
That I should sober mine my soul. I dig
But find my land possesses naught but pall
Shrouds, wrecked by empty casks and crowded brigs.
‘Tis only with the passing time and flight:
When I long to belong, when I am blind
With *****, stupefied and brain-dead bright,
That Scotland, you invade my winding mind.
The question haunts as dreich as my desire.
My constant drunken dream will ne’er expire.

Where do we go from here? What is to come
Of me within you, in you, here and now?
The solitary plight in one man’s sum
Of rhyme and reason creases on my brow.
I, sweat in winter outcast by the self,
Must sit. I crouch and crawl from bed to bowl.
This box is stutter stained by glass, the serf
My conscience specified, to catch the soul’s
Transfusion red to street. It drips and slides,
It split my very sides when sadness swept
So close. Dear Scotland, will I ever hide
The condemnation, nailing my inept
Existence? Will I ever find the time?
Dear Scotland please prepare my earthbound lime.

It did, and I did, one after the first.
And now the long time that I walk upon
Has thrown itself, is gone. The wayside burst.
Yet blind, I still conceived my setting sun.
Lone looped black celluloid, I circled, fed
Upon the axle of my own demise,
So many times in dry feet, airborne led
(To a) dishevelled Scotland, spread for absent eyes.
Undressed: acceptant in the throes of musk,
The tear comes shuddering. The chasm wails;
The dales of concrete weep from dawn till dusk.
Yet my visage of sickened eyelets fails.
If Scotland is to eye, my wounded knee:
Then tomb my head in Boston, let it be.
Because,
You loved me with a broken quill clutched tight
Into your hand. My blind eyes reacted to
The sound of greyness in your voice. A flight
And fancy ploy: the essence of a truth.
As memories of eggshelled sojourns waltzed
To Spain and back my tip-skin touched the soul
Of spirit taste, on foot, which cracked beneath
Another sole. My role had shifted poles.
Yet then, in linened white and Boston bright
Disdain, I worshiped, nay, I bled the thought
Of rain on cobbled Ahston Lane. To fight
The want was useless. Now, to the fight, I float.
A ghost in life, I crawled the clouds for miles,
To shake my Scotland’s hand and reconcile.






Barry Miller-Cole 2011
Cycling past buisness girls on his way through Camden town
between towering grey buildings and tourists that frown

The lights turns to red and like a one legged man at the curb
he drifts off to a land that to some, seems absurb

Where honey-eyed tales of piglet and Pooh
are driven  by toads tooting, ****- ****- poo

Peddling along the reeling, rolling,rambeling road some drunkard guy made
on famiular BBC air waves his voice often played

Through rich green ridings, wild moor and dales
2-50 stands the church clock that so sweetly never fails

Hatless on Ilkley, bathed and bathed in York
tea-time fancies at Harrogate, whilst watching like some Kes pearched hawk

Nodding and humming to  sounds of the Brighouse and Rastric bands
and still finding time to paddle a little,
                                                                                 on sun drenched Gigglewick sands

Red turns to green as he wobbles and peddles away down Boris's yellow brick road
To Settel, for supper with
                                                       Raty
                                                            ­         Mole
                                                            ­                         Badger
                                                                ­                                           and Toad
Francie Lynch Mar 2017
On the Emerald Isle when the brier's green,
Occur strange sights seldom seen.
There's golden rainbows and small clay pipes,
And wee folk dancing every night.

I've heard stories of the leprechaun, but
Before you see 'em they're surely gone.
Yet one green misty night in the brier,
I saw them jigging round the fire.

Sean and I were in green Irish woods,
Gathering shamrocks and just being good.
While searching near a hidden creek,
We heard faint giggles from fifty feet.

Near the giggles grew a small green fire,
Perhaps six inches high - no higher.
We crouched low for a better look,
To our surprise we saw a small green cook.

He wore a tall green hat and pulled-up socks,
And stirred a *** of simmering shamrocks.
Smoke curled from his pipe of clay,
Why, I remember his grin still today.

A band of gold encircled his brim,
My little finger seemed bigger than him.
He had golden buckles and a puggish nose,
Glimmering eyes and curly toes.

Sweet music floated on wings of air,
Fifty-one leprechauns were dancing near.
They passed the poteen with a smack of their lips,
As each in turn took a good Gaelic sip.

Suddenly the gaiety quickly slowed down.
Sure we were that we'd been found.
But they all looked north with reverent faces,
Bowed their heads, stood still in their places.

The banshee's wailing was heard afar,
O'erhead the Death Coach had a full car.
The wee folk respect, it must be said,
Erin's children when they're dead.

Soon flying fast through the green night air,
We spied King Darby hurrying near.
He rode atop his beloved steed,
O'er dales and glens, woods and mead.

His hummingbird lighted on a leaf,
And all the wee folk knelt beneath.
With a golden smile he waved to all,
To officially begin The Leprechaun Ball.

Tiny green fiddlers fiddled their fiddles,
That sounded just like ten thousand giggles.
Dancers danced on mists of green,
Pipers piped, but none were seen.

They danced and ate and passed the ladle,
And kicked up their heels to Irish reels.
We enjoyed the sight late into the night,
But suddenly they gave us a terrible fright.

They saw us cowering behind the trees,
So they cast a spell which made us freeze.
We'd heard what happens to caught spies,
That now are spiders, toads or flies.

Well, old King Darby drew us near,
Sean and I were in a terrible fear.
With a grin and a snap he made us small,
And requested our presence at the Leprechaun Ball.

We reeled and laughed with our new found friends,
'Til the green mist lifted to signal the end.
With a glean in his eye the good King said:
'Tis sure'n the hour yous be abed.

He waved his shillelagh to return our height,
Wished us well and bade good-night.
And as they rode the winds away
I suddenly remembered it was St. Patrick's Day.

I'm sure the lot of you think me a blarney liar, but that night I assure you
I danced 'round a green fire.
Repost for St. Patrick's Day. Erin go bragh! Sliante! and all that blarney.
K Balachandran Aug 2020
Loosing gravity, I hovered above,
The fields and woods, hills and dales,
Egrets and cranes sensing  a competetor
Near gave a chase, that was nice though.

'Just a metaphor that means a search
For beauty and lasting meaning' I heard,
Who said it; unknown commentator viewing
Every movement, each moment, of universe!

What a mystery, I thought for a moment,
Not the 'I' before, but one that is aggragated,
Above the narrow limits of me,my and mine,
The cranes and herons keeping me company
Had bid goodbye, I saw palms wave  hands.

Feeling comfortable with the new fecility
I flew high easy, couldn't find where I end
And the multiverse of wonders takes me over
"Aĺl I thought of me was as a visitor to this
Island of time and space, part of a whole,
But I have  my sweetheart close to my heart
Near and dear, friends all over the world
Many of us never met but neighbours of
My heart, I hear them from afar and their
Heartbeat I felt mine; was an adventure this,
Love prompted, a lilting poem  in progress,
Now  a flow with the wind circling universe
I am ecstacy itself, time is the essence in this
Tale, told  by many eyes" whispered I to
My invisible companions, winging with me.

And loomed large in my being my beloved
Moon with whom I fell madly in love in an
Age of unreason and wild infatuation.
She felt compelled to hold me close to her
***** and kissed my sweaty brows gently
A moment of oblivion, now I am one with
The sprit of universe, in thought and deed
When being becomes nothingness, bliss!

The starry nights, embellished in darkness
And light  is my domain till eternity, I have
No loss or gain, what 'I was' cherished is not
Taken from me a bit, in this wingless flight

The stars, a billions lighted souls dancing
In time line far near and eternal began
To hum a celestial tune that becomes all,
That makes the universe, it moves in waves
Holds all together with love and compassion
All the rest are just tales,elements create
You and I, all the rest are myths illusory
Apparition of one and only music eternal.
From Clee to heaven the beacon burns,
The shires have seen it plain,
From north and south the sign returns
And beacons burn again.

Look left, look right, the hills are bright,
The dales are light between,
Because 'tis fifty years to-night
That God has saved the Queen.

Now, when the flame they watch not towers
About the soil they trod,
Lads, we'll remember friends of ours
Who shared the work with God.

To skies that knit their heartstrings right,
To fields that bred them brave,
The saviours come not home to-night:
Themselves they could not save.

It dawns in Asia, tombstones show
And Shropshire names are read;
And the Nile spills his overflow
Beside the Severn's dead.

We pledge in peace by farm and town
The Queen they served in war,
And fire the beacons up and down
The land they perished for.

"God save the Queen" we living sing,
From height to height 'tis heard;
And with the rest your voices ring,
Lads of the Fifty-third.

Oh, God will save her, fear you not:
Be you the men you've been,
Get you the sons your fathers got,
And God will save the Queen.

— The End —