Ch. 1.

1.

Behold, thou art dark and comely, my love;
richly hath the sun favoured thee,
delighting in thy presence.
Let me savour thy kisses of wine;
for in the gardens of the temple
the lotus furls open,
wild bees fall asleep on her face.


2.

Lilies and jasmine bloom
in the garden of my love;
falls of wisteria,
carpets of thyme.
Let us lie in the shade of the olives
to gaze on the sky.


3.

For many hours my love slept
  beneath the cedars,
couched on cool swathes of linen,
like the Lord of Midnight enthroned on a cloud.
Long tresses of willows shivered to cool his face.
I called his name but he heard me not,
being entranced in slumber,
deep in the thrall of dreams;
therefore I shall let him awaken when he please.




Ch. 2.

4.

A warm breath of nard is my master, my king,
A great golden deity haloed with stars.
Behold, the noble bearing of a king,
the finely-wrought body of a man.
In my dearest dreams he standeth before me
out of my reach, gesturing for me to follow,
calling unto me like the very embodiment of love.


5.

Night comes softly, o daughters of Jerusalem,
My king's desirous eyes have grown heavy with sleep.
His black hair ripples about his face
  like curtains of smoke,
gold bracelets entice my gaze to
the sinews of his arms.
Like roses unfurling, so open the lips of my love,
  I burn for their flavour,
yet awaken him not till he please.





Ch. 3.

6.

Out of the forest I came, with my
maidens and minions;
with carpets of hibiscus strewn at my feet.
Columns of frankincense curved into the air,
burning from lamps of copper and gold.
From the broad slopes of Edom
my soul's love stopped to observe us.
I felt his warm gaze upon me,
so soft a look as touched like caresses of hands.
I am weary with desire, my lord and king,
Bring me the looks of thine eyes, dark as midnight,
That regard me with touches of silk.


7.

Though I may stand with my legion before thee,
an army behind me,
The west wind roars to my left,
the east to my right,
a million strong with all my banners, warriors
and standard-bearers,
still my delight were only to serve thee,
see how I tremble with awe by thy side.


8.

Behold, my ladies, the noble bearing of a king,
the finely-wrought body of a man.
My king is a custodian of the sanctity of love,
see those arms with the strength to smite
yet full of the will to embrace.
Nightly cometh he to my chambers,
whispering of love,
with the stealth of a lion,
as meek as a lamb.




Ch. 4.

9.

Preparing for my beloved,
I have put on my mantle of midnight sky
garlanded with stars.
My black locks are hung with beads of gold,
my neck is anointed with sandalwood and rose.
Come, my ladies,
Bring me my white chargers,
my sedan lined with silks from Lebanon,
my heralds and cavalcades of guards;
My beloved king awaits my pleasure.






10.

When I am in the embrace of my beloved,
He is worlds of landscapes of desire,
he is all the earth, air and sky to me.
His eyes shineth as my sun and moon,
his broad chest becometh as the
cool desert dunes by night,
where I may rest my head.
Go safely in thy dreams, beloved king,
with sentinel angels, to roost with the doves.




Ch. 5.

11.

Such a turmoil of a dream
hath troubled me, my sisters,
I dreamed that my love approached my window,
Calling unto me through the
rosewood trefoils of the lattice.
Forgetful of our tryst I answered him not,
all oils and fine trappings were put away,
mine eyes were full of slumber.
When finally I rose from my bed
   he had gone.


12.

Overwrought and afraid,
I went out in the streets,
  calling unto my beloved,
receiving no answer and calling again.
  The night watchmen came and found me,
they smote me and denounced me as pagan,
calling me harlot and worshipper of false idols,
harshly they beat me with flails
and threw me into the darkest cellars
of the palace of Solomon.


13.

Awakening at last,
I felt a warm breeze,
It was my love's breath upon my face.
Let all the world suspend in time,
let hate, rage and darkness flee as a shadow,
otherwise let me die here in the arms of my king.
There is but this one hour, one place,
in one lingering moment,
When my soul's love and I are conjoined
in the petals of love.




Ch. 6.

14.

Midnight has fallen in the gardens
  of the temple of Solomon.
The moon communes with her sister in the lake,
painting the magnolias with mother-of-pearl,
turning her buds into silver doves.
Passion and beauty intertwine in my love's garden,
Like the twisted trunks of the fig trees of Judea.
Behold, my beloved,
thou art more comely even than the moon.
Come and walk with me
in the balmy air of night.


15.

Only through the love of another may
a soul come to know of itself.
My king is mine and I am his;
The sun and moon each taketh their
turn in the sky,
the shepherds go sure-footed
over their hills and valleys,
the merchants go their ways in the
spice markets of Lebanon,
while he and I are lost in one another's eyes.




Ch. 7.

16.

Love's weariness hath overcome me,
beloved lord and king.
Bring me thy pleasant fruits, thy tender words,
Lie betwixt my *******; my hair shall
be thy curtain,
these arms shall be as thy cocoon.
Let the tides cease their turning
and the winds give pause to hold their breath.
Awaken not my dearest love, until he please.


17.

Even in sleep,
such beautiful eyes hath my beloved;
his eyelashes rest upon his cheek
like the feet of a butterfly on a lily.
Come, my sisters, we shall make him
a bed of hemp and poppies,
with fruit of the lotus,
that he may languish beside me
for many days and nights.




Ch. 8.

18.

Filling my days and dreams,
here is a man with the grace of a young hart,
whose honeyed voice speaketh mantras of desire.
Arise and follow me, beloved, for my vineyards
are ripe with luscious fruits,
the doves beat their wings and fly from the cots.
Emerging from the amber of sunrise,
with a swirling of veils,
summer dances into the season of our love.


19.

Lying amid the twisting vines
My love and I are deep in each other's embrace
and his lips taste of roses heavy with dew.
I am a queen of the Red Sea,
an orchid from a sacred garden,
and my kingdom reacheth to the farthest hills.
None but my love shall pass the boundary
where my vines bear the sweetest fruit,
nor taste their heady wine.


20.

The gates of my vineyard are wrought of
iron clad with gold,
taller than cedars, decorated with
the royal insignia,
guarded by three score watchmen,
by day and night.
While other men are kept without
and the foxes are driven back by dogs,
see how swiftly they open for thee.




Ch. 9.

21.

Behold, the noble stature of a king,
the finely-wrought body of a man.
In the sanctity of love
we may walk in the realm of paradise,
undisturbed by the foibles of men.
Come beloved, awaken,
the new dawn opens as wide and fresh
as infant eyes.
Come run with me through the spice hills
  and gardens of Lebanon.

his own & this world's realities are like the fuzz in the States
they're ones to escape, which is a plan of attack
that, like a unit of ammo dispatched
to the bean of a **** autocrat dying physically damaged & sad
hits his deli̲ght-bankrupt brain; like Donald the dung piece, today
he feels bold, so maybe there'll be, like abundance of cake
["bald"]
fortune coming his way
["fortis fortuna adiuvat"/"fortune favors the bold"]
————————————————————————————————
this one's a schmuck thing to say
but this club reminds of Ukraine (what?)
he, like motorized cavalcades from the next-door empire, invades
its territory causing, like unaccommodating writer, a sla[ɛ]m
[Eminem & his "Unaccommodating" song]
as he shuts the door frame; obvi, sO̲me people may
find them bars offensive, like an armed aggression
so my apologies, I'm somewhat ashamed
mainstream house stuff is on play
a thought in his skull: "this is lame"
Michael S. straight after he turned around & stumbled on blamed
Toby F.; through the crowd he cuts like a blade
[the ending of the "Frame Toby" episode cold open from "The Office" series]
having hopped U̲p on the stage
as if it were a narcotic substance you've ta'en
he, so loud as if with his cullions in grave
nU̲t-wrenching pain, bawls: "THIS ****** *****!", like a brace
of thigh highs colored with stains of blood; yanderE̲[eɪ]
["*****"; "so[ɑ]cks"]
schoolgirl; disgruntled, he makes for the f#cking DJ
delivers a verbal punch in his face by the fo[ɑ]llowing phrase:
"boy, go house-sit with your confounded
boring house sh#t, just like a housewyf"
whereafter thrusts him away
ending the uproar with "ciao, drip!"
music-wise, it's gon' go hard as nuts in this place
as if a flock of ones who're deranged
["who're" is supposed to be read/pronounced as "whoor"]
swung by a club in the wake of a ****** **[ɑ]spital break (nuts in this place)
he puts on midtempo dark cyberpunky synthwave
Gesaffelsteinish mid-paced
type of music; that's what drives his crumpet insane
speaking of crumpets, he spots a buxomish babe
while nodding his ******* nut to this cray
music, he feels like a **** being aimed
at, for she stands with her sight, like one of a gun, fixed his way
————————————————————————————————
for a few secs, at each other they gaze
she's quite a fox with her vibrant locks
reminding of flame; somebody call a fire brigade
hourglass-shaped & rigged out in tight pa[ɛ]nts & a blouse
with a U̲-neck, like a fella without
*****, & leaving her waist a bit out
["******"]
on display; he makes his way to this frau
salutates her with "ciao"
she greets him with just the same, then he mouths
the following: "babe, you're way like a house
for lodging that's nowhere to be found
that is, in the deep of a labyrinth"
she's like: "what in the void's name's this about?"
he replies: "I'ma translate that one now"
"the way you look's amazing, ten out
of ten", like that "KleanColor" skin bro[ɑ]nzer
["a maze inn"; "Tan Out Of Tan"]
she makes a soft smile, then replies: "ain't you nice, pal
when you lay your thoughts out?"
"not being nice would be a crime
when you face a fine gal
like you", - he replies
"if so, rejecting the company of a guy so gracious would count"
as a crime too", - she replies
being a music-lover with such a need fO̲r it it's
stuff he cA̲[ɛ]n't live without
the guy asks the gI̲rl if she
fa[ɛ]ncies this sound
her reply is affirmative
she says she, mostly, faves underground
kinds of music; they vibe
to these tunes being pU̲t on, just like
that loony sh#twipe the whole antifa community'd like
to see end up ruined, just like
Aleppo or Mariupol; stop, I'd
like, before the main telling resumes, to rewind
a little: the newly-met vibe
to these hard-hitting beats put on; he finds
out, when asking her what drinkable fluid she'd like
to have, that she deems it uncool to imbibe (*****)
he replies: "to tell you the truth, so do I"
so if there's somebody to end up lit during this night
it is the moon in the sky
["some body"]
————————————————————————————————
soon after having their soft drinks taken, they bounce
like the name of the style
of music brought into this wO̲rld heaps
before chicks twerking
blew into the mainstream like "blaow!"
["hips"]
like a sick pervert that digs scourging
while engaged in a bout
of carnal fun, he's got a whip ordered
they wait for several mins for it
finally, the motorized conveyance comes out
like a deb girlie
[debutante]
he trails this fox like she's prey to hunt down
watching her proceed to[–]ward it
in a way like she's on a catwalk waving around
a rig splurgy
having hopped in it, to a lodging place they set out
the saucy look in her eyes
once his palm is put on her thigh
a kind of luminous sign–
–board reading: "absolutely alright
with going on a lewd spree tonight"

Evening cleats The Bay,

As cavalcades of passive argon, sulphur on
the ogham slicks,
to treacle ways toward the seeding
cooling of the hours,...

The sleights of crimson, fringe
the bruising cower of the West, to
brightly die behind the leathered hill.

From a wrist of tallowed amethyst,
a Tiercel purls a last ellipse, and in
his sinking helix ships, the Sommes
of curdled estuaries, to brood
the closing Mill....

Glorious wanderers on Death's celadon globe
Stride- in sombre ceilidh- the arsenic haar,
Mantle of Dis' harrowing of derelicts.
Feral shadows stroking the hollow strath
With crimson paces aloft Acheron's shores,
The Erinyes, in macabre cavalcades
Walk the land, bereft, forever of aubades

That crude-spoken Sovereign commands a big stick,
runs the world into ruins, once our bailiwick.
Questioned why, He grins grimly, pale lips slightly pursed:
"Vindication? Straightforward: It's Me and Me First".

(To mesmerise people He’s conjured His spells
with the pride and the power that Lucifer sells –
using tricks of the trade, evil voodoos well-versed
well engendered His mojo: "It's Me and Me First").

His friends (not His foes) form the skeletal men
along trails of dead ends (for they're armed once again)
and they're counting the bones of the bodies dispersed
by His bombastic lyrics: "It's Me and Me First".

The crater walls crumble, the dust drapes and smothers,
as drummers drown screams in the dreams of the others –
while beating and throbbing, like red veins aburst,
bleating echoes redouble: "It's Me and Me First".

A warrior departed to fight for His flag
and returned as a body brought back in a bag;
alas, such are the stories of soldiers coerced
by the Devil's damnation: "It's Me and Me First".

Beneath His thick thumb, the deprived do and die,
when subjected to whims, promised pie in the sky –
yes, His heavy hand rules, and the weaklings be cursed
for accepting His sermon: "It's Me and Me First".

He's minding our business by forging fake fears
and He'll serve and protect as the bogeyman nears
by ensuring our fantasies' phantoms are nursed,
smirking: "why should you worry, It's Me and Me First".

The media moguls flash news so fantastic –
their hearsay on Honcho's forever elastic
with doctrine and hogwash and hype interspersed
'twixt the dictums of hell and of "Me and Me First".

The masses partake in His royal cavalcades
giving chase to the hearses in midnight parades
through the catacomb caves where we're falling headfirst
down the bottomless pit of "It's Me and Me First".

The children in ghettos, like slave mutineers,
vainly venture to flee before youth disappears
but their ship's on an ocean that can't be traversed
for their sails line the abyss of "Me and Me First".

While His Highness drives oxen, He's sipping champagne
thinking "each shares a trough so that none need complain",
but the water hole's drying, we're dying of thirst,
so says "sorry you guys but It's Me and Me First".

A drifter once hinted behind weary tears
"overall the world's dying or so it appears";
He replied with a flash and a sudden outburst:
"yes, but who really cares when It’s Me and Me First"?

In Great Again moments we get the DT's
from His paranoid penchants, quite like a disease,
one which spots us, then rots us, then worse comes to worst
when He utters "just Trust Me: It's Me and Me First".

When profits are plunging (approaching the pits)
He won't give up the ghost or start calling it quits,
instead purges our pockets; again reimbursed,
says (re-groping His kitty): "It's Me and Me First".

The King condescends to a sharing charade
by dispensing desserts at the penny arcade –    
yet while crawling for crumpets, the crowds are dispersed
being slogged by the slogan: "It's Me and Me First".

When faced with the facts, He's the Greatest denier
that global abuse means all life may expire –
He scoffs at the thought that it can't be reversed,
says "it's not about you, no: It's Me and Me First".

With profits performing, He smiles, misinforming  
- of weather that's warming (whilst whirlwinds twist, storming),
- of jungles conforming to nature deforming,
- of bees no more swarming, thawed glaciers transforming
bold mountains to molehills on sand bars submersed –
can the earth persevere when: "It's Me and Me First"?

                        EPILOG
If you're feeling unsettled, there's no need to fret
for it's all a delusion, and lest we forget
He repeats His old mojo (a line well-rehearsed):
"just like almighty Yahweh: It's Me and Me First".

                      EPITAPH
The remains of the deserts and wasteland lie here
where the vacuum implodes and the silence is sere
when retelling the tales of the sagas immersed
in the mythos and legends of "Me and Me First".

The stone statuettes (swapping vain epithets)
consigned rational threats (those that wisdom begets)
to their nothingness nets spread in dank oubliettes,
losing aberrant bets with no real regrets
(scorning pale silhouettes that the conscience besets).

Nonetheless, when the cosmos and chaos conversed
they but hee-hawed the hubris of "Me and Me First”.

I believe… that the night hides abyss of silence,
fleeting butterflies swirls and bends over my eyelashes,
gloomy shadows, shuddering cavalcades of emotions,
the seed of light breaks down the tangled paths of life …

I believe... that nostalgia has the perfume of a rainbow
what strikes the unwritten verse between my lips,
with withered sounds resonating on the alley of life
the noisy clinker wants the world to amuse ...

I believe... that the water's murmur reflects bulbs of light,
the sad dance of the autumn cuts the road to ruins,
the trembling forest, dry, now deeply broken,
wants to mourne in front of heaven, making things right  ...

I believe... that springs will mirror in the quiet waters,
the serene sighs will once whisper my name,
to disturb the calm of warm hours with a charming smile,
to turn on the desire with his mouth hungry for love ...

It was a sweetgrass serenade
singing up serotonin
through the cavalcades
and ramparts
that I had been using to
barricade my heart

It was a sweetgrass serenade
and when I let those sweet words slip
off my tongue
just like syncopated honey
into the three-stranded braid
of me and you and Creation
taking us into those outer places
where we can occupy other spaces

It was a sweetgrass serenade
and on our journey to the moon
is where I wonder who
is following us cause
on our way back
I could feel the exodus
of my past,
you know
the part that
no longer serves.

And in its place...

It was a sweetgrass serenade
singing up serotonin
filling up that empty pocket
with a force of positivity.

Looks like We found a lifeway
time to let it shine and
step into deep play

II.

Oh ! vers ces vétérans quand notre esprit s'élève,
Nous voyons leur front luire et resplendir leur glaive,
Fertile en grands travaux.
C'étaient là les anciens. Mais ce temps les efface !
France, dans ton histoire ils tiennent trop de place.
France, gloire aux nouveaux !

Oui, gloire à ceux d'hier ! ils se mettent cent mille,
Sabres nus, vingt contre un, sans crainte, et par la ville
S'en vont, tambours battants.
À mitraille ! leur feu brille, l'obusier tonne,
Victoire ! ils ont tué, carrefour Tiquetonne,
Un enfant de sept ans !

Ceux-ci sont des héros qui n'ont pas peur des femmes
Ils tirent sans pâlir, gloire à ces grandes âmes !
Sur les passants tremblants.
On voit, quand dans Paris leur troupe se promène,
Aux fers de leurs chevaux de la cervelle humaine
Avec des cheveux blancs !

Ils montent à l'assaut des lois ; sur la patrie
Ils s'élancent ; chevaux, fantassins, batterie,
Bataillon, escadron,
Gorgés, payés, repus, joyeux, fous de colère,
Sonnant la charge, avec Maupas pour vexillaire
Et Veuillot pour clairon.

Tout, le fer et le plomb, manque à nos bras farouches,
Le peuple est sans fusils, le peuple est sans cartouches,
Braves ! c'est le moment !
Avec quelques tribuns la loi demeure seule.
Derrière vos canons chargés jusqu'à la gueule
Risquez-vous hardiment !

Ô soldats de décembre ! ô soldats d'embuscades
Contre votre pays ! honte à vos cavalcades
Dans Paris consterné !
Vos pères, je l'ai dit, brillaient comme le phare ;
Ils bravaient, en chantant une haute fanfare,
La mort, spectre étonné ;

Vos pères combattaient les plus fières armées,
Le prussien blond, le russe aux foudres enflammées,
Le catalan bruni,
Vous, vous tuez des gens de bourse et de négoce.
Vos pères, ces géants, avaient pris Saragosse,
Vous prenez Tortoni !

Histoire, qu'en dis-tu ? les vieux dans les batailles
Couraient sur les canons vomissant les mitrailles ;
Ceux-ci vont, sans trembler,
Foulant aux pieds vieillards sanglants, femmes mourantes
Droit au crime. Ce sont deux façons différentes
De ne pas reculer.

Jersey, du 7 au 13 janvier 1853.

Wavelength   I - XVI

The Hyper Wavelength accelerated the transit of the Paraps or chapters from the first to the sixteenth, having to say that the energy between these initial Paraps could not determine the quantized energy in value lines, subordinating themselves to infinite values that anticipated forms that would be transferred from somebodies. to other material and immaterial. Making the energy value elemental sediment where the energy of the War Animal became an edge of the equation due to the height of its strength and multidirectional hyper-accelerated mobility in sixteen algorithms in its Muscular Meat Piece until the Final Apud Tertium. In quantum terms, this would mean transmitting Zeus's ultraviolet, generating a Katastrophe that would be nuanced with the Value of V= h•k, entailing radiation in future successions of high-level electromagnetic fields and in the Katastrophe as a start in which nothing would mutate from other fields, no less. trying reasons from other unknown fields. Vernarth's Aperture Paraps began to migrate according to the iridescent spectrum of the dark value, emitting towards other darker areas, carrying discrepancies in the farmsteads of the non-existent but kinetically existing Mythology, disagreeing that a mind that does not imagine but its energy that inaugurates the axon quantum making possible the real magnitude of the union of the Paraps as an energetic pyramid that represents density that is arranged between Vernarth and the unimaginable light field of energy quantization, whose axial oscillates when transmigrating from its agreed organism in integer multiples h•k, where the impossibility closes all imagination that opens in a wavelength that is precisely arranged between photons that would begin to shake due to the intensity of square meters and the timing that would play in the succession of each Ellipsis in a medium wave.

It is considered that the intensity mediated by the energy will be a photoelectric quotient that will come from square meters in the rays of light and wave that would be broader than those that Zeus could hold if he demanded greater prominence and intensity than the time itself that allows him to be incorporated in the Mythological and Submythological quantum interstice. Remaining each surface illuminated with wavelength radiation with photoelectron braking potentials in the meantime when oscillating in each two-dimensional space that would be composed of Paraps XVII onwards, with the sole mission of preventing Vernarth's electrons from reaching the anode to subtract the energy that should not affect the kinetics of his parapsychology moving tons of information from great sages being dragged by this phenomenon of Submythology (e • V) where “e” would be Kinetics and V, Vernarth postponed to the phenomenon of systems of equations that allow determining what values are assimilated to products versus laborious neophyte expeditions, and actions prone to stopping the time that was contained between each Paraps process. Generating thus, a logic that will make magnitudes towards a real dependency between the world of the origin of elemental Vernarth with the metallic cathode of a photoelectric cell that is illuminated simultaneously with two monochromatic radiations that were combined with the relationship of the stars and the Katastrophe Zeus's ultraviolet when he managed to uncoil gives all speed that was the euphemism of Hellenic Astrality. Right here the luminous radiosity would affect the serial equal to that of the Sulfur bringing immediately the electron of the Genus of the Duoverse Itheoi, and the god Sulfur extending to the initial margin of a photoelectric god.

The maximum speed is based on the radiation intensity, influencing the speed of the photons that would advance towards the Paraps or Chapters in the Vernarth dimension, expressing long waves that would finally occupy the initial sections of Paraps I to XVI. The zero-energy and zero-motion of the plot in Vernarth's actors would be subjected to this quantum dimension Inter Paraps due to the poor mood of the primordial environment that would only give them the light frequency, which could hardly be used to release all the energy. energy stored by the hecatomb of Katastrophe of Zeus with the Ultraviolet that is indicated later in the intervention of the god Azofar and the Mashiach. When the field of action or quantum Axon narrows, they will reach the incident potential that will release electrons in enormous extraction and release ducts towards the cathode field that would move towards the Iridescent Nimbus. The equation of the I to the XVII Chapter will point out that it could be perfectly encapsulated in a timeless measure creating its own energy and its own autonomous sustenance among those that make up the parapsychological energy fields as adhering spaces and concomitance between the material and anti-material. Here it is only intended to tell what moves in the forefront in a certain plane of gnosis with another that in parallel intends to wield itself in systemic freedom by expressing what this quantum lies dimensionally in the events, since the imperceptibility that happens is not enough to stock up on limitations of a Wavelength that would correspond to Vernarth hydrogen atoms, offering patterns of the existing limit in a portion of physics, and in openings that exceed the length of a wave even if they became sidereal when arriving in the reading of a Paraps if it is that it be a question of coinciding in the Vernarth serial from V to H as the same spectrum of the restrict serial in each value to be considered. The quantum is sometimes pure mass of stubby and hyper-accelerated organism crawling through large portions of beefy masses that overestimate the value of length beyond an exhale that will not return from H to V. This brilliantly allows us to discover that Paraps Submythology they would cross the congruence limits of physics towards the tabulation of everything that silently transits visible and not.

The Paraps from I to XVI and the Three finals of Bumodos try to interpret that alchemy is the property of the god Azofar, while his quintessence will seize Vernarth's veins after strong sand cavalcades will make him fluctuate from this quantum of ending in Three-dimensional Paraps, and restructure its hydrographic purpose with tributaries embedded in the torrents of its ill-famed interior, and all the submerged extra-quantum Dorus-Xiphos, with its multiple ****** edges as a new ruddy alliance that will provide us with a new life beyond our sad mournful.

Hunters from the dark
dancers in tight bunches
consolidate together as shadow.
Waiting for first light, they wait
to see what becomes.
Hands work down
broad cavalcades of ochre;
flames glint over vigorous tools.
Maneuvering across, they move
with bright reverence
and their own deep purpose.
On the wide grassland
each thing gestures its appetite,
and its consequence.