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Angelina Apr 2017
The things they never told you about the Addicts Daughter
She was born unaware of what life was or what life held,
You see her father taught her a lot when she was younger,
He used to hold her hand and walk her to the bakery.
Sometimes when they’d go he’d make her wait outside,
Or sometimes he’d walk into the bakery with her following right behind him in his footsteps.
Only the bakery wasn’t a place that made bread,
It was a place that used baking soda as they’re well known recipe.
This special bakery that the customers came in to every day,
Itching for this special recipe ripping themselves apart slowly and surely to get it.
Following her father in and out of bakery’s,
Seeing firsthand what makes these bakery’s so special.
The recipes from these bakery’s were all the same,
But little did she known the recipe was crack *******.
She got a little older when she started seeing her father on the weekends,
She was about five when her father stopped holding her hand to walk to these bakery’s.
But now her father was the baker and the house she stayed at was the bakery.
All the new people she met,
All coming and leaving with the same thing that they all craved.
Her cousin started staying over every once and awhile with her,
This started to get fun with all the excited people around.
Her father’s mother knew a lot about baking,
Because she was a loyal customer for years.
Customers started coming over more and more.
She wasn’t even six years old when the man approached her,
Moving slowly towards her untouched body.
She felt his fingers move in places nobody has touched before,
She tried to move him away and cover the revealing places his hands were at.
He wouldn’t stop no matter what she tried,
The one thing they never told you,
Was that the addicts daughter was molested that day,
At the unaware and now ashamed age of five.
Continue reading...
Barbara R Maxwell Nov 2018
The Bakery
Sitting at the bakery

Getting a cup of of coffee
With a wonderful taste
Ingesting the smell
Letting it tickle my senses
All types of people around
Getting some breakfast

Sitting in the bakery

People watching
Lots of baked goods all around
A feel of Europe
In the heart of the city

Sitting in the bakery

Watching all the sites
Listening to different languages
Seeing people going hither and yon
Getting their goods
Starting their day

Sitting in the bakery
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Kuzhur Wilson Aug 2014
Bakery
When the bakery was bought,
For the sake of novelty, uniqueness, etc,
Called it ‘bitter’

Laddu was bitter
Jalebi ws bitter
Cherry was bitter
Bitter, bitter

What bitterness, said people

The servant got bitter
Sir,
There are no bill collectors to turn away
Flies mock
She at home
Serves bitterness

While sharing the alienation
Which novelty and uniqueness supplied,
With eatables,
Biscuit said

Let’s add the salt of tears,
Eatables will not sell
If bitter

‘Please give me something old”
When the sound of a beggar
Intervened

Myself, who stood for novelty and uniqueness
Told him ‘ you can have this bakery’
translation : Anitha varma
#kuzhoorindia
Continue reading...
Mitchell Jun 2012
Life Crashes, It Does Not Land Gently
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
Continue reading...
Kartinee Mageswaran Nov 2015
Beards
Beards

Life is a bakery ;
And men are the cakes in that bakery.

In that same bakery,
beards are frosting.

You know what cakes without icing are called in the
bakery of life?

Boring.
Please follow @ineffable_ticker on Instagram for more beard poetry!
#love #cake #beard #icing
Continue reading...
Daisy Jun 2016
Mrs ******'s Bakery
A delicious little bakery
is only down our street
the smell of baking bread
well.. it really is a treat

It is run by Mrs ******
she is just so very charming
but she is a little clumsy
it's really quite alarming

You see,
she does her best to make the cakes
and bake such tasty bread
but the currants just go everywhere
and in the pies instead

And in the Cornish pasties
there is very often nuts
and in the fruit pie filling
bacon and beef cuts

But she seems to be quite fancy
well there has been many rumours
of her and the deliveryman
well... she flashes him her bloomers

But she really is so charming
poor soul.. she has the worst mishaps
like when she inadvertently
displayed her finest baps

And no one will forget
when in came a group of nuns
all asking some tea cakes
but out popped her Chelsea buns

But she really is a riot
you can't help but love her so
she give you all you ask for
in a bargain box 'to go'

And she takes care of her customers
and gives out treats to sample
you'll never go home hungry
you'll end up with quite a armful

So if you get a moment
take a stroll just down our street
to Mrs ******'s bakery
she really is a treat.
This needs some work lol thought of this last night on the way home while passing a bakery with a beautifully voluptuous lady serving and laughing with her customers. She is always such a lovely happy lady :o)
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Phantom Poet Feb 2016
Bakery
When I enter a bakery,
I gaze at the variety ,
Of fresh baked cake,
And cookie dough ,
Ready to bake,
I smell the tempting flavors of donuts,
And the wide range of cookies with nut,
I glance at the crossiant,
Something I gravely want,
I order a coffee,
And a crossiant,
To satisfy me,
I taste the luscious buttery bread,
And relish the spread,
Enjoying without worry,
Well this is the,
Adventure of a bakery
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Emily Coon Oct 2010
Bakery.
Come and Look, Come and See,
What is at the Bakery!
Dazzling, Lovely, Amazing too,
Something Special Just for You.
Delicious Cookies, Cakes, and Pies,
Tons of Delicacies Before Your Eyes.
The Scent of Sugar All Around,
Goodies, Donuts, and Breads Abound.
Sweet Tooth Calling, "Give Me More,"
Starts in When You Hit the Door.
Cravings Growing for the Treats,
Have to Have a Load of Sweets.
Absolute Bliss as You Give in,
To that Tempting Sugar Sweet Sin.
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Barbara R Maxwell Mar 2019
Bakery Heaven
Sitting in a bakery sipping coffee
Watching the wait staff moving to and fro
People eating weekend breakfast
Talking and smiling
Streets full of people

Bakery heaven

Precious baked goods for sale
Beautiful to see
The scent of them like perfume
Intoxicating to the senses

Bakery heaven
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Andvari Sæglópur Nov 2013
secret bakery
last spring,
in firenze,
i met a girl -
we'll call her julia
(because that's her name) -
this one strange night
behind a secret bakery
that's open at midnight.
i was standing
on a small street
in italy
surrounded
by drunken chaos,
the smell of pastries,
and beauty.
how will i ever
forget her?
why would i ever
even try?
Continue reading...
Corset Jun 2015
The Bakery
It follows my movements
behind a seashell,
every few steps
it drops the cup
over it's shoulder
prolifically it shifts
positions, so do I,
as slight of hand.

If the secret of love
is buried in his armpit,
and it is, maniacally.
Tho' not the kind
you buy at the movies,
of optimist derringers,
smoking guns.
Still,
flight begins when
the sun goes down
it shifts euphemistic trees
like shadow puppets
into walls of passion,
makes bulimia dreams
of doughnut holes,
something sweet
craving bakery counters
and bagels take up
the lonesome place
still ringing in our ears,
my ears,
placards hanging lobes
of the emotionally distressed,
handicapped dangle
I can't move my tongue
...again.
But, they still hear love
whisper their name
just before
the dawn becomes.
Sunny rising sonic
boom that scatters the birds
all  into synchronized
sign language.
We strain,
to hear them sing anthems
over the roof tops,
it makes us happy to hear
every time,
just one more time.
Continue reading...
Mateuš Conrad Apr 2019
achtung achtung!
.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!
Continue reading...
Mitchell Sep 2013
Luria Rose
We met on the stairs
Of a 15th century cathedral in Rome.
I was wearing my
Light gray suit that she later told me reminded
Her of the color of fresh volcano ash.

She - cut in half by the moonlight -
Wore red flats,
A ******* linen dress that
Effortlessly pronounced her *******,
While her oaken red and auburn hair
Lunged down both of her shoulders like
A waterfall or an avalanche,
Just touching the top of her belly button.

I, looking up toward the marble spires
Spinning into the scattered stillness of the nights
Opaque and cream colored stars,
Did not know she was hovering behind me watching me,
Until she had decided to speak;

If I had known, I would have ran inside.

"The cathedral is very nice, isn't it?"
I heard her ask to my back.
At the sound of her voice, I was not
Filled with that melodramatic cliché dripping
With soap opera fused emotions.

No, I
Was dipped into a large cauldron of ice-water.

There was a tremor
Somewhere
Inside of me and a heat
Ricocheting in her.

"Yes," I replied,"It is
Very nice and very old and I wonder why it is still here."

I did not know what I meant, but
From the pause and inhalation I heard immediately after, I
Believed she must have thought what was said profound.
Was I profound? Why would she believe that if it was only from
The spontaneous question that held no real physical weight? Or
From me jumping so quickly into this little

Game,

No question's asked?

"These buildings still stand because they
Are a physical memory of what we have achieved
And what we must continue to achieve
In the future." She had come up beside me now.
Vanilla lavender lotion and mint
Toothpaste were the first smells that came to mind.  

"The future..."I said, trailing off, "The future."

"Yes, the future is very important."

"It is all we have."

"Well, all we truly have is the present, don't you agree?" I asked,
Slightly turning my head to look at her.

She was still looking up at the cathedral. She was focused on the large church bell
That hung there like the moon in the night sky. I continued
To stare at her, my question hovering vulnerable in
The air as a butterfly with its wings damaged would. Then, a
Couple passed by us in a hurry. Their hands were clasped tightly together, the man
In front and the woman looking to be dragged by him. I saw
Neither of their faces, but I imagined them both to be calm and red.

"They look to be in a hurry," she said, "Where do
You think they're going?"

"Somewhere very important I'd imagine."

"And where is very important for you, sir?"

She turned
To meet
My gaze a

As if challenging it.

Her lips were full and painted with red lipstick. Where I thought her eyes would prove to be light colored or forest green, they were actually colorless and black. I inhaled at the sight of her, then immediately blushed. Again, our questions back and forth to each other were more of an interrogation of one's hearts and minds than flirtation. As she stared at me, I sensed that we had met before. There was something in her face that brought the feeling of an old friend or an acquaintance, like the feeling one gets when they see a past school teacher or love interest back in grade school. There was a warmth and giddy tension between us that made me feel eight years old again. I had felt so old recently. There was a sudden wink in her eyes and I then remembered the question I had asked her before.

"You haven't answered my first question," I stated seriously.

"I agree," she answered quickly, "The present is the only thing we have truly and
Do not have, all at the same time."

"What do you mean?"

"Being present 24 hours a day, seven days a week, is a very exhausting,
Trying thing,
Isn't it?

"Yes, I would agree with that."

"And being present for whatever reason, be it socially, romantically,
Professionally, etc., is really all for the future. One's own's private future goals.
Something one desires in the moment and wishes to have for oneself in the future. Our
Motivations are our desires. Our wishes. The lives we wish to own in the future."

"At times, yes, I do believe
One is present for those reasons, but
Sometimes, and I speak for myself,
I wish to lay back and let the sun burn my skin and
The clouds to blanket me, chilling me, so to remind myself
Of my placement on this planet and the miniscule and
Tremendous affect I have on my surroundings. For example..."

"You are very talkative," she said cutting me off, "I could
Tell from the way you looked up at this cathedral all by yourself,
Lost in thought or lack thereof, that you were a talker."

She smiled and I forced a tight-lipped smirk.

"Well, I am
So talkative because you have made
Me so."

"So be it."

"It is so."

"Are you mad? she asked.

"Not the least bit," I returned, unsure whether I was lying to
Her because I didn't want to offend her and scare her off or because
She was so extremely beautiful.

"Well, I am glad that I can do that to you." She looked back
Up at the church bell, trying to hide her satisfied smirk.

"I have said too much. Let us both watch
The cathedral stand on her own for a bit in silence, ok?"

"That sounds good."

She took a step down from the step she had been on with me. Two steps.
There she let her head and hair fall back, taking everything in she possibly could.
I needed a drink and she needed the sky, the cathedral, the city, but I
Could only give her my company, unsure whether she truly needed it or not.
I shifted my glance from the bell tower to what was behind me. There, I saw
A wooden trolley up against the far wall near a trickling fountain
With puppets hanging from their thin clear strings. The light from the oiled lamp posts
Was a dark orange and cast an array of ****** shadows along the walls that
Encircled the square which me and the woman and many others were standing around. Night
Had set on the square, but no one had decided to go anywhere.
The square was perfect for them; anywhere else would have seemed uncomfortable.

She looked at me from two steps back and asked,
"We are being present for a better future, yes?"

"What we hope will be a better future," I said, turning
My head away from the bottom of the square back to the
Cathedral. I emphasized the word hope.

"Yes, men and women must have
Hope for something better."

"Life does not guarantee anything, does it?"

"No, I guess it doesn't. It gives you chance and we give
One another choice."

"Or," I hesitated to say what I wanted to say, "Or God does."

"God," she laughed, "What's He got to do with anything?"

"Everything and nothing, I hear."

"Don't be so vague," she grinned, turning her body completely around to me
So I could see her full figure. Her dress outlined a woman's body,
But I knew, inside, there was so much more precious things then flesh. "Hear
From who and where?"

"You choose what you wish to believe
And no one can tell you otherwise. What
You need and
What others may need can be different and should be.
This does not mean that we cannot get along.

Is there a way to be wrong in what one believes in?
She looked to want an honest answer, so I gave her one.

"Yes."

"That's it?" she asked, wanting more.

"That can't be it?"

"Yes is a decent enough answer,
But because you looked to be so talkative before,
I assumed you would have more to say on the matter."

"Assuming something
Is a very dangerous, childish thing.

"Yes," she agreed, "It is."

"If one believes in something and tries to share
Those beliefs in an unaggressive, listen-if-you-will,
Dangerously friendly, perhaps even musical way, then
The listener has their choice in the matter. They can

Walk away

No questions asked or feelings hurt.

"That," she said, "Sounds good for the listener,
But perhaps not so great for the speaker.

"Why?"* I asked, surprised.

"Because then the speaker may turn into something
They originally did not want to be. A prophet or voice for something
They may honestly have no interest or passion for.

"I see."

"But, please, go on."

"On the other side, someone may believe in something fully, to their bitter core, but there needs to be a validation from another to prove their conviction. This is a weakness in their faith. They secretly doubt themselves and are trying to prove, by the obedience and following of others, that
Their belief, system, God, what have you, is a truth, a fact like the sky is blue or that fishes swim in the sea. These people with their thoughts and beliefs are the one's that are wrong. The one's that push their way onto other's without any room for being challenged or accused of falsity."

"There are some that do not want follower's, but as soon
As they turn around, there they are.

"Yes," I nodded, "I can think of a few thinker's
That I've read or heard of that happening."

"God, though," she laughed again lightly, "It
Is
Funny that you bring Him up."

I didn't have anything to say, so I said nothing.

"Are you a religious man...?" she asked.

"My name is Robert Commento and no, I am not religious man."

I gave
Her my name
Out of my uncomfortable stance on religion and
To change the subject to less formal and conversational matters.

She put out her hand and I slipped my palm under hers. I was
Never taught to shake a woman's hand - for it is too delicate -
but to let their hand rest atop mine.

I bowed and gently kissed her hand.
Her skin smelled of fresh milk and uncut grass and
What morning dew feels like across raw fingertips.
I tried to force myself not to trip too quickly into love,
But there are some things
Men are absolutely unable to do.

"Luria Rose," she said, bowing her head, "Very ncie to meet you
Robert Commento."

"And very nice to meet you."

"You are from here?" she asked.

"Yes,"* I said, "Well, not exactly."
"From a city over where the tail of the river ends."

"I know this place, but I cannot recall the name." I could see
She was embarrassed by not knowing the location, telling me she
Was obviously from Rome and proud of it.

"Cuore Tagliente," I told her with zest,"That is where
I am from and where I was raised. My family still lives there to
Manage their small farm of olive trees.

"Do they make very much money?" At this question, I turned
On my heel and stared at her. By her look, she seemed to be
Unsure whether I meant this in seriousness or in jest. So not to scare her
Off again I forced a smiled, left my eyes upon her as if viewing a painting or a statue, and
Answered as truthfully as I could without insulting the name of my family
In truth, I lied a little.

"They were very
Well off when they bought the
Olive farm and they are still very well off
Due to savings and the like, but, because of the business they sold
And the expenses of starting from scratch in the scorching fields of where olives are grown,
They took quite a beating financially. We are quite fine now, very, very fine now,
But not as fine as if we had stayed with the old company. In a way, we were
Asked very professionally and cordially to step down. Of course, my mother, bless
Her body and soul, was very destroyed by this matter and that is why I find it hard to continue.

Luria, staring at me blankly, but with a slight hint of fascination,
Walked up the two steps she had just stepped down and
Two more past where she had been beside me.
She swiveled around on her flats and faced me. Her
Eyes were now impossible to see in the night, though I knew she was
Looking directly at me. Curious why she decided to say nothing in return
To my story, I said something in her place.

"I say so much about myself...well, then, what about you?"

Instantly, she pounced on the question,
"I am
An orphan of Roma
And grew up on the streets stealing and
Running amok quite happily, though
Sometimes I regret what I stole. Every single one was a

Necessary action."

This took me back, for she looked tanned, healthy, and
Well fed, instantly making me think she must be a very skilled
Thief. Eyeing her up and down, I wondered if this was why
She was even talking to me presently. I checked my wallet. It was there,
Though this fact made me feel only slightly better. I watched her
Blow a thick, crescent moon shaped strand of dark brown hair from her eye,
Seeing if the story had settled. Was she lying? Was she telling me the truth?

Why would she tell me anything at all?

"Let us get dinner someplace," I offered, "You can
Take me to your favorite, local restaurant in the city and I
Will pay. No favors thought to receive or anything. All I'd like
Is to have a conversation through the night with whom I have in front of me."

She nodded, said nothing with a smile, and stood still.

"You must lead the way for
I have no idea where you would like to take me. I, of
Course can take you to any of the many restaurants
I know of in my Rome, but I want to go to the one the thieves knows of.

Suddenly, her face contorted into a shape like
A razor had been dragged down the length of her face.

She shouted,"Do not call me a thief, Robert!
Your a poor son of olive farmer's! What do you know about
Anything of the street? So much so that you can ridicule and
Mock whoever's from it? You know nothing!

I immediately tried to tell her I was teasing, but she ran past me, down the stairs, and across the square. I stood stunned, embarrassed to see if anyone had noticed this outburst. No one
Had. Groups of people were still sitting around the fountain, throwing
Coin into the water as some children played and dipped their toes into the
Clear, tranquil water. The puppets waved back and forth in a light, chilled wind,
And the lamp posts still burned casting a curing light over the square. There,
I saw Luria cast in the dark orange light for just a moment. She turned around to look at
Me in the light and there, I saw her eyes were not black, but sky blue, like
The fresh melted ice I had once seen on my travels to Antarctica. Then she was gone.

Pausing, letting myself be hugged by the cathedral behind me,
Half of me wanting to stay in her embrace and the other wanting me to be in hers.
I could not hug stone forever," I told myself, "Man needs to hug a woman
Into eternity, not the church. Maybe later in life, but now, man needs the physical,
Not the metaphysical. There, I see her as she goes through the alley behind the fountain on the
Path toward my favorite bakery, Grano Gorato. I will follow her and find her.

I ran down the stairs carefully for they had become wet and slick from the light
Fog that sometimes rolls into Rome when it is night. There, I moved through the crowd
Which looked to have double in size with people. Where had they all come from?
The alleys, no doubt. They all felt the warmth and comfort of this secret square with Her
Majesty looking down on them from above, the church bell and moon like two great eyes,
The tinted cathedral windows depicting ancient actions Her heart, and the hard square
Slabs of concrete and smoothed stone Her skin. But, Luria did not care for such comforts, She
Believed in no comforts other then the one's another could give. Did she want that from me?

Once through the alley and passing Grano Gorato, I swiveled my head three-hundred-and
Sixty degrees hoping to spot the white dress with the long brown hair. There were many
Women about, but none that were Luria. I sat on the edge of another fountain in a smaller
Square which I had found myself in. Inside the café in front of me, I observed an old man order
A glass of red wine and a mini-short bread crust filled with cream with bright, light green
Kiwi on top. It is was brightly lit inside and everyone was smiling, even the servers. Looking up
At the sign for the restaurant, I saw its name was Mondi. I made a note to go there with
Luria when I found her.

"Luria! I shouted. The name echoed about the numerous walls that
Surrounded me. A few tourists dressed in sandals with socks and cameras
Wrapped around their shoulders and "*****-packs" around their waists

(Terrible Things)

Gave me a concerned glance, but I continued to
Shout, "Luria!

"Yes, Robert?" I heard Lu
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Barbara R Maxwell Nov 2023
The Bakery
The Bakery

Sitting at the bakery
Getting a cup of coffee
With a wonderful taste
Ingesting the smell
Letting it tickle my senses
All types of people around
Getting some breakfast
A croissant
People watching
Lots of baked goods all around
All looking delicious
A feel of Europe
In the heart of the city

Watching all the sites
Listening to different languages
Seeing people going hither and yon
Getting their goods
Starting their day
Feeling the rhythm
Of the moment

Sitting in the bakery
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S Page Jun 2012
To The Ladies working at The Rocket Bakery
Ladies on Water Street,
with coffee grounds
under your fingernails,
You are the reason
that I leave my bed before Ten
In the morning.

Some days I want to ask
if you’ve ever read Marquez
but I am far too shy and
you are far too
beautiful and
I think too much and
you are probably
Too Straight.

But while you are pouring that espresso:
Allow me (just this once)
To wade only ankle- deep.

Allow me (forgive me),
I know its marginalization;
You are a human and a person,
But I must give way to temptation:
let me engage in some
Innocent objectification
(an oxymoron, I'm aware),
as  I sip an Americano
through dumb lips
and watch the little
movements of your hips.
not anything super, just an ode to coffee shop girls.
Continue reading...
Kasey Oct 2013
Better than Apathy
This bakery sounds like couples cooing at each other from opposite ends of the booth
Giggling like no one else sees they're playing footsies under the table
And coffee they've let go cold because no one orders hot, black coffee at five pm in this Arizona heat.
It sounds like cookies taunting the diabetic who really did come in for the salads
And the free wifi, of course.
It sounds disgustingly like the same song I've played on repeat for the past three hours
Contemplating what I want to write about tonight.
But not really contemplating
More like wishing that on the walk to this bakery that's stuck on the corner of a straight road
I'd thrown you to the ground and punched you in the face
For all the wrongs you've done and all the wrongs you're going to do.
But your apathy threw me off, and I kept walking in silence.
Wishing I could have the beach's sands, the mountain's bending rivers,
And that I could run away from here.
This bakery sounds like noise, and sometimes noise is tolerable.
At least noise is better than apathy.
Continue reading...
Jose Luis Carreño Troncoso Nov 2020
Zig Zag Universe
Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "
Zigzag Universe
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jimmy tee Sep 2013
in response to the KK bakery forever up yours
the rook mocks all in its path
as metaphor, worthless
symbols symbols too many ****  symbols
they out number most folks reality
the angels on high
slug them when you see them
from eternity comes the haymaker
play the zero sum game
kick below the belt
cook a rook
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nick armbrister Nov 2021
Eddy, Bank Robber
Eddy, Bank Robber
When I worked in Park Cake Bakery there was an interesting guy I worked with. His name was Eddy. Now Eddy had a very sharp mind, was an alpha male and had several scars on his face from old fights. It wasn’t his cake making or scars that got our attention; it was his professional criminal past. He was a bank robber who used guns to do it. They’d gone to a bank and made a withdrawal in the coolest way.

“Give us the cash or we’ll plug you! Fill up the bags. Used notes only.” The bank staff did as told just like in a gangster film.

And that was that. They had the cash and would’ve been best investing it in bricks and mortar Brink’s-Mat robbery style. The cops caught them later and he got serious jail time. Upon release he worked in the bakery. The guy who ran the work agency gave him a job as he was an ex copper and wanted to let Eddy have a chance going straight. And straight he went being a good worker.

Eddy’s first words to me were: “Hey mate, do I know you? From jail?”

I knew I had to be careful with this one, paranoia, sharp mind and he looked quite handy. I replied, “You know me now mate! How are you doing?”

We got on very well. Eddy told me some stories after one of the other lads, who was also quite handy but on a lower level told me of Eddy’s past. “He robs banks.”

I asked Eddy on this and he asked me who told me. I said one of the lads but I don’t want you hurting him. He was fine. I said I knew a bank robber when I was in the south before. They’re what I call alternative businessmen. They rob a bank and don’t have to be wage slaves. They know the risks and the cash is actually insured so is paid back to the bank.

There was in issue with a young Pakistani lad. Words were said as Eddy was close to a very pretty Asian lady who the lad also liked. There was a bit of pushing and shoving in the cake storage area. Later both said sorry and shook on it.

Eddy came back to work as he was fired due to an incident. This led to another display of his temper. He had a pal who had a Queen’s crown neck tattoo. They both had a row. They were ten or twenty yards apart and such was Eddy’s word that his mate took a step back! This was after he argued with the bakery manager, a woman who was like a bloke. She took it and gave it back.

Time moved on and I left the bakery. I worked briefly in Littlewoods in Shaw. And who did I see there? Eddy! My opening words to him were: “Where’s my guinea pig?”

It was cool to see Eddy there. I missed him. We chatted and I told him of the incident I saw with his pal. He said did I see it and I replied I did, all of it. It was funny looking back but Eddy could’ve hurt his pal seriously. I’m glad he didn’t.

We worked in the warehouse picking and packing orders. There was another incident with a young Pakistani guy again. Words were said and Eddy gripped him and let’s say told him off. The Pakistani reported the ex armed robber to the supervisors. The two were separated on different floors. Eddy went to the guy’s work area and ‘told him’ off again! The guy never said a bad word to Eddy ever again.

Eddy told me his dad owned a pub near where I used to live. He dad was a big fan of both Numan and Bowie, the superb 80s singers. His dad liked both the same not one over the other.

I wish I’d have spent more time talking to Eddy as he was the real deal. We civilians don’t get to meet real life gangsters very often, part of the underworld. I’m not talking about stealing cars or shop lifting. Eddy was the real deal. If he robs more banks I want him to remain free. I hope he’s fine and healthy right now. Did you know he also had an A Level in art? He was quite a guy.

#gangster #armed #robber #interesting #person
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spysgrandson Nov 2015
Baguettes in Beirut
my cousin liked to have breakfast
at an open air café, with his fiancée, on Fridays
the owner knew she loved French breads, having
been schooled at the Sorbonne  

the bakery made them at his behest    
he would tell his staff to keep one for her
and to bring a bag when served;
she always saved half for later  

rush hour was madder than usual  
that night, until the bombs blasted
and brought the synovial silence that comes
in the wake of wondering, what
has happened?    

the sirens screamed soon enough
and my cousin smelled the smoke  
cordite, yes, but burnt baklava,
Maamoul as well  

his fiancée came to him that night  
watched and waited to hear if anyone they knew  
was lost, their hands clasped tight, breaths shallow,
in the languid hush after the city slowed
to its mournful rest  

the sun rose, the skies clear, crisp, to their surprise,
and they went to the café, where the owner apologized
for the wicked, wicked world, and for not having baguettes
after the bakery died
I must thank a friend at Facebook for posting an image of a candle for Beirut--the horrific events in Paris last night overshadowed the loss of 43 the night before in Beirut--a bakery was one of the two places bombed--I wrote of the Paris incident while it was unfolding--this one belatedly
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michael reid rubenstein Sep 2010
thoughts remembrances while packing for Chicago
2010 one last remark about Mom she’s never had faith or trust in me she always doubts redirects me when i was little she continuously blamed me accusing me of being sick needing a psychiatrist at age 20 my parents committed me for disciplinary reasons to the Institute of Living a psychiatric hospital in Hartford Connecticut in a locked ward for 4 months Mom and Dad discouraged my aspirations to succeed as a painter/writer arguing the impracticality of my decision they thumbs downed Bayli even today she undermines my efforts to love protect her she scolds me for asking permission from my cousin Chris to allow his son Maynard to fly down here and help me pack then drive up to Chicago so i might get to know Maynard on a road trip she instructs hire professional packers for a $100. they’ll be glad to help you pack Mom has always stood in the way of my choices decisions



1975 Chicago in his parent’s kitchen Mom offers the cannolis are fresh from Kanella’s Bakery or try the chocolate fudge cake it’s absolutely delicious Odysseus replies are you trying to fatten me up or **** me with sweets Mom flirtatiously teases i’ve always been about your ruination Odys



2001 Tucson Mom comes for visit at Thanksgiving in her early 80s walking proud yet painfully on displaced hips she is an inspiration to Odysseus her eyes are clouded with cataracts yet she sees life as an eternal optimist since 1920 the world has changed so drastically yet Mom has learned to accept many things she previously did not tolerate she lives prudently on modest fixed income her fingers are arthritically deformed but she was once a great beauty many men desired her Odysseus asks if it was difficult for Mom to lose the power of her physical desirability he noticed her good looks waning in her 50s she answers she sensed her  attraction going in her 70s she still possesses regal qualities and is quite socially charming she chatters a flurry of familiar names events that keep her busy she travels around by herself Mom’s spirit endures but in reality she drifts further away with each passing season she is delicate and has difficulty remembering she echoes a distant past in the early evening of Thanksgiving Day they sit at table of elegant yet rather staid dining room of Mom’s choosing at Arizona Inn she says it reminds her of the way things used to be she wears tasteful black linen slacks black pumps thin silk knitted black turtleneck with string of pearls gold earrings her blonde hair coiffured in same fluffy sprayed style it has been for 50 years in his heart he knows a part of her wishes her son was more like Tom Steinberg who was a senior when Odysseus was a freshman at River Woods Academy The Steinbergs and Mom are still friendly Tom is a successful investment banker with a wife and child living in Winnetka Mom nervously touches the pearl strand around her neck she says you know Mort Rock’s wife Phyllis died i was such a good friend to her at her funeral they read how she said i was her best friend she left me 10 lousy thousand dollars in her will she’s worth millions it’s eating me up inside i needed that money desperately i can’t stop thinking about it 10 lousy thousand dollars went immediately to pay off loans i’m going to sell my jewelry i don’t know what i can get in the spring i’ll put the apartment up for sale or try to get a reverse mortgage from the bank i never told you kids before i’m not in good shape Odysseus comments i feel terrible i wish so much i could help maybe Phyllis Rock suspected you and her husband maybe all those years you were her best friend she read it as guilt and obligation Mom you need to be more truthful Mom cuts in i never had *** with Mort Rock that man drove me crazy he was nuts for me Mom orders the traditional turkey dinner Odysseus orders the Macadamia nut encrusted Hawaiian fish the waiter brings price fixed appetizers little circles of toasted bread with lightly browned melted cheese tiny triangular cucumber and cream cheese sandwiches roasted watercress nuts wrapped in bacon and little hot dogs pierced with fluffy ended toothpicks Mom begins to gobble as she remarks to Odysseus  why do you want to wear your hair like that? you look like you escaped from the camps Odysseus asks what camps are you referring to Mom? she replies the Concentration Camps! you’re a good-looking man and you still have a full head of hair why do you want to shave it off i don’t understand i think you should move back to Chicago Tucson has done nothing to offer look at you you’re all alone you don’t have any friends come home and be your old self again he answers my old self you don’t get it do you Mom do you remember my commodity trading debacle or my 40th birthday or you and aunt Rita’s ceaseless corrections Mom smugly retorts what do you mean your 40th birthday don’t you get smart with me you should be ashamed of yourself why must you keep bringing up the past you need to let go of the past you go into such details details i don’t remember what does it matter now it’s history we only wanted what we thought was best for you you never listened you were only interested in yourself plenty of other kids get beaten and come through just fine you don’t know what it’s like to be a parent it tears me up inside you talk like you had nothing to do with it i can’t take this abuse from you anymore her misshapen fingers hands begin trembling as her voice emotes you think i don’t realize we made mistakes with you you think we were such monsters i wasn’t a good mother i was a lousy ***** is that what you think answer me what are you a bump on a log Odysseus sits stiff in chair his voice shrinks he just sits there his legs shake under table Mom says your father was quick-tempered we were under so much financial pressure maybe we did send you away too soon if i had to do it again i’d do it differently what does it matter now it’s 50 years ago forget the past what do you want from me what can i do he listens silently wondering if Mom seeks some kind of redemption can her conceit permit it he knows he is ******* her he does not mean to be uncomfortable with his muteness Mom continues you were a difficult child remember all the trouble you caused look at you you’re still a difficult man he questions Mom can you hear yourself you think i’m difficult she answers you think we were such terrible parents you grew up in a house of violence his thumb and forefinger nervously touch his chin as he replies no you were good parents i was a problem child different from you you afforded me a beautiful home and brilliant education i wanted to investigate life and learn and grow you didn’t know what to do with a child like that as much as she tries Mom never has been a comfort for Odysseus or he for her he inadvertently stirs her to worry or snap and she in turn unthinkingly disturbs him nevertheless they love each other the waiter brings out salads Mom ordered iceberg lettuce with thousand island dressing Odysseus chose the spinach salad he takes several bites Mom remarks use your salad fork not your dinner fork you know better than that suddenly it occurs to him Mom is more fragile than he he thinks to himself silently Mom i realize your life is closing in on you your mind drifts and you need to fake and cover-up more than ever do you want me to come home and take care of you i will take care of you then he remembers how miserable they were together during his throat cancer recovery in her 3 bedroom Lake Shore Drive condominium immersed in contemplation he pushes the fork through spinach leafs Mom says sit up in the chair and put a smile on your face she self-consciously peeks around the room having lost his appetite Odysseus looks down at napkin on his lap glances at half-eaten salad bowl he gazes up at Mom the waiter arrives making a pained smile he clears the salads then serves the entrees after the waiter departs Mom speaks Odys look at me when i’m talking to you i think about a lot of things i should have done after the fact sometimes even years later Max and i made a lot of incorrect choices when it came to you he cuts in Mom you don’t have to say anymore i love you always have loved you and know you love me too Mom says you know how much i appreciate your paintings you’ve made my life richer i‘ve always been supportive of you in fact i’m your biggest fan right Odys right? thank you Mom i’m grateful Mom says i’ve spoken with psychiatrists and they all tell me the same answer tell your son to forget it why must you dwell in the past what did we do so dreadfully wrong i don’t understand you’re a hard case i wish i could get through to you i hope you can find it in your heart to forgive us you’ll sleep better he questions you know about my insomnia restless sleep nightmares Mom says i can imagine Odysseus’s eyes begin to water Mom i love you i wouldn’t be who i am without you Mom says don’t get so emotional you sound weak take it from me you must be strong in life learn discipline and willpower i love you too son Odysseus wonders if maybe he agitates Mom because he is a constant liability lacking fiscal self-reliance deep down Mom is a giggling gossiping playful girl spoiled by her father she never wanted to grow up and be burdened with the tasks of parenthood what woman of rare beauty and charm would want to give up her privilege and freedom for some kid especially a *******-up kid maybe deep down Mom resents Odysseus he stares down at the Macadamia nut encrusted Hawaiian fish and silently prays he will be released from his life all his stupid sins regrets self-pity self-hatred his vain inconsequential existence



i move organize empty shelves cabinets drawers closets edit wrap tape pack wonder if moving back to Chicago is one more mistake heaped on top of a 1000 mistakes a 1,000,000 mistakes is going home to help Mom my biggest mistake ever i simply know i must try to protect my Mom
Continue reading...
Moriah Harrod Aug 2012
A fire started in the baking store on Pudding Lane last night.
A fire started in the baking store on Pudding Lane last night.

I stood across the street and watched the cobblestone break away, the ruddy bricks of kiln-soaked stuff crumbling at my feet. As people came and gathered round, and watched the flames rise up, I could only wonder what the bread was feeling, it’s life coming to a brittle end.

I began to doubt my mental state, for it was only bread. And yet I felt an urgent dread rising. It started at my toes. It rose up through my knees, begging to bend and spread, as if to say, “You can run, run, run. Save the bread.” It crept up through my hips, my stomach, into my arms, and up to my scalp. It was intriguing, this dread. I stood completely still, denying the temptation to ‘help the bread.’ My body wanted to panic, and it was enthralling to feel this control in my denial.

I looked up at the canvas, the canopy of the store. It was fringing and shriveling and blacking at the corners, flames licking like an acid that leaves an ashy residue. The letters of “Abruzzi Bakery” looked wrong here, like an abranchiate fish. I felt a flash of hatred for the letters themselves, the way they were shaped, and if in the possession of a knife I would have been tempted to slash every letter away. It was hate, pure and simple.

As suddenly as it had come, I looked at the letters once more and there was nothing. I felt nothing. The windows were browning at the bottom, caramelizing the glass from the heat. I thought of me, caramelized, like that glass. What if I were see-through? It was an appealing thought.

People were still crowding around, and I wondered where the men were that would save the last of the store. I looked around me and the faces of the people were contemptible, disapproving of the conflagration. I was hurt by how they shunned this phenomenon, this magnified chemical reaction that reflected in my eye and appealed to my senses. I couldn’t associate with their way of thinking, another doubt of my mental state.

I stood here, with a gathering of people, and as I looked around, I slowly began to feel as if they were the conflagration, these people with their scorning minds. They were but a fire in humanity, a fire that did nothing but kept burning and hurting. I felt an odd sense of brotherhood with the fire, and I was ashamed that people had to see it. These people did not deserve to see this act of beauty happening before them, and I wanted them to go away.

A mouse scrambled out the open door. It’s tail was ashen with a few sparks of fire still on its tail, living from the oxygen around it, but slowly fading.

I realized that it was symbolic of what humanity is. Humanity is a fire, glowing bright. But like this mouse’s tail, it had to end, and would slowly rise and fall with the mixture of oxygen it comes in contact with. I realized I wanted no part of this. I wanted to be nothing but whole, a brother of this roaring sensation in front of me.

I couldn’t help but wonder if Johnny Cash had also understood, when writing “The Ring of Fire.” Maybe he knew, he also could grasp the concept of fire and its place with humanity, and like I was starting to, wanted nothing to do with it. Him falling into the burning ring of fire was not a tragedy, but an act of righteous martyrdom.

I walked across the street, separating myself from the soon-to-be fading gathering of this sickening humanity around me. I felt the sparks of lit ash hitting my arms and began the denial of running away. The control of my denial to save myself would be hard. But I knew. I was saving myself. From everything in this world that did nothing but look down upon that which had more of a right to be here. Of that which was here before them, and that which would be here after nature’s tolerance of the abuse failed.

I was in the bakery now, in the belly of the beast that was only misunderstood, and could only be my savior now. And I understood all the doubt I’d had about my mental state. It was not impaired in comparison to others, it was heightened. I was the only one who could see what it all really meant.

I sat down in the flames and, as I felt it appropriate, began to sing “The Ring of Fire,” feeling Johnny’s spirit sitting next to me, singing along.
// loosely alludes to the Great London Fire ~ basically a bakery fire on Pudding Lane
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Giuseppi Martino Buonaiuto Jun 2014
"Hemingway Myth in Smithereens"
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
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Barbara R Maxwell Mar 23
Bakery Heaven
Sitting in a bakery sipping coffee
Watching the wait staff moving to and fro
People eating weekend breakfast
Talking and smiling
Streets full of people

Bakery heaven

Precious baked goods for sale
Beautiful to see
The scent of them like perfume
Intoxicating to the senses

Bakery heaven
Continue reading...
Glenn McCrary Apr 2014
Blush: Dig Deeper, Bleed Darker
"Striking the match across my thumbnail, it's too slow of an action to me. The sparks stay in the air for too long and I haven't taken a breath in what feels like hours. Snow White couldn't have done it better, she paved the way. You sleep with the enemy, you sleep with the rich, you tear your way in with a calming, sweet smile and they let you in, they always do. The match falls on the heap of limbs. 'Here comes the sun.' ~ Jade Day


DR. NIGHTMARE: Hello? Mr. Nino?

[Dr. Nightmare whistles and snaps his fingers twice]

DR. NIGHTMARE: Are you ready for the procedure?

DO: It’s not like I have a choice now do I?

DR. NIGHTMARE: You always have a choice Mr. Nino. Your very future lies within the consciousness of every decision you may or may not make. With that being said which choice do you think will effectively see that you are better off?

DO: Well neither you or I can predict the future so we might as well continue playing and see what happens.

[Dr. Nightmare chuckles]

DR. NIGHTMARE: Not bad for a young man such as yourself, Mr Nino.

DO: I try. Let us carry on with the procedure now shall we sir?

DR. NIGHTMARE: Oh, yes right. Please fill out these papers to ensure that we have your full consent to conduct any and/or all events of this procedure.

DO: How can I possibly fill out these papers if I am still restrained by this straight jacket?

DR. NIGHTMARE: Oh, how foolish of me to have forgotten.

[Dr. Nightmare then begins unbuckling Do’s straight jacket. He then removes the jacket and passes Do a check pad and a pen with multiple documents. Do then begins to sign them. Dr. Nightmare closely reviews the papers as Do is signing them]

DO: Okay, I’m done.

DR. NIGHTMARE: Great now if you’ll just initial here, here and here we will be ready to go.

[Do finishes initialing his papers and passes them back to Dr. Nightmare.]

DR. NIGHTMARE: Thank you Mr. Nino. I’ll give you a couple of minutes to relax while I run and grab my list of questions. You may talk to AnaÏs while she performs a brief blood test on you.

NURSE YUCKI: Thank you, Dr. Nightmare.

[AnaÏs blushes with a slight smile as she twists both of her knees inward. She then walks over to sit in the chair directly across from Do. She pulls out her first aid kit and opens it. She takes out a lancet, some sanitary wipes and some gauze.]

NURSE YUCKI: Hello, Mr. Nino. How are you doing today?

[Anaïs opens a pack of sanitary wipes and begins wiping Do’s right ring finger. She then ****** his finger with the lancet drawing forth small droplets of blood. Do slightly winces in pain. Anaïs then places a small test tube to the test site in which his finger was pricked in order to draw blood.]

DO: Please just call me Do. I’m doing alright I suppose. How about yourself?

NURSE YUCKI: Thank you, Do. I am doing okay though I am quite tired. I have been here since five this morning and it is now a quarter to one.

DO: I can understand how that may be ******* you. Not everyone is a morning person.

NURSE YUCKI: Yeah, you’re right. The pay is great here though so I suppose it is worth dealing with.

DO: Yeah but is that ever really enough? Is that truly all that you want?

NURSE YUCKI: No, of course not. I have dreams just like everybody else. This job exists as just an in the moment thing for me. It is a means to get me by or as most people say “a leg up” in the industry.

DO: Those times are always the most trying.

NURSE YUCKI: You can say that again.

[Anaïs eventually finishes drawing blood from Do’s finger and places a couple of pieces of gauze to it and wrapped a band-aid around it. She then pours the blood sample into a slightly bigger and wider test tube and then places a top over it placing it along with the lancet back into her first aid kit.]

DO: Those times are always the most trying.

[Anaïs laughs. Do slightly smiles in return.]

NURSE YUCKI: I didn’t mean literally silly ha ha.

DO: Hey a little humor never hurt anyone ha ha.

NURSE YUCKI: If that were the case this place would cease to be a business.

[Anaïs and Do both laughed.]

NURSE YUCKI: I don’t mean to be a creep but I think you have really pretty eyes.

[Do was an African-American man with short, curly black hair. He also had dark brown eyes with his skin being the shade of chocolate chip cookie brown. He had a goatee as well.]

DO: Thank you, Anaïs. You’re honestly a lot funnier than I thought plus you are very beautiful.

[Anaïs was a white British woman with long, jet black hair and winter blue eyes. She had fairly tan skin along with a nice figure. She also wore black lipstick and had various tattoos.

NURSE YUCKI: Thank you, Do. So do you ha—

[The door to Do’s padded cell abruptly opens.]

DR. NIGHTMARE: Okay, I’m back. Thank you for keeping my patient company Anaïs.

NURSE YUCKI: Oh, you’re welcome, Archie.

[Anaïs stomped very loudly as she walked away.]

DR. NIGHTMARE: I told that ***** I don’t like when people call me Archie in public.

DO: Well, that is your birth name is it not? Besides Anaïs is a really nice woman.

DR. NIGHTMARE: That’s like saying a ****** is a teething ring.

DO: So are you saying you have been sexless for six months or are you asexual?

DR. NIGHTMARE: Hey, who is the doctor here?

DO: I’m just saying. You may be inserting your tongue incorrectly.

[Dr. Nightmare ignores Do’s comments blushing out of embarrassment.]

DR. NIGHTMARE: Well, if you are done fooling around we can begin.

DO: Let’s do it.

DR. NIGHTMARE: Okay, Mr Nino. Your first name is Do, correct?

DO: Yes, sir.

DR. NIGHTMARE: We already know your last name so on to the next question. What is your date of birth?

DO: August 2, 1990

DR. NIGHTMARE: Ah, so you’re twenty-three years old eh?? I thought you were like sixteen.

DO: Ha ha nope but I get that a lot so it’s nothing I’m not used to.

DR. NIGHTMARE: Where are you from?

DO: Springfield, Illinois

DR. NIGHTMARE: Where were you currently living before you came here?

DO: Cordova, Tennessee

DR. NIGHTMARE: Did you like it there?

DO: No, not really. I actually hate it there and am desperate to get away from there and move to a bigger city.

DR NIGHTMARE: Oh? What for may I ask?

DO: To take advantage of more career opportunities to achieve my dreams.

DR. NIGHTMARE: I really like where your head is at kid. Who were you currently living with before you came here?

DO: My mother along with three of my siblings, niece and nephew.

DR. NIGHTMARE: Do you get along with them at all?

DO: When I want to but even then it is just a feigned interest.

DR. NIGHTMARE: Where were you working before you came to this institution?

DO: I was working as a dishwasher and prep cook at my local pancake joint and bakery. The name of the restaurant is Love 'N’ Lust.

DR. NIGHTMARE: That title sounds intriguing. What kind of food do they make there? Do they pay you well for your services?

DO: We make all kinds of foods in the shape and/or imagery of sexually provocative thought patterns. Basically we make cakes in the shapes of genitals, *******, ***, etc… We do this for breakfast, lunch and dinner around the clock. They pay me $7.25 an hour.

DR. NIGHTMARE: I got to take my girlfriend some time soon. You get paid more to do that here. I believe the maximum is $15 an hour in translation from Euro dollars to American dollars.

DO: You won’t regret it sir. There are actually some of restaurants located throughout France.

DR. NIGHTMARE: Thank you, Mr. Nino. I’ll keep that in mind.

DO: You’re welcome, sir.

DR. NIGHTMARE: Do you have any passions, Mr. Nino?

DO: Yes, I do. As a matter of fact I have two passions. They are poetry and disc jockeying.

DR. NIGHTMARE: How long have you been writing poetry and disc jockeying?

DO: I have been writing poetry since November of 2008. I am only just beginning within the disc jockeying field.

DR. NIGHTMARE: What were you like in school, Mr. Nino?

DO: I’ve been to many schools doctor. I require that you be more specific

DR. NIGHTMARE: What was life like for you in high school?

DO: Well, I never actively made the effort to socialize with anyone outside of school simply because I was disinterested. When people would take part in extracurricular activities I would just ignore them and go home. I never even went to my own prom.

DR. NIGHTMARE: And why didn’t you go to your prom?

DO: Because I never had a date nor did I have the courage to ask one of the girls out

DR. NIGHTMARE: Well, I would tell you that I understand but I have no idea what that is like. In my day I was a ****. Everybody knew me. All the girls wanted to talk to me.

DO: Yeah, you’re not helping.

DR. NIGHTMARE: Oh, I’m sorry Mr. Nino

DO: It’s alright, doctor.

DR. NIGHTMARE: Moving on, what was your life like as you were growing up?

DO: There was lots of domestic violence and unwanted sheriff visits because my mother would always feel the urge to call the police every time I voiced an opinion that she did not agree with. I have even been in physical fights with her, my father, brother, sister and grandmother. I even splashed orange juice in my grandmother's face one time because she was ******* me the *******. There was the occasional use and profiting of the most popular drug at the time by a parent because my father smoked and sold drugs. He hung out with the wrong people a lot of the times mostly people who desired to buy drugs from him. Day in and day out deep down I feel that there are still some grudges floating around. My family won’t let me move past them nor will they let me forget about them. They always like to bring them up every chance that they get. I was also expelled from middle school at the age of fourteen for tossing my gym shorts at the assistant principal when she told me to shut up while I was talking. I felt disrespected and it ****** me off. I didn’t know what else to do. I also took antidepressants at the age of sixteen for crying out loud and when I was twenty I was mugged only just one week shy of my twenty-first birthday. It was a late night and I was walking home.

DR. NIGHTMARE: Sounds like you have had a rather rough life

DO: Yeah, well my life is not as bad compared to others.

DR. NIGHTMARE: That doesn’t matter Mr. Nino. It still counts. What was the name of the antidepressant medication that you were taking for you depression?

DO: I honestly don’t remember. That was so long ago. I’m twenty-three now. I’ll be twenty-four in the summer so that was nearly eight years ago. I do remember my mother making me take medications such as Stratera and Adderall for Attention Deficit Hyper Disorder.

DR. NIGHTMARE: What is your relationship with your family like now?

DO: I only talk to them when I want or need something like most people, but other than that I steer clear of them to avoid confrontation and drama. Drama never falls short in the Nino family.

DR. NIGHTMARE: Why do you think that is, Mr. Nino?

DO: Well, it’s just that when me and my immediate family members are in the same room together I can feel a significant amount of tension, hatred and anger coursing throughout the room. It makes me feel very uncomfortable so I just leave.

DR. NIGHTMARE: What do you fear the most, Mr. Nino?

DO: Abandonment and death

DR. NIGHTMARE: All of which are very powerful and reasonable things to be in fear of. What is your attitude toward the opposite ***? What was it in childhood and later years?

DO: I always took notice of the hot girls and the unbearably **** girls. I just never made the effort to talk to them because most of them ignored me or were stuck up and thought they were higher and mightier than me. In later and considerably more recent years my patience for the opposite *** has lessened greatly with each passing day. It has gotten to the point where I hate romantic relationships leading me to believe that they are a complete waste of time. Marriages are pointless as well. I would operate just fine in a No Strings Attached, Friends With Benefits or a One Night Stand type of deal. At least with those types of relationships an emotional connection is not at all required. I like *****. End of story. I get enough emotional connection through bowel movements.

DR. NIGHTMARE: Are you ambitious, sensitive, inclined to outbursts of temper, domineering, shy, or impatient?

DO: Yes, sir. I am very ambitious. I’m a poet so there is no doubt that I am sensitive. Yes, I do tend to have short, mild outbursts concerning my temper. I get mad when people cut me off or talk over me when I am speaking. I hate when people ignore me and I hate when I try to join a conversation and everyone acts like I am not there. It’s like can’t they see that I am trying to be apart of the conversation. I mean even when I try to socialize and make friends they fail to realize it. It is all alright though. I have learned not to give a **** anymore. Honestly, it is the best way to avoid any drama in life.

DR. NIGHTMARE: What sort of people did you physically allow yourself to be around you prior to arriving at this institution? Were they impatient, bad-tempered, or affectionate?

DO: Affection was far from the equation, doctor. I was around a lot of impatient and bad-tempered people. When I speak of these people I speak mainly about my family, but also some of my co-workers as well. They drove me incredibly insane. I would often go home depressed and dreading the next work day.

DR. NIGHTMARE: How do you sleep?

DO: Most of the time I find it difficult to sleep. I frequently watch Autonomous Sensory Meridian Response or (ASMR) videos to aid in me that and so far it has worked exceedingly well.

DR. NIGHTMARE: What dreams do you have?

DO: I rarely have any happy dreams I’ll tell you that. Most of the dreams I have are of running down dark hallways, chasing shadows, jumping off of cliffs and being unexpectedly attacked by random strangers whether it be physically or verbally. I also tend to have a lot of dreams where I am screaming my head off at the people surrounding me in the dream. I even go so far as to push their heads back a little with the palm of my hand. I was really mad in those dreams. I have a lot of mildly terrifying as well as psychotically depressing dreams. I also tend to have dreams about abandonment.

DR. NIGHTMARE: What illnesses are there in your family background?

DO: Well both of my grandmas are diabetic however one of them has been deceased for six and a half years now. She was English plus she had struggled with breast cancer for years. One of my sisters has been diagnosed as bipolar. I believe I may be bipolar, but just undiagnosed. I am allergic to penicillin. Both of my little brothers have asthma. One of my brothers is allergic to peanut butter.That’s about it. My father has problems with digesting solid foods. I don’t really know all that much about the history of my family’s mental health. There was one time when my mom called the cops on me when I was sixteen. The cop although unlicensed said that he thinks I may be schizophrenic. I didn’t believe a word that he said back then, but eight years later I am now starting to realize the justness of what he said and even starting to believe it.

DR. NIGHTMARE: Have you ever had ***, Mr. Nino?

DO: No, sir. I have not. I do think about it very often though.

DR. NIGHTMARE: Do you watch any **** at all?

DO: Every night.

DR. NIGHTMARE: What kind of **** do you like to watch? Do you have any fetishes?

DO: I like to watch female bodybuilders workout in the ****, I also like to watch regular girls fool around in the **** as do most men. I also enjoy watching lesbian **** as well. My fetishes are women with muscle. I’m talking large muscle mass from the neck down. It just gets me so hot. Another fetish of mine and don’t tell anyone this, but I like to watch women take dumps in the toilet. I don’t however like actually seeing the feces. I only like to see them sitting on the toilet while doing it and hearing the sounds. I do not like seeing what is going on underneath. Other fetishes of mine include women with tattoos, tall women, and also slightly psychotic women though intelligent women.

DR. NIGHTMARE: What are you hoping to get out of these sessions and procedures?

DO: I just seek to be happy again. That is all I ask. That is all I want.

DR. NIGHTMARE: Well this concludes our interview, Mr. Nino. I will run to the lab and decipher you
Continue reading...
Nat Lipstadt Apr 2014
Letter from Bob Dylan and the 352 Blues
for Ali, Ali, Ali, a daughter by any other name
                                                        (April 2014)
Dear Nat,

your letter caught me up,
at the Village Vanguard bar,
so addressed and there saved,
knowing, believing it's a sign,
time to meet fleshed again,
my sometimes sub-let
neighborhood friend

doing a gig there
this weekend
finishing up the tour
where it all began,
nothing gonna change my mind,
in the city that's where I'm staying.

the road is calling out my name,
but I ain't walking out the door anytime soon,
they want too much body and soul,
but don't worry once or even twice,
got some cash, it's all right

early afternoon, bar empty,
got a few rainy minutes,
got me paper n' pen
and a beer, from the
bar man who also gets
me whatever else I need (haha)

sorry I missed you in Cleveland,
you, back in New York when
I'm finally out your way,
ain't just like fate,
to make us ache so all alone

read your lyrics,
made making some suggestions,
like a baby's new clothes,
lots of bows, a few lines fell
down onto the floor
can't be found
like broken pearls on a dance floor

J. sends regards,
told her what you wrote about
A Long Black Veil, she laughed,
promises she will wear one
when next we all three meet

touring was good and hard,
traveling time is writing time,
but sitting here thinking
how many years have passed and gone
since we first met,
so many roads different taken
by many a first friend,
each one I've never seen against,
let's not that happen to us

rail riding done for awhile,
see ya back on Bleecker Street,
if we're still "cool"
we'll have that fire burning!
Ok, we'll swap some  lines, fine,
but I want, claiming dibs
on that ole easy chair

P.S. got the rent money covered till your return in the summer

Bobby
April 1968
~~~~~~~~~
Between 1968 and 1973,
split my time tween Cleveland and NYC,
before returning to ny full time in the summer of '71.

I lived at 352 Bleecker,
above the long gone
but now moved to Brooklyn,
Pink Teacup restaurant. The eyetalian bakery on the corner of Bleecker and Seventh Ave., long time gone...almost fifty freaking years ago...anyway...I think the stain glass window is still there, gonna have to check it out...shoot forgot about Google Earth!
The 352 Blues

this city treats the poor
with swift unkindness,
but if you peel your eyes,
you don't necessarily have to always
sing the ole 352 Bleecker Blues

the eyetalian storekeeper,
gives us morning java,
when we sing for him on the guitar,
The Star-Spangled Banner,
refills, if we add America the Beautiful

they say that heat rises,
but that don't seem true
in our third floor walk up
on rue 352 Bleecker Street,
the cold companion enters
thru the busted stain glass window

no matter, no cares,
we light the fireplace,
with wood and anything that'll burn,
we scavenged from the street,
pallets and newspapers,
yesterday's 352 truths

at two AM, the cops, in their cars
cooping, fast asleep, only just us,
the johns, the ****** and troubadours,
walking the streets looking for
free stuff to burn

pass the hat for tips
next to the arch,
enough for daily bread
but we get our ***** and ****
for free, just for singing the 352 blues

even when down and out
on the village streets,
bleak on Bleecker street,
you gotta sing the 352 blues,
especially when you're
riding high and living cool,
down on easy Bleecker Street
~~~~~~~
Before you ask me if this true,
save your breath,
the answer is
Which part?
#bob #dylan #352 #bleecker #street
Continue reading...
Delmo Druthers Feb 2013
Godfather Slice And A Medium Coke To Go
I never really wanted to have an agent
Just one day I met this lady and she starting arranging my gigs and stuff
She gave me this kelly green handkerchief and told me to wear it in my left back pocket at all times
I have followed her orders religiously and now own more laser discs than all my friends combined

Do you know where the Trinidadian bakery is?
I'm supposed to meet the paperboy there and give him this pencil case

May the black cats of January be afraid to cross your path
Continue reading...
James Bradley McCallum Oct 2013
Homecoming
I left this town in 75
a dumb drunk ****

or as a friend once
poetically observed
"a beer quaffing linebacker"

but tonight I return
an enlightened poet
ready to recite
a stack of poems
eight years and two days
removed from my last drink

now relishing
the sweet intoxication
of drinking in
seas of words and letters,
brading a life's narrative with
solitary lifelines of truth

This town knew me

I know this town

The pomp and circumstance
of my high school commencement
occurred in this very place

I know the exact spot
near St. Mary
where Moose was killed
that awful
Good Friday evening.

After enjoying
the team revelry
at a Saturday Night
victory party;
I ran my hand across
the scarred Poplar
on West Passaic Avenue
that abruptly ended
Fic's life.

I slink past the house
filled with heinous memories
of my youth, cringing
through relived nightmares
of my father brutalizing
my naked mother in
an alcoholic rage;
and remain busy
trying to lick the still
raw sting of running wounds
inflicted by a mother
consumed with a
raging bitterness of
self righteous resentments.

Beer, *****,
Strawberry
Boone's Farm
and lotsa rolled bones
destroyed my family home,
murdered childhood
friends and greased
the wheels of
getaway cars in
fruitless attempts
to escape emotional
nightmares.

From where I stand
I can throw a stone
in any direction to mark
the scenes of
a hundred stories
that authored
the constitution
of me.

Across
the street
I can see
the lights burning
in the apartment where
Weehawken Joe
once lived.

Take a look.

He was crazier than
Tony Montana and
like Scarface not a
single lie could
be found in him;
he also possessed
the gift of
the best jump-shot
the Bulldogs ever had.

Years after I left town
I burst into tears
when Buns Hines
broke the news that
Weehawken  Joe
died of throat cancer.

Mortality is a
bitter truth
to swallow.

All along
Park Avenue
old commercial haunts,
save Varrelmann's Bakery
long gone.

Further up the street
my pilgrimage ends at the
WCW homestead.

In the fading light
of a glorious
autumn afternoon
the house appears
rundown, empty,
mournfully shabby.

On an upper floor
a lace curtain gently
flits and darts out an
open window.

I ponder
the words
still dwelling in
the dark closets
haunting the rooms
of this distressed edifice.

I wonder
how they now
sound?

The faint noises
hidden in
dusty corners
moaning a
ghostly presence,
creeping the halls,
clattering about
the kitchen,
bounding through
the living room
in an old beat-up
Red Wheelbarrow;
rolling along
moving to manifest
faintly whispered echos
into fully formed phrases;
liberating expressive sentiments
of a very blue house...

Eight years, two days
removed from a drink,
I'm grasping for letters
fumbling for the words
listening for sounds
churning within me
seeking to release
the revelations
of my truth.

Crosby, Stills Nash & Young
On the Way Home

William Carlos Williams Center
Rutherford NJ
10/02/13
Continue reading...
svdgrl Sep 2014
Ignorance
Ignore the itch you can't scratch deep in the palm of your hand.
Ignore the morning alarms, just sleep right through them.
Ignore the sound of the coffee bubbling over, let it spill.
Ignore the toothpaste stain on your new shirt.
Ignore the voicemail notification, who listens to them anyway?
Ignore the mailman at the mailbox, he didn't really say hello.
Ignore the stare of the drunk man in your lobby.
Ignore the morning brigade of children running behind you.
Ignore the damage your heels are doing to your feet.
Ignore the whistle from the man half your height.
Ignore the traffic light, the cars are going the other way.
Ignore the loud honk from the trucker as he speeds off.
Ignore the liquor store, and the desire to take a shot.
Ignore the "Baby let me talk to you," from the **** wannabe.
Ignore the text message, don't let them know you have a phone number.
Ignore the cigarette smoke invading your lungs.
Ignore the baby boy getting slapped by his mother.
Ignore the bakery with the tres leches cake you like.
Ignore the bank, you're probably broke.
Ignore the homeless woman, she just wants to buy drugs.
Ignore the Facebook notification, just another ALS challenge.
Ignore the time, you're at work early.
Ignore the habits, listen to your conscience and speak loudly and clearly.
You are so much more than ignorant.
#daily #ignorance #presence #walk #streets #self-image #streetharrassment #standingup
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Nuha Fariha Oct 2015
Shadow of the Mangoes
The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.
#short #story #prose #fiction
Continue reading...
Ston Poet Jan 2016
Ston Poet - The Statement
Young Ston..Oh..
I glow,Oh, I won't stop No..Oh..I'm on go..Oh..(Ohh3)..Yeah, ** I glow..(Oh5)..I...glow..(Ohh6)..I won't stop Noo...(Ohh4)..I'm on go..(Ohh4)..I won't stop Noo..(Ohh4)..I'm on go..(Ohh4)..I glow..(Ohh4)..Uhh,..I glow...(I won't stop2)..(Noo4)..Oh.., I'm on (go7)..Yeah I'm focused, Yeah I be glowing..man I'm on go, Yeah, I glow *****..(I'm on go3)..(Oh2)..(go8)..Yeah ***** I (glow3)..(Ohh3)...I won't stop..(no7)..I'm too (close3)..I'm on (go3)..I (glow3)..Oh, I won't drop the ball,..(no4)..Im too focused..(Oh4)..I'm too close to succeding , so I'm on (go3)..(Ohh4)..(I'm on go3)..(go5)..Yeah **.., I glow..(Oh9)..
/I won't stop glowing.. (No2)/2
I'm on..(go6)..(Oh6)..for sure Ayo..

I gotta get my safe filled up dude, straight cake nothing but cash on me..Yeah **, **** the Federal Banks dawg, I been trappin so I got that ***** money, Imma throw some to mom dukes & let her open up her own bakery, so we can clean Dat ****,  yeah man.. My whole family know what's really real, Yeah they stick to  the g code, Yeah they already know the deal man..
My bloodline is filled  with real gangsters *****, that always kept it true & trill, Yeah..so I would never tell, death before dishonor, Yeah..so you don't wanna ever betray me man or your familia will be missing ya, I'm just letting y'all fuccers know from the beginning, Yeah..I look like I'm weak & I'm a geek but I'll have you swimming wit the fishes, Yeah mob ****, Yeah *****, I'm plug in wit the Italians, so like Loaf said ***** ****** you don't wanna..(try me Yeah2)..then its (bye2)..homie for real, ***** *** ****** this (the statement3)..Aye Man

I usta eat ramen noodles all day everyday man Yeah even for breakfast, but now I'm renting the whole Ruth Chris out in Buckhead for my ****** Disciples, Yeah all of my OFTR Souljas..
wit me everyday & everyday now we getting paid too man, & baked too..(Yeah2)..We making statements..Aye, Yeah Fo sho..

I'm on go..(go6)..
Yeah dawg, I gotta go..(oh6)..Imma keep rolling mo, Yeah Imma keep going..Oh..(go2)..Oh..fo sho,..(Ohh3)..Woah,..Yeah I gotta..(go3)..Yeah..I gotta (go2)..(Ohh5)..Yeah of course Imma (glow8)..that's..(Fo sho4)..Yeah dawg..Uhh,yeah I gotta go..

Ohh, whatever God wants me to go then I'm going hes my master & I must obey him or I'm just useless like a 80s era cell phone,Yeah so whatever God wants me to do then Im on it, like a good assistant..
The Heavenly Father assistes me that's why I am still living today,..He's my creator, he's an inspiration for you & me Aye..Uhh Imma **** Yeah..Imma..(****5)..,real talk..
Imma always give (my all3)..(all2)....but not my soul that belongs to the Heavenly Father,..Yeah..(Fo sho5)..(Ohh2), Uhh..Young Ston..

(Ohh7)..Uhh..I won't be stopped..(Noo3)..(Oh2)..I'm too..(strong3)..(Ohh6)..like the Hulk, Oh..I'm incredible & I'm untouchable, Yeah..Imma threat to the world..no Osama Bin Laden tho, but Death to America Fo sho..

(yo8)..I won't stop..(Noo6)..(Ohh10)..,I'm on (go8)..Oh..I (glow7)..Oh..(goo8)..Uhh...(Ohh7)..
Woah,Oh..Let's (go6)..Oh..

Im on (go9), Like P.D Eastman, go dawg go..OFTR no we don't support these hos..we only support the real yo..Imma blow, Imma shine, & Imma glow like a nuclear bomb dude, Noo I can't give up now, I'm too close to the finish line, my ***** I will have my victory man,Yeah..
I'm gonna prove all of them doubters wrong,..OFTR we all Kings & Queens , yo these busters all ready tryna steal flow from me..,yo forget being  in a secret society,..Imma let my gang be know mane , Yeah Imma real ***** & I'm proud of being one mane..ayo,What happen to potten lyrics & conscience word play...Hip Hop is dead, so Imma  resurrected it my *****..
These rappers be in the studio playing house naked & dress up wit each other, then claim to be..(bout it2)..on cameras,..Yeah man..

Yo, shoutout to Nas, Aye, I get that ether flow subconsciously when I rhyme, ayo my Flow kinda reminds ya when hip hop first had started, now these rappers sound like Prince, too much purple drank got these ****** going ******* , I can't understand a **** thang they rhyming..these ****** just don't make no sense anymore, yeah they all  so pathetic..,they ain't even making they own profits, all that revenue is going inside the white manz pockets,they **'s yeah they getting  pimped..By The Illuminati..Uhh,Yeah

I dun gott hot like KD at Rucker Park forget the hook, leave it out, I'm shooting it man, Uhh..I wrote alot of legendary **** while living with my  mama, so yeah I gotta give back to my mama, Noo I won't do what Kanye West or Jennifer Hudson did to their families, **** where yall souls at..Yall suppose to be ******, but yall on that crazy white kid ****..Tyler Hadley..Uhh, I guess the money done, made yall its puppets, Ohh well, ****, yall inspired me to not do what y'all did..so thanks,.. Aye
I have no fears, Only For my Heavenly Father & that's outta love & respect...

Aye man..I wrote this early New Years eve 2015, I had to end the year off wit something deep that'll make the people think & at the same time, let all these elementary reading level looking *** ****** see why I'm the new king in my city,..so hand the crown to me TI, no disrespect, I know you see me , real recognize real,Yeah or has being a celebrity made you blind to the facts ****, & What's good Ye,..what happen to Jesus walks..you Satans ***** now,..You ain't no God..Uhh..****..I just wanna know,Ayo  what's wrong wit asking questions man, that's what's so wrong wit people today, they so afraid of the truth, but living the pagan Satanic way..****..
What's wrong wit this world, I know its alot of information that they scared to share wit us, but we need to know, before Independence Day the movie become our reality, Yeah mane..let's change the world & make it a better place..(Ohh6)

(yo8)..I won't stop..(Noo6)..(Ohh10)..,I'm on (go8)..Oh..I (glow7)..Oh..(goo8)..Uhh...(Ohh7)..
Woah,Oh..Let's (go6)..Oh..

Let's do it, come along wit me my brothers & my sisters & let's all make history my ***** its much room but you can't be afraid of the evil..(Noo2).., & You gotta be willing to make sacrifices for G-o-d only..(Ohh3)..Yeah of course sometimes we may lose, but the losses only makes you stronger..(Ohh2)..I won't stop..(Noo2)..because I know when the end comes that I am doing the right thing..Yeah man, I'm glowing..

/I'm on..(go3)..(Ohh4)/..3
(Ohh8)..(I glow2)(glow2)..(Yeah2)..(I glow3)..(Yeah5)..Uhh..Yeah (I glow2)..Yeah I glow man,..I glow..(glow3)..Yeah , (I glow3)...,Yeah..(I glow3)..man..Uhh..

I'm the mufucking man, Yeah I usta have nothing , I usta to sleep on the floor, or I usta to sleep on a sofa.., I wake up my neck & back be so sore, but I soared away from that struggle on to success dawg..Uhh, Yeah Imma skinny young dude that loves to spit my mind on a beat & smoke good kush to yo..I remember a time not so long ago, when I couldn't even barley afford to, but **** I stilled smoked tho dude..(Ohh8)
I was jobless stressing out my mama, causing problems around the house man because I wasn't trying get a job man..Yeah I had drive man, all I ever wanted to do tho is stay at the crib & write hits..Uhh,Yeah you can say that I was lost & confused but I was only 19..man I was only tryna figure out my true  purpose on this earth instead of slaving for the white manz..

So I started up my own business OFTR, Yeah..Im only tryna give the people what they need not what they want man & that's what they gonna get..yo..we can all learn & teach each other new things, cooperation, Yeah we can all be Leaders & rulers instead of being so against each other mane..real spit we need to cease with the stupidity & be a family, because we can all glow Yeah we can all glow my *****, we gotta go  make some moves, before its too late & the end times come & people don't know what to do man..I said we can all glow,Yeah we can all glow man, so Lets glow together, & grow together to my *****..(Yeah4)..

(Ohh8)..I won't stop..(no2)..I'm on..(go9)..(Oh4)..I won't slow down at all..(no4)..(I'm on go,Yeah2)..(go7)....Ohhwoah..go..go

Like some DC **** dawg,..Uhh, I'm bringing the whole hood wit me, everybody gone eat Yeah..& if you want beef from me, I don't keep none like a vegetarian,Yeah I keep alot of proteins, knowledge & wisdom mane, you can eat them , Aye man, if you hating *****, ******* & If you ever disrespect the clique that's gonna be yo last time man..Aye, so you better repent..
Young Ston, The ****** Disciple, Yeah I love to stay fried but I ain't no dummy, Imma OFTR Soulja,...**** right mane..Aye

They always got something say..Yeah mane
Them nasty ******* & ***** ******  like to stay talking , Yeah ***** they talk alot of fucc **** concerning me man..but I don't care about their words because mines more powerful, They Bruce Wayne & I'm Clark Kent dawg..,Uhh,Yeah..Aye..
I'm one of one like a custom made breitling, I'm so confident in myself , I got alot of confidence in my team..OFTR, we gone win no matter how hard the mission seems, like we was train by the A Team..
Yeah we winners mane so they don't gotta notice me, because I already know where I'm heading mane..Its cool, I'm good, I'm gravey,Yeah Its okay mane.I'm g.Cuhz, (I'm still glowing,Yeah..Uhh2)..I'm shinning my light bright on all the hate,..*****

(I glow3)..(Yeah2)..(I glow3)..man...(Ohh6)..,yo, I said...(I glow6)..(Oh7)..Yeah..(Oh3)..I won't stop...(no9)...(Yeah4), I'm on (go5)..(Oh5)..I won't stop..(no2)..Im on..(go5)...(Oh6)..I won't stop  no,Oh,..I'm on go **..(Ohh4)..
Woah!!
Uhh..

OFTR, this The Statement, dawg,..no I won't stop, I'm on go..Yeah..Ayo **** the rules, **** the laws, we breaking them all, we gone ball, Yeah Fo show..,so they can say whatever they wanna say man..,Yeah They can think whatever they wanna think about ya my *****..let them jeaslous busters hate..don't worry, be happy, let the doubters be your motivation,.. Uhh,...I'm the streets preacher, I'm The ****** Disciple, you don't wanna battle against me dawg,..(no you don't3)..(Oh4)..Uhh, yo much love to all my real ****** thats still breathing Yeah..shoutouts to all yall..yo..
OFTR, we ascending, Yeah *****..we blowing up like the Al Quada goons, OFTR we thugs tho ****..
I don't got much food in my refrigerator, but I ain't even hungry my *****,..I'm getting full off of these rhymes, Yeah this is spiritual food man & it tastes so good like og..Uhh,mane,Noo I don't pop beans, but I do keep alot of bars on me & they got me in another plane..Aye

Yeah I do admit I must change some of my gangsta ways, Im so hectic, but noo I can't  change my gene's,like I'm homeless,..Ayo, Yeah I live life so recklessly,but I'm humble..I'm so misunderstood,I'm  just different man, but I love the way that God has made me...OFTR..(Yeah2)..I told them ******  that this **** would happen way before I was even established as a certifted business..Yeah I show em, when I was posting songs on my tumblr page & talking so much **** on twitter,..Yeah I forewarn you *******, them busters didn't even get to  see me like Jesus secondcoming.., no they didn't take me serious , so now they gotta deal wit the consequences, man, they only made my job more easy when I finally made it..

Hahaha..no Davis..,what up tho my *****..Look whos laughing now,Yeah now who's richer not yall ***** made *** **** a ****  arch ya back for a deal  *** rappers.., Uhh **** yo whole squad they all just sweet ***** *** ******, yall could never make the moves I dun made anyway..Noo I ain't perfect but yall too of the world, yall too weak & afraid of the truth..Uhh
Yall **** ****** know who yall are theres no need for me to even say y'all ***** *** names..OFTR We the realest gang, we the best in the A, we the best world wide too mane, Aye..,Yeah..

I'm glowing.. When they was like "Noo you wouldn't.."..but forget em, Yeah **** em, forget em,..Aye, where all of my **** gangsters & down women at who got my back show some love, I show some back..Oh..(Yeah4)..& I ain't even rapping right now *****, this the Outro,..So I'm making my last few statements before this beat stops, ****..I know the engineer tired, I been  working him towards a billion..Uhh, my ***** they saying what I'm tryna do is thee impossible, but I'm on..(go3)..(Oh3)..I won't stop (Noo3),I'm on..(go3)..(Oh5)..Fo show..Uhh..
You can do anything you wanna do my *****, & you can be anything that you wanna be..,Yeah & that's for sure.. Real gangsta talk..

Uhh, Shoutout to all my OFTRA Souljas , Shoutout to all my ****** Disciples, I love all of yall, for real my *****, I really do mean that to..yall the only ones I'll give my heart too..Yeah..
Only For The Real *****..Only For The Righteous.., Yeah,..OFTR, Only For The Real business, Yeah.., Only For The Righteous..
(Yeah Only For The Real *****, Yeah Only For The Righteous*2)..This is for the righteous & this is for the Real..only..for real homie
stonpoet.tumblr.com
#killuminati #oftrent #stonpoet
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antony glaser May 2012
Victoria Street
Progress is wasted here
the high street draped in uniform glass fronts
why shouldn't we play our bugle
to rebuke this shard ?
yet in a corner there's still a market street
refusing the final nail,
there's a shoe, bakery, cycle and jewellery shop,
in our hearts we will
wear  pride to headline the clarion call
and shed anger at being accused of,
carrying congress with the past
at our coffee stall.
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Barbara R Maxwell Nov 13
The Bakery
Sitting at the bakery

Getting a cup of coffee
With a wonderful taste
Ingesting the smell
Letting it tickle my senses
All types of people around
Getting some breakfast

Sitting in the bakery

People watching
Lots of baked goods all around
A feel of Europe
In the heart of the city

Sitting in the bakery

Watching all the sites
Listening to different languages
Seeing people going hither and yon
Getting their goods
Starting their day

Sitting in the bakery
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James Bradley McCallum Nov 2013
Sense of Gratitude (Again)
For this years Thanksgiving, I have decided to focus on developing a sense of gratitude. The world is full of real bad stuff happening to too many people and its easy to let the darkness of our times cast long shadows of resentment, anger and ill will over our outlook on life. So today as I travel to a relatives home to gather for our national day of thankfulness I choose to leave resentments at home and cultivate a sense of gratitude.

I’m grateful for my eyes. My sight allows me to perceive the million graces The Almighty abundantly confers upon the inhabitants of the good earth each and every day. My eyes help me to discover the pressing needs of others and respond to it. My eyes help me to discern light from darkness, distinguish the forest from the trees and eschew pedestrian views to behold a beautiful vista. My eyes are a pathway to my soul moving me to contemplate the good, forsake the bad and move against evil in service to truth.

I’m grateful for my ears. The grace of hearing permits me to listen. My ears alert me to the cries of my brothers and sisters and enables me to understand our shared human condition. My ears tune my spirit to the chords of exquisite music and the natural symphonies of Mother Earth’s angelic chorus of singing birds, heaving oceans, the majestic pause of silent mountains and the fleeting rush of the swelling wind are all divine voices singing the joyful hymns of life.

I’m thankful for my sense of smell. Graciously my nose breathes in the inviting aroma of a lovingly prepared home cooked meal, the wholesome scent of baking bread wafting from the door of the corner bakery, a briny snort from the boundless sea, the rich compost of the deep woods after a soft summer rain, the bouquet of an infants hair and the perfume of a lovers embrace.

I give thanks for my ability to touch. Hands engaged in productive work and gainful employment is a blessing absent from too many Thanksgiving Day tables this year. We yearn to connect and the sense of touch invites our ability to feel. Feeling is the father of empathy and the mother of compassion. Caring for our animal friends we live in communion with all sentient beings.  As we touch one another and allow others to touch us; the hardest of hearts is softened, the most grievous wounds are healed to liberate the sensual yearnings dwelling in the deepest recesses of ourselves. Feeling allows us to become fully present, fully aware and fully alive in the celebration of what it means to be fully human.

I’m thankful for my sense of taste. As Sinatra croons “from the brim to the dregs” the wine of our lives may not all taste good but it all flows clear and true. Sample, savor and learn. Taste and see the glories of the Lord’s banquet so abundantly placed before us. The bitter herbs, the sweet cakes, the leisure repast, the fortifying meal and unrequited hunger is the daily bread of being human.  Pause to consider those that are lining up for the tenth Thanksgiving Day meal in Afghanistan and Iraq and pray that the awful rations of war fed to our young soldiers be supplanted with the good manna of peace.

Perhaps we loose our sense of gratitude because expectations of ourselves and others always seems to come up short of the mark. Imperfection is our most endearing quality. It informs our ability to forgive transgressions, form bonds of friendship and unconditionally love each other. I remain grateful for the sense of my imperfection as I overlook your imperfections and remain ever hopeful that you  will extend your hand to help me overcome mine.

Happy Thanksgiving.

You Tube Video: Jean Ritchie, Shady Grove
originally posted in 2011...
I want to thank the HP community for your kind support and comments
I wish everyone a great Thanksgiving...
peace and prayers
jbm
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Heather Moon May 2014
rain
Rain and all its forms
Blurred Mountains seeping into the borders
surrounding
A little village
Grey on the horizen
Ocean way way below the village
Down the mule trails
Scraping in coils
Pebble linings
Down to the mediteranean sea
In this village
Cobble streets
Coloured roof tops
Crumbling houses
Empty clotheslines
Except a few wet clothes hanging
Forgotten faded red shirt
Hanging from one season
To the next
Water drips and dances bouncing from stone to stone
Wooden shoes clack quickly
As they rush over the street
A lady
Wearing hand woven clothes
warm fresh flat bread
Wrapped in cloth
And in a basket.
A young boy follows her
His sweater held over his head
Eyes obscurred
He walks as though in a maze
Then they are gone
Empty streets
A round woman, hair ******* with a faded white rag cloth
Empties out steaming hot water
From a copper ***
Soapy steam
In the rain
Alley way
Side door
Not much activity
A girl sits looking out observing
Watching the rain
Smelling the warmth
Rising from the bakery down below
She remebers the hustling market, the colors when in the sun
The shuffling people
In sunglasses
New people
Sun season
Different apearences than the ones she knows
The ones shes used to
The skin foreign to her.

She likes her room
With the elephants in the rug
Little marchers
Within the mandela sequince
She likes the bakers down below
Aunts and uncles
Unsure of who's family
By blood
And who's family
In spirit.
She likes the old man
Who sits with his cane
In the little sitting chair
In front of the bakery
He who treats her to a cookie every now and then
Or slips her a piece of sweet bread
He, who wears an old black cap
And puts on his coat
And hobbles down the little street
She waits for him sometimes
She sits perched outside and looks down the street
From right to left
Until she hears the familiar clatter
The sound of his wooden cane on cobblestones
Each who carry their own divine essence
Or sound to which they bring
A memory of her father comes to mind
How differently he sounds when he walks
Gentle and slow
Heavy and kind
Compared to her mother
soft and light
Swift like a feather
in the wind
Sweet like a berry.
The girl sometimes likes rainy season more
Although she misses the hustle and bustle of market day
In the sun
When the lively noises fill her ears
The wild smells
When the bakery arises before the crack of dawn
And the smell of fresh bread awakes her
Smells of new special treats
Made larger and larger
Just to apeal and to please
The large crowds.
The sounds of bakers
Yelling orders back and forth
Clanging pots
A madness of creation.
Grand cakes
Thousands of tarts
Each one delicatly made with care.

When the people make extravagant delicacies
When goats are roasted
And fresh tomatoes
Made into scrumptious sauces
With fresh basil.
Olives pickled and handed out on toothpicks
By yelling merchants
The best olives in the region shouts one
Across the street, the bestsest shouts another.
Most
spectacular
Imaginative
Freshest
Most this
Or that
Yummiest
Tastiest
Wildest
Amzingest
Greatest.
In her mind the images play
Like moving dolls

In full vibrancy.

For a second she forgets
Her placement
She has returnes back to the heat
And the memories
Of men in white undershirts
Smoking outside
Playing cards and waiting for the sun to dry
the rest of their clothes
The bantering ladies
From window to window.
She gets lost,
until the sound of a door loudly shutting in the streets awakes her
Jumping up
Looking out the window
Still silence
Nothing in sight.

Drizzles of rain
The sound it makes
When it slides down the roofs
She misses the heat
Of the bustling summer day
But in secret
she likes the rain
The silence and comfort it brings.
She likes the rain and the lonliness.
The solitude.
the sounds of her parents sleeping
Yawning.
a distant kettle whistling,
A neighbors.
The desolatation.
Patters of rain.
She likes to have both seasons
One season to live
And the
other to dream.
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jan oskar hansensapopt Jun 2015
Cakes & Ale
Cakes & Ale

I woke up in a bakery they do start early, the aroma of bread
is wonderful, they were also making cakes whipping creams.
Napoleon cakes and Danish pastry, black forest gateau and other
pastries I have as a child looking through the windows of bakery
shops admired. Too much, I walked outside and lit a ***, inhaled
deeply and the tobacco soothed my mind, giving me a feeling of
fullness. It was only then I remembered I have diabetes, a heart
problem and have not smoked for 15 years. Has it been worth it
this forgoing of the good thing in life; I’m not sure, it may extend
my life for a few more years of pain and misery, will I die regretting
the cakes I didn’t eat and the **** I didn’t smoke?
Continue reading...
jan oskar hansensapopt Jun 2015
cakes and ale
Cakes & Ale

I woke up in a bakery they do start early, the aroma of bread
is wonderful, they were also making cakes, whipping creams.
Napoleon cakes and Danish pastry, black forest gateau and other
pastries I have as a child looking through the windows of a bakery
shops admired. Too much, I walked outside and lit a ***, inhaled
deeply and the tobacco soothed my mind, giving me a feeling of
fullness. It was only then I remembered I have diabetes, a heart
problem and have not smoked for 15 years. Has it been worth it
this forgoing of the good thing in life; I’m not sure, it may extend
my life for a few more years of pain and misery, will I die regretting
the cakes I didn’t eat and the **** I didn’t smoke?
Continue reading...

— The End —