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RAJ NANDY Aug 2018
THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Burning, he walks in the stream of flickering letters, clarinets,
machines throbbing quicker than the heart, lopped-off heads, silk
canvases, and he stops under the sky

and raises toward it his joined clenched fists.

Believers fall on their bellies, they suppose it is a monstrance that
shines,

but those are knuckles, sharp knuckles shine that way, my friends.

He cuts the glowing, yellow buildings in two, breaks the walls into
motley halves;
pensive, he looks at the honey seeping from those huge honeycombs:
throbs of pianos, children's cries, the thud of a head banging against
the floor.
This is the only landscape able to make him feel.

He wonders at his brother's skull shaped like an egg,
every day he shoves back his black hair from his brow,
then one day he plants a big load of dynamite
and is surprised that afterward everything spouts up in the explosion.
Agape, he observes the clouds and what is hanging in them:
globes, penal codes, dead cats floating on their backs, locomotives.
They turn in the skeins of white clouds like trash in a puddle.
While below on the earth a banner, the color of a romantic rose,
flutters,
and a long row of military trains crawls on the ****-covered tracks.
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
brandon nagley Sep 2015
i.

An engineer of amour
Artificer of fine craft;
Abundant in moral class.

ii.

Alongside her
Astral hierarchy;
Tis, she's mine monarchy.

iii.

Fain, I taketh her cape
Made of foreign swathe;
Mixed with Filipino grape's.

iv.

Not slave's
Unrestricted with eachother;
Messenger's to thy planet, created under the milky way's feather.

©Brandon nagley
©Lonesome poet's poetry
©Earl Jane nagley dedication
Fain in old tongue means willingly.... If you wondered (:::
Lovers all are soldiers, and Cupid has his campaigns:
I tell you, Atticus, lovers all are soldiers.
Youth is fit for war, and also fit for Venus.
Imagine an aged soldier, an elderly lover!
A general looks for spirit in his brave soldiery;
a pretty girl wants spirit in her companions.
Both stay up all night long, and each sleeps on the ground;
one guards his mistress's doorway, one his general's.
The soldier's lot requires far journeys; send his girl,
the zealous lover will follow her anywhere.
He'll cross the glowering mountains, the rivers swollen with storm;
he'll tread a pathway through the heaped-up snows;
and never whine of raging Eurus when he sets sail
or wait for stars propitious for his voyage.
Who but lovers and soldiers endure the chill of night,
and blizzards interspersed with driving rain?
The soldier reconnoiters among the dangerous foe;
the lover spies to learn his rival's plans.
Soldiers besiege strong cities; lovers, a harsh girl's home;
one storms town gates, the other storms house doors.
It's clever strategy to raid a sleeping foe
and slay an unarmed host by force of arms.
(That's how the troops of Thracian Rhesus met their doom,
and you, O captive steeds, forsook your master.)
Well, lovers take advantage of husbands when they sleep,
launching surprise attacks while the enemy snores.
To slip through bands of guards and watchful sentinels
is always the soldier's mission - and the lover's.
Mars wavers; Venus flutters: the conquered rise again,
and those you'd think could never fall, lie low.
So those who like to say that love is indolent
should stop: Love is the soul of enterprise.
Sad Achilles burns for Briseis, his lost darling:
Trojans, smash the Greeks' power while you may!
From Andromache's embrace Hector went to war;
his own wife set the helmet on his head;
and High King Agamemnon, looking on Priam's child,
was stunned (they say) by the Maenad's flowing hair.
And Mars himself was trapped in The Artificer's bonds:
no tale was more notorious in heaven.
I too was once an idler, born for careless ease;
my shady couch had made my spirit soft.
But care for a lovely girl aroused me from my sloth
and bid me to enlist in her campaign.
So now you see me forceful, in combat all night long.
If you want a life of action, fall in love.
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
Great cities rise and have their fall; the brass
That held their glories moulders in its turn.
Hard granite rots like an uprooted ****,
And ever on the palimpsest of earth
Impatient Time rubs out the word he writ.
But one thing makes the years its pedestal,
Springs from the ashes of its pyre, and claps
A skyward wing above its epitaph—
The will of man willing immortal things.

The ages are but baubles hung upon
The thread of some strong lives—and one slight wrist
May lift a century above the dust;
For Time,
The Sisyphean load of little lives,
Becomes the globe and sceptre of the great.
But who are these that, linking hand in hand,
Transmit across the twilight waste of years
The flying brightness of a kindled hour?
Not always, nor alone, the lives that search
How they may ****** a glory out of heaven
Or add a height to Babel; oftener they
That in the still fulfilment of each day’s
Pacific order hold great deeds in leash,
That in the sober sheath of tranquil tasks
Hide the attempered blade of high emprise,
And leap like lightning to the clap of fate.

So greatly gave he, nurturing ‘gainst the call
Of one rare moment all the daily store
Of joy distilled from the acquitted task,
And that deliberate rashness which bespeaks
The pondered action passed into the blood;
So swift to harden purpose into deed
That, with the wind of ruin in his hair,
Soul sprang full-statured from the broken flesh,
And at one stroke he lived the whole of life,
Poured all in one libation to the truth,
A brimming flood whose drops shall overflow
On deserts of the soul long beaten down
By the brute hoof of habit, till they spring
In manifold upheaval to the sun.

Call here no high artificer to raise
His wordy monument—such lives as these
Make death a dull misnomer and its pomp
An empty vesture. Let resounding lives
Re-echo splendidly through high-piled vaults
And make the grave their spokesman—such as he
Are as the hidden streams that, underground,
Sweeten the pastures for the grazing kine,
Or as spring airs that bring through prison bars
The scent of freedom; or a light that burns
Immutably across the shaken seas,
Forevermore by nameless hands renewed,
Where else were darkness and a glutted shore.
She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard,
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.

For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.
If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.

                   It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.

Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As the night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.

Oh! Blessed rage for order, pale Ramon,
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.
Chrystos Minot Apr 2015
Lovely skies
Dark with clouds and rain
Leaden skies
Lead, Pb, Plumbum
Flat diffuse light, photographer's dream
Latin 4 lead = plumbum
We plumb our psychic oceans' depths, as the sailors did
With lead on their sinker lines
We plumb our depths if we choose
When we are earnestly explorative
Reflecting, meditating, in our psychic plumbing
Pb: the ugly duckling brother of glowing gold
Au of the aura Aurum
Both are soft, malleable, unassailable, & so helpful
Gold like Thor the glowing hero, lead like Vulcan the sooty artificer
We have made one the hero, and misused,
Demonized, besmirched the metal lead
Is it lead's fault we have put it in our paint, our gas?
That we made it accumulate in our fish, like fools?
Without lead, your car would not start
Imagine going on your trips on a mule
Or trundling down the road in an ox cart
Do not denounce lovely lead
Gravid, protector, quiet engine starter
Gently available to you to plumb your depths
Before your chapter's demise
Leaden skies
Lovely skies
Gravid with rain
Keep me grounded, serene and sane
Written 1999
K David Mitchell Aug 2012
“Don’t fly too near to the sun,” he had warned me,
as he strapped the wings across my eager back.
“I won’t. It will be fine,” I said, planting two feet on the ledge.
Looking down, I saw the swirling darkness of the world.
I swallowed down my fear.
But inside me, a sunbeam yearned to break free, to fly away.
To fly to an oasis in the clouds.

“Wax and feathers,” he told me, “that’s all it is.”
That’s all it is.
That’s all it ever was, all it ever shall be.
Wax and feathers.

The sky had called me by name,
and as I flew above the withering old artificer
who outstretched his ancient hand in a gesture of goodbye,
I knew I would never again see the face of men.
Only the faces of angels.
Of gods and goddesses.

The wings had lent my body a buoyancy
that I never knew had existed in the world.
Wax and feathers.
I danced and pranced and swirled and twirled into the sky,
all feelings of weight and import gone.
I had left the world behind.
I traded it all for a bit of wax and some feathers.

The feeling of bliss began to melt as soon as the wings did.
Panic struck me in the skies,
and as I looked below me I saw everything there ever was.
Everything that ever shall be.
I struggled to keep the flame alive within me.
But I fell.
Like Lucifer to the bowels of Hell,
I fell.

I ripped through clouds,
madly spinning in the air.
I glanced towards the sun above me,
growing smaller with every passing moment.
I prayed.
For the first time in my life, I prayed.

I could feel the Earth rising up to meet me.
“This is it,” I thought.
“This is wax and feathers.”
I closed my eyes.
Imagined what the old man would have said.
And I made peace.

But to my surprise, when I opened my eyes,
I was being held to the breast of an angel.
A winged figure of ineffable beauty.
I was flying with her, this perfect creation,
this embodiment of purity and divinity.
In her soft eyes I saw the moon and stars,
all eternity and space stretched out before me
in long pools of silver and white.
Her glowing golden hair was not of the world I knew,
but rather crafted out of the sun itself.
It lent light to everything.
A wave of euphoria passed over me when she
turned her gaze upon me, the human boy
in her merciful grasp, and smiled.

I belong to her.

Never again will I play with wax and feathers.
The second power of the Sphinx
is Will.

"Motion is by mind alone."
Intelligence, armed with Wisdom,
        fortified with Understanding,
        self-realizes.
                The will to power orchestrates
                desire, giving flesh to dream.

                       (ripples in the waters of מ)

        Who awakens, ceasing Motion,
        becomes the Mover:
        the omnipresent Point.

Will is the Artificer of Truth.
Truth embodied by Art
follows conception.
Existence produces mythos.

                "The Maze, the Maze that is the Secret,
                loves Itself.
                And in the love of Itself,
                amazing things Become."


To Will is to express:
to falsify the inestimable
and create by omission.

        "The world-dream is a lie." Ω

        "Lo, for these words that stain the lips of the Anointed,
        the Smeared Ones.
        Smeared in the ashes of My blood
        is the lie that is Our story."


The cause of Action is narrative.
The effect of Action is narrative.
I speak the Word.
I hear the Word.

The Story begins.
And begins.
And begins.
And begins.

⊙ - Motion is by Mind Alone
⊾ - Liber Labyrinthus
Ω - Liber Atrocitas
Alex Carpenter Jan 2014
Roses are red,
Violets are blue,
If harmony is what you’re looking for
I would compose a symphony for you

I’d create it out of the little things, usually carelessly overlooked
Writing the notes down as I go as if the pages of a book
Breaking form, strutting style
I’ll make it plain for you to see

We compliment each other well,
Regardless of the key

The sunlight burns into the trees but with the prevailing shade
The sunlight catches you in glances, as you walk away
But still I’d conduct a symphony, fingers riding every rift
Laying out a masterpiece, your own personal Fifth

I’d use my mittened hands, keeping the cadence stern
Smiling without saving face, I’m loving to relearn

My music floats atop the beat, crescendoing to the sky
The trees sway to and fro as nature joins in with a cry
Trumpet fanfare, chordal rounds, the most beautiful of sounds
If only, if only you could hear what I hear
And see these beautiful rounds

Venturing off across the medium, a tangent between right and wrong
An exhibit of choreography, justifying every wrong
You would find me smiling, artfully whirling my baton
A conductor at my finest, while trying to impress
As a romantic I expect the worst,
Without losing hope of finding the best
Continuing to break the mold, creation in rawest form
Discussion through composition, a shattering of the norms

As the piece draws to its close the conductor takes a bow
The lights dim with the curtain call as the cheers ring out
Then you’ll catch me beaming, an artificer plain to be
You’re the reason why I smile, it can’t be hard to see
Every time I see your face, all I hear

Is your symphony.
Ken Pepiton Sep 2020
Aware, as I am a ware,
not all minds find time to rest
while being read to,
while holding power to pause the reader and

look up a fact the reader mentions as being known
to all, but
me, I did not know, for

until some, not so long ago, time, agone away
holdon- until now,

I lacked the leisure to listen, no time,
for I was busy learning to
use the next necessary
technology, with glee,
to some geekish degree.
..-. - .-

Find The Answer
that is the message first heard, is it not?
Do you know what must come next?

Hell, yes. Yes, I know. We know, say every baby
*******, being
shaped in secret by wizards who do peep,
and ping, one thing to another,

IOT FTA we are here.

Is the evil fruit parasitic? We may find the answer,
if, ifity, see this ifity we imagine there
is
an answer to find, and we live in times like none
ever, up to now.
We have answers to quests, maps, keys in riddles,
laws in minds mastered in disciples of once
known occurrences
while crossing the ocean of current opinion.

- minded to put her away
- brrring the meter to the poem o leave
- me ****** imp
- I've lived this the long way, one day at a time
- rimes at the rim of ality re all lies in me,
- fall through the null net
- true/false, re/no/si
¿ No se?

Symbols only readers see.
Magi once prepared the spells with images
of things called common,
Bullhead was somehow alpha…

at this point silence, and the  sixty cycle humms of my home
step up as chorus,
while the narrator makes changes to the scene.

This is 2020, whenever you are. Our quests have become
ionic, after r poets got the point
and pierced the code of common sense, y'feel me?

Méiyǒu huǎngyán?

2020, like as not a lot closer to Babel than Eve,
on the angelic one way spiral of properly teleo-mered
DNA.

Mere, as a word, is a map and a clue in my realm.
****** is as well, truth be told,
sayings and figures of speech get old, apoptosis ceases to
pop.
Like bubble wrap.

Listen. We are served by art, or we are the artificer
serving you art.
We, as a we, not me'n'you and the others, but we,
the people who hold certain truths
self-evidently, as in
evidently, we have the power to be true to our own selves.

But our owned-ed-ed-u-cated self, owes its soul to the
companion store, for we all must ever eat the same
bread brot pan pita our parents ait,

just outside the garden,
near gobekli tepi, maybe, worth a look,
but later, if anybody knows, AI knows already.

I can wait, let's get through today. whats the selah code
for today lets keep on this No Lie theme, in Chineze


Méiyǒu huǎngyán

Did I wish or pray or merely hope

some good
could come from me
discerning, filtering rocks from beans at an

early
age, life is always living

memes are living memories of
things others
learned.
shucking corn and finding worms, but not
evil canker worms that ate every thing,
just the kind that chickens like
for treats on shuckin' days
in the olden days.

Today. 2020 tech, ancient mental time travel
app approaching
act if ative ity ooomph ala

we good


Méiyǒu huǎngyán

The song was One Day at a Time, Sweet Jesus,
That's All I'm Asking From You.

Careful what you ask for,
as we commonly hear conservative mouths mutter,
by rote,
sleep-learned response to faith preparing to leap.

Giant steps feel just like falling, but yes,
you may,
if mother nature were asked, she would have said.

There is always a  place to put your foot, says the
spritely reminder from Sycamore Canyon,
running rock to rock, in the spring.

One Day, today, I was thinking I have all the time
in the world.
I can say that and believe I am not lying, for
reason,

reason is tricky stuff, like sweaty dynamite, in
the hands of kids with hammers intending
to nail freedom to the mofa wall.

Everything looks like a nail.

Ages of reason have gone chaotic,
due to war being given reason by law and
law given credence by users of wisdom, trying
to gain authority by authoring peace
where no peace appeared possible.

Hmmmm, sixty cycles 2020 constancy, in America,
aha,
how appropriational can one app be, y'azme, mine's as
appropriate as any,

point to point conversion, all things being equal,
push comes to pull, not destroy,
idiot. id thing, idea, jot
tittle
tattle tale
child, old gaseous entity stinking in memorable words.

Incensed, he cried, I am the prayers of all the saints,
ohsit I think
ang or watt

hat'gosh-roted - my word, have aw e- unrolled a whole new
dimension.

-- message for today, when you read this it is written,
that is all… empty of meaning until filled by your reading,
really… no bad mocuss curse of doubt…

we emerge into life in living vessels, empty save the
basic ideas an ant has, avoid discomfort by seeking comfort,
time is not a factor, but luck seems to be,
then screaming and kicking
seems to work,
work, that’s a concept… work it out, why

why,
grunt, why, ahh, that

fertilizer, I am here to convert raw living matter constituents
into some substance needed by mother,
her,
she who feeds me, she who has a name, mmmm ahhh,
it will come to me
this knack I notice used
noises that calm and comfort. oh good com encompass me
swallow me whole,

I have all the time in the world - this is twentytwenty the year
and I am in one of those days.
Sad, for an enjoyable art effect kanji characters can't be displayed or saved here. I am enjoying the thinking needed to print them with a mush-point bamboo flair pen, as a child, as an old man I have AI
Ken Pepiton Feb 2021
sides in position
self imposturing, pre sep
paration, settling scores and bounds
separation
church from state… wait

what are these

things? Words? Or mental wisps
inter
daring done to render due
to whom due, honor or otherwise reknown.

Heroic words. I've uttered some,
imagining all boys did,
singing with their dad's, to Queen,
we
are the champions
of the world, we pretend, to the end, then

we fall away… or they
fall away … the anthems in the ballparks,
oh,
say. can you see… we are the cops,
we are the redcoats and the brown shirts
and the cavalry and the real estate speculators,

slipping my grip, the idea of me, citizen-soldier,
come limping home from the edge
of baseball,
where futbol over laps ancestral lessons
in rendering unto the owner rents ……….

How old is old?
Ask a child, for old men never
learn the bounds, or
if they do, I can't say,
there seem no theys I fit just right.

I
balance _ or I lie /I\ am lifted leaning lost.
…………..

Salt, salaried man,
spending time in reading strange sayings
as if
we
know there is meaning found some times,
we think.
we mentalate, cogitate, take a tic

to stop
and think
a gain or a loss, more sense or less, inessence
or essential point

in time? See? Say what you see? Squiggle wiggle
vermicule breeeze, or
whispy vapour
rising
above or diving into a period,
a point
in time to see ifery vanish in wasery wonder iffing
whatsitmatter,
any way.

We lived past that. Now, we make sense……..

Radical is root-related, as well as
edge
related… out on the edge of known
a
self awareness wonders at my existing
outside the inside
as seen on TV
via AI guides through the explosion of knowns

I am anonymous.
There is a canyon near my home
the sign says it is the canyon with no name.
The map says it is a slot-like canyon, with no name.

Thingery thinking in terms of lines and letters letting
all we knew
blow into the winding times told of in tales too tedious
to
recall
with Howard Bloom level detail. {he is unique}
He touches me, do I not touch back? The curio knows.

How sharp the edge of a point stretched from

the mind that could see the wind whip a spark to life.

Sense when nonsense seems the fashion, the way
forms fashion fasteners around axes,
facistical twigs and vines

something says this is missed as a message,
this ax bound in sticks,
I dare, I do, I ask what was the meaning of this,
and
while we're on my dime, what's with the wings
on the Phrygian cap,

I mean,
what was the artificer's source of inspiration, like
why is liberty always a lady
wearing fashion far up the ladder of learned things,
what is the trick
that
feminine wile, legendary lure, curious art, enchanting
c'mon
one bite.

That idea, boing, stretched so tight it threatens ever
if it
breaks once, just
once

the attention span…

An encrustation sensation overwhelms me,
I'm thinking
I know
I know
I know
nothing so important that it could not wait to be said
by you, reader/writer being ready
read on

words to the wise are plenty,
these who say we know bread, they say leave the leaven.

:they said leave it in Egypt:

But who knows how?
Sour dough is sour dough, y'knows, it don't cook with no bubbles,
no,
dough rises in a backpack tied to an ***, crossing the red sea,
near that place where
National Geographic got that image of a golden chariot wheel,
reminiscent of the drowned army,
or was that
not true?

Do you believe AI knows? I mean, does your believing matter?
Ask who knows what and you learn, the memory we share
holds answers to questions you are afraid to ask.
………….

One in 8 billion, those are the current odds,
taken to scale, with man, all varieties and models,
augmented intellectuals allowed,
the measure,
of all things…
but
two's a crowd.
Social distance morphic resonance,

send me money, I am drowning in debt…
do I doubt?
Don't you, what if… somebody is going to win,
I think I can.

Ha, Wattie Piper, child hood infection exposed
too soon  to
W. Clement Stone, do it now

selah, right word right time, just before
I lose my mind

na na na na
--------------

Is the universe friendly,
does it matter if we know or if we agree?
It is,
I say.

I made my bet, I go with the goodness aspect
of knowledge,
truth itself, yes, the idea, real, the whole

enchilada.
Good is never evil. That is a true story rule,
you can bet on it,
because life isn't fair.

Think no evil, see no evil. My side won.
My weapons are not mortal, I know.
Once fooled, once ready,
I know
the trick is knowing good enough to know
the difference,
by now. We are mostly post-

original disconnection beans being removed
at birth,
with that little blue **** thingy,
nigh on universal by 1948,

super bloom, that was the year, the pollen way,
say,
hey, see this singer singing home song long song
so
far away, way way way away
hey

---- dancing dust motes seen in sun ---
A scratched itch, if nothing more.
kfaye Mar 1
//:seek beauty with every moment_
do it like your life depends on it:it does
we can build.the thing we’ve needed
Michael Briefs Jul 2017
The tale is written in stone.
Peril to the passionate fool who
Ignores the legend!
A cruel fate for him
Who scales the bitterly cold
Heights without the aid of
A mask!

At those exposed,
Heroic points on the arc,
Our breath labors halting
Shallow,
Short.
Our insides
Blister and blaze
From our pulsing focus;
We clutch in agony.
The tenacity of our legs and
The strength of our arms remains
In doubt.
There’s not much more to give.

Still, we envision ourselves
At the apex,
Standing
Above the rest of mankind --
Critically weakened but
Still standing.
From that upswept perch,
We reach out for the prize,
Where the
Ring and rise of love
Wings free, untethered!

Drunk with adrenaline,
Dazed in desire,
Absurdly courageous!

It’s as if the slackened capacity
To breathe is compensated by
The means to aviate!
The stratospheric air
Deranges the senses
And we take a pauper’s pride
In the fleeting flight of
The spirit:

Contact!
Nose up.
Head wind rising...
Just blue above; beyond, the stars!
Ice forming. Gravity fading.
Drafting and drifting in a
Cold, crisp climb.
Fear flung far!

We cannot fall!
No...
We will not plunge to defeat,
Disappearing
Beneath the mist that drapes
The mountain below.
We are kept safe in God’s grasp
Once again.
Our purpose is pure…

But, alas,
Fall we will;
Plunge we must.

For this moment has been foretold:
We are but the children of Daedalus,
The great artificer of old.
We carry on the ill-fated conceit
Of winged Icarus!

This lot was cast long ago and
Is prologue to our
Descent
Into sadness.
We will henceforth walk amid
The smoldering ruins as
Empty-men.
Less actors, more specters;
Haunting,
Hunted,
Forsaken.

Eternally separate, we are,
From the over-world of lovers,
Sweetly wooing;
Forever seeking a way out
Of this flat earth,
This parched plane of
Pain and decay.

We struggle to find a place
Of forest greens and verdant fields of
Soft swells and subtle curves;
A place where water laps and crests,
Glistening clear or foaming ferocious!
Where magnificent mountains
Tilt and ****** heavenward,
Up through a misty canopy...

To reclaim the quest...to
Reach for the prize and
Climb again!

To rise to a place where
We might die...

But we may also fly.
The pain of separation is real. At least I can get lost in words.
Onoma Jan 2020
yes--that unconditional love hubbub

made of the fallen face of your poetry.

its guarded theatrical departures, when

was mustered a deep, deep reading.

such timely bashfulness come to unspread.

such sacrifice at the behest of your artificer's

eminent domain.

your poetry itself has become repurposed property,

silly...
Shivpriya Jan 2020
Dear artificer,
You are so wide-awake!
Look at the
wideness and come
even in the speck
to listen the entreatingly
ostinato of my heart!
The palatability
is not meant for any
confoundedness but
your tangents
don’t answer my
noes and yeses!

I think of idolizing your
earnest attempt of withholding
the passage for delivering your
correspondence to me
but, most importantly, I think I should be
praying for the enfolding supportiveness
of your words for facing the hollowness.

The sunken feelings always
reverberates and they yearn for your
affection in its booming resemblance.

Shivpriya
#shivpoetesspriya
Robert Staines Mar 2021
Cunning Artificer I claim not to be
Yet I plannish the gasket on my ******
Like unction grace to the protocol I conform

In silent congregation

Speaking in tounges I elucidate
Mayhab Untangel Marabab

— The End —