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wes parham Jun 2016
The reflecting pool lay long and flat, a massive mirror door...
I stepped up to it's concrete edge, and looked down to it's floor.
I saw pale tiles beneath the water, some pennies, a dime, a nail.
I dropped my thoughts beneath this sea, which quickly grew in scale.

One foot of water became, thus, ten... A hundred... thousand... more.
My view was that of one who's soaring many miles above some shore.
I was, at once, consumed with fear at how this made me feel,
That is to say, I convinced myself that this height was truly real.

That was when I dreamed I fell, but before I'd be no more,
I had much time to think awhile on what had come before.
I had much time to regret the past, and dread what was yet to be,
Saw images of fortune, ruin, the dust of you; the ashes of me.

Small joys helped to bridge the gaps where fear eroded hope,
The terror of  my empty room, the makeshift hanging rope.
My thoughts of death reminded me that the moment should be much more,
I opened my eyes to the rushing air, my throat felt raw and sore,
Looked down to see a blaze of leaves and the fast approaching forest floor.

Asleep, I fell, through sunlit leaves that seemed to fill the space,
Awake, I stood beside the pool when you had touched my face.
Something in your eyes was telling me you were concerned,
You somehow knew the man who left was not the man who returned.

We stood at the shore then, you and I, expressing futures yet to pass,
Fishing out mythologies and illusions that might last.
Our mouths were full of histories and secrets that we bared,
The reassuring comfort that illusions can be shared.

Look east and see the brightening sky, but not yet see the sun,
Look west and see the shrinking black,
The place where last night's stars have run.

Look up and see the limbs and leaves of the high forest canopy,
The ones above the gloom that's half obscuring you and me...
A bright gold glow suffuses them, but only way up high,
Where they already see the dawn, and the guiding star that fills their sky.

I'm reminded by these tall trees rising high into the air,
When shadow darkens my small world, but light is everywhere,
You do not need to see the sun to know that it is there.

So as I lifted up my face,
To where sunlight paints the highest tree,
In this expansive time and place,
I felt the same; beautiful and free.
Read here by the author:
http://wesparham.tumblr.com/post/145722638622/tell-me-what-this-poem-means-to-you-this-is-a

This is a collaboration with a poet friend.  We have traded original titles and tasked each, the other, with writing anything at all under that title.  No rules, just the title as a touchstone; a point of departure.  My friend's titles are sometimes long and descriptive. This one made me think of a sensory experience I have had in dreams and waking hours, too, where I play with the reference of world scale inside of my head, my relative spatial perception becoming expansive and colossal.    The title evoked the memory of this feeling, so I set about describing it in verse.
wes parham Jan 2016
In a room full of people, you're reading our words,
Silent, to yourself, alone.
Because bearing the stress of talking aloud,
Is much harder than sitting on your own.

And when we let you in, it's all the way.
We keep ourselves safe, but we have to say,
The ideas from within, the shadow or light,
Can comfort a stranger or set things right.

Our words have reached you,
       they've made you see more,
And understand better than you could before,
In a form that can never completely remain,
       untouched by the heart of it's writer,
We share this very real part of ourselves,
While the audience glows, ever brighter.
And vulnerability opens a door,
pulling strength on the strings of a lyre.
Our melody and lyric, not wanting for more,
Can raise each of our readers up higher.
A message, musings, on the power of words and poetry in particular.
In the time it takes to read a poem, the writer can deliver a powerful message of empathy and understanding.  Drawing on very personal observations, the writer can be instantly intimate with their audience, display a certain vulnerability, break down the barriers that keep people from connecting on a real and human level.
wes parham Oct 2015
We took a drive. I had things to say.
My heart was aching, shattered.
I rehearsed the words throughout the day,
Believing that it mattered.

I met you then but I only saw,
The mask you chose to show.
If you were suffering underneath,
Then how was I to know?

I said,
" Your grey facade hides worlds so vast,
Naked flesh of fruit, beneath the rind.
Your future's informed by its turbulent past,
Full understanding; when you look behind."

You said,
" You try too hard, you think too much.
You never live for now.
Wrapping words around the wrong ideas,
You miss the point somehow."
"Stuck in place, because it's safe,
You're too afraid to grow.
If you had begun to change your fate,
Then how was I to know?"

You saw me within a grey facade.
I saw you within a grey facade.

We could not say more, it seemed sufficient,
That love is patient.
Love is kind.
Love is ignoring all that came before,
Loving only the moment.
That coin of the realm: elusive, bright.
Your grey facade hides
Such a beautiful light.
Love has many names.
Call any one aloud and I will answer.
I will come.
You will see.
You'll see me clearly, even behind this grey facade.
I took on a second spoken word collaboration with a composer in the Netherlands I met through SoundCloud.com.  The track was titled "Grey Facades" and, so, I gravitated toward this theme...  exploring the differences between our outer, public personae and our inner, personal lives. In this case, the mask is harsh but conceals kindness and life.  The speaker, themself, seems to have a thin mask and an analytical nature.  They wear their beauty and darkness right on their sleeve but still remain obscured in other ways.

This is a collage of stanzas written independently over many months, but tending to relate to the one theme.  When I simply stacked them up and read them, cold, against the track, most of it's parts just clicked right with the changes.  I was surprised and really like how it's going.  Will post the final mix when it's done.
Update:   A final mix now exists..  Give a listen:
https://soundcloud.com/flowermouth/grey-facades-feat-warmphase
wes parham Oct 2015
Secretly, I envied you...
Forgive me if it presumes too much
To wish you happiness and comfort.
As far as I can tell, you'd have me think
Those things are not for you.

I used to think that this was appalling,
and pity the creature who lays claim
To misery as their lot.
but
Secretly, I envied you, before even
Understanding,
That my pity was like hatred,
A misery in its own right,
And worse than that which I judged.
I resented the affront, another deadly sin,
And you were right.  
You were right again.
You were right.
All along...
When all that you presented
Was hostility and greed.
How was I supposed to know
To look deeper?
-hear the author reading his work:
https://soundcloud.com/warmphase/sets/poems
.
True happiness may be a myth, but you'll discover that that's just fine.
Ease suffering where you can and contribute no additional suffering.  You may just find this more than sufficient.  And, please, don't deny others their given right to move through sadness  as well as joy.
wes parham Jun 2015
On the night that I dreamed you had died,
I didn't want them to see me crying in the kitchen,
But I did, and spoke only the truth for the day,
In honor of you.  I hope that it wasn't a dumb thing to do.
It probably was.

I didn't want to speak to people you knew,
But I did.  Told them how I knew you and, now,
With you gone...
-**** it, you wouldn't want this,
All this spewing of emotion, this lament of the flesh,
From which you're now gone.
I said I felt bad for loving you so much, but then I remembered your words,
I said I was wrong, I said I was weak, but then I remembered your words,
When you said,
"You are, but that's o.k."
It's the consolation of a friend, now gone, distilled to the essence,
Of what you needed to hear,
Exactly when you needed to hear it.
Imagined emotions in the wake of an imagined death.
It's about the storm that might occur in the wake of a death close to someone.  Not deeply close, but meaningful.  We hide our love for fear and in this situation, the dam breaks and all comes out.  It turns out that being at peace with the way things are is a good place to start.  You'll find that what seemed like a colossal nightmare was, in fact, perfectly o.k. after all.
wes parham Jun 2015
"A vice grinds hard in the gut..."
Began a poem from decades past.
From one hard lover, now a ghost,
Whose words have long since passed.

She scoffed at love and poured another,
Drunk, to dull the pain,
Sober, I held her in my arms,
On guard against the flames.

But love grew, still, within the dark,
Inside her body, bourbon-tied.
Unseen to me, there was a spark,
And the gates below blew open wide.

Discarding friends and lovers, too,
She ****** them for their care.
Believing this was what to do,
Her love became a dare.

She sang her wrath in poetry,
Self-loathing, hatred, blame.
The gilded coach that had to be,
A vehicle of pain.

I made farewells once she was gone,
They formed inside of sighs.
I gathered up the rhyming note,
And kissed her peaceful eyes.
further inspired fictionalization of events long past, best forgotten.
I've wanted to edit this, but got slowed down recently...
It could live on it's own, as-is, but there's a lot I'd prefer to fix about it.
Alternate version with shifted focus:
http://hellopoetry.com/poem/1099328/circumstances-as-they-are/
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