This is the first time I've been in this mango grove,
hearing the iguaca sing, since my parents left this island

It is mid-July and I am wearing my dad’s old hat palm pava    
square and jaunty on my balding crown


quietly stealing this fleshy passion fruit, its skin warm on my palm, eager to be ******, before the jibaro with their cutting poles awaken—


these violently soft things who delight in the rude noises
made in the slush of their kissing—


their fibers glad to be forever stuck in my teeth
pretending beginnings on new beginnings.                                            

“This year, the mangoes are abundant,” my father used to say to me, his voice blending with the birdsong.

He takes a bite and hands me its yellow-red splendor
to try.  Instantly, I am heartbroken—pierced and open.

I realize, this will be my last time here in this shifting, slow heat  
and I will struggle to remember and feel what it was like  

                                            to touch and eat-- abundant mangoes.

Somewhere tucked on a bookshelf is a book.
Dogeared, yellow pages with a hand written note.

In a box, lie trinkets — gifts, a pendant of Annie, a book mark.
Hand made cards, smudged with time.

An old doll almost intact,
Broken spectacles, pictures, a watch and postcards.

Some may call it clutter, junk —
And it’ll all go when I go.

But to me, they are the reason behind my smile, an odd tear.

More precious than collectibles or art —
They are pieces of my life,
My world and heart.

A tinpot tyrant built a tower tall,
clad in gold and granite and all.

This motte and bailey mocked the skies,
mocked the peasants who’d helped him rise.

Reflected in wide moat’s black waters
he saw a king or khan — not the paupers —

and ruled his lands to rack and ruin
until he faced his own perdition.

The tyrant’s chiseled name fades away
dissolving with each rainy day.

All that’s left of this despot’s schemes:
the wreck of his peeling gold leaf dreams,

this tower the barest token of his trying will
upon that lonely bald abandoned hill.

Now none remember the tyrant‘s name
whose broken tower was built for fame.

In the bleak winter
under hurrying clouds,
the wind blowing, bitter
gusts through trees’ barren boughs.

A small house: Its nooks
in new Gothic style
once housed the old books
of a forgotten king for a while.

It had been a library,
a place filled with words;
now all that here tarries
are the winds and the terns.

Its glassless peaked window
looks out on the sky
to waters that flow
by the small palace hard by.

The window is incised
in stone shaded gold —
a warm tone that belies
its touch that is cold.

The red palace is crowned
in gold and white marble.
They shine out, gowned
in hues that spite winter’s pallor.

Now blue waters and birds
add color to the scene
that fills this blank window
with nature’s stained glass serene.

This house has stood waiting,
empty in wintriest times —
now it’s filled by nature’s painting
brushed in hushed hues divine.

Human life moves fast
shows things, words, convinces

It shows things that are not created,
but about what is created in the heart
No healthy person will say

And even when life is sad
Don't lose hope, because it's very tedious anyway

Everything is falling apart
You're lying on the ground, you're in despair

Suddenly a ray of sunshine appears,
Drivetrain like in a sports car
Engine straight from the sky

It's coming back, and you want to change it, present it like a bestseller,
Put it on a distant shelf, away from light, eyes of the gaze
for old memories

And when you see yourself in the mirror after grayness and indifference... You bet something...
It's love, faith, hope

-Happiness at last, faith at last,
As if my punishment had passed, you thought
not seeing your reflection that you have already seen,
reflections from the mirror of childhood. It's faith

Not only old memories will remain

Time’s diminishments adds its own beauty
in gratitude for moments that are not ours:

the child tiptoes into the mother’s bedroom
and silently witnesses her comb her hair,

later listens to her snore, transferring to
them the transient lyrics of the song of life-

the lines that survive  the well of nights,
the rose thorns to bloom in their mouths

until it’s stamped in their bodies—
this trapped time to live all over again.

I’m walking by the dimming remains
of a building of future past:
its once stylish streetlight, now decayed,
points at the Moon that’s rising fast.

The old streetlight was made of globes of glass
that circle its core of steel bars.
It looks like a starship, sleek and fast,
but now its globes are dusty and scarred.

The globes, a circle of eight bright moons,
orbit the streetlight’s tall spire
that points up to the glowing sky jewel,
to the place to which it aspires.

Up there, on brightly lit lunar plains,
our spacefarers once walked in awe
and dreamt of Zarathustra’s booming strains
in two thousand and one proud hurrahs.

And so this spacecraft of glass globes
was made to look up to the stars,
to urge us on to launch further probes
and take wing from this blue globe of ours.

Years later, this dream has faded
to fleeting stars of reality shows,
who leave the people fixated —
not by the Moon’s, but by screens’ dim glow.

The streetlight was fixed firmly to earth,
iron bolted to grey crumbling concrete.
But it still points up to the heavenly berth:
Moon rises, a dream left on repeat.