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Кобылки сходили с дистанции,
Ликовала только Констанция,
Кто-то стал ура-визажистом,
Колхозницей с мужем стилистом.
И только насосная станция
Неслась по тропе террористов,
В тапок к последней инстанции —
Хуяк — и в дамках с министром.

Yaroslav Kulikovsky. Kiev, 2019 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem is like a riot at a fashion show. There are no weak characters here—only different strategies. Some drop out, some level up. But the heroine, after riding through the chaos, wins her game. It’s about a woman’s right not to be ideal, but to be effective. Not an angel, but a force of power.
Супермое работала в ресте,
Месила Йо-йо мужчинам известным,
Супер Моет — разливала рекой,
Смена за сменой, вниз головой.
Кекса за кексом она выпекала,
Супер-чудесно им рот вытирала,
Суперлегка и супергнеда —
Супермое, ты та иль не та?

Yaroslav Kulikovsky. Paris, 2021 (c).
Part of the cycle: Poems on City Flesh and Power
👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem explores the everyday eroticism and social invisibility of a woman in the role of "Supermaid." Beneath the playful imagery lies the right to be embodied, free, and desired. It is a declaration: the body is not an instrument but a domain of power. Humor, roughness, tenderness — and deep respect for those society chooses not to see.
Так хороша, когда оттрахана
И фотки шепчут этот взгляд.
Давно мужчины так не ахали —
Все как один и — невпопад.
Забыла мышка по-предательски
Себя в пыли библиотек —
И понеслася по касательной:
Любить нельзя ебать навек.

Yaroslav Kulikovsky. Paris, 2021 (c).
Part of the cycle: Poems on City Flesh and Power

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
A woman, freed through desire. Post-*** glow becomes her real face — not the one shaped by books or culture. From dusty expectations to digital self-expression. Between knowledge and pleasure, she chooses to be seen. A clash between puritan heritage and modern ****** agency.
На битбоксе гоняла "Тоску",
Тоска — ваша соска.
Серьёзно? И зачем тебе этот «Оскар»,
Если ты в колхозе присоска?
Сексоваттов тебе не хватает,
И признаюсь я  —  жопа плоска.
Голый Вася и медный фраер,
Эй, здарова, бичи — всё просто.

Yaroslav Kulikovsky.  Kiev, 2020 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
A grotesque take on cultural dissonance — between rural survival and fake glamor. Laced with absurdity, ****** irony, and raw frustration. A slap in the face of polished ambition.
Перке-пута, Лук-пук и Диг-пик
Увлажняли друг другу язык,
Под увесистой тенью фиг
Аргонавты точили тупик.
Вот Медея, а вот Штрык-штрык,
Млеет киви над Дамой пик,
Рвет рогатку на части бык,
А-ну, нахуй в кроватку, Брик!

Yaroslav Kulikovsky.  Kiev, 2020 (c).
Part of the cycle: Poems on City Flesh and Power.
Part of the cycle: Poems on City Flesh and Power.
An absurdist fantasy of mythological ***, infantilism, and animal instincts. An ironic dance on the edge of decency and poetic madness.
Балерина — шлюшка с мозгами —
И с цунами из пары ног.
Проститут-балерон — феерия,
ПолудЕнному Фавну — хот-дог.
Вот она — театральная труппа:
Трупов нет, маскарад налицо.
Домино адюльтеров-супругов,
Вакханалок — и агнцов.

Yaroslav Kulikovsky. Paris, 2019 (c).
Написано после репетиции «Щелкунчика». Все совпадения случайны. Или нет.
This life feels like a joke. Misery all around not a smile to be seen. Words that flow from people's lips, rotten fruit. The stench clings to them. Life the gift that keeps on flowing. Why do they live? Each day the same, misery covered with *****. Scarred and broken, embarrassed of themselves. This misery eating them alive. No one cares they say yet all these people stay by their side. Assistance in every way. This life feels like a joke. Misery growing inside. Join me on this ride. Down the path of doom and gloom. Where nothing ever grows. Here take a drink. Come sit next to me. Misery sure loves company.
Satire
zen master
drinks too much coffee
says to class
pardon me
leaves lotus, runs down the hall
but not fast enough


zen master
visits his sister
she hands him
new nephew.
our bodies are illusions
but shoulder puke real


zen master
ponders the spring rain
when stupid
car breaks down.
meditation does no good--
******* thing is ****


zen master
says souls can migrate
from body
to body.
unsightly skin condition
will end when you do


zen master
has the hots for jane
but he must
ignore this.
concentrate on breathing or
think about baseball
_

zen master
hates Shaysie girl lots
and wishes
she would stop
writing stupid shadormas
with him **** of joke
Ohmmm
Asher Graves Jul 14
A wise way to speak is to let silence perceive—
Yes! Yes! That is the way to live.
Arguments and violence are the norm,
While the silent ones are obviously a freak.
Enigmatic world we live in;
Society rants status, yet none pass the criteria.
Oh, you've such a beautiful fever dream—
Nope, I’m just suffering from malaria
Everyone's a threat until you get them to confront ya.
Weren’t you speaking volumes?
Talkin’ about how you’d demolish me!
Nope, that’s just my dyslexia.
Even the once stiff Language now follows the belief.
Instead of “figures of speech”, there are “figures that speak”.
They swear to follow democracy! They care only about our currency.
Oops! I meant to say they only care about competency.
I swear it isn’t a gimmick! Oh! you meant to say Hypocrisy.
Well a little dilly dally is fine for such a huge democratic bureaucracy!
Let’s change the tone a bit.
These niche little hypocrites
Care only about positions, propaganda and politics!
You think they care about us?
Sure, when the chicken talks to sheep
which causes a flock of birds to beep, just like when “Thanos” snapped the gauntlet and blipped and none of us got up our seat and raged all over the streets when “Iron man” died on that clip. Welp let me order me a figurine!
These are the things that I’d rather do
Than hear you people preach about bigots called idiots!
(Hahaha No apologies for this slip.) I mean figures! Are you asleep?
Crude words that stick to anyone. Ribbit!
But trust me when I say these figures have powerful latency.
Sure truth maybe a little twisted
Like how dark humour is now everyone’s shtick!
I just bend it so that you too can steal laugh for a bit.
I vent in verses, absurd as concrete truths!
Ahem! I mean to say as absolute as concrete truths!

That feels like a little play fight, isn’t it?
Maybe my memory is rigged but I can’t remember a time
when there wasn’t a confrontation among the fellowship.
Maybe I am a crazy little minx
But it’s crazy how they get to fully live.
A grand life with luxury
That isn’t earned since they were born with it.
Well Excuse me for interrupting a serious topic
But wasn’t there a figure who promised
To build a machine where you throw a potato and get gold on other side of it?
Such a revolutionary idea isn’t it?
Such a great figure with masterclass tapestry
Even Victor Von Doom and Reed paused their fight to gnaw upon such mastery.
Okay back to the topic
Let me remember the times of brilliant dictatorship!
Time when roads were clean.
Homelessness wasn’t a thing.
Sorry, what? You said something?
You mean to say I said dictatorship?
No. I said leadership!
Yeah. That’s what I sai-
Oh! Sorry for the little slip!

Wait a **** minute.
Wasn’t that ‘cause the Poor folks were banned from sleeping
Near the area of regime!
Because it dropped down the housing stocks of the rich
They dropped down a ****** scheme!
I mean that’s understandable, coming from a bloating blob
You’d need a brain to perform a valid thought.

A Nuke of an order to clean the “****” with the machine.
Tragic how standards change
For one of them was the teacher
That taught the **** fool how to act pristine.
Now lost his job so slept near the Bungalow
Until things turn serene.
Now that same tutor is one of the many victims.

None with morality. Not a shred of goodness in them.
All money-hungry, power-driven, slaves of temptation—
Atrocious beings.

Yet we cave in when we are presented with a bunch of choices.
Just for favour or advantage from others.
We play the cards they predict!
And just like how the house always wins.
The circus starts once again.
It's not a party trick.
It’s not a magic trick.
Just a “figure of speech.”

Figures that, you’d speak.
Careful though or you may get the “Slip”.
                                                               — Asher Graves
This piece is a chaotic sermon dressed in satire, stitched with absurdity, and delivered by a narrator who can’t quite decide whether they’re joking—or warning you. Figures of Speech was born from watching the distortion of language in real-time—how words meant to unite often divide, how truth bends until it breaks, and how the loudest voices often say the least.

The poem is a venting valve. A fever dream with punchlines. It tackles everything from political hypocrisy and media theatrics to the decay of discourse itself. The “slips” in the poem—those ironic stumbles and word-swaps—aren’t mistakes; they’re masks peeling off. The more the narrator fumbles, the more they reveal.

At its heart, this poem is about power: who holds it, who manipulates it, and who suffers beneath it. But it’s also about complicity—ours. We laugh, we scroll, we nod, and then we play our roles again. The circus restarts. The machine keeps running.

This is not a call to action. It’s not even a protest. It’s just a figure of speech.
Unless, of course, it isn’t.
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