Who whispers through walls,
As icy tones
Coat the air of halls?

Shards of death
Taughten their grip
Bare white teeth
And heavy breath

Swallow the night
By twelve o'clock
Whilst those unmarked
Lay out of sight

one person said: "peace is nothing but illusion
all I want is retribution"
[from "Pure Power" by Zardonic]
that's something I can identify with, which is why
I decided to write this heap of lines
————————————————————————————————
on a shooting range in a boondock la[ɛ]nd
with gloves pU̲t on; sta[ɛ]nd
in front of an autocratic ruler chained
by his hands to two moola safes'
[greed]
handles looking way
like an old-fangled car directing wheel
[steering wheel]
have this die-hard fool restrained
so that he, more or less, is still
I'm not a scho[ɑ]lar who can wave
around a degree in the medics field
but it's obvi this high-hat dO̲U̲chebag's plagued
with megalomania in a neglected condition
but there's a dreadfully effectual treatment
and he'll get it like villains
quite a gruesome fate
is looming upon this power-befuddled ****
like darkened clouds that, beyo[ɑ]nd a doubt, are soon to rain
["dark end"]
like waveriders, he's go[ʌ]nna serve
["surf"]
as a punchbag for I'm in quite a mood to raze
gonna wI̲nd up as nada short
of a ****** loon today
like Battinson, clepe me Vengeance
but I'm more something like the Zorro-looking caped
anti-autocratic vigila[ɛ]nte
from the Norsefire-ruled UK
[V from "V For Vendetta"]
meets someone whose work field's tormenting
like victimizers who pertain
to LE in one tsar-sized off-putting state
[law enforcement]
you know, the one that's go[ɑ]t a putrid trait
of always posing as a side you shouldn't blame (it's all the West!)
now, let's go back to the foul autocrat
————————————————————————————————
like a snotty boss that you disdain
I give this f#cking no[ɑ]b a cool g'day
by douching him from a bo[ɑ]ttle full of straight-
-fro[ʌ]m-a-cooler H2O; just a fE̲w secs break
for him, & once it's U̲p, I ****** this base
creature fro[ʌ]m a stE̲wpot great
with **[ɑ]t-a## noodles aimed into this hU̲mbug's stupid face
[the "hang noodles on the ears" expression]
pepper it with some ground 7-po[ɑ]t to boost the taste
feel how I, like a husband who betrayed
his devoted, yet testy, wife, get rudely gazed
at, racked, beda[ɛ]mned (by who?)
by food-lacking men from Africla[ɛ]nd
[Africa]
ask him: "is the provided food okay?"
zero gratitU̲de displayed
all that comes from this swine's bazoo's complaint
but it's nO̲[ɑ]t that I'm surprised
a classic pro[ɑ]sperous gobshite
repeat the tactic priorly applied
using a bucket full of maroon red paint
[autocrats have blood on their hands, hence "maroon red paint"]
like that music producer famed for dull future bass
I put on his viscous head a **** bucket
[Marshmello]
whereafter pick a wedge up & drum it
[golf wedge]
and, like a heap, I barely get started
[worn-out car]
like an unprepped passenger on an insane car ride
with no seat restraints applied
he's about to have a way hard time
I'm a cosmetic surgeon that operates part-time
fix his blamed jawline in just twain sharp swipes
with a steel bat, then yield some keen slaps
that meet his kneecaps until the knees snap
like the Baba Yaga hitman detached
from his peaceful life by someone ge[ɪ]tting him mad
[John Wick]
get his nails removed
which is pretty much the same that you do
when you repaper a room
[wall nails]
having perforated his fingertips
I get 'em plastered
a few minutes later, I rip them things
off sim. to wax strips
he gets his phA̲[eɪ]lanxes smitten with
a freaking ratchet
[rathet wrench]
pro[ɑ]b'ly, he regrets that his bo[ɑ]dy's still not dead
pick U̲p a pistol, set a drum-like clip in, get
it cocked, then shoot lead around his silhouette
till the clip has zero ammunition left
seems like this once co[ɑ]cky piece of dreck
has gotten his khaki chinos wet
but if I've go[ɑ]t him in a sweat
like a summer jo[ɑ]gger being dressed
in venthole-deficient threads
for this brash dude, there's bad news
like me when I write some sick bloodshed
sadly for him, I've not finished yet (uh-uh)
like a runner who's go[ɑ]t some distance left
to complete, & it's not as dark as things can get
'cause, like the heroine o[ʌ]f M. Streep in "Death
Becomes Her" after falling fro[ʌ]m that string of steps
I've got a somewhat twisted head
[that staircase fall scene with Madeline Ashton]
so consider this as an insult-to-inju[—]ry sesh
————————————————————————————————
grab a brace of scissors
for garden mainte[—]nance; Richard
****** Trager's here ta
get his skills of surgery trained; begin ta
amputate this creature's half-dilapidated fingers
operate at leisure getting 'em disarticulated I̲nto
twenty eight **** pieces
and cauterizing the remains with illuminated cI̲gars
fling into his piggish face some tissues
and some pain relievers
tell this nazissistic patient: "hE̲A̲l up"
["****" in the sense of being "severely intolerant or dictatorial"]
let him relax for eighteen minutes
over the spa[ɛ]n of whI̲ch I put on play "La Chica
Rockabilly" & some other ro[ɑ]ckabilly
jams to make the whole vibe a mite less grisly
like an NA brown bear that is gravely injured
["mightless grizzly"; North American]
(as, in fact, this tragic-fated bleeder)
whereafter spray him with a
["wither"]
can of gas & make his dicta—torial a## go ablaze akin ta
a straw-fabricated figure
during gala days at the late of winter
[Maslenitsa effigy]
telling this piece of trash: "in case you wI̲[ɪ]nd up
in somewhat of Hades, give a
warm shalom to the infamous ******"
consider this autocratic **** a sugar daddy's skirt
'cause he's gotten what he was asking for
————————————————————————————————
oh, & one thing more to say: the
nullified, like ruler's presiding terms, dictator
was known among some as "toilet sprayer"
like a scuttered urinator

welcome to the horror show
where webs from spiders
stream and flow,
where witches fly upon their brooms,
offering poisoned apple brew
where monsters play
where shadows dance
where screams are songs of violence
masks go up, horns and crowns
running running, away, around
sew your ears and pluck your eyes
this is the only way to stop your own demise

Don't move or make no noise.
They react to the sound.
This place was once a shopping mall,
now there's bodies all around.

Such dread!
they're searching with soulless eyes,
From sun up,until sundown!

Their broken wailing, unearthly cry.
"THE END IS NIGH!"
My picket sign once read.
I'm forced to lie here and play dead.
They search for the living-with no rest-
I'm alive because of putrid, rotting, flesh.

I dare not make a move.
in this food court.
this unholy mess.
I lie underneath defiled remains,
insides ripped out from their chest.
I dwell within these monster's nest.
Subsist beneath decaying stench of death.
It covers my scent well:
The undead react harshly
to how the living smell.

This new world-I can't tell,
Is this hell, or a fiendish fresh start?
Are they really so different?
I can't tell either world apart.
fear has always been a substance
Pumping through my old heart.
In those days I was ignored or-
they would notice,then shudder.
While folks that lived-well,
well: they ate one another.

I'd fall asleep by night.
under street lamps shivering, uncovered.
Lived my life as a ghost.
haunted those who walked by:
My picketsign.
My shaking fist.
"THE END IS NIGH!!!"
I was cast aside;I did not exist.
they refused to see me,
Notice me when i speak.
The world was a table
With no room for my seat.

Outside corner stores I'd sit with resentment.

I needed to be noticed.
Yet my efforts never got me closer
To being seen by any ONE of them:
An exquisite type of torture.

I see now so ironic, what i used to beg for:

Maybe zombies are ghosts...
that refuse to be ignored?

Maybe if that man in the store window
-he was standing next to a mannequin-
If he hadn't lost his balance...
I could've began again ...?
But that false life fell.
Futility in his attempt to flee:
They ripped out his throat
before he could even yell.
In the commotion a man with a minor creeps,
Crawling toward the exit,
for a stealthy retreat.
Oh yes! I do see it too.
There's a car parked outside,
its engine running right there in the street.

Six hundred and sixty feet.
Salvation has four wheels, power steering
and leather seats.
Something is shouting in my stomach.
Their opportunity.
Their window is closing to leave with no trace
Seconds stretch as I stand
I connect - making eyes with the man.
Him and the child hesitate.
out in the open, words aren't said,
but I can see his face deliberate.
Too late: they can't turn back.
How to sneak past that last zombie
without a face to face?
It shambles in the path of their escape.
They hide under a counter:

I think its better if that child left here safe.

See.
there is bodies, all around.
Bodies all around.
Bodies.  All.   Around.

Those dead bodies kept me a secret.
Kept me safe and sound.
It's my turn to be that for you.
I nod at the man.
Can you see me?
Witness.
Witness,what I'm about to do.

A rush.
Air fills my lungs.
All fear dissipates.
The four words I yell make the zombies irate.
  
                          " THE!!!

                             END!

                              IS.

                          NIGH!!!!!!!"

**** cretins are closing in;
My two friends sneak deftly by.

I see the man and child look back.
I pick up a baseball bat.
Safely on the street
they both wave goodbye.

                  The end is nigh.

Please notice me.

-

I can see cut throats  
writing with double edged swords
horror movies

~
if you're feeling sinister tonight, come inside the darkroom. picture yourself pouring over mental images of a demure young botanist, loitering around the trapdoor of nostalgia, kissing someone new for the first time.

now imagine she is conscious and clustered in titillating blur, her smile beachy and airborne, with only the slightest suggestion that something troublesome is lurking underneath.

can you see her double exposure? totally tranquil, she poses with an arsenal of poisonous plants, as if she’s already slipped their venom into your tea.
~

The Wyg burns the separate strands above a wooden pyre.
The Wyg ushers in The Line.

Mixing new colours with a robotnik slave-hand,
The Wyg manipulates The Line as no other in existence has done before or since—
Except, Exalted Ditko,
He who studied with
Exalted Paul Rubens.

The Wyg pays credence to the commeroration of Mars,
Watching over its distant skies and hallowed sand dunes,
Which burn as only fires can;
But those of us with eyes where eyes ought to be
Can only see the embers that scatter across the land
As hallowed, red Mars-dust.

In communication with the Mars Moth-Man,
On the nights where Earth-glow streaks across exalted Azuul,
The Wyg scrapes Mars Moth-Man's moth wings for the powder of the scales
And uses the powder for hallowed rites of manifestation.
Only in the temples of Azuul can one conjure The Line, and many materials are required.

How horrible and happy life is all together
How privileged you are to remember both together
A little bit of patience, barely spanning a meter
To sustain a tiny candle light in the heart of winter
Be still little heart
The summer is almost here
Then the reaping will start
Just as the dew reappears...

my imagination
suffers from excess
yesterday in a dream
I said that I sleep
I ordered personalized matchboxes
I saw the sea
in a plate from soup
I heard how a baton
conducts the conductor
I saw a breast
****** by a child
I uncovered a naked surgeon
on my operating table
and I recognized the voice of ******
among those gassed in auschwitz

by Volker W. Degener translated from the German by Adam A. Zych with Andrzej  Diniejko
from The Auschwitz Poems an anthology edited by Adam A. Zych