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Derrek Estrella Mar 2020
There is a beauty, I must confess
In the roll of her eyes
She is an all-encompassing baroness
In ill disguise
There is something behind her charred lips
That I do wish to hold
But when she sharpens her lilac fingertips
I simply lose my soul

Sat still by the fire, she seemed to me
Sadly contrary to eternity
She speaks with words that one cannot teach
Her gaze beckoned me to reach

She walks to me on scalpels
I cannot deny her
She drowns my tongue
In the sound of lyres
Her name, Her name
Her name, Her name
Her name, Her name
Her name

Escapes my mouth
Through no fault of mine
She cannot be held
In the interest of time
Her age will never show too clear
When her hood falls down
The sun will kneel
There will be no sound
But her spinning heel
This conquest, so severe
Her teeth lash out like mirrors
I held her hand in fear

As she types away all of her rights
She keeps ******* tied
When she asked me to call her Eurydice
I politely declined
She threw a fleeting fit that died with a kiss
From me unto her hand
Then she said, “how could you throw away all this bliss?”
I couldn’t understand
She snapped her toes, the room bellowed
I quickly shrivelled in brilliant fright
Her nest of pearly hair swallowed me
Then she fell out of sight

The lady stood behind me
In a dress of pins
She smiled and swayed
I never saw her again
Her name, Her name
Her name, Her name
Her name, Her name
Her name

Escapes my mouth
Through no fault of mine
She cannot be held
In the interest of time
Her face will never show too clear
When her hood falls down
The sun will kneel
There will be no sound
Nor pain to feel
Her footsteps, so severe
As the pangs of her toes echo clear
I run, for I know she’s near
Mamta Wathare Feb 2020
You
Like a threadbare rug
weaved in only the colour of moon
I carried you in my soul
long before
we met

Being with you
is like watching snowflakes
for the first time
Ice melts
warmth fills my soul
and a folk tune plays
in the universe
Mark Wanless Jan 2020
the simple folk surround me
the terribles astound me
i wonder which i am sometimes
and walk among the free
Travis Wilson Dec 2019
You've heard of Old John Ford
Who lived like a Carolina Lord
He defied the king
But before that thing
He was the first man e'er to fly

Was fine bright day that drew out
To find a goose good, fat and stout
Into the woods he went
Rope in hand, by a creek he bent

A hunting man is patient, true
But when flock swam by he knew
He had too long waited
To be so easily sated
And one just would not do

So this clever fellow, a fine knot drew
And with his fine rope,
he slide down the *****
And into the water he swam

Arriving at the first fat goose
He slid the noose
Gently around the foot
And with no sudden motion
As to avoid commotion
On to the next he swam

When Old John Ford had counted nine
He figured that'd be just fine
And out of the water he sprang

In terror the geese sprang high
Said Ford "Oh I'm a clever guy"
But quickly the smile faded
For he hadn't anticipated
What a flock of nine can do

And I tell ya boy, he flew!

They took him high
Until to his earthly eye
The world looked small indeed
And he cursed his selfish greed

For days did they fly
With that greedy guy
And do you know what they did do?
They took him to Peru!

When no longer they he could carry
And I tell ya, this is scary
They dropped him there and then
And he fell into a dern bear den!

Said he, "this can't be worse,
I'll rectify this curse"
And stuck behind a cub
He grabbed it's little tail stub
And with his knife, he pricked it twice
And out from the den he was drug!

Then to find his geese nine
For after home did he pine
And for a few more days he flew
And back in Carolina what did he do?

He named that spot Goose Creek
And we call it that today
I heard about this folk take from Union County, NC a few years ago and decided to write my own version of it. I decided it was John Ford because my best guess is that he was the original star of the story.
The summer wind
The golden year
Your loveliness
Dispelled my fear
Your gentle charms enchant me, dear
In happiness I shed a tear

Dear KittyNoir, do I adore
Please keep me warm, this I implore
Dear KittyNoir, hope lies in store
Come live with me forevermore!

The little clouds
The summer sky
Your sweet embrace
Draws me so nigh
While seeing you, I let a sigh
I felt so lucky I could die.

Dear KittyNoir, do I adore
Please keep me warm, this I implore
Dear KittyNoir, hope lies in store
Come live with me forevermore!

So, kitten-girl
Climb down the tree
Don't hesitate
To leap to me
Don't be afraid to live your dream,
And be the best that you can be.

Dear KittyNoir, do I adore
Please keep me warm, this I implore
Dear KittyNoir, hope lies in store
Come live with me forevermore!
The melody used by this poem comes from the unofficial national anthem of the historic region of Moravia, "Jsem Moravan" (I am a Moravian), sometimes also called "Ó Moravo" (O Moravia), written in 1904 by Kašpar Pivoda, with music composed by Vaclav Novotny 37 years ago.

It was one of the first three Chateau poems written by me (the others being "Little Kitten-Lady" and "I Long For Molly", and one of the two poems that were dedicated to one of the Chateau's models, Lea Van Doorn, followed by "Your Cat Ears Tell A Story".
Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
Ye, champagne and roses,
A bag full of poses,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
From London to Denver,
you're glowing my ember,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
I know that you're fluffy,
You're cute and you're puffy
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
The sun is a-shining,
The silver a-lining,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,  
Oh, ye little kitty-girl, why do ye purr?
The moon is a-gleaming
For you I’m now dreaming,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,  
Oh, ye little kitty-girl, why do ye purr?
So, come ye, and take me
For you will not fake me,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
I love you, my kitten,
So put on your mitten,
Oh, ye little kitty-girl, that's why you purr!
The melody used for the poem was from an Austrian folk song, called "Oh, du lieber Augustin", presumably composed by a Viennese balladeer named Marx Augustin in 1679, though written documents date back to about 1800. The folk songs "The More We Get Together" and "Fat Turkeys" were all based on this song.
Max Neumann Nov 2019
a daughter
named seble
seven years old

being in a coma

she couldn't hear her
daddy's words

she couldn't see him
fog in front of her eyes
covering differences of
sleep and wakefulness

oneday seble's father
who was desparate
put headphones
on seble's ears

lyrics from two tall germans
they are called the
"wildecker herzbuben"

"herz" means heart and a
"bube" is a boy

seble
closed eyes
slowly breathing

seble's father is called
brhane
rapidly breathing

brhane was pressing play
and after seconds
among lurid lights

seble
harvest
moved her head
seble closed eyes smiled
as the wildecker herzbuben sang:

"Ein letztes Glas'l mit alten Freunden
die geh'n allein nach Haus.
In den Straßen
in den Gassen
geh'n langsam die Lichter aus."

a last drink with my buddies
who go home alone
in the streets
in the alleys
the lights are vanishing

seble moved her head
no windows but
her daddy was there

sebles mother is not alive
anymore
brhane prayed
holding his daughter's hand

seble opened one eye
looking at brhane

seble came back to reality when
brhan had finished his talk to
god

the end of seble's and brhane's
story is wordless
Ken Pepiton Sep 2019
Did I ever ride one of these casino busses?
That's how I met my wife.

Is this weird enough?
seven measured spans of ten plus some,
this bit, this collection of second chances,
in how many?
in ever,
how many spans of tens have passed, without me?
or,
without the star stuff Sagan says  
I am made of?

or I am made? I was.

That's the measure of my worth,

nay, I say.
Rue the day I told that lie

shall be my epitath, should I leave without
a-counting
them there ex
acted, mockinbird killin' days and ways we was

when we was
never governed, as a people, or a tribe.
as ids,
we was wild injuns, us kids was. we did as we pleased.

life was fine,
livin' by the river, you can imagine a cloud

occlusion of green greasewood smoke
softening a barely waking moon
four thumbs high at sundown

keeping fairy tales down low enough
that grandpas
can snag

-- and release and come back jack, right here
--to this dangling hook

and it's always gonna be this way

catch and release,

life's story your story goes on.
You never lose your place,

that's mortally impossible
to pose a

quandry
quandary (n.)"state of perplexity," 1570s, of unknown origin, perhaps a quasi-Latinism based on Latin quando"when? at what time?; at the time that, inasmuch," pronominal adverb of time, related to qui"who" (from PIE root *kwo-, stem of relative and interrogative pronouns). Originally accented on the second syllable.

pronomial adverb, eh?
Writers were warned away from adverbs,
back when grammar tyranny strained
at knots and gnostic gnats magi-ifical
add-on augmented at your own risc

made you notice
tech times change faster than Timex

Sinclair-- sorry, senility function was left on from earlier missions

Force-recon recollected war stories being moved permanently into fish story status before
legend adds a layer
of gloryshit
at funerals.

Reduced Instruction Set Chip, chip
chipping is
addiction diction
A.I. *** us a whole Yah bus win, it's
Free Play day at the Ol' Folk Home.

We sing old songs on the way to Viejas and
laugh about all we left in Vegas.
Thanks, dear reader, my sanity hinges on you, like the swing doors on the Longbranch
Derrek Estrella Jul 2019
It felt like a drainpipe down the gullet of the actress
As she leapt out of sight of the red baroness
Asking, why do the streetlights stay blue?
And will the soil maintain its hue?

Faceless people eating capriciously
As they tenderly speak of their shore leave
As they’re foisting their dreams to their sleeves
Speaking of odd, foreign fleece

Decadent manners spoke in secret tongues
Polarized banners through brazen tar lungs
As bravado finds a new face
To win wars with one holy gaze

Something’s the matter but it’s all for nought
As the gilded Centurion claims he forgot
What he built his first child’s house upon
For all his sons are vagabonds

I mimicked a child in the way he embraced
His nascent complacence to the human race
Clinging to a wooden rail
For fear of the careless hail

A man claimed his newsboy hat kept him enclosed
For his fear that his thought-dreams would serve to corrode
The last bastions of society
Which he clings on to haplessly

The visor hung low on the Titan of Rhodes
For he knew of the judgment on one head exposed
In his position above
Where the sky belongs only to doves

Calendars festoon their tactless grace
With legions of chandeliers, forming a haze
Now, we know that the days are numbered
Yet, the fact leaves us all encumbered

Facsimiles of the nationwide veins
Will collapse next year as they fight for the grain
Now, the horse is extinct with the train
And everyone fears to remain
Derrek Estrella Jun 2019
Give to me your old vagabond
Show me what side you’re on
Englishmen, weary and guileless
Or tannermen, charming and blessed

There’s no need for your splendour
When you believe in a saviour
Holding on to the sky
Wondering and answering, “why?"
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