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That week was so hot,
every shotgun house gasped,
windows flung,
screen doors striking wooden frames,
the squawk of rusty springs.

Touching skin felt like punishment
at first,
then penance,
then prayer.

We were thin, androgynous,
switching cut-off jeans,
sharing tank tops,
slick with sweat and shaved ice.

Strays ourselves,
barefoot thieves,
pirates of the quarter.

Hibiscus syrup stained our mouths
outside the Prytania,
where The Abyss flickered
and you cried like a boy
pretending he didn’t.

Inside your walk-up,
we dipped into quiet love
like bread in stew.

The radio’s crackle carried The Ink Spots,
which I recognized but couldn’t name.
You mouthed every note like a secret
you wanted me to guess.

Faint smiling lines near your eyes
from knowing,
like you’d seen me
long before we met,

Not woman,
not man,
just two bodies
leaning toward the same heat.

I wouldn't see your fall or your winter.
When the seasons change,
I’ll be gone,
back home,
watching rain from a train window,
each drop undoing what we were.

That last night,
you placed your key by the door.
I saw it,
watched it glint,
and said nothing.

The snails were climbing.
The air was too sweet.
You slept through goodbye.
I left the key where it lay.
Indra L Sep 18
Some claim I’m rather edgy
They look up to my serenity
Idealise my brain capacity -
I’m sometimes told I’m pretty

And I won’t make a scene,
  disproportionally adjust to your screen
  ask about you despite me,
I’ll hug you without editing

Oddly lonely for the time being.

       See you in another film -
        Your eyes intimidate me
         You don’t seem to need any
          The script's too good for me.
I would go to him—
Not for closure,
But for constellation.
Not to explain,
But to exist.
To stand barefoot
In the space we already built
Between grief and grace.
I have rearranged
My sanctuary,
My sky,
My silence.
Each feather placed,
Each wand lifted,
Was a whisper to him:
I remember.
Let the oceans repeat themselves,
Let the deserts keep their bones—
I would trace every tide and tremor
To arrive not just in his arms,
But in the truth of us.
Even if our time never wears
The name "forever",
It has already carried
The names “holy”, “healing”,
and “home.”
I am the wind now—
Not frantic,
But sovereign.
And I would go to him,
Not because I’m lost,
But because
I have never been more found.
For CBM Mo chrói istigh ionat ❤️
Andy Denson Mar 16
our thoughts are cradled like an unexperienced parent.
our willingness to be in each others work.
to watch is to live. to live is to watch.
films speak more on how we see our worth to
others...
maybe it's the other way around.

the campus is giving 90s teen drama.
motion pictures is why we are
here.

i am the star.
no, is she. or is he. wait, it's
all of us...

it's the thought counts. it's the frames that
count. it's the thoughts that dictate the rate.

the obligation expands as some of the angels cry over
us. protecting the rest.

some scream like the students in 'cleaners'.

does the comedy make us think? or cry instead in the
seats of  
cine lawan --

Me, [insert your name here], a filmmaker. we all win
an award or two. some of us do.
we still keep creating.

my thoughts hold me in a loose trance. dancing with
me in the heat -- walking
with me the rain.

the white lady - i mean ghost- must have stopped recording since
we can here our voices again.


is the world even gonna end? says a fragile student
two rows in front of me. their back facing her
front.

it's giving blue and hidden in the dark. illuminated
by the works of art.
cinema. it's films. movies.

that a big reason i'm alive.
it's a reason to continue
even if there is not a quick
fix to life.
films give us life. or is it
the other way
around?

as the filmmakers desends into madness -
i mean their seats,
they soak the experimental footage,
red dirt sprinkled everywhere in
a ditch--
one weeps and the other takes a shot
for a share later.


everything happens because we filmed it.
thought it. cast it. documented. recorded.
edited.
distributed.

a feedback loop.

we think we know how the plot will unfold.

i see the colors from the projections even
as i look ahead. Still. Here.
I am still here as
my thoughts-
I’m excited to share that “I am still right here for hello poetry” has taken on a new dimension. I created a short film inspired by the poem, and it had its premiere at the 2023 Mindanao Film Festival. I invite you to experience the journey from words to visuals—watch the film here: https://youtu.be/EZK15ska71c?si=UacqFPtbneDJfYeO.

Thank you for being a part of this creative adventure.
It opens in transition
Warm Texas rain in June
Dallas in a cocoon
--
Kingdom of the sad harvester
Crop of tears raised in the sun
Forming long shadows on the screen
--
Starlight in cathedral
This explosion within
Enter the soldiers
Enter the dragon
--
Framed insects
Relying on hidden stairwells
To cover their hasty escape
To seal their fate
--
Inside a fascist restaurant
The men hiccup and cigarette
The women just smile and pirouette
Dancing around the blast zone
Detonating minds and hearts
Just as the end credits roll
Norman Crane Aug 2024
of what's a house built,
tatami mats without
figures, ghosts within walls,
haunted by the absence
of anyone of substance who calls,
ozu, can you hear me? in
these rooms of noh occupants,
transients staying only a night,
staging a performance for no audience,
except me, turning slowly to dust,
late spring in tokyo twilight,
floating weeds in an empty house,
by a projector's light.
Carlo C Gomez Jul 2022
~
Black as coal.
Moth or myth?
It helps with the lights out.
And travels by thought.

Cleopatra enters Rome,
Dropping names,
Reciting pagan poetry,
Knocking on forbidden doors.

Nicole sees shadows
Of her former self
Staring back at her,
Rock paper scissors,
The color of three.

Give and take after take
On the burning soil
Of a blurred crusade.

Typewriters
And other assorted weapons
Form white lies and alibis,
Calibrating the dusted variations
Of a caught-on-camera obscura,
It is a dark waltz,
Some small hope still,

Yet there's a comma after still.

~
Louise May 2022
A line from a favorite movie of mine goes;
"Marriage isn't romantic,
that's why God invented poetry."
And I could not get it out of my mind.
So much that it kept me up for two nights.
That what if I am to become a wife,
life would be a never ending strife?
What if I can only sit still with a book,
but as soon as I am someone's woman,
I am a runaway and a crook?
What if I can only well rhyme my poems,
but affection for my husband
is something I would always owe him?
What if I am only clever with my riddles,
but fall short with my duties as a maiden?
What if I am only a good artist,
but bad in marriage?
What if I am ideal in theory,
but repulsive in practice?
What if I am a better lover,
but only in my letters?
What if only in fantasy am I a good writer,
but in reality as a foe am I better?
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