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jules Jan 5
There’s streets, streets, streets, streets,
Endless streets ahead of me,
Black tar bleeding into cracks,
Stretching farther than eyes can see.
They go on without mercy,
without a name, without end,
Just more streets, streets, streets, streets,
No turning, no bend.

I walk ’til my soles are thin
like paper peeled from stone.
Feet dragging through the dirt,
‘cause no one walks alone.
There’s bottles smashed in gutters,
and faces in the rain,
All strangers to each other,
tied together by the same **** pain.

Keep walking, man. Just walk.
Don’t stop for the moon.
It’s a liar like the rest.
And dawn? It’s coming too soon.
A cigarette burns like hope,
and ashes fall like dreams,
On these streets, streets, streets, streets—
nothing’s ever what it seems.

There’s streets ahead and streets behind,
and neither way feels right.
But still you march, just march along,
in the dead and sleepless night.
Through alleys of the hopeless,
and avenues of pride,
It’s streets, streets, streets, streets,
and nowhere left to hide.

So walk, man, just keep walking.
That’s all that you can do.
Because streets don’t end,
they only stretch—
And somehow,
so do you.
tried something a bit different :)
Hobo Sun,
My heart beside me
Hobo Sun,
This life defile me
Hobo Sun,
Oh here I'm following...

chorus
I hit those streets, tracks, highways,
and I'm following, follow every-day,
I'm following, every-day.

My Hobo Sun,
Your path known
Hobo Sun,
Mine not so
Hobo Sun,
CAN'T YOU HEAR ME!
Hobo Sun!
HOBO SUN?

chorus
I hit those streets, tracks, highways,
and I'm following, follow every-day,
I'm following, every-day.

Hobo Sun,
I'm homeless...
Hobo Sun,
I know this...
Hobo Sun,
Have nothing
Hobo Sun,
You're everything...

chorus
I hit those streets, tracks, highways,
and I'm following, follow every-day,
I'm following, every-day.

Hit those streets, those highways,
Hit those streets, tracks, highways,
Hit those streets, every-day
Hit those streets.

I hit those streets...

alcohol

drugs

those streets,
my tracks, high way

chorus
I hit those streets, tracks, highways,
and I'm following, follow every-day,
I'm following, every-day.

chorus
I hit those streets, tracks, highways,
and I'm following, follow every-day,
I'm following, every-day.
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
All that thuggish bravado, those wannabe tough guys throwing up gang signs like fireworks of the fourth of ju-lie.Save it for the streets, keep it out the homes. Let the lead run down these meaningless gutters, don't let the fam see whats shown.Save it for the streets, the vanity of this rap realm, a world of hard words and harder falls.Save it for the streets, keep the guns out of school, keep the **** inside down, til that bell rings and the streets are open. Let the hatred fly, green light means go, yellow means get out the mutherfukin way, and red means bleed ***** bleed.Save it for the streets, all the death of the hood, leave it in the streets, black streets turn red.Save it for the streets, cause homes were built for one man armies or gang bangin fools, families can be supported on hot lead and sorrow.So next time you feel the urge to go buckwild, and let off some steam, just remember I said "Save it for the streets".
Dylan Mcconnell Jun 2019
If the streets could talk they’d tell me to come back to them, that I need them, I’m truthfully not “better off without” them.

If I could respond to the streets I’d say I don’t need you. This is my battle and I’m at rock bottom. I can only go up, and as I go up… I will no longer see you because I’m twelve hundred percent sure that I am better off without you. I don’t need to be high to fulfill the darkest parts of my soul. I don’t need to be high to be happy, content, or musically talented. It isn’t aesthetic. It’s not aesthetic. It. Is. Not. Aesthetic.

If the streets could talk they’d say ******* for becoming sober. That’s the worst choice you could’ve made in years. That decision is worse than trying to **** yourself. See the streets would rather see you dead from addiction, as opposed to becoming sober.

Well, ******* for making me want to become sober. ******* for making me want to die. And honestly, ***** you for everything you’ve torn from me. From sending me to jail as a tiny seventeen-year-old to making me off myself a good 4 times just ‘cause I couldn’t find drugs.

The streets would even go as far as to say: “rip everyone off, do bunches of drugs, leave everyone dry around you, and call it a day. Then sleep the high off, and next time you have an appointment, come to it high. #YOLO”

Y’anno what? YOLO is one ******* phrase. I live once, you’re right, Mr.Streets. But I want to be sober the majority of this living. I’m 18 and a half and have so much further to go in life. I want to become an addictions art therapist and I want to be at Zoe and Eden’s weddings. I want so much in life. None of which concerns the streets.

“Don’t listen to that cliche music, says the streets. Y’anno? That Macklemore **** that’s all about becoming clean? Eminem? Nah. None of that. You listen to music that glorifies drugs.” says the streets.

Also, if it takes listening to “Starting Over” by Macklemore 20 times a day and Dave’s Song by Whitney another 30 times a day, I’ll do it. Because at least I’ll be sober. Singing is something that brings me utter joy. As is writing and painting. And in order to do my best. I need to be pretty **** sober.

“No cigarettes do not count as addiction. Want to know what does? Buying pills with your disability checks. Now that ****’s ******* great. ******* for trying to get clean.” the streets say.

Bro. I’m bro-ing to you because we’ve reached that point of nonsense. You don’t get it, do you? I need to not spend my minimal money on drugs. Yes, cigarettes are a drug. I’ll get there with quitting those too. Instead of drugging myself up, I need to dye my hair, watch slam poetry, and sing. Sing. sing. Sing. Sing until my heart is full and complete.
Sobriety's a *****.
Toxic yeti  Dec 2018
Ghost 365
Toxic yeti Dec 2018
It’s New Years
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s Valentine’s Day
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s Easter
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s Mother’s Day
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s Canada day
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s labour day
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s thanksgiving
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world


It’s Halloween
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s rememberance day
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world

It’s Christmas
And I walk the streets
Longing for my love
From another life
Like a ghost
To the world
Rachel May 2013
It’s crazy how you can walk the same streets
you used to walk, back in the old days
before there was any evil in the world,
and see the same people and the same sights
that made those streets so **** important.
Nothing has changed.

Yet, somehow, everything has changed.
Deeper and darker lay the streets
crisscrossed, jagged and important:
a reminder of the length of the days
of snipers with their sights.
Leaving nothing the same in the world.

Yet everything is the same in the world.
Things preserved, nothing changed.
The same old familiar sights,
the same old familiar streets.
A deep, permanent melding of the days –
nothing left to do, well, nothing important.

Okay, I guess a few things important
may have changed in the world.
A complete list may take days
days of all that changed.
Change both on and off the streets,
in the sounds, smells, and sights.

Violence permeated most of the sights
previously peaceful and important.
Those violent and peaceful streets
that fill up the whole entire world.
But only I can see how these changed,
because I watched it many days

Years made up of months made up of days
I watched out my window all the sights
so I would know how things changed.
But what changed is not most important
Not in this crazy, changing world –
Not on these peaceful, violent streets.

The days passed, so important –
the sights transformed because of the world.
I watched it change my peaceful, violent streets.
Meandering like its canals
Venetian streets sing underfoot.
Who wore away the stone cobbled streets?
Who walked down to the shore?
Who gazed out at the Adriatic?
Who's dreams were lost in Venice's stream of streets?

Licentious lovers loved in Venice's streets, kissed on her bridges,
Crossed under by gondola and over by foot.
Proposed at the piazza San Marco.
Kissed, while the Grand Canal wound her way down.
Down into the sea,
where the menace that is the world, Venice shuns.

Rialto, Doge, Basilica, St. Marks, pigeons!
All evoke that lagoon city of streets.
Originally refugees, incolae lacunae ("lagoon dwellers")
Venetians, gave not only a place for the dispossessed,
but a place for the world to see, feel and taste.
Art, war, politics, commerce, spice and silk.

Venice with her ribbon of streets, alleyways and bridges
saw the Renaissance, the crusades, and the Black Death.
Glassware, paintings, sculptures, religion, refugees all
synonymous with that floating city.
A city returning to the water she arose from.
Subsiding with grief as she drowns in elegant decay.
© JLB
13/06/2014
DET Jan 2016
By:D.E.T

Empty dreams
Empty streets
But everyone repeats
The same disease
There are some souls in between
The streets
While others are trying to delete
The sweet
And incomplete

Some people call the souls a freak
Just cuz they don't speak
But those who are called freaks
Are the once one who have both feets
On the streets

To the people who are living in empty dreams And empty streets
Don't got empty point of view
While those who have point of view
Are the ones who are pointing out the who, who
Is gonna help them get us through

To the people has been dreaming of empty dreams
Keep both feets
On the streets
Cuz they know to face the evilness
Even if it seems pointless

Cuz when it comes to an appointment
With the homeless
They know they are the only choice
For that voice

And who knows
If they're gonna change the background
Cuz they know what's all about

When they look at the time
They know they gotta speak their own line
Even if they feel weak

They keep both feet
So, they don't fall a sleep
To those people who think they're weak

Just go ahead and speak
Cuz when they see the words
They know their getting the burn's

As they speak
To those who define
Their line
As pointless
Or worthless

You keep on cuz it's perfect
As they walk to their house
People are asking the how's
While others say the wow's

Cuz they got the guts
Not to listen to the not's
Who told them they did not
Have the guts

To change
That's where they became strange
Cuz they could feel it
As they spoke about it
And without

The people's help
They knew
That empty dreams
Or empty streets
Means nothing
Cuz there's always something

In the empty dreams
Or empty streets
Kris Fireheart Apr 2023
There are
Streets that cry,
Bleed and sigh,
******* with you,
Til' you can't
Sleep at night...

Streets that you
Feel like can
Read your mind,
Streets that you
Just can't
Leave behind.

There are
Streets that cry,
Bleed and sigh,
Filled with the
People who just
Breathe and die,

There are
Streets that cry,
Bleed and sigh,
And streets that
You never want
To leave behind...
I was born and raised on the Houston Streets. I was born here, and I'll likely die here. They are my home, the places I roam, and I keep watch over them and I call them my own.

— The End —