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Kaycee33 Jun 2013
The Quest for the Damsel Fish  by Keith Collard

Author's  Atmosphere

On the bow of the boat, with the cold cloud of the dismal day brushing your back conjuring goose bumped flesh you hold an anchor.  For the first time, you can pick this silver anchor up with only one hand and hold it over your head. It resembles the Morning Star, a brutal medieval weapon that bludgeons and impales its victims.  Drop it into the dark world beyond the security of your boat--watch the anchor descend.
        Watch this silver anchor--this Morning Star--descend away from the boat and you, it becomes swarmed over with darkness.  It forms a ******-metallic grin at first as it sinks, then the sinking silver anchor takes its last shape at its last visible glimpse.  It is so small now as if it could be hung from a necklace.  It is a silver sword.  
Peering over the side of the boat, the depths collectively look like the mouth of a Cannibalistic Crab, throwing the shadows of its mandibles over everything that sinks down into it--black mandibles that have joints with the same angle of a Reaper's Scythe.  

I am scared looking at this sinking phantasm.  I see something from my youth down there in this dark cold Atlantic.  I see the silver Morning Star again, now in golden armor.  I remember a magnificent kingdom, in a saltwater fish tank I had once and never had again.  A tropical paradise that I see again as I stare down into the depths.  This fish tank was so beautiful with the most beautiful inhabitants who I miss.  Before I could lift the silver anchor--the Morning Star--over my head with only one hand, turning gold in that morning sun-- I was a boy who sat indian style, cross legged--peering into this brilliant spectacle of light I thought awesome.  I thought all the darkness of home and the world was kept at bay by this kingdom of light...

Chapter  1 Begins the Story

The Grey Skies of Mass is the Name of This Chapter.

                                                      ­­                        
    
 Air, in bubbles--it was a world beauty of darkness revealed in slashes of light from dashing fluorescent bulbs overhead this fish tank.
Silver swords of fluorescent energy daring to the bottom, every slash revealing every color of the zodiac--from the Gold of Scorpio to the purple of Libra combining into the jade of the Gemini. 
In the center, like a dark Stonehenge were rocks. The exterior rocks had tropical colors like that of cotton candy, but the interior shadows of the rocks that was the Stonehenge, did not possess one photon of light. The silver messengers of the florescent energy from above would tire and die at their base.  The shadows of the Stonehenge rocks would stand over them as they died.

 
          When the boy named Sake climbed the rickety wood stairs of the house, he did so in fear of making noise, as if to not wake each step.
   Until he could see the glowing aura of his fish tank then he would start down that eerie hall, With pictures of ghosts and ghosts of pictures staring down at him as he walked down that rickety hallway of this towering old colonial home.  He hurried to the glowing tank to escape the black and white gazing picture frames.
                    The faint gurgling, bubbling of the saltwater tank became stronger in his ear, and that sound guided him from the last haunt of the hallway-- the empty room that was perpendicular to  his room.   He only looked to his bright tank as soon as he entered the hallway from the creaky wooden steps.  Then he proceeded to sit in front of this great tropical fish tank in Indian style with his legs folded over one another as children so often would sit.
  The sun was setting.  The reflections from the tank were beginning to send ripples down the dark walls. Increasing  wave after wave reflecting down his dark walls.  He thought they to be seagulls flapping into the darkness until they were overcome as he was listening to the bubbling water of his tank.
                " Hello my fish, hello Angel, hello Tang, hello  Hoomah, hello Clown and hello Damsel … and hello to you Crab...even though I do not like you," he said in half jest not looking at the crab in the entrance of the rocks.  The rocks were the color of cotton candy, but the interior shadows did not possess a photon of luminescence.  All other shadows not caused by the rocks--but by bright swaying ornament--were like the glaze on a candy apple--dark but delicious.  Besides the crab's layer in the rock jumble at the center of the tank which was a Stonehenge within a Stonehenge--the tank was a world of bright inviting light.
                The crab was in its routine,  motionless in the entrance to his foyer, with his scythe-like claws in the air, in expectation of catching one of the bright fish someday.  For that reason the boy tried to remove the crab in the past, but even though the boy was fast with his hand, the optical illusion of the tank would always send his hand where the crab no longer was.  He did not know how to use two hands to rid the crab in the future by trapping and destroying the Cannibal Crab ;  his father, on a weekend visit, gave the Crab to the boy to put into the bright world of the saltwater tank, which Sake quickly regretted.  His father promised him that the Crab would not be able to catch any of the fish he said " ...***** only eat anything that has fallen to the bottom or each other..."

         A scream from the living room downstairs ran up the rickety wood and down the long hall and startled the boy.  His mother sent her shrieks out to grab the boy, allowing her to not have to waste any time nor calorie on her son; for she would tire from the stairs, but her screams would not, allowing her to stay curled up on the couch.  If she was not screaming for Sake, she was talking as loud as screams on the phone with her girlfriends.  The decibels from her laugh was torture for all in the silent house.   A haughty laugh in a gossipy conversation, that overpowered the sound of the bright tropical fish tank in Sake's room that was above and far opposite her in the living room.
               " Sake you have to get a paper-route to pay for the tank, the electricity bill is outrageous," she said while not taking her eyes off the TV and her legs curled up beside her.  He would glad fully get a paper-route even if it was for a made up reason.  He turned to go, and looked back at his mother, and a shudder ran through him with a new thought:  someday her appearance will match her voice.  

              Upon reaching his tank,  Hoomah was trying to get his attention as always.  Taking up pebbles in his big pouty pursed lips and spitting them out of his lips like a weak musket.  The Hoomah was a very silly fish, it looked like one of Sake’s aunts, with too much make up on, slightly overweight, and hovering on two little fins that looked incapable of keeping it afloat, but they did.  The fins reminded him of the legs of his aunt--skinny under not so skinny.’

               The Tang was doing his usual aquanautics , darting and sailing was his trick.  He was fast, the fastest with his bright yellow triangular sail cutting the water.  Next was the aggressive Clown fish, the boy thought she was always aggresive because she didn't have an anemone to sleep on.  The Clown was strong and sleek with an orange jaw and body that was built like a tigress.
  Sake thought something tragic about the body if the  orange Clown and the three silver traces that clawed her body as decoration -they reminded him of the incandescent orange glow of a street lamp being viewed through the rainy back windshield of a car.   The Clown fish was a distraction that craved attention.
The Clown would chase around some of the other fish and jump out of the water to catch the boy's eye. 
                 Next is the Queen Angel fish, she is the queen of the tank, she sits in back all alone, waving like a marvelous banner, iridescent purple and golden jade.  Her forehead slopes back in a French braid style that streams over her back like a kings standard waving before battle, but her standard is of a house of beauty, and that of royal purple.

                    Lastly is the Damsel Fish, the smallest and most vulnerable in the tank.  She has royal purple also, rivaling the queen. Her eyes are lashed but not lidded like the Hoomah.  Her eyes are elliptical, and perhaps the most human, or in the boy’s opinion, she is the most lady like, the Hoomah and the Queen Angel come to her defence if she is chased around by the Clown.  Her eyes penetrate the boys, to the point of him looking away.  

                      Before the tank, in its place in the corner was a painting, an oil painting of another type of Clown donning a hat with orange partial make-up on his face (only around eyes nose and mouth there was ghost white paint) and it  had two tears coming down from its right eye.  The Clown painting was given to him by his mother, it seems he could not be rid of them, but Sake at first was taken in by the brightness of the Clown, and the smooth salacious wet look of the painting. it looked dripping, or submerged, like another alternate reality.  The wet surreal glaze of the painting seemed a portal, especially the orange glow of the Clown's skin without make-up.  .  If he tried to remember of times  before the Clown painting that preceded the Clown fish, he thought of the orange saffron twilight of sunset, and watching it from the high window from his room in the towering house.  How that light changed everything that it touched, from the tree tops and the clouds, to even the dark hallway leading up to his room.  The painting and the Clown fish did not feel the same as those distant memories of sunset, especially the summer sunset when his mother would put him to bed long before the sun had set.  
Sake did not voice opposition to the Clown.
Then he was once again trapped by the Clown.  
            The boy was extremely afraid of this painting that replaced the sunsets , being confined alone with it by all those early bedtimes.
Sake once asked his mother if he could take it down, whereas she said " No."  That clown would follow him into his dreams, always he would be down the hill from the tall house on the hill, trying to walk back to the house, but to walk away or run in a dream was like walking underwater or in black space, and he would make no distance as the ground opened up and the clown came out of the ground hugging him with the pryless grip of eight arms.  He would then wake up amid screams and a tearful hatted clown staring somberly down at him from the wall where it was hung.  Night made him fear the Clown painting more;  that ghost white make-up decorating around the eyes and mouth seeming to form another painting in entirety.  He could only look at the painting after a while when the lights were on, and the wet looking painting was mostly orange from the skin, neck, and forearms of the hat wearing clown.  But the painting is gone now, and the magnificent light display of the tank is there now.  

                Sake pulled out the fish food, all the fish bestirred in anticipation of being fed.  The only time they would all come together; and that was to mumble the bits of falling flakes: a chomp from the Clown, a pucker from the Hoomah, the fast mumble of the Tang, and the dainty chew of the Damsel.  The Queen Angelfish would stay near the bottom, and kiss a flake over and over.   She would not deign herself to go into a friendly frenzy like the other fish; she stayed calm, yet alluring like a flag dancing rhythmically in the breeze, but never repeating the same move as the wind never repeats the same breeze.  She is the only fish to change colors.  When the grey skies of Mass emit through every portal in the house at the height of its bleakness, her colors would turn more fantastic, perhaps why she is queen.

                 He put his finger in the top of the watery world; the warmth was felt all the way up his arm.  After feeding, his favorite thing to do was to trace his finger on the top of the warm water and have the Damsel follow it. She loved it, it was her only time to dance, for the Clown would descend down in somewhat fear ( or annoyance) of the boys finger, and the Damsel and he would dance.  The boy, thought that extraordinary.

                     Sake bedded down that night, to his usual watery world of his room.  The reflective waves running down the walls like seagulls of light, with the rhythmic gurgling sound and it's occasional splash of the Clown, or the Hoomah swooping into the pebbly bottom to scoop up some pebbles for spitting making the sound "ccchhhhh" --cachinging  like a distant underwater register.  The tank’s nocturne sound was therapeutic to the boy.

                      Among waking up, and being greeted by his sparkling treasure tank--that was always of the faintest light in the morning due to the grey skies of Mass coming through every portal to lessen the tropical spectrum-- the boy would render his salutations " Good morning my Hoomah.....good morning Tang, my Damsel, and your majesty Queen Angel.....and so forth.  Until the scream would come to get him, and he would walk briskly past the empty room and the looming family pictures of strangers.  His mother put him to work that day, to "pay for the fish tank" but really to buy her a new cocktail dress for her nightly forays.  The boy did not care, the tank was his sun, emitting through the bleak skies of Mass, and even if the tank was reduced to a haze by the overcast of his life, it only added a log to the fire that was the tropical world at night, in turn making him welcome the dismal day.
                  On a day, when the overcast was so thick, he felt he could not picture his rectangular orb waiting for him at night. He had trouble remembering what houses to deliver the paper.  He delivered to the same house three times.  Newspapers seemed to disappear in his hands, due to their color relation to the sky.   Leaves were falling from the trees—butterfly like—he went to catch one, he missed--a first. For Sake could walk through dense thorned brambles and avoid every barb, as a knight in combat or someone’s whose heart felt the painful sting of the barb before.  He would stand under a tree in late fall, and roll around to avoid every falling leaf, and pierce them to the ground deftly with a stick fashioned as a sword.  He could slither between snow flakes, almost like a fish nimbly avoiding small flakes.  
                  After he finished his paper-route , he went to his usual spot under an oak tree to fence with falling leaves.  As the other boys walked by and poked fun he would stall his imagination, and look to the brown landscape of the dry fall.  The crisp brown leaves of the trees were sword shapes to him.  He held the battle ax shape of the oak leaf over his eye held up by the stick it was pierced through, and spied the woodline through the sinus of the oak leaf lobe.  The brown white speckled scenery, were all trying to hide behind eachother by blending in bleakfully; he pretended the leaf was Hector’s helmet from the Illiad—donned over his eyes.
“ Whatchya doing Sake?” asked a young girl named Summer.  Sake only mumbled something nervously and stood there.  And a pretty Summer passed on after Sake once again denied himself of her pretty company.  He looked to the woodline again, a mist was now concealing the tall apical trees.  It now looked like the brown woodland was not trying to retreat behind eachother in fall concealment, but trying to emerge forth out of the greyness to say "save us."

“ Damgf” he uttered, and could not even grasp a word correctly.  His head lifted to the sky repeatedly, there was no orb, and the shadows were looming larger than ever; fractioned shadows from tree branches were forming scythes all over the ground.
             He entered the large shadow that was his front door, into the house that rose high into the sky, with the simplicity of Stonehenge.  He climbed the rickety petrified stairs and went down the hall.  Grey light had spotlighted every frame on the wall.  He looked into the empty room, nothingness, then his room, the tank seemed at its faintest, and it was nearing twilight.  He walked past the tank to look out the w
Styles  Aug 2016
Lust
Styles Aug 2016
Her passion burns bright
her fire catches me
igniting my soul
aroused by lust violently
her flames engulfing me
consuming my mind
body held in captivity
submitting mentally
enchanted by her majesty
Performing on Saturn

Hi dudes and dudettes
Welcome to Saturn club rings and today we are playing poems and songs that will make you feel really cool
The first song is the west coast eagles victory song
We are the eagles
The west coast eagles
We are the ones who won that game
You see we have the power
To win the big game
Go the eagles who are one win away
You see with the eagles
The west coast eagles
Yes we are powerful
End tonight we will be in the club
To sink down a few cleansing ales

Yes that was a cool song and now here is our second song which is called hey dude what are you on about
You see when I was a partying
In the cold of this city
I see people trying to get me in
To their little gang oh yeah
I told them I didn’t wanna be in their gang but they said you are joining us oh yeah
I tried to wriggle out of it
It isn’t what I am into, no
Because I am into partying in a different way
Then these thugs came up to me
And said these little words
Hey dude, what are you on about
Then I went to the football club
To watch the very important match yes that makes me feel so divine
And my dad said yes your majesty when I told him what to do is was as if I didn’t know what to do
You see back then when I was a hooligan a ***** rotten hooligan
I found it hard to think what the **** was going on
Then these dudes said to me
Hey dude what is going on
Partying in the club is cool
And they really break no flaming rule you see god isn’t up there anymore because the bible was absolute ******* when they tell you everything that is in it
Hey dude what is going on

Thank you and that was a great song and our next song is yes your majesty
You see when I was young I told my family to say what I wanted them to say
Like you say heavy metal is cool
You say Martin Luther king had a dream
You say who is going to win the footy
You say you say you say
Dad goes yes your majesty in a very posh way
Yes your majesty after I say you say
Yes it is cool in many ways
Dad goes yes your majesty
Every fucken day
After I say you say
I told him, no I am not the queen
And I am no king either
I just want you to say
That I am the best
Just say west coast are the best well, dad just said yes your majesty yes you flaming majesty after I say you say
Yes your majesty every single day

That was a good song and now it is time to party with me
We drink taquila and bourbon yeah
We drink beer and wine for you
We get high on mariguana as well as *******
Yes it is time to party oh yeah we say
You say party time is here
Yes your majesty
You say get down and boogie
Yes your majesty
You see you can see me in my party clothes
Yes and my nanna is having a doze
Drinking beer to past time
I say fun you say cool
Yes your majesty I say what I want
I am a tool and a ****
Who loved life every day
Party party party mate
Party with a how’s it going mate
Get down with a bit of methane
Yeah mate yeah time to play

What a song and now here is winning the final

It is mighty hard to win a final
Especially when both teams want to be there
And the crowd yell out forever
Yeah mate yeah
When I get up this morning.
I will watch the Canberra afl grand final
Who the ******* will win
Well it will be close and it will be fun
How many people will turn up
It will be hard for both teams
Cause winning this grand final
Is what each team wants to do
Gets out there to score a goal
Goal goal a pretty good goal
And west coast are one win away of a grand final after coming back on Collingwood
With the McGuire family cheering on the pies but when west coast won yippee I ay
It was a shame that the swans are no more this year but Sydney still has a representative
There let’s hope they win
Go the demons beat the hawks
Don’t move don’t you dare squawk it will be hard oh hard to win that match so just get your ticket yes mate, clear the pickets welcome to Australia Britain or France going to this party in just my underpants
And you feel pretty cool as your favourite team wins the all important final oh yeah

Goodbye, time to go must get up to watch the Canberra afl
Go ainslie
wehttam  Jun 2014
Zen Zero
wehttam Jun 2014
May be I’ll start writing, today.  
The story of Zen Zero.

I realized that all good things come to an end.  The tears, the affairs, and even the faintest revelation about my relationship to the Emperor of Japan.  I’ll need help and... well, the truth can be tolled.  It can be that the faintest belief, that we as free people are subject to the king, our God.
A king stands in truth as our kin.  The love that has existed for a thousand years, about justice, permanence, and legend are here.
It all started 7 years ago.  According to the book of John, the 3rd book.  The face of his majesty does have an Imperial Guardian.  In any colour, red, black, blue, white, and even green.  Each color resembles the color of trust.  
I started training in the Emperor's garden at the age of negative 6.  Before my mother can conceive her unborn child in a marriage.  Like the burning of Shin Cho' Palace.  
"Oh, how they forget so quickly, the truth?" says my mother.
They forget so quickly the majesty and power of the Emperor's memory of Mother Japan.  In his Majesty's eyes, how many lovers stir the colors of benevolence.  Where and when does it exist and stop for us as an American patriot sold to slavery for spy’s.  All of his subjects do will and listen to the cry of patience in his family’s quarters.  
My father at the time of his marriage did not know the Emperor's name, I had asked my mother in her heart if she knew the king.  They are no longer married.  They had tried to burn down the Emperor's Palace with a marriage.  But I had already existed, in the love of my family at a wedding joining men and women.  I remember some singing, all though in my mother’s ears, really bad singing. In her head or mine at the wedding, whichever is greater.  Maybe the song was worthless or was the singer already lifting her fingers to strike matches on the bamboo fortress of the young emperor.  
They have had many statesmen destroy the dream that Japan has.  Through lies, corruption, and *******.  Each of the last three I had to conquer to be his Majesty's Justice.  I did not earn the right to judge any such subject or people, it was given freely at that time to children.  I had learned to love the Emperor, even in my own desire to please him and her.  
The lies were towering revelations about the coming of man in God's kingdom, and how the will of imperial veils never existed for the properties of mankind.  The corruption was the setting of dowers or dowries for the subject of lost families, in the forbearance of lucher escaped only by the luck of liars.  And then the dreams of revelry, owned by the ungodly and chaste men of the burning palace, whether sediscious, or whether the fables absolving time in the palace to a judgment had already met the Emperor.  
All of the priests (pre-ests) had to pray; for the remaining time of eternity, for the true judgment of his Majesty's subjects. It was to be taken from the subject of srys to the Emperor's Knight.  
To many were lost in the munitions of war.  Laws that govern and sanction truths were not available to those of absolute corruption.  Stalwarts, stonewallers, and stoners were becoming of the anti-gentry.  The laws were never to be discouraged by zeal, or by trial.  The laws had to represent the ability of love to change time even if the object of factions destroyed the old way.  They had taken the truth to prepare Neoteny for where the first Imperial Guard had placed his head.  The first Imperial Guard, that I became before birth had taken his own head with a weapon made by treason.  
My mother’s dress was made out of spider silk.  A giant spider played Chinese checkers with the Imperial Guard for my head also.  Never the less, the palace, this time was not burned.  The dress was made out of falling stars and spiders silk.  She had found the Emperor's tailor and traded my soul for the wedding.  The pictures that were retrieved from the wedding of my mother and father have ruminated in antiquity since the time until by birth my life.  The seers and srys wanted my head to take up the Emperor's chalice.  His cup, filled with my blood, Simian blood.  
I did not want to go through with it, birth and death before becoming subject to royalty.  Seeing the world before consummation, as I had was never thought of, it was seen as impossible unless by treason we had chided a woman of royalty.  
I have seen the last major asteroid go through our galaxy before it had ever had been a present particle of mutiny.   It proved to the child (myself) in gestation, between man woman at the wedding that time will pass just as quickly before my mind’s eye as it had at the day of Pentecost.   More than 500 billon people were to be saved by God rather than by a humble dismantling of a defense lawyer.
I had seen how flowers are made by tiny Zen Zero bumble bees going to and leaving from daisies and roses, and orchids.  How each seed takes roots and as do the munitions for treason and tears; how each man whom chooses to change their name because of treason begins to understand change when his wife chooses his name.  (The reference is to Zero attacks, suicide attacks.)  How the time and life and essence of life begins in literacy as a language of love.  Every old man on earth can help me write the scripts, but can the country of old men help me change the prophet?
As long as there is war in the palace there will be treason?
The spirit of the samurai was trying the youth in the palace.  From the first born male to the last lady in quixic geisha.  All uniques were to be placed before the Lord for appointment.  Any dreams of or visions of truth were a breach of solemnity lost by the virginity of the family.  The parents of each state were subjects to the Emperor's people, and to the chosen for freedom and slavery.  How many shining knights were to remain in the Emperor's house?  The uniqueness was subject only to the reason of the generation of the age.  Not many of my men had anything left after the life of the quill or pen of the Knight Meteyi had begun to take its place with the heads of loyalists.  His sword remains in the hand of the Majesty of Japan.  No knowledge, no lore, no president, no kin, or liars can stop his reign.  As if the last days of our youth were spent dismantling the bombs we had made during the last few battles over crude extravagance.  Oil, crops, metals, space, as space became a way to admire men in statehood was the example of treason to the following.  Democrats and Republicans began to try as is a trail of laws to and from changes for the people without a loyal subject to observe in service to a Nation.  Freed men became a bureau of Federally Bureaucratic Investigative subjections.  Whether the phone would sense its use and had no service.  Men tried by srys had needed no way to communicate, they were objects, objections, and objective to democracies.  Any and all of the western knowledge of good or evil was not earned in monasteries, it was as it were seen in-between a marriage of a man and a woman and the consummation of the first born to be the king in his own mind. Centrally, intelligence and agency became a lost paradox.  The palace could be burned through neoteny, the truly lost man or woman had to be part of the worm.  The earthworm had to dig up the lost and the prophet from its own humanly death.  

Chapter 2
The dress as simple as it was, was taken off and laid in a box for saving.  It was to travel through time in the Emperor's Palace to serve has a mold, a pattern for quilting lovers of the family tree through the history of love.  After the child was conceived in love, the dress is worn and then placed back into the box for time travel. From a generation of mothers to another generation of lovers. No man was to wear the dress as an idea, thought or wisdom.  The reproach, the dress, and the marriage is virtue encoded into a structure of life   The wisest man let the Emperor dream life into the belly of prophets through the dress.  The smartest scientist understood the impeccable reason of lust and gave all to his bride for the grave that the earthworm had trusted.  The publican had the dress made as a dowry to the tribe of Roman man.  And the Emperor breathed life into the woman with a few breaths at the wedding.  The subjects, the publicans had tried the Emperor for their bride, by making the flowers lean toward their lovers.  They had tried to tell the knight of the Emperor's Palace that the sun had also retired due to mutiny in the ranks and castes of statesmen.  The son will bend light into the palace of wisdom, and the subjects do grieve the stories from prophets.  
At exactly 10:03 central eastern standard time, the states men forgave themselves of suicide and left to burn the palace.  
Each dressed as royalists.  The burning of Chinju Palace is the last thing I remember before giving up to the sound of a 3 or 4 year old woman singing.  The next thing I remember is being dropped on the floor in the delivery room to a rattle and brattle of childish whims.  Like, the sound of laughter, but only as a fury of deceit, the singer was hurt when I had asked her to join the wedding ceremony.  She excused herself of the ceremony as was or were not subjects to the birth of the kings men in harmony.  

She tried, and wanted to steal the dress.  

Chapter 3
There was mostly nothing in the womb. Except Dogma.  My father, as dogma.  He would whisper to her in bed and they would giggle about never understanding anything ever again.  I excepted NAME for my name.  They didn’t know if a boy or a girl were to be born.  I could know the difference at the time of their conversation.  I then realized that the 3 years prior to conception were perfect.  And I, the Emperor's Knight, was tolled.  Tolled the way bells sound and the way people love to hear the news.  The way light has no existence in the womb, I was tolled the way Sandalphon treaded upon the tribe of Israel.  
Lying was not invented yet, well,... while in the womb, but I had heard some whispers in the darkness.  The camera couldn't fit in, I called and tolled the camera from the womb, in between to friends.  I called the camera, Dragon.  The dragon is the trust moving in-between true and time.  The Dragon, Meteyi had told me that we were going to write everything.  From the believe that martial arts were stronger than prayer, and to the reason that it was not true.  Factually, there was nothing but prayer and no martial artist had a sword bigger than the lie of the Emperor's dragon.  The dragon said, to my father,..."The world is to die for, and not enough."  The dragon also said to my mother,..."The purpose is in your belly as a rainbow in disgust."  He, the dragon almost couldn’t believe that I had mentioned to hymn that there was no way out of this without a dream so relax and let me fit in.  The doctor had to have heard of the loyalist dream of a birth right.  Basically, I didn’t want him to slap me for the first breath.  I hurt bad, like out of a sarcastic Scotlandish parody.  Many, many, many, men quit trying to go through the sry after that.  My mother creeped up to me after my kin had asked the doctor to pick me up off of the floor.  She smiled and handed the birth certificate to the nurse and read my social security number to my father on the phone, he was on duty at the Air Force Base.  My ears were still clogged with seminal fluid, but I could feel her dream a name into my soul.  She can know the Emperor's knight.  After a few moments, my cry as chide by the Emperor, into being a whisper of life.  From that moment on in my life, I could not cry ever, as a child cries.  Otherwise I could be a whisper.

Chapter 4
Every chance at change that had gotten to us was used by running from the dragon.  He liked Batman and hated Robin but new to fathers, knew that hatred kept something’s safe from the palace. The palace could never get filled by whispers.  The whispers only object to democracy and help the camera.  The daguerreotype was possibly the only thing that couldn’t lie.  It was considered lye to gossip worshipers.  Gossip may have started the war on bugs.  Like bugs in ceaseless noise are prayer or whispers, like gossip.  When bugs stop whispering, some seemingly are bad with superstition and others are horrible with bugs.  
The next few years, were also perfect.  I had no idea who else, I could be.  Absolutely perfect, the Emperor subjected us to love.  I could **** all day, eat as much as I wanted and was warned when they thought, like a whisper.  When it was time to eat, when it was time to bath and when it was time to be quiet and sleep were similar to whispers.  Diapers were not invented yet, I had to invent them.  My mother used to get sick from the pain of laundry and sleeping with me.  When the diapers were *****, she wash them and place them back on my ****.  Like a good, palace guardian, I used them up.  The new diapers had an air of mutiny to them, the disposable ones.  We never kept trash in the house.  The signs that we have had a king for dinner were never to be seen, but everyone had the right to change pants.  
Many of the ideas in life shared before birth were not existent after birth.  It was not until my family had meet the Emperor that... we needed to love God by learning to pray.  

Chapter 5
When we met the Emperor, it was easy to say that no whispers were used.  Other things were.  A memory, not a book was here.  There was no time, the palace he made for me was from God and a lot of people wanted in.  The Royal subject was the Emperor's first knight, my father's.  I had to memorize time, which in turn was not mine.  The actual Emperor thought, that I, am a poet of sorts.  We spelled the word memory in the sky together without words, whispers, or gossip.  The next few years were spent dyeing as tap or a drill bit would being to make a hole for fastening life to the surface of my families.  Called a tap and die, the whole of life must be treaded through time without a spry attempt to vacancy.  After the Emperor, my mother and father did not know that meeting the pope was bad.   The Emperor is good.  

Chapter 6
Mainly my ability to learn, had started to fail.  There was not need to have ability.  But walking was hard.  When I stood, I was pushed through, walking.  Like a battle of balance and superstition.  Crawling had no sense, being picked up made things silly.  When wanting to be here, and not knowing how to get there through crawling, here I was a a chubby fat knight.  Father used lemons on my taste buds and cracked when he knew not how I loved them.  He had to make work to pay bills and I learned that without a whisper.  So we would sh
Chapter 8 to follow after inspection.
We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind
Jim Davis  Apr 2017
Touching
Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Alyssa Underwood Oct 2017
"...all have sinned and fall short of the glory of God..."
~ Romans 3:23

"...people are destined to die once, and after that to face judgment..."
~ Hebrews 9:27

"For the wages of sin is death, but the gift of God is eternal life
in Christ Jesus our Lord."
~ Romans 6:23

"'Multitudes who sleep in the dust of the earth will awake:
some to everlasting life,
others to shame and everlasting contempt.'"
~ Daniel 12:2

"For God will bring every deed into judgment,
    including every hidden thing,
    whether it is good or evil."
~ Ecclesiastes 12:14

"This will take place on the day
when God judges people’s secrets through Jesus Christ..."
~ Romans 2:16

"Nothing in all creation is hidden from God’s sight.
Everything is uncovered and laid bare before the eyes of Him
to whom we must give account."
~ Hebrews 4:13

"For we will all stand before God’s judgment seat.  
It is written:
'"As surely as I live," says the Lord,
"every knee will bow before Me;
    every tongue will acknowledge God."'
So then, each of us will give an account of ourselves to God."
~ Romans 14:10b-12

"'For He has set a day when He will judge the world
with justice by the man He has appointed.
He has given proof of this to everyone
by raising Him from the dead.'"
~ Acts 17:31

"'Holy, holy, holy is the LORD Almighty;
    the whole earth is full of His glory.'"
~ Isaiah 6:3b

"...God’s judgment is right...
God is just..."
~ 2 Thessalonians 1:5-6

"He is the Rock, His works are perfect,
    and all His ways are just.
A faithful God who does no wrong,
    upright and just is He...
'See now that I Myself am He!
    There is no god besides Me.
I put to death and I bring to life,
    I have wounded and I will heal,
    and no one can deliver out of My hand.
I lift My hand to heaven and solemnly swear:
    As surely as I live forever,
when I sharpen My flashing sword
    and My hand grasps it in judgment,
I will take vengeance on My adversaries
    and repay those who hate Me.'"
~ Deuteronomy 32:4,39-41

"'Therefore Death expands its jaws,
    opening wide its mouth;
into it will descend their nobles and masses
    with all their brawlers and revelers.
So people will be brought low
    and everyone humbled,
    the eyes of the arrogant humbled.
But the LORD Almighty will be exalted by His justice,
    and the holy God will be proved holy by His righteous acts...
Therefore, as tongues of fire lick up straw
    and as dry grass sinks down in the flames,
so their roots will decay
    and their flowers blow away like dust;
for they have rejected the law of the LORD Almighty
    and spurned the word of the Holy One of Israel.'"
~ Isaiah 5:14-16,24

"The LORD is a jealous and avenging God;
    the LORD takes vengeance and is filled with wrath.
The LORD takes vengeance on His foes
    and vents His wrath against His enemies.
The LORD is slow to anger but great in power;
    the LORD will not leave the guilty unpunished...
Who can withstand His indignation?
    Who can endure His fierce anger?
His wrath is poured out like fire;
    the rocks are shattered before Him.
The LORD is good,
    a refuge in times of trouble.
He cares for those who trust in Him,
     but with an overwhelming flood
He will make an end of the adversaries;
    He will pursue His foes into the realm of darkness."
~ Nahum 1:2-3,6-8

"...'Yes, Lord God Almighty,
    true and just are Your judgments.'"
~ Revelation 16:7b

"'Do not be afraid of those
who **** the body but cannot **** the soul.
Rather, be afraid of the One who can destroy
both soul and body in hell.'"
~ Matthew 10:28

"The sting of death is sin,
and the power of sin is the law."
~ 1 Corinthians 15:56

"There is only one Lawgiver and Judge,
the one who is able to save and destroy."
~ James 4:12a

"For the LORD is our judge,
    the LORD is our lawgiver,
the LORD is our king;
    it is He who will save us."
~ Isaiah 33:22

"The law of the LORD is perfect...
    The statutes of the LORD are trustworthy...
    The precepts of the LORD are right...
    The commands of the LORD are radiant...
  The decrees of the LORD are firm,
    and all of them are righteous."
~ Psalm 19:7-9

"So then, the law is holy,
and the commandment is holy, righteous and good...
the law is spiritual; but I am unspiritual, sold as a slave to sin."
~ Romans 7:12,14

"Indeed, there is no one on earth who is righteous,
    no one who does what is right and never sins."
~ Ecclesiastes 7:20

"...it is written: 'Cursed is everyone who does not continue
to do everything written in the Book of the Law.'"
~ Galatians 3:10b

"For whoever keeps the whole law and yet stumbles
at just one point is guilty of breaking all of it."
~ James 2:10

"'For I tell you that unless your righteousness
surpasses that of the Pharisees and the teachers of the law,
you will certainly not enter the kingdom of heaven.'"
~ Matthew 5:20

"But your iniquities have separated you from your God;
your sins have hidden His face from you...
We look for light, but all is darkness;
    for brightness, but we walk in deep shadows.
Like the blind we ***** along the wall,
    feeling our way like people without eyes...
For our offenses are many in Your sight,
    and our sins testify against us.
Our offenses are ever with us...
rebellion and treachery against the LORD,
    turning our backs on our God..."
~ Isaiah 59:2,9b-10a,12,13a

"...alienated from God and...enemies in your minds
because of your evil behavior."
~ Colossians 1:21

"...separated from the life of God..."
~ Ephesians 4:18

"...dead in your transgressions and sins...
gratifying the cravings of our flesh
and following its desires and thoughts.
Like the rest, we were by nature deserving of wrath."
~ Ephesians 2:1b,3b

"The wrath of God is being revealed from heaven
against all the godlessness and wickedness of people,
who suppress the truth by their wickedness,
since what may be known about God is plain to them,
because God has made it plain to them. For since
the creation of the world God’s invisible qualities—
His eternal power and divine nature—
have been clearly seen,
being understood from what has been made,
so that people are without excuse."
~ Romans 1:18-20

"All of us have become like one who is unclean,
    and all our righteous acts are like filthy rags;
we all shrivel up like a leaf,
    and like the wind our sins sweep us away."
~ Isaiah 64:6

"...sin entered the world through one man,
and death through sin, and in this way
death came to all people, because all sinned..."
~ Romans 5:12

"As it is written:
'There is no one righteous, not even one;
     there is no one who understands;
    there is no one who seeks God.
All have turned away,
    they have together become worthless;
there is no one who does good,
    not even one.'...
Therefore no one will be
declared righteous in God’s sight
by the works of the law;
rather, through the law we become conscious of our sin."
~ Romans 3:10-12,20

"But God demonstrates His own love for us in this:
While we were still sinners, Christ died for us."
~ Romans 5:8

"This is how God showed His love among us:
He sent His one and only Son into the world
that we might live through Him.
This is love: not that we loved God,
but that He loved us and sent His Son
as an atoning sacrifice for our sins."
~ 1 John 4:9-10

"But God raised Him from the dead,
freeing Him from the agony of death,
because it was impossible for death to keep its hold on Him...
He was not abandoned to the realm of the dead,
nor did His body see decay. God has raised this Jesus to life..."
~ Acts 2:24,31b-32a

"...He raised Christ from the dead
and seated Him at His right hand in the heavenly realms,
far above all rule and authority, power and dominion,
and every name that is invoked,
not only in the present age but also in the one to come.
And God placed all things under His feet
and appointed Him to be head over everything
for the church, which is His body,
the fullness of Him who fills everything in every way."
~ Ephesians 1:20b-23

"For there is one God
and one mediator between God and mankind,
the man Christ Jesus, who gave Himself as a ransom for all people..."
~ 1 Timothy 2:5-6a

"...Christ died for our sins according to the Scriptures...
He was buried...He was raised on the third day
according to the Scriptures..."
~ 1 Corinthians 15:3b-4

"...God was reconciling the world to Himself in Christ,
not counting people’s sins against them."
~ 2 Corinthians 5:19a

"'Do not think that I have come to abolish
the Law or the Prophets;
I have not come to abolish them but to fulfill them.'"
~ Matthew 5:17

"Christ is the culmination of the law so that
there may be righteousness for everyone who believes."
~ Romans 10:4

"The law is only a shadow of the good things that are coming—
not the realities themselves."
~ Hebrews 10:1a

"These are a shadow of the things that were to come;
the reality, however, is found in Christ."
~ Colossians 2:17

"...Christ is the mediator of a new covenant,
that those who are called may receive the promised
eternal inheritance—now that He has died as a ransom
to set them free from the sins committed under the first covenant."
~ Hebrews 9:15

"'Therefore, my friends, I want you to know that
through Jesus the forgiveness of sins is proclaimed to you.
Through Him everyone who believes is set free from every sin,
a justification you were not able to obtain under the law of Moses.'"
~ Acts 13:38-39

"...because by the works of the law no one will be justified."
~ Galatians 2:16b

"...all who rely on the works of the law are under a curse...
Christ redeemed us from the curse of the law
by becoming a curse for us..."
~ Galatians 3:10a,13a

"Consequently, just as one trespass resulted in condemnation
for all people, so also one righteous act resulted in justification and life for all people. For just as through the disobedience of the one man the many were made sinners, so also through the obedience
of the one man the many will be made righteous."
~ Romans 5:18-19

"For as in Adam all die, so in Christ all will be made alive...
The first man was of the dust of the earth;
the second man is of heaven."
~ 1 Corinthians 15:22,47

"In the beginning was the Word, and the Word was with God,
and the Word was God. He was with God in the beginning.
Through Him all things were made; without Him
nothing was made that has been made. In Him was life,
and that life was the light of all mankind...
The Word became flesh and made His dwelling among us.
We have seen His glory, the glory of the one and only Son,
who came from the Father, full of grace and truth...
For the law was given through Moses;
grace and truth came through Jesus Christ...
'...the Lamb of God, who takes away the sin of the world!'"
~ John 1:1-4,14,17,29b

"The Son is the radiance of God’s glory
and the exact representation of His being,
sustaining all things by His powerful word.
After He had provided purification for sins,
He sat down at the right hand of the Majesty in heaven."
~ Hebrews 1:3

"...Christ, in whom are hidden all the treasures
of wisdom and knowledge...
For in Christ all the fullness of the Deity
lives in ****** form...
He is the head over every power and authority."
~ Colossians 2:2b-3,9,10b

"...Jesus, the pioneer and perfecter of faith.
For the joy set before Him He endured the cross, scorning its shame,
and sat down at the right hand of the throne of God."
~ Hebrews 12:2

"The Son is the image of the invisible God,
the firstborn over all creation.
For in Him all things were created:
things in heaven and on earth, visible and invisible,
whether thrones or powers or rulers or authorities;
all things have been created through Him and for Him.
He is before all things, and in Him all things hold together.
And He is the head of the body, the church;
He is the beginning and the firstborn from among the dead,
so that in everything He might have the supremacy.
For God was pleased to have all His fullness dwell in Him,
and through Him to reconcile to Himself all things,
whether things on earth or things in heaven,
by making peace through His blood, shed on the cross."
~ Colossians 1:15-20

"'For the Son of Man came to seek and to save the lost.'"
~ Luke 19:10

"...when the set time had fully come, God sent His Son,
born of a woman, born under the law,
to redeem those under the law,
that we might receive adoption to sonship."
~ Galatians 4:4-5

"For this reason He had to be made like them,
fully human in every way, in order that He might become
a merciful and faithful high priest in service to God,
and that He might make atonement for the sins of the people.
Because He Himself suffered when He was tempted,
He is able to help those who are being tempted."
~ Hebrews 2:17-18

"For we do not have a high priest who is
unable to empathize with our weaknesses,
but we have one who has been tempted in every way,
just as we are—yet He did not sin.
Let us then approach God’s throne of grace with confidence,
so that we may receive mercy and find grace
to help us in our time of need."
~ Hebrews 4:15-16

"...Christ Jesus who died—
more than that, who was raised to life—
is at the right hand of God and is also interceding for us."
~ Romans 8:34b

"...because Jesus lives forever,
He has a permanent priesthood.
Therefore He is able to save completely
those who come to God through Him,
because He always lives to intercede for them.
Such a high priest truly meets our need—
one who is holy, blameless, pure,
set apart from sinners, exalted above the heavens.
Unlike the other high priests,
He does not need to offer sacrifices day after day,
first for His own sins, and then for the sins of the people.
He sacrificed for their sins once for all when he offered Himself."
~ Hebrews 7:24-27

"...He appeared so that He might take away our sins.
And in Him is no sin."
~ 1 John 3:5

"...Christ, a lamb without blemish or defect."
~ 1 Peter 1:19b

"God presented Christ as a sacrifice of atonement,
through the shedding of His blood—to be received by faith.
He did this to demonstrate His righteousness,
because in His forbearance He had left
the sins committed beforehand unpunished—
He did it to demonstrate His righteousness at the present time,
so as to be just and the one who justifies
those who have faith in Jesus."
~ Romans 3:25-26

"In Him we have redemption through His blood,
the forgiveness of sins,
in accordance with the riches of God’s grace..."
~ Ephesians 1:7

"For the life...is in the blood,
and I have given it to you to make atonement...
it is the blood that makes atonement for one’s life."
~ Leviticus 17:11

"...and without the shedding of blood there is no forgiveness...
Christ was sacrificed once to take away the sins of many..."
~ Hebrews 9:22b,28a

"'All the prophets testify about Him
that everyone who believes in Him
receives forgiveness of sins through His name.'"
~ Acts 10:43

"For by one sacrifice He has made perfect forever
those who are being made holy."
~ Hebrews 10:14

"'He committed no sin,
    and no deceit was found in His mouth.'...
He Himself bore our sins in His body on the cross,
so that we might die to sins and live for righteousness..."
~ 1 Peter 2:22,24a

"For Christ also suffered once for sins, the righteous for the unrighteous, to bring you to God."
~ 1 Peter 3:18a

"Jesus answered them, 'It is not the healthy who need a doctor,
but the sick. I have not come to call the righteous,
but sinners to repentance.'"
~ Luke 5:31-32

"If we claim to be without sin, we deceive ourselves
and the truth is not in us. If we confess our sins,
He is faithful and just and will forgive us our sins
and purify us from all unrighteousness."
~ 1 John 1:8-9

"God made Him who had no sin to be sin for us,
so that in Him we might become the righteousness of God."
~ 2 Corinthians 5:21

"...For Christ, our Passover lamb, has been sacrificed."
~ 1 Corinthians 5:7b

"Surely He took up our pain
    and bore our suffering,
yet we considered Him punished by God,
    stricken by Him, and afflicted.
But He was pierced for our transgressions,
    He was crushed for our iniquities;
the punishment that brought us peace was on Him,
    and by His wounds we are healed.
We all, like sheep, have gone astray,
    each of us has turned to our own way;
and the LORD has laid on Him
    the iniquity of us all."
~ Isaiah 53:4-6

"And He died for all, that those who live
should no longer live for themselves but for Him
who died for them and was raised again."
~ 2 Corinthians 5:15

"For sin shall no longer be your master,
because you are not under the law, but under grace.
What then? Shall we sin because we are not
under the law but under grace? By no means!...
You have been set free from sin and have become
slaves to righteousness."
~ Romans 6:14-15,18

"For in the gospel the righteousness of God is revealed—
a righteousness that is by faith from first to last,
just as it is written: 'The righteous will live by faith.'"
~ Romans 1:17

"For God so loved the world that He gave His one and only Son,
that whoever believes in Him shall not perish but have eternal life.
For God did not send His Son into the world to condemn the world,
but to save the world through Him. Whoever believes in Him
is not condemned, but whoever does not believe stands condemned
already because they have not believed in the name of God’s
one and only Son... Whoever believes in the Son has eternal life,
but whoever rejects the Son will not see life,
for God’s wrath remains on them."
~ John 3:16-18,36

"God has given us eternal life, and this life is in His Son.
Whoever has the Son has life;
whoever does not have the Son of God
does not have life."
~ 1 John 5:11b-12

"He was delivered over to death for our sins
and was raised to life for our justification."
~ Romans 4:25

"...Christ has indeed been raised from the dead,
the firstfruits of those who have fallen asleep."
~ 1 Corinthians 15:20

"...just as Christ was raised from the dead
through the glory of the Father, we too may live a new life."
~ Romans 6:4b

"Praise be to the God and Father of our Lord Jesus Christ!
In His great mercy He has given us new birth into a living hope
through the resurrection of Jesus Christ from the dead,
and into an inheritance that can never perish, spoil or fade..."
~ 1 Peter 1:3-4a

"Therefore, if anyone is in Christ, he is a new creation:
The old has gone, the new has come!"
~ 2 Corinthians 5:17

"...to all who received Him, to those who believed in His name,
He gave the right to become children of God— children born
not of natural descent, nor of human decision or a husband’s will,
but born of God."
~ John 1:12-13

"Jesus replied, 'Very truly I tell you,
no one can see the kingdom of God unless they are born again.'...
'Very truly I tell you, no one can enter the kingdom of God
unless they are born of water and the Spirit.'"
~ John 3:3,5

"...born again, not of perishable seed, but of imperishable,
through the living and enduring word of God."
~ 1 Peter 1:23

"...birth through the word of truth..."
~ James 1:18

"Consequently, faith comes from hearing the message,
and the message is heard through the word of Christ."
~ Romans 10:17

"...to the one who does not work but trusts God who justifies
the ungodly, their faith is credited as righteousness."
~ Romans 4:5

"...not having a righteousness of my own that comes from the law,
but that which is through faith in Christ—
the righteousness that comes from God on the basis of faith."
~ Philippians 3:9

"This righteousness is given through faith in Jesus Christ
to all who believe."
~ Romans 3:22a

"Salvation is found in no one else, for there is no other name under
heaven given to mankind by which we must be saved."
~ Acts 4:12

"...'Repent and be baptized, every one of you,
in the name of Jesus Christ for the forgiveness of your sins.
And you will receive the gift of the Holy Spirit.
The promise is for you and your children
and for all who are far off—
for all whom the Lord our God will call.'"
~ Acts 2:38-29

"'Repent, then, and turn to God,
so that your sins may be wiped out,
that times of refreshing may come from the Lord...'"
~ Acts 3:19

"If you declare with your mouth, 'Jesus is Lord,'
and believe in your heart that God raised Him from the dead,
you will be saved. For it is with your heart that you
believe and are justified, and it is with your mouth
that you profess your faith and are saved. As Scripture says,
'Anyone who believes in Him will never be put to shame.’
For there is no difference between Jew and Gentile—
the same Lord is Lord of all and richly blesses all who call on Him,
for, 'Everyone who calls on the name of the Lord will be saved.'"
~ Romans 10:9-13

"'I will sprinkle clean water on you, and you will be clean;
I will cleanse you from all your impurities and from all your idols.
I will give you a new heart and put a new spirit in you;
I will remove from you your heart of stone and give you a heart
of flesh. And I will put My Spirit in you and move you to
follow My decrees and be careful to keep My laws.'"
~ Ezekiel 36:25-27

"Now the Lord is the Spirit, and where the Spirit of the Lord is,
there is freedom. And we all, who with unveiled faces
contemplate the Lord’s glory, are being transformed
into His image with ever-increasing glory,
which comes from the Lord, who is the Spirit."
~ 2 Corinthians 3:17-18

"...if you are led by the Spirit, you are not under the law."
~ Galatians 5:18

"...we have been released from the law
so that we serve in the new way of the Spirit,
and not in the old way of the written code."
~ Romans 7:6b

"'I will put My law in their minds
    and write it on their hearts.
I will be their God,
    and they will be My people...
For I will forgive their wickedness
    and will remember their sins no more.'"
~ Jeremiah 31:33b,34b

"Therefore, there is now no condemnation
for those who are in Christ Jesus, because through Christ Jesus
the law of the Spirit who gives life has set you free
from the law of sin and death. For what the law was
powerless to do because it was weakened by the sinful nature
God did by sending His own Son in the likeness of sinful man
to be a sin offering. And so He condemned sin in sinful man,
in order that the righteous requirements of the law
might be fully met in us, who do not live according
to the sinful nature but according to the Spirit...
And if the Spirit of Him who raised Jesus from the dead
is living in you, He who raised Christ from the dead
will also give life to your mortal bodies
because of His Spirit who lives in you."
~ Romans 8:1-4,11

"Since we have now been justified by His blood,
how much more shall we be saved from God’s wrath through Him!
For if, while we were God’s enemies, we were reconciled to Him through
the death of his Son, how much more, having been reconciled,
shall we be saved through His life!"
~ Romans 5:9-10

"For it is by grace you have been saved,
through faith—and this is not from yourselves,
it is the gift of God—not by works, so that no one can boast."
~ Ephesians 2:8-9

"...He has reconciled you by Christ’s physical body
through death to present you holy in His sight,
without blemish and free from accusation—
if you continue in your faith, established and firm,
and do not move from the hope held out in the gospel.
This is the gospel that you heard and that has been proclaimed..."
~ Colossians 1:22-23a

"...Jesus went into Galilee, proclaiming the good news of God.
'The time has come,' He said. 'The kingdom of God has come near.
Repent and believe the good news!'"
~ Mark 1:14-15

"...Jesus stood and said in a loud voice,
'Let anyone who is thirsty come to Me and drink.
Whoever believes in Me, as Scripture has said,
rivers of living water will flow from within them.'
By this He meant the Spirit..."
~ John 7:37-39

"'...whoever drinks the water I give them will never thirst.
Indeed, the water I give them will become in them a spring of water
welling up to eternal life.'"
~ John 4:14

"Then Jesus declared, 'I am the bread of life. Whoever comes to Me will
never go hungry, and whoever believes in Me will never be thirsty."
~ John 6:35

"When Jesus spoke again to the people,
He said, 'I am the light of the world.
Whoever follows Me will never walk in darkness,
but will have the light of life.'"
~ John 8:12

"'Come to Me, all you who are weary and burdened,
and I will give you rest. Take My yoke upon you and learn from Me,
for I am gentle and humble in heart, and you will find rest for your souls.
For My yoke is easy and My burden is light.'"
~ Matthew 11:28-30

"'I am the gate; whoever enters through Me will be saved.
They will come in and go out, and find pasture.
The thief comes only to steal and **** and destroy;
I have come that they may have life, and have it to the full.
I am the good shepherd.
The good shepherd lays down His life for the sheep…
No one takes it from Me, but I lay it down of My own accord.
I have authority to lay it down and authority to take it up again.
This command I received from My Father.'"
~ John 10:9-11,18

"'I am the vine; you are the branches. If you remain in Me and I in you,
you will bear much fruit; apart from Me you can do nothing.'"
~ John 15:5

"...Jesus said, 'If you hold to My teaching, you are really My disciples.
Then you will know the truth, and the truth will set you free.'"
~ John 8:31b-32

"Then He said to them all: 'Whoever wants to be My disciple must
deny themselves and take up their cross daily and follow Me.
For whoever wants to save their life will lose it,
but whoever loses their life for Me will save it.
What good is it for someone to gain the whole world,
and yet lose or forfeit their very self?
Whoever is ashamed of Me and My words,
the Son of Man will be ashamed of them
when He comes in His glory and in
the glory of the Father and of the holy angels.'"
~ Luke 9:23-26

"Jesus answered, 'I am the way and the truth and the life.
No one comes to the Father except through Me.'"
~ John 14:6

"Jesus said to her, 'I am the resurrection and the life.
The one who believes in Me will live, even though they die;
and whoever lives by believing in Me will never die.
Do you believe this?'"
~ John 11:25-26

"For My Father’s will is that everyone who looks to the Son
and believes in Him shall have eternal life,
and I will raise them up at the last day.”
~ John 6:40

"'...Because I live, you also will live.'"
~ John 14:19b

"And just as we have borne the image of the earthly man,
so shall we bear the image of the heavenly man."
~ 1 Corinthians 15:49

"'Now this is eternal life: that they know You, the only true God,
and Jesus Christ, whom You have sent.'"
~ John 17:3

"Since the children have flesh and blood,
He too shared in their humanity so that by His death
He might break the power of him who holds the power of
death—that is, the devil—and free those who all their lives
were held in slavery by their fear of death."
~ Hebrews 2:14-15

"When you were dead in your sins and in the uncircumcision
of your sinful nature, God made you alive with Christ. He forgave us
all our sins, having canceled the charge of our legal indebtedness,
which stood against us and condemned us; He has taken it away,
nailing it to the cross. And having disarmed the powers and authorities,
He made a public spectacle of them, triumphing over them by the cross."
~ Colossians 2:13-15

"...The reason the Son of God appeared was to destroy the devil’s work."
~ 1 John 3:8

"The grace of our Lord was poured out on me abundantly,
along with the faith and love that are in Christ Jesus.
Here is a trustworthy saying that deserves full acceptance:
Christ Jesus came into the world to save sinners—of whom I am
the worst. But for that very reason I was shown mercy so that in me,
the worst of sinners, Christ Jesus might display His immense patience as
an example for those who would believe in Him and receive eternal life.  
Now to the King eternal, immortal, invisible, the only God,
be honor and glory for ever and ever. Amen."
~ 1 Timothy 1:14-17

"The Spirit and the bride say, 'Come!' And let him who hears say, 'Come!’
Whoever is thirsty, let him come; and whoever wishes,
let him take the free gift of the water of life."
~ Revelation 22:17

"'Come now, let us settle the matter,
    says the LORD.
'Though your sins are like scarlet,
    they shall be as white as snow;
though they are red as crimson,
    they shall be like wool.'"
~ Isaiah 1:18

"'I am the Living One; I was dead,
and now look, I am alive for ever and ever!
And I hold the keys of death and Hades.'...
'...So be earnest and repent.
Here I am! I stand at the door and knock.
If anyone hears My voice and opens the door,
I will come in and eat with that person,
and they with Me.'"
~ Revelation 1:18;3:19b-20

"Come, house of Jacob, and let us walk in the light of the LORD."
~ Isaiah 2:5
Holy Bible, New International Version

For more on the first man's sin, see Genesis 2 & 3.
For more on the law, see Exodus 20, Leviticus & Deuteronomy,
then Hebrews 7-10, Matthew 5:21-30 and Matthew 22:36-40.
For more about Jesus Christ's death and resurrection, see
Matthew 26-28, Mark 14-16, Luke 22-24 and John 18-21,
the 4 books which also give the accounts of His life.
For more about the blessings of salvation given
to all who believe the gospel of Jesus, see
the books of Ephesians and Romans.

~~~
English Jam Feb 2018
She is a ruler, proud in her glory
Sets hearts to flame, turns lovers to screams
Her nails alone are ripped from a story
Reduces soldiers to men without mean

Eyes marble-black, with sharp slits in the centre
Hair that waves as though in water
Glistening red as crowds begin to enter
They know her tales, but none have caught her

What she requires - they all deliver
Her voice is a choir - that makes all shiver
She doesn't walk
She struts

Bends over in a seductive style
Caresses villainy in her seat
Crooning, intentions hidden all the while
Inaudible but the tread of her feet

March, march, march on to the drums
The Dark Majesty never forgets
Absorbing herself in hymns and hums
Oblivious to drunken admissions of regret

Queen of tyranny will never rest
But for serenity - she fails the test
She's majestic
But joy eludes her
There's a song by Queen called The March of the Black Queen that was the chief inspiration to this. Give it a listen, it's simply amazing.
Alexander Klein Oct 2013
I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco
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