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Fah  Aug 2013
Untitled
Fah Aug 2013
(via phatphilosophers)

(via phatphilosophers)

(via phatphilosophers)
jeffrey-lebowski:

Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
jeffrey-lebowski:
Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
(via phatphilosophers)

These are the days that must happen to you.
Walt Whitman, from Leaves Of Grass (via violentwavesofemotion)
(via phatphilosophers)
18 HOURS AGO / LARMOYANTE
axiatonal:

Canola Flowers Field, China
axiatonal:
Canola Flowers Field, China
(via awaveofbliss)

(via awaveofbliss)

whatisadvertising:
What would modern technology and social networks look like if they were vintage ads
This is a post gathered Facebook, Twitter, Youtube, Skype, iMac, Nintendo Wii and Sony Playstation as if they were vintage ads.
(via thebronxisburning)
aplacetofindlife:

Someone Should Start Laughing
I have a thousand brilliant lies For the question: How are you?  I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth,
O someone should start laughing! Someone should start wildly Laughing Now!- Hafiz
aplacetofindlife:
Someone Should Start Laughing

I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing Now!

- Hafiz
(via cosmic-rebirth)

meditationsinwonderland:
Chimamanda Ngozi Adiche, We Should All Be Feminists
How could I not reblog this?
(Source: bakongo)
1 day ago – 234,004 notes

artismyempire:
gentledom:
A wonderful analogy.
What I shall do today.
(Source: boyqueen, via thebronxisburning)
1 day ago – 30,054 notes

(Source: maryhadalittleblunt, via awaveofbliss)
1 week ago – 81 notes
beachsloth:

SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
beachsloth:
SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
(via bluishtigers)
1 week ago – 74 notes

(Source: samsaranmusing)
1 week ago – 78 notes
maymonsturr:

My mantra.
maymonsturr:
My mantra.
(via cosmic-rebirth)
1 week ago – 568 notes
foxxxynegrodamus:

***
foxxxynegrodamus:
***
(Source: lnpfeed, via awaveofbliss)
1 week ago – 1,635 notes
cosmic-rebirth:

Live joyfully, make your life a dance, all the way to the grave.
cosmic-rebirth:
Live joyfully, make your life a dance, all the way to the grave.
(Source: cookiecarnival)
2 weeks ago – 22,305 notes
“The point is not to pay back kindness but to pass it on.”
– Julia Alvarez (via cosmic-rebirth)
(Source: amandaonwriting, via cosmic-rebirth)
2 weeks ago – 275 notes

(Source: diawf, via awaveofbliss)
2 weeks ago – 2,799 notes
bl4ckhippie:

Fly.
bl4ckhippie:
Fly.
(Source: rootsrukkus, via awaveofbliss)
2 weeks ago – 750 notes

(Source: lizzlizzcomics, via bluishtigers)
2 weeks ago – 110,456 notes
meditationsinwonderland:

ॐ flower child in Wonderland ॐ
meditationsinwonderland:
ॐ flower child in Wonderland ॐ
(Source: vegan-hippie)
2 weeks ago – 139,177 notes

(Source: jrich103, via cosmic-rebirth)
2 weeks ago – 4,848 notes

pleoros:
Helminadia Ranford - Guilin,China
(via hungryforworld)
2 weeks ago – 329 notes
designgather:

Oak Room
Andy Goldsworthy
designgather:
Oak Room
Andy Goldsworthy
(via cosmic-rebirth)
2 weeks ago – 286 notes
miguu:
don’t be afraid.
lean into your genius.
let your own brilliance support you.
you are something
we have all been waiting to know.
please.
(via bluishtigers)
2 weeks ago – 339 notes

odditiesoflife:
Amazing Jabuticaba Tree
This is an incredible tree that bears its fruit directly on the main trunks and branches of the plant, lending a distinctive appearance to the fruiting tree. The jabuticaba (Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo in southeastern Brazil. Otherwise known as the Brazilian Grape Tree, the jabuticaba is grown for its purplish-black, white-pulped fruits. They can be eaten raw or be used to make jellies and drinks, including juice and wine.
They are wonderful trees to have and are fairly adaptable to most environments but they grow extremely slow. Jabuticaba flowers are white and grow directly from its trunk, just like its fruit. The tree may flower and fruit only once or twice a year, but when continuously irrigated, it flowers frequently and fresh fruit can be available year round in tropical regions.
Common in Brazilian markets, jabuticabas are largely eaten fresh; their popularity has been likened to that of grapes in the US. Due to its extremely short shelf-life, fresh jabuticaba fruit is very rare in markets outside of areas of cultivation. So if you are ever in Brazil, be sure to try the incredibly tasty fruit called jabuticaba.
source 1, 2
(via hungryforworld)
2 weeks ago – 1,462 notes

(Source: samsaranmusing)
2 weeks ago – 118 notes

(Source: rorycwhatsyourthesis, via samsaranmusing)
2 weeks ago – 130,113 notes
oecologia:

Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
oecologia:
Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
(via samsaranmusing)

burningveins:
multicolors:
benskid:
Know where you stand.
Wow
This is kinda creepy..
(via hungryforworld)

Do not think you will necessarily be aware of your own enlightenment.
Zen Master Dogen - (1200- 1253) AD (via samsaranmusing)
2 WEEKS AGO
101fuymemes:

COLLECTION OF awesome CLOUDS
101fuymemes:
COLLECTION OF awesome CLOUDS
(via roslynoberholtzerbddd)

itscolossal:
Planetary Structural Layer Cakes Designed by Cakecrumbs

Do not resist events that move you out of your comfort zone, especially when your comfort zone was not all that comfortable.
Alan Cohen (via raeraenjma)
(via awaveofbliss)
4 WEEKS AGO / THE-HEALING-NEST
so apt
so apt
(via awaveofbliss)

(via awaveofbliss)
treewellie:

"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
treewellie:
"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
definitelydope:

BBQ on the balcony (by fernlicht)
definitelydope:
BBQ on the balcony (by fernlicht)
(via awaveofbliss)

Birth by Alex Grey
Birth by Alex Grey
(via receptive)

(via bluishtigers)

(via awaveofbliss)

There is a time and place for decaf coffee. Never and in the trash.
(via 17yr)
(via hungryforworld)
1 MONTH AGO / MIDWESTRAISEDMIDWESTLIVING
surreelust:

Man with His Skin by Peter Zokosky
surreelust:
Man with His Skin by Peter Zokosky
(via cosmic-rebirth)

Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul,
of the soul.
Rumi, from Who Am I?   (via bluishtigers)
(via bluishtigers)
1 MONTH AGO / VIOLENTWAVESOFEMOTION
xpudding:

xpudding:
(via cosmic-rebirth)

(via thebronxisburning)

(via cosmic-rebirth)
treewellie:

La costa de la luz by Francisco Mingorance
treewellie:
La costa de la luz by Francisco Mingorance

itscolossal:
Mirror City: A Kaleidoscopic Timelapse of Chicago, San Francisco, San Diego, Vegas and L.A. [VIDEO]

(via cosmic-rebirth)

awkwardsituationist:
gmb akash documents the 350 kilometre journey from dhaka to sylhet, bangladesh made by those who, unable to afford the price of a ticket or find room to ride inside, risk death by traveling atop and between train cars
(via suntochukwu)
purpleaggregates:

White Tara The female enlightened being of long life, wisdom and good fortune When I see the signs of untimely death, May I immediately receive the blessings of Arya Tara; And, having destroyed the Lord of Death, May I quickly attain the deathless vajra body. OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA OM TARE TUTTARE TURE SÖHA
purpleaggregates:
White Tara
The female enlightened being of long life, wisdom and good fortune

When I see the signs of untimely death,
May I immediately receive the blessings of Arya Tara;
And, having destroyed the Lord of Death,
May I quickly attain the deathless vajra body.

OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA
OM TARE TUTTARE TURE SÖHA
(via dancingdakini)

(via guerrillatech)
hungryforworld:

Monet’s Garden. Givery, France.
hungryforworld:
Monet’s Garden. Givery, France.

(via awaveofbliss)

(via cosmic-rebirth)

Internal and external are ultimately one. When you no longer perceive the world as hostile, there is no more fear, and when there is no more fear, you think, speak and act differently. Love and compassion arise, and they affect the world.
Eckhart Tolle (via samsaranmusing)
(via suntochukwu)
1 MONTH AGO / SAMSARANMUSING
malformalady:

The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
malformalady:
The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
(via deeperthansoul)
polaroidsf:

Welcome to Eden
polaroidsf:
Welcome to Eden

(via bouddra)

It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of
meeting your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for
your dreams, for the adventure of being alive.

It doesn’t interest me
Ashley Chapman Sep 2018
Past our past,
Yours and mine,
My soul yearns,
As I walk by silver clad trees; 
A favourite parked orange vintage Saab;
And memories newly raw, too.


I

Then quite extraordinarily,
The Cosmic Whale,
Stirs in my solar-plexus,
And my objectivity dissolves,
As conscious consciously hears:
The song of my inner Gypsy,
And look!
My Narwhal,
Up among the stars,
Beyond days and nights,
Roaming free,
Scything milky ways in half,
Fireballs disrupting,
In infinite timelessness,
Beyond the pull of gravity,
Where no vortex holds:
The 'othering' whirlpool,
That keeps us compressed
- as a collapsed star -
Gone!
At last my Cosmic Leviathan blows
- ALL is released and falls away.

II

Such is my Cosmic Behemoth:
The funnel *****
And inside out,
Is turned.
As at last on course;
Whoo! Whoo! Whoo?
But no-one replies!
The navigation station is empty:
This is motion without traction,
And no acceleration,
Slipping atoms would only slow!
The flow,
No windows either on the view,
As even visual truths are but fleeting,
And words muddy the clear unconscious streaming,
As the journey beyond mind begins.

III

The worldly maze recedes,
A bird's-eye vision steers the empty ship;
No harbours are plotted,
From here on
- endless flight in night,
Without end,
Wings blaze occasionally nearby,
A host of fireflies pattern the cosmic pool,
A whole immensity in which to dance.
Space,
Growing,
Stretching,
Expanding outward,
Not as we would have it, but as it is beyond our eyes.
Where space is born,
Again and again,
And so!
Exults in nothing,
A self beyond understanding,
In silence thrives,
Where sense logic makes no waves.

IV

The Cosmic Whale is off,
All attachments gone,
Like a flake of skin,
A fold in time -
Falls off.
The anchor dropped,
Is not retrieved,
What use is I -
When the clock's monotony no longer counts!

V

The surface disappears,
The ocean depth submerges,
In the cabin
The lights are dimmed to monochrome,
As navigators know,
Blind sees the furthest.
Charts are soon forgotten,
The imagination leads:
Ueah, the Cosmic Mind,
Vast and free
In all directions!
No need to plot a line,
Instead like the humble earthworm,
Who in darkness fertilises:
Beauty, how unimaginable, how unknowingly,
Is by all that envelopes guided,
As from the cracked ***!
Which in Reality was suffocated,
The source is nourished.

VI

As my Cosmic Whale plunges the deeps,
Look to the expanse:

     The eternal behemoth whose flight
     Everywhere provides,
     Guileless and unobjectified.
     A subjectivity that knows no
     bounds,
     Is unto itself unknowable.

In brushstrokes.
The universe,
Is as it rolls Created.
Where logic has little to do,
As all,
Already simply is.
This poem is actually about the ego's death. How I will mourne it, and how the fight to let it go will be immense as it is for us all. Death in life comes in many shapes, not ultimate death, but our relationships, *le petite mort*. Of course, there is life beyond relationship death. Beyond a sense of end; and yes, ultimately all is good preparation for that all consuming final death. This poem was inspired by untenable love for another; by the paintings in bold, almost lurid, but zen-like brushstrokes of a fellow Tunnel member, Genevieve Leavold; and by my mate Chris Godber who alluded to whales. It also has to do with my Gypsy heart and Celine's Salon, in Soho at Troy 22, where we celebrated the traveller's soul. Finally, a YouTube clip of a talk given by Guru Mooji in which awareness is being conscious of conscious.

Bon Voyage!
George Krokos Feb 2016
The whole of the visible universe appears to be just like the tip of an iceberg floating in the ocean of Infinite Consciousness; the body of God, expressing itself as space, time and matter, which converge and are fully integrated in the universal mind of the person who has achieved Cosmic Consciousness. That person stands at the very forefront and pinnacle of human evolution and existence, as it were; master of them self and their environment without any ignorance or doubt. Within that person human ignorance and limitations have been purged and transcended in the fires of the Divine Bliss, Knowledge, Love and Power of God Who alone exists and Who thereby also realises Himself to be, through that very rare individual, in essence and with absolute certainty, the One Infinite, Almighty, Eternal, and Omnipresent Being.
That Cosmic Conscious person is no longer aware of being just an individual soul with a physical body but knows and experiences life on  multidimensional levels including subtle, mental, supra mental and spiritual states of consciousness and can move between physical and non-physical dimensions. Having attained a fully developed sense of intuition that person sees into the hearts and minds of all and can influence others and events for necessary outcomes in line with a higher purpose or Divine Plan that they have become an instrument of and in accordance with the karma of the persons they are dealing with. They can know and have a clear insight into the beginning and end of any situation they themselves are confronted with, or for that matter other people find themselves in, and can offer timely advice for the benefit of one and all. They are continuously established in the perception of Truth or Reality as that is the underlying eternal unchanging Cause and Essence of all existence. Their very physical presence exudes an aura of love, peace, wisdom, bliss and power that becomes tangible to those who are in tune with them or have somehow been guided into their sphere of influence and acknowledge their unique attainment.
Although they have achieved all the above and have become a truly remarkable person they are however neither boastful, proud or prejudiced nor do they harbour any ill will towards anyone and may even keep and maintain a low profile in the world. They live and teach by example and where possible through compassion, provide support and help to others that may be or are experiencing the vicissitudes of daily existence and caught up in the web of illusion or Maya which they themselves have overcome. They have become the very epitome or ideal of the human being everyone aspires to be in one way or another and unwittingly and unequivocally act as a mirror for those who have accepted and acknowledge them for what they have become and represent, seeking their guidance and benevolence in daily life. They are the very embodiment of the Divine Supreme Being and use the Wisdom, Power, Bliss and Authority vouchsafed to them for the good of all mankind including, needless to say in various ways with considerable empathy even those who oppose them, because they see and experience themselves in all others; and of course depending on the nature of the situation; where it stands in relation to the current scheme that is unfolding and is also in keeping with the overall Divine Plan. They can also bestow a spiritual awakening and even that of enlightenment to one and all who come before them either by a thought, word, touch, deed or just by being in their physical presence, which is a rare privilege, but this depends in part on the readiness of the aspirant and usually comes at a cost. This procedure is known as the transmission of energy or initiation of the master otherwise called “Shaktipat” and can also be given through an agent of the master – an appointed dedicated disciple or follower.
Some examples of people known or attributed to have achieved true Cosmic Consciousness throughout history are the founders of all the major world religions including a person by the name of Meher Baba in the 20th Century, to whom this thesis is dedicated, and also the numerous Perfect Masters (those who have reached the highest stage of spiritual attainment on the 7th plane of consciousness) who may have themselves, over the course of millennia, also founded or established their own respective religious based institutions, sects and spiritual organisations. (See note below)

NOTE: It should be noted here however that not all religious based institutions, sects and spiritual organisations have been founded or  established by someone who has achieved true Cosmic Consciousness no matter how appealing or widespread they have become even though they may claim to adhere to and follow the tenets and principles of a major world religion. Nevertheless, if the tenets and principles of a particular religion are followed sincerely with devotion the Grace of the Founder of that religion is available and flows through to the aspirant irrespective of time and place. It should also be noted that over the course of millennia some of the written accounts and records of those major world religions have probably been changed or altered in various ways by their respective clergy either due to translation and modernisation of the original works or for the sheer sake of maintaining authority and power over that religion’s followers. Hence, we have today so many diverse views based on dogma and doctrine regarding what has been handed down, particularly in regard to those professing to be knowledgeable about that religion, without themselves having experienced or achieved that state of consciousness (Cosmic Consciousness of the main  Founder) but are just quoting the words of the Founder and others in that particular religious tradition.
From the above it can be stated that there have been throughout history complete and major as well as also partial and minor examples of people attaining Cosmic Consciousness. It also seems evident due to a Cosmic Universal Trend regarding certain factors influencing human evolution and concerning the progress or advancement in knowledge and technology through the current understanding of the relationship between science and religion that there is a general increase of people who are finding a greater interest in the pursuit and study of the subject in one way or another.
Cosmic Consciousness is also known variously as God Realisation, Self Realisation, Enlightenment, Nirvana, Sahaj Samadhi, Liberation, Christ Consciousness and by other terms which indicate and point to an irrevocable union of a human being with a Divine Supreme Being or state of consciousness that is indescribable, except perhaps by those who have achieved and experience it in every moment of their daily fulfilled lives, immaculate and the All-in-All of Everything and Nothing; the repository and Source of all existence and the Eternal, Infinite Unfathomable Absolute.
_______________
Written in 2015. I thought this would be interesting to share here on HP.
nika Oct 2015
life is a cosmic joke
he said
as he drained his glass of purpose
she watched as he paid and turned to leave
his movements proving his point
for what real purpose do we have
when all we do is live and die
and whisper to deities in the sky.

life is a cosmic joke
she said
when the till was short again
and drinks were missing from their bottles
as meaning was from her existence
he watched as she left
for the very last time
from a job that she hated
like the life he despised

life is a cosmic joke
he said
as he lit up his last cigarette
and sat in the cold outside his bar
next to a homeless man
with as little hope of a good long life
as anyone else he'd ever met
in a world of perpetual sunset

life is a cosmic joke
he said
as he warmed his hands
over a dying fire
with a young man
who was lost or some such
he took the ragged gloves off his hands
and tried to feel his fingers again
in vain
as all the world is
in trying to find some hidden bliss

life is a cosmic joke
he said
as he crossed another identical street
next to a woman or maybe a girl
who was crying about a lost lover
he walked and he wandered
but he never found it
even with all his persistence
as we never find meaning for our existence

life is a cosmic joke
she said
as she wept into my hair
mascara running down her cheeks
as she told of her terrible break up
and the way he used to hit her  
and how she was glad he was gone
but how she wished he would come back
her indecision mirroring that of all the world
do we matter or are we matter
which illusion is left to shatter

life is a cosmic joke
I wrote
over and over
like some meaningful quote
as if it mattered if it was in a poem
or if someone read it
it doesn't need to be said
to be known
it stands on its own

life is a cosmic joke
AiR  Aug 2018
A Cosmic Drama
AiR Aug 2018
Nothing is real; it's a Cosmic Drama
We are just actors; we come and we go
There will be laughter; there will be tears
Such is the Cosmic Show…
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

Nothing is real; it's just a dream
There is no ******; no need to scream
Just a projection; it's just a show
We must wake up and go
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

The earth is a stage for His Cosmic Drama
There is a Cosmic Power in Charge
He’s the producer; it is His show
He decides when we must go
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

Why do we scream? Why do we cry?
Why do we worry right till we die?
It's just a movie; we must enjoy
Blissfully living with joy
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

We must not worry. We must not fear
We must surrender and accept, my dear
We must have faith, trust and hope
Then in this drama, we cope
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There is no end – at death we transcend
We are just actors; we come and we go
We must do our part, the best way we can
And we must enjoy the show
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There will be sunshine; there will be rain
There will be good times; there will be pain
We must not complain, we must accept
And we must do our best
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

We’re not the body; we’re not the mind
We are energy of a different kind
We live in darkness; the Truth we don’t know
We must realize before we go!
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

Why do we people sweat the small stuff?
The road will be smooth and it will be rough
There will be action; there will be song
And we must sing along
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There is a purpose for us on earth
Why do we die, and why this birth?
Why do we come, why do we go?
Why this cosmic show?
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There is a Cosmic Power in charge
It’s His creation; it is His show
We are but nothing; we must just act
He is everything, in fact
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

It's just a drama; it's just a show
Nothing is real, we come and we go
We are just actors – the earth is a stage
This is His Cosmic Show
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be
AiR, Atman in Ravi shares his understanding of the world we live in
Sydney Victoria Nov 2012
Worlds Hide In Your Pale Yellow Dust,
   Worlds Who Don't Know The Pain Of Trust,             Who Is Inside You Cosmic Rose?
Can I Unlock Your Mysteries?
     Billions Of Stars Are Alive In Your Petals,
   You Amaze Me,
I Can't Even Wrap My Head Around Your Beauty,
Is That Where I Will Go?
When I Look At You I Forget All About Misery,
My Human Brain To Clueless About You Nature,
Even Though I Am A Foreign Creature,
There Is No Need To Be A Xenophobe,
Oh Cosmic Rose May I Swim In Your Beauty?
I Know I Will Drown Inside Your Whirling Depths,
But Im No Longer Afraid Of Death,
I Crave To Know Your Secrets,
I Will Die Trying To Know,
Cosmic Rose May I Run Along Your Winds?
Can You Teach Me The Language Of The Stars?
So I Can Speak To The Worlds In Messier 104,
And Or Maybe Even A The Ice Incrusted World Europa?
Cosmic Rose,
Take Me Please,
Give Me A Tour That Will Last The Rest Of My Mortal Life,
Cosmic Rose,
Let Me Explore All Of The World Which Holds My Universe,
My Home,
Cosmic Rose,
Would You,
Could You,
Let Me Meet Your Extraterrestrial Children?
Cosmic Rose,
Please,
Give Me The Knowledge,
To Know....
Okay, So Im A *Huge* Nerd... Especially When It Comes To Space! Last Night I Got A Time Magazine All About Space And I Am Just Absolutly Star Struck (Haha I'm Punny) By Space Itself. I've Always Loved Space Ever Since I Was 3 And Now I Have Found My New Favorite Galaxy, The Cosmic Rose (Arp 272 And The "Stem" Of The Galaxy UGC 1813 And UGC 1810) Found In The Andromeda Constellation. It's Stunning So I Decided To Write A Poem... Sorry For All My Nerd Gibberish (Btw Messier 104 Is Another Galaxy And Europa Is An Iced Covered Moon Which Belongs To Jupiter [My Favorite]) Sooo Yeahhh If U Read All Of That Note I Congradulate You!
Nothing is real; it's a Cosmic Drama
We are just actors; we come and we go
There will be laughter; there will be tears
Such is the Cosmic Show…
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

Nothing is real; it's just a dream
There is no ******; no need to scream
Just a projection; it's just a show
We must wake up and go
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

The earth is a stage for His Cosmic Drama
There is a Cosmic Power in Charge
He’s the producer; it is His show
He decides when we must go
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

Why do we scream? Why do we cry?
Why do we worry right till we die?
It's just a movie; we must enjoy
Blissfully living with joy
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

We must not worry. We must not fear
We must surrender and accept, my dear
We must have faith, trust and hope
Then in this drama, we cope
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There is no end – at death we transcend
We are just actors; we come and we go
We must do our part, the best way we can
And we must enjoy the show
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There will be sunshine; there will be rain
There will be good times; there will be pain
We must not complain, we must accept
And we must do our best
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

We’re not the body; we’re not the mind
We are energy of a different kind
We live in darkness; the Truth we don’t know
We must realize before we go!
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

Why do we people sweat the small stuff?
The road will be smooth and it will be rough
There will be action; there will be song
And we must sing along
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There is a purpose for us on earth
Why do we die, and why this birth?
Why do we come, why do we go?
Why this cosmic show?
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

There is a Cosmic Power in charge
It’s His creation; it is His show
We are but nothing; we must just act
He is everything, in fact
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be

It's just a drama; it's just a show
Nothing is real, we come and we go
We are just actors – the earth is a stage
This is His Cosmic Show
It's a drama you see
Whatever will be, will be
Our role we must do, you see
What will be will be
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Natty Morrison Jan 2012
Cosmic man
must have waited forever to learn about sarcasm.
Poor guy probably had to watch sunrises
and sleep outside like a ***.  
Even bums have the TVs in store window.
I bet he never even knew how bored he was.

Cosmic man
he must have liked the sound of birds singing
and probably ******* on all the fish.  
That was like
the only music he could listen to.
He probably doesn't know that nature is a ******* sell-out.

Cosmic man
probably thought he loved his family.
He probably never ran away from home
because his Dad's a ****.
He probably never got tell his Dad
******* in front of all his friends.
He probably never stole his Dad's car
just to show him how he's a **** facist.
I'll bet he cried when his Dad died,
and that's just sad.

Cosmic man
you are our wailing wall.
You stand, made from the same rock they used to break your skull.
Felt the unbearable pain of waking up before 9.
You had to hold
in all the universe
so we could pick through it.
He waited forever so we could tell him it wasn't worth it.
Cosmic man probably doesn't know how ironic that is.
God
If one had a desire to define the word god where would he begin?  Why would he assign the traits he did to the word?  Would he want to assimilate traits that he perceived to be godlike?   Would he obtain a clearer vision in a realization of the futility of aspiration, or would pragmatism and adamant tenaciousness afford him a better route?  Perhaps we all could benefit by a reassessment of our affinity with god.
  
The metaphysical extremities of human nature provide man with a multifaceted image of the possible psychic states of God. Objectivity has led man away from the true nature of his need many times at this point.  Any retrospective analysis of man’s personifications of deity most often leaves one lost in the quandaries of the psychic quagmire.  The weaknesses created by man’s lack of a universally acceptable id conclusion have elevated many philosophical or theocratic hypotheses to the level of demagoguery.

One method which has been used by theologians in attempting to induct a sumerial derivation from the vast warehouse of human religious extrapolation is the concept that perhaps basic truths can be affirmed through the theory of sufficient constancy of conjunction. Which is to say that reasonably analogous conjectures can be found in the depths of religious pervasion.  But this is not strictly true.
  
The ancient Babylonians, like the Indians, were polytheistic. They worshiped gods of nature, tribal union, fertility.  Deifications created from allusion to natural analogies, yet often imbued with a euphemistic optimism.  Where as the pantheon of Grecian deities often seems an almost banal personification of psychological metaphors from the darker side of life.  Zeus a fallibly omnipotent being who pompously subverts all beneath him to his will.  Who along with Apollo and others roam the countryside ****** and adulterating the women of their choice.  And Ares the formidable God of war who’s natural lust for violence leads him and his cohorts to vicarious involvement with mankind’s altercations.

Egyptian theology seems to have been an amendable and progressive state that began with sun worship and gods of nature, and moved on to attempted assimilation of godlike traits through a natural alignment with the perceived nature of God.  There were in depth studies of the nature of time, and life, and notions of existential transcendentalism.  The momentum of this progression led them to the ultimate grandiose delusion in which the Pharaoh was worshiped as the universal supreme being, omniscient and omnipotent ruler of the ultimate utopian society. 
 
The Jews worshiped a God who was at once both a part of them  and an exogenous force believed to have created them in its own image. A God that deliberately instilled an understanding of it’s intended wisdom by instructing them of the laws they were to live by.  These divine revelations were often considered as the unadulterated word of God.  This God was jealous and demanded the adoration due him as the supreme essence.  His worship became the underlying force in their social conjecture as they attempted to inspire his continued grace and benevolence.  A seemingly irrational solution to the quandary of idealism.  An allegiance who’s impetus was unquestionable.  It seems by me to be improperly rooted on a personal level in that it overemphasizes the need or expectation of divine inspiration.

The ancient Chinese social wisdom was by me commendably rational.  Unlike the Jews they do not seem to have overemphasized the expectation of divine inspiration.  Instead they, like the Egyptians emphasized an alignment with the perceived nature of God on a personal level as the way to strength.  They of course had a conception of the possible natures of deity, but considered wisdom to be an honorably truthful self orientation.

Another realm of intellectual extrapolation from which one might hope to surmise a depthfully pervasive generality would be man’s philosophical treatises on the possible natures of God. Unfortunately due to the myriad nature of possibility this again appears paradoxically difficult.  To me this seems to be a product of the nonempirical nature of these conjectures.  Humans experience a reality which does not necessarily  have any relative effect on the transcendence of their conception of the possible nature of God. Although many have attempted to empiricise their conjectures through rational logic they are most often refuted by the possibility of ultimate transcendence or quandrified by the actuality of paradoxical argument.
  
Some good examples of these points are perhaps the arguments of Lucretius who attempted to empiricise that God can not revoke mathematical truths.  But what is the relative reality of those truths to the transcended essence of ultimate beingness.  They are refuted by irrelevance.  Another example might be the statement that God has aseity.  That is if he exists his existence is not caused.  This statement seems easy to refute for the supreme being could be all of the things possible for him except this and have evolved out of eons of cosmic continuum into natural omniscience and or through assimilation of the forces innate to the cosmos have achieved relative omnipotence.
  
One generally accepted statement that is refuted by these arguments is “the cosmos does not have infinite existence and is therefore not the supreme being.”  For if this supreme being has not yet evolved if it’s transcendental form could be said to have become out of cosmic continuum then the cosmos will indeed have achieved infiniteness.  But this already seems intuitively necessary to the ultimate cosmic essence regardless of a lack of self consciousness or even a physical form.  Perhaps what is possible and eons of void are the root of all force and matter, and perhaps this as yet unfulfilled sequence cycles on to nirvana.  Then again perhaps the supreme being does in fact preempt all as a self conscious entity.  This also would seem to be intuitively necessary to the essence of totality which of course has always existed and is in fact the supreme being in at that at that although not necessarily the true form of it’s transcendental being.
  
On this lofty note I would like to reiterate my thesis.  Perhaps we all could benefit from a reassessment of our affinity with God.

A man can accomplish many things with his concept of God. What is extraneous?  Perhaps the question would better be put what is expedient, but that becomes subjective.   You have to define your goals.  Where in lies wisdom?  Can man truly aspire to godhead or is this personally nonproductive?  Man seems to perceive a sort of manifest destiny for himself.  An intrinsic affinity with infiniteness that just must be dealt with.   Perhaps our beliefs in life after death are a grandiose delusion in which we hedonistically waste our time pampering our egos. Which brings me to my third and final argument.

Perhaps conscious regimentation and an affiliation with earth bound logic would bring us closer to our affinity with God.
One of the ideas presented by my philosophical references was that many of mankind’s inspirations to define his affinity with God grew inadvertently out of social realism and the powers assumed. Although often the subjective truths of these understandings went unmentioned out of a desire for objectivity.  For example what God must be if God is to be God.  Perhaps one would do better to relate personally to his affinity with God.

I think this is true.  Although we seem to lack omnipotence we are all individually speaking a preternatural corporeal state.  Perhaps we all should assert our godliness instead of hiding our talents in the sand.  Perhaps then we could construct a contractual reality.  An aspiration to the perfection of the human social mechanic.  I salute this concept.  In fact I firmly believe that by conscribing unalienable rights to our beings we have already performed the rights of the human social mechanic.  Our aspiration to godhead is complete in it’s conjecture.  All that is left is to obtain expedience and accuracy in our amendment toward continued obtainment of the majority goal.
Pantheism's orthogenesis overtures
Mike Hauser May 2013
A cosmic parade today fell from the starry sky
As nations lined up to watch it all pass by

Beauty to behold, a bit hard to believe
Paraded down all the worlds cities streets

Chrystal spears of every color and size
Filled with wonder all the hearts and the minds*

Never before has there been such a day
As this day of the cosmic parade

Exotic flowers dancing in a magical mood
Bright colors flashing in a rainbow of hue

Nothing of this sort has ever been seen
Like being awake in the strangest of dreams

The oddest of creatures whistling planetary tunes
With banners held high of universal moons

All you hear from the crowd are oohs, aahs, and sighs
As the cosmic parade goes floating by

7 foot tall aliens with 7 bells in each of their 7 hands
Lined up 2 by 2 in the parades space time marching band

Polka dot animals with heads like big bass drums
Being ridden and played by purple hands with 13 thumbs

In place of all the floats, spaceships were in flight
Spelling out peace and love in brightly colored lights

That must be the reason for this wonderful parade
To bring joy and peace to a world in need on this day of special days

A machine like none ever seen scattered stardust confetti to the wind
Causing all the world as one to turn and call each other friend

As anger and hatred melted from the heart of man
At that precise instant throughout all the land

Just as fast as this cosmic wonder fell out of the sky
At the end of the street is where they waved goodbye

Off to spread the message of serenity and peace
*To other solar systems like ours that desperately have that need
Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.  Annex annul.  

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­­­                                                               ­ ­ ­              
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustics ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.
I know this is getting redundant but I feel this is the best I ever wrote!!
Zoomorphic zoolatry's demagoguery to élan-vital.  Ethology's entelechy to social contiguity apotheosis' ****** matrix.  Vicarious recalcitrance!!!

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