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Ham Aloufi Dec 2014
My bic, safe in my hand
My bic, you light up with a flick
Flames rise, and shine
Dancing like a wisp
My dancing flame
You rise, and shine
A sun within my grasp
A light that keep me sane
I don’t care about whatever, and whom to blame
Was it all what fame?
Or was it the crime, the victim. The scar that lead me to walk for so far
Head full of shame going back home
Carrying back a broken angel
Standing strong, wrapped by darkness
Blood dripping, tears dropping
Pits of hell breaking open
Screams shouting
Lighting clashing
Eyes luxation
Worlds shattering
Dreams dying
Sleeping but now we are awaken
My cigarette, my little flash stick
Your little smoke rising up carelessly
Fading away into the universe
My bic, my flick, my little cancer stick
Head shakes ******* this really breaks
For Christ sake is living a dream make us any less fake?
Why is there all this sickening hate?
We are all but the same inside out
I laugh as the answer
But is this is human fate
For we are creatures that just knows hate
We need hate in order to grow to evolve
One plus one equals two
But whom I am I to spew this lines and spit these rhymes
What makes me anymore different then you fo?
For I am but a human waiting for his time
I want to fly and I want to shine
But I got gun down and stepped on
But my heart kept fighting and its beats on
My story didn’t end
I will never stop my dance
For as long as my pen is my partner
My smile and laughter will go on
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
annh Jan 2019
I am Bic Pentameter
Bic Pentameter is my name
Rhythm is my business
Time management is my game

Short, Long & Sons employ me
To tidy up their verse
The satirists are not too bad
But Catullus is a curse

I have danced with Sappho
Brought Shakespeare home for tea
Swapped pretty tales with Byron
Bounced da Padova on my knee

Marlowe picked a fight for nought
Auden spiked my drink
Wordsworth was insomnolent
He never slept a wink

Yeats, now there's an anecdote
Worthy of the press
The critic's choice by all accounts
The brightest and the best

But listen to me prattling on
To my work I must attend
Performance, prosody, poesy
The rules of scansion do not bend

For metre is all important
When reciting off by heart
The classic works of yesteryear
And I shall play my part
Iambic pentameter - a line of verse with five metrical feet, each consisting of one short (or unstressed) syllable followed by one long (or stressed) syllable.
Cyril Blythe Nov 2012
I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin
Cassidy Shoop Feb 2015
an unread book,
a pair of broken headphones,
the shirt of someone who is perfect in my eyes.
a bic lighter,
a glass of water,
a succulent that i could never seem to keep alive.

condensation forms on the surface of the table
as the water begs to bring life back to the plant,
but the lonely plant only speaks of the sun
and the way it desires his light.
g clair  Mar 2014
Love Is Hairy
g clair Mar 2014
Love is hairy, stubbly stuff
shave all week it's never enough
whether I shave it or slather on Nair
whack it or hack it will always be there.

Keeps coming back as much as you crop it
waxing and chemicals can’t even stop it
try to ignore it, the nubs comes in thick
even my eyebrows, a uni-brow chick.

Come Saturday I don’t really care
let it grow outta my underwear
Let it alone, that unruly mop
looks like I got me a nice bumper crop

This is my way, ain’t gonna change
my love and my hair are looking deranged
Sitting there pondering love and love's looks
flippin’ through Cosmo and metrosex books

Beauty is bare in my favorite rag
Nary a hairy or haggard old nag
Eyebrows are separate and carefully arched
Lips are injected and never seem parched.

Legs are **** smooth, and so are are the pits
Love is not given to hairy chick fits.
Speaking of nares, mine is exempt
The nose and the ears are extremely well kempt.

Sunday mornin’ rolls around
but his razor can’t be found....
I call out his name and wait for an answer
his ditty bag’s gone could It be that dancer?

The one that he watches the one he admires
could she be the one whose igniting his fires?
I’ve seen her there waiting the picture of grace
smooth, fair and agile not a hair out of place

I sit on the edge of the tub shocked and numb
look in the mirror then look at my thumb
I eye up the woman whose not spent a dime
on personal pleasures as though it’s a crime

My overgrown garden could not see the light
missed out on the sweetness, bare skin’s delight
Bought into myth and every girls hope
that she’d still be worth something without any soap.

Rummaged around in a drawer feeling sick
through my tears I lay hold of my old Lady Bic
Slipped into the shower convinced he despised me
lathered and cried, none of this has surprised me

He'd seemed a bit distant, preoccupied,
the more I persisted, the less satisfied
I should have considered my Love is not blind
his eyes are like sponges his vision will find

The best of the beauties the cream of the crop
as sweet sugar blossoms parade past his shop
I have an epiphany there in the suds
Time's never wasted on pruning the buds

Better to nip 'em if you're feelin manly
can't be mistaken for Charles or Stanley.
Lord knows the time I've put in at Curves
not that i see any good that it serves

So who really cares if he's after that minx
just between us we know how she stinks
Let him go sister try rising above
'cause if that's all he's after it ain't really love.

Making my plans to rip up his picture
wipe out his memory no longer a fixture
I can't say that I needed nor much that I cared
for the man or his ***** laundry I've aired

When into my steamy retreat disconcerted
the voice of the man I was sure had deserted.
I silence my heart and put down the Bic
ease back the curtain and see my St. Nick

The hairy faced heathen battered and worn
face kind of prickly needs to be shorn.
'What is THIS? 'he demands and holds out his hand
'Why, a worn out old mach 3, the triple edge brand! '

"I just CHANGED this blade and the thing's dull and rusted!"
"Heck if I know", but I know I’ve been busted.
Step out of the shower bare skin drippin' wet
'At this rate I think I’ll buy stock in Gillette.'

I hold out my Bic and smile at old Bones
"Would you like me to light your cigar, Mr. Jones?"
Leave him to his business, which won’t include the shave
Love is stubbly,love is soft and hairy to the grave.
JustJune Jul 2018
Closespacesmakeyouanxious
Thesqueezingofmyexpectations
Pressurein­myswingingmoods
Myselfishnessslamsdoors
Myheatshutswindows
I’mver­ytight,small
Shrinkingismygift
Iadorethatinstinct
Yourescape
Self-survival
Da­rwinism
Stephen Williams Oct 2010
This morning I broke open
Some bic pens
And arted
All over myself.

It's funny how everything
Looks like canvas
When you swallow
Enough pills.
Dedicated to Anna Mihm
bucky Jan 2015
1.
there's a gun in your hand that doesn't belong there, a windmill where your heart should be
painting on the inside of someone else's skull screaming "i don't give a ****"
did your voice break? OH MY GOD YOU DISEASE
YOU GREAT UNDERESTIMATER, YOU FILTH
THIS IS WHAT HAPPENS WHEN YOU TURN A PERSON INTO A JACK-O-LANTERN
scooping out seeds for your masters degree
"new advances in science every day" can you smell the ink drying on the back of your wrist
ghost stories arent the same thing as ghosts
"why do hospitals think white is calming" and other laments
sorry, i mean bulletholes
sorry, i mean manmade caverns, tunnels built for metal to crawl its way out of membrane
question: what kind of science experiment requires a human corpse
answer:
answer:
answer:
you will never understand the answer to this question.you will never understand why someone stands up in their seat, screaming "i don't give a ****"
its raining outside.its raining outside.seven of your family members are lying in trash heaps,limbs discarded
and you don't know this yet
but it wasn't my fault.it wasn't me this time (stop looking at me like that
tail clenched tight between your teeth
you smell like a swamp,oh god)
choking to death on someone else's blood: typical.you're a cliche
this has happened before, hasn't it?we were murdered before,
but you don't remember that, or you do but youre pretending not to.tend to
your wounds, lick the blood.
papercuts are a gateway drug
you used to be something pretty.shiny and unkempt,
pretty and a ***** kinda clean:i wanna rip my own throat out
carve triangles in the pit of my stomach so
at least part of me will know how to smile.
clawing at yr eyes like itll make the flies go away
its in their nature
god,what kind of monster are you
what kind of beast.
everything you know up in flames:wither
do you know how fast human bodies decay?welcome to wormfood.welcome to paradise
coughing up tar and feathers "you came prepared"
for what?for an execution?happy doomsday
punch the wall.rub your knuckles.try again
make it bruise
****** and mangled, paint chips cutting off your circulation
YOU JUST NEVER KNOW WHEN TO QUIT DO YOU
youre so kind.thanks for everything,thanks for
the hollow chest,thanks for
****** fists
(you knew this would happen eventually
can you even take a punch?can you even take a punch?)
severed conscience, or whatever it was.
"No One Will Miss You Anyway"
is that what theyre saying?
your nailbeds are sticky
soda and something sweeter and dirt
you had so much to live for,until you didn't
(isnt that what they all say?god,youre such a cliche.)
found dead or dying,isnt that how it goes
no one just drowns
"we have reason to believe--"
you can hear every star dying,all at once
kneeling in front of a toilet that starting to look a lot like you
theres a gun in your lap and a bullet in your head and you dont know which one to trust
this isnt your fault.this isnt your fault.
clean yourself up,god youre disgusting.
how to say your name without choking on it
holding hands with a girl you never met
isnt this what its supposed to feel like?arent you supposed to feel full?
emptiness is your native language.the hollow space in your body echoes back at you
chimneysweep swallowing dust clouds,brushing their teeth with acid and magellanic galaxies
JUST STOP, SHUT YOUR MOUTH, GOD IM TIRED LISTENING TO THE SOUND OF YOUR SCREAMS
paranoia is smooth, blurry around the edges:
its not your fault you couldn't meet a deadline.

2.
war in your sheets and the soft folds of your belly
(and in the soles of your feet
i feel rough ground, rocks pricking into your skin
do you smell blood?)
not quite human, but vampires havent scared you for years
"**** me dry" can you taste it yet, can you feel the fear crawling up out of your stomach
your throat is so empty, a cavern without bats
stalactite secrecy pooling at your feet: this is what it feels like to be alone
sorry about the mess we made
sorry about the paint on the walls
scrubbing glitter into your arms,rubbing skin raw and red
arent you pretty? arent you pretty?
tombs cracking, mausoleums wishing for more graves to dig
havent you robbed enough for one lifetime
write eulogies for people who havent died yet,this is your calling
arent you pretty?
WHITE NOISE ON REPEAT, 10 HOURS
boxed wine stinking up the trunk of your car
(well,that and something else)
dont feel sorry for me darling
you say my name like it’s killing you,and maybe it is
thanks for the flowers and the card,what kind of greek tragedy is this
are you tired? are you tired?
what a spectacle
you,lying on a bed that doesnt belong to you,dying without permission(How Rude!)
dionysian struggle,and look,now the wine’s spilt over everything
i told you this would happen
what a pretty train wreck you are!2:30 am,still alive,
god youre bleeding on everything,how rude.how rude.
heart cut out and beating three thousand miles away under your mothers bed
oh,sweetheart
YOU KNEW IT WOULD END LIKE THIS,dissociating,can you feel the earth bend away from you?
what a demon
crust,mantle,core,screaming at the sight of you
when was the last time you believed in magic,hands on thighs
walls of the abandoned building screaming back in your face
(“i don’t give a ****” like someone can hear you
like someone cares enough to listen)
a broken Bic lighter/someone else’s EpiPen/a ****** handkerchief, shoved in the pocket of a jacket you dont remember buying.
wrapped up like holy things and you think maybe they were one time
“******* with no end” god youre so cool arent you?how edgy,how punk.how grotesque, the mess on your hands.
shouting your **** streak in the dead of night
is that supposed to impress us?are you putting on a show?Holy Prophet
here to forgive your sins
a woman sitting across from you is bleeding and you imagine swallowing her hands whole
“just let them win this time” how sweet of you,how kind!
this isnt my fault.this isnt my fault.
im just a corpse,remember?i hope you regret every part of this
i hope you choke on her fingers and i hope you die
MY GOD IT MAKES ME LAUGH
painted in the image of god:how funny.how sweet.what a nice thought
you called me a weapon like it was supposed to mean something
like it ever did

3.
mistaken king centuries old stepping on Holy feet
(can you see him?pressed up against the grass trying to disappear
god, what a ******* poseur)
frostbite kissing you,what a nice sentiment
crying with joy as it curls around you
“you just gotta be numb to it, you know?”
please marry me, oh god, i’m in love with you
my heart beats thirty feet out of my chest when im around you (that’s what love means, right)
you feel it ripping you apart,glory
smell stardust in the air and then stomp it out
it never mattered that much anyway,or at least that’s what
you tell yourself
you move like it’s your death wish, like “better here than somewhere else”, like
they taught you how to bleed in all
the right ways.on cue. on cue.
broken telephone wires/that Bic lighter, again/a pile of pumpkin seeds digging
into the palm of your hand
How To Cauterize An Open Wound
torn skin, and blood, and maybe some of your intestines, too
stick knives in your stomach(look, we match!)
there’s still a gun in your hand and it’s smoking and you don’t remember firing it (but that’s
okay, isn’t it? this has to be okay)
you built a shipyard in your ribcage,sent sailors off
to die in your throat
choking on a swarm of ******* bees
youre so cool arent you?youre so cool arent you?
you feel the ***** coming up ten years before it actually does, feel your stomach
bloating,the stench of it all
terrariums bleeding onto the streets, how ugly.what a putrid sight.
youre missing teeth,mouth gaping open
stubbed and ****** where nothing new ever grew in,
don’t know know that hate breeds hate
precious metals ooze off your tongue, join the parade! fall into
a stupor,
collect your wits and die,just die.
“i’m sorry for your loss” written on twenty different greeting cards, did you
think i wouldnt know it was you?
i bruise so easily and you know this, even with a gun breathing heavy against your ribcage.lace spiderwebs
around your neck and pull them tight this time
lighting fires with one hand,putting them out
with the other
YOU’RE SUCH A ******* MARTYR
YOU GRANDIOSE *******

your shoes are too tight, your toes are turning blue,
and i’m still in love with you even though
i don’t even know who you are anymore
god, im a cliche
does that make you happy?
god, i hope it does
you tell me, “poems are supposed to have a rhythm”
smiling like i just said something funny
i’m sorry about the dead flowers.im sorry about that night in the living room.
sorry for the things i said.
the feeling of being in motion/radiation vibrating across your tongue/a handful of snow
listen to the church choir singing--
in. out. dead. it wasnt your-slash-my fault
you say it outloud:
“your-slash-my”, the only way you can tether yourself
to something else.
someone is digging into the small of your back (ill
give you a hint:its me)
can you feel the talons? you take off your clothes, press
your body to the concrete
let the frost build on your spine,your fingers,your
legs
kiss the spool of ants where your ear used to be
swallow hard.
o, songbird! o, thrush!
the mellow winter calling (your mouth
curves around the word vociferous like you cant breathe without it--
this was always my favorite part)
“who told you the ending” and you say
god,  i just knew.
holy, holy, holy, swept off the palm of your hand like dust
rusty spoons and nails And Other Artifacts pooling at your feet
***** with revenge, or desire, or both.
[ SEVEN HOLLOW CHAPELS SINGING ABOUT LONELINESS ]
dont bury this too.not the bibelots, not the science experiments, not the smoking gun
carving itself into your palm
you will forget the ships on the horizon, the feel of someone else’s stomach beneath your hands, your tongue, your skin.
all these things, too: she said.
this took three days and is 1836 words
robin Apr 2014
they took my hand, held it,
told me how soft it was. {you've never worked a day in your life.}
maybe ive lost track of myself,
forgotten the present for
a glorified past;
i had callouses there.rough armor-skin scraping my arms, or
i thought i did, but
you can never trust the body and how it undoes its own defenses.
i wore away my purpose and
i am waiting to believe i am real.
there are gaps in my mouth and when i breathe i hiss; you told me dont worry,
i still love you,
i made a necklace from your teeth.

her shirt rides up and i think of kissing the small of her back.
somehow i have grown soft,
my thighs give to any hand that presses.my arms have lost their harshness.
i feel unsafe.my clavicle is too thin to be a shield, you told me
you like the way
my skin yields to you, you asked me why
i grow my fingernails so long.
have i always been this vulnerable?i dont like how fragile i feel,
delicate and weak, this is not me.this is not me.
i remember being sharp edges to dig into ribs.
crude bone,
body strong enough at least to hold the door shut.  
identity strong enough at least to sketch a line between me
and you.
stark boundaries of light and dark make me so afraid
that i blur it all to gray.
the back of my hand is streaked red
from all the lipstick ive rubbed off, strangers ask
how i hurt myself so much.when you left your lipstick on my mouth,
i wore it like a bruise
and lost it on the mouth of a nameless boy.
i never meant to grow up like this.i do not feel like myself and
i do not feel anything for you
though i want to.do you remember the first word you realized meant more
than its definition,
the sum of its parts?
my mother told me my twin died in the womb and when i found the word 'implosion,' i knew
nothing would fit better.
i am a slow implosion.
pragmatic destruction, dissociating others,
shrapnel within, never without.
the roof back home is sloped, i think of slipping
while it rains.the trails here are gnarled.
the trees are too tall to climb.
look at this:
im pressing rabbit's feet into your hands, im weaving 4-leaf clovers
into your hair.im filling your pockets with coins. im just unlucky in life, you said.
unlucky in who i give pieces of myself to.
im always betting on the wrong horse, falling for bluffs and parlor tricks,
misdirection, legerdemain,
sleight-of-hand.

take them, i dont want them, you need them more than me.
i dont want luck and complacency, i want to grow rough again, i want to feel safe.
you love me and it hurts, i want my teeth back.you knocked them out but that does not make them yours.
maybe this is how its supposed to be, maybe this is how it works,
maybe love is a ****** brick and soft bruised arms but all i want is my edges back,
caution tape, this girl is
a demolition zone.
you are not in this room and this is what matters.
you have never been in this room and
this is what matters.
im humming to myself so i dont hear your name
Lauren Tyler Jan 2012
A pen is not a tool,
it is an instrument,
and it does not do for an instrument
to be cheap
or poorly made.
If I have a choice, it will be expensive
Ink, not gel.
God forbid a ballpoint Bic.
No.
It will be the kind of pen that makes you want to write,
even when you have no idea what it will be about;
Write,
not for the flow of thoughts to pen to paper,
but for pen to hand to brain,
the sensation of the tip smooth across white ****** paper
swimming up your arm.
Handwriting that is usual jerky
and of questionable legibility
morphing into a graceful scrawl

I would have the kind of pen that rips the words out of me,
if I had my choice.
The pen a bow, the paper a cello.
The notes pouring, spilling, becoming,
composer unsure of where they come from
but suspecting some deep, secret crevice inside them
only touchable by the finest instrument
that they can imagine.

A pen like the head of an infant
in your palm,
so soft and inexplicably right
that you want to hold forever,
because it feels like it belongs in your hand;
cradled plastic as pleasant as downy hair

And with such a pen I will write
and write,
at the start hardly aware
what these words will weave.
A portrait of an artist,
genius or insane?
And the ideas will unravel
until it becomes more than sensation,
the meaning bigger than paper and pen.
Finally, at last.
Written for my poetry class.

— The End —