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Gigi Tiji  Sep 2014
Sour Owl Shit
Gigi Tiji Sep 2014
Batshit crazy,
Batshit soup.
Am I just lazy,
or caught in a loop?

Batshit crazy,
Owl **** soup.
Razor blades,
Razor blades,
Razor blades,
****.

Love is not a competition.
Love is not a game.
You see me as a player,
and it's a downright shame.

Batshit crazy,
Owl **** soup.
I am totally lazy,
and caught in a loop-die-loop.

Glass houses and baseball games
Angels wings and tar
SEPTA lines and pine trees
Can take you pretty far

Love is not a competition
Love is not a war
and acting like a soldier
is really quite a chore!

Silly souls and wacky words
Dragonflies and tar
I want to make some art with you
but I don't know how you are

it's
Just another slide
down the razor blade
of life into a bowl
of sour owl ****

Batshit crazy,
Owl **** soup.
Am I crazy,
or am I caught
in a loop?
Razor blades
Razor blades
Razor blades
****.
Because reading Ginsberg makes me a little more obscene.
Leah Rae  Apr 2015
Bitch
Leah Rae Apr 2015
This poem is for the *******.
The ice princesses.

Solid and frozen.
Hearts carved from arctic stone.
Jaw lines so sharp they could *cut
you.
Girls so bitter, *they bite.


Leave your mouth aching.

This is for the evil stepsisters,
The Ursulas,
The Queens of Broken Hearts -

I’ll tell you.
They are deadly beautiful.

They are the bossy, and the terribly too honest.
Mouths on fire,
jaws snapping,
man eaters,
sirens of the sea,
they will swallow you whole.

When the boys ask -
Tell them, no, I don’t need saving.

**** being a princess.
Be the dragon.

Be fire breathing, and pmsing.
Be angry, girl.

Cause you got **** to be angry about.

Every cat call –
Every glass ceiling you will shatter with your bare hands –
Every time you say the word no and mean it –
Every time they make you feel like you anything less than powerful.

You tell them –
You are eternal.

That you carry a generation in your belly -
That it all begins and ends here, inside you.

That you can bleed for seven days straight and come back with teeth sharpened for war.

Remind them that that when something is taken from you, you will do everything you can to get it back.

You will destroy what destroys you.
Eating fire and spitting brimstone.
And never, ever saying sorry.

They will call you crazy.
They will call you over emotional.
They will call you loud mouth.

They will ask for your smile, pretty girl.
Give it to them with poison ivy lips and a razor blade between your teeth.

What no body knew was that Ursula was King Triton’s sister.
A perfect storm.
Banished from the palace -
When a loud, powerful woman gets out of hand, we don’t call it leadership.
We call her dog.
*****.
Bossy.
Fangs out and snarling, we don’t battle, we cat fight.
**** kitten gone wrong, when she learns to leave scars.

A dog, no not a dog, a wolf in heat.
Domestication is a ***** word.

***** is to know your worth, and take it.

To carry it in your esophagus.
A war cry.
Feeding your enemies to your children, and coming back starving for seconds.

Doing anything to stay alive.

Because you were raised by a mother who fed you fear for supper.
Packed your backpack with mace, and brass knuckles.
She told you to turn your body into a weapon.
She knew there would be men who would try to cover your mouth.
So she taught you to bite.

This is how you protect yourself.
A mouth full of *****, and a bark to match.
“Beware of dog” sign around your throat.

This is how you keep them away.
This is how you warn them.

Because the villain was not always the villain.

She was made that way.
You were made this way.

You’ve got brands still healing, still smoking, skin still searing.
You’ve got a trauma written in your blood.
You’ve got a ribcage holding onto your heart too tightly.

You are chasing down a revenge so sweet it could rot your teeth.
A heart attack romance asleep in your chest.

You will come back home limping after this war.

And you will tell all the other girls -

It ain’t all about the love story.
**It’s about the “being in love with yourself” story.
This is originally a slam poem, I am open to all feedback :)
Oliver Grey Jan 2015
She paints a pretty picture
But the story has a twist
Her paintbrush was her razor
And her canvas was her wrist

She paints a pretty picture
In a color that's blood red
And using her sharp paintbrush
She ends up finally dead

Her pretty pictures fading
Quite slowly up her arm
Blood no longer flows through her
She can no longer do her harm

Yes, she painted a pretty picture
But the story has a twist
You see, her mind was just her razor
And her heart was just her wrist

- Unknown
I did not write this poem, and I cannot give credit since I do not know who the author is, but THIS IS NOT MY POEM.
I walked on the banks of the tincan banana dock and
     sat down under the huge shade of a Southern
     Pacific locomotive to look at the sunset over the
     box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron
     pole, companion, we thought the same thoughts
     of the soul, bleak and blue and sad-eyed, sur-
     rounded by the gnarled steel roots of trees of
     machinery.
The oily water on the river mirrored the red sky, sun
     sank on top of final Frisco peaks, no fish in that
     stream, no hermit in those mounts, just our-
     selves rheumy-eyed and hungover like old bums
     on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray
     shadow against the sky, big as a man, sitting
     dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower,
     memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes
     Greasy Sandwiches, dead baby carriages, black
     treadless tires forgotten and unretreaded, the
     poem of the riverbank, condoms & pots, steel
     knives, nothing stainless, only the dank muck
     and the razor-sharp artifacts passing into the
     past--
and the gray Sunflower poised against the sunset,
     crackly bleak and dusty with the **** and smog
     and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like
     a battered crown, seeds fallen out of its face,
     soon-to-be-toothless mouth of sunny air, sun-
     rays obliterated on its hairy head like a dried
     wire spiderweb,
leaves stuck out like arms out of the stem, gestures
     from the sawdust root, broke pieces of plaster
     fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O
     my soul, I loved you then!
The grime was no man's grime but death and human
     locomotives,
all that dress of dust, that veil of darkened railroad
     skin, that smog of cheek, that eyelid of black
     mis'ry, that sooty hand or phallus or protuber-
     ance of artificial worse-than-dirt--industrial--
     modern--all that civilization spotting your
     crazy golden crown--
and those blear thoughts of death and dusty loveless
     eyes and ends and withered roots below, in the
     home-pile of sand and sawdust, rubber dollar
     bills, skin of machinery, the guts and innards
     of the weeping coughing car, the empty lonely
     tincans with their rusty tongues alack, what
     more could I name, the smoked ashes of some
     **** cigar, the ***** of wheelbarrows and the
     milky ******* of cars, wornout ***** out of chairs
     & sphincters of dynamos--all these
entangled in your mummied roots--and you there
     standing before me in the sunset, all your glory
     in your form!
A perfect beauty of a sunflower! a perfect excellent
     lovely sunflower existence! a sweet natural eye
     to the new hip moon, woke up alive and excited
     grasping in the sunset shadow sunrise golden
     monthly breeze!
How many flies buzzed round you innocent of your
     grime, while you cursed the heavens of the rail-
     road and your flower soul?
Poor dead flower? when did you forget you were a
     flower? when did you look at your skin and
     decide you were an impotent ***** old locomo-
     tive? the ghost of a locomotive? the specter and
     shade of a once powerful mad American locomo-
     tive?
You were never no locomotive, Sunflower, you were a
     sunflower!
And you Locomotive, you are a locomotive, forget me
     not!
So I grabbed up the skeleton thick sunflower and stuck
     it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul
     too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread
     bleak dusty imageless locomotive, we're all
     beautiful golden sunflowers inside, we're bles-
     sed by our own seed & golden hairy naked ac-
     complishment-bodies growing into mad black
     formal sunflowers in the sunset, spied on by our
     eyes under the shadow of the mad locomotive
     riverbank sunset Frisco hilly tincan evening sit-
     down vision.

                              Berkeley, 1955
igc  May 2015
Millennials
igc May 2015
I saw the best minds of my generation congested and
polluted overdosing on irrelevance

Abandoned abused replaced
Fed to the thought police
Corrected corrupted
Declining the potential to be heard in
exchange for the opportunity to be documented

Lives being lived according to unfeasible standards
You either make it or you don’t
there’s no in between
there’s no maybe
there’s no equal

Left to meander through the conceived thoughts of others
decisions being made
moves being made
eulogies being made

nothings real
nothing’s right
nothing’s honest
nothing thought up matters


Who in the safety of their homes were taught respect
are told to mask their emotions
Identities saved for the weak
Only to be showcased when conducive

Who pump iron into their veins
looking for an angry fix of acceptance
Sweat streams surge down their backs
Failure prominent in their thoughts
Motivation blessing their features
the Devil clever in disguise

Who see little white fields of fairy dust
a never ending landscape of courage
giving them superpowers beyond belief

Nothing beats the freedom of being told
You can fly

Who dream of equality behind closed eyes
But render to imposed birth rights when open
The upper hand implying more than height
and executing more force than necessary to move them

It’s all about the cause until you’re indubitably
the effect

Who tuck monsters into their beds
Forgetting to check closets for skeletons not quite left behind
in the path of carefully chaotic self destruction
Conveniently purging themselves of words whispered
in the throes of passion
Forced upon the ears of all naive enough to listen

Who carelessly expend countless hours playing with
condescending pawns disguised as adults
All grown up with no where to go
Replacing quality with quantity
Leaving long dull trails of breadcrumbs
leading to hearts long since lost
Never to be recovered again

Who follow sexuality by the book
doing this to get that for this him them who what when where
Why does the finish line have to be covered with brightly colored lace and muffled drunk cries chanting no

Who stare dead straight into the soul of love but never
Never into her eyes
Told she is not worthy of being addressed directly
Fingers itching to cop a feel
Only to discover the body is but a passage to her straight dead soul


Who trade in their voice mind and individuality
for half assed smiles and superficial men
As the face of a leviathan nicknamed acceptance
hands them a paycheck they’ve worked too
night day night night hard to refuse

Who idolize the feel of phantom limbs of lovers past
Twisted words convoluting their heads
Forcing on masks of pure heroine
at the sight of scars left on the soul
Scratching at the need to feel wanted
But cowering at the ability to truly be heard

Who have perfected the art of parallel painting
Elegant red streaks hidden beneath layers of
choppy dark colored hate covering pretty pale limbs
Seeming to fade as colorlessly caked on insecurities susurrate bitter-sweet nothings that curl themselves just inside her mutilated skin

Who scavenged their looks from the bottom of holes
they’re expected to clamber out of
Smiling pretty smiling
Being treated to complimentary meals
Only to be served plates full of disappointment.

Who crave companion’s flaws
in ruthless attempts to satisfy their hunger for compassion
Selfless beings dedicated to less than noble attempts at vanquish
The call for heat too satisfying to refuse the trade off forever uselessly launching themselves into razor sharp blades
aimed at ***** sleeves

Who see soft lips as cushion enough to fall from towers built of fear
Dragging moist palms across pavement thighs
Tearing at the seams holding their
hearts together

Who cower behind brick wall appearances
fruitlessly clutching on to ideas reserved for the most fortunate
Scaring away potential with claws that seemingly only come
out to play in the face of acceptance

Who’s sick stick thin limbs trail their worn down
fingernails in an effort mar skin no one can see
Streaks titillate their bright red scalps
A reflection of their underlying journey

Who disgorge yesterday's meal from stomachs long before empty
Blood spewing from the mouth an open wound
Continuously sewed up but never stitched tight correctly
Wiring shut opinions but never gorged enough to
muzzle their Howls



Ideas, calm and collected have long been hijacked and invaded by Hestia

Hestia! Consent! Content! Acceptance!
Long nights and roid rage men!
Two faces fighting a losing battle!
Girls playing mom! Boys playing war!
Ill ridden parents still pledging to the
United States of Controlling Media!

Hestia! Hestia!
Overall reign of Hestia!
Hestia the beautiful!
Incarcerated Hestia!
Hestia the ******!

Hestia twisted and shaped to form the voice of conformity
Hestia constantly watching over and monitoring
Hestia being told what to ******* think

Hestia seeping creeping sneaking into the
darkest crevices of our minds
Hestia when least expected coming out to say
Hello

Too late! Hestia’s already made herself at home
Wedged between the rooks of your biggest fear and
burrowed deep into the folds of
Your  Worst  Nightmare

Stuck in a constant battle between
rejecting Hestia,
and accepting her.
This was obviously inspired by Allen Ginsberg's "Howl."
Considering it was, at the time, the voice of that generation, Welcome to Generation Y.
This is a work in progress.
Sjr1000 Dec 2013
Creativity
&
Madness
I've walked the razor's edge.
Playing it straight
In public places
No one knew
The thoughts and voices
Running around my head.
Fortune dictated
I never made it
To the walking dead.

Secret sharers
Come to me
At the beginning
And at the end
Of their plunge
Into that madness
Falling off the ledge.

No sleep came to them
Electronic insomnia
Ran them.
Cars became creatures
Screaming at them
As real as the table
Between us.

Imagination run wild
A chariot
The horses sweating
And running full speed
The reins either
Flapping untamed
Or
Imagination chained
Directed into these lines.

Creativity
&
Madness
At the razor's edge.

Disorganization
Voices screaming
When the wind is silent.
Miming up against the walls
No one can see them at all.
And in space as they said
"No one can hear you scream"
And space surrounds me.

Creativity
&
Madness

Pros & cons
Cost benefit ratios

*** makes it worse
The roots ungrounded

Crystal gears it up

Alcohol numbs the
Mind with depression's
Blanket of dread.

While ****** leaves
You strung out and lead.

The drugs they give you
Leaves you walking dead
But calm and able
To
Play it straight in public places
Far from the
Razor's edge
Of creativity & madness.

What's a poor boy to do?
Wind up sleeping in the park?
Cold wet encampment bound
Lost in the landscape
Of madness
Sights
Shadows,
A mind full
Of old echoes
Blinding.

How do we walk
This line?
A few fall over
A few are left behind.
Some never know what they could find
And some find that it all resides
At the intersection
At the razor's edge...
rebecca Sep 2018
do you have moments, where you can’t imagine a future?
you’re lying there, staring at the
same walls
same ceilings
same words
with nothing but the same feelings-
empty and pale,
like there’s no reason to go on,
when you can’t even do enough to fail.
the future is coming, but you don’t want to be in it,
can’t imagine yourself in it.
where you just want to stop.
everything.
and just sit there for a while.
maybe not death, as that’s too permanent,
but something close to it.
when you can feel the rope around your neck,
the razor on your wrist,
the way the pills taste.
you can imagine it, and you aren’t sure if it’s what you want,
or just the feelings you imagine it will give you
Is this depression?
Sahil Sharma Aug 2018
You are a sailor if life is a vast ocean..
Here sail-n-surf,very thrilling notion..

Heart does trade with silly emotion
Desires ditch reality,if you lack devotion

Trusting too early is not so very wise..
People turn strangers in their uprise...

Be an artist not the tyrant of ur life
Anger at its apogee, cut like a knife

In dejection time,even silence is noise
Enduring other's hatred is a better choice

Speech is razor-sharp,can easily slice
Before making a decision,think twice

Eyes turn coy when the truth is caught
Just keep it simple n filter ur thought

Like weather, experiences are cool n hot
Hardwork is perennial but luck is not

Deeds are examined,so keep the token
Progress is still when hopes are broken

Pain is felt when own soul is shaken
Just believe in God when all is taken

Pearls come out during ebb at the shore..
Money gives gold but manners shine more

Success is urgency,patience is the cure
Nothing stays forever,expiry is for sure

Life has its fragrance,life has its taste
Laughter is healthy, worry is waste

Love is water, dilutes colour n caste
Polish your soul,skin goes ashes at last
Cyril Blythe Nov 2012
Janie pushes the metal book cart back into its parking space in the Document Delivery Department of the St. Louis Public Library and hangs the last sticky note for October 30, 2012 on the wall by the head of the department’s closed door. She retightens her brown scarf under her chin, tucking the wispy hairs above her ears back into hiding. Having your hair begin to prematurely gray as a teenager has dramatic effects on a person. Her mother wore scarves around her wrists when Janie was growing up and when Janie begin to wear scarves to conceal her salt-and-pepper hair, her mother just smiled. The clock hanging on the wall above the children’s section reads 11:28pm.
Two more minutes.
She reorganized the pens and books on her desk and set the box reading NOTES onto the right corner or her desk with three blue pens and a stack of note cards. Her coworkers learned fast that Janie does not like to talk. She does not like eye contact. She loves the silence, and never ever to ask her about her hair. Her manager gave her the NOTES box after about a month of horrible miscommunication and everyday it fills with requests for books or tasks that Janie has to complete. She completes the tasks one by one, alone, in her back office in the Reference Department and hangs the completed sticky notes on the wall by her manager’s door. She works the night shift and locks the library up every night. When she’s alone she can talk out loud to herself and those are the only voices she cares to hear.
“Goodnight, books. Good night, rooms.” Janie shut the heavy wooden door to the library, placed the color-coded keys in the front right pocket of her jacket, and began her walk to the bus stop one corner away. She avoids the main road, taking her first right onto a side street that she knows would spit her out right beside the bus stop.
“Goodnight Taco Bell Sign. Goodnight Rite-Aide. Goodnight Westside Apartments. Goodnight Jack-o-Lantern smile.” She stopped in the middle of the alley and peered up at the Jack-o-Lantern grinning down at her from the third story window above. “Mother wouldn’t’ve liked your smirk, Jack. She would’ve slapped that **** right off your face.” Janie, satisfied the pumpkin was put in its rightful place, smiled as she trotted on.
“Mother carved smiles into her arms and that’s why Daddy left, it is, it is.” She kicked at a crushed Mountain Dew can as she remembered that night from years ago.

“Mommy?” Janie pushed opened the door to her mother’s bedroom and saw the moving-boxes torn open and all their contents scattered across the floor. She tiptoed through piles of scarves and silverware and corkscrews until she reached the bathroom in her mom’s room.
“Come to us like rain, oh lord, come and stay and sting a while more, oh lord…” her mother’s voice was slipping off the tiled bathroom walls. Janie pushed open the door and saw the blood for the first time pouring from her mother’s wrist. Her mother was naked and perched on the bathroom sink, singing to a red razor blade.
“Mommy?”
“GET OUT!” Her mother jumped from the counter and perched on all fours on the floor. She began to growl and speak in a voice too deep to be coming from her own throat.
“Mommy! It’s Janie!” She began to cry as her mother, still naked and bleeding, twisted and writhed onto her back and began to crawl towards the door that Janie hid behind.


“Thirty-Three percent, dear. Just a thirty-three percent chance.” She shivered trying to clear the last memory of her mother with the words that all the shrinks had echoed to her over the years. “Schizophrenia is directly related to genetics, little is known about the type of Schizophrenia mother was diagnosed with except that it is definitely passed on genetically. But, there is only a thirty-three percent chance you could have it, dear. Thirty-three percent.” The sound of the bus stop ahead reminds her it is time to be silent again.
“Disorganized Schizophrenia.” She mouthed to herself as she stepped back out onto the busy street from her alleyway. She tightened her scarf and saw the bus pull into the pickup spot. She walked forward to the bus, again immersed in her self-imposed silence.
Stepping out of the February cold, Janie removes her wool scarf as the bus doors close behind her.
“Where to baby?” The driver smiles a sticky smile. Her nametag reads, “Shannon” and has a decaying Hello-Kitty sticker in the bottom left corner.
“The Clinton Street drop.” She hands the driver her $2.50 fare and avoids the woman’s questioning eyes. The night drivers are always more talkative, curious.
“Your ticket hon.” She tears Janie a ticket stub. “Everything is pretty dead this late, I’ll have you there in ten minutes top.”
Janie begins to shuffle towards the seats, ignoring the woman.
“You mind if I crank up the music?” The bus driver asks, purple fingernails scratching in her thick blonde hair. “I need to keep my eyes open and blood flowing and music is my fire of choice you know?”
“Sure.” Janie shrugs her bag onto her shoulder and walks on before the woman can say anything else.
“Route E-2, homebound.” Shannon’s voice crackles over the loudspeaker.
She shuffles down the bus towards her usual seat; second from the back right side.  Shannon starts the bus rolling before she reaches her seat and Janie can hear her singing along to “Summertime” by Janis Joplin. The bus floor, today, is sticky because of the morning rain. Two years of riding public transportation has taught Janie that staring at the floor as she walks to her seat is better than the risk of making eye contact. The bus is usually empty this late but if there ever happens to be anyone else on, it’s better not to converse. Safer that way.
She plops into her seat filling the indention that ghosts of past passengers left. The seat is still warm and Janie squirms around until the stranger heat is forgotten. She tightens her scarf and sighs. The brown pleather seatback in front of her is peeling towards the top. Janie leans forward and idly picks at the scab-like dangles of brown as she watches the sodden city canvas roll past her out the foggy window. As she picks, the hole grows. She twists and digs her unpainted nails into the seat until her hands feel wet, warm. Looking down, they are covered in blood and mud.
“What. The. Actual. ****.” she whispers, wiping her hands on her pants leg. She cautiously picks off another piece of pleather and a trickle of deep red begins to run from the seat back, clumps of mud now falling onto her knees. A puddle of blood and mire splatter down her legs and pool around her feet as she picks at the seat. Her white tights are definitely beyond saving now, so she digs faster until her thumbnail catches on something, bends back, and cracks. She gasps and withdraws her shaking hand, watching her own blood mix with the clotting muck in the seat, half of her thumbnail completely stripped off.
Looking around, all else seems normal. The driver is now muttering along to some banter by Kanye West, completely unaware of Janie’s predicament. She closes her eyes.
This is a dream, this is a dream, wake the **** up.
She opens her eyes to see the pool of filth around her feet trickling towards the front of the bus. Panic sets in with a whisper, They’re going to think it was you, your fault, you’ll be thrown in jail.
“But I didn’t do this.” She lashes out to herself. “I didn’t hurt anyone.”
Next stop, E-2. Shannon blares on the intercom.
“It’s just a dream, get your **** together, Janie.” She laughs at herself, manic.
Prove it! Her subconscious screams.
Convinced to end this moment she has to continue; Janie plunges her hand into the pleather grave one more time. Frantic and confused she laughs as she digs, spittle of muck splashing on her bus window.
Faster, faster, faster.
Deeper, deeper, deeper.
Realer, realer, real.
Wake up, now!
Then, as the bus slows, one last chuck of mud splatters to the floor and Janie sees a pink piece of her thumbnail stabbed into the white of a bone in the bottom of the seatback pit. Her white Ked’s were becoming so red they were almost black. She pulls her knees up to her chest and begins to rock back and forth. Clenching shut her eyes she begins to hum. Janie’s sweet soprano harmonizes with the buses deep droning purr, their wet melody interweaving with the driver’s alto and Lil Wayne’s screech made her feel dizzy as the bus turned right.
She take my money when I'm in need
Yeah she's a trifling friend indeed
Oh she's a gold digger way over town
That dig's on me
The bus slows to a stop and the bass is shaking. Janie is cold. She slowly peeks out of her right eye, expecting to be instantly immersed into the same dismal scene. The seatback is whole again. Releasing her knees, her feet fall back to the floor and her shaking fingers stroke the solid pleather.

“Ma’am? We’re at the Clinton Drop.”
Janie hurriedly picks up her bag and flees down the aisle to the bus doors.
“Everything alright, dear?” The bus driver asks, smiling.
“Fine, just fine.”
“You be safe out there tonight. The night is dark and only ghouls stroll the streets this late.”  Shannon laughed as Janie’s jaw dropped. “Happy Halloween, dear. It’s midnight, today is October 31st.”
The bus doors opened and a cold wind ****** the warm bot-air surrounding Janie into the streets. She begrudgingly followed, her mind spinning as she stepped onto the pavement. The doors slammed behind her and she turned to see Shannon pull out a tube of lipstick and smear it, red, across her cracked lips. Shannon made a duck-face in the mirror and reached down to crank up the music as loud as it would go. The bus exhaled and rolled forward, leaving Janie behind as it splashed through the potholes.
She surveys the surrounding midnight gloom and the street is quiet and dark. Even the stars are hidden behind swirling clouds. She begins to hum, hands in her pocket, and shuffle towards her apartment.
“Goodnight, stars. Goodnight, street.”
As she approaches her single-bedroom apartment, digging through her coat pocket for her keys, her thumb pulsates. She grasps the keys and pulls them out as she steps up to the apartment. Sticking the cold, silver key in the lock she looks down at her thumb and in the shadows of the porch sees half of the nail completely missing. She laughs as she pushes the door open to her bare apartment, light flooding out. Without any hesitation she closes the door behind her, sheds her clothes, and slips onto the mattress in the corner of the room gripping her thumb tight. She reaches out for the glass of milk on the floor beside her bed from the morning and it’s still cold. Nursing the milk, surrounded by blankets and solitude, she reminds herself,  “Only a thirty-three percent chance. A nice, small, round number. Small.”  
She sets down the empty glass and curls into the fetal position under the heavy blankets, pointer finger tracing circles on her thumb. Only when she has heated her blanket cocoon enough to feel safe does she remove her scarf and allow her thick white hair to fall around her face.
“Goodnight, room. Goodnight, mother,”
Gigi Tiji Feb 2015
Our eyes are near
and my heart is hot
but your stare is cold —
a thousand miles away

Your words are clear
and time has stopped
there's nowhere to go
my thoughts are broken and blurred

Sweet lips, your sweet lips
Carry such a bitter sound...

I'm floating in place with
no lover to face

trembling, trembling
trembling heart space

I'm spinning in circles
looking for miracles

and it's proving to be
horribly difficult

Trying to fly
with no wings to spread

I crumble and cry
a song for what's dead

the sound of alarms
ring in my head

the sound of alarms
ring in my head...

I'm trying so hard
I don't know what to do

My heart is aching
thinking of you

A small square of paper
sits on my tongue

With razor sharp edges
and tasting of dung

It takes me to spaces
deep in my mind

Where there's too many places
and not enough time

I've been drowned in guilt
and I'm suspended in shame

Repeatedly killed
like in a video game

Written upon
the sharp paper square
are words for destruction
and guilt and despair

It's a trip like no other
you won't even feel high
you'll feel like a bother
and just want to cry

Drifting in place
dead in deep space

You left me here with
tears on my face

Crystalline droplets
scintillating pearls

spinning in circles,
spirals, and swirls

Why did you think
to leave me alone

at the cold ugly brink
a frost to the bone

the cold hard shoulder
feels far colder
than a lifeless boulder
I'm cold, I'm
cold

I speak with my music
and these notes are my words
My harp is my voice
and these strings are the cords

I try hard to play
But you've cut them all off
My harp is left bare
naked, unstrung

I'll move all the pedals
But unto what end?
I can't speak my heart
I can no longer pretend

It's time to stand up
and take a great bow
Walk off the stage
The end is —
.....

and
There is a silence
in the mist, hidden
between the little
droplets, whispering
rivers of soft words from
past lovers evaporated~
.....

together
we held hands
and in our palms
we held time

and we ran away
from the rising sun
so we could see it
rise forever

but we grew tired
and we slowed down
and the sun sped up
and time was slipping
between our fingers
dripping
from our knuckles

and together we ran
we ran away toward
the setting sun
as fast as we could
but we were too tired...

and
you showered me in
silky sheets of glowing lovelight
you embraced me with
warm rays of shimmering soulshine

you pushed and pulled my ocean's tides
in and out like a lilting melody
making love to a perfect harmony

but slowly you
drifted away
into space
to shine on new rocks
leaving me cold my
ocean waves
still...

and
For the longest time
I wanted to thank you, thief
for stealing my heart.

I thought it'd be better off
in someone else's hands anyway,
because I sure as hell
didn't take good care of it.

Can you tell me about the time
you carefully held it close?

because I'm sure
that you can remember that
because that's all you want
to remember.

It was your
little pet.

and I can't tell you
how much it meant to me
that you found it so
intriguing...

but I can't tell you
how much it hurt when
it stopped being something special
and started being
just another animal

Don't you remember
how much fun you
had with it?
Mm..

But you don't remember
watching it struggle
to breathe in
and out?

Because it seems like
despite that

all I can remember now
is your tightening grip
suffocating it
carelessly
and your acidic lip
spouting seemingly
ceaseless
abuse

Tell me about the time
you played with it
until it was broken
and it bored you

Because I can sure
remember that.
but can you?...

Oh!
Batshit crazy,
Batshit soup.
Am I just lazy,
or caught in a loop?

Batshit crazy,
Owl **** soup.
Razor blades,
Razor blades,
Razor blades,
****!

Love is not a competition,
Love is not a game!
You see me as a player,
and it's a downright shame!

Batshit crazy,
Owl **** soup!
I am totally lazy,
and caught in a loop-die-loop?!

Glass houses
Baseball games
Angels wings and tar
SEPTA lines and pine trees
Can take you pretty far

Love is not a competition,
Love is not a war!
and acting like a soldier
is really quite a chore!

Silly souls
Wacky words
Dragonflies and tar
I want to make some art with you
but I don't know how you are!

and
it's
Just another slide
down the razor blade
of life! into a bowl
of sour owl ****...

Batshit crazy,
Owl **** soup!

Am I crazy,
or am I caught
in a loop?

Razor blades
Razor blades
Razor blades
****!

and you are
ribbed, but uncaged, and
you read like a book broken,
with a cracked spine, snapped,
always opening to
the same page

the wrinkles stacked
dendritically, along the
ragged column, show
where you were split,
down the seam,
in a fervent attempt
to be figured out

your leaves are worn,
dog eared, and torn,
with words used, and
defiled

unadorned,
sickly souls

forlorn figures,
sitting silently

wishing and waiting,
no kissing or playing

it seems that you've left me,
and you're all I want to read...

blistering sunsets
burn my skin

I watch the ball of love
get further from me,
falling a w a y

It was always out of reach,
but I could feel it's warmth!
as long as it was in sight,
but, no longer

It forms rivers from dry wells.

In it's absence
it has them brimming,
now overflowing, down
channels of skinclay
wrinkles

they run deeper,
than the roots of
the tallest trees,
falling slower, than
the softest cries,
unheard

rocky river ways
froth from the mouth,
splashing and bubbling
in maniacal sadness —

silent white water rapids...

Tussled and unkempt,
shriveled livers beg for mercy!
hidden behind layers of rotting drywall

a rusty sledgehammer.

—unused

You may want to take me inside
but your mind is a million dripping daggers
perpendicular to the infinite edges
of my circular paradigms.

your cold soul wraps around me
like a chainmail suit.

I want to love it, as
it's supposed to love me, but
it's heavy and pinches every fiber
of my existence

and why should I wear it
when I want to run into love
completely naked?

My name is derived from Tyrant
I would say you should have expected it
but I am not one to take someone's heart
that is the ultimate crime.

Can't you see that you've stolen your own?
Look in the mirror! Unfurl your ****** fists.

Now my fingers are ablaze with hellfire!

and
My unseen tears
condense onto windowpanes
as they're smashed open by codependent assumptions.

Blinding
blunt force flashlights
shatter sharp shards of light
across the darkest crevices
of my soul.

Impatience
and uncertainty
leads to reactionary behavior.

Do not plant flowers
in the gardens of someone
who cannot take care of their
own plants.

Their soil is unsaturated
with nutrients.

How can you expect to enjoy the fruit of their love?

I am a withered plot.
I am the dead of winter.

No one is interested in how it has died.
They are only upset that they can no longer feed themselves.

What you see is what you get.
Charles Bukowski  Jan 2010
True
one of Lorca's best lines
is,
"agony, always
agony ..."
think of this when you
**** a
cockroach or
pick up a razor to
shave
or awaken in the morning
to
face the
sun.
Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
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