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Megan Milligan Aug 2011
OPEN LETTER TO THOSE WHO SAY GOOD RIDDANCE TO AMY WINEHOUSE

“Good, one less crackhead to deal with.”

“Drugo *****”

“She was a bad influence to all.”

“Why is everyone sad that she is dead?
She never cared about her own life
so why should we care now that she is dead???
She brought this on her self, oh well! “

“Good riddance you Mr. Ed lookin, Lady Gaga wanna be, pill poppin ******.....”

These sad, sad, comments
About a sad, sad life
Full of privilege and God-given gifts
Thrown away on a whim and a dime
Sadden me.

Dear friends,

You know me,
But I suppose, if you say good riddance to Amy Winehouse,
By that same logic, you should say, regarding me,
“Good, one less alcoholic driving our streets.”
If I died in my car accident more than 3 years ago.

Wait, what is that I hear?
You say I’m overreacting?
I’m different because I got the point?
That somehow I’m better than her because I “learned my lesson”?

*******.

I’m no better than Amy or anyone else in that same sinking boat,
**** up a creek without a paddle,
Just because I cleaned up my act.
I’m only luckier than them,
Because statistically only 5 percent
Make it out the other side,
Without backsliding.
The other 95 percent,
**** rolls downhill without stopping.
Ultimately, they only have 3 choices:
Jails, institutions, or death.
And I’ve already made two of them.

Now I have to keep in mind that
Unless you walked in an addict’s shoes,
Or the shoes of an addict’s loved ones,
It might be hard for you wrap your mind around a couple of paradoxes:

“How could she let that slide?  She had everything?”
“Oh, she could’ve quit anytime she wanted, so she chose to continue being a ******.”
“She was only a selfish *****   She didn’t give a **** about what she put her family or anyone else through.”

Let me enlighten you to the plight of the addict.

Yes, I will give that,
We have choice over that first drink, or drug if that’s what’s up.

But chasing that first high is like the search for the holy grail,
Or searching for that *** of gold at the end of the rainbow.
I kept following the path,
But the quest for the gold extended in perpetuity,
And my chalice remained empty.

I guess in a way you could say suffered
From battered wife or Stockholme Syndrome.
Drinking kidnapped me,
And held everything I was hostage,
I had everything, the job, the house, the love, the family,
The art, the poetry
But nothing became more important
Than the man who kidnapped me.

His needs, his wants became my own.
He spoke for me, he spoke through me.
I was him, and he was me,
And everything else bedamned.

I lied for him,
Stole for him,
Tricked my loved ones for him,

And in the increasingly rare moments of lucidity,
Interspersed between run-ins and blackouts and bottles of wine,
I tried to run,
But he would grab me when I made a break for it,
And drag me right back in.
While friends and loved ones who grabbed onto me with everything they had
Stood helplessly by as I willingly walked back to him.

A person has only so much strength,
So much will to resist.
And eventually, you only have enough reserves left to just exist.
It’s all you can do to stay alive,
If you can call it a life.

Yes, I was eventually one of the lucky 5 percent.
But there’s a word I operate by…”yet”.
Nothing is set in stone.
I could wind up right back where I started on that Monopoly board.
Don’t pass start, don’t collect 200 bucks.

So, until you have walked a mile in an addict’s shoes,
Or the shoes of an addict’s loved ones,
Judge not lest ye be judged.
Because the next hammer to fall just might be on you.

By the way, rest in peace, Amy Winehouse.
© 7/30/2011
Sacrelicious Apr 2012
I’am the
Whiney,
Amy Winehouse
Wannabee.
That’s going to blow myself,  
away
before the Whispers of wicked winds can.

I can’t smile anymore.
If you have to always
stab
me in the back.
My heart lives on the other side
of my body.
If ya wanted to....

I could get you;
a steak knife
and you could
tear into my heart
like it’s
a medium rare steak.

If it would make you happy.
I’ll even bring the A-1.
Cause I care that much.
berry Nov 2013
"love is a losing game", but for so long
i never understood that song, until,
i became a piece that you discarded,
left scorned and broken-hearted. it was
unbeknownst to me, but you knew exactly
how to maneuver your poison into my veins
and you made your home in my bones
without requesting my permission, having no intentions
of remaining any longer than your affections,
or your hands, could stand to stay in one place.

i've heard that love, is a losing hand,
and i imagine its partner, dry & cracked -
aching, reaching, grasping, empty -
desperately seeking to be filled with any kind
of warmth or wholeness, only to be met,
instead, by astounding disappointment
that reverberates and permeates unapologetically
beneath the surface of weathered skin,
similar to that which covered your back, as we laid
in the trunk of your station wagon in the mid-december darkness.

love is designed as a fate resigned,
but i knew not what my future held.
i did not know that it was possible, for
such a tangible pain to exist inside my ribcage,
but i swear you pretended not to hear my heart shatter
from all those miles and miles and miles away.
so i envisioned the oceans inside of your irises fading to gray,
and i forced myself to ignore the lack of air in my lungs,
as i spat out, "it's fine." promising myself i'd never call you again.
unbeknownst to you, you'd just taught me how to play the game.

- m.f
this is a piece inspired by the song Love Is A Losing Game by the late, great, Amy Winehouse, with the assistance of memories from one of my most memorable heartbreaks.
Poetoftheway Mar 2018
reaching the back of you

not sure I could.      not sure i would.
       scent of the crime uncommitted uncovered

the meandering is the man demigod demagogue taking
time
         pleasured mercy
                                         the remaindered searchingly
                                                                ­                                 suffices

you don’t speak plain english the only tongue i got
insert the coin in your slot commencing researching the
way in and
don’t think i want to find the way out to the
back of you hiding in the inside learning the way you visualize


playing amy winehouse as an overlaying graph to the autoroute
to the south of france, sur-la-mer, why ever leave and you come
in my mouth poems new each time

no exit. no back of you.  stuck in a longingly heaven

this house is my home and I know the sun brightest
when i put my coin in the slot of play and press the
new tune button at 4:10AM
thanks for the quirky comments for this quirky poem.  Not my normal style. Inspired by a poet here who writes quirky poems, many of which, I fail too, to fully comprehend. The only way I could hope to understand them was to  "insert the coin in your slot commencing researching the way in and  don’t think i want to find the way out to the back of you, hiding in the inside learning the way you visualize...no exit. no back of you.  stuck in a longingly heaven" and getting stuck, unsure if I want to reach...
Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

The Forever 27 club
playing in the band
Janis, Jim and Jimi
In hell, oh....ain't it grand
We thought them all as angels
But, the truth it rings a bell
They were dancing with the devil
And they ended up in hell

Cobain and Amy Winehouse
Oh yeah, they're down there too
Brian Jones and others
Playing hard rock and the blues
Sell your soul to Satan
Where you go...you do not choose
If you spend time with the devil
It's nothing but bad news

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

There's others there who did the dance
Hit the crossroads, sold their soul
Drugs and drink and suicide
That's how this devil rolls
Some may get redemption
For the things they do in life
they sold out with their talent
They were dancing on a knife

The band is hot, and so's the place
They play here every night
We wish they were in heaven
But, deep down you know I'm right
Elvis, yes, the king is here
He did drugs and did the dance
Now, he's singing for the devil
He never had a chance

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

So many tortured people
So many who did wrong
They traded with the devil
For the price of just a song
Rock and Roll in heaven
Has a great band, just the same
But, with Janis, Jim and Jimi here
They just don't have the game.
rock and roll
- Apr 2016
Mozart,
deaf,
died, eventually.

Picasso, pervert, died; Whitney, Winehouse, drugs, dead; Elvis, Methamphetamine, died

(on the toilet).

Van Gogh,
missing an earlobe,
died.

Plath,
head in an oven,
in front of her kids,
Woolf
Patron saint of insanity, I guess
waded into a river and-

River. River Phoenix. Drugs.

Natalie Merchant wrote that song about him in 1995.

Flash forward.
Me, twenty-one, drunk.
Proprietor of a collection of lackluster poems.
Sold their small, nonbinary soul to the Devil
in exchange for a fortune,
gone.
Written to be a spoken word piece
Mohit Kalwadia Apr 2012
There was a star in life
agreed, it was much loved
when it sank, it did sink.
Look at the sky’s vastness,
so many stars have broken away
so many loved ones it has lost
the lost ones, were they ever found?
But tell me, for the broken stars
does the sky ever grieve?
That which is past, is gone.

There was a flower in life
which, I doted everyday on
when it dried, it dried away.
Look at the garden’s breast,
dried, many of its saplings have
welted, many of its flowers have
that which welted, did it ever bloom?
But tell me, for dried flowers
does the garden create an uproar?
That which is past, is gone.

There was a cup of wine in life
which, you gave your heart and soul for
when it broke, it did break.
Look at the winehouse’s courtyard
shaken, where many cups are
fall, and merge with the ground
that which fall, do they ever rise?
But tell me, for broken cups
does the winehouse ever regret?
That which is past, is gone.

Soft mud, we are made of,
wine drops do tend to fall.
A short life, we have come with,
winecups do tend to break.
Yet, inside the winehouse
there is a winepot, there are winecups.
Those, struck by intoxication
do splurge away on the wine.
He’s a raw drinker,
whose affection escapes no cup,
one who has burnt from true wine
does he ever shout, or scream?
That which is past, is gone.

By- Mohit Cristo Kalwadia
Doug Woodsum May 2015
I, too, have seen the darkest dark, shining
Iridescent like a raven’s feather
In the sun. I have felt the untwining

Of my mind, stormwracked by psychic weather,
And I have tried to laugh it all away
Faking that I’m keeping it together.

So often the ones we thought were OK
The ones who helped us laugh and sing and drink . . .
So often the one thing they needed to say

Never got said or got said with a wink.
Listen closely. Watch closely. It is there:
A welling tear can be erased with a blink.

I blink, you blink, we all blink; what’s more rare
Is the unblinking gaze on both foul and fair.
Too many talented artists like Amy have substance abuse issues and die too young. We need to keep an eye out for the warning signs.
Dark n Beautiful May 2015
Your kind of love cripples me
I am weak,
I am sad,
I feel hopeless
You turned my life into a contest
Two for the price of one, plus a dollar:
You make me feel like raggedy Ann
Red braids and strips stocking
Cherry lips with white and blue smocking
A fabulous smile with twinkly eyes
am I the next Ms. Amy Winehouse?
I have let my mind become one with my thoughts
like an overpower incoming tide,
I am dying on the inside
I am flawless today
Eventually, tomorrow I will feel worthless
I am emotional abuse by
the master of deception and that’s you
I was your candy, yet you withdraw the cane
Leaving the flavor all sticky- icky
My long distant Lover
“Long distance relationships do not rely on physical love, long distance relationships are driven by the love that inspires your heart, mind and soul.”
― Anonymous
Dancing with The Devil

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

The Forever 27 club
playing in the band
Janis, Jim and Jimi
In hell, oh....ain't it grand
We thought them all as angels
But, the truth it rings a bell
They were dancing with the devil
And they ended up in hell

you start hearing the background music
and the devils in your head
shut your mind to everything
forget the words he's said
if he gets you dancing, it's not long till you'll be dead
when you're dancing with the devil in your head
just look at all the others that he's led
don't be dancing with the devil in your head

Cobain and Amy Winehouse
Oh yeah, they're down there too
Brian Jones and others
Playing hard rock and the blues
Sell your soul to Satan
Where you go...you do not choose
If you spend time with the devil
It's nothing but bad news

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

you start hearing the background music
and the devils in your head
shut your mind to everything
forget the words he's said
if he gets you dancing, it's not long till you'll be dead
when you're dancing with the devil in your head
just look at all the others that he's led
don't be dancing with the devil in your head

There's others there who did the dance
Hit the crossroads, sold their soul
Drugs and drink and suicide
That's how this devil rolls
Some may get redemption
For the things they do in life
they sold out with their talent
They were dancing on a knife

The band is hot, and so's the place
They play here every night
We wish they were in heaven
But, deep down you know I'm right
Elvis, yes, the king is here
He did drugs and did the dance
Now, he's singing for the devil
He never had a chance

you start hearing the background music
and the devils in your head
shut your mind to everything
forget the words he's said
if he gets you dancing, it's not long till you'll be dead
when you're dancing with the devil in your head
just look at all the others that he's led
don't be dancing with the devil in your head

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

So many tortured people
So many who did wrong
They traded with the devil
For the price of just a song
Rock and Roll in heaven
Has a great band, just the same
But, with Janis, Jim and Jimi here
They just don't have the game.

don't get caught dancing with the devil in your head
the music's great, but you will end up dead
don't get caught dancing with the devil in your head
don't get caught dancing...don't ever get caught dancing
don't get caught dancing ...with the devil ....i your head.
Kewayne Wadley Sep 2016
I don't want to drink again
No, not from those lips
That tiny bottle of pending doom with little tiny labels marked warning.
Under the table, grabbing walls
Compensation for the shot glass full of stained breath
There is no amount of emotional comfort that doesn't lead to physical contact.
My lips; your essence
There isn't a support group that can teach that
The urge to resist the glare of the bottle
Simple steps that lead to complete disaster
The calling of your name
The way you splash against my lips.
I don't want to drink again
My bad habit
My secret craving
A distinct hint that I need you again.
Where's pride in this infatuation
The need to have you again
This uncontrollable substance
Marked with warning labels
Bottled emotion that seeps at anytime.
The need of not caring who's around.
Again, pride where are you
Mike Bergeron Dec 2012
In a world full of ugly people,
A city made of hideous faces,
A phone call means everything.
It means a voice, free from
Its crooked nose, its wrinkled skin,
And its gapped, stained, crooked teeth.
It means a connection.
With another, with yourself,
And with the ability to disconnect
At the push of a button.
I take out my scratched, chipped cellphone
With its cracked face,
And call Helen.
Her voice swims through the mud
Inside my skull when she answers,
Stirring and churning
Until I'm weak and dizzy.
"How 'bout you just come
On over now, Big Fella?"
And I do.
I turn off the squawking television,
Don a pair of food-stained pants,
Drag a comb through my
Overgrown hair,
And descend the stairs to my
Waiting Oldsmobile.
The turn of the key in the ignition
Only produces a hollow click,
One click two click three click six,
Then a partial start,
But the beast fails to come alive.
I get out to replace
The fried starter fuse,
Then do this dance four more times
Before the old ***** clears her throat
And starts to idle.
It's a short ride,
Pawtucket is small,
And my only companion
On these post-midnight streets
Is the white noise
Issuing from the broken radio.
I pass the house I grew out of,
The crumbling schools
That taught me the value
Of impartial numbness,
The cemetery my father used to visit
To perpetrate the lie
He lives;
The role of a child
And the permanence
Of parents.
I pass abandoned factories
And abandoned hope
And abandoned pets
And abandoned storefronts.
In a world of full of past relics,
In a city full of ghosts,
A crumbling façade means everything.
It means bricks freed from their mortar,
Separated from their history,
Left to be picked up and thrown through plate glass windows.
Buildings are never empty,
Just quiet.
I pass the CVS at Newport and Armistice,
With its twenty four hour pharmacy,  
Dispensing the one a.m. hydrocodone,
The one thirty a.m. dextroamphetamine,
The two a.m. oxycodone,
The two thirty a.m. alprazolam,
The three a.m. dextromethorphan,
The three thirty a.m. methylphenidate,
The four a.m. eszopiclone,
The four thirty a.m. benzodiazeprine,
The five a.m. phenylpropanolamine.
I drive past the clinic in the old senior center
With its six a.m. methadone ready to go
In pre measured cups.
Buildings can be quiet, but not empty.
Helen lives on the third floor of a three story house
Built sometime in the forties,
Forgotten sometime in the eighties.
The two bottom floors are vacant,
The windows are boarded,
The driveway is choked with weeds,
And two lounging cats don’t flinch
When I walk by them
On my way to the door in the rear of the building.
The door is always unlocked,
So I let myself in
And begin the rickety climb to the top.
The higher I go,
The louder Amy Winehouse’s voice gets.
“What kind of fuckery is this?”
Seems an adequate question.
There are ****** handprints on the railings,
The walls,
Drops polka dot the stairs.
I don’t bother knocking,
I never do.
She’s seated in a La-Z-Boy in the kitchen
Facing the door,
In a cloud of cigarette smoke.
In place of exchanged pleasantries
I say I need to use the bathroom
And she nods,
Eyes locked on mine.
I take a look at my sallow image
In the mirror,
With specks of toothpaste and hairspray
Pocking my face like acne.
The toilet bowl is still streaked
With the last man’s ****.
I ****, wash my hands,
And take another look at myself.
Helen is no longer in the chair,
But I know where to find her.
She’s sprawled on the bed,
With a new cigarette in her mouth,
The toys spread out on one side,
The tools on the other.
I tell her I’ll forgive her for stabbing me the other night
If I can get a freebee now.
She shakes her head once,
Exhales a cloud,
“Not gonna happen, Champ,”
And I take what I can get.

— The End —