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as twilight set in
crickets began chorusing
a sameness of song
in their nature its innate
to be well synchronized
Nigel Morgan  Jul 2013
Poppies
Nigel Morgan Jul 2013
For Susan on her birthday*

At a distance they appear
so unexpectedly red,
a vivid vermillion strip
in a growing green field.

We walked up the farm track
to view a few stragglers
lost on their way to their
Red-Together meeting.
They were intensely red
with liquorice-black centres,
free from that dustiness
of poppies in swathes.

Alone,
and too red to be real,
their stalks too tall
ungainly, anorexic even.

En masse,
nodding variously,
a thousand-strong Red Army choir
chorusing their hearts out.
Nigel Morgan Oct 2012
We are tired after a hot day; its separate frustrations,
expectations and disappointments they weigh down on us
Separately, separately.

We come to bed, we do not hold each other, even briefly.
We do not read, the heat says no, best not.
We sleep: despite the endless turmoil of traffic
Endless, endless
On the Finchley Road.

At 4.0am I wake.
There is this spell of quiet to allow those mid-summer birds
Their due chorusing for an hour.

I lie still, so conscious, so conscious
Of the exquisite fall of your right breast on the cotton sheet,
The rich curve of your upper leg and bottom,
Of the almost-pout of your dear lips
As you burrow into the pillow.

I can’t begin to imagine what you dream:
As for me if dreams have been, they have vanished
With the sight of your naked self I so adore, I so adore.

And lest my desire gets the better of me.
my hand reaches out to stroke that layer of air
Floating above your quiet form.
I fan this passion’s fire until it
Slowly dies, slowly dies.
Olivia Kent Jan 2015
Alley ways and alley cats all allies in the darkest nights.
Unsleeping children call to their mother's closest hand.
The alley cats are chorusing, looking for a lover.
Their kittens come their kittens go, in and out their pussycat minds.
The infant in the cradle cries out for mother's love.
A life long attachment borne.
Forever days and never nights, the lights go out the queen cat cries.
Another litter of kittens wanted so that queen cat yowls.
The husband laying in his bed, gets angry as he lays his head, calling cats and screaming kids, prevent the closing of his lids.
The child calls out as only he can, mother moved to sort him out, as only mother can.
(C) LIVVI
Alexandria Hope May 2015
Death walked up to me one night,
Slipped me a cigarette
We sat beneath the stars beneath my dorm room window,
Death said, “I haven’t touched you yet”
The next day I heard the church bells toll,
My colleague from theater, swung free of her bonds
The whole campus chorusing, their Kyrie Eleison
Who could’ve known? Who could’ve known?
I knew, Death walked in her just as it did me,
I watched Death take her aside and haunt her as she desperately tried
To find an anchor, to find solace, well hers and mine became the theater
When I saw Death with her I envied her the company,
Our morbid fixations sought through our scripts, both of us cast
The same character,
Both of us popping pills carefully hidden in little soap boxes,
Boxed up with wine and razors in care packages from the same lover

Death sat with me the other night,
Held a bandage to my wrist and lay me to bed
He lifted his hood, wiped the tears from my eyes,
Begged me to dance again, on ankles slit,
Caressing me as Elisabeth

Now I’ve been kissed,
Kyrie Eleison,
We shared the same stage, once,
Tell me what's waiting there for me
Beyond the mist of Chapel Hill
This was pretty heavy when I wrote it but then I saw the German Musical "Elisabeth" and now it's like, hey Death is pretty swanky let's revisit this poem.
#butseriouslythough #whereismyglitteryDeathsuitor #HurryUp
KathleenAMaloney May 2016
This Evening
Your Words
Falling
Falling

Flirtations of
Echoing Heartbeat
Graved
By Another Time

Drifting Downward Now
So Sunderland
As To Merge
In Still Waters

Lights Shooting Star
Blossoming
Moonlit Waters

Forever
Forever
Chorusing

Sweetened
Waters
Of The
Mind
Poured
Free
Spirit
Nat Lipstadt Jun 2016
no more morning glory

the cells want to refuse,
purported pseudo-deniers
of the man's compulsion

not yet six am,
the old house,
the summering congregation of birds,
correspond with each other,
their words unintelligible to the man-ear,
no doubt talking about the interlopers,
the come-and-go humans,
or perhaps,
just the lousy weather

the sunroom's lace curtains,
a patterned flower filtering viewer,
another impediment to what is out of sight,
for the fog surrounds but can't suppress,
the exterior & interior
combo of noises,
birds uttering their morning prayers,
accompanied by the sabbath choir of chorusing
groans from the untrodden, creaky floorboards,
complaining of aged back pains
from forty years
of desert wandering
and over use

they confirm the man is not alone,
and perhaps, even,
among the living

the bay's water's color,
a small hint now comes visible,
colored from the same paint can
as the surround-sound from which the
fog's discoloration was morning-drawn,
wider brush strokes cover this,
the man's small world

the brains complains, not again!

how many times will you compose,
drawing from the molecules of
this view,
no one cares,
but composition compulsion,
****** for what makes
the man breathe,
denies the deniers,
praying in the loudest thought voices,
to the principle that best defines
the moment,
(him?)

human, give thanks,
on this, the seventh day,
for the feast of life provided,
(even the reasoning atheists go respectful, humble silent)
as the man-poet acknowledges here the

One,

who remembers,

is faithful to,

fulfills the covenant and promise,

by making fresh daily,

the works of creation




Silver Beach,
Shelter Island
5:30am,
June 4th, 2016
Marly  Apr 2014
flow
Marly Apr 2014
the rain outside sounds like paper being crumpled,
the winds similar to pages of a book being turned.
descending planes become the way one strums a guitar;
all of the strings vibrate loudly,
and sl o w l y l  o  s  e  t   h   e   i   r    v    o     i     c     e    s.
i hear the stars singing,
their lonely songs echo through the darkness that is space.
empty space,
full of distant planets,
lonesome, chorusing stars,
lost meteors,
and long forgotten space debris.
at last, the rain and winds have ceased.
silence.
i have never considered silence as an absence of noise,
because silence itself is something you hear.
i often hear silence as a siren.
someone, somewhere, somehow,
is asking for me,
begging for my help.
someone is wishing for their desperate pleas to be heard.
i hope they know that they are not alone.
sometimes i think about how divided people are.
but darling, this world is compressed in more ways than one.
the only things that divide us are thin plaster walls,
thousands of footsteps,
and clothing.
do not forget that.
called it flow because there is a flow between each subject and none of it made sense, buuuuut.
martin challis  Dec 2015
Deeper
martin challis Dec 2015
for Dennis Lee*

By the river
at night

burned stubble
of sugar cane
feathers the air with a lick of caramel

a quiet earth underscores
crocus and chorusing cricket
as curlew weep their distant sonorous calls

******* the stillness
we pluck a string of starlight

to pull a gentle breeze closer
we tug on orbiting moons

in the darkness of deep
we become motionless
intent to watch worlds
and enter the symphony


MChallis @ 2015
Rivaldi Prasetyo Mar 2014
there comes the wave in the rainbow
then they're gone into beautiful life
as it was loosing binocular
...
you spell the world clearly up of your tone
and you are getting awake
you are shading out of blue
you are getting out of town
out of this vivid universe...

and spinning the time
and make sounds
like a train that cross the hills of quiet
but covered by thunder field on high
you're chorusing all the songs of grave
the grave of mind in the cave of life
and then it come over

and you are changing the name of silence

....

life is up in the darkest blue
and how you brake yourself into some colors of your life
once more you let me down
and see, see what I've become indeed
you cross the wall
then see what I've been through

...

There comes waves into the night
then they're gone into shade of life
and I am Loosing binocular

I am Loosing Binocular
Nigel Morgan May 2014
Turbulence

As he sat watching the shadows
flicker across the beige carpet
the morning air explored
the room, caressed his unsocked feet.
She appeared, briefly:
to walk to the window
to be reminded of the view.
Turning purposefully,
she sent him a wave of turbulence
out of the folds of her long
patterned-blue skirt.


Wild Swim

Evening,
but not yet dark in the Slad Valley.
Beyond the village they left the road,
and down, down a woodland way walked
into a gentle polyphony of birdsong
that is the evening chorus;
a more considered singing,
an equal music and exchange of song
far from the wild chorusing at dawn.

High above, the delicate traceries
of ash leaves;
at their feet, the chocolate-brown fall
of beech flowers.

His hand sheltered her fingers
lightly placed into his folded palm,
but ready to unslip: to observe, to touch
to wonder at the trackside vegetation.

Down, and further down into the valley,
the setting sun illuminating golden
corridors between the tall trees,
they came upon a presence of water
in the air and before the water seen;
a lake, a rhomboid reflection of sky
and still, sun-stricken pines.

Feeling his body wish the caress
of its earth-coloured water
he walked the lake’s line
gazing down into the opaque stillness
seeking to judge its depth.

He might swim; he would swim;
he would feel the water
kiss his body, his feet discover
a hidden floor of mud,
of stones, of vegetation.
Yes, he would lower his naked self
into that cool texture of fresh,
untroubled water.

He undressed before her,
placing his glasses into her care,
each garment into her arms.
Removing his sandals he stepped
into the water until its cloudy surface
covered his thighs, his ***.
He lowered his body and swam,
a few strokes at a time, stopping
then to test the depth,
for his feet to feel the tangled
floor of the underlake.

He turned,
and still in his depth walked back:
to see her standing bemused on the bank.
Out, and in the evening air, he stroked
his hands over naked flanks,
stomach, arms and ****,
brushing the wet away from his body
until a sense of being dry prevailed.

It had not been cold, he thought;
it had been gently invigorating.
A full freshness enveloped his body.
It would stay this passionate longing
he so often felt when alone in her presence,
and in the unconfining space
of the natural world she loved.
It remained with him until hours later
when, regaining the presence of his body
as it stretched itself in their generous bed,
he slept, dreaming of water’s kiss and touch.


Newark Park*

Turning into the drive
a lake of  buttercups
floated in the blue morning
on islands of grass green
between parkland trees
where peacocks called.

Entering the shallow house
barely two rooms wide
light flooded and warmed
the cold stone flags
of this hunting lodge
saved from ruin
by an itinerant American
who searching on a motorbike
for a manored home found his domain
high on the brink of a limestone
escarpment. With a view to die for,
most certainly to live for,
he was captured, captivated
and later confirmed
to all its Englishness,
its history, and despite
its cold, cold comforts.

Most certainly a man’s abode,
long-ago ladies but not wives
would gather for a grandstand view  
from behind its rooftop balustrades,
there to observe the hunting
in the forest far below
and then to entertain,
be entertained
far away from prying eyes
and wagging tongues.

— The End —