If she’s broken,
Fix her.
If she’s difficult,
Chase her.
If she’s lonely,
Comfort her.
If she’s cold,
Warm her.
If she’s sweet,
Taste her.
If she’s lost,
Guide her.
If she’s insecure,
Flatter her.
If she’s distant,
Reach her.
If she’s unreachable,
Call her.
If she’s harsh,
Forgive her.
If she leaves,
Miss her.
If not miss her,
Forget her.
If not forget her,
You loved her.  

But despite her destruction,
Never,
Under any circumstances,
Hate her.

Love her,
And let her free,
From your idea of,
Her.

A king will be a king,
His queen must be a shill.
Dare she were to disobey,
Stick her head in a guillotine.
The modern world seems so classical,
An era of error on repeat,
As if a broken record,
So to speak.

Her hair a factory of honey,
Glistening eyes of a little girl,
A figure of motherhood in need of a mother.
Why, she was just a baby,
Right from wrong?
She could not tell,
He wanted her,
He got her,
And they all danced to his tune.

She worshipped her king,
Loving him tenderly as —
The king worshipped himself,
Taking care of business.
An entire world heard him speak,
Yet never saw her.

Enslaved in a kingdom of grace,
While she was up,
He was down.
His majesty ruled rocking,
Molded his maiden,
And left her but to wonder,
Simply of his whereabouts.
The throne,
Lonely without her king.

A flawless woman feared flawed,
Merely a mirror of his honor.
A man of many mistresses,
Ravaged for *******.
Who was she?
She could not say,
A lover or a friend?
A mother or a gem?
In time past due,
She could not stay.

The goddess vacated his palace,
Long left to showcase his gold,
But even those walls reek of plastic,
Hindered by a painting left unseen.
They did not know him,
Neither did he,
Only did she,
And she is forced to eat,
At the dime of his memory.

She’s gonna sing?
I’ll dance.
**** — what a lovely little voice,
Caressing my spirit and shattering my ego.
Her ambiance brings forth the notion,
That one person can be deemed flawless.

Perfectly imperfect,
What a melodic little spirit.
She sings, I dance.
I listen to her words tenderizing my ear drums.
A fool blabbing love that remains unspoken,
When she rips apart all that is entwines me.

I’m a mere note in her tune,
Her concerto of loneliness and dread.
She rehearses too much,
Calculating each vibrato to the tee,
Anticipating a sore throat,
When I’m the only one in the crowd,
And I don’t mind.
I have lozenges.

All I want is to hear her sing,
And for her to watch me dance,
And cheer me on with her lovely voice,
As I sit in my skivvies, front row, center stage,
Like a buffoon with a lack of rhythm in me.

She better keep on singing.
The key may change,
But notes stay the same,
And I’ll be there to back her vocals,
With my frugal, five-dollar guitar.

I’ll always dance to her tune,
I hope she’ll always sing for me.
When she sings,
I ******* dance,
And I pray that she’ll give me an encore.

Sooner or later,
I need to learn how to dance,
A voice like hers can’t go to waste.
A genius composer,
I can never oppose her,
The sound of her music livens me.

She sings,
I dance,
She belts,
I prance,
She laments,
I advance,
To savor,
Our incestuous romance.

Filmmaking should be an art form, not merely a business.

The creative process should be personal, not impersonal.

Filmmaking should be sentimental, not political.

Performances should be natural, not robotic. They should be authentic, not artificial.

Writing should be truthful, not bogus.

Cinematography should be ambitious, not pretentious.

Premieres should be on a big screen, not a flat screen.

The audience should open up their preferences, not solidify them. They should respect traditions, not belittle them.

Profit should be a reward for hard work, not a motive for it.

Filmmaking should be intoxicating, not grueling.

Credit should be a right, not a luxury.

Ownership should be divided, not bombarded.

Final cuts should be final, not temporary.

The industry should be welcoming, not selective. It should be open, not gated.

Investors should require trust, not demand control.

We should treasure movies, not forget them over time.

Artists should be publicized, not exploited. They should be grateful, not prissy.

Celluloid should be valued, not endangered.

Equipment should last, not outdate within a year.

In a country full of opportunities, why is it so difficult to achieve what you want? Better yet, if you work hard enough, why could you still fail?

Roses are red.

Violets are blue.

No, I’m pretty sure Violets are violet.

That poem is a lie.

Just like my love for you.

I fear that I’ll lose you,
Even though I want you gone.

I want you to stay,
Yet I often contemplate running away.

Does that make me... inhumane?

Have you driven me insane?
Or is that my head talking?
You’re the one who got me walking,
Now, here I am doing all of this balking.

We’re facing a scare, scarier than painless death.
We’re facing your suffering, promoting your very last breath.

I want you to leave me be,
But not to die prematurely.
Please don’t leave me,
I’m too young to bury,
The one thing that created me.

What do people see,
What do people see,
When they see me,
What do they see?

Am I absolutely,
Positively,
Worthy,
Of glory?
Am I smart,
Bright,
Sweet,
And funny?

Am I big,
Round,
Short,
Or tall?
Do I push them away,
Or attract them all?

Do I make them smile,
Or appear to be small?
Do they even notice me,
Just a small amount at all?

Week days come,
Weekends go,
I’ll never be as perfect as I hoped so,
‘Cuz I assume they see greed,
When looking at me,
When all they see,
Is what’s outside of me.