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Rebecca Gismondi Sep 2015
you almost drowned that day, as we drank

in the sun by the coast. I mistook your flailing

arms for ones of praise, for the ocean smelt like safety.
I was selfishly tempting the rays to coat

me with a new skin, while she braided her salted hair and
you inhaled mouthfuls of souls lost at sea. When rescued,
all you said was:

“What a day.” And yes, the sand absorbed with ease between our toes
and the waves’ tantrum ended –
but it was the day. We became women who had to put on sunscreen

and eat three full meals and
lie in bed for a day after heartbreak.
My skin was coated with rules and reminders
and her hair was braided with questions
and your lungs inhaled fear.
We were different.
based on the painting "Les baigneuses" by Pablo Picasso
Rebecca Gismondi Sep 2015
based on the painting “Prince Pig and The Second Sister” by Paula Rego

my hooves meant nothing

to her. She sat in my lap and stroked my chest
as if she was the

prince. It took everything in her power to reassure me
that I wouldn’t be slaughtered in the morning, but she looked
past me – an empty

gaze. Come dinnertime tomorrow I would sit on a platter and
she would feed off of me with an apple stuffed in my mouth
and a knife in

my shoulder. On some level, I cannot blame her – her hair is
caught between my hooves when we make love, and my grunting
keeps her up at night. She is worthy of soft fur

and slender fingers. I am desired, but only until I am fat enough to eat.
Her legs tighten on my hips but she is cold, like the chamber where
my blood will drain.
Rebecca Gismondi Sep 2015
I. Café
the waiter has the kindest eyes
when he goes home after his shift he probably finds coffee beans tucked into his pockets
the whirring of the machine doesn't faze him as it did when he first started
he has become accustomed to the grooves of wood and the abstract art above the bar
he glances at the clock every hour on the hour, counting down the minutes until he is released
catching a glimpse of his face in the mirror is a reminder he exists
every time I see myself in it, my eyes disappear from reflection
I wish I spoke Portuguese – these tourists behind me make me embarrassed to be English:
man, loudly: She wants ORANGE JUICE!
waiter nods – such patience
for a moment I think of what it would be like to go downstairs to the restaurant
past the mahogany wood and chessboard floor
and **** on one of the tables
the next patrons would have no idea they were eating off of passion and stunted breath
“Enjoy: homesickness tossed with overwhelming contentment and a dressing of lust.”
I could drink every bottle of Campari, Bacardi and Jameson lining the wall and I still wouldn't have the courage to tell him how kind I think his eyes are
I really want him to drape me over the golden chandelier so I can be reminded of what it feels like to have an all-seeing eye
he has such routine with the way he places sugar packets on plates and lays them down for sleep-deprived and cranky patrons
maybe I should've ordered something
we should have an object at each corner of the octagon table – a spell, a hex
I need to be fed pastries to continue breathing
I would like for him to walk me home
it's just around the corner and I know its name and number are marked on the street but I have a terrible sense of direction
one false turn and I may end up in the water
and I won't ever see the waiter’s kind eyes again.

II. Ruins
if you held me the way you held that camera I'd melt into an exalted sigh
you told me you only take pictures of things you love but you never took any of me
I mean, I know the height and decomposition of this building is breathtaking but I could give you some air if you kissed me by the rusted trellis
your orange sunglasses look ridiculous
I would rather drape you in a cloak, like the Statue of St. John Nepomucene
two bells, like us, drone
as you speak, the sound of the Chinese couple is louder:
“We should go into this room… filled with artefacts…”
“No, here, let's stay…”
******* for saying you're leaving.
I have the urge to pound you with one of those rocks on a ledge so you are trapped here
“Can you imagine this place filled with people?”
you wouldn't belong anyway
you have no affinity for red tiles scattered amongst grey
or the all-encompassing silence of the venue
there is a concrete slab on the left where I could lay you down and take off those glasses
and pour myself into you
so you would take pictures of me
so you wouldn't move to New York
I can't fathom people filling this place
because it should really house two souls instead.

III. Mirador
the number on the floor by the fountain is the amount of times I've said no to you while standing out here
I'll tag another 0 on, just to be safe
the red roofs look like my skin after I've sat all day at the beach at Sperlonga
you almost drowned
your footsteps on the gravel are ominous and even when I look through the telescope I can't see you
I pick a point on the horizon – the blue cubist building; the odd one out – and stare blankly
that guitarist playing “Oh Darling” reminds me of the first time you called me that and I want to smash it so violently
I find myself staring at the trio of scruffy young bearded men instead of you
“What are you saying?! It was at least this big…” one of them says.
he looks like you but the you before you moved to New York
you lean on the upside down heart iron fence and say for the 15th time that you still love me
I'm pushing you over the fence now onto the path below
the garden will still look lovely after you fall
instead I pick another building – pink with white windows and a black roof – and stare
it blinks its eyes and speaks: “Leave.”
you're in the middle of saying how much you loved the fish last night and I break:
“I'm gone.”
Rebecca Gismondi Sep 2015
based on the painting “Loving Bewick” by Paula Rego

He would feed me sardines perched above me
every night before we ****** in the big white lighthouse

I never bled more than I did that summer;
his beak digging into my back as I pulled handfuls

of feathers – but I loved the thrashing of his wings
and the uneven wood beneath my arched back.
He covered me when

we finished and I could smell the oceans he had swam
over on his neck. In the morning, he would open his gull and I

climbed inside as he flew me back to the city.
He would never let me sit atop his back to see
the flush of green or the meeting of mountains. Only inside

his mouth did I belong. I wished more than anything to be
a sardine – to be dangled above others, to have their adoration
proved to me before I slid between their teeth forever.
Rebecca Gismondi Aug 2015
we ran out of gas as we pulled
into the marina
and I thought
“how lucky it was
we weren’t stuck at sea”
it mimicked the moment
you called and said
“I didn’t feel how
I was supposed to.”

the dog was stepping on my toes
on board
and
the bare-chested captain
bounced me out of my seat
going parallel along the waves
the salt air kept catching
in my throat
it felt like your hand
was still clasped around it

I am at ease knowing
that sardines don’t swim
in these waters
I wonder if your fish pillow
swims sentinel –
no school surrounding –
watches you scroll past
pictures of my naked figure
with newly acquired tan lines

I am shallow water:
feel comforted knowing
you can wade in up to your knees
and not get in
too deep.
Rebecca Gismondi May 2015
I.
I think you would look brighter with a fresh coat of paint –
a pale blue would suit
your face looks red,
like someone described to you
how you looked in your skimpiest underwear,
like he used to say how much he loved
pushing down on your hips,
melting you into your aqua sheets

II.
the cherry blossoms look promising this time of year
I feel a longing to chop them down
and press them into all the books I own
I promise you that I will comb my hair 100 times in return
I will iron out the stretch marks on my skin –
I won’t pull at it, I promise!
stay vibrant

III.
in the middle of the night,
while I am surrounded by strangers,
home will call and exclaim:
I made fresh scones
and the smell followed me all the way to the top of the tower!
and
I finally took two steps
towards the German shepherd
that terrorizes me on the way
to Christie Pits!
and
he told me my eyes were like
the blue of his favourite childhood jean jacket –
he told me I felt like home.

IV.
my two brothers might have long, swaying limbs when I touch down
mom’s arms might wrap three times around me
she will say,
“I love your peonies growing the length of your spine”
and water them as I lie on my stomach
dad will have feet made of concrete
but his body will still be like palm leaves
I will have to laugh at my own jokes
and ice my own bruised knees
for a while

V.
above all, I wish for the following:
sturdy legs that don’t give out after I’ve walked the length of a strange station
searching for a runaway train
a glimmer from the sweet Parisian rain and the blissful Spanish sun
a new set of lenses with broad castles and rough cliffs and extensive oceans
a jar full of foreign voices, bright smiles, truths
and the fullest heart –
I hope to find me.
Rebecca Gismondi Mar 2015
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SoHo seems nice this time
of year; although I am terrified of going
anywhere near a city that holds you in its hands and above me, too high
to me, you are New York. but when I walk down Central Park West my shadow clings to my shins
you scrape my skin with your breath and I feel hot July air that is trapped between your buildings – these subways are too stifling
I will let you lift up my skirt like he did, but only because I know that it’ll rain heavily the Chelsea Pier after.

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Churchill
I think my eyes are permanently squinted; agonizing over the shape of your eyes and how they
relate to mine – even in the light you’re missing pieces, your rocks are crumbling away, you are sand – your grains hold words –
unmentionable, special, temptress, miss, you, nothing, work, in my dreams, diffuse, instantly, affection, with, you, stuck, darling, attention, far, vivid, feather, waking, wasted, sweet dreams, worth, wish, awake
I always feel my conscious wrap her delicate hands firmly around my throat and pour salt water into my eyes when you are in front of a screen, in front of me – I think maybe I should cut pieces of me
could I mail them to New York? to SoHo? you can curl up with them in bed and try to find the grooves where you fit in, or just fry me on the grill. Ideally, you should consume me so that I may never leave. only if –

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I’ve been pinching and piercing my skin to prevent me from crying more often than
I sleep. I know it’s morbid and dramatic but being slaughtered by tears is not how I want
to spend my Saturday night. I’d rather see Basquiat on a wall or short films screened while I watch you instead. I would walk until my legs gave out and
trace one single finger along your spine. And here I am, grasping my skin between my fingers and pinching, squeezing you out – I can just scrape the excess off after you’re gone
tomorrow I plan on eating as many seeds as I can to grow flowers in my throat and have them sprout past my eyes so all I see are petals. They’ve been missing for a while. The weeds still cover
my stomach. If only when I thought of you I thought of flowers. Most of the time I see a hand reaching through the thickest fog. As I reach for you, all I hear are 35 words that cover me.
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