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  Jun 2023 Mark Upright
Nat Lipstadt
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Rossella Di Paolo

Rossella Di Paolo was born in Lima, Peru in 1960. She studied literature at the Pontifical Catholic University of Peru. She made her first publications in the student literary magazine Calandria, and worked as a journalist for several years for the alternative current affairs magazine La Tortuga. Her books include Prueba de Galera (1985 and 2017), Continuidad de Los Cuadros (1988 and 2018), Raised skin (1993 and 2019), Tablets of San Lázaro (2001 and 2020), and The chair in the sea (2016), which received the Lights of the Readers Award for the El Comercio Best Book of Poetry of 2016. In 2020, she won the Casa de la Literatura Peruana Prize and was distinguished as a Personalidad Meritoria de la Cultura (Admirable Cultural Personality) by the Peruvian Ministry of Culture.

She is a university professor and directs poetry workshops. Her poems have appeared in anthologies of Peruvian and Latin American poetry. She takes part in exhibitions of poetry, painting, and photography, and edits multidisciplinary editions of poetry.
Mark Upright Jun 2020
my father had a
sense of humor,
and high hopes
for his first born son.

almost named me
Short ‘n Sweet,
cause that is how
most like life.

thot about calling me,
*******,
cause that is what
most deserve to be told.

but he didn’t want
no blowback, so he he
stuck me with this name,
Mark Upright.

all I gotta say is this
and it’s short & sweet:

Dad, take note,

*******,

my *******,

for you, see it,

marked upright.
Mark Upright Dec 2019
she confounds me with sweet raisins and nuts, accolades oh so
high the caloric content....

”Yours [poetry], is subtle,
that seek to grasp, hide and peek,
strong/weak/out-front/meek.
It charms like a snake a wake of ideas,
with innuendo, yet it's sublime,
a bell that chimes, a walk in hell,
a credo a charm, two-arms to keep one warm”

~
**** your praise, cursed encouragement,
leave me well enough to my audience of
the occasional stumbled on, the accidental tourists,
the who few nick my cheek when they randomly seek
a few minutes aside, an at-last-last-chance peek,
giving us both, the reader and criminal, pause,

the pause of
‘who wrote this?’
and it’s innate counter-mate of wonder,
when to my attention brought,
‘did I write this?’

**** praise, poisonous snakes only need apply,
the wake of my ship so quickly dissipates
upon the unmapped, unending Sea of New Poets,
where the 99% just drown the first time round,
and the remaining survivors  glory in fame so fleeting,
‘twere not for the unburied of the internet, their zombies
would too be shipwrecked, ungiving, undead...

a credo? not I.

a credo requires preaching, acolytes according a poet succored reams
of accusative praise, all such leads to ******* up to the egoland
where failures reside alone gleeful pride, and goes to die on bouquets
faded from by over caressing their petals, to floor dropped, in silent admiration, the imagined bells of hell ringing only in the ears
of the delusional deluded

my maturity existential, let it be forgotten, troubling no one,
a new audience of one, owning tickets of broken mirrored pieces,
my layers peeled back, this imagery unrecognized, not I, not I,
for fainted be, the poison of pride denied, for my writings writ
by an accursed one, long since buried in the faint ashes of
lost glorious forgotteness
~
but humbled nonetheless and it is the finale,
“two arms to keep one warm,”
with an elixir of words ear whispered,
**** you know my weakness, and now
my bravado erased by your single touch prophesied

~for Bill T. Jones~

two poets, laureates both,
on the nature of hunger, they discourse,
in temple, where sacrificing is to living arts

I was there, hungry in every aspect,
seeking wisdom of the hungering nature of human.

examine the word, hunger,
hardly a rolling off the tongue mellifluous.
you growl it from the gut, in gowned resplendent ugliness,
go ahead, try it, it’s coarse and powerful insistent.

awoken empty but for the hunger, hungover from
dancing words and imagery not mine, now mine,
maddeningly demanding my dutiful attentions,
as if hunger was the master, me, obedient pupil.

the clean white slate the IPad re-presents repeatedly,
insulted that I have yet to crayon color it with the coherence
of hunger-exhaled words, dismissive that I am but an also-ran,
my village of lexical too unsophisticated,
the page addressed yet unplanned,
Apple white
is the color of the
starving artist.
for Lori, Riley and Kendrick

the questioning words jump off the page,
into two hands transforming,
words shape shifting into
multicolored ink stained fingers,
now, all a chokehold on my brain,
my throaty gasps rasping from
a simplistic convolution -
single questioning deserving an answer

what are you made of?

the obvious answers left in the slow lane,
bone, tissue, rivers and arteries of blue bloods,
just oil and fuel of a containership,
but the cargo carried, that’s the real stuff

you have insight inside that cannot be seen,
self-survival instincts that morph into morals,
our shared air affects you differently,
a sense of defending, caring,
costless  and costliest simultaneously,
spaghetti strands strong sinewed intertwining,
into a better human than most

to call you hero is wrongly insufficient,
but the thesaurus lends me no substitute,
weep, I do,
as the spring and summer blushing green
will not be seen by you at all, and by me,
seen now so differently,
when thinking of
soil-born courage instinctual that has no name,
but grows only in nature

what are you made of?

we know now, but knew not well,
that thing that makes you leap first,
was all you, the entirety of the best,
that exists, existed, as reminders to us,
to mine it, wear it,
medal it upon our fabric

you three,
breathe it back, exhale it from where ever you are,
that trace chemical odor in our atmosphere,
of life-giving sweetness, a rebirthing chlorophyll freedom
that we humans all desperately need,
even just to know it exists,
and inform us


what we need to be made of
——
“As shots fired inside a synagogue outside San Diego last month, Lori Gilbert-Kaye, 60, put herself in between the shooter and the rabbi and died as a result.
Riley Howell, 21, charged a gunman who burst last week into a University of North Carolina-Charlotte lecture room carrying a pistol. He too lost his life to save others.
And Tuesday inside a STEM school in Denver, Kendrick Castillo, 18, lunged at a fellow student who had pulled a gun in class, giving his classmates time to take cover. He was the lone student killed in the attack.”
Mark Upright Apr 2019
your admirers are unlimited by geography or name,
but only by unlimited limits of imagination*

~~~
~for Albert’s wife~
~~~

the tattoos on my body, a complete list
of my 7 names^ stolen/shared with a heavenly human,
the ******* pretending he/it got no skin in the game

but that is a poem for another time...

you thank me for being a “follower”

unnecessary for your admirers are unlimited
by geography or name,
only by imagination,
a yet to b found,
unfound Cern particle

whatever name you/I choose,
what we/me love about your poems,
flora, fauna, the human cuppa,
the patient touching,
is that you write what your eyes feel,
yet, it is I doing the seeing

for that
follow you kicking and screaming,
happil
your /us
babe in arms



~~~
wed-nes-day Avril 2019

^https://en.m.wikipedia.org/wiki/Names_of_God_in_Judaism
  Apr 2019 Mark Upright
onlylovepoetry
first I smell myself.

the deep bass tonality of my musk,
hot, creamy, sweetness unique, of coffee and creamy,
my owned sweat oiled secretions massaged into her skin
emplaced by vigorous parts rubbing and tongue caressing,
under the fading shadows of my glancing, desirous admirings


then I smell herself.

sinking sunset glimpses of last nights parfume parfait,
scattered in random strategic locations architecturally planned,
some flavors come over me like modest waves,
others spelunking found in crevices, cracks and caves,
where humans tread in guileless search of guiltless pleasure

then I smell our sharings.

lemon and thyme, paprika, sea salt and pepper,
a basted rub laid upon animal skin consuming, and consumed,
the vinaigrette balsamic and California yellow raisins, pine nuts,
decorating leaves of red soil spinach and spicy arugula,
word salads, so miraculously ingenious, you swear off eating flesh

then I smell our combinations.

the air conditioned atmosphere that blends us properly chilled,
the olive oils pressed from two colored differing skins,
the mortal and pestle finely grinding our own fresh crumbled dirt,
appearing in places where dirt is wet panko crumbs encrusting us,
our combined liquidity, shaken and stirred, drying in martini tandem

it is 8:17am and this recipe of reciprocity,
at its most pungent peaking,
for soon raining waterfalls of potable city water
and the sophistry of French soap,
the pseudoscience of modern chemical shampoo,
together erasing, scrubbing away this poems aromatherapy tapestry,
your perplexed complexing nostrils will mock you once more,
for ever disbelieving, thinking you could no longer write of
only love poetry that crested high above the trite


Friday, March 29 2019
Aroma olp musk balsamic paprika sea salt ***** martini olp
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