People and actions are philosophies personified.

“Will you please leave the light on?”
Said the young Boy to his Dad.
“I’m kinda scared at night time, but
I hope that you’re not mad ‘cuz when
I am grown up big like you, I won’t be afraid no more
Then you can turn the light off and even shut the door.”

“It’s not the dark that scares me.”
Said the Father to his Son.
“It’s the early hours of morning
When the light has just begun
To creep in through the window,
Push the darkness from the room and
Sweep away the shadows like an
Illuminating broom.”

“So why’s the morning scare you, Dad?”
“I really like the day.  I get dressed and Mom makes breakfast,
I get to watch TV and play.
Sometimes we go out shopping and buy groceries and stuff,
She might buy me an ice cream cone – if I’m good enough.”

The Father laughed, sat on the bed, and held his small Son’s hand.
“I wish I could explain it, Son, in a way you’d understand.
At night the dark can hide the truth, I dream and make big plans.
Then morning brings reality to my castles built in sand.
While you and Mom have breakfast, I have to go to work.
I have RE-SPON-SI-BIL’-ITY and duties I can’t shirk.
People there DEPEND-ON-ME.  I don’t want to LET-THEM-DOWN.”
Dad suddenly stopped talking when he saw his young Boy frown.

“It sounds like you don’t like your work.”
“You should stay home with Mom and me!
Then you can help make breakfast, and it’ll be us three.
We’ll have a really good time - you won’t be afraid of day.
We’ll help Mom do the dishes, then we’ll go out and play.
Maybe you can pitch some ***** and I can learn to bat?
‘Cuz please don’t tell her, but you know - Mom isn’t good at that.
But she can go out shopping, and we’ll stay home alone,
And, DAD, if you are REALLY good, I’ll make YOU an ice cream cone!”

Dad leaned over, kissed his Son, and said, “I think I might.”
“You said some things that I forgot, and I think you got it right.
I know you and Mom DEPEND-ON-ME, and
I have RE-SPON-SI-BIL’-ITY
To help her make the breakfast and to help you learn to bat,
And maybe I’m afraid of day ‘cuz I’ve been forgetting that.
So tonight I’ll leave my light on
And I’ll leave your light on, too.
And tomorrow morning, when it’s light, I’ll stay home with you!
PwL 1990 to 2015

^¡^

/\^/\/\^^/\^^/\/\


like a wraith your smoke doth rise
into sulphur yellow skies
a fiery raptor... awesome sized
where the sultry brimstone lies.

from the ash... so grey and dry
erupting with a piercing cry
as volcanoes steam and sigh
dancing on the sparks you fly!

the devil mounts your back to ride
over molten rivers wide
his golden spurs dig in your side
on the thermals... up you glide!

then you turn and make a dive
into the flames
where you may thrive
born of fire you survive
you were dead...

but now ALIVE!!!


soulsurvivor
(c) 2014
rewritten
(c) 3-17-2015

"To dismiss as 'Dark' is to eclipse what complementary Light?"

I am the first page of a well-loved novel,
But often the first one ignored,
Dog-eared and transparent at the corners
From the touch of one too many hands
And witness to the enterprising twist of a smile
As my readers are privileged to only pieces of me.

You, like the binding that surrounds me,
Enclose and encircle all that I am. Write a novel
Under my skin. I’ve falsified too many smiles,
Sacrificed even the best of myself for ignorant
Delusions of caressing hands
That take and abuse my corners.

The used bookstore on the corner
Of Middlebury Marbleworks, Otter Creek and window-origami —
My salvation and river-penance. Seek my story with hands
That feel to comprehend, with novel
Softness and a tenderness that ignores
My pleading glances and indecisive smiles

As you speak in hush-whispers. Smile
With your eyes as you touch my spine — corner
Me at the exit. I want you to ignore
Faults, make peace with flaws that inhabit me
Like poetry misplaced within a novel,
Or willow branches falling too low, tired hands.

I memorized the shape of your hands
The first time we danced to Chaplin’s “Smile,”
And wrote on the broadness of your shoulders a novel
Of my sins, apologies stretching to your corners
In villanelles — repeating refrains. It took all of me
To tell you what I could no longer ignore.

Because once you start to ignore
Conflictions that exist in the nerve-endings of your hands,
What you feel becomes a burden. For me,
Sand ran out of the hourglass when our smiles
Stopped touching — and at the corner
Of Maple Street and Printer’s Alley, I said goodbye, our novelty

Gone. Still, I find it hard to ignore what used to be when you smile
As you look at her, your hands on her back in the corner
Of the room. You remain my unfinished novel.

Shooting Star
Queen of Heaven
Hail Mary
Full of Grace

Oh Goddess immortal
Isis incarnate
High Priestess
Fallen Angel

Bring us your light
Let it shine bright
Into out hearts
Clean away the dark nights

Lift us up to heaven above
Transmute the pain
Into love

Oh Mother God
show us how to live
Empower us with your grace
bless us

That a lover,
(Poets, prepare,)

Might reply to your
Heart's semantic blood,

As
Such:

Stop using the word
"Love" in your poems.

Just say what you
Mean.

Just say what you really
*..."mean.

What you mean.
When you

Write
"Love.""