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 Sep 2015 Amey Rajeshirke
K F
Aimlessly through cornfields flying
        quietly and simply listening,
to conversations
to music that's not mine
to laughing and memories being made.

Going no where but not minding.
Numbers fade from importance
         and the dials behind the wheel don't matter.

Only the dirt, the road, the growing dark,
        no destination,
        no worries about going back.
Changing sky, and the people you just met
        but are certain you can't forget.
 Sep 2015 Amey Rajeshirke
Grizzo
Crystal White Pearl paint,
red racing stripes,
MX-5 traced
on the side

Lightweight aluminum
alloy, seventeen inch
wheels wrapped in
205/45 summer
performance tires,

Limited-
Slip Differential,
rear wheel drive,

Six-speed manual
transmission, weighted
shift ****, perfectly
palm-sized

Black sport clutch
bucket seats, seamed
racing red stitching, a clutch
worked with a snap
of the heel, a flick
of the wrist.

Crystal White dash panel,
red racing stripe
MX-5 traced lines
match the stripes outside.

Piano Black
mirrors match
bucket seats
and the cloth
soft top

unfolds on summer days,
spring nights, fall
mornings.

Heaven/
Nirvana/
Happiness

found
now
with a snap of the heel
& flick of the wrist.
NaPoWriMo #11 - Descriptive poem

Love driving my car.
Sit with me, dear friend
One more time, before I go
Let's pretend this night won't end
And we never have to go home
Nothing matters when the moon is out
In sweats or tatters you're entrancing
Whether in bed or out and about
This view makes me feel like dancing
You've never been more beautiful
Standing underneath the moon
Whether a crescent or half-full
Whether it be to an awful tune
We will share this death
Unrest with subtle detection
Further collapse
A lighter consumption
Agony prone
Shutters open to relax veins
Focus with a decayed world
You're still learning to stand
Remembering the end
Passing twisted resonance
Bottled winter
Half-bruised with buried innocence
You want to be known
not all earthquakes
leave you shaken;
yet show you
-you had been standing still all your life.


(you were my earth quake,you shook life into me,and for that,i thank you. )
 Sep 2015 Amey Rajeshirke
Helen
Heaven sent
Tamed by Earth
So many things
She hasn’t learnt
Her angel thoughts
Hidden by disguise
Her angel wings
Hidden from his eyes
Her halo has slipped
Trying to live the dream
But all is reality
Or so it seems
It appears there is a reason
To hold on, to pray
That even knowing now
There won’t be another day
He knows that Heaven sends
And Heaven takes
He’ll hold onto all
Until his grip breaks
It’s too late for him now
What is there is not sane
A shell of a man
Nothing left to remain
He understands she’s not real
But he’s ready to take a bow
As he touches his lips to hers
His thoughts are
**** me now
He’s tasted heaven
And his heart sings
He’d rather be buried by earth
Than let his angel loose her wings

01/08/2010
Heaven Sends and Heaven Takes is from a song by The Killers titled **** Me Now
By Arcassin Burnham

Midnight,
I realize that sometimes I fall deep asleep
But I woke up when I heard the sound of your
Voice,
Dreaming for Christmas lights in the night
To hang in my room and cover my mind and
My rage and my thoughts from the truth,
I guess I had no choice,
Keeping a lot of things from you weren't my
Intentions at all , making you feel like this
And like that,
And blowing up at you like....like......I was such a
Fool to treat you that way , I had to face the fact,
That I was in love,

Midnight,
I Can't find and mend a broken shard of time to let go
This space between us and its hard for you too,
I should have never said what i said that left your
Thoughts about me alone , if hadn't knew you would
Have grown on me too,
It took two days for a friendship to perish, nothing
But your ashes and mine,
I'll be kind towards the fact that I'm use to that,
Hide my head with full of hate , in the dangerous
Land of landmines,
I just want you know that I've missed you since
I saw that one instagram picture , that same one
That made me remember you,
For generations, I'm straight and to the point with conversations,
Hoping that we get back our friend relations so I could be close to you.
Find out what it says , because the title is in Portuguese lol seriously!!!
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping—rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
        Only this and nothing more.”

Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
        Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
    This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping—tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door:—
      Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering,
  fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”
      Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping, somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
    ’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he: not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
    Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no
  craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
      Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
      With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
      Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore
    Of ‘Never—nevermore.’”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and
  door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
    Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
      She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath
  sent thee
Respite—respite aad nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!”
      Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
    Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
      Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked,
  upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
    Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
    Shall be lifted—nevermore!
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