Copycat, copycat.
Mimic all that I do,
Even though
you know
it's not good for you.

Copycat, copycat.
Do not be a fool.
You can fool
So many people.
But not me;
I will not drool
All over you.

Copycat, copycat.
Giveback my life.
No, I do not care if copying me is how you survive.
No, I hate you a lot... so goodbye.

Copycat, copycat.
I shouldn't call you so:
You're a *****, and I hope that you know.
I appoint you head ***** from now on.
Bam! Scram!
It's about time that you've gone.

I

The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

     II

The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.

With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.

     III

You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters,
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

     IV

His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.

Macavity’s a Mystery Cat: he’s called the Hidden Paw—
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime—Macavity’s not there!

Macavity, Macavity, there’s no on like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime—Macavity’s not there!
You may seek him in the basement, you may look up in the air—
But I tell you once and once again, Macavity’s not there!

Macavity’s a ginger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he’s half asleep, he’s always wide awake.

Macavity, Macavity, there’s no one like Macavity,
For he’s a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square—
But when a crime’s discovered, then Macavity’s not there!

He’s outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard’s.
And when the larder’s looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke’s been stifled,
Or the greenhouse glass is broken, and the trellis past repair—
Ay, there’s the wonder of the thing! Macavity’s not there!

And when the Foreign Office finds a Treaty’s gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scap of paper in the hall or on the stair—
But it’s useless of investigate—Macavity’s not there!
And when the loss has been disclosed, the Secret Service say:
“It must have been Macavity!”—but he’s a mile away.
You’ll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.

Macavity, Macavity, there’s no one like Macacity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare:
And whatever time the deed took place—MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime!

Night 1:
I spend my last, and hurting days
Attempting to erase your face,
And the memory of your last hug:
Fingers tugging on the lace
of my dress,
and the purple velvet of the blanket,
Covering both our skins,
Our vulnerability,
And passion.

Night 2:
I am trying to forget,
But you stained me like ashes from a cigarette
On the white fabric you used to wear.
Or still do... who knows?
You haunt me, but I come to trace your silhouette,
And ****, you’re gone again—
Maybe protected in the shadows.

Night 3:
Where are you today, my joy?
Where am I?
I hopelessly wander the empty, sandy dunes,
Watching the full infinite moons
Pass by.

Night 4:
I never thought I would be the one to leave you—
I always thought it would be the other way around.
I am truly lost...
The sandy dunes are, in fact, hills of beige frost,
And I am scared;
I am scarred.
You’re an irreplaceable piece of art,
And I’m too far from where you are.

Night 5:
My hands are shaken, and are bruised.
I am ashamed; I am confused.
Clearly, the only way to **** off a memory is through abuse.
I learned to take a pill—
It does claim to have my pain reduced!
And the velvet,
And the lace,
Are appearing to erase.
Then goes a smudge of colour;
Next, leaves a seraphic face...
What was the purpose of a greyish-blueish gaze?
Who knows?
Who am I?
Who are you?
Who is who?
  I am no one anymore;
  For there is no one to adore.