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lesson #1: in the beginning, all poems on Earth were formless

on blended knee, the approaching, humility, raging, barely  
tempered by a gale force need, the forthcoming yoga pose of compose

you have urgings, mostly in a blink of an eye,
then going, gone notions, the writing is so a losing effort,
you turn the paper’s aperture sideways hoping to get an
inside straight insight,
but the poem refuses to come, the creation ******
delayed is torturous and the poem birthing, even worse

so you revert to basics to give the formless a shape,
recalling  a child’s learning that in the beginning:

“the earth was formless and void,
darkness was over the surface of the deep,
and the Spirit of God was hovering
over the surface of the waters.…”

so you insert a single sheet of 20Lb bond paper,
sliding the typewriters carriage smooth swift  
over to the starting gate hell’s bell, typewriter machine smell erotically exciting creative fluids boiling,
typing, laughing out loud, forming entree to the hinted hallway
of a womb opening to a crafting with three words:

                               in the beginning
the instant, the instance, is that your body?

the clear cleansing storefront windows
ask for clarification.

is that your body, presently?
is that your body presentably?

just in that secular instant, again, over,
the body’s inquisition clarifies, asking,
requesting in a babel of foreign languages,

repeat after me!

each window pane that follows repeats the query,
the themes in each, tiny variations,
the variables of rhythm, timbre, harmony,
engine timing minute minutiae alterations,
in that passing milli-instant,
each a separate instance for each separate pane.

in every instance.   in every language.

the accusations tonality oscillates in wavelength pitch.
quest nonetheless similar,
     is that your body?

all the replies are mirrored reciprocal.
that was my past.
this my present.
the next, a future vision.

the here, the now, all of it, each a flashcard.

the insistence!

when your body falls finally upon
the sidewalks concrete filthy city Persian tapestry,
the shameful answer tastes always the same.


always the same.
may21
I slept with her, my rapacious pen, took me in quiet vengeance in
full on conjugation

raken and taken, me,
her overlording me now, her authorship, so long held
in my maledom abeyance,
a kept imprisonment, unleashing at last, a tongue lashing~leashing,
de-spite my un-desirous craven lying supplications,
excuses of innocence and accident, coincidence and conflation,
ashes, ashes, denials incinerated, all fall down

she wrote/stabbed upon my heartless chest,
in the cheap crudités colors of a prisoner’s inking,
“user of words mine, all mine”

gathered up my innards of loose words,
speculative notes & titles yet to be,
born and kept hid in password protected silent back labor files,
now hers, leaving me sputtering, unable to create,
a homeless mute citizen, possession-less,
helplessly hoping her hovering harlequin might relent,
without any shelter, even a glimmering, a single aleph or bet

she celebratory cackled and clawed,
professed her reclamation ownership of all my poems predecessors,
zola j’accusing that I, ripped from her forcibly,
with no granted permission, her womanly touché of my scribing,
warning of no more global warming for my unprivileged hands,
daren’t try for pretenses of stolen legal guardianship,
warning of a new, forced caining inscription,
a tattooing of  “thief” upon my 5 knuckled right ******,
“plagiarist” boldly inked in back & blue upon my left palm

I, predator,
she, victim,
of my now self-professed, admitted confess,
she, my single victim,
of a decade long serializing criminal coverup

her parting poem a threatening,
herein issued in this very verse,
damning all who would falsely credit themselves,
to suffer shame and an unimaginable curse,
this, the newborn eleventh of ten commandments

parting, she kissing my lips, even my emptied apertures,
with warning bitings,
she knew all my
my numerous noms de guerre,
no dead scrolls caves to hid in, and to be discovered some future day,
and if ever marked as copyrighted,
’twas no tunneling escape,
the exposed truth to be over-stamped
upon all, upon each, in every language,

copied right from the tongue of a woman!


and she would be wright...
complementary to
https://hellopoetry.com/poem/3155692/excerpt-my-muddled-woman-mind/
a tribute to all the women that have inspired so many of my poems

19/23/05
~for better days for the poet betterdays~

mournful tunes play silently, but still too often,
eyes wet but in corners kept, recurring then the
memories, keepsakes, letters, books, small trinkets,
not dusty, but dusky, resting on in-between ledge of a
mountain-sized twilight of well lit shadowy haziness,
edgy dark brilliance, a comprehensible contrast non-comprehendible

tunes that bless with equal measures of grief,
comforting, by memorable card flashes of good relief,
a dividing line, hazy and frequented crossed, a sort of path,
with no destination signaled, as if the path itself was an end,
to a meaning, a solution, with no clarity divined, a division
of sight and insight, providing an ill fitting reconciliation

mourning is electric, morning is electric,
letters, words bottled up in evaporating perfume bottles,
seeking the comfort of dissipation unto a larger atmosphere,
the scent in everything tangible, stronger still yet, in intangibles
that can erode but never ever fail to return instantly when voked,
by vision, odor, a particular child’s smile, line in a poem volunteered

recovered, uncovered, a post first writ to be written, discovered,
when time and place coincidentally breathe together, at last,
beckoning you to places where memory serves only as a pleasuring,
upright mind marker, decorated in chains perpetual reforging,
absent pain, gleaming dreamings full-replacing longings for pasts,
new verses composed, passing, a grand addition to a child’s legacy
loss can only be tempered, reforged, and ultimately used for our  own betterment when the heart commands, now write!
a man privately asks, can you help?
you say, sure-no-hesitation

let me think on it for a day or two, he says
yet you act even before he comes back,
too late, you say, when he returns,
too late, he repeats in puzzlement,
yup, my check is in the mail,
cause one senses the need is dire plus,
plus you well recall the immutable obligation when  
a vague commitment of “just ask” was inked in a long ago message,
a poem born from/in the days when you slept in the car on the street

this vague promissory,
a more enforceable judgement in your own court of law
than any state construct or the judgmental eyes of a silenced god

word, honor, do.

thus it begins, an unwritten contract inked,
an egregious interest rate of 0% proffered and agreed,
commences a plain white envelope trickle,
a check inside, by postal mail, slowly it came,
month by month, inch by inch, Niagara Falls ^

years go by, and then comes a day,
when the accompanying check and its gift wrapped note says,
Paid In Full!

and so much for the tedious minutiae...

like kindness, I do,
Thank You and Your Welcome
are high on my list of proofs of
daily human extensions existential,

Paid in Full,
now rests at the top of the list

let me be blunt, the thrill of being a party
to a deal with no handshake, just coated in the
honorable words waterproof sealant,
with a person I likely may never meet,
made me so better assured of whom many claim I am,  
a mathematical proof revered and kept mind inscribed,
it was an aspirational ****, an unforeseen monthly blunt,
the best feeling good smile,
a kick in the pants about what really matters

being paid twice over and me,
getting by far,
the humanity confirmation,
the better half of the deal

write too often of honor,
and yet, will instinctual do again,
again overpowering my rays of will,
for there is no deflection, only reflection

for the glorious riches gifted and received,
without compare
the return on my honorable investment the best ever


oh brotherhood, oh brotherhood,
I am paid in the currency coined from brotherhood...
^ from a Laurel and Hardy routine
yup, true story
"This above all: to thine ownself be true"
which denies the escape
of being false to any human.”
<>

There is power over what's in front,
what's behind, cannot be vouched for.

any one, anything that accost me, are
all taken at face value....just as they are,
disregarding love, or dislike,
or, what dwells deep within.

when not shrouded, i am most useful
some say i'm cruel
others think, i'm kindest
but, i am just being honest.
with the least of light, i try my best,
i earn praises...they come back, they need me
sometimes i am bathed with hatred
i end up in the attic...or given away,
just because the truth is unacceptable.

the area across is most times regular,
a man on his table...what hungs on his wall.
occasionally, it becomes spectacular,
countenances, joyful, or sorrowful
come to and fro...all sorts of accolades
a mix of emotions...each day, an array
of lively colors and moods......a parade
of varied appearances feed my view
it's not what i want...it's what i am given
any time of any day...any season.
whatever the reason
someone or something
stands  to face me.

when night is late, and in complete silence
that man by the table....ever writes on paper
and gets them all wet...with his falling tears,
he writes of volcanoes spewing fire, of rain pouring,
speaks to himself, then to me, of betrayal, promises
lost, of broken vows, and shattered expectations.
i am speechless, yet filled with his pain ....he is restive
til the wee hours of the morning....then i see light in
this visage, his face...giving an end to the dark
giving way to another day's noise,
......a facade.....

Sally

Copyright Rosalia Rosario A. Bayan
October 11, 2018
he introduces himself
saying quiet, but slipping in, firm:

“something he knows for sure,
no is no”

I, (19, f)

replying, smiling
saying louder, firmer:

“something she knows for sure,
yes is yes”

and he says

“yes, ma’am,”

returning her smile, so shyly,
while blushing, so loudly,
thinking he said something dumb,
looking down at his shuffling feet,
covered in worn out cowboy boots

I like this guy
I like this man.
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