PART II: A GLASS CEILING DRIPPING WITH BLOOD

Mohanad Younis, of Gaza City;
Where the sand is stained with blood
As the world feigns pity.
Broken families, unspoken tragedies –
The order of everyday life.
He was born amidst chaos and strife,
To a divorcing husband and wife.

If life were lived in peace,
This dissolution would’ve been a release.
Not much more, not much less –
A family’s lore, a decision to digress.
In war-ravaged land, however,
One needs every helping hand,
Especially a soul that was so clever.

Such a curious, voracious mind needed to understand;
A furious, rapacious search,
Unexplained conundrums to unravel and unwind.
Why do we exist?
Why do we fight and resist?
Is it worth living with all these scars on my wrists?
Does anybody outside Palestine care?
Will they keep on watching?
Or will they be unable to bear?

Of this and much more Mohanad must’ve thought,
As he sat at the Marna House Hotel,
Smoking cigarettes, freshly bought.
A student at al-Azhar, a mild-mannered pharmacist,
A prudent man who would have gotten far.
An admirer of Bassel al-Araj, another victim of oppression –
An inspirer, a brother who alleviated his depression.
Hunted down and killed by the IDF,
Another pacifist murdered for being an activist.

One figure of many who died;
One of those who did not want to hide.
Mohanad wasn’t a resistance fighter –
He felt that such persistence did not make their burdens lighter.
Instead, he wished to make his mind brighter,
And perhaps have family of his own.

He was in love, and wanted to get married,
But life was rough, and warranted a future far more harried.
The final twist of horror?
Having the intellect to apply for University,
And deserving the respect needed to obtain a reply,
Yet not being allowed to leave the city.
That is the news Mohanad had received,
Hopes and dreams suddenly deceived.
Denied a right to education
Because he was born on the wrong end of a cruel fabrication.
The glass ceiling, dripping with blood,
Swallowed his hopes whole like a flood.

‘Playing it cool’ – defined as follows:
Lacking visible emotion as a rule,
Trying to avoid looking like a fool.
In other words,
The pretension that your heart is merely an engine,
That it is clear you feel nought beneath your veneer.

Of all the people I meet hereinafter,
I shall ask only the following:
I am no lord or master,
No unduly glorified *******.
Thus, with that in mind,
I hope your true voice is mustered,
And it no longer becomes difficult to find.

Please, if you are around me,
Don’t play it cool –
If you need to, DO act the fool,
Do display your emotions, **** the rule.
Do not taint your soul with undue restraint,
Do not hide behind platitudes vast and wide.

Cry, be bitter, rage if you must!
Never say die,
Be a hard-hitter or become a sage one can trust –
Open up those clogged channels,
Feel it, as your soul unravels!
Cherish it, as an adventurer does his travels!
Only a fool would be slow enough to conceive
That the act of playing it cool is something I believe.

I want to apologise.
Broken relationships, I shall eulogise.
To those I know (or, knew);
Forgive my absence when you needed a warm caress and a hug,
But instead got frostbite, a torrent of snow or dew.

I am sorry for drawing a sword
When you were hoping for an olive branch;
I can be as thorny as an all-knowing lord.
I wish my heart was limitless,
And my kindness infinite –
I dream of love that is fearless,
And of joyousness completely exquisite.

Yet, that is not who I am –
I can be a calm ocean or a tempest,
A total commotion, or peacefully at rest.
I can be enigmatic and reserved,
Or, I can be charismatic, if the mood is reversed.
We are not good or bad;
We can be lewd and strikingly mad,
Or cunningly shrewd, or maybe sad.

We are the yin and the yang;
We all tend to sin, to our demons we hang.
We are objects of pure fascination,
In constant fluctuation,
A recalcitrant reconciliation.
So, I will say it one more time –
Look into my eyes, see through my guise.
I apologise to those who had no shoulder to cry on
And sought mine, when I was not there.
I hope you’re fine, and that someone showered you with care.

Is-solitudni hija inkredibbli.
Il-pinna tirtogħod jien u nikteb,
Estensjoni tat-taħwid ta’ ġismi.
Inħossni qisni forti imwaqqa’, inaċċessibli.
Xi kultant, nitħajjar nitfa ruħi għall-irkant;
Nagħmel patt ma’ xi dB jew xi Gasan,
Jew inkella, mal-mexxej, l-aqwa negozjant.

Mhux xorta?
X’fiha billi nilqgħu il-partit f’darna?
X’jimporta?
Mhux l-aqwa li mmorru l-fosos bi ħġarna?

Iżda, mhux dak hu l-messaġġ;
Minn dil-lejla siekta, nixtieq niehu vantaġġ.
Xtaqt neżamina għalfejn ninsab waħdi;
Qiegħed id-dar b’ommi u missieri sular taħti,
Iżda, minflok ninsab hawn, magħluq f’kamarti.
Mistoħbi, bl-iskuża li qiegħed noħloq l-arti.

Sħabi kollha xogħol jew isaħħarhom xi eżami,
B’hekk, ninsab nirrifletti, b’espressjoni gravi.
Fejn tobsor, li ta’ tlieta u għoxrin
Tkun weħilt go ħabs mentali agħar minn Kordin?
Ċella magħmula mill-ħsibijiet,
Joħorgu qishom ħalba mis-smewwiet.

Tgħix b’mohh mixgħul ġo pajjiż li jħobb id-dlam
Tħossok distint daqs tazza inbid aħmar li waqgħet *** l-irham.
Xi kultant, mejjet tkun biex titfieh;
Xejn ma jirnexxilek tagħmel biex tistrieh.

_________

(in English)

The solitude is incredible.
The pen shakes as I write,
An extension of my body's agitation.
I feel like a ruined fort, inacessible.
Sometimes, I fancy putting my soul up for auction;
Strike a deal with dB or Gasan (1),
Or maybe, with our leader, the best merchant (of them all).

Is it not all the same?
So what if we let the party in our household?
What does it matter,
As long as we go to il-Fosos (2), en masse?

But, that is not the message;
Of this quiet night, I'd like to take advantage.
I wanted to examine why I'm all alone;
I'm at home, with my parents a floor below me,
Yet, I find myself here, locked in my room,
Hidden, with the excuse of making art.

My friends are either working or bewitched by an exam,
Hence, I find myself reflecting, with a grave expression.
Who would've thought, at age twenty-three
I would be stuck in a mental prison worse than Kordin (3)?
A cell made of thoughts,
That come out like a storm from the heavens.

To live with an enlightened mind in a country that loves darkness
Feels as distinct as a glass of red wine spilled on a marble tile.
Sometimes, you just wish you could switch it off;
Nothing helps to give you relief.

Do you feel uncomfortable in your own skin?
Here's a tip, from kin-to-kin:
If you don't fit in, don't fit in.
Simply, be.