Submit your work, meet writers and drop the ads. Become a member
 
Grumbling engine underground
Again
Rotates and repeats.
The echo
The steamy yawn
Mellow fiend unseen
Creeps
Bearing teeth in metallic joints.

A fat snake's yawn
Blows and bellows quietly.
Uncoloured ornament at ten feet
Floats through that crawling wind
Full from everything it could eat.

***** sand in the far east
Rustic in the sense of dripping spit.
The blue walls painted over the white plain
Are scratched
White walls slain.

Drilling ripple
In the black pool
Ink
Coloured the lonely riddle.
A cold under the sun
Blinds our noses
Disguising away our senses.
© Teri Darlene Basallote Yeo
There the merry hologram glowing blue purple blue
Cactus human cherry on a stool
Beyond the window he would not look
Inside the sky made of wood.

The barber talks to his ferns
The flowers he understood
The living they earn
Sparkling its rough nails of your barber.
The breath and life he will spruce with apple-pie order.
He listens to
Each one story
Always about a time
A time which was cheery.

He looks piercingly to all their prickly
What he touches intently
To turn the time that latches onto your head which started feeling heavy.
Lifted into glee so jolly and carefree.

A man
Or the boys
They finally stand up easily.
Capes dusted
Top hat powdered
Their voice of fears collected as tips
For pricking up his ears.

The door that opens in the end
The swirling light that beckons
Hair became a way to lighten ---
When times get rough and belligerent
Cut it off, rugged and ruffian.

The barber hears him and all
The others like soldiers
They share their laughs
Troubles leaving shoulders
Leaving like a waterfall.
The barber knows everything
The barber knows all.
© Teri Darlene Basallote Yeo
Rhymes are better heard than seen.
I feel like that is what makes poetry...
And it was at that age...Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no, they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating planations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesmal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke free on the open sky.
Electric sun twirls its lava skirt.
Slammed woks.
Peanuts, chilli, limes and oil
Feeding him its lunch.
Shelter to chilli cheeks and peppercorn faces.
The air can't move its obese body to the rivers for a dip.

Darkness is hard with sturdy edges.
Curtains made of invisible beads and threads hang over the night in silence.
They spill against the concrete under rough hooves and feet
For the night falls like tight heavy lids.
Dusk is a bruised tunnel of vision.

Candlelit giants blinking rapidly.
You don't speak
For the night is never empty
The silence never lonely
Stampede of restlessness surrounding
Grinning from squint to squint
Raising embraces and chance encounters
They scream loudly to frighten the dawn.
© Teri Darlene Basallote Yeo
In the digital l-and
We l-ive in
Mistakenly automatic
One pointing at a chest of tools
Eyes on i
No soul can tell a part a weakling metal


Robots robbing robbers rich
T-error terrifying t-errorists
Artist gods and goddesses
Sharing platform to unleashed gifts


Mint hue bubbles squeak
Fizzy dizzy violet haze
World head to toes spins
Any day it spins coins in change


A quiet girl is sinister
Siren of mystery or future
Robot is your mirror
Peach chin with teeth filter
No innocence and glitter litter
Guilty until proven the latter


A quiet girl a terrorist
Error mouths terror twist
Terrorist from the orient
They hide in between every end
Disguises they cover in
Racist as problem solving


Smile girl watch
A fake smile and eyes
Skin of steel so is her
Heart made alloy
How it blazes to the touch when heated
Oh it bites fingertips as it's cold
Hair resting on the curve of her spine
A woman's hair only breaks if it tries to grow


What she said
Tell me if you can tell us a part
Warning tears borne from her crooked eyes
Robot and soul
Terrorists from t-errorists
No soul knows either
Tattoos or memory shall identify you
© Teri Darlene Basallote Yeo
So I may have to give you up.
I will give you up
Unless you tell me how you want to be with me.

If lovers need not be together to love each other then Together transformed into truth and luck
And I would give you up
Perhaps say, do not ever take him away.

My love, I want to say (Can I say) don't roam so far away from me
A moment without you is a year to drag aching shoulders with long fingernails
A sleepy guest unwelcomed after midnight, that is your goodbye.

Because, you are part of the forgotten voyages made of strawberry seas and orange trees
But I have to give you up like how trees give freely our breathing.

What was given, returns and arrives in your speak drifting, steps gliding, search farwinding, slow stroll, such is your gaze.
The way you have lingered is mine, how you looked at me is also mine.
Tears you gave me are diamonds that fell lost deep under the earth nobody else knows where to find.

Time for you to seek a love like mine, the seeking of an adventure.
An old fashioned romance historian love
Rivalling of an old century over the millenium.
Only you (in this moment) know my contribution to this world that which is only you.
© Teri Darlene Basallote Yeo
What does it mean - to overthink?
Is there even such a thing
To think too much?
What is to think less?
Thinking is just thoughts where one can never count them.
Harmful or helpful, the two hands of any ticking clock.
When people believe overthinking is debilitating, I say it's normal :)
© Teri Darlene Basallote Yeo
Next page