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Eleanor Rigby Mar 2015
You bit your lip
And winked at me
A glass of wine in your hand,
A cigarette
Hanging out of your mouth.
You were *******
On the floor
And I barefoot
On the bed
With three other people
Who talked a lot.
You mumbled something
To yourself
But the music
Was too loud.
I looked away,
I looked up to the ceiling
Which had disappeared
To put the stars on display.

And you and me, my love.
We were there.


F.Z.**N
Rj Dec 2014
*******, a word to make me shutter
As my stomach churns like butter
I can move my hips just fine
But top, that is a different side
The only time I'm ******* is in my room
And even then I want to hide
No one should see what's under there
Maybe they don't, but I still care
When I wear bras with wires and hooks
It's all a show, it's just for looks
What's under there is something I despise
I wouldn't want that image in your mind
I have fantasies like everyone else
But I remain with a top on,
So I won't shutter at myself
begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
Jeff Gaines Sep 2018
A headless man
in a ******* bar,
see's **** and ***
and thinks its a star.

“She can cook my meals
and **** my socks …
and give me all her money
as our bed rocks.”

“I'll do her friends,
whether they want me to or not.
She'll never leave me,
I'm all that she's got.”

“She deserved that black eye …
God, she never shuts up!
I about died laughing when she told the cops
that the bathroom door beat her up!”

“Those things her Uncle did to her?
Well, I'll do them too.
Who gives a crap about her feelings?
She's just here to *****.”

“And when I'm done with her,
I'll just head right back to the bar …
A little loot, a little blow, a perfect net …
to catch another falling star.”

To him a woman is an object …
No soul, no life, no heart.
And like a spoiled kid with some fancy toy …
He just wants to take her apart.

He really can't help it.
According to science, he was born this way.
And just as some new girl takes to the pole …
there's another like him, and he's destined to find her one day.

Those mirrors everywhere? They aren't there to help you see …
They've a much more evil job.
They're there so she can see and witness herself taking dollars …
from some old, pervy slob.

They cover those walls so the dancers are forced to watch …
what was once, Daddy's little girl.
To convince her she is now worthless on a downward descent …
and falling deeper with every twirl.

Oddly, eventually … she accepts this new self …
in what seems like soft, shiny skin.
The pounding music and the flashing lights …
all there to help her win.

She soon revels in this adoration …
from men she once would never speak to.
*** and drugs and rivers of whiskey …
All there to see her through.

One day she wakes and looks in the mirror …
Thinning hair, crows feet and bruises on her arms.
Daddy's little girl has long gone away …
replaced with a *****'s worldly charms.

"Who have I become?"
"What have I done?"
"I was only looking for a little excitement …
extra money and maybe some fun."

"How did I waste my life away …
and from it, nothing to show?"
"I never saw it coming, all so easy to do …"
A trap … sprung long ago.

A trap so intoxicating … brainwashed without a clue.
She ponders “Who would want me now?”  … Just another fallen star.
She puts on her makeup … and packs her bag …
and heads on back to the bar.

The cheers, the money, the lights, the ***** …
have now become her vows.
The greedy owner, ***** bouncers and catty co-workers …
they are her family now.

Soon enough, it will come to an end.
If not with her dead on the floor cold …
then replaced by a much younger model …
a new, unsuspecting 18 year-old.

And so the cycle starts again …
Through the door comes the man with no head.
In no time at all, the mirrors will do their job …
and she'll end up in his bed.

A dream in a blindfold or a nightmare she refused to wake up from?
It matters not in this instance.
Either path, a dance off a cliff …
A distinction without a difference.
(I wanna start by saying how sorry I am for being gone for so long. Summer is almost done and I promise to be back to read all my followers and fans. This came to me the other day and I wanted to post it.)

I'm not sure what it is about Virgo's and I … Several of my best buds are Virgos and I've had several Virgo girlfriends as well. Whatever the reason, I have many birthdays to keep up with in September. One of them is really sad though. I met her in the Bottle Club that I was spinning at and was immediately smitten. Tall, brunette, HUGE blue eyes and a smile that could stop a train.

It didn't take long for me to figure out that she was there with a group of strippers. That's commonplace at bottle club's. Where else can working gals go after work when the bars are all closed? We were always jammed with bar and restaurant types. The dancers came in droves as well. But she was different. Most all the dancers came wearing … well … lets just say “slinky” clothes. Tight, revealing dresses. Tall, spike heels. Plunging necklines and … oh, you get the idea. But she was different. She had on a red sweater and jeans … and a really cool pair of black and white checkered Converse high-tops.

I thought maybe … just maybe she was a waitress or bartender at their club … not a dancer.

But I was wrong. She came to the booth to make a request (after she caught me staring from the booth at her and the gals dancing). She even smiled on one occasion and I winked at her then played aloof and turned to pull my next record. That did the trick and there she was, chatting with me. After a few minutes, I grabbed her hand and helped her up into the DJ booth. She seemed a bit surprised and her face lit up. She stayed in that booth for an hour. Her co-workers came by one at a time and made goofy faces at her that we were “hitting it off”. I learned much about her in that hour …

She was a feature dancer and traveled to New York, Miami, Vegas, San Francisco, Dallas, Tampa, Orlando, Key West, and even Toronto and Vancouver performing in huge strip clubs. She had every costume you could think of … Nurse, Police Woman, Construction Worker, Jungle Girl (*complete with a “vine” rope to swing on), Mermaid, Nun (YES, NUN!), Cheerleader, Space Girl, Vampire and, if the venue had the rigging for it … she had a real swing to go along with her Southern Belle outfit. This included an authentic hoop dress with a 5 foot hoop at the hem, a silk and lace parasol and a huge Kentucky Derby-style “Bonnet”.  After we got together, I got to see all of them, either as she performed … or as she performed for me in private. She was really amazing. These venues thought so too, apparently. They would fly her in, put her up in a hotel AND pay her to perform. Of course, she also got to keep all her tips as well. She made insane money at this.

Normally, I bypassed the dancers that came to party where I worked. Too much trouble. Too much drama or partying that was too overboard, even for me (trust me, that's BAD!). But she was different. She wasn't a wild, party-crazed girl out of control. She was really smart. Very articulate, mild-mannered and seemed to have quite a head on her shoulders. Her story was different too. She danced to put herself through college. She had a degree in business. But when she went into the real world to start her career, she learned she couldn't make near the money as she had been making. So, she made a decision to just stay put and ramp up her income by becoming a feature dancer and earn a name for herself. She did just that and owned her own new car and really nice condo … outright. Very impressive to say the least. Eventually, I was at her condo so much, I practically lived there. Sometimes, I'd be out at the pool hall with my bud's and find $100 bills hidden in my watch pocket or stuck in my buttoned shirt pocket. She LOVED doing this, no matter how many times I'd begged her not to. “Just takin' care of my man” she'd say with a grin.

She never fell into the usual trappings of that world and kept herself distanced from it. I was so blown away by all this I started to fall in love with her. My poem titled "Every Day", (See it on my page, a link won't work now for some reason) was written for/about her. We had a blast together. She was really amazing in every way. Her place was a constant flow of folks from that world and I witnessed some reeeeeally freaky voodoo over the next few years. One thing I saw that troubled me though, was a young “new girl” and her “transformation”. I have to say that it really bothered me. I watched this innocent young girl, go from being quiet and even blushing at the behavior witnessed at one of our party's, to being a complete horn-dog freak … loud and drunk most all the time … and this took less than 6 months!

I told my girlfriend that it really troubled me and her and I spoke about it at length. That's how I learned all about the world of professional stripping. She told me all about the mirrors and how they make you see yourself as a stripper and not only make you fall deeper down the hole as you accept yourself like this, but that it also keeps you there as well. She also described to me, at length about the “men” in these girls lives as well as the staff that worked in these types of places. ***, of any sort, attracts ne'er-do-wells, sociopaths, people with all sorts of issues … and pervs. So that's the only choices some girls take. Mostly because they don't give them grief about being dancers. The problem is all the other grief these types bring and the fact that these types of men only see them as objects to be owned and used.

I never went to those places after going a few times after I turned 18. It just wasn't my thing. I don't see women as objects. Being someone who studied Psychology and Behavioral Science, I had more fun watching and studying the people in the place, than the dancers. I never had a problem meeting women … I didn't need to pay for one to pretend to like me. Yet another reason I avoided those gals at the bottle club.

As time went on though … the “little” bit of partying my gal did eventually began to be a problem. I was horrified to discover one day, that the “line here and line there” of sniffs she had always done had descended to her using needles! She would wear these finger-less lace gloves. They were VERY **** at first … But one day, she joined me in the shower with them on … I noticed this and tried to take them off of her … she fought me … laughing at first, but then as I pressed it, she got angry. I thought she had gotten a tattoo … but that was not the case … I laughingly wrestled one off to see the “tattoo” and found track marks on the back of her hand. The argument that ensued in that bathroom could be heard down by the condo pool.

I spent the next few weeks trying to talk her off of it. But all that did was make her try and hide it more while swearing sobriety. After finding yet another needle rig, hidden in the bathroom trash can … I moved out. She tried to commit suicide and blamed it on ME in her note. Thankfully she failed, but because I was named as the “problem”, I wasn't allowed to see her. Even her family snubbed me without ever knowing the real truth. There was nothing I could do. A few weeks later I went by the condo. Her car wasn't there and there was a for sale sign in the window. I looked in the windows and the place was empty. She had moved away and that was that.

A few months later … I was awakened, at 7 am on a Sunday WITH a hangover, by a young coworker of mine. I answered the door with gritted teeth and told him “This BETTER be GOOD!”

He had a VHS tape in his hand and reeked of *****. I let him in and he told me that he had stolen this tape from a party he was at because he knew that I would want to see it. I looked at the label as I loaded it into my VCR and could tell by the title that it was a **** tape. I rolled my eyes, turned on the TV and plopped on the couch to humor him. The video opened with a big, white Cadillac convertible going down a wide, palm-lined Hollywood/L.A. Street. There was a football- player-sized black man driving and a beautiful girl with dark red lips, over-sized sunglasses and a silk scarf on her head riding along.

I didn't recognize her at all.

But in the next scene, she had removed the glasses and scarf … it was her … she was blowing him … and on both her hands … were finger-less, lace gloves. I jumped up and ejected the tape. He said “Sorry, Dude … I just figured you would want to know … don't hate the messenger.”

I assured him that I wasn't mad. I asked him to just go and even thanked him so that he wouldn't feel I was angry with him. I asked him to never tell anyone and he never did. I went in the kitchen and destroyed the tape with my bare hands, cramming it all into the bin and cutting myself in the process. There was blood all over the counter, fridge and floor. I cleaned up myself and just went for the **** and my water bed. My roomy woke me up several hours later, a bit upset, and asking about the blood. I told him what had happened and he knew it was tearing me up inside.

He said “So sorry to hear that Bro, I know what she meant to you.”

I told him that it was all good and thanked him for his concern. I told him I'd clean up the ****** mess when I got up. When I finally did get out of bed, I saw that he had cleaned up all my blood and he never said a word about that … or her … ever again. Bless his heart.

Day-before-yesterday was her birthday. I got to thinking about her while riding the lawnmower and our conversation about the “biz” came flooding back … I guess that made this poem come to me. I had to stop and come inside to write it, dripping sweat all over the den. Still … I'm glad I did. If just ONE of those girls reads this somewhere, somehow and it makes her open her eyes … then I have accomplished something. Thanks for the read.
I wish for the day
It is customary
For females to go *******
In the beach
Or wherever a man would go *******
And I could do that
I think
I don't think I'd get arrested for going ******* at a Cape Cod beach
But I don't know that
For sure
If I can go *******
I probably should
But I doubt I will
Even though I got great ****
I would love to go *******
Without people hiding their childrens' eyes
And I should feel comfortable doing that
Coop Lee Nov 2014
no weapons, no drugs.
he had the eyeballs of an aztlan prince.
touches water.
touches hot-grill to meat /repeat/
/replete with cerveza.
                to roil in love of sun said lights, all things lovely.
                to return by city driven lights, lake to shore to shoulder.

[to sleep.]

[to dream.]

dad is on the grill, cookin’ up something scorched.
swill is on the lake, skiin’ up something else.
sweat &
stretching lungs, the sun busting gut.
unseen, bikini pink
& green sauce.
pass the tortillas.

winterous: awake.
ice-fish and stoke the pipes of flash and holy hash.
ice-fish our favorite frozen mass.
we all grow beards,
untrusting of men who wobble blades to their faces on the daily.

spring sprung and spigot. we
return to blushing shores of wet rocks
& girlfriends.
girl bands exploding amps from atop houseboats
in styles of the highly drunk and tameless.
plucked in memory
of the ******* to come before them.
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
Nat Lipstadt Jul 2018
~weary weighted~

flummoxed are the sea watchers;
the long rhythms of sea change reveal only minor modesties,
difficult discerned are the tidal subtleties

though repetitive thrashing extracts it toll,
only the weary-weighted see the true meaning of the beating,
knowing full well,
it beats for them

recalling their early day’d fascination with its endless chaining,
now knowing all are similar
detained-chained,
and  the ******* churning but a cover up masque,
they need not longer conceal,
an unrevealed confess:

water is heavy-weighted, you cannot forever float,
constancy is of a thing to be wary,
its sadder longevity,
a chipping away erosion of wearing,
‘tis is the knelling noise of  sad respite,
an unlight lighthouse



~for Victoria, a year later~
THAT civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.
1
That the ******* towers be burnt
And men recall that face,
Move most gently if move you must
In this lonely place.
She thinks, part woman, three parts a child,
That nobody looks; her feet
Practise a tinker shuffle
Picked up on a street.
1
That girls at puberty may find
The first Adam in their thought,
Shut the door of the Pope's chapel,
Keep those children out.
There on that scaffolding reclines
Michael Angelo.
With no more sound than the mice make
His hand moves to and fro.
Like a long-leggedfly upon the stream
His mind moves upon silence.
Donall Dempsey Dec 2015
THE ******* TOWERS OF ILLIUM

"Is this the face that launched...."
the poet asks not knowing how

it all turned out
in the end.

And yes, this is the face that
ate a thousand chips.

No, they don't
tell you that bit.

Anyway, had an affair
with Troy( my toy boy )

and somehow it
all went wrong.

Listen now to Odyssey  sing
"If you're looking for a way out."

Plead with the ghost of
each former lover:

"Make me immortal with
a kiss...heaven is in your lips!"

Then cry myself to sleep
with a furry hot water bottle.
if i remember accurately he puts hand between her thighs she gets wet her body tells him she wants him she puts hand between his thighs she feels hardness his body tells her he wants her a little blue pill and KY lotion don’t convey anything except maybe we’re too old for this sexuality was once the most defining intention in life but not anymore when youth perspire it smells **** when elderly sweat it’s malodorous yet in another breath old people are more appreciative know the hurt humiliation of neglect invisibility they secretly harbor passions beyond contemporary standards old age is ground zero for truly authentic perversity desires unfulfilled in youth



i don’t remember when the disenchantment began was it part of some greater change Dad’s illness death leaving Chicago my dog’s passing 9/11 or simply old age at some point my life stopped feeling like adventure all the crazy dreams aims aspirations cravings longings insatiable hungers wild experiments beautiful women everything slowly fading away leaving only ghostly empty disenchantment a profound sad knowing the world is never going to heal get better the whole brutally honest realization greed corruption poisonous toxins overpopulation think tanks planet candidates anger hatred atrocities will triumph i know i must not listen to this voice inside me these feelings of disenchantment if i can learn to heal myself and try my hardest to love forgive others than i will succeed in this harsh existence no matter what the world does



in my garden grows an abundant jalapeño patch i share it with my postman Fernando he picks ripe peppers for his wife Barbara she makes salsa with the jalapeños then Fernando shares Barbara’s salsa with me anyway Fernando served 6 years in the Marines and is of Mexican descent he recently told me a story about a holiday he shared with 2 fellow Marines at a ******* beach in southern Spain Fernando described a seashore bustling with many women exposing their ******* all of a sudden Fernando spotted this amazingly gorgeous long legged female wearing nothing but flimsy string thong she walked into a cantina the 3 Marines followed Fernando's buddy set up tripod behind amazingly gorgeous long legged woman and started shooting Fernando explained she turned enraged yelling at the Marines i commented to Fernando his Marine buddy ought to have first asked consent he replied we knew we should have but who gives a **** we’re Americans everybody knows Americans are ******* when people from other countries find out you’re American they deliberately treat you like an *******



October is pivotal April May June July August September mornings shine bright early dusk comes late then suddenly October bursts on scene changes everything mornings grow darker days end sooner October is the culprit this month 5 Fridays 5 Saturdays 5 Sundays old dog painfully arthritic legs climb stairs sound of waves crashing against shoreline distant stars in night sky cooler breezes blow whiff of death in air harvest your wheat oats barley cook your squash last of corn tomatoes eat your pumpkin pie swig your cider you know what’s next now familiar footsteps tread on path come to take you home back to place before the beginning you’ve got to pick up every stitch must be the season of the witch



Mom spoke about memory a fogginess she says comes over her she began by admitting she realizes how she camouflages so people won't notice how bad she truly is because they might not want to be with her she says it does not scare her it is just part of getting older she recognizes it in her friends Mom says she very much wants to remain independent she knows her house how to maneuver in it she feels angry she didn't sell the apartment when the market was better though she loves her home does not want to ever wind up in residence for the aged does not want anyone living with her she is used to living alone doesn't like idea of a caregiver in the house this passage is difficult for her in a new way somehow i think the difficult challenge for us all now is how to help Mom manage on her own and continue to empower her with dignity she is a brave woman turning 90 in late October woman descending a staircase
jeffrey robin Aug 2014
<                                 >
(                             )

(            O          )  
(     )
(         )

:::::::::;

She was a ******* dancer

I was just getting drunk at the bar

///

And then the 3 kids

/:/

                                  And            Then ? ------------



It easy to not write a great poem

It's easy to write a great poem

//

It's easy to love a girl

//

She was a ******* dancer

I was an existential philosopher and a college professor
Getting drunk at the bar

///

The 3 kids !



Well

They deserve their privacy

/./

She was a ******* dancer

After work we'd sit and read the poems on this site -- HELLO POETRY and laugh and laugh



She was a ******* dancer

We used to dance naked in Central Park

/////

If you are still a mystic you can see us there
I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh
The Fire Burns Sep 2016
Sittin’ on the beach, in Cancun
Suns overhead it, must be noon
Don’t really know ain't been to sleep
My souls on ice, I guess it’ll keep

My Costa’s are filtering out the sun
I seem to be suffering from too much fun
Only one cure, I need another drink
Maybe then my clouded brain can think

Summer time in old Mexico
Have a good time when we go
Drinking and smoking and having fun
Swimming and snorkeling, soaking up the sun

Bikini clad waitress, strolls the line
Cuba Libre please, don’t forget the lime
Swaying cheeks, a pleasure to see
Maybe later on, just her and me

I can’t wait, slowly follow to the bar
Panama hat and a Cuban Cigar
Strolling along, while I watch her sway
Can only imagine, if I had my way

Summer time in old Mexico
Have a good time when we go
Drinking and smoking and having fun
Swimming and snorkeling, soaking up the sun

Puffing smoke, we arrive at the bar
The bartender winks, I stuff a tip in her jar
Hands me my drink, I squeeze the lime
Having so much fun it’s bound to be a crime

Mexican girls and ******* tourists
Equal opportunity, hey! I’m no purist
Seeing the sights, and doing well
Summer beach, and I'm feeling swell


Yeah, summer beach, im'a feelin' swell
feelin' swell....
Aaaaaaarrrriiiiibaaaaa
MisfitOfSociety Jul 2019
******* flowers with petals bare,
Call to the bees,
To come drink the nectar,
From hung ovaries.
Liz And Lilacs Jan 2015
"I'm dying to see you *******."

Then die.
Keep your hands to yourself.
I'm angry.
Samuel Apr 2018
It’s fine
Is what she tells everyone
This day
Like so many others.
Fears run through her,
Her mind a mess of possibility
Infinite in number and horror.
Deaths here.
Failures there.
Maybe a grave injury at best.
Can they best this foe?
Is this the end of the Sages?
Is this the end of the world?
She ponders this
Over a cup of coffee
Poured by Moojdart,
All concern and bother.

It’s fine
Is what she says as she slinks off,
Telling Mooj again and again
Don’t worry, don’t worry
It’s fine,
She can handle it.
She always can, she always must.
Grus is worried too
And Milest
And even their leader
Who’s normally too vain to care.
She brushes past them all
To go and hide away
As she tries to fix it,
As she runs through bad ends
In search of a single good.
She can’t find one
Or even the hint of one
No matter how hard she picks
At the threads of potentiality.
There’s only more worries,
Only more failures,
Which darken the flame of Hope
Burning inside
Which she clings to so stubbornly
Even though it’s not her natural Will.
She’s got to.
She’s got to cling,
Got to be strong.
She’ll fix it, she will.

There’s a knock at her door
And it opens
Before she can even say no
Because that’s just how Fiethsing is,
Because that’s just how little she cares.
Really it’s amazing she knocked,
But there you go.
You never can guess with her,
But Zero can know she’s annoyed.
She snaps at her.
An admonition, a demand
To go, to leave.
That you shouldn’t just barge in
“I mean really, Fieth,”
And it’s fine anyway.
It’s always fine.

But that’s not what she came for.
So she claims.
She’s just here to find a book,
Steal it more like,
Like she always does
And Zero’ll never see it again.
It’s just a ploy anyway,
It’s just a ploy thankfully,
Unfortunately.
Fieth sets in on the search,
Looking for a book
And not speaking a word more,
Of concern or otherwise.
She’s simply an annoyance
That rummages through her things
After barging into her space.
Fieth’s one that’ll be ignored.
Has to be, must be.
So she drinks her coffee
And goes to reading,
Or more like looking at pages
As the words blur together
From fear
Now tinted with anger.

It’s fine
And Fiethsing sighs
Finally feeling fit
To make a sound
And even words.
“Wow, it’s hot.
Don’t you think so, Zero?”
There’s more sound too
Of rustling clothes
Falling off
Onto the floor.
A shirt gone,
More than likely.
Still searching too.
She pays no mind,
As little as she can.
She has a book to not read.

A book to not read
As a thought invades her mind
Of what Fieth must look like.
******* and slick with sweat
As she digs through her shelves
Musing to herself,
“Oh it’s not here either, oh dear.”
There’s a book to not read
As an image invades her mind
Of a hug,
Of a kiss,
A touch, anything.
Contact, warm and simple.
Memories flood
And imaginings more
As she has a book to not read.

Still it’s fine,
Just fine.
She’ll just read and think
On all the ways the world can end
Because that’s better.
Better than admitting she’s scared,
Better than admitting she needs help.
Help of any sort.
A talk, advice, a decision
Or a pair of arms
Wrapped around her waist
As she falls apart
Just for a moment.

“Oh, there it is!”
Rings out Fieth’s sing song tone
And she trots on over,
For once bothering to walk
And not float.
Just so she’ll hear,
Just so she’ll know.
It’s a kindness but it doesn’t feel like it,
More like a threat
That makes her sigh
Heavy and hard
In frustration
As she turns around to see
Fieth ******* and grinning.
It’s enough to make her sick.
With fury.
With fear.
With want.
She holds out her book
Arm outstretched
As far as it can go,
A barrier between them both.
She doesn’t want to play this game,
She wants to play this game.

Fieth takes the book with glee
And a pleased, “Thank you!”
Before she rambles on and on
About dull history being her passion
Don’t you know, Zero?
It’s charming,
It’s cute
And she just wants her gone.
Gone and away
With her mirth,
Infectious as always,
And her plans,
Impish as always.
So she turns back around
And grabs another book.
Another thing to not read
As she tells herself
That it’s fine.

It’s fine
As Fieth steps forward and
rests a hand on her
Gripping her shoulder.
It’s fine
When she says, “I went a bit far
Didn’t I, Zero?”
Which she did
But it’s fine
And it’s not.
It wasn’t far enough, not close enough.
She didn’t just grab her
Right there, right then.
She didn’t just force her down
Against her desk
And whisper in her ear
Just what she’ll do to her.

So she falls to her side
Just far enough
To fall back into Fieth,
Head resting right between her *******.
The grip becomes a hug,
Arm wrapping firmly around
Her frightened frame,
So frail,
Right now, right here.

“It’s fine,”
She says again.
This time it’s the truth,
And a lie
And she closes her eyes
And she melts
Right there, right then
In Fiethsing’s arms,
Though she wants nothing more
Than to chase her off.

“Just need a moment?”
Fieth asks
With a sincerity
That she so often lacks.
She’s not going to run off.
She’s not going to lie.
She’s not going to force the matter
Even if Zero wants her to.
It’s frustrating,
The fiendish way that Fieth
Makes her fend for herself
By pushing just enough
To get a decision.

It’s fine,
Frustrating or not,
As she pushes herself up and off.
Just enough to sit up,
Just enough to lean in
As she makes a decision at last.
Her lips part
And she kisses Fiethsing.
A moan escapes her,
A desperate plea
Muffled as Fieth’s tongue meets hers
And as Fieth’s hand crawls up her front.
Up her front, to her shoulder
To her neck,
Thumb rubbing idly, intently.
Intoxicating, it’s intoxicating
That sensation and more
As she leans forward the more,
Body pressed
Against Fieth’s.
Fieth who takes hold of her waist
With a free arm
And pulls her forward and up
To get her standing.
Two bodies, pressed together.
The kiss deepens,
Desperate all the more.

Her hands snake up Fieth’s back
And her nails dig into Fieth’s back.
Fieth who breaks the kiss
As she lets out a hiss
Of pained satisfaction
And who looks down
At her
As she buries her face
Into her chest.
She’s coming undone.
She’s starting to cry.
She’s clinging as she can,
Telling herself
Over and over
That it’s fine.

It’s fine
And Fieth’s here
Resting her cheek
Against her head
And with her hand
Stroking her hair
And her other
Holding her firmly,
Tightly
Just as she needs.
Just as she needs
Until she needs more,
More than a hug
And fingers in her hair.

She slips away,
Steps on back
One step, then two
Until a boot clicks against her desk.
She looks on
Eyes pleading
As she looks on at her
Her shirtless lover standing there
Unsure now of what she wants
But so sure of what she wants.
More, her.

So Fieth steps forward herself
Hands taking to her dress,
Undoing the buttons
As Zero tries to slip out of it.
Abandoning it on the floor,
Her bra goes there next
And her underwear
And her boots too.
It all goes
Until she is laid bare
For Fieth to look upon.
Fieth who doesn’t strip entirely,
Keeping her skirt on
And her boots too.
She dips down into her neck,
Pressing her lips against
That flesh
Vulnerable, sensitive
Enough to elicit a sigh.
Enough to get a roll of the hips.
Just enough
And not enough
As she buries her fingers
Into Fieth’s hair.
Pulling, stroking,
Needing simply to feel
Her and only her.
The her that slips a hand
Right between her thighs
Right then, right there.
A finger searching,
A finger finding
Just how wet she is.
A finger searching,
A finger finding
Just how hard her **** is.
Zero finds too
Once again
Just how skilled Fieth is.
How Fieth can circle her ****
Just the right way, just firm enough.
Enough to get her biting her lip
And resting her forehead
Into Fieth’s shoulder
As she comes apart
In her hands.

It’s fine
As her knees grow weak
And her breathing quickens.
It’s fine as Fieth slides a finger in
And a second.
The welcome stretch,
The familiar tension
Makes her shiver
As Fieth reaches deeper,
Deeper inside
And as Fieth pulls out
And pushes back in.
She pulls her head back,
And lets out a moan
Saying her name
As she pulls her hair.
God she’s near,
God she’s close,
God she’s in.
In her
Both in body and soul
And it’s all she can do
But say her name again
And again.
A fevered plea
As she begs for more,
Begs for her.
As doubts begin to clear
And leave
Just for a time.
Just right here, right now
And it’s fine.

Fieth pulls out again
This time fully
Leaving a dull ache,
An urgent need for more.
She wants to swear at her,
She wants to beg to her
To go back.
Back in,
Take her right there.
She needs it, needs her.
Desperately.
Fieth doesn’t though.
She grabs Zero’s thighs
And lifts as she can.
And she gets it
Though she’d rather not.
Rather not wait,
But she does wait and she knows
And she shifts her weight
Until she’s seated right on her desk,
Until she’s pressed down on her desk.

Fingers out of Fieth’s hair
She gropes at hard wood
That’s cold against her back
While the warmth burns
Between her legs.
She looks at her,
Looks to her.
Fieth’s hands rest on her thighs
As she looks back
Right at her,
Like she sees right through her.
Because she does,
She always does.

A hand travels up her thigh
Tracing a finger across her body.
A touch electric,
But not enough.
Not enough but enough
To get her speaking, to get her begging.
“Fieth, please.”
But Fieth just grins,
Feeling her *******,
Admiring the look in her eyes.
“Fieth please just stop looking,
Just this once and **** me.”
The words excite
And torment
And her cheeks burn red,
More ashamed to say it
Than have it happen.
Yet
The word she hears back isn’t a yes.
It’s “No.”

It’s fine
Isn’t it?
What had she done?
What could she have done?
Is it ending here, now?
Is it ending with still more to go?
What could she have done,
What could have Fieth have done?
Her fears come quick
And they’re tossed aside quick
As Fiethsing’s grin widens
And she says
“I’ve got a better idea.”
That’s fine.

More than fine.
Fine as Fieth bends down
Hand resting against the desk,
The other heading right back down
To her thighs.
Right back to part her lips
And then she feels her lips
And she feels her tongue
Against her ****.
Her fears are dashed
Right against the wall
And she lets out a cry,
A trembling moan.
So satisfied, yet not at all
As Fiethsing traces her ****
With her tongue.
As Fiethsing ***** at her ****
She claws, she scrabbles
Searching for purchase on the desk.
Which can’t be found
And she can’t find words
As she bucks her hips
Against Fiethsing’s mouth.
Not concerned about noise,
Not concerned about poise
Her worries gone entirely
And only this moment exists.
Only their bodies so close
Yet not close enough.
Time fades, distance fades.
A finger slips in again,
Then two, then three
But Fieth pulls her head up
Just to get it all situated.
Just to get it right.
Zero whines,
“Fiethsing please. ”

It’s more than fine
As Fieth dips back down
And Zero grabs wildly
Looking for something to hold
To touch.
All the better if it’s her,
If it’s Fieth and it is,
Her hair.
Her hair that Zero ***** into her fist,
Her hair that she pulls upon
As the tension builds,
As the ache grows.
Until at last it rolls over,
A rush of sensation
And feeling
That shakes her body
And gets her to cry out
Impassioned, fevered ramblings
About her, about her,
God just her.
Just.
Fiethsing.

And it’s fine
As Fieth keeps working at her
Through the ******,
Past the ******
And into the pain
Of too much sensation, too much.
She moans, she whines.
She begs, she even swears
And she bangs a fist on her desk
To stifle the pain, the pleasure.

Fiethsing slides out
And sits on up
And she laughs and prods
Right at her thigh.
“I bet even Milest heard that.”
What can she do
But roll her eyes
And groan in exasperation
At that comment.
What can she do
But be glad
Glad deep down for it,
For it all.
Glad enough that she sits up,
Glad enough that she hugs Fieth.

“It’s fine.”
vircapio gale Mar 2013
it was a strange and fragile Kombination--
a desperate, lonely Hunger,
frenetic Thrill to sate--
we didn't speak each other's native Tongues
but Tongues we shared
in what we found, of random Meals,
and Pocket Lexika to taste
hidden Idioms we strove to understand..
our Bodies splashing Wasser
in the murky Spree, ******* Fountain by Berliner Dom
licking Lips of Bier und Eis a ways away from Reichstag Bullet Holes
below the steel Spirale encased in Glas
transparent Government--a Show for Tourist Stroll..
our Smiles glinting, coated international, that Week agreed

"eine schwester-bruder liebe.."
temptation--and propriety--preserved--
pale lotion, paler skin to honey in the sun
aloft in hostel bunks we shared--
a cush historic castle, touristische nook
of maps and candy pockets, so geil..
gleeful us, to melt from moscau and new york
we shared the deutsch between us,
ein bisschen englisch,
a bit of russisch too for fun...
our soulwise checkpoint charlie held the lust at bay
despite lustgarten romps
and walks beneath the lindens, lane of sighs..
an awkward bridge of question-words we built to muse about the stars
and what we see with only strangers never seen again.
we named ourselves an instant familie...so you could snore on me,
and let me stroke your hair
without the guilt of infidelity
the freedom from, we traded in our blatant,
goodbye tears you shed, i kept inside to craft mnemonic gems
i share and savor in again












'
Bier und Eis: "beer and ice/ice cream"

http://flickrhivemind.net/Tags/reichstag,spirale/Interesting
Neal Cassady
February 8 ,1926  -  February 4 , 1968
San Miguel D'Alene , Mexico

Dead from extreme exposure
Four days short of forty-two

Only fitting , next to a railroad track
He had many words to haul back

The wolf sleeps next to the silver rail
Howling at a silver moon that fell

I see here he drove a ******* Cadillac
Through the San Francisco streets

With the top down
Smiling free , it was meant to be

Life is a quasar
"Americans should know the universe itself as a road , as many roads , as roads for traveling souls." Walt Whitman .
Madeline Janisch Mar 2015
Body appreciation is important. Learn to love the skin you're in. Yes, i posted a picture in which I am in my underwear. What more is showing than me wearing a swimsuit? Nothing more. Why is it okay for men to walk around without a shirt on but considered unacceptable and pornographic for women to be seen *******? Who created these rules? Who decided it was okay to discriminate against women? I don't ******* want to be "sugar & spice & everything nice," I want to be my own person. I am powerful. I am mad about stereotypes and "boundaries" placed on women. I don't ******* like the color pink, why is that a problem? I like blue, but I was raised in pink tights and pink dresses. I am breaking free. I am being my own unique person. A powerful woman.
K Balachandran Sep 2012
In the day spa pool
                     a ******* girl,
              floats half submerged;
two placid white lotus buds,
identical twins,
     cheerily face upwards,
   gleaming, wet.
Francie Lynch Apr 2018
Four you already know,
But I can't, I won't,
Put them in writing... allegedly.
The Fifth is my favorite.
Adrift on the Bering Strait,
On an ice flow,
Followed by habitat strained
Polar Bears.
(We'll give him an oar)
Upon landing on the opposite shore,
To be met
By a voracious, ferocious,
And *******,
Russian bear.
Five is probably too low a number.
Star Gazer Aug 2016
Caught in the clouds,
I'd stare into the grey sky
Just waiting for rain to cascade
From each puff of clouds
To wash away my imperfections.

Eyes on the prize, eyes on myself
As I stare around I've been locked;
Closeted by my own broken closet,
And always saw a scream for help.

Sands across my feet, the warmth
Still indented in my memory; the air
searing against my skin, and the sun
over my ******* body like a storm.

It was the first time, I'd been *******
not by my lonesome, but in public;
And though I still hated my stomach,
It was the first time I'd felt air on my skin,
I'd felt the freedom that the beaches' promise.

All the starving myself in front of a mirror,
could not compare to the joy of running-
through arid sands, stepping into the tepid-
waters all the while not caring that my image;
that my body; that my skin; was inferior.

The lucent beams of the moon could
clash with the burning sun and shine a spotlight
on who I was in that moment, and it would have
garnered no self hatred nor self disgust at
what I saw in the mirror-like waters,
I was not beautiful, I was not handsome but no...
I was human. I needn't need to be anyone,
but myself and my ******* self agreed to that
even more.

While trying to find freedom on a beach,
I found freedom in myself,
And if I had once screamed for help;
That scream is now mute,silent,
For I have found my closet.
Freedom was my closet,
And I drowned in it.
angel headed rockers with devil horns in their pants
strong tasting whiskey and thick blood to match
my god baby
you're such a catch.
pull up on your black motorcycle
take me to the 70's
lace *******, ******* angel
daddy's eyes starring straight at me.
the weight of a lovely, crushing reality.
******* eyes, green blue, blue
red and brown hair
finally no more twos.
white dolly dress strolling in the secret garden;
you pull it down swiftly
ravish me.
kissing the wounded parts of you,
i make you ***
a soft, somber release
identified pleasure, well earned glory.
poems scattered on the floor, all noise but my favourite is the sound of your happy heart-
grown man hands on fragile, naïve backs.
blissful.
lovely.
extreme.
a passionate fire between pants, minds and hearts,
a sudden hard kiss on my lips...

-ravish me

conceptcollection
Francie Lynch Dec 2014
The lads
Are streaming ****.
Don't be too quick
To scorn;
To understand my monologue
Know Sears stopped publishing
Catalogues
Of women in their ******.
And Geographic
No longer shoots
******* Amazons.
I don't claim it's right,
But boys are boys,
Night follows night.
krm Mar 2018
Oh, Andy-
speak to me in paints:
red, yellow, blue

When I told you I wouldn't be good at this,
an inability to sketch hands that punched at everything leaving me weak.
Keane's sorrow filled eyes upon oil made more sense to me.

I was never angry or mean, just sad and hopeless.
Lichtenstein was more your speed with obscene images of ******* women
and dialogue of broken hearts.

Van Gogh never made sense, but his attention to detail caught my eye.
To not know what goes on in your own head is identifiable so,
my head is art crafted by Picasso.

they hospitalize you once you've lopped your ear off
when giving a part of themselves to a lover.
I'm not cut out for this- the starving artist,
the tragic sketcher,
or the natural- born painter.

I've calloused my hands,
shed tears on pages of sketchbooks
put paint that looks childlike
and nothing worthwhile,
in all the time spent learning,
I've never learned how to be an artist.

I thought it was the mantra to be pained and miserable,
but you accounted for bold choices and vivid primary shades.
I feel betrayed, that my art alone, isn't enough to be good.

They will never frame my name,
or immortalize flaws in which could never be erased.

Like our conversation in my dream:
"I can't be mean." -Me
"Killing yourself isn't much different" -You

So Andy, what is the color I'm feeling? If it isn't blue?

—V.H.
A dream I had of speaking with Andy Warhol
Sam Clemens Mar 2014
She said
you don't understand
it's more than that
it's bliss
it envelops all that was
and has ever been
I said don't be silly
I want to make love
and then I want to ****
I want to play songs on your skin that your lips don't know the words to           drink the candlelight in your eyes
  get drunk like wine
  sweet as
   summer
I want to paint goosebumps on your thighs
trace the outline of our future as our shadows
  dance on the wall
I want bodies to quake in a thundering rhythm
ships soft as silk under siege by some
  unseen storm
I want to color outside the lines of your body
  scribble musings with my fingertips
  read the response with the rise of your hips
tattoo your curves like there's ink on my tongue
I want to make you hit the high notes that make the sky split open
reach the moment of utopia  
where ragged breath is broken
and for a second
gravity consumes the both of us
I want our consciousness to float, made one by unseen forces
while you lay beneath me *******
souls no longer out of focus
and words no longer spoken
rather,
cloaked in
golden    hopeful
      moments
left to float in some abyss of sacrilegious potency  
Your aroma has a pulse
    it sighs in my ear
draws me in with scented fingers
   between your thighs,   beneath your fears
I want to soak in the madness as my sight disappears
and all around us sprout the roots of prayers
   unanswered for years
I want to collect the moments I leave you breathless in a jar by my bed
so when the arch in your back leaves you on the cusp of
   paradise
             and
      lust
I’ll crack the lid
and let you feel nirvana like Buddha never did
I wanna pay homage to your eyelids
  fluttering in heavy silences
a testament to science how your stomach falls and rises
I’ll savor the way your headboard creaks
take pleasure on a ride through valleys and peaks
I want ecstasy
   and movement
      to unite
    with the clench of your fists
   your trembling lips
your sweat as it drips
onto the sheets
A sacrifice of pleasure
and the message is received
embrace the fire of each other now the Gods are intrigued
I want heaven to fade away
seeking solace in the midst of weak and shaky knees
I want to hold you as satisfaction encloses
the walls fold and collapse in on us and all that’s left in the world are
two bodies
the matrimony of synapses and
two    bodies
a mattress moaning in the blackness and
two      bodies
a matching set of sins and quick gasps and
two         bodies
In a flash I relapse and there's no
body
And now I've perused road maps, mused with psychics
read encyclopedias front to back
trying to help find my way to...
to I don't know what
no
maybe it's a who
to help find my way back to the lover I lost my love to
And then when I do
I can finally ask her
how come when we finish there’s no divinity left to hold onto?
You see
   ***
is my magnum opus, what I live for
  why I wrote this
so as I sit engrossed in thoughts that linger and control me
  I want to say I picked a lotus
watched in awe as it unfolded
melted sorrows into roses
with one colossus stroke of bones and flesh I learned the road to death
   gets bumpy
if you’re lonely.
Magnum opus: the largest, and perhaps the best, greatest, most popular, or most renowned achievement of an artist.
IJ Keddie May 2015
White t-shirt casually flung lightly,
draped over your right shoulder.
Left elbow points towards the sky
as your left hand massages the back of your neck.
I’m a few steps behind, following you,
unintentionally at first but that soon changes.
Catching your sweat on the stifling breeze,
the harsh manly smell of your armpits.
Watching as beads of sweat roll down your back,
hitting your waistband,
some down the top of your crack.
Your body twists checking for traffic,
a flash of your hairy chest and your side profile,
skin rough and shimmering in this heat.
A detour for me, this isn’t the way home,
just to watch the muscles in your shoulders move,
to catch you on the breeze again.
Hooflip Aug 2014
Jam
And it’s groovy ****
The way my words maneuver it
A user but I won’t be used
By all the drugs I’m doing
Shiiitt
They talk abusive ****
Like they’re the one’s that using it
And usually I’d be busy on my timone and pumba bizz
Ness is what it’s all about
They’ll tell you anything to reassure the cash come out
To their hands
You gotta fight em with your bare hands
n realize a workaround to their plan
And on another note
I be kickin flows with a dopeness
Thinkin I’m the one
Yeah
I been thinking I’ve been chosen
Cold, I flow frozen
Shows, the vibe golden
Ghost the most smoke, I got casper choking
Actors be pulling mad guap and holding chart topping spots
Well they had a soul, sold it.
We don’t like change
Boy they’ve got us all brainless
You prolly changed this for a song about some ****
This ain’t it,
Re-spray it
Re-paint it
Rekindle
The vibe is alive, revive your minds sizzle
It is you, you are a god you are a ******* goddess
How the hell on earth could they stop us.
They cannot, we got this,
Positive is progress
We taking it *******
Don’t know where the top is
We Jam.
Like, this is your brian,
This is your brain on drugs
Well this my brain when I let it just

JAM
Some of my Hip-hop ****.
Check the song here:
https://soundcloud.com/thehumbleloud/jam-flapjack
PrttyBrd Dec 2014
Gilded cage so small and tiny
Even singing comes out whiny
Stinking of fake fresh and piney
Tis the season
Leaking water warm and briny
With good reason

Christmas cheer and glasses toast
Loved ones smile and laugh and boast
I sit perched upon my post
A tinsled column
Invisible reluctant host
A heart that's solemn

A longing for a love so distant
The melancholy is persistent
A smile could erase it in an instant
On a face cherubic
For my heart is not resistent
It's theraputic

So that smile that is perfection
Is mirrored in my own reflection
Without a thought about rejection
Hallucinations
About the subtlest inflection
In Salutations

Surrounded by the merrily intense
With drunkard tendencies immense
A bar with all accoutrements
They pound tequila
Drinking away the sacraments
Oh yes, I feel ya

Merry time with old Kris Kringle
Guests all lubed enough to mingle
Mistletoe hangs and sleigh bells jingle
Gifts homemade
Tables adourned and glasses tingle
Gold brocade

Still I sit all caged and flightless
Blind to joy all sad and sightless
Drink could make it hurt a mite less
I'm going backward
Laying here all limp and lifeless
Broke and fractured

Surrounded by the fake and vexing
Artificial and quite perplexing
Reality they are rejecting
The devil may care
Bellies bare and muscles flexing
Lost underwear

So ******* dancing to the jukebox
Lost alone here in the boondocks
There is no snow upon the rooftops
Ahead they forge
Find a room before that thing pops
It's so engorged

Neighbor ***** all dressed in orange
Wearing gold to make the poor cringe
Stripping time to fill her syringe
I'll be her hinderance
Still too drunk from her last binge
Faulty remembrance

Ridding riff raff from the party
People still drunk on Bacardi
Noxious gasses burp and farty
With toilets makeshift
Worn out makeup on the smarty
She needs a facelift

Time to let the people go
Too tired to keep watching the show
Drinking hard and walking slow
Verbose yet listless
Honey I don't want to know
It's not my business
121614
not the easiest thing to write, but I do so love a challenge
Shannon Kelly Nov 2013
It's 1:54 in the morning
where I am- in bed
and I know, even though it's 1:54 in the morning
where you are- in bed,

you are not writing a poem
for me
in the dark
under thin sheets

you are not shading in an outline
of my skin
in the dark
*******, in sweaty underwear

you are not thinking of me
in the dark
under thin sheets
*******, in sweaty underwear

like I am, of you.
liz May 2018
sometimes, i just want healthy relationships
                              and even though they might look crazy
~us waking up ****** and taking 10 am trips to the grocery store
to buy a bottle of wine and some flowers
for a trip to the park downtown
                   where we'll play our version of rugby while
the sun hits the color of your eyes just right
and the perfect song turns on, maybe led zeppelin
           and we'll run like children through a sudden rainshower
all the 1.5 miles to the borrowed car, with cassette records
of our mixtapes to each other when we first hit it off
all strewn across the console,
                 toweling each other off and saying **** it
driving ******* in rain spattered shorts home to our flat
blasting music from stupid-loud speakers,
         cooking souped-up ramen noodles with fancy appetizers
before we leave the stove on because we were too busy kissing
or feeding the dogs the treats we bought at 10 am
      while we swallow our wine with i love yous
and yes this is a healthy relationship
one where you don't expect anything but life from me
                     and me life from you
where there ain't nothin' but lovin' and real **** between us.
i'm my only lover
Anais Vionet May 27
Peter (my bf) and I are at Heraclee beach for the weekend.
It’s a little sliver of heaven, about 11 miles south of Saint Tropez.
It’s too early in the season to swim - being breezy and 72°f -
but it’s still the beach. I’m a neophyte beach ***,
but I’m willing and eager to learn.

I’m valuable even if I’m not being productive [I self-affirm].

something poetic-ish..

The sun’s a drowsy tyrant, not yet willing to unforgivingly scorch.
The beach is like glistening sugar, the sand still cool enough to walk, rogue west winds occasionally whip it to an ankle stinging sandpaper.

Majestic umbrella pines are dancing the hula. The shrub-like understory is dominated by drought-tolerant lavenders and rosemary that dense the air with perfume which complements the mediterranean brine.

There’s laughter, off somewhere, like wind-chimes playing clear, just above the ever-roiling sound of the surf. Birds are everywhere, gulls walk around like they’re bored, cory float on air, like kites and petrels skim against the wind, centimeters above choppy waves.

The beach isn’t crowded - French kids are still in school - but a few hardy, oiled, bronzed and sculpted bodies are sprawled on the pristine sand, like offerings to the god of leisure.


Our hotel has its own private cove, with adirondack wooden lounges under yellow parasols. Pastel blue-vested wait-staffers circle, on the quarter-hour, eager to please.
“Deux (two) American Martinis, S'il te plaît! (please),” I ask, expectantly.

It’s a **** beach, but Peter got an alarmed look when I joked I might go *******. “Annick (my older sister) always goes *******,” I informed him.
“I’d like to see that,” he’d chuckled, and when I gave him a raised eyebrow, he amended, “That came out wrong.”
.
.
songs for this..
Summer of Our Love by Triangle Sun
That life by Unknown Mortal Orchestra
The kiss of Venus by Dominic Fike, Paul McCartney
BLT Merriam Webster word of the day challenge: Neophyte: someone who’s just started learning something
bb Apr 2014
When you laid in my bed, you were a landscape painting, and I had filthy hands. When you sat, ******* and upright at my kitchen table, you were a storm and I had nothing solid to hold onto. Everything else in between is a blur, and I am grabbing whatever I can from the Styx swirling around my synapses. In the end I am holding onto what feels like broken glass and I am trying to describe this in a way that will lure you back under my floorboards until you seep through and catch me by surprise like a flash flood. Everything about you stings like saltwater and everything about me bends for you like light and I am so covered in wounds and you are so covered in shadows. When you lay in my bed and sigh like God; when you peel an orange in a way that makes my heart feel all your tearing and pulling, I can stutter for up to six hundred ninety one thousand two hundred seconds. Eight days pass and my lips slowly learn to speak again.
Carlo C Gomez Mar 2021
I remember her
in old
photographs

she'd been
daydreaming
all her life
in her under-age
world

spinning
like a top
eternity
in her head
But recklessness
on her tongue

crusading for
******* summers
in Europe
and all that comes
splendidly hither

when laid down
by the embers
in the groves
close to
the congenial sea

I rightly recall
before the page
turning

electric particles
shooting off
as fireworks
in each of her
copper eyes

and how destiny's
curtain fell
with such
suddenness
that morning of
the thin blue line
Filmore Townsend Mar 2013
walking into smoke shop,
hoping to find a girl named
Expectations. hoping she'll
have legs, eyes, all the usual
contrived sights. careful, con-
trolled tiny burns. no one's
blowing up the bridges.
no one is trying for attention.
hoping to catch it strutting like
a Bird of Paradise. strutting
isolated, too lazed to clear the
grounds. too lazed to give too
much of a **** for attraction.
lips broken by the winter wind,
lonesome travelling with
Expectations aside. she's waiting.
hoping. to rise, to strive, to arrive
at finality. and then onward. and
then **** Expectations after.
gripping hands, mine alone,
forcing friction to dry qualm'd
sweats. to remove embarrassment
of inaction in inexperienced persons.
citing her, citing everything
foreseen and predict'd. all in
hopes at removing consequence,
but Expectations' voice threw tog-
ether a string of words unbecoming
of her vocabulary. they were unbe-
coming for a girl in that place of society.

walking out, rebuffing time and ad-
vances. fighting this mortal fight for
invincibility. to be of highland descent.
amending to Expectations on the side.
amending for waste of sacred days. lights
cast where darkness was. and these thoughts
enlightened by Son of Vonnegut on his
northward journey for Nirvana.
spitting blood, searching for immortality.
******* Expectations. *******
up life in the blood-lust. throwing a second
pair of shoes in the trash. waiting to ask
questions of persons un-wanting when questions
unwanted ask'd by persons of a cloud'd past.
and the infection is in the heart, is in the soul,
is in the lungs. with each words' passing from
putrid mouth, with each word infect'd in entirety.
pushing into the world meaningless
****. these un-embodied words are only a
passing lip-service, and have never relfect'd -
never realized - on the recant'd lives they've
run thru. nor the current running. recanting,
redacting, refracting - a disease of distraction.
Expectations lurking by ruined road.
that chance to rise, to strive, never
let her more than some inch of give.

holding prejudices, clinging with
desperation. held by throat.
sacrificial lamb found through
re-imaged scapegoat. watching
hours fleet, awaiting death
of muscles strength. awaiting
ravenous claws at pit's bottom.
Expectations peeking through
slit'd fingers, avoiding direct
contact of vision. learn-
ing to forget promises.
her eyes shine hazel.
learning of life, roots grind the ground
as scapegoat - throat released - gnarls hair
in fingers. feet force avalanche of scree
falling in eyes of ones attached ravenous claws.

silent with-holdings. Expectations
with hand over heart. spitting blood,
and whoa. something's not right.
Expectations *******, partial nakedness
and truth of truth. tears of mud caked
mountains. weighing down, and stare
never longer leaves the ground. and
blood turn'd stone, spitting worlds
with creationist vigor. making some-
thing for sake of nothing and feet
fall to repetitive rhythms. Expectations
falling, Expectations *******,
Expectations' hazel-stained eyes.
Elizabeth Kelly Feb 2022
My then boyfriend
Now husband
Never forgave you for putting your hand on my thigh,
Casually mentioning the ******* beaches in the south of France.
Your daughter needed a chaperone on your family’s upcoming vacation.

You went and I stayed of course
The ******* beach all the poorer for my absence.

I am not the kind of girl who
Finds herself at Disney Paris at the end of the movie.
That’s not the way this movie ends, anyhow.

12 years later
One lung lighter
Tens of millions denser
and poised to send your daughter
to Dartmouth
Or Tulane
Or anywhere she’d rather.

She’ll have everything the world could offer her
In exchange for her father.

A parent shouldn’t have to know.

So I forgave you the hand thing
And the lewdness of a drunken survivor
Poised on the lip of an ever-widening hole.

If you asked to take me now,
I think I’d go.
I’ve always wanted to see the Louvre.
I can almost hear it:
The clicking heels and murmurs,
Your overwrought humanities professor explanations of this or that and me humoring you with appropriate reverence as always,
And the dead certain silence of the thing we will not speak about,
Pointedly conspicuous in its absence,
Filling the space between.
Dedicated to my friend John, a mesothelioma survivor. This is my 100th published poem on HelloPoetry

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