I guess I’m a different sort
A kind of jiggle-free ******;
When the fun turns to money
I always choose to go.
I have no beef with prostitutes,
Some are great at having fun.
It’s just when it comes to me
I’d rather see than be one.

I am usually flat broke
Not a dollar to my name.
It’s almost like saving up
Has never been my game.
I know I could maybe do well
By snuggling someone wealthy,
But I know people who did that
And it never worked out healthy.

I guess I’m a different sort
A kind of jiggle-free ******;
When the fun turns to money
I always choose to go.
I have no beef with prostitutes,
Some are great at having fun.
It’s just when it comes to me
I’d rather see than be one.

I’d much rather just play around
And see what happens then.
I don’t plan and I don’t demand,
I don’t insist we do it all again.
I might be gone when you wake
Off to have new adventures.
I don’t care if my wandering ways
Are looked upon with abject censure.

I say it up front, so no heartbreak,
I tell you please don’t to marry me.
I pay my own way and sleep where I wish.
I don’t need anyone to carry me.
If you see me down the road a ways
And I’m behaving some other way instead;
Not the jiggle-free ******, I am normally
Then bury me, it means I’m dead

I guess I’m a different sort
A kind of jiggle-free ******;
When the fun turns to money
I always choose to go.
I have no beef with prostitutes,
Some are great at having fun.
It’s just when it comes to me
I’d rather see than be one.

Brent Kincaid
4/28/2019

Green, red, red and green
Bangle, jiggle, twinkle and sheen
Rush and tumble, hurry and pay
Have they are all forgotten
What the point is this day?

Rushing past the man on the street
He who is huddled with nothing to eat
Sitting so quiet, tryin’ to keep warm
As he tucks in his legs away from the swarm

Blue day, Black day, black and blue
Green paper flying, silver coins too
White snow flying resistance of few
A man disappeared under the snow as it flew

Green, red, red and green
Bangle, jiggle, twinkle and sheen
Rush and tumble, hurry and pay
Have they are all forgotten
What the point is this day?

Presents and wrapping, bangles and bows
Shiver and shaking, shoes with no toes

My ****
follows me everywhere!
Wiggle wiggle, poke poke, jiggle jiggle.
At the fridge in night I've a friend by my side.
By my backside.
On,
my backside.
Stuck with humidity to the toilet seat on a rainy day,
that's right!
The bathroom exists, and on a toilet do I sit.
At least four or five times daily.
Stuck to chair, playing with hair with one hand
and a controller in the other.
Pumping up and down and in circles as I
jump squat.
Jump squat!
To share if you dare put your palm down there to squeeze.
Grab slap, wibble wibble.

I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see

They have spent their
content of simpering,
holding their lips this
and that way, winding
the lines between
their brows. Old folks
allow their bellies to jiggle like slow
tamborines.
The hollers
rise up and spill
over any way they want.
When old folks laugh, they free the world.
They turn slowly, slyly knowing
the best and the worst
of remembering.
Saliva glistens in
the corners of their mouths,
their heads wobble
on brittle necks, but
their laps
are filled with memories.
When old folks laugh, they consider the promise
of dear painless death, and generously
forgive life for happening
to them.

i was considering how
within night’s loose
sack a star’s
nibbling in-

fin
-i-
tes-
i
-mal-
ly devours

darkness the
hungry star
which
will e

-ven
tu-
al
-ly jiggle
the bait of
dawn and be ******

into

eternity. when over my head a
shooting
star
Bur      s

              (t
                  into a stale shriek
like an alarm-clock)

Why is literally everything over sexualized except for realistic body types? All women have cellulite. All women have rolls when they sit down or lean one hip to the side. All girls jiggle somewhere when they walk--and I'm not talking about their ******* ****.
I'm talking about feeling your legs and belly jiggle, wishing you didn't care, feeling less and less **** every day. Feeling like a stranger in your own skin like you put on the wrong meat suit one morning and misplaced your old one.
I'm talking about skinny taking over everything, and my own skinny being considered plus-sized. I'm talking about looking in the mirror, utterly disgusted by your own body because the world tells you that you need to change.
I'm talking about feeling guilty after eating anything; not eating, binging, and dressing in layers to hide how you really feel about how you really look. I'm talking about how hard it is to love yourself, when the world tells you the only women deserving of love are sizes 2 and under...and if they are bigger, they can only have curvy hips and a tiny waist, both of which you have to be born with to achieve. Having a wide rib cage and a wider everything else is something I was born into....and I can't change it enough:
My legs rub each other raw when I walk, and I'm too tall for heels. I have bruised hips from hitting doorways and edges because I misjudge how wide I really am.
I'm in denial.
I grab the fat on my back wishing my boyfriend would stop. I stand in front of the mirror, fighting back tears, fighting back the urge to wish for the flu. After all, the skinny girls are always bragging about how much weight they lost while home sick with one thing or another. Unfortunately, losing weight is harder for those with weight to lose.
As I put my arms to my sides and watch how far the fat expands to make my arms look like three times their size than when I was yanking at my hair in panic.
I watch how my belly looks when I slouch, when I stand up straight, and when I lean too far back in an effort to obtain a flat stomach.
Round, curvy, rounder.
It's intoxicating, sickening, but I just can't stop. I stare and I stare some more and I hate every inch. I wake up, and do this routine every morning, and every second of my day thereafter.
I'm talking about waking up every morning and making a point to avoid mirrors throughout the day, tripping over things to avoid looking down at yourself, and the constant feeling of inadequacy knowing that you'll never be someone that can walk outside with confidence knowing how easy life is as opportunities and love fall right into your lap...because you're conventionally attractive, of course.
You're too big to cuddle on a couch, or share a chair, or casually sit on your lover's lap. You'll never be lifted off the ground with ease in a romantic gesture. You'll never be able to joke about how much you eat like the skinny girls can because, unfortunately, your love of comfort in food form shows all too well.
You'll probably never have love as solid as an attractive woman would have, either. No one will ever be jealous over you because, well, who's going to steal you away but the desserts you sneak when you're alone and aching?
Alone and aching are emotions all too familiar to the less than conventional.

my subject, mrs. ((brown?))
for this speech is
going to be: obesity. ish.

you see I remember
the article you handed out to us,
loos-leafed,
fresh-pressed,
a dry white piece that told,
in simplest terms,
the most inarguable & bland facts
about !healthy eating & !weight loss!

but mrs ((whatever)), I want
to tell n and the entire
******* crisp class,
that obesity is a load
of steaming ****
from someone who’s really fucki
ng sick (you know how much
better it stinks then)

that obesity
was made to be glorified,
I don’t tell you this—
I ****** jiggle it to you,
grab my santa clause puch and
shove it at you--

tick tock
we wait for the clock
to tell us what
s to come,
except it makes us guess

--see this:
a mid-age woman, mother,
fat & previously fat,
goes in for stabbing pain in the chest, or
chronic diarrhea,
seeing stars & no energy left.
((this happens))
the doctor says,

well let’s weigh you n see
if you’ve lost
the weight I told you to lose before
remember Sharol

now Sharol..,,,, sweety…..
you weigh 55.62 lbs over the
state-set “healthy limit”k,
so we’re just gonna give u these
diet pills & I promise they work,.
all nach-yer-awl u see, none of that
waterweight ******* [! excuse my language]

and in about 3 months you’ll lose
half that overweight,
and I promise the starsll go away and you’ll
feel right tip top okay now that’ll be
$60 & come bac k in a month to tell me
how much you’ve lost okay

haha but that’s alrightright?
she was unhealthy
&
doctors make you healthy

only her brain cancer maybe, or like, colon
cancer or literally anything other obesity

kills her in about 3 months
bc the **** doctor would only
pretend that she cared
what
was
wrong with Sharol, sweety…,,,

im sharol and so are you and
so is your uncle & so is
your mother, probably
because most of us are “obese”

& the only cure for obesity
is the cure for the term
“obesity” you see

They put us in glass boxes
And empty rooms with glass ceilings
We conform to make our ends, and we learn to muffle our feelings
Their inventions age into Standards, and they sell us their finest wine for a fee
No prison for this Queen
'Cause I like my ******* free...

They applaud our independance at first
Then tell us we are now too proud
Our voices once unheard are now suddenly too loud
Make sure you please the people
No heels too high, and no skirt above the knee
I wear no bra to imprison my womanhood
'Cause I like my ******* free...

Jiggle jiggle with hard *******, let them bounce naturally
I am every bit of my roots- I'm ***** happily
I'm not ashamed of their smallness
Despite their size, they  stand as firm and tall as mountain peaks
They're embarassed or jealous of my freedom
'Cause I like my ******* free...
  
Big or small, short or tall, even if one is size 'A' and the other 'B'
They are our imperfect perfections
They belong to you, they belong to me

Our country has learned to dictate through mandate
While they ******* themselves to higher power
I'm not ashamed of my nakedness and I look in the mirror after my shower

So if you think I need a bra
Then I will tell you you need to be imprisoned
My mind is mine, as is my body and they will never take my vision

They try to smother what they don't understand
I'm just evolving into the best Me
I know who and what I am...

...And I just happen to like my ******* to be free.

I've learned about self love
a lot in the past few months
and how to love the way
my thighs jiggle

I've learned about self love
a lot in the past few months
and how to appreciate
my thick eyebrows

I've learned about self love
a lot in the past few months
and to remember that my eyes
twinkle like no other

I've learned about self love
a lot in the past few months
and how to treat my body
like a temple

I've learned about self love
a lot in the past few months
and that everyone's definition of beauty
is different

I've learned about self love
a lot in the past few months
and how to accept
that I'll never fit society's standards
but that it's okay

I've learned that I'm beautiful
and that's the most important part
of all

jiggle jiggle!
up and down
i take them *******
all around

Saturate and brimming of my hometown Boston,
of its sunshine Marathon peoples and bomb images,
my heart fracture rend.

On the third day—resurrection of all my sadness
came to me, feeling fresh and born to fruition,
so this grew.

It grew and through my tears coming,
I stood to witness two loving sparrows
on a window branch.

My sadness at some abeyance, studying and curious
I was of her--all akimbo shivers and rock-in-roll, of him--
flying feathered stone, rolling from branch to branch
and coming home, repeatedly.

Circles flying within moving circles!

Did something happen
with the last jiggle of her branch?

Did you see that? Science says
what they were doing—they had finished.

(But what to believe of Science?
It calls their loving--mating rather).

Now to tell you—the sequencing was this:
when I was full knocked down
on account of my grief,
and I hardly had strength to go on,
a Beatles song flew in and gently pierced my heart,
singing to my ear: Why don't we do it in the road...
no one will be watching us...why, why don't we do it

O, Spring Life of Sparrow surprises!
Open road, that budding tree,
any new notion is something grand!

How do I say now? That you two
were most helpful, your innocence
forever abiding?

Fly off Sparrows, forever prayer!
I speak this with all my love.

optimist - acrostic

Open up the book
Page one, neutralize your thoughts
Turn the page
Induct elation
Make your temperament positive
Idealism
See the prism of sanguinity
Turn the page

============================================

aqua - acrostic

Arid soul washed away
Quietly sinking down
Underneath the waves to stay
Awakening as i drown

========================================

flaw - acrostic

Forget about the way we see
Looking past the shallow grey
Awaken to a deeper degree
We are all beautiful in our own way

=========================================

harm - acrostic

Hurt me, the pain will go away
All anguish is fleeting
Remnants of your words might stay
My heart will go on beating

====================================

wolf pack - acrostic

Wild and free, nature's breed
Out of bounds of any containment
Living off of only what they need
Flourishing in sustainment

Prowling the forests and grass
Attacking only what they eat
Canids from our distant past
Killing only to replete

(i know i didn't use the word sustainment correctly here, but it rhymes)
==================================

jugs - acrostic poem

Jiggle and bounce for me
Underneath a cotton top
Gives me such satisfaction
Seeing them flip and flop

=================================

sympathy and attention - pity party poetry page

with an affinity for sympathy and attention
pity without empathy ends up as an affliction
sitting all alone having fits not fit to mention
depicting his own addiction to his self infliction

distemper words, written with intention
listless visions are a picture of his fiction
his existence isn't gifted within this dimension
it's a senseless decision to befit a contradiction

==================================================­====

discretion

if deception is a threat, i guess it begs the question
does perception get better with less discretion?
can a gesture of conception be answered best with ingestion
by letting down our guards will we fester in suppression?

changing our direction away from our debts of reception
pressed by our expression of protested progression
best bets are guessed and when we collect we learn a lesson
back to the question, is perception better with less discretion?

====================================

rhyme without reason

what is a rhyme without a reason?
it's no feat to beat the drum of no cohesion
it's like planting seeds that aren't in season
or a disease that leaves a bleeding lesion

a decent poet is adept at seeing adhesion
leaving the meaning amounts to being treason
completely missing pieces for completion
not even worth reading, only worth deletion

========================================

everlasting (4 versions)

though i have ran with the rats of cancer
as i craft the ladder to the final chapter
i never planned for crass disaster
abashed by the lasting factor

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster

---------------------------------------------------------­---

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-------

(you can also do one of these)

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master
i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster

I'm telling lies to terrorize tame territory,
and so they'll strip me down, string me up, and bleed me dry of glory.
Mourning from the morning after, hanging from a ceiling rafter.
Two rows of platinum canines, call me a gangsta-veloci-rapper.

Truly emancipated, drinking whiskey from Lincoln's skull.
Proclamation of my bank roll grants more ***** than animal control.
Flicking cigarettes at MC's who think they're superior,
into their passenger window to burn holes in their interior.

I run all night, jiggle my handle after flushing.
All the plump gals seem to love me, I've got their cellulite a'blushing.
I don't like *****, but I'll sip on something Russian,
if you ship her in the mail first class from your Middle-Euro cousin.

Looking back, I think I knew she wasn’t going to wake up that night. Maybe I thought she wouldn’t wake up ever.
CHAPTER 1: ENDLESS SLEEP
It seemed to me that the fact that movies and stories make it appear as if sad things can only and will only occur during rain and thunder was just stupid. The weather has no affect on the events, right? But I was wrong. On Tuesday, April 18th, I began to realize this apparently idiotic movie ploy might have an inkling of truth buried in it.
That day, the kids had teased me again, but to be totally honest, I didn’t mind it then and I don’t mind it now. It had begun to rain when I was halfway down 17th street. I had immediately removed my shoes and socks, and stuffed them into my bag, which was already overflowing with scraps of paper and books. Most of the books had been for free time reading, and are currently lying in a heap in my room at Dad's, where they will remain unread until I decide to forget that awful, horrible, tragic day.
I ran all the way to our apartment, but went the long way and danced and twirled as my un-zippered jacked flapped uselessly behind me. My lungs burned white-hot, but my body was freezing, a feeling I still to this day enjoy. By the time I had reached the alleyway behind the crumbling yet comforting building, I was soaked through, and I loved it. I decided to go around back so Martin would have no excuse to yell at me in that foul, ill-tempered way that made the skin underneath his chin jiggle. I had started towards the rusted door when I saw her. Of course, it hadn't been her. She had been inside, where she alway waited for me to get home. But I had felt on that day as protective of her as she always insisted upon being with me.
I grasped the icy handle and slipped inside, the warmth of the building suffocating rather than comforting me. To this day, I prefer being cold, because it clears the mind, and warmth clouds it, like the foul demon that lures you into the endless sleep that tried to take my mother that day. I climbed the steps; the sudden noise of my feet on the stairs was like a rock sliding under the water, breaking the calm.
I remember how the climb up the stairs that day had seemed especially long. But mostly, I remember how the apartment smelled when I finally reached the top and slid the key into the lock, turning it noisily. I remember the smell, and how the instant it hit my nose I knew that I wasn’t to expect the warm, gentle mother I came to expect most days, but that I was going to get the harsh, drunken version, when she had been smoking and on drugs.
Resignedly, I called, “MOM! I'm home from school!” only then I hadn't known that I would never get an answer. I dumped my soaking bag unceremoniously in the hall, and it hit the floor with a wet thump, splattering mud on the tiles. When she didn't respond, I had frowned; a face Andrew tells me makes me look somehow more mysterious.
The trip I had then taken to her room revealed only that she had passed out on the bed, and that she smelt of sadness. But at that time, sadness wasn't uncommon. I don't remember how long I stood there, but I know that when I finally awoke from my thoughts, I showered and got into my softest pajamas. I settled down to do my homework, but I hadn't been trying hard, so when the time had come to make dinner, I had only made the smallest of dents.
Simply because I had been tired and hadn't been up to making anything more complicated, I made tomato soup. Mom always used to make my soup with milk rather than water, so that was how I made it too. I poured the soup into mugs, because we always liked to drink it rather than eat it. I remember sipping from my mug, and I remember how the warmth burned the roof of my mouth. The heat of it brought tears to my eyes, which were every bit as salty as the soup. I walked to her room, and knocked on the door, the sound echoing through the apartment. She hadn’t answered though, so I entered with the intention of waking her up.
“Mom!” I had said. “Wake up, I made dinner!” and I set the mugs down on her bedside table. With my freed hands, I had shaken her shoulder softly. She didn't wake though, which had surprised me, for she always woke instantly as if her dreams were frail and easy to shatter.
“Mom!” I had raised my voice, and I shook her more vigorously. “MOM!” I think it was on the third time that I finally began to realize, but I still shook her.
On the fifth try I had begun to cry, and on the sixth the calm part of me told the hysterical part: *She is fine. She will wake in the morning, I promise. She will wake. That was the first time I ever lied to myself.
I remember pulling the covers on the bed over her, and then gingerly lying down next to her. Mom. I kept thinking to myself, as if my mere thoughts might wake her. But I had known she wasn't gone, for I felt her breath next to me, soft, shallow, and hardly discernible from my own, yet still breathing. I had drunk the rest of my soup, but left hers, telling myself she would drink it when she woke. Now, looking back, I realize how stupid it was of me to have thought that she would wake up.
I don't even remember falling asleep that night, but I must have, for in the morning when I woke I looked quickly over at her, hoping, wishing that she might have risen. I remember shaking her again, pleading, “Mom, it's the morning, and you missed dinner but it's okay, I will make you more if you please wake up, please momma. Please,” But she didn't heed me. I remember sitting in bed with her all morning, watching the clock. I didn't get ready for school. My mom was more important, I told myself. When the clock had ticked from 8:29 to 8:30, I knew the bell had rung, and I was late. I guess to me that had been a signal: The rest of the world has continued without us. I remember standing up and padding to the kitchen, and grabbing the wireless phone. I remember how icy cold it had felt, as opposed to the warmth and comfort of the bed in Mom's room. For once I simply craved the innocent warmth from my mother's inert body. I walked back in and sat on the edge of the bed. I dialed 9-1-1 and hit the 'call' button.
“This is 9-1-1 what is your emergency?” a rough male voice had said.
“I-” I had to clear my throat from lack of use. “My mom was passed out last night when I got home from school. I thought she would wake up, like she always does, but she hasn't. She is still breathing. Please come,” I had said all that with a flat voice, refusing the awful feeling in my throat that warned of tears.
“What is your location?” he asked, his voice softer now.
“913 Alvarado,” I whisper. “Fourth floor, number 413. My name is Sierra Banks.”
“Paramedics are on their way, ok?”
“Ok,” I recall how loud the click was when he hung up, and I felt the cold, empty silence press down and around me until I couldn't stand it anymore. I wanted to talk to someone, anyone, except the police officers who sounded way too casual. My mom's life might be on the line, and all they do is talk in monotone. Like they don’t care about all those lives. I knew then that I was being unfair, and that they were simply used to losing lives, but...
I looked up at the soup mugs on the table and next to them...her cell. The last person she talked to. I scooped it up, went to last calls, and hit redial.
Ring...Ring...Ring... “Hello, Clemens residence.”
“Dad.” The pain of hearing his voice then was the same as when I hear it every day now. Regret had instatly clouded my heart with the cold wall I built four years ago. Tears began to pour down my cheeks, but I can't recall now if they were hot and scalding, or cold.
“Sierra?” his voice too had become thick, and I hated him for crying. He left us.
“Yes,” I had been unable to force any other meaningless words at him. I hadn't seen him in four years, when we visited him, his beautiful new wife, and worst of all, his new baby girl. He replaced me! My throat burns to think of it. I hadn't thought of Lila, my step sister, and my replacement since she was born. Fury built up inside me. Why did mom call them last? Why does she still hold his number in her phone even after he left? And most importantly, what did they talk about? I still haven't forgotten these questions, but I most certainly haven't got any answers.
“Dad, mom is in trouble. She hasn't woken up since yesterday. I thought she would wake up but she hasn't. The ambulance is on its way,” Instantaneously, I hated myself for telling him, pouring out how scared I was. He didn't deserve to know, to pretend to feel sorry.
“Oh Sierra. Oh my beautiful daug-” he began, but I had already ended the call. How dare he call me beautiful? He hadn't seen me in so many years. He didn't deserve to pretend he care. Maybe I loved him once, but not anymore. I didn’t, and still don’t, want his sympathy, his false words, dripping in I-told-you-so. But most importantly, I didn’t want him to hear me cry.
Now I find myself having to live with him, and have to be constantly aware of him walking in on me. Like the other day when he walked into my room to see how I was doing with homework and found me rocking and bawling on the bed. Gasps had escaped from me in rapid succession; my sobs had shaken the bed so that it creaked softly. My lips curled apart from my teeth as I convulsed. I sniffed loudly and, gradually, my sobs had died down. Eventually too, my ears had regained their sense, and their voices had drifted to me from outside my bubble of silence.
Most days I had control enough to save my tears for the night or not cry at all. A week ago my English teacher had made us write letters to our parents. I had asked if I could write mine to someone else, because I was still furious at my dad, and mom left me. I know that she was in a coma, and she can't help it now, but I remember all the times that I was strong through her rampages. It didn't matter anyways, because Mr. Steiner blatantly refused. I decided to write it to mom, since I refused those days to even to acknowledge that I had a father.
And to this day I remember every word, for I read that letter a hundred times that day, until I had it committed to memory, so that I could have it with me, where ever I might be.
The ambulance arrived about five minutes after I hung up on Richard. The memory of crying, and rocking endlessly in pitch blackness made me refuse even to call him my father. What I kind of father, I asked myself, leaves his daughter crying, without comforting her, when the only person who ever loved her, is a million miles away? 'Mine,' I had answered myself, bitterly.

It was also my violent heart that broke,
falling down the front hall stairs.
It was also a message I never spoke,
calling, riser after riser, who cares

about you, who cares, splintering up
the hip that was merely made of crystal,
the post of it and also the cup.
I exploded in the hallway like a pistol.

So I fell apart. So I came all undone.
Yes. I was like a box of dog bones.
But now they've wrapped me in like a nun.
Burst like firecrackers! Held like stones!

What a feat sailing queerly like Icarus
until the tempest undid me and I broke.
The ambulance drivers made such a fuss.
But when I cried, "Wait for my courage!" they smoked

and then they placed me, tied me up on their plate,
and wheeled me out to their coffin, my nest.
Slowly the siren slowly the hearse, sedate
as a dowager. At the E. W. they cut off my dress.

I cried, "Oh Jesus, help me! Oh Jesus Christ!"
and the nurse replied, "Wrong name. My name
is Barbara," and hung me in an odd device,
a buck's extension and a Balkan overhead frame.

The orthopedic man declared,
"You'll be down for a year." His scoop. His news.
He opened the skin. He scraped. He pared
and drilled through bone for his four-inch screws.

That takes brute strength like pushing a cow
up hill. I tell you, it takes skill
and bedside charm and all that know how.
The body is a **** hard thing to ****.

But please don't touch or jiggle my bed.
I'm Ethan Frome's wife. I'll move when I'm able.
The T. V. hangs from the wall like a moose head.
I hide a pint of bourbon in my bedside table.

A bird full of bones, now I'm held by a sand bag.
The fracture was twice. The fracture was double.
The days are horizontal. The days are a drag.
All of the skeleton in me is in trouble.

Across the hall is the bedpan station.
The ***** and stools pass hourly by my head
in silver bowls. They flush in unison
in the autoclave. My one dozen roses are dead.

The have ceased to *******. They hang
there like little dried up blood clots.
And the heart too, that *******, how it sang
once. How it thought it could call the shots!

Understand what happened the day I fell.
My heart had stammered and hungered at
a marriage feast until the angel of hell
turned me into the punisher, the acrobat.

My bones are loose as clothespins,
as abandoned as dolls in a toy shop
and my heart, old hunger motor, with its sins
revved up like an engine that would not stop.

And now I spend all day taking care
of my body, that baby. Its cargo is scarred.
I anoint the bedpan. I brush my hair,
waiting in the pain machine for my bones to get hard,

for the soft, soft bones that were laid apart
and were ******* together. They will knit.
And the other corpse, the fractured heart,
I feed it piecemeal, little chalice. I'm good to it.

Yet lie a fire alarm it waits to be known.
It is wired. In it many colors are stored.
While my body's in prison, heart cells alone
have multiplied. My bones are merely bored

with all this waiting around. But the heart,
this child of myself that resides in the flesh,
this ultimate signature of the me, the start
of my blindness and sleep, builds a death creche.

The figures are placed at the grave of my bones.
All figures knowing it is the other death
they came for. Each figure standing alone.
The heart burst with love and lost its breath.

This little town, this little country is real
and thus it is so of the post and the cup
and thus of the violent heart. The zeal
of my house doth eat me up.

as you jiggle
nervously
in your seat
during therapy
i can only imagine what
is eating at you haley

no that’s not true
i know a little bit about it
for instance your mother
drains the medicine cabinets
instead of sink
the last months’ worth of dishes are still *****
she takes her pills with *****
because they are her water
rubbing her stomach clean with alcohol
yet she has never picked a rag up
to scrub the sickness from her house
red stains on your blouse
haley does she even know
what grades you got this year?
haley did she ever notice
when you dyed your hair?
to feel like you fit in somewhere
when you didn’t fit in her lap anymore

you come home from school
with scratches on your arms
and she never asks where they come from
so you tell her:
you feel like in a past life
you were a dartboard
because at school your peers play bullseye
with your forehead
and sometimes when they break your glasses
and you skip classes to do lines on your skin in the bathroom
with your walmart scissors
you just tell her you tried to kiss a stray cat
on the way home
and she actually accepts that because
she’s the one who taught you to play dumb

and at thirteen you’re still
suckin o  your thumb when you think that no ones looking
and though you don’t know it
the reason you do that
is because you’ve been drinking from a bottle
since you were a baby
and she never even attempted
to breastfeed

haley doesn’t understand
when i read her stories about the buddha
she just knows my voice
is comforting
haley doesn’t know
she has this inner peace
and all i want to do is
gather up her gashes
and put the pieces back together
haley doesn’t think she is lonely
but she thinks that i’m pretty
and she subconsciously wants
to make a mother of me

so at the end of the hallway
when she’s crying in the corner
because she misses freedom and light
i ignore hospital rules
and rush past the nurses
to hold her tight
and i teach her to breathe with her nose
close to our open window
and tuck her in when the bars
make shadows on the floor
in the moonlight

we sleep in beds of ashes but i know
that someday haley
will rise from this and grow
out of suicide
because in her sleep
she still hears me in her periphery
whispering of siddhartha cross legged under the bodhi tree
and how he discovered
life and death are not separate
and they each come accordingly
and right now she should just
focus on her breathing

and before i close the book
i also add that she’s beautiful
because it’s an important footnote
hermann hesse would want her to know

when i left she hugged me tight
with a tearful mumble goodbye
and when i walked into the sunlight
the two of us had dreamed about together
haley was still just a patch of phoenix ash
an egg hatching but i know her
and it’ll happen fast
but someday suddenly
she will realize she is
full of fire

I’m singing the blues
Saying good bye to my shoes
The red patent high heels
With the shine that appeals
The shoes that made me feel hot
Whether I looked it or not
Made me walk with a wiggle
Made my back side jiggle
Gave me a **** demeanour
Made my legs feel leaner
Helped me walk tall
On the days I felt small
The same red shoes, so sweet
That are now tight on my feet
Which squash my big toe
And somehow, they know
That I’ve got dickie knees
So I’ll never wear skis
Not to mention arthritic hips
Which cause a total eclipse
When I bend over
And moreover
I walk just like I’ve got off my horse
So I’ve got to bid farewell, of course
Part company with my lovely red shoes
That is why I’m singing the blues
…..They should sell on ebay pretty quick
….. I’ll spend the money on a walking stick

©Nicki Tilston

I've got an idea, that's just too weird to be real
But, if we could get it to work, I'll let you in on the deal
It's a way to fix things, that's as easy as pie
When I say what it is, you'll just sit and cry
You won't need a mechanic when the car goes to ***
You won't need any makeup to cover that spot
The roof has a leak, don't call for repairs
The window is broke, act as though it's not there
Your tooth hurts like crazy, no dentist to call
Don't call a contractor for that crack in the wall
The baby's still crying, leave the doctor alone
The dog ate your homework, just throw him a bone
The bank just got robbed, don't call for the cops
Don't sit there just waiting for the next shoe to drop
The answer is simple, you won't believe it....I know
But if we could get it to work, our wealth sure would grow
It's a thing so **** simple, that we do in the loo
I know that we do it, and I'm sure you do too
It's a thing just as easy as lighting a candle
to make problems go ****....just jiggle the handle !
If we could apply something this simple to our problems each day
It would be so **** easy...and they'd go away
So before you go crazy, overwhelmed with the world
Just think of this answer that I have unfurled
Remember it now...just like lighting a candle
You can make them go ****...just jiggle the handle.

I walk into my office/abode, closing the door behind me. It's 9:00 PM. Well, 9:03 PM. I sit down at my desk and open my laptop, placing a tall glass of diet cola on the mouse pad next to the computer as a make-shift coaster. Three ice cubes float in the bubbling blackness. I've found two ice cubes won't make your beverage cold quickly enough, while four ice cubes will overpower it — water it down. You can't have that. It's got to be three ice cubes.

I open up my word processor to a new document. I've got to write something — this blank rectangular expanse has haunted me for long enough. I type some gibberish, then delete it. What do I want to write? I remember reading somewhere you're supposed to write what you like.

I minimize the page and open the Internet. No new emails. I could watch **** for a bit. I've always preferred the "amateur" videos because the people in them resemble actual people. You know, the guy's a little overweight, and the girl's got excessive arm hair, or a weird mole. He mounts her from behind, sweating profusely. Their bodies jiggle for ten or fifteen minutes. There's no eye contact, but you can tell they're in love. The TV's on. The guy looks up at it sporadically. Maybe makes a face at the cell phone he's filming his ******* on. The picture quality is low, and the audio is pretty tinny, but you can usually make it out all right. I saw this one video of a guy and a girl getting it on and some other dude was there filming it. You could tell it was an amateur video because she was kind of weird-looking. But, like, did he ask his buddy to come back to the motel with this chick he picked up and film them *******?

No, I can't get behind all that glossy, glamourous, professional ****. There's too much Botox and plastic surgery. They look too good. And it's all fake, too. These people have *** for a living. Watching them go at it, it just feels empty. They're not really into it. And I don't know if seeing guys with twelve-packs and ten inch ***** invokes a certain inferiority complex in me or what it is, but I know I just don't care for it.

Okay. Back to the writing. Now, what do I like to write? I like action movies, so... how about... a serial killer. No, a contract killer. So it's a serial, contract killer who... but there has to be some sort of conflict. Okay, a serial contract killer who falls in love with... but there needs to be something that makes it unique. Something unique that sets it apart. So how about he... or she?... she falls in love with...

I wonder if I have any new messages on Plenty of Fish. Maybe that cute brown-haired Asian-looking girl responded to me. What does "D2F" mean?

No, she hasn't. Well, when did I send the message? Yesterday night? Let's see when she was last online...

Today, at 4:13 PM.

Ah.

Well, maybe she just didn't notice it.

Yeah. That's it.

Maybe the target falls in love with the killer. Maybe they meet early on and they hit it off or something at some swanky soirée. And then... she's hired to **** him. Or her. Yeah, that could be interesting: a lesbian contract killer. Never seen that before. But she's got to be hot. Yeah. Not like the monster Cameron Diaz played in that movie... Monster. But who hires her? Her husband? Yeah, that might work. But would he **** her for being a *****? Or maybe... she stole something from him. Some money. Or she found out he's a criminal, and she's gonna squeal.

Lesbian **** is interesting. Especially when they use the strap-on thing. But I don't know why they **** on it first. I mean, it's just plastic. Maybe they know it's mostly going to be guys watching it. Who knows.

But seriously, why would that cute Asian girl not respond to my message? Her profile did say "msg me :)", after all. Her profile said her favourite book is Fight Club. I think she meant the movie. I wrote "haha ya brad pitt is the shiiit". I don't know. I never know what to write in those messages. I always feel obligated to say something about their profile so they know I didn't just look at their pictures.

I'm good-looking, aren't I? I've had girlfriends. I've had *** a bunch of times. I haven't had *** in a while, but... okay, so I don't have a six-pack, but I go to the gym. I just get so anxious with all those muscly dudes walking around. Maybe I should get a private trainer.

I need more diet cola. No, wait — no more soda. Maybe all that aspartame is messing with my head. Anyway. Back to the contract killer. How many pages do I have? Six. Well, the average movie is about a hundred minutes, and if one page equals one minute in screen time, I'm only... oh look, I got a new email.

Stef341 has responded to your message.

"not my type, sorry"

Huh.

Well, whatever. Fight Club is a stupid movie anyway. How are Brad Pitt and that other guy supposed to be the same guy? That doesn't make any sense.

Back to the script. I need a title. Every good movie has a good title. How about The Lesbian Killer? No, that's too risqué. Nothing with lesbians in the title. This is a serious movie. With a lot of passion. Maybe a *** scene or two. Whatever, I'll just call it The Contract Killer. Starring Cameron Diaz.

Twirl- twirl twist
As whirls your hands
And swirls your head,

Jump – jump leap
To bolster and strengthen
Your scrawny knees,

Jiggle ~ Jiggle Waggle
Move from side to side
Wave to and fro

At the risk of sounding sexist
I’d like to pay my highest respects today
to the girl at my accountant’s
with the beautiful *******.
Usually the only things that jiggle there
are the numbers on the ledger,
but today a couple of numbers
stuck out for me to admire.
She knew it all added up spectacularly well
as she bent down obligingly
and pointed out where I should sign
and showed me what I needed to see.
She knew and I knew that
capital gains and expenses
were comparatively insignificant here.
Saucy insouciance was the obvious upside.
Of course, I shouldn’t have noticed,
but then I'm afraid that's what happens
when you’re more
of a ******
than an entrepreneur.

Mike T Minehan

Wind swept

Wild places the grass it puts on a veritable orchestra of movement as it undulates to the power of the breeze that passes
Mountain meadows splashed with a profusion of flowers they jiggle as if there tickled about something or other
The crest of the hill bordered with trees sloping down the hill children are running reminiscent of Jack and Jill
This utopia of nature sets aside the hurly burly the curvature of the hills still the wind hold the sun just right you it invites

Cross these pasture lands the feeding ground of many cattle and sheep the pride of the farmer who keeps
Inexorably bound by breed and creed for centuries this way of life flourishes among these native grasses
Tender shoots these roots give of their riches the sun and rain gives them a time to reign with joy all reaps
Pleasure in the walk letting fingers glide over the heads of tall grasses the silent telling of harmony filled poise

Future generations will be brought to these shadowed grounds they too will by their lives express and know contentment
Hourly they hold in sod that has known the breath of time as it has passed time and time again it enlivens breaks fourth
Sturdy and resplendent it shows all its dependability the same respect settlers knew is found the builders of this continent
Long shadows grow upon earths shoulders she knows the good and the bad but through resilience remains unconquered

The distant mountain stands eternal guard, it affects rainfall, mutes the winds force guarantying a peaceful valley
Perpetuity is taught in this land tomorrows unfold from days gone by with regularity they build and keep the way open
Stewardship the blessed hope working in harmony with all that surrounds at days end this will be the final sum and tally
The herdsman knows the time he invests it well always with broad vision does he act in this wisdom all will be victorious

Horses clop,
Rabbits hop.
Frogs jump,
Caterpillar ****.
Worms wiggle,
Bugs jiggle.
Snakes slide,
Seagulls glide.
Lion stalk,
I walk.
Come on all lets dance,
Let's take a chance.
Clippity clop, hop  hop,
Jump and ****,
Now bump your ****.
One,two jiggle and wiggle,
Please don't giggle.
Slide and glide,
Don't hide,
The room is wide,
You can even ride.
Dear Mr Lion don't stalk,
Sit on a rock,
So I can do moon walk.
27/3/2019.

Your control over me is insane.
Do you realize that the words you say
       jiggle round and round my brain,
pounding, pounding,
tearing at me from within
and I can't even begin to make it cease,
this tortuous game
from which there is no release.
pounding, pounding,
You really have no clue, do you?
how much your words affect me,
make me reflect on everything
and the effect is nonstop
pounding, pounding,
causing me to clomp to the brink while
struggling, trying not to sink deep
into the very emotions you cause
by attempting to stop them. The ironic
pounding, pounding,
of a few words, you have no idea
the consequence they bring
and suddenly I'm running,
bounding, bounding,
leaping willingly off the edge.

I can't seem to wait
It's sick I know
I'm so excited
To have the body that my mind
Wants to know.

I want to see bones
Not my rib cage
But more!
Oh joy,
The hip bones,
Collarbones,
And muscles galore!

I want to be strong
So nobody can tell me wrong
I want to be the best
To have a body that I seem to long.

This tale may sound weird
But at least I know what I want.
One day I'll have a body
That won't jiggle, but one that I can flaunt.

it takes as much *****
in becoming a revision of a child
as it does to ******,
and if i'm not voicing this
here's static-x's wisconsin's
push it; i knew a car mechanic
would be the adequate aid.

Staring at a reflection
Watching for clues
Waiting for signals
But I'm never allowed to lose
Weight
Fat
No flat stomach left
And thin hairs mar
The one you're left with
Your body protrudes underneath your
Bra-line and
It makes you want to cry
Your butts still good
But you fearfully watch the
Jiggle of your thigh

Your body is all you've ever had
Your teeth are yellow and
Your hair loves to be bad
your nose is chipped and angled
Your skin mangled with spots and
Scars
Marred
Imperfect
Only the mirror makes you smile
But photos lack the style of
'Attractiveness'

You feel you can only look like you
In person

But now you have to search for the good
You know they would have you do that.
Okay, I like the practicality of my body.
Where I have stood, there has stood
Health, a wealth of love in
Laughter lines
I love the lines of my muscles
Count my contours,
Feel I'm fine when I breath in my
Cheekbones, hate the stress filled
Frown lines
Never forget the time I
Looked and found myself

Too thin
Too tired
Too wired up
To find myself
Too injured.

Never regret
And never forget
The point I realised
At least imperfect
Allows for 'happy'

You can't safely have a cigarette outside of the bus terminal
without a couple of folk asking for one.
You can't safely have a cigarette in general.
But, if five of them have to last you a night and a sunrise,
you don't really mind turning down a few nameless hands.
Some of the bus drivers like to talk about football, weather;
others complain about management or the patrons;
a few don't say much at all, avoiding sympathy.
They're probably the smart ones.
They don't want to learn the sad stories in between stops.
I usually like to just sit in the back and ride out the best bumps.
The handrails jiggle and crash with every pothole.
-
The men who work at the metal scrap yard
usually get on in front of Debbie's Diner on 22nd street.
Bundled up for warmth and firm of face, they only speak to each other.
Small talk about who almost missed the bus, broken crane joints,
and who moved the most barrels of copper piping fill the blocks.
They tend to pick on the guy who runs the aluminum can crusher;
big guy, they call him "Boose" and he couldn't be much older than I am.
His hands and lips are dry and cracked from exposure,
but his face still shows ember of teenage years, though jilted.
There is a bar that serves three-dollar chili across the street, spicy.
The workers go there when they miss the first bus, have a beer,
down a bowl of boiling chili, and catch the return bus in better moods.
-
The railroads on Brush College road tend to hold up traffic.
The ADM plant doesn't really mind if a few twenty-something mothers
are late to their practical nursing and phlebotomy classes,
but they voice their complaints out of a cracked window to the side
of a ten story soybean silo nonetheless; steaming ears and all.
I stare at the graffiti on the laggard train cars, each unique
in color, quality, style, and message; the industrial Louvre.
These waits sometimes last a half hour or more.
In the days before Pell grant rewards come in,
when students still feel like they're working toward tangible cash,
the seats are all packed with heavy breathers.
The air becomes thick with community college carbon coughs.

I sat on a curb in a parking lot,
surrounded by friends,
eating cheap Thai takeout.
I looked and saw my legs
expand against the rough concrete.
"I have fat thighs" I say.
"so?" he says.
"all girls do"
But he is not right
I have seen girls with slim,
willowy thighs that do not even touch.
There are girls with smooth hard thighs
that do not jiggle or tremble
thighs that have lines and shape.
Backstage one night, in a dress
that made my breathing come short,
I complained about its tightness,
blamed it on myself.
She laughed and said
"god, I would **** to be as skinny as you"
Truthfully,
I do not know what I look like
I know an ever-changing image
trapped in cold glass
and soft pale pieces
that conform to my touch
but I have never seen myself,
not really,
and I never will.
So I won't ever know,
no, not really,
how I appear to others.
"you're too pretty for that"
Am I too pretty for the
sticky lips and swollen eyes?
"how do you stay so thin?"
I'm on a great new diet
it's called 'I hate myself'
"I wish I looked like you!"
but god, do you know how it feels?
how each second is self-conscious
--more; it's self hatred
how sustenance is a numbers game
how your friends laugh
when you order a salad
("oh my god, really? again?")
and how it cuts right to the very center
of what makes you human and whole.
You wish you looked like me?
I wish I knew what I looked like.