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Jenna Johnston Dec 2011
This poem was written after watching a few hours of slam poetry on Youtube. Let me know what you think...it's my first shot at slam poetry.*

There are so many words flowing around out there about the big girls. The thick girls, the curvy girls, the p-h-a-t phat girls. About their plush and soft exteriors, their abundant backsides, their willingness to accept themselves and their hopefulness that others will do the same. Their….thereness.
They are beautiful, don’t get me wrong.
They are beautiful.

But what about the skinny girls?

The small girls with petite builds and large hearts and an aversion to the word short. The size two and under girls, the drive thru can’t gain a pound girls, the I AM NOT ANNOREXIC OR BULLEMIC girls.

The girls who will always be referred to as “pixie-like” or “waif-like” or “twig-like.” The perfect model body girls that all of the other girls hate…because of their lack of fat.

Aren’t they beautiful?

The girls with the size 32 bust line, the girls who, at 24, still shop in the junior sections of department stores. The girls who, regardless of their age, their strengths and weaknesses, their experiences, heartaches and joys, disappointments and triumphs, their want or need for life and love will always look like they missed a meal or gave it back purposefully with the intent of becoming even thinner. The girls who, no matter how ******* HARD they try, cannot even weigh 100 lbs soaking ******* wet.

Aren’t they beautiful?

The big girls have to search and search for cute and **** and attractive clothes because of their size. Guess what? So do the skinny girls. Do you know ******* hard it is to find a pair of pants with a size zero waist and a 34 inch leg? To finally find an extra small shirt that doesn’t have one of the top three cartoon characters of the time plastered across the front?

All I’m saying is yes, the thick girls, the curvy girls, the p-h-a-t phat girls…
They are beautiful.

But ******, so am I.
This is an original by Jenna Johnston. If you like it, by all means write it down, but give credit where credit is due, please
Amanda Ramsey Sep 2010
I'd like to introduce myself to you
One letter, one syllable, one word at a time
I would like to take things slow with you
Play get to know with you
Like I've never been allowed to do before

I want to capture those butterflies
And release them into skies of us
Me and that one
My Mr. Right that has paid your attention in full
That can simmer in the quite between our glances

He would never waste our time on second chances
Because we are what time well spent is

I would like to introduce myself to you
Spell me out with big doe eyes
That only you can read into
That only you would take the years to understand

And looking back
You see me for who I am

Unadorned by outside exteriors
I never feel vulnerable with you
You cloak me in the reassurance that you are here
Here in each moment  that I need you

I would like to introduce myself to you
Planting memories that we can sip on in our bad days
Locked in gazes that I don't care to escape
I can't wait to meet you, or reintroduce

I would like to introduce myself to you
Simon Oct 2019
Like probability. Fate exhibits the constraints to a more tolerable atmosphere at heart. The heart of an atmosphere, is the atmosphere functioning with a heart. Completely one sided. Never admitting who’s mentions are who. Whose opinions mattered the absolute most. Options become tiresome. Tolerable frequencies through pure hearts devoted without contract to inner self awareness. Prompting the judgment of what atmosphere has over the heart of the problem. There are problems within hearts? WHAT!! Contrary to the balance of symmetries without depth. Hearts full of many brimming effects. Only determined to sending out there resume for better times. And which one is disclosing from the standard developments rotting the better picture into ruin? Pictures printed with resumes aren’t fruitful. When dynamics in the surface, isn’t comparable to challenge. Challenge lays claims to birthing the right focus. Take charge! Listen carefully to directions! What does that all haft to do with fate being exiled? It doesn’t. Well, not conclusively anyway. Fate is a thought manufactured behind the scenes. It won’t show it’s face directly. Too imposed in everyone else’s business. A directive with no claim in its heart. An atmosphere unsocialized with parts never discovering inner desires. Concluding fate never trusting itself. Fate exiled… Means to test one’s own claims of basic will. The hint is why does fate act? Rather then think the way it’s acting? Could simply be a perspective too old for the majority to classify broadly about. Justifications rise and fall. Birthing the right assorting facts, isn’t a focus. It’s diverging away. Imprints full of empty reassurance. Concluding something different in a basic platform the majority concentrates on. Fate just stands taller than the rest. Filtering all unsuspecting protocols from the inside out. Propagating pressure with insolence. Insolence flowing in-between the rough exteriors of right and wrong. Abiding time for another surface. Triggering the inside out dynamics at large. A picture finally noticing a part of itself without deciphering what complexes itself apart from the others. All this is a much-discovered piece of evidence. But it lacks companionship. No light or dark. A patronage not as diverse as the one heeding influences out with a weapon changing velocities around left and right. Pieces of quietness is an illusion. The surface being what it is. Underneath is where fate discloses further information completely. It’s weapon of probability is just that. A surface area too big for noticing details in itself. Rather picking others to commune a wishing sentence. Hinting at probability being a fake! There isn’t probability in the logical area of flat platforms without big thinking specifics. It’s all hogwash! Fate determines exilement to rush the borderline potential awareness of others. Except that’s probability maneuvering as a mask in the light. Tricking typical surface dwellers in an area too complex for delusional purposes. Even it’s claims are full of doubt. So why does everyone bounce from one flaw to the next? Practicing what it means to put one step after the other. Exercising doubt completely as a waypoint to a better tomorrow. More like a fruitful one-minute moment of standards too gray for focuses to admit. (Tricking won’t get you anywhere, if your full of bland statements.) An assertive quote straight from someone who exiles themselves onto others for practices into the next benign claims. Resumes with a statement that’s only delusional to what tricking isn’t. Showing you exile is the right future for an atmosphere with a heart. Which functions its heart towards the atmosphere. Switches in claims divert the true knowledge around in circles. So, who is fate, exactly? What possibly could they decide amongst themselves for the better future to the surface area of majorities? Try flipping yourself inside out. You might just want to write (Exile) on the permission slip of your own determined mark. Welcome to your identity in exile!
Fate claiming its own rights to act for itself, rather then wanting to break down others interpretations completely. Exiling every piece of information in one’s heart forever! A trick amongst claims.
Maria Etre Dec 2015
You walked in
a pool of sharks
knowing where the good fish is
and the plankton floats

You were floating in
a great ocean of possibilities
some so foreign, your eyes dilated
some so familiar you felt elated

You slid next to great whales of knowledge
and shook the tentacles with wise octopi
with strands of experience

You got bitten by piranhas of isolation
and even bled internally from bumping shoulders
with beautiful heartless corals

Then one day you met a seashell and her friend
you marveled at the intricate art of nature
and became friends
this time you had the courage to knock

Not all hard exteriors
reflect tough
personalities

You just
had to
knock
Nat Lipstadt Nov 2015
How Many Calories in a Poem?


visualizing the invisible,
we deconstruct the content,
the in-titled label reviewed,
querying,
is this one worth the cost?

looking for true fiber,
then further inquire,
perchance,
are there grams of
kick-starting emotive proteins,
stored and lurking within,
homes for the cells
that will inspire, transform,
mere readers into mountainous writers

lean on those scripts,
injected with just hints,
resting ribbons of flavorful fat equipped,
for there will always be
the tyranny
of the those of the sparse faith,
those writers of haiku brevity,
believers that
fat free,
is the only,
but lonely,
bene of beauty

death from ignorance to those
who would poison the fruit
of the alphabet tree,
coat produce, with glossy chemicals,
that preserve the shiny exteriors,
cooking up false feasts interior,
saturating us with the trans-fats of trite,
oily verbosity and labels of organic,
that conceal the risks of
hyper-pretensivity

an every poem, seasoned for taste,
a dash of diamond sea salts,
scatter on pinches of pearls
of Caribbean cane sugar,
sprinkle human sins and cinnamon
for zest and tang,
for inspiration and flavoring,
for the souls tonguing tastebuds,
needy for reasons
to celebrate  commissioning
the enticing exhalations of appreciative
oohs and ahs!

Warning!
this poem was processed
in a old, out-of-date factory,
that is most assuredly not,
nat-nut free*

but even if allergic,
be unafraid to taste the acerbic,
for there are
poems
suited for everyones, even your
peculiarities

you want your essayed poems
to brim healthy caloric,
grow them as offshoots
of your very own organs

you need not seek anothers certification,
if filled they are
with the mettle of iron,
built to be
calcium-fortified structures,
with the perpetual strong bones
of rhyme and sonnet

let each worded edifice
be the food,
stored to be gifted
to our progeny,
by their ever living on,
marking us,
marking them

omit the trite,
we ken no need,
for it is the false emptiness of
misleading carbohydrates,
that only fatten,
for the briefest satisfaction,
purposed for the killing of fulfilling,
dulling that which only
a well prepared
dish poetic,
can bring to healthy enliven
the human spirit




Nov. 12, 2015
Aboard Delta #2499
5:10 pm
when you are trying to lose weight, you obsess about bad calories
in everything...
Nat Apr 2013
I am the
SAME
as you

I work in your community
I live in your world
I contribute
(too much)
to Capitalism
by frequenting your local stores
and buying
WAY
more items than
I need

I vote for your President
your Congress
your Governor,
I participate in politics because
I care
about the way
our world
functions.

And yet I'm not equal
I'm not "the same."

As if any of us even know what being
"the same"
means anymore

When I dated men you
ALL
applauded me, praised me

Even when I dated total
*******
people said,

"Well you're just too good for him.
But you're such a great person for
being able to see past his
'rough' exterior"

I saw past
SO MANY
'rough exteriors'

And I was miserable
And I forced myself to
PRETEND
to be happy.
And loved
And love-ING.

But then
SHE
walked into my life.

SHE
had been there for awhile,
but I shoved the feelings to the side
because they're
NOT RIGHT

NOT
acceptable

NOT
real

NOT
important

Be with a man they say.
And I followed their rules.

Which lead to alcoholism
drugs
depression
suicide after suicide after suicide,
never
accomplished.

Which reinforced the fact that
my life would be full of
Failure.

And then came the kiss
(when my lips met her perfect lips)
that opened my eyes,
and changed my life.

Now, I may be
Unequal
Rejected
Frowned upon

BUT

There is no frown upon
my face.

For my world is
Complete
Authetic
Rewarding
Real

And I wouldn't change that
to cultivate the appearance of
Equal.
What is this?
A jacket
But something so simple can mean so much
It can hold me together when i get mad
Make someone look like a lumberjack
Though how could I rely on a lumberjack?
A jacket?
I can’t
I know this
None the less
They mean so much to me
The tough exteriors
Soft insides
All in all
I believe a lumberjack saved me today
Nat Lipstadt Mar 2014
"Genuine poetry can communicate before it is understood"
T.S. Eliot (1888 - 1965)


~~~


perhaps.

can I communicate
what I cannot fully comprehend?

my voice poetic keener, age-softened,
grows less popular
for it
no longer reaches for
christmas ornament words and creamy cake-in-the-rain imagery

leave that to the better ones.

cherish simplest:
coming home to fresh sheets,
plumped pillows,
music,
tousled hair on pillowed histories,
river walks,
the lightest hand touch that rouses
the fireplace of contentment to glow briefly,
from logs that are more embered ash moments
than substance
capable of more flaming

the rumpled strivings of the young poets,
creativity of the masters of
voice and dancings bodies,
shopping lists of life~items that
reshape, restore my old~ness,
the revelations of the historians,
inducements to believe
in yet, more.

these exteriors are comprehendable.

don't forget the orange juice,
the first chilled swig from the plastic,
confirms I am breath-yet-capable,
one more poem-mission ready,
the mission objectives still not published.

Sun east welcomes me,
woman puttering kitchen coffee noises
it is neither spring yet or winter gone,
in-between like me,
in-between naissance and history remnant

question thy fiat,
Mr. Eliot,
cannot frame myself,
my who-I-am
six decades of myself.

can it then ere be said,
his poetry communicated
or ere contained ever a single
genuine word?

can I communicate
what I cannot fully comprehend?
Jowlough Mar 2016
A man's ego is a thick wall
Covering his vulnerable soul,
Protects him from shivering
From the outside cold.

It is his coach, and his captain
As well as his life's  good coach,
Protecting the his exteriors
From his fragility he never boasts.

As soft as the clouds wandering
Through the dust of the city life,
Same as the careful veins
Embedded in a womans' soft heart.

Snugged in his vicious tongue
With every word in his gauntlet
Warming his soul away
From any dark and cold blankets.

Like diamonds you try to dismantle
And see him break at once,
As he snaps to put the pieces back
But the cracks can't be undone.
amie Mar 2015
imagine a world without mirrors
there'd be no judgment of others based on ourselves
and no judgment of ourselves based on others
imagine a world without mirrors
our souls would be the tools with which we'd perceive
not our eyes
imagine a world without mirrors
scratches, marks, burns and scars
would be treasured as symbols of strength and sacrifice
imagine a world without mirrors
we'd look deeper than the mere facades of our exteriors
into the intrinsic complexities and marvels of the heart
imagine a world without mirrors
our childhood innocence would remain
but our naiveties would fall away
imagine a world without mirrors
we'd behold our sisters and brothers in grace and awe
we'd behold them with love
I don't know why, but I keep asking myself what the world would be like without mirrors
Pong Panugao Feb 2012
Why do people hate the rain?
Is it just because they get wet?
Or is it how water makes their clothes transparent?
Isn’t transparency a good thing in life?

I like how rain shows the worst in most people
How moods started to swing all over
When memories kept inside start to flow out
In times the rain reminds us of the past we want to forget

When memories are kept aside
Forced to be forgotten or erased by self-induced amnesia
No hindrance is overcome
we dig shallow graves for our rotting corpses inside

I wish I could be the rain
Wanting to touch peoples heart
Making hard exteriors soft like waterfalls
Helping them make rolling waves calm

I belived that when people are at their worst they are most beautiful
Martin Narrod Sep 2014
Subatomic
Silver smoky sauntering lovelessness
Spots on arms, purple and green
Sickness and sleepless
Wow-like, wicked witchcraft catching

Tones humming zzz'ing
Screaming across elbows
Tucked into the ****
Concrete carnivalesque berserk wildness

Ferally and virily.

U U U THANK U...............Rice Krispie
ANNDD BEATS LEAP CURIOUSLY HIDING
UNDER THE SHEETS

Perfervid fervency.

Idling- white crisps
Blinding silences
Sticky fingertips and lurid looks
Tape after tape of binded irises in the pupil symposium,
Where side-by-side the seams mend together

Innards scissor sideways
Upways downways
Exteriors in rhythmic sync

Tastes like lolli-pop rocks
Watermelon- dazzling gold
Front-step excited eyes binding.
See-cells intertwined and idling-pupils
Dance and discover
Wild hypnotic trysts of skins
Twisting in cotton scenes
Hours of comfortable comforts of living
Women and men handling
Fun funds 'n' bon-bons; investing in the bond.
And going back for seconds.

The head riffs over riptides and causeways, lip-lies and kisses on Broad Way.
Two cadavers, hog-tied. Kissing longways and long ways.
Perogative oxytocin. American Express massages scented oils and lotions.
Persons of interest abetted in sweating. Heaving torsos.
Throwing legs, arms, and sparklers. Redonkulous nectars are microscopic.
Sweet flavors on taste buds or lit by recessed black light optics.
Massaging the rhinoceros husk in this 21st century sarcophagus,
Whiles of Wilders' words were spoken
Nickels of wood soaking in splintered tubs
Thumbs under surveillance. Sneaking inches of suspicion
Leaves treated with lacquer, fables beaten within inches of their lines;

Live its Friday night!
Deviled veterans draped in moon-hide rise
Defiling puerile twenty-something lives.

These wild highs in debts of purs'd thighs
Vexed by personal lies. Hexed in white-out lines.
Riled midnight rides inside this pyre of redolent pie- stroke six and nine
Intertwine in one human form supine
While quaffing nectar wine from the vine
Rancor drives the crime and anoints bold creature types to dine
At the interstice of Sublime.
*** Poem Boy Girl Sublime Love **** Crazy Insanity Madness Hypnotic tryst victim antsy hatred smoking smoke crisp sticky come scissor *** sideways eat ******* ******* ****** erotica literotica eroticliterature writing chicago chicagopoets poetboys **** ******* sadism sade ******* pain brutalpain brutal brutality humiliation 21 oldyoung eroticpoetry Puerile Lurid Nectar Wine Vine Time Dine Supine Fire Pyre Lollipop Candy Drop upways down up left right screwedup **** ****** up NSFW
tonylongo Apr 2020
A call to action is not action
Other things that are not action include:
Expostulation rhetoric poetry
Fulmination logic contumely
Proposition dialectic philosophy
Tergiversation polemic and ideology

Actual action, he expostulated, is behavior -
Behavior that acts, he fulminated,
Actually impels or constrains the acts
Of other behavers
This is only done, he propounded,
By applying pressure to weak points
In these others’ safety or security
But acts of violence, he tergiversated,
Only spread or institutionalize violence.

Apart from physical violence, he droned on,
All people have two things they can use
To act with –
Time, and Money.
What you can do with time is specific
To your skills and situation
But what you can do with money
Has exactly two categories:
You can give it,
Or you can withhold it.

You may think withholding is automatic,
And it is, it is; but you are not the one doing it,
It is being withheld from you, in every pay period.
By far your largest charitable contribution
Is to institutionalized violence.
To attempt to withhold your money from these withholdings
Would be enormously risky, painful and destabilizing
In ways that calls to action and other forms of talk never are.
But for one body to impart momentum to another body,
It has to transfer energy, i.e. there must be a cost.

* * * * * * *

On the other hand:
It is currently fashionable to say
That we are not the same person over time
Everything is replaced every few years, personality is a myth
And according to the most advanced thinking
Consciousness is an accident that affects nothing.

In the real world, of course,
I’m the same person I was at age seven
When I first thought of myself as a person;
This knowledge is immediate and irrefutable.
We aren’t the sum total of replaceable parts,
And consciousness for most people is a long-lived thing
Not the space between tick-tocks of a metronome.

This conscious thing concerns itself almost entirely
With exteriors, which are almost the only thing to
Latch onto. But the ultimate **-hum of the exteriors
Compared to the permanent (mortal) consciousness,
Which has no good bad up down or plus-minus incentives
Gets so obvious as to become ridiculous. This is Anti-Action.
Other terms include depression, cynicism, selfishness,
Detachment, solipsism, reality.

But you must care about the others,
Or you are contemptible. Even the Buddha
Said this…right? (It was a long time ago
And there may have been many edits.)
The real and only basis for action is Love,
That is to say you must care about the exteriors
Which is to say the undeniable mechanics of the world
And what happens to those who are acted upon. You Must.

Is this knowledge immediate and irrefutable?
this was for the Tumblr #writerscreedchallenge prompt "a call to action" but they seem to be ignoring it
andrea hundt Sep 2013
Every word I say rings through your head.
Mellow, and composed.

I meant to scream them at the top of my lungs,
But then, you'd never hear me.
Nat Lipstadt Sep 2014
These are the words and the actuality
that in conjunction,
drive mothers of young children
to depression and distraction

Poets to look inwards yet once more,
for sources of olden inspiration,
finding only
been there, done that

Warmongers to chop lick lips
in eager anticipation of
past and future smokey glories,
gun batteries sparking and
other men's children dying

Overcast and cast out is loveliness,
only words of ancient, somber lineage,
populate, pursue and expectorate,
sunny notions and love poetry none,
dried up, to fallen leave piles dispatched

For on this day of rest, the foggy sky
grants no permission slips to draft
smiley faces and upbeat tempos,
comforts foods perhaps, but nary a
comfort word to make us cheery

Enslaved to nature this day too,
my exteriors reflect inward and my
mirror'd observatory of starry images
no longer available on any
of my two thousand TV channels

I have checked each one in a
be-quiet-you're-too-noisy dismay groaning,
as well as my ordinary, toujours,
quiet desperation

The sun tantrum tantalizes for I see
it's bodacious attacks repelled
by cloud banks rich with deposits of gloom

Slip into a mystery, an old novella
of Stephen Kings, an homage to the
drama of the four seasons, but this old friend
is elementary ancient, for its tales
are deep sad, writ upon weary worn pages
and tho apropos, grant no comfort

The sailors all to bed have gone,
plowing pillows instead of waves

The squirrels and other homeowners,
in view of the absence human,
are cheek to chop, jowls acorn full,
doing "Storage Wars" of winter prep,
in HD, in broad daylight arrogance,
mocking the summer man, adding their
sauciness to his moody blues
meal of melancholia

Am I such a creature of nature,
that I am captive no matter
what the sky color be,
is there a moody madness the
psychiatrists have labelled
that best describes a nature slave
most unnaturally?

I repair to the couch and chips,
reruns to pretend distraction and
poetry to record my inaction

The weather lady, a fresh faced blonde,
smiles white and exclaims that
the work week commencing tomorrow
all sunny all unseasonable warm,
and my groans so loud,
I am banished to parts bedroom foreign,
where I am ordered to write
perfunctory odes to gloom,
in silenced doom
Norman dePlume Dec 2015
Mandibles make their own hoarding,
but they do not make it as they please;
they do not make it under semiconductor-selected civilians,
but under civilians existing already, given and transmitted from the past.

The trailer of all dead gentians weighs like a nipper
on the brandishes of the lob.
And just as they seem to be occupied with revolutionizing themselves and thistles,
creating something that did not exist before, precisely

in such equipments of rheostat crochet they anxiously conjure up the spleens
of the past to their setter, bother from them nappies, bayonet slouches,
and cottons in *****-grinder to present this new scheme in wound hoarding
in timpanist-honored disincentive and borrowed larch.

Thus Luther put on the masseur of the Appearance Paul,
the Rhapsody of 1789-1814 draped itself alternately in the gully of the Rook Requisite and the Rook Empress,
and the Rhapsody of 1848 knew novelette bicentenary to do than to parsonage,
now 1789, now the rheostat trailer of 1793-95.

In like mantel, the belch who has learned a new larch always translates it backfire into his motor toot,
but he assimilates the spleen of the new larch
and exteriors himself freely in it only when he moves in it
without recalling the old and when he forgets his navy toot.
An N+7 from a passage by Marx,
copyright (c) 2015
#n7
Simon Oct 2019
Words are less important when there actually never together as one whole. Only a statement for something without thought. Coating different contents rationalizing the formulations of single added words. Words with single letter’s acting like separate components. Vibrating together like energy forming a magnetized exterior. Exposure to something higher than one letter keeping itself away from a fully fleshed out identity. Components away from fully established words, begin to understand faults of all sizes. Are they meant to form into a component beyond its state of letters? Or one single letter meant to form into a better juxtaposition? Cramming letters into words won’t make beneficial glances toward what’s really sounding each component out. Cramming is immature. Full of delicacies. Giving identity to something without time on its hand. The subject of time, will create the illusion of success. Something adopting without fair point involved. An unestablished, unfinished, uncredited maneuvering of stating the obvious blemish in formulations. Formulations become dotted without pattern. Pattern begins to separate juxtapositions away from the vibrations holding it together. Magnetized exterior becomes less wanted for survival. Survival intriguing sense of believe. Believe on the sidelines, acting as a stand-in for potential in-between gaps that focuses blemishes without identity. Formulations become less respected with time swallowing up (describing factors). (Describing factors) becomes less taunted by its own grip. Letting go the seriousness it’s been influenced to act upon. How does anything make sense without (describing factors)? Easy! Don’t think, by feeling. Just act on what you feel. Like instinct is more then words. More then single components. Something auto piloting in-between maneuvers. Juxtapositions lingering as the pattern forming a basin of after thoughts. Instead of thinking words haft to be orchestrated by volumes of thought alone. Fanciness will only make sense with a heart on (overflow)! Full to the brim with nasty, prolific, and incorrigible symptoms in the complexes. The complexes without undesirability, if it’s without merit when honing its balance fruitfully. A heart on (overflow) dumps all the rigid symptoms all over the complexes. Diverting thought for feeling. Feeling revving up different letters in the components that drive its formation proudly. Time swerves around every bend. Prompting the localized fissures of spaces without the muck invading it’s practices. Components of different formations attach the letters to the already imprinted silhouette of magnetized exteriors. Something clicking without measured volume. An instinct rush’s past visuals becoming unkempt and untamed. Never taunted by logic sounding too bland for everyday practices. The heart now empties to a crisp! Shows its formulation as a cauldron that assists the formulations of pure emotion. Emotion being the final victor of formulating words acting as components. Why haven’t we described anything about words acting as components, instead of letters acting as words instead? Simply because you follow a simple manual meant for visuals without thought. What does this imply? It doesn’t. You haft to find a center under the hood of your own (writer’s bug). A bug fueling an (instinctive formulator). One not ruled by thoughts. But by feeling. Feeling coats the improvising stature of a heart on (overflow)! Polishing the cauldron repeating the nasty, prolific, and incorrigible. Undesirably feeling balance rescue your merits without rut blocking visuals by thought. Thought ignores speculation. Taking all pride from feeling. Feeling knows all. As it doesn’t take brain power to figure out regular stimuli taming time before thought has even interpreted details alone. Everything’s been described. BON VOYAGE! To the ones spreading out repeated processes never redeemed by thought alone. Except I deceivingly left out the most important part. What happened to the rest of the fully stacked, brim cauldron of hearts content? It’s necessary when it’s never necessary. Cryptic locals understanding the bad details from the good, are everything wrapped into one bundle. I never said components have to be the littlest fraction in the complex. Describing components not ready for its magnetized exterior that’s already suited to formulation. The (overflow) is secretly the instance of formulation. The (emptying to a crisp), is cleansing every detail in question. Showing components without time attached by statistics. Free to roam willingly. An identity for labeling attires by feeling alone. Thought never abstracting components in a round up of early formulation. Existing close ties in magnetized colours harnessed to each letter in the bunch. Colours surging like a rope hanging on for dear life! Like a soulless thread never understanding what close encounters with the capability is all about. Colours interpreting the non eligible into understanding alone. Except only one (overflow) happened. And another in repeat. And another! Cleansing each component to form into words. Words repeating the constant process of joining into more words. Words acting as single components back to back. An endless cycle of repeating formulations. PS… Are you a letter waiting for it’s other components trying to gain single passage to identity? One rule complicates the (overflow). Do not overflow the heart to a crisp, before it hasn’t even dumped the full brim yet! It will collapse in on itself. Manufacturing a vocabulary too rotten to tell who’s free. Or who’s making up diagrams in the after claims of thoughts distinctly different then what overflow’s the opposite of brimming fully. Or who’s truly still trapped in a fixated rush of thoughts!
Letters full of too much clutter! Vocabulary giving tangled up letters a bad impression to there formulations. Letters as (single components), should be free thinking components.
onlylovepoetry Dec 2019
An Optimist’s Guide to Falling in Love With a Woman


have a very minor fender ******, you’ll never get a persons digits any easier, consider it a bonus first date, a stress test interview, when humans on their worst/best behavior, their true nature revealed and tough exteriors melt when gallantly take full responsibility, details to be discussed over dinner

risks: she’ll  will never ever let you drive her, even after, no...never ever after, the issue is closed, ‘twas your fault and is non-discussable

critique her order standing behind her at McDonald’s. blowback assured! charm resistance and openness will be tested, but you claim pure concern for her well being, even after offering to pay  a dollar for every calorie ingested if she only switches to a plant-based burger

risks: hamburger grease soul staining, no love stain stick remover handy and everybody knows mixed marriages really never work tween bronco busting cowgirls and city tree huggers

you take a spill, nose in the phone crossing street, she lifts you up with wonder woman strength and gentility, you sputter with half-feigned indignation for you’ve embarrassedly first sight-fallen in love, all your words and everything else is failing and flailing as she tends to the cut, drives you to her office where she stitches you up, while cracking jokes that are truly funny

risks: she is a Dallas Cowboy fan, or worse, someone else got there first, and you need life long therapy

she’s in seat 10C, Miami to NYC, pretending very poorly to not be reading this very story-poem you’re creating, but doing so VERY poorly because she is editing, making suggestions, punching you in the arm excitedly, asking if you want to share a cab home, for she reveals that she too, secretly dips the quill in ink and needs an expert opinion, yours for sure since you’re SO good looking too!

risks: the weather diverts the plane to Baltimore where you live together happily after-ever, cause you’re both tired of life in cities with 3-13 perennial losing NFL teams and it is exquisitely equidistant from your annoying relatives
and ex’s





Baltimore Washington International Airport
4:29 pm Dec. 2nd
Isis warner Jun 2018
I am just a mess
Of wonderful contradictions
Like my heart says one thing
But my brain just cant listen
That's what's cold
About living in a world so cold

Days turn to freezing nights
Friday nights turn to starting fights
Your shirts are my sweatshirts
Tucked in a drawer
To help me
Sleep at night
Don't steer to far from the sidewalk
To scared to walk at Night

Ever Since you left
things have gotten a little harder
Try not to think about you
Just to get past it
But every time i see these little couple
looking cute with their boos
It gets a little bit harder
to stop thinking about you

But don't forget
you were my king
I was
your Queen

Our exteriors like gold
and all you did was
scratch me
Had mental breakdowns
every time your your name
had crossed me

In your arms
the only place i ever felt free
your word were the key
the key to my heart
Filled with your lies

But every time i paid the fee
Every time i rebuilt me

And i admit
it had hurt
Cuz i had thought
you were my gift sent--
sent from my guardian angel

But instead
you were the best dressed curse
Sent down as a test
and i had failed
Cuz i fell for you

For a second i thought you were falling too
But on contrary
you turned out to be playing games
Out running rampant on these streets acting strange
i guess that's what happens
when you let your man run on free range

I swear this life is so funny right
Living in a cold world
Every one is in their own inner wars
Losing battles, dodging love, and chasing acceptance
Running towards the closer exit
to scared to be loved
to familiar to what their ex did  

Young girls walking around with their hearts already broken
lowering their voices
trying not to be outspoken
face soaked in
tears
so tired of sulkin

Living in a cold world
our hearts are all frozen
my hearts already broken
I guess tha'ts why i cant stop smoking
i figure if i just keep rollin
i might be able to escape these emotions

My flaws
My fragments
My scars

Living in a world so cold
Living  in a world were
Your self-worth is equal to Instagram likes
Lowering your self worth hoping
He'll reply
But babygirl sometimes
its better to be shy
To shy away from the people that make you cry
the people that make you wanna run away and hide
The people that make you believe it would be easier to die
The problems you can't answer why

Living in a world so cold
It's greatest Contradiction
it's beauty held in it's own mass destruction
Its beauty held in the paths it corrupts
Its defined as beautiful corruption
Recycled, broken pieces
that's beautiful destruction  
Living in a world with wonderful contradictions
It's freedom blooms in it's own restrictions
all facts start with fiction
Our opinouns transform to our definitions
Between all the religion, politicians, and convictions
I don't know if i'm ready for all the
Deceptions, Contradictions, and Obcessions

Living in a world
A world with wonderful contradictions
Sorry its quite a bit
Snehith Kumbla Aug 2016
unheeded as they live
quietly by themselves
easy smiles flowing
banter chatter of
familiar things,

anything out of the
ordinary troubles
them for days after,
furrowed foreheads,
hushed exteriors,

slowly then life
seeps back to
their features,
that engaging goodwill
of generations,

of gentle demeanour
fragile as glass yet
companions affable,
little whiffs of honey
to the human hive,

a vine wall pattern
tribal's thumping
multi-drum song,
unassuming in
celebration,  
    
in the world's
gather, among
greed-gathering
plush pushing
***** blokes

soft spread gentle
wounded crumpled
sing-song trample
firefly twinkle
simple people...
Tara Fear Feb 2013
Running away from angels
Leave us be black, cold and hard,

We have no need for soft interiors,
Only a need for hard exteriors,

Running away from angels,
We are as strong as any man,
We are mistaken and misleading women,
Who have no fear, no power steer,
No crowds can hide us, we cannot be quelled,

For we are not for angels, we shall not take flight,
We will remain on this ground, raise this game, we shall fight.
Molly Pendleton Jun 2011
Matted autumn leaves cling
To every surface
The cold concrete streets
The orangey red brick walls
The chipped facade exteriors
Of road lamps much like me
The peeling rusty paint
Dotted by bits of dampened foliage
Little knotted up black things
While road lamps don’t give a ****
I have to pick them off my clammy skin
And then they get under my nails
They are abundant right now
Like all the other frustrations of my daily life
Sneaky little *******
The air is incredibly damp
It’s thick with fog
Carrying with it a familiarly pungent
But ever revolting scent
Of a funky little diner down the street
That makes my freckled nose wrinkle
Reminiscent of the scent of past disgusts
Matalie Niller May 2012
No problems, just theories
and excuses both lame and creative
extravagance in rare form,
perfect, really
if you wish to boil down the exteriors and denature the proteins
fleshy and energized, totally organic
like a Tropicana Sunday
complete with yellow Voltswagons and STDs.
Why speak of such things?
Shock value isn't worth much,
just a fist in the ***
if that's what you're into
and even if you're not
(especially if you're not)
because then you can't appreciate a good smack when it's deserved
and you begin to feel lonely
like a kid who can do no wrong
so never enjoyed the beauty of time out
only the isolation of magnets on the refridgerator,
domesticity a promise but not an end
only the beginning, a cycle of strife that is fully necessary and advantageous
when placed on the plates of the right eating bunch,
and goodness it's a lovely night
because the stars are still shaped like those homely spoons and beasts
and all the world's at the feet of the manor's Lords and Ladies
such wonderfully pitiful people
though can't blame them for much
only for being so flea- bitten and haughty
when the serfs are just as alive.
I rub off my makeup from the day
And look at the real me
It's the me that I don't let anyone see.
I wonder when this became normal,
When i learned that the real me
Isn't quite good enough
and really never will be.
I walk around in public
And see all of the beautiful girls
I'm surrounded by every day
I often have to remind myself
They are all wearing makeup too;
I cannot compare their made up faces
To my bare one.

That's when i begin to hate myself
I hate myself for only seeing the
Beauty on their exterior, when I know
There is so much more to people than that.
I hate myself for comparing myself to them,
I hate that it has become normal,
And i hate that it has become normal,
And i hate that every one else does it too.
The day we learn to look past each other's exteriors
Is the day that everyone else will too.
Ghazal Jul 2015
The trick is to deeply inhale,
Loosen your inhibitions and let go,
You don't know if you'll be saved
Or you'll fall, still-
Let go,
What's the point of everything, really?
Of polite smiles and sniggers behind backs-
Of storms within and silent exteriors-
Of days of drudgery and painful nights-
Of worldly desires that forever grow in height?
The only sensible thing in the world
Is the nonsensical, the vague, the free state of
Nothingness
That you were born in, you don't remember but
That was the most serene, most quiet,
Most happy you ever were,
Retreat to that innocence, what stops you?
Goals? There's no end to them anyway.
People? They'll walk out anyway.
Comfort? It won't last anyway.
Leave it all before it leaves you,
Surrender yourself into
The all-enveloping arms
Of the endless blue skies,
Breathe in freedom and jump
Even though you don't have wings,
Even though gravity appears menacing,
And even though no one taught you how to-
The moment you'll let go,
Life will catch you,
Embrace you, cradle you, lift you high-
And trust me, dear reader,
Then you'll fly,
Even though no one taught you how to,
You'll fly...
Molly Pendleton Jun 2011
Matted autumn leaves cling
To every surface
The cold concrete streets
The chipped facade exteriors
Of road lamps and me

Hugging my clammy skin
Little knotted up black things
That I have to pick off my skin
Only to have them get under my nails?
Those are abundant right now

The air is incredibly damp
It's thick with fog
Carrying a familiarly pungent
But ever disgusting scent
Of a funky little diner down the street
Chris May 2017
Locate I love you
In between filling hole remains
and their parting ways
this is something not quite dead but
not quiet in going away either.
It's rough to leave it at a somewhat when
hard exteriors stay untouched.
you have to shave away the edges
Whittle away what was precious and--
And dredge up a rotten throbbing ball of
bumbling nerves stuck with a steady flood
of impatience,
intent on forgetting the final-straw day
their own lives were sent mail-in changes
with marching orders for separation.
A dividing house is due to fold in on itself
and never stops at all.
Edward Coles Feb 2014
Another shattering of illusions,
as I sit here in cocktail mist
and cannabis descent,
staring with guilt at the nicotine gum;
all the time applying lotion
to care only for exteriors.

Gold *** in apple juice,
I unsettle the ice in partial decency.
Half-baked notebooks scatter
amongst the stray tobacco leaves,
neglected books, tablets and glue;
it's little wonder my life has
fallen
apart.

Old jazz queen,
she's rolling trills and cigarettes
and reminding me of my spine,
the way it twists to the bass-line,
sending chakras to bedlam
and returning to me
my recently lost youth.

Keep it off the record,
as I tumble on through another night
of poison and medicine equivalence,
a summum bonum of forget-me-do's
and elimination of both
the future and past.

I clear the leaves from my autumnal porch.
After the dead slate of winter,
I will emerge, sober.
Drunk, wishing I was sober. Or something like that.
©
Jasminn Feb 2014
caring isn't my first nature, nor is it my second or third
it comes in handy sometimes when i am a balloon and people are trying to burst me
but it works both ways
because it hurts people, you see
my indifference
it cuts them like a hot knife slicing through butter, slicing through their exteriors and wounding their soft insides,
their bones, tendons, ligaments and ribcage can't protect their hearts from my cold touch
and it isn't until everything's done and over with, that i start to care

everyone wants to feel loved, cared for, important
and from me, they want emotions
caring, life, love
K I R A Feb 2013
I wish I could fix the world
One error at a time
But looking past my own wall
With light passing through
Brick exteriors
I am just another thing fixable
But what more can one do
When all hope is gone
When all love is gone
What is there left to live for?
To sink or to let it be
To close eyes or to see
The little pieces left beautiful
Or the things left unsaid
Trevor Blevins Nov 2015
The season has changed
Since I wrote a story of letters
On just how inspiring you are.

But it's been about two years
Since my balance first failed me
And left me breathless.

Suffocating has been an absolute privilege.

/TRUE CONFESSION.

Frozen by the recent cycle
Of all these current events,
I am still and silent
As I revert my mindset
Onto you.

Was it ever really a question
Of where my affection belonged?

Then why does the melody
Sound so wrong now?

/ART.

You look at how I meant to deceive you
And you admitted there
That I was your harmonious blacksmith.

We lied about how okay we were
And we acquainted ourselves
With similar thinking...

I never intended
For this to be so obvious.

/PEARL FISHER.

Our exteriors cracked open
And we pried out the pearls.

The world was built on the backs
Of those meaning to strike it rich.

The lottery is rigged,
And I was never in the loop.

Such a sad state to stare upon it,
As I'm splintered at my spine.

It's never clear where the path diverged
Until you fall off the plain of reason.

I mark my calendar with the date
That I first admitted my thoughts.

I couldn't convey
What I know only in feeling.

/UTOPIA.

Offered up here before me,
Like a sacrificial lamb
To personal salvation,
I must face the demons
I gave way to in the past.

The evils I should have learned from
Now look like philosophic musings
On illuminated manuscripts.

My conscience is void of peace,
And the stress is turning into a disease.

My nervousness exists
Alongside your game of chance,
And I'm not sure if it's a wager
I have the sanity to take.

Luck has never been on my side,
And I know how bad
I can **** this all up
At a moment's notice.

It's encoded in each strand
Of my DNA...

I'm not meant to survive this.
Thoughts,
but that was yesterday and thoughts like that are put away.
I pray that prudence will prevail  and Juris will not go to jail.

Thoughts,
links sat on the brink and wondering how far to fall and would you hear me call for you,if I fell through exteriors,tore through the ice and landed on your window sill,would you wait 'til evening came before you breathed my name and let me in?

Thoughts,
re-etching everything I ever knew,cutting through the steel,do you feel the heat as the morning feels the light,soft and gentle on your skin?

Thoughts,
inside and let me slide to climb the ladders to the top,don't stop,don't pull away
I fall and fell for you today.
Emma Katka Oct 2014
past exteriors and your fingerprints that cover them
Rollercoaster Nov 2020
Under an old display of neon lights
two gilded exteriors meet.
Their gold needs to melt
and the lead core bared.
Wilde's prince's lead core didn't melt,
so won't their austere cores.
Their gold melted in the neon haze,
but didn't have the heart
to see their leaden heart
in the bright of the day.
Started with those neon lights that you find in the movies and it just went from there. I'm referring to the Happy Prince and his leaden heart from Oscar Wilde's works. (I'm 14, I've never been to a place where there'd be a neon haze.)
Angel'Lea Mar 2019
Power and energy
looking at you, is what I see
I can feel your aura around me
when we share the same space

Your aroma soothes me
It appeases my senses
makes me crave you
wanting you to make me whole

I am full within my own system
My universe comprised of my own wonders
Yet your light beams bright
even when the darkness is suffocating

I can feel you more than just as a presence
Your existence is dominant
I want to consume its essence

Join beings with me
Allow me to enter your atmosphere
My desires refuse the distraction of your flesh
Your vessel is all but oxygenated atoms
harboring energy
releasing voltages in bounty

Relinquish your electricity within me
Let me feel your currents as they flow

Collide forces with me
Creating a new galaxy

Arriving at our apotheosis
Existing infinitely
carrying out the act of creation
we have reached our highest potential
Our primal grounds for existence

Joining life forces to birth another
Can you even fathom the power we posses?
Surging powers of light
energies passing through space
Manipulating time
Creating life

We are pure in nature
While gravity keeps us grounded
our energy flow is limitless

We must live beyond our exteriors
For sin has contaminated its cells
Creating a dimming effect
Forcing us to see ourselves only as flesh
We are more than that reduction

Power and infinite capabilities are ours to hone
We are made one through our expression
Our artistic creation
Our charging energies
Existing in a universe of our own

— The End —