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Cedric McClester Mar 2016
By: Cedric McClester

It started out in
The outskirts of Pittsburg
At a backyard barbeque
Where shots were heard
In the dark of night
To the angel of death’s delight
And at the conclusion of the carnage
Four men were in flight

Fifty shell casings
On the ground
Where sadly the dead
Were found
Several more
Were wounded too
When shots rang out
Before they knew

Again the smell of gun smoke
Was in the air
Cause the cowardly perpetrators
Didn’t care
They became the merchants
Of death on a dare
Guns are easy to get
So the public must beware

Fifty shell casings
On the ground
Where sadly the dead
Were found
Several more
Were wounded too
When shots rang out
Before they knew

It’s a sickness we have
And there is no doubt
That we haven’t been able
To stamp it out
With a do nothing Congress
And the NRA
It seems to be happening
Every other day

This time it was Pittsburg
Where will it be next
And don’t take a single word
Out of context
Until we can get ourselves
Out of this hex
We’ll be confronted with something
That defies intellects

Fifty shell casings
On the ground
Where sadly the dead
Were found
Several more
Were wounded too
When shots rang out
Before they knew







Cedric McClester, Copyright (c) 2016.  All rights reserved.
rained-on parade Dec 2015
I.

I’ve swallowed too many I love you’s
to be afraid of coughing up blood.
They cut you on secret.
Who knew it was drinking gasoline
and sawdust and every little inflammable thing
and then sitting down cross-legged
in the heart of a howitzer; soft.

II.

You are a soft explosion.
You are streaks of a rebel orange
in a sky that is supposed to be blue.
You are steel rods in the curve of my spine,
holding me straight.

III.

I love you’s are like death notes written in ash:
you’ll have to smoke your way to it.
Smoke cigarettes, journals, curtains,
and yourself to get that much ash in your lungs;
trying to blow smoke rings into your finger;
my ceiling knows more about my sadness than you do.

IV.

Saying an I love you once will have you
chanting “don’t leave me” on a rosary;
love will take your bones and leave you
lusting for somebody whose back
is the last thing you’ll see, and whose
skin you’ll think you left your keys in:
and now you’ve locked yourself out
of your own house, in a storm
whose sirens wail in your ears and remind
you, you’re hopeless and homeless.

V.

I love you’s leave no exit wounds,
no shell casings, and when the time comes
you’ll be telling them all how his bullet
ricochets in your ribs,
but emotion never made up for evidence
in the court of settlements for a broken heart.

VI.

Telling someone you love them is like cutting your jugular
and not expecting to bleed out.

VII.

I love you like the pages of a mad girl’s journal.

VIII.

The moon turns from an ally
to the haunting image of science and realisation:
you share the same sky, but no longer the same bed.
And astronomy keeps ******* you over
when you look up at the sky
and no longer understand constellations.

IX.

Love makes it more getting-back-at-you
than getting-back-together-with-you.

X.

Every time you taste blood,
you’ll know you kissed somebody
with teeth like needles
and they cut you everywhere; they
bit you, they bit you, they bit you
and you kept letting them.
22/12/2015
3:11AM
MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects
bess Oct 2017
There is no such thing as a child of an alcoholic. There are children, and then there are alcoholics. One will never harmonize with the other.

Because alcoholics are never parents. They are shells, empty casings of love mixed with a burning taste of whiskey.

They are echoes of slurred, “Goodnight, I love you.” and “See you in the morning.” Each word filled with love, but blinded by the haze of liquor, so strong it fills your eyes with tears.

But most importantly, a child of an alcoholic will never be a child. No matter their age, they have gained the experience of those five times their age. They have watched life end with each tip of the bottle, but begin again when the sun breaks through their window.

I read stories about children who spend their days without a care in the world. And as a child, I wanted nothing more than that for myself. I wanted the carelessness, not the impossible burden of responsibility and secrecy that I held, hand in hand with resentment and hatred for the people who raised me.

There is no such thing as a child of an alcoholic. It’s not that we don’t exist— we do. But a child will never be a child when their parents can never be a parent.
CK Baker Jan 2017
He filled his week bag
with quick picks from the commissary
cover blades and skull cap
canned goods and half stated pearl
liquor bills and bleeders
for the flight of weary

Into the ****** bunks
of the western front
past sivana and nurture sage
past the pomp and ceremony
out of robes and into jumpers
and casings
and masks of gas

Light infantry and yelling men
muscled and scorned
fly boys high in 3 wing flight
mounted gunners filling the night
in hawkers and packards
and scabbard chape

Tarrant tabers and camels
dodge the vicker gun
skeleton hands grease the mill trap
carnage makers mark the rhineland
(buried in bunkers and pile bags and earth pack)

Trench helmets and metal back
under machine fire
minefields burn in muzzle and coil
deep in the shadows
and shrapnel and spear
the razor wire
and dead cold despair

Slouch hats and burning rats
kerosene lamps and droopers
the soldier stares down
the broken lines and limbs
a ****** holds steady
(shelved at a distance)
on ripped and rolled pipe and beam

It was an all in end game
a grapple for the ages;
*** in the fokker pursuit
over rolling hills and fallen comrades
into the bishop bullet
(and sporadic cheer)
which sealed the deal
in an empty field
off the brae corbie road
i have a break at 12 o'clock
will you please come over
you don’t have to knock
i’ll leave the door open
it will be unlocked
a bouquet of flowers
i’ll have in stock
a vase and a candle
a knife and a blade
a face and a cigarette
its all about the way we explain
i mean rationalize away
do time-lines justify our decline into tyranny
send me back again to sublime infancy
retrofit the celibate instigator
lemniscate the elephant’s fingerprints
impress me with wit and charm
storm troopers unarmed
star-gazers, shadow-haters, sand-blasters, ice-skaters,
morning's lovers, fathers, daughters, shoulders and elbows
rub brows and crease foreheads
wrinkles in your timelines
define lines as destiny unwinds
reminds me of blinding light
the heights of old empires
sire warriors, stories as tall as soldiers
for real, heal the split between mind and body
kindly, lovingly, bump up against me
and kiss me again
i am music fused together with eternity
space and dust and rusted armpits
a hundred diamonds, drops of sweat
skin like leather, weatherproof, foolproof too
determine to use it all
for you are the muse of all
do as you need to
fuse it together lest it come apart again
return to heaven and mend the tear
split the hair or the atom
magic is a language
tragic is the cancerous neglect of syntax
emptiness is manic
gargantuan attacks of presence
defenseless, we are taught worthless ****
neglect it, but remember important words
stories, looms of drawings
forming in my mind’s eye
i cannot be bought or controlled by pirates
the best moments are private
you are not invited
so go home and create your own zone of entertainment
its necessary
your gentle fingers
blessing my soul
courage to roll with life’s blows
no need for stoics
or poets who deny reality’s arguments
slippery slopes
walking tight ropes
can you cope with all this mistletoe
restring your bow
dance in the snow as if everyone knows
you are crazy in love with the whole
motionless vision swift as an arrow
roofless rooms
prom queens flip you off and turn you on
sons and daughters, lions of the prairie
a child portable and small
respects the walls that you’ve made
they are not your cage but your shelter
self culture is affluent and not arrogant
sand mandalas tall as waterfalls
golden rainbows pour from the faucet in the sky
like mighty images
wisdom bridges the gaps in our imagination
i can’t wait to get this on the page
written in stone, reflecting thrones
made from the bones of pharaohs
consciousness narrows as you approach
are you a cockroach, coach or a student
strokes of wonder for different folks
cold call your own homes
do you prioritize lightning over thunder
words over rubber
sandwiches to clutter
are you interested in diamonds or other
precious gemstones
that flutter like butterflies when i utter
emeralds like butter
do you waste time arranging your clutter
stuttering utter nonsense
frequencies wasted, gentleness chased away
fantasies radioactive
magic lacks targets
darkens our fathers
keep chasing actions
satisfaction is attractive
your eyes are like fragments of rubies in the fire
i see beauty in desire, features in the sky
i look skyward and see higher
minds are wired to remain stagnant
stranded in a lack of entertainment
change this and make your own amazement
wonder over thunder, lick me down under
gone asunder like the burning acropolis
topple this bottomlessness
can't stop this, its impossible
i wonder do you make blunders
in underground mountains
we shout words like fountains shoot water
curtains topple over
and form a blanket over our consciousness
after our performances
swarms of crazy people leave the theater
shattered and too stunned to speak
to ****** to leak they keep walking down south
toward Plymouth Rock,
Mammoth Mountian or Rehoboth Beach
take stock of the situation and just move
first one out is rewarded
sordid and sorted like straw from the hay stacks
caskets of black iron casings
tastings of wine whose shelf-life is expired
past due cheese overripe and stinky
like mustard dusted with lightning
striking on time is all that we have
thinking that was a close call
we fall down and get up, remove the uppercuts
and lowercases from our mouths
doubt is a ***** word heard too often,
coughing from a coffin she offers me her hand
cold as ice cream, these nouns are deafening
love is lazy like a muffin
and hot like a dumpling
but a liaison with time cannot be rushed
i have lived long enough to learn this
a privilege to give birth to this moment
again and again vintage feathers
send me your sweaters
detest impostors who give robotic answers
i am in wonder at all this grammar
that i was unaware of
ignorant as mustard
and smooth like custard
in this blustery weather
i am glad i wore a sweater
and have an umbrella
to keep me dry and safe
i am in love walking toward the gate
and boarding that plane
i am your heart served on a plate
with a side of coleslaw, soul food for dinner
you are a winner and i am your hunger
a porcelain gravestone
a copper bathtub with claws
stored in your basement
storerooms cold as a skating rink
please don't think, unless its about me
let sentences drift away
while we chase arguments from yesterday's
armistice

L B Mar 2017
This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped
There are photos that go with this. I'll try to post them together on Facebook.
anastasiad Feb 2017
Interested in interesting things within your variety skill? Below a fresh plan. Make mosaics applying huge stained-glass items just like setting up a stained-glass windowpane, as opposed to utilizing smaller sections slice to the stagnant, normal models associated with pieces, rectangles, and also triangles. After following that regular practice for so extended, My partner and i grew uninterested in that plus wanted different things. We taken out my own mosaic-artist hat as well as worn my stained-glass-artist head wear for the wonderful modify connected with tempo. Determination number of stained-glass hangings, the item dawned about myself. You should incorporate mosaic skill by using stained-glass fine art? The very first element proved attractively, as good as expected, and that i location checked again considering that. Make understand how you actually, way too, can make all these amazing mosaics.

The initial crucial factor I personally mastered when producing mosaics coming from stained-glass shapes is to reduce the camp material for the specific measurements a regular ready-made open-back frame. That reduces the risk for forking over more the price of a custom shape. We wait for definitely the pastime keep to place their particular ready-made open-back casings available for sale regarding half value and so i usually fork out regarding $25 for any attractive figure, including the installing, paper backing, plus suspending electronics. One of the best dimensions are 18-inches by way of 24-inches. The favorite selection of base material is ordinary 1/8-inch hardboard, which you may get at your best hardware store. I usually get the blankets pre-cut to 2-feet by 4-feet around $5. Hence, for just a meager five us dollars, I have got adequate foundation material for two mosaics, which is superior in the event youe the eager performer on a tight budget. That imperative that you understand that 1/4-inch concerns because thick since you can enter the item installing thoroughly into a ready-made open-back figure. The base material is 1/8-inch thick as well as stained glass is all about 1/8-inch thick, that creates your finished piece regarding 1/4-inch thicker.

Gauge and after that cautiously along with correctly trim the actual hardboard for the actual measurements this open-back shape you plan to use. Let think you wish the actual 18-inch by way of 24-inch dimension. A saw means that you can help make better reductions as compared with wanting to guideline your circle saw physically. If your round saw is actually you could have, this can be achieved, you need to your time and efforts and also wear hurry your cut. Right here guidance. I discovered a new "refurbished" Skil saw on the internet this expense exclusively $80 together with shipping. Whenever it arrived, it checked in addition to operated for instance fresh. I managed to get an amazing $250 spotted after only $80. The trick is to browse on line for just a "refurbished" system as opposed to fresh. Right after calculating as well as observing your hardboard (determine 2 times and become correct), you should definitely format a observed edge to take on your cut-line therefore the resulting portion is just 18-inches by simply 24-inches. Put simply, add trim on the fishing line because the ensuing portion are going to be something such as 18.8-inches by way of Twenty three.8-10 inches tall, which is often they cant suit effectively within the framework. Just about every ready-made shape defined as 18-inches by way of 24-inches in which Internet explorer purchased have been in a curly hair connected with 18-inches simply by 24-inches. Now there not much place with regard to mistake whenever slicing the bottom content, thus determine double plus align this cutter correctly for the slice series. If your ensuing starting material is inside a head of hair with 18-inches through 24-inches, itl fit beautifully into the ready-made open-back figure.

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Determine and also cut (in addition to grind the edges when you have a new mill) a stained-glass parts such as you have been developing a stained-glass screen. That i work with really see-through or maybe solid a glass colours to make sure you can observe by it to check out the actual stick when stuck to the base material. For your variety, rather than joining this parts utilizing direct emerged or copper foil and also solder because you might using a stained-glass work, simply glue the actual parts set up over the style for your foundation product making use of simple white PVA fasten (age.h., Elmer Epoxy All or Weldbond), abandoning with regards to 1/16-inch space between pieces. Your spacing may differ as much as 1/8-inch, however wouldn head out just about any larger when compared with 1/8-inch space because I consider the broader space seems to be sloppy in comparison with thin spacing.

While each of the portions will be stuck in-place and also the adhesive features dry out for about 2 days, populate the particular places with your favourite cement colouring, as you'll if the variety had been through with the normal smaller bits of rectangle or maybe triangular shape styles. My partner and i mostly utilize medium-gray cement, yet this most recent preference is usually charcoal (dark) cement. The better mosaics I actually do by using dark colored grout, a lot more I love the idea. Cement coloration can make or break one more look of a person's mosaic, if youe in doubt in what cement color to use, your best bet is with medium-gray.

When the cement possesses dry right away, use the mosaic in your popular hobby retailer while theye which has a sales upon ready-made open-back structures. The best shop incorporates a 50% sales every other 7 days, therefore, if it a strong off few days, I delay weekly. Select various body styles and colors, as well as put them over your variety, one at a time. Have on be happy with the 1st body you get. Check with the particular worker which will figure he believes appears to be very best together with your variety. View which shape allows spotlight the colours in your variety. My partner and i generally consult some other clients inside the speedy space the things they imagine, as well as theye normally wanting to supply their opinion. Once you have the ideal shape, your clerk can install your current mosaic, make use of the newspaper support, and put in this draping components and also cord.

Isn't it about time a gorgeous mosaic to carry on your wall and also allow like a found. The particular neat benefit of it truly is that it common, not the same tedious variety style wee noticed for centuries. That fundamentally a new stained-glass screen set up on some sort of body together with grout while in the rooms rather than solder. You acquired notice that many times. Effectively, not really until finally the many variety music artists on the earth read through this write-up and plunge to this procedure!

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Martin Narrod Apr 2014
When at first it happens I want none of it. I even say no. I discard the plane tickets, the train stamps, the envelopes of money into a safety deposit box some train station off The Embarcadero and just head East. It frightens me, I'm horrified. The potency is developing in my inner organs, I can't cough right, sleep right, I just suffer and complain. Instead of doing things differently, they've made it so you can soak right in. Just strand yourself on the side of the roadway and they've got rules for you too. The sounds are torturous, the rooms are empty, and the men grow complacent and empty. Nothing is as serious as this. Four years ago a car, three years ago a plane, now I just shuffle and complain. I search for a key to my happiness. I look for it in desktop monitors, caramel apple lollipops, new cashmere vanilla candles, consuming six or more bottles of water a day, E-Cigarettes even, even those, I use apple juice, lychee nectar, mango sorbet, and chocolate fudge sundaes. I'm 40 up on the 140 I went down with. All the miles I'd walked in a firm step, a fever, a bag full of cheap wine for a man that works the car park. 43rd between 8th and 9th. Every thing is bright lights and theater nights. More pacing, there is gum stuck to every square of sidewalk, men and women wheel around a block away selling discount drugs in the streets and outside the Subway on 44th, in the Chinese food mart on 7th. They blow blow blow in their little plastic straw tubes and for $12 a drop they ask you to reach your hands inside their pockets, "take what you like and leave the rest. No one remembers it like this, the girls laugh practically upside down, they wear sky-blue light dyed denim overalls, covering all the parts of their shoulders but exposing their ****, they have plastic bags in their boots, and cute bobby bobbing hair cuts like water crest shoots exploding in lime juice. They pace too, but their legs are shorter, their conversations longer, the horns in their heads grow slowly out from midnight. The devil put the hate on them too.

Even the children are bigoted in this bicentennial. The ******'s nook is no longer the sewing shop in the corner of the strip mall up by Deerbrook Mall. I haven't seen a fountain with change in it since the 80's. The newest thing I heard about imaginations are that, "They come out the first and last Wednesday of the month, you gotta check with Game Stop if you want to pre-order the right ones." I think we must be on number 18 by now. There were four of us riding shotgun in the boxcar up to the valley last month, now they don't even run the trains anymore. One third of everything left to go.

I'm growing quiet; if they can't tell it's not my job to teach them. If they can't spell, I ain't gotta word to word combat that's going to come down on 'em. My brain is so uptight I can't sleep before sundown or sunrise. I see legs and oil futures with every blink. I listen to the old phone messages constantly. I make up stories to go with the missed calls. Still I hope everything will work out okay, because nothing is as serious as this. It makes me sick. It makes the guy undo itself with a brass nail, the blood unclogged from the rash from last month, I find out I'm toxic to poisons, and then I'm told that they're a prescription for that too. It wasn't a ******* rumor. The time to back up or move is now. A idle figure in an orange shirt, a tapestry that moves with every hallucination, forty, fifty, sixty hours I've never slept. I may have been years. My stomach is rusting from water with nowhere to go. I feel sick. I feel woozy, but I don't believe in feelings. I sit upright because I'm uptight, I turn my head around and look over my shoulder. But I know that any friend that's worth looking at me wouldn't arouse my spirit at this hour. There is a net that they speak of when everything's gone. It's the madness that transforms nothingness when the devil's around. Whole empires are crashing. Whole bottom drawers of unworn clothing, tagged and abetted stuffed into black crape garbage bags and drove off into the moonlight. I'm sweating and soporific, living half by half two in and two out, if I had the chance I'd try to remember just which way I get out. When I check on the rumors, when I say my goodbye, I know that I'm the only one sitting in this room of cocksure spirit animals and half-plastic book casings, and that no one whispers and no one cries, not even the bereft can produce a lullaby. I am dying to figure out how to move voicemails from iPhones to iTunes, I googled it while sitting down in the city last night. Poor service. 10 months. Not even one blame the famous few.

After tired comes guilty, after guilty the shame, after that apathy, after that I'm awake. I've never been good at being better than me. But those voicemails, I want them somewhere permanently.
Inspired by a Voicemail, Written for Britni West
Heather Moon Jul 2014
"We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance

We have come to be danced
not the jiffy *****, shake your ***** for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance

We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing scabs & scars open dance
the rub the rhythm raw against our souls dance

WE have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws & tongues dance
the shed dead cells and slip into
the luminous skin of love dance

We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance

We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
We have come to be danced
WE HAVE COME"
Do not know the author, don't normally post others work but this spoke to me.
Graff1980 Mar 2018
Scabs crusting;
Feet wrinkle
with an unrelenting
wetness
in cold socks.

The soldier walks
reaching the point
of contact,
a swift interlude
of gorilla combat.

After the gun fight
he collects
small bullet casings.

Then when silence
finally comes at night
he takes them out,
rolling them
through and around
his fingers.

Various
colored casings
of memories chasing
each potential
point of pain;
He imagines
the cycle of sorrow
that each projectile
might have injected
into this world.

Then the soldier
buries the bullet casings
and
finally, leaves the battlefield.
This is not atrocity
This is the basement
This is the sea receding like lips to reveal tooth-like shells
  
Amongst the bullet casings and corpses felled leaving the boats
This is the sand like an inverted moat around the
Kingdom at sea, and this is the Remainder.
   Yet they remain jubilantly-

Is this what being jubilant means?
Chamomile anklets adorning a hanged child.

This is not atrocity,
Ignorance wielding pitchforks and fire.
Anger alight and hostility riled
This is not atrocity.
This is not far from this reality;
Remember this child-
  
And the mob piled like tinder on themselves
Convincing carrion feeders
And unimpeded breeders that
Halt the march of science that
This is not atrocity.

The certain hot song by which Earth is greeted
Has an immediately recognizable tune.
And
This is not atrocity;
It sounds more like ******, ******.

But I can't hear it
And I have no fear anymore
I open my eyes to another routine killing, and I know-
      
This is atrocity-

But a necessary one.
It's hardly enough to stay alive
And as I and we strive for
Money and coffee and love,
I and we let
atrocity
enter us.
Climb into us like a hand does a glove,
or a puppet.
It is not nature;
Nor fate;
And one needn't be dead
to appreciate the ability to open the senses
and actually sense.

And this,
I am certain,
   Is not an atrocity
Dah Feb 2016
On the sidewalk standing in the rain
the old man is a wounded dove.
Longish white hair: wet feathers
grounded in a storm. The rain is heavy
and repeats itself, like buckets of water
thrown out of windows.

The old man stands there
holding a memory or a wish.
Under the streetlight
his wet hair glistens like tinfoil.
The downpour is a creature
that’s eating him up.

Darkness projects
from a deserted apartment building.
The ground floor windows and doors
are boarded, nailed shut.
It appears dead, like an old disease,
or stripped, like a despoiled tomb.
Its bricks cracked and crumbled,
wooden casings dry rotted and helpless.
Painted in bold red
across the boarded front entrance,
a graffiti-message: Girls Rule.

Looking back at the old man,
he stands the way a king stands alone
when doubting himself.
Dark crawls around him. The old man stares
at the building. He is motionless,
in memory. Rain gallops over him.

Inside the warmth of a café,
my steaming coffee. Outside, the streets
are laundered clean of everyone
except for the old man who stares
at the apartment building. Time has grown
over his face and body, has grown
over the broken down building.

Now the rain is as heavy as mucus
and with his tiny body
the old man shuffles away into the dark
and gradually disappears
like a casket being covered with earth.

_____________

from my sixth book-length manuscript

©dah / dahlusion 2014 / 2015
all rights reserved

"In Streetlight, His Wet Hair" was first published in
'Switch (the difference) Anthology'
from 'Kind Of A Hurricane Press'
Mitchell May 2011
Pour me into a
Glass
Tell me where its
At

Met a no-one today
Turned out
It was
Me

Laughable lists
Tell each-other
This is
It

The road remembers
No-one
But accepts
Anyone

Gravel women
With your hair so curled
Can you tell me a riddle
That would stump the world?

Peeling a feeling from the skin of the
Uniformed
Where to feel is to squeal
With a pinkish kinda' zeal

Ground it out
To feel it out
Spell it out
To later tell about

Friends who're foreign
Naked and
Boring
Within a whirl of
Poison

In the dead of night
We are all
Just Human
queenh0neyb Dec 2014
Yesterday
I spent $45
on brand cosmetic makeup

Drove home after
debating with
myself in line,
shaky hands fumbling
with the plastic
casings enveloping
over-priced wax

Today
I woke up at 6 A.M.
applying my new
purchases with a
loving hand,
Confidence glowing
from my freshly done
face like sun beams

You and I
may have different
definitions of
a good day

The goals I set
for myself you
may scoff at,
a daily routine
for you has taken
me 4 weeks, 32
days and the writing
of this poem
to finally complete
(It would be 31 days
but I spent one extra
trying to convince
myself that I am
as worthy as
the first day
of the
month.)

Since Monday
I have accepted
the doctor’s advice,
paid my
car insurance and
my phone bill,
returned 11 missed
calls, hushed the
demons beneath
my bed so that I
could get one
good night’s sleep
(Their voices in
my head no
longer haunt
me.), remembered
to take all
of my
medicine

My dad
is proud
of me

This kind of
pride is
not the type
he flaunts
over toasts
at the bar,
he doesn’t
chime into
conversations
like, “My
daughter scored
a perfect 36 on
her ACT” with
“Did she? Well my
daughter can
finally take
all 5 pills
without
a reminder”
but
He is proud

To be so appreciative
of something so
small
is because
he remembers
the vortex
before this

The days I could
not remember
the function
of any part
of this
lifeless body,
the days I
would keep
as silent as
the intonation
of the ugliest
shade
of grey for
months; he
prayed each
weekly
phone call
from
the hospital
wasn’t
the “I’m
so sorry”
following my
suicide

These
were the
bad days

My life
was a gift
I wanted
to return

The thick
fog of darkness
settling inside
my head served
as mood lighting
for the loose
screws and
bent nails,
the crevices
of my brain
inviting each
drop of
mental illness
in to
drown me

Depression
loves me
so good

She has
this intrinsic
flaw of
locking the
spotlight
on you,
the betrayal
to parallel
your thoughts
with her
own, and
it becomes
more natural
to welcome
the abuse
than to find
a way to
escape

Today
I willingly
climbed
out of bed
before my
alarm,
washed my
bed sheets,
changed
my profile
picture on
Facebook,
opened
the windows

You and I
may have different
definitions of
progress

I didn’t get
the perfect 36
on my ACT
even after taking
it 4 times, I
didn’t get accepted
to my dream
school, but I
don’t punish
others
for the
absence of
my desires,
and my dad
is proud
of me

The brick wall
edifice of my
depression now
lie in ruins, and
I take full
credit,
the filter of
grey shading
over my life
has transformed
itself into
the color of
hope

My favorite pen
I’ve relied on
to rewrite
my life has
challenged me:
“This is not
the life you
want to
live.”

But
I
am
alive

I’m not
weak in the
knees
over the glistening
edge of a razor
blade, my nightly
prayers don’t
include
tomorrow’s death
wish of throwing
myself off
the Brooklyn bridge


I just
painted my nails,
folded all
of my laundry,
called my dad

And told him,
“I hope you’re proud
of me.”
Mitchell May 2012
Addicted to the transformation of the self
In hearing we see that touch is the only hearth
To warm one's hands in winter near to the fire
A separation of love shows the underlining
Of dotted red when the word one sees to be false

Mother - when the night was young and you were old
Were you able to see the stars without your glasses?
We are the products of products of products of war
The shells of the bullet casings and bomb fragments
How much transparent blood have we bled so far?
Where is the fork in the road that will take us to Shangri la?

Notice that when the woman in the mirror disappears
The cleaning men drop their tattered, ***** & cut wears
Disaster holds the hands of man's growth & evolution
At times I notice the way the wind passes through my sheets
The skirts of the women and the thin hair of the old men
And they are much like the lavish trees that line my street
That hold true form in the pose of nocturnal naivety

And there we are by the carpenter and the pine tree
An "A" for effort attitude that barely got you the diploma
Hard work for the Hare and easiness for the turtle
The last night I worked was like racing through hurtles
So in sight all ye' fathers who break the mold of religion
Hold true and steady when the wind will start to whip
And knowing was never the correct answer & never helped at all
"The whips are where the heart is," the fortune teller is told

Where all is sold for the cheapest and weakest dollar
I pray to you there has to be more then all this squalor
The nightingale awake in the horned' tree cast in moonlight
Waits for its dreams so in the morning it can have a song to sing
Nod off and nod in where this life began I can't even begin
The guitar plays as she types awaiting for Her lapse of sin
Here the night is wired and wild with burn marks around the edges
Here the boss's hair rings like a hornets nest and everyone clings to their rubble

And pushing forward through the snowflake rings of time
Makes me to think that the seasons are only there for our design
"Not in the least bit asexual," the lawyer reads to his wife
In the morning both their breaths will wreak of red wine
Near do well and saying it all as the bathroom stall
Leaks out a liquid familiar to the ancient, early neanderthals
I have written and I have seen and I have breathed the air of every sea
The only thing I now wish to be
Is on the lakefront with new eyes and a frame to seize
When the speed allows the memorization of misfit tyrants
To push the rant to the edge of the hill that lays in dust and ants
Then there is the horizon that God creates for all those Western window sills

Tearing the skin from your fingernails and seeing not a drip of blood
Sloth like reactions reaching for the best spot in the house
The covers torn away as the nightmare in the mind becomes real
All that can be heard is the vibrating walls and the wailing squeals
Through pebble caked walls and finger padded dawn lit rooms
Lay to rest thy' faith for the moon opens your casket & the entrance to your tomb
Whorish knave that makes even the gutter grimace in its disdain
There the nun contemplates a life she could have lived without restraint

And to connection through the way we need to see each other
The push for brotherly love in the face of the dawn of technological revolution
And the hastiness of the way that it was and in the day of running mad men
What are we to do when the push is far more advantageous then the pull?
Where the cliff is in sight and death is more likely to be the safety net?
Awareness that all of men's problems exist for man to work at it
To prepare themselves for the war of wars where later to see
The deaths of their fathers, their mothers, their brothers, their sisters
Was not in vain if the reward of the stars is presented to the young
Where the rivers ripple with Roman like eloquence of progression

To live for another to fight for another to die for a place that would leave you in the gutter
Is the madness that leaves the one's shooting with their heads spinning
Tour the way the rules are made and the books are spun with the hands of spiders
Their webs are infinite and indestructible for they learn from one's before them
Their ways were as intricate and profane in their time
For the envelope was sealed and burned and sworn to forget its own name
The lightness of the this place throws me off in the way the clouds are grey
Letter heads are masted like the wooden ships that produce silver flecks of clay
Our nothingness only pushes us in two directions
Suicide or production
There is a choice that few make with knowing and many without
Which one are you?
Do you cry for reasons for which you cannot see?
Do you believe what you will, or what all the others decree?

Crack of the bed she turns herself over to a man that isn't there
I got a place that I know I belong but to where that is is already long gone
In type the strawberries shine red always appearing to be ruby ripe
And these ghosts of electricity provide neither discomfort or much needed positivity
There were things that I needed to know but never took the time to figure out
So what I'm left with is a world wide open with whatever I want to find is what it is about
The deserts and the canyons, the hills and the oceans all a few of what I wish to see
Where I'll be and where I'll live I don't rightly know now
So I might just get myself a mule and a satchel and get to selling tea
Darcy Lynn Jan 2023
the first time i felt like a woman
the ends of my fingers polished, lashes crusted to the sky, and sticky gloss that glued my mouth shut,
cotton bullets on strings in cardboard casings and demonstrations of crushed
flower petals—feminine virtue
defined by the presence of a *****

the first time i felt like a woman
fingers curling around the rubber fetus in
my pocket, nine year old hand
pressed to my nine year old womb, as
my classmate’s mother, donning culottes
and the armor of God, issued
Psalm 139 bookmarks to the class

the first time i felt like a woman
the stain of Life, wine dark and blooming
across my blue Fruit of the Loom’s
during fifth grade band class, at home
my mother demanding to know why i didn’t tell her of my first period, she asks if
i am a compulsive liar and leaves the
Wal-Mart bag in my room, unaware she
bought me the wrong bra size

the first time i felt like a woman
my first love said “I’m not putting it away until you touch it” and i hear his voice
when i check for ankle slashers
under my car before i climb in

the first time i felt like a woman
in tenth grade the chapel speaker’s mouth saying “the most precious thing a woman can give to a man is her body” to a room full of teenagers, i wonder if
my future husband sits among us,
and if he wonders what i look like naked

the first time i felt like a Woman,
my girlhood had to die.
J Carl White Jan 2014
Awakened in a strangers bed
by a breeze through a skylight
dusting traces of rained-on geraniums
and newly cut grass across my face.

My lips taste like salt-rimmed margaritas
when I lick them and the flames
from giant candles that danced
and flung our mad leaping shadows against the walls
the night before have all blazed out,
cried themselves into waxy puddles
overflowing into a stolen hotel ashtray
full of half-smoked cigarettes.

The comforter slides off,
silk whispering as it pools on the floor
and I am naked beneath,
hips dotted with tiny bruises from fingertips,
hairy belly still sticky with release
and I wonder what possessed me hours earlier
to so savage the worm,
that ridiculous prize
lying at the bottom of a tequila bottle.

I could die of thirst.

I spy our spent casings on the night table and remember.
Thrown clothes, then skin.
Reloading during the battle.
The hot breath of secrets over a white-flag pillow
when the cease-fire came.
Then no sounds at all.
Adrift in a shamble of blankets,
sleepy kisses till dawn.

I hear the shower turn off
and remorse sets in
making me wish hard for mints,
a better memory than this,
the removal from my chest
of that hive of angry bees
grieving a dead queen,
and God only knows who’ll walk
through the door so I brace myself.

Wrapped in sheets, I wait.
Michael W Noland May 2013
All intellect is dissected
Through the tunnel visioned perspectives
Stretched thin
In a stream of feed
Producing the illusion of need
Projected from old men
Who grin
Below the suicidal idols
Of the rivals
And glutton in the maniacal sins
Commenced
By brain dead Americans
Painted in the amens of the dense
Commending the hymns
Of spent casings
Atop the blood of babies
And maybe
One day
It can be better
Than the clever endeavours
To sever the head of the predators
Washing our hands of their sedatives
And delivering the skulls to the slavers
But we are pay dirt
Shoveled into trucks to work
For a leafless tree
Ready and wanting to believe
In anything
That doesn't see our deeds
As we
Are manufactured with the greed
Of sleeved wisemen
With five of a kind
In the fight for life
Putting our souls
Upon our rites
We bet
Despite the path of right
Infringing on the height
Of success
In excess
Of the tests message
We are the blessing
Of a warning
Within a forgotten story
Historically denoting its anointing
We are the disappointment
Of the warrior
Defeated in a court
Of corrupted consorts
Sorting out the blueprints
For a new fort
Distorting the borders
Of moral disorders
With orders to ****
The hoarders of will
We are the shrill screech
Of a dying world
And we are alive
But dead
Born to ****
Batteries of a shield
Building hell
To sell heaven pills
Renée May 2019
Wipe your eyes, my baby
Marlboro and shotgun casings
Pound piano keys and feel it in your bones, this fear you’re facing
Because Debussy can’t take away the sound through unsubstantial apartment wall spacing
Of neighbors screaming, growing skill in the use of debasing words
We’re growing sage to burn alongside the memory of heart-breaking firsts
That didn’t bring any fulfillment or remaining seconds and thirds
We are witches, searching for potions to provoke hard spells
To forget these troubles which were heard from the mouthpiece of hell
Our black cats and crooked hats don’t hide the fact
That these highs don’t last
And soon we will remember why we left yesterday’s December behind
Ice crackling softly in window panes becomes enough to remind us why—
These things don’t leave the solitary, unhinged mind
When there’s nothing else to replace what was once chased
On agonizing below-zero winter days
So wipe your eyes, my baby
Wipe your eyes
This won’t heal, not like the bullet wound and cigarette addiction
That you always lose
(And somehow manage to re-find).
Connor May 2015
Lily on my crown,
My soul is rooted with sunflowers,
Love springs from my lungs.
Death is a garden.
Affection a coffin.

Hedge around ribs,
Holy light tightened on heart,
Beating carols only heard by dogs
Like a whistle, thistle on my knees cutting heaven real deep.

Tulips lace my tongue
Taste of angels, backwash of Lucifer.
Eyes pupiled amethyst. The healing stone. My world is healing while thorns and samsara hold my ankles to material and the edge of avarice.

World of loom hill parade ecstasy while weather ignites to 24° psychic readings being hosted in palace atrium & column walls where the archaic clock gongs upward to ****** addict ghosts and mental wards in lucid Babylons.

Lovers screaming against bombs, blister billow black clouds and smoke with marijuana haze in flats and compassion for grief cottoned years.
Rumble of music soaked into ratless insulation, long conversations with the insomniac self who hides from monsters inches over his head.

World of daysetting group understandings amidst orange moonlight. Coalmine haired bereaved droop nose man crawls from darkness for another cigarette on the balcony, 4th floor apartment complex in May. Depression hit like **** **** fogging out the brain.
Emptiness is the west.

Travelers who sway on driftwood face The Cascades acknowledging past times, revolving themes and bullet mouthed villains who seek away from starvation from ego lacking.
Their bile is sentences and the rest, anyways.  

Japanese instrumental rolls through closed eyelids in flashing Technicolor, rabbits watch the highways unaware of mortality.

World of bicycle rides on packed ** Chi Minh
City 2016 Winter where twenty-something North Americans go for pho while others go for broke. Palm trees polka dotting college campus in Afternoon, insects whine for the daydreamers. One is writing poetry in a small Vietnamese cafe sipping earl grey inspired by the Oriental clutter and a redheaded girl back home who paces frantically in the attic besides a crooked lamp scrawling flowers to the rotted whitewood panel work

The artist’s craft is a keepsake for eternity, as wells dry out and desert becomes ocean, poems will melt to matter zipping to outer space, satellite ink spots expanding by forever realms.

Pillow foot sole cracks shell casings on forgotten battlefields in later decades, wiping off grit shoeshine boy corpse particle reformation and fairy spit from brow, the last mad prophet sees visions of Christ as arachnid wretch black widow who venomed our bones with rapture,
doom wax peeling away after the damages had been committed.  

Now I check for spiders beneath my sheets.

Banshee howl symphonic sorrows leak in unison with all lanes of commuting traffic. Denial curse for positivity, mindset slate hiding
The weary souls radiance. On the 15x down Johnson! psychedelic chasm quakes through the wheels and my thoughts are spinning sunshine!
Washing machine dynamo recollections of whiskey spilt over carpet dark sand shade while La Vie En Rose resonates from playerless pianos topped with incense sticks in arabesque ashrams, imaginary shelters. We all have one!

Nick Cave is sleeping by back row while we approach final stop in front of bankrupt Chinese corner stores. He’s murmuring Oblivions and the bus keeps on going.

Death is a garden.
Tears are its rainwater and bucket flow.
Nectar pattern reveries honeybee the flowerpots.
Peoples sprout from them bloomed full.

Rosy reaper blasts past the solar system in a comet rocket since she saved the aliens, she hums Vivaldi and huffs a good huff from her cherry cigar.
She tightens her starlight hood and black holes be born.
Torn apart Pluto goes

B    A    N    G

Comet delirious ignores the decimation
And shouts the Lotus Sutra

“ALL GODS WERE TOO PASSIVE”
Reaper hollers back steering by the milky way and beyond on their hallucinogenic trip.

Lily on my crown.
Crown for the kingdom
wherein Reaper resides
and sings with galaxy ukulele to
the great empty.
Great as all can be.
M Harris Mar 2017
Photochromatic Sanity & Fluorescent Visions,
Metallic Vanity Initiating Phosphorescent Collisions,

Luminescent Effervescence In Her Iridescent Constants,
Convalescent Spells Of Her Tumescent Transplants,

Auroral Apertures & Acronycal Fractals,
Floral Kisses Of Her Quintessential Portals,

Velvet Transitions & Twilight Transmissions,
Reverberating Vocal Inhibitions Of Her Satellite Renditions,

Razor Rivers & Rogue Delights,
Shining Laser Echoes On Vogue Nights,

Molecular Suicides In Abysmal Desires,
Drowning In Atomic Oceans Of Her Ethereal Reprisals,

Static Pulses Of Her Prurient Delights,
Amorous Impulses With Hymens Of The Night,

Shaded Whispers & Livid Overtunes,
Serenaded Ceilings In Her Vivid Offtunes.

Condensed Rainbows Over Her Silk Citadels,
Slithering With Oblivious Love Of His Ghostline Vessels.

Extinct Hemispheres Of Her Tender Tracings,
Broadcasting Distinct Light-Years In Spiritual Casings.

- 03:50 AM -
Mitchell May 2012
The knife sharpens itself
By a naked hand
Gripped by the thoughts of home
And happenings
Of Matthew's killings

Since in the own self
Accountings are remembered
Politely thinking that
Everything you've seen so far
Is a game

There is nothing
That is not your own
And Oh My God
There is once a place
That you know now
There is something you are up against
Yet you don't know what it is

Marching roves
Of men with the geeks and their money
Sweat trickles from the
Leather books of their
Leather shredded souls of the ******
And here the stone piles lay
The guts of a revolution
Paid off with nothing
But the blood of the brain washed equipped

So
The swearing of news
Of lands split apart by differences
Arms themselves with theories
Ways of living
Separation of man to man

And business
Is as loud
And as quick
As the shot
From a gun barrel

We are lead by
Monsters
So in turn
We are only minions
Of Monsters

Preceding in a
Discovery
Of an old enemy that
Swears that blood
Would never be
Thicker then their hate

The blasts
Begin
As the age of man
Is dressed
In fresh spilt
Sin

And there is the check of the
Young solider at his stone hedge fund
We wheeze for the riches
Of the looks of the great scholars
And lepers of the lost celebrities
Going through all
Of the way things are and the way
Things will be and the present step
We all seem to be obsessed with taking

Walk to the gates of the pearly gates
Sounds of bullets and scream to be heard
Our name, our humaneness, dampens
As we flatten on the torn apart dusty stone
Caught with one eye on the ground, their
Ears bent to hear any kind of sound

Excuses let not alone in warmth an hot bullet
Where former life lived now shows but death
We men, hot in our hurry to correct one another
Excuses everything where we should excuse nothing
And in blood He bathes in bullet casings
A former shell of the man after heathen he hath killed

Though pressed on silken angels wings where
We seek refuge for forgiveness after pleasure
Released' are we when the light is shone upon us
Each word to be released is to be sent to heaven
Our brothers, nodding to the likeliness of our worth
Sees their eyes within the pupils of us, our own brothers

Thunder where the proud is not equal
We marked nothing that could not be fought
Good or bad was not the answer we sought
For we only sought justice in the eyes of good men
We know not how to do too little or too much
We only turn our eyes to the home of our good selves

To the hawk the family runs away from its own mother
She tidies as bullets **** by in their boys imagination
To spread your wisdom is to also spread your disease
Seek the seed of of your turmoil, see you spread your knowledge
To the youth you produced you wished could be free of your curse
The night touches the lips of the innocent as the moon eclipses
Temporal breaths form on the authorities that swear their allegiance

Where time cries we see the shallow man weep their **** of time
The hallways echo with their cries of selfish uselessness
Preciousness shows light on His eye whose end is inevitable
The clapping senate, in their circle, their suits, their wives with sherry
Make no conversation to the people for their wounds are too deep
The people - with their lack of voices - show their mouths with no sound
As the greying suits like the bones within the earth clap to their own accomplishments
The laughs, those haunting laughs, are heard faintly over the lapping of forgotten blood

What must we say of custom but that it is boring
We make the throne to it as we see the revolutionaries toss stones at it
They who hold their essence, their truth to it
Sacrifice their children - later in vain - for the cause of it
Dear custom, you are the one who holds the red hot chain of control
Not the Devil or God or Tyrant or Executioner or Law Men
Ney! We must see that custom is the crutch of all Men
Unwilling to step foot on grounds which they know nothing of
Here - on these mysterious grounds - lays a life better than the last
Here lays a life not afraid of time or change of the ill effects of history
Here stands Ahab and his ship sailing for the mighty ****

In place our God's shed only their light on the one's that resemble themselves
Picked out to present the gift they have been sharing for eternity
The lights shine bright on the eye's of the one's of the camera
Lo' the mud is still ***** lined with a sickness that tries not to be forgotten
We wheeze for we are human yet the God's provide no cure
We die only to be tossed back into their pool of games
They who plays by the rules is imprisoned in a losing game
Rules, a shackle and chain, all presented by the creator of the frame

Prepare for the soft spoken telling of the charging of the army
Our men, sword to sword, relishes their hate in the blade
How deep can a man hate when they **** every innocent soul around them?
We pass through sheds of shifting christian childish light that cries
Time pleases of the Shakespearian wears that hold a truth who shouts "Not now, not now!"
Soothing ourselves with the honored number of the royalty that swears
To be mixed with the minnows of the common man to be a unholy injustice
Man turns to God and man turns man into the dirt with which they march on

And in the breath of a love of mankind
An innocence whose mess could bring you tears
And a thankfulness that only bears the strength to show Her fear
We are made of the same blood, the same muscle, the same skin
Yet we fight to the death just to see who will turn up on top and win
Can the hill of our ego's ever be conquered?
Where is our peaceful hill that many wish to live and wander?
Bloodshed is apart of mankind
But there is another side
One that is washed in the ***** pebbles of a forgotten city
And the waves of a mysterious endless ocean
There we will find our answer but I'm going back to
A place I've never been before
Where the piano player plays whatever He wishes
And the midnight wind grants me
A couple of moonlit kisses

Oh the politics of theatre
No, my mistake!
The theatre of politics!
We ask to say this when the cue lands
And the mass of man claps or
Boo's, swearing that with either
There is nothing to lose
We are the mob of the Roman empire
With ipads, ipods, the internet and smart phones
Technology tells us who we think we are
Yet
We are still the stinking rats in the stands
Gnawing on the priced bronze haunches of pig
Chewing dirt with flesh and flesh with dirt
Imaginations as wide as the forehand can stretch
Thinking that a glass based GPS system sets us apart
(They did it with paper and parchment)
Spiraling towards a repetitious existence

I wish not to be human
Yet
I am cursed
To be so

To be apart of
What I will be
Forever

Forces me

To favor the good
Within myself

Within
All of us
Police brutality
political chicanery, the
privateering of industry
that polarises community

Poetry
you can plainly see is ruining me along with corporation tax and mindless drone attacks,
but
I can bomb my own flat
empty magazines into my own dreams, eject the casings, reload and repeat,

I sabotage my own defences
IED's I have for tea
Nothing feels better than opening a love letter when it blows up in your face

That place is reserved

In the bunker when the fans are on, when the sound of screaming gulls are gone and the air is scrubbed before we breathe
I do believe

and that belief is based on movie reels, deals I've done with the Devil and the good lord's son,
the ruling class, the kiss my *** brigade and pharmaceutical top grade opiates.

If what is
is what is
what it is and
what it takes?

I only open my eyes when I'm sleeping and that's to watch me watching me scribbling out some poetry and

erasing my body chemistry

I can see it
if that is it.
BDH Nov 2012
Heroes, processed in baths of blood,emerge spotless,
Oaths lanced on battered helmets and dirt dusted fatigues, the Hand of God upon the lawless,
Never let the barrel lay its head to an enemy, the shell casings remain fixed and fearless,
One solitary act propels man to sacrifice, it is still, timeless,
Remember the mark is invisible, carried on fitted sheet flags, to us, faceless.
Martin Narrod Feb 2014
Hours. Back. Tideless extreme. Gaunt. Happy face, good luck, forever ago. A go-go. Breakfast. Preference. Slip stream mock tidal bliss. Humpback seal stardom, infinite provocative immortal. Catches me. In between the teeth. Cool, Mach 3. Sumptuous extravagant human meat, flesh game. The flesh game. Heroes air-freight. Wash cloth. Hot breaths. 'ths' and plastic bag I-280 North ***** and sudatorium.

Pick a pepper.
Cow Palace.
Moth ***** and mouth *****.
Tea bags and sore throats.
Presumptuous candid                                            story-telling anomalies, trite

/masterful caustic limping brick-pedaling life-goers in major metropolis wearing leather sandals, whistling\

Whistling deep cavernous chasm bellowing hollowing, in out in out arithmetic.
        
                                                                                        Sand gathers boulders.

Women gather warmer wethers. The weathered. That ton. One of the asinine                                        

                                                        and aesthete.

Curious. Before
clause. The story god.
                                                        The kick of Achilles

                 and the Satan prance. Bleat of the squeeze.
                                        Course set. Picking up the pieces and going spelunking. French maid syndrome. Wan. Wielding the anatomical dollar of the "this-just-didn't-work" childhood.

                                                                                                Wears gloves. Has colds.

Breaks molds, and reads fortune cookies.

Limps                            lifeless, heavy as a Tuesday and digging its own grave. It owns gray. It

makes
meals
and carries them through broken towns,
over smoky ridges,
helping out and just- helping.

The line wakes it.                                        One traffic light.   Three thousand three hundred lakes.

Steals a cell phone. Goes quiet for days in the forest.

Kills a wild pig. Bares a feral hog.

Opens up a can of sour condensed milk and still makes caramels. The open fire. The children gasping and favoring the brave. The score is limitless.



Hours go by.

                                                        ...    ­                                      ...

                      ­                    ...

                                        ­                                            ...

Mites dig into the skins, and the shins of the subtle. The men come back. The palm fronds make excellent roofs. Raised. Reared. Canned food makes abhorrent constipation forest dwelling; syndrome. And excrement. The crowns carry over.

The bejeweled mid-rim equator

                                                               ­                                                 providence.


Ki­ng and queen.
Prince and princess. Knees bend and over and over. Mirthy trammeled lots. Egg white clouds scurry through towns scurrying through. The bastion wall. A romance connecting. Two lovers. The lot. A burrow in the ground. Short-haired hares: run, jump, skip. Life settles. No one comes back. The skin starts to itch. Gratitude is and is not. Worry steps in. The chimes glow through the rorschach tree tops. Fires and combustion. Great oversized bells. Who hears the ringing?

The canopy overcome with splinters, the eyebrows are furnaces that never spit out the light.

Spectacular plight. Unbelievable nights. Feeling fowl in the palms of another                                                        
                                                                        land where weirs and wilds
and roaring waterfalls
                                                decorated with cowards collecting honey
                                                                                                              combs
through hair-strainers, so brave    soo brave, to brave, to hunter-gatherer
African mission-syndrome types in white long coats and sometimes and dangerously called doctors. Do not stop for lines. Do not stop for lions. Or

                        when stuck in the cauldron of the c t a         & cia

do not weave heavily through traffic, railing divorce into the cellular phone of man        . NO ZHE DOES NOT. NO.

No one eats, anymore.
The pleasure is moved.
The happy have landed.
The girl of my dreams is foretelling, foretold. She climbs into a lunchbox and heads to work. She digs her nails into her skirt and chimes for dinner.

All is sentimental and elementary. No one is everyone. There is something human in the air.

Something cumin in the water. I love in French in English. In Germanic.

I'm in the water. Feet stuck in the mud. Hands flailing, I'm naked contemplating making shark moves, one hand flat-out, vertical, putting on a show for ducks and swallows.

The women return. The girls come back. Catastrophe and the merriment of the seven deadly fellows.

I run around Sue
and move back.                         I come to the coast to see what's the matter. It's blue. A cinder blanketed snow home. An igloo. An ice tale of curiosity, of  

                two cities, twisted cities. Mad dragons and weirder wizards that rear silver and portage the weirs of Elk Grove, thru the elk homes
humming bizarre cantatas, making Raspberry jellish and relishing

inthelast
lightsofthemorning

of an

interruption. The wanton exercise. The carnivorous machismo.
We work out with our quirks out and lead with the flaws. A tailored finite saw. A ringing through the air. Who can hear the ringing?                

Makes the men to swine, to mew muses. And get choosy on cabooses while

saving Moose.

                                                  maybe like Salvatore Dali would have done

He would halve none of it and brim over with it all.
Make cape flight from coastal waters. Riding the thermal winds of

North Africa, Tomato, and Japan;                              

BEARDEDfrogOFprinceGENEALOGYneededTOO     ...  ...  ... ....  .. . . ... ..

To sew buttons. To bring the water from the well. The shrimp from the levy. We all go to war on Sundays. We hate on Tuesdays,





but the women never come with the water.


                         [now you're supposed to ask if they keep it for themselves]

sad-leis         'end nose.'

I can't but we can. You don't and I hate you for it.

I smell you on socks

                                                          ­                          .On pillowcases and bullet casings. I'm hot and hard to handle. I lay down in front of forklifts trying to bulldoze shopping malls. I am too and too sentimental. I have a 25¢ ring from a vending machine. I love it. I love you. I go to the bottom room. Blue carpet. **** carpet. Tilted blinds. I find the moors and the heaven. I put my books and a sweater in a sack and I start moving. No ones ever seen me move like this. It's like I had revolution for breakfast. I sip a small glass of orange juice. Orange colored juice. I'm off like a stereo and walking through and through up into a story. I'm making life easy with my purple crayon. I draw a canyon and a boat too. The boat can't float so I draw myself an ocean, a coastline. I call out for my friends and no one is there, so I draw friends. I draw the seashore, the plateau. I make other ships. I shift in my seat, it's uncomfortable so I make it leather. I write a letter but it flies away with a pigeon. I'm stuck on a peninsula, crying. On the front step of a friend's tenement and I'm sobbing. I'm waiting for the waif and she's not coming. I think her over with coffee all alone in a diner, and eventually I have to leave. I trail like an autumn sun, splashing bits of earth with my tepid light. I plash in the sea and still I'm very alone. I run my fingers through my hair and find a find a crown to make myself king. I'm heir to my own home, but it's not good enough. It never was. I grow curiouser and curiouser. I don't know what to do, I'm without. I'm without use. Eight months on top of six years, on top of the second floor of a third floor building, it's hot, and I'm locked out, I'm fighting off weakness and indecision. I'm starving and I haven't eaten in days. I'm confused and the ******* seems the rite. I've got no one to call and I start swimming. I start swimming in circles. I get verbal. I start crawling and drawling and soon I'm weeping in a brutal drawl. And I can't hear you. And all I have is the coastline and the ocean, a plateau,

a yacht club full of empty vessels. A flotilla of friends but there's


eh                                                            ­                        eve             nobody home.

And I see you. I meet you. I mean to meet you. But I can't. I can't move or be moved. I can't speak or be made to speak. I am gripped by your love and yet wrapped in fear. In the rapture of fear. Its rancor grips me. So I stand up. I'm halved and naked and half naked. In the sea. And I see you.

And I seem you, to me. I seam you to me.
Julian Dorothea Feb 2012
There is an emptiness
inside me
consuming my peace.

we are.

abandoned shoes
in the middle of the sidewalk.

rusted metal
car casings,
ribs
where the washed clothes
dry.

painted graffiti
in a hidden place,

whispered secrets,
bottled letters
to the ocean's waves

we are the ocean

the ocean inside the seashell  
discarded pencil shavings at the nearby starbucks.

Unsteady hands
coarse, rusty locks
we are.

the staring blank spaces,
the screaming questions,
the tired voices,

they who do not speak.

we are
I wrote this a while back...kept it wedged in a book. I loaned the book to someone and had to shyly explain my mistake. well here you go.
Julia Betancourt Jan 2019
I know all of the pain in the world
I hold it in my hand like gold bullet casings
They melt into my skin like metal rings
Wrapped around my finger bones until I feel the chill
Until nothing else feels real

There are bruises above my knuckles
Where they sit beneath the layers
Black and blue flavored markings
Look like dirt ingrained in skin
Skinless I can be if that is what you’ll savor

If it’s savory, tastes sweet and sugary
Black and blue are just my own two personal flavors
Creations I’ve made from digging nails into backs
Of barrels filled with black moods
And dirt underneath my fingernails

For one night, I can forget them for her
Let the soul inside me breathe clean air
As if I am not bonded to pain in pleasure
Pleasure for them and pain for myself
Like saved plates only ever filled with leftovers

And I have tasted none of them
Tasted none but one but I have more than one ring
And more than one bruise
Because I feel more than one type of pain
Losing is an incision sewed by miscommunication

Implanted in a thought process that has become
So ****** from listening
I listen to you list your wounds from my rings
That become brass knuckles when I touch you
That become how I loved you

And soon your fingers begin to feel broken, too
And snap when they feel me
Last touch against cracked glass
Shattered pieces sing against me
And there is no sound when I scream

Soon I won’t be able to hear you sing anymore
I won’t laugh at the jokes I should
I’ll feel like the dirt underneath your fingernails
The grime I ground against you
Shot at you and beneath you

And hopefully you will hold pain in your hand, too
Hold it in your hand like gold bullet casings
They melt into your skin like metal rings
Wrapped around your finger bones until you feel the chill
Until nothing else feels real

Vowed to be savory,
Black and blue flavored markings taste sweet and sugary
Skinless we can be if that helps to feel the chill
Until nothing else feels real
And together we are bound by the pain I made us feel
AM May 2013
A vehicle rumbled along a sorry excuse for a road,
A convoy trailing behind it

A soldier looked out his window
Watching the dust swirl up in clouds beneath the
Heavy vehicle's tires

He said nothing to his partner and they rode in silence
He, thinking of his perfect baby
Whom he had not yet gotten to feel the warmth of
In his arms
And his partner, he was sure
Had nothing but the image of his fiancée racing through his mind
She was all he ever talked about

They were close
As close as a pair of friends could possibly be
But rides were becoming increasingly more solemn
Unspoken yearning for home had become almost unbearable
These days the soldier missed home so much
And longed so badly for his wife's warm embrace
That he swore he could feel his heart aching

The solemn silence was broken as something caught the soldier's eye

"Stop!"

The convoy came to a halt
The soldier jumped from his vehicle
His boots making a hard thud on the ground below
He called to a group of Afghani children who had been
Collecting shell casings they would later exchange for food
In the middle of the convoy's path

The children looked up, alarmed
And scurried away

The rumble of the military vehicles again resounded
Through the desert
And the convoy continued on its way


Looking back
At the men in the strange uniforms
With the huge trucks,
A little Afghani girl
Caught a glimpse of the sunlight
Bouncing off of something
In the middle of the road

She rushed into the street to collect it
Thinking only of how pleased
Her mother would be
With all the money they would earn
From her painstaking hunt

The soldier saw the young girl
Dart into the path of the convoy

He shouted
And leapt from the vehicle
The girl looked up in terror
As she saw the big trucks
Getting closer
And closer

The soldier leapt into
The path
Of the oncoming sixteen-ton vehicle
Toppling the girl to the ground

As she sat up, out of the path of the convoy
Dusting her self off and
Trying to comprehend
What had just taken place
She looked into the road searching for her
Treasure
And saw it
Reflecting the desert sunlight
Just inches from the still form
Of the soldier
Who had just
Given her
His life
Inspired by a story I read in the news a couple of months back
Akemi Dec 2015
We cannot escape. Black smoke fills the hotel. Twenty three are dead.
Two days pass. The smoke has coalesced into a flesh-like sludge. One of the bellboys trips on floor 17 and is coated. He screams and screams and screams. We barricade the entrance to the floor.

Ten days pass, uneventfully.

I feel safe now. The sludge has moved away from my room. The lawman tells me the end will come soon. He gives me a hotel mint.

I sometimes hear the whispers of that poor bellboy, vibrating through the wooden belly of this geometric construct. He tells me he is fine, and he is happy.

A maid throws herself out of a window. I cannot fathom why. We are so near.

The bellboy tells me how his life was once filled with meaning. Motivation that drove him, ideals that enticed him, and responsibility that crushed him. He is nothing now. He is free.

We open the door to floor 17. I see

it is moving it is moving it is moving it is moving it is moving it is moving it is moving it is moving it is moving it is lies there torn like tar stretched across ****** gills there is starlight in the gape of his throat pitch in his dead dull eyes father passes me a cup and I drink his blood father passes me bread and I feast on his flesh father

Philadelphia is a sweltering 70 degrees today! Whew! I think I’ll go to that cute coffee shop across the street, and try one of those new pumpkin lattes.

The new bus system *****! How is anyone suppose to get anywhere on time? Grr!

These muffins are so adorable I just want to throw up!!!

The park was especially lovely this evening. The flowers were in bloom, and this one little girl just kept sniffing them and sneezing and sneezing until she couldn’t breathe and was driven away in an ambulance.

Red blue red blue, they taped off the block today. Pipes burst beneath the road, a bus overturned and the streets flooded with bodies.

little faces pressed against the pavement little faces pressed flat little faces pressed like flowers flat flat flat flat a poem

don’t make me remember please stop

There’s a dead deer’s head in the foyer above reception. The rest must have rotted. They cut away the animal and left only the carcass, the severed space. Our bodies contain us, they are a boundary, and when we tear at the surface we open up and flood the world with emptiness, or perhaps the world floods us. I think that deer burst and they hung its face on the wall to remind us that this hotel is filled with emptiness, and that death will bring only more emptiness. Maybe we’re meant to connect like shaking hands and football and insider trading fill ourselves with foreign emptiness distract retreat like shaking hands always nervous smiling and empty.

I am not here I have never been here go away I was someone but not anymore

These muffins are disgusting they fill the insides with cream and jam and fruit and it is sick and false no one can escape this pointless stupid life go fill yourself with things filled with other things doesn’t change you are a void pulling in everything light itself devourer spinster

Today was one of the best days of my life.

Today was one of the best days of my life.

Today was one of the best days of my life.

Today was

The lawman tells me I have slept for six months. I ask him about that day on floor 17. He tells me there is no floor 17.

We have run out of hotel mints.

There is a gap. There is a gap in my perception. There is a blackness constricting the edges of my vision.

There never was a bellboy. There never was any smoke. The maid is alive. She is alive. I can touch her. She is alive.

We sit in the cafeteria. She pours me bitter black tea, her arm arching in such a manner that would not be possible were she in that twisted ****** state on the day of her suicide. We share this moment every day for a week.

I have begun noticing small grains at the bottom of my cup.

Today I feigned sickness and took the tea to my room. It burns my skin but I do not react. It is as I expected. I am drifting out of my flesh and I cannot stop.

THIS IS NOT THE SAME HOTEL. THIS IS NOT MY BODY. I AM SURROUNDED BY LIARS.

I am going to find the bellboy.

The elevator button is covered by layers of coarse black tape. I tear it away and find plaster beneath. I drive my keys in. The plaster crumbles between my fingers, revealing the bent end of a naked wire. I scream and scream and scream. I am utterly alone, suspended above the earth on a carcass of withered cellulose. The tips of my flesh quiver and the irregular geometric forms of my keys fall to the ground. They are hugged by the synthetic strands of millennia dead creatures. It is carpet, a small voice whispers beneath my skull. What does that even mean? I fall to my knees. I hear gurgling static above. Someone has turned a faucet, fully expecting water to flow out of it, as if it is perfectly ******* normal for water to flow two hundred metres into the air. There is a rasping sound and I realise it is my own throat opening for air.

I don’t want to exist in this reality, anymore.

Two weeks pass. I have collected enough dregs. I will soak them in mouth wash tonight.

The smoke fills my lungs. I hold it until my chest caves, my vision blurs. Grey streams rise from my lips, sinking into the ceiling. A siren screams in the hallway. I hear the lawman at my door. His head smashes against it, screaming, screaming, until it shatters into shell and yolk. I cannot wait to meet my child.

it is a womb alive twisting free empty stupid vessels floating blood in our casings waiting on the carcass spitting my lungs bring me my child bright death bright life

We shift bones to shift words to shift bones. Nobody died but there are twenty six corpses; his flesh fell through his frame, her bones shattered like shrapnel like atomic starlight, his head burst into prismatic decay. I watch their flesh pulled into the womb below. The hallways are umbilical cords pulsing nutrient streams gaping softly breathing burning. I know now. This intersection between life and death. It has always been. It takes in the lacuna. The space between spaces. Human shaped vessels with ill-fitted souls. You cannot tell them apart, you know. Strip the skin away they are revealed formless. They sink into bodies but never form identities. It is this place between places, where transience precipitates like breath on glass, dewdrops spun. I know I know I know the lawman rolls his head side to side blood and brains across the floor shut up.

There, in the hollow of my skull, I am dead, a fleeting absence. I hug the womb beneath me. I drag the rotting parts of myself down. I leave my head beside the lawman. I am going to be with my child. I am going to kiss my bright death into its soul, an indelible beacon to blemish the emptiness of existence.
Late 2015

Flooding the streets. We are empty souls, reflecting our own stretched fingers.
.As I sat here all alone,I thought about 'ol Al Capone.So I got some water to fill my gun--and I commenced to shooting everyone.The bullets dripped off of their faces and hair.Bullet casings were scattered-- everywhere.Oh, how silentthe sirens would wail,just like the waggingof a puppy dog's tail.I was shootin' from the streetfrom my safety zonefrom my long, black Lincoln--I was Al Capone.Somehow, somebody got a hold of my gun,and I'm tellin' ya, I ain't no fool.No copper is ever gonna take me alive--so I ran and I jumped in my pool..
This was inspired by lyrics from Queen's song titled "Stone Cold Crazy"
A lyric inside the song said,"Shooting people that I meet with my rubber water Tommy gun." Al Capone's name was also mentioned.
R K Hodge Jan 2014
Meter lengths of pink satin ribbons in twenty different shades from fuchsia to dusty contort my organs temporarily back into place.
Tear my chest apart as I lie down with the open single blade of a pair of scissors, score me like a parcel.
Frayed inch lengths and 20 cm lengths and edges of ribbon scattered on the floor.
You slipped your hands down the back of my underwear, like it could be perfect for an evening.
Take the pieces apart neatly, unfold me like a lady geisha. My Chest is willingly emptied for you.
Do what you want with the casings that make up my lungs. I'll cut them into confetti pieces so you can spend them on someone else.
I want to feel the heat melt off the pool chemicals in your breath. Then let you use my bare wrists like towels.
Silver Wolf Feb 2015
Wispy angel Children embedded with
Sparkling fibers of light
Danseuses blanched
Paper doll trails honeycomb drippings
Shedding casings
Hollow cast offs coiled gaunt carapace loom
Ominously floating in sea of shadows
Byproducts of incessant motion
growing thin
Fading away with the glow of dawning
until moon wakes from its perpetual sleep
Awash in an ocean of night
and luminous constellations of
Twilight gloaming
Elysium
sandbar Aug 2012
Tired static over old A.M. radios, voices like ghosts, slurring Slavic,
the faded label on a bottle of Stolichnaya
Burnt embers on the tip of shaking cigarettes, flicked into open space,
falling like snow flakes
Tired eyes half shut, dimly replaying a far away song behind flickering
eyelashes
No smiles, no laughs, no interruptions of voice or spirit to dislodge this sublime
apathy
Quotes from Mehmedinović on crumpled pieces of paper, jammed into pockets or
wallets
Blue bands around the arms so his comrades know who to shoot
at
The laughter of children, who have seen so much sorrow, to laugh is
to cry
These children become men, to pick up their guns, and join friends
as corpses at the base of Lapišnica
"This is the way it's always been, Sasha." hollow voices repeat, thin as
reeds, breathing the phrase many times a day
Overturned like a cup of bad coffee, lives spilled on the floor and left
to dry
Boot prints in the mud, one after another, someday they'll collect grass
and we'll all forget
Shining brass casings among the lilies, someday they'll be covered by weeds
and we'll all forget
The walls will be rebuilt, plaster spread, lives sewn together like ripped
clothing
Someday we’ll all forget, this blessing of
silence
Mitchell May 2013
At such moments of weakness
The heart must hold its own
Foot on the gas
Hand hovers over the break
Attention to form unconscious

Straddling between youth and adulthood
Taste shifts
Memories lift
And love becomes a necessity
Loneliness can **** the strongest of men

In between the cracks of work and downtime
The dog barks at the shadows of felines
Waking the whole ******* neighborhood up
The empty coffee cup stained brown and black
Newscasters praying for another foreign attack

Masks of men reflect the insecurities of humanity
We fear many things
Some we know not why, but we feel we must
The shadow has no name
Yet it has always been and will be

Evolve!
The scientists say so easily
Religious Revolution!
The priests have always thought
The cost of blood to be so cheap
War!
Bullets rust in their cartridges
And bombs tick in their gold casings

I've attended one funeral
And it was a struggle for me to weep
I forced myself into tears
To fit in with all the others

I've been comfortable with death
Since I first witnessed the end of love
Between the two Gods
That bore me, hence bringing me here
Their Sun's hearts were not warm enough for one another
The best and truest way to introduce a child

To the Pains of Life

The fact of pain, terror, intimidation, and death
Is very real
And though I have not been to war,
Killed a man,
Shot a gun into a crowded street,
That does not mean that I do not feel its weight
I do not wish to be the judge
Wielding the ultimate sentence
Nature is the only worthy one to wield that right

Yes,
The Pains of Life
Are here and they are
Forever changing

But, I take comfort in the old pains
That of the body and the simple mind
Though there is no such thing as the latter
And if you think I'm lying, ask the hatter

Rippling through lines attending the masquerade ball
Seeping through the back door unnoticed, the red curtain falls
The play is starting, the actors in position, the stage is set
I trust no man with two, one, or five of anything and doesn't bet

Bend your nose to the ground
Smell the wine soaked soil
The sun is high, the miles long
Beware the rattler as it lay in coil

The Pains of Life
Are the Joys of Life

Each one of us
Is seeking our Eden
Mitchell Sep 2012
Careening moonlight
You show me what I once
Thought was right
I drink now for the sake of mankind
The bullet casings reflect the
Sun as the wine in my cup
Sloshes from right to left and
My own life is not my own -
A price to pay for theft

I love you
You make me
The way I am
And I press my mind
To these keys
And realize everything and
Nothing in the end will
Be alright

In solitude
I pray to creation
Seeing that life is merely
A bottle
And when its empty
It ain't worth a ****

Tasting the stars in their
Brilliance of absence
I recollect my own upbringing
And remember my hallow mother
Singing her nightly hymns

But to begin with memories are
To step in the backgrounds of
Imaginations personal horrors, own borrows,
The lonely tunnels of a city long since dead
That instead of exhaling we try
Inhaling; pressing Death right back

I am young
I am old
I am a story
That has already
Been told

Yet I
Live on

I smile

I smell the scents
Of a world gone and
Past and taste at last

The current of the river
The wind of the crass

A life that has
Already ended

But has no ambition  

To Pass

Self held in my own vices
The upstate prices of page to brain
Makes me shutter as the gutter
Winces in its realizations of the brandishing
Blade of the horses with their war

My existence presses Her finger upon
The broken page of the unstoppable cops
Where I stop to think where then my
Life - though good - has spoiled quite abrupt

Oh to obey in sun struck love
Where the only thing that is real is above
But anything I recall I forget
A smile that says to me "not yet"

I once thought I was close
But see now
I am so far away
If asked to stay
I don't know what I'd say

Each countless pride
Has its side
Just like the ocean in Her majesty
And unseen tides

Again

I slip into a smile
A false breathe
As I take my body back
In high stealth

Asking myself
*What exactly

Is the matter?
Joseph Childress Jan 2011
When winter comes, the game is over
Until then
I’m tilling the soil, in preparation for the final score
Cordiality
Before the fertility of an ordeal, which grows into the bigger picture
Displayed
Splayed open in awkward moments, momentum picking up
Dust
Doesn’t this dirt, do something… creates… With no need
Of creativity
It just becomes… Nativity bourne… Energy from the stress, stretchin
Gravity pulls
Subdues the aborted missions… Missing the survivors
One
In a million, peal through the milieu, and skews
This present
View of manure, that manifests in the festivities that brings out
The most
Beautiful black rose in spring… Arose from the black
Beneath
Neither I nor you can undue, growth… Destruction just makes room
For something
Bigger to become… Cometh the comets to renew the stigma…
Butterflies
Kiss the bees… Better fly before the sting… Before the sting…
Stung
Death becomes the unlikely pair… The pear drops, to its own despair
This pair
Dies… as the flies, cover the corpse, cadavers and carrion
Carry on
The merry married marred, and in the spoils, spring new life
Young maggots Detested by the world, enters ignorantly blissful, and springs…
Underlings
Lingering beneath the grips of hatred, when it grows, with its
Hundred eyes
It still wont see the picture… distorted kaleidoscopic optics stops it
From seeing
The whys, the wheres, the world, the web
The spider
That sits beside her… and ***** the life out her
The outer
Casings, the crust, the crevice, the crack, the core,
We see
Explore, excavate through the dust of adam, and reach the hot magma,
The lake
Of fire floods the land… and destroys another civilization

“Welcome to earth…”

— The End —