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Searching my heart for its true sorrow,
  This is the thing I find to be:
That I am weary of words and people,
  Sick of the city, wanting the sea;

Wanting the sticky, salty sweetness
  Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
  Of the big surf that breaks all day.

Always before about my dooryard,
  Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
  Straggled the purple wild sweet-pea;

Always I climbed the wave at morning,
  Shook the sand from my shoes at night,
That now am caught beneath great buildings,
  Stricken with noise, confused with light.

If I could hear the green piles groaning
  Under the windy wooden piers,
See once again the bobbing barrels,
  And the black sticks that fence the weirs,

If I could see the weedy mussels
  Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
  Overhead, of the wheeling gulls,

Feel once again the shanty straining
  Under the turning of the tide,
Fear once again the rising freshet,
  Dread the bell in the fog outside,—

I should be happy,—that was happy
  All day long on the coast of Maine!
I have a need to hold and handle
  Shells and anchors and ships again!

I should be happy, that am happy
  Never at all since I came here.
I am too long away from water.
  I have a need of water near.
Terry O'Leary Nov 2013
PROLOGUE
The Flame, aflicker, licks and flays,
illuming evening’s negligees
With braided curls she swirls and sways,
and flits and floats in light ballets

           APOLOGUE
A Flame, to conquer creeping fog,
flew dancing towards a random log
Her flight perplexed a leery frog
beside a silent somber bog

The Flame, a ripple, all alone
alit on leaves where birds had flown
The aching twigs began to moan
A rising breeze began to groan

The Flame arrayed an ancient oak
with torrid tongues and veils of smoke
A ****** bailed, the dam had broke
The leery frog soon ceased to croak

The Flame uncoiled and lashed midair,
consuming crowns with utmost care
A crazed coyote fled her lair,
left in the lurch bewildered bear

The Flame, unfurled, went wild and grew,
enkindled cats and caribou
Remaining... not a residue,
as reeking vapors bade adieu

The Flame revealed her strength unshackled
Flora, fauna crisped and crackled
Fire Witches clucked and cackled
One more forest stripped, then hackled

           EPILOGUE
The arsonists were well aware
the Flame would travel everywhere
The weirs are gone, the land is bare,
and soon you’ll find a city there
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
Brittany Hesse Mar 2015
With the wind under my wings I soar
I see the west Canadian shore
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Nuu-chan-nulth – A caring and nurturing people are thee
Small families among the mountains, rivers, and sea
Vancouver Island’s west coast is where you reside
Awaiting your canoes on evenings incoming tide

Your men are fishing in the ocean’s secret places
Worry and hope etched in their weathered faces
Each man knowing the days hunting success must provide
For many wives, children, and elders the spoils they must divide

Your rhythm and harmony with the ocean is strong
Whale hunts and oceans spirits intertwined through your song
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I hear the east call, and open my wings to take flight
The distant drum’s heartbeat calls from the suns rising light
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Coast Salish – You know how the sea dances and quivers
As you watch the expanse from your inlets, and rivers
Vigilance is needed in case a Storm approaches
To mount a defence if an enemy encroaches.

Your wise headmen lead with such divine humility
Your family life embodies true equality
Your features are defined by a broad face and flat brow
Your girls with plucked brows, braided hair prepare for their vow

You seasonally harvest your rivers resources
Spawning Eulachon and sturgeon complete their courses
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your forests of tall cedars and aged fir
The drumming beckons me up the wild Fraser River
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Okanagan – You survive in the Valley and slopes
In a legend of a coyote you set your hopes
He educated you how to live off the hard land
Your very own lives you bestowed in his paw like hand

Your offspring, your joy, your future you know must be taught
So at an early age, to the elders they were brought
Your youths are handpicked and taught the roll they shall assume
If a warrior shall fall another shall resume

Your seasonal harvest of forest meadows and marsh
Will insure you survival when the winters are harsh
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
With the updrafts I glide over the dry desert plains
I hear the drum call from a land where it hardly rains
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Secwépemc – your men come out through the eastern sunrise’s door
Your women’s entrance faces the stream to ease her chore
In seasonal cozy houses built into the ground
In a secret place your spoils and possessions are found

Your request for spawning salmon grows louder each day
The messenger crickets announce salmons on their way
You hunt with arrows and spears you crafted from strong stone
Needles and jewelry you made from animal bone

You patiently, wait in the winter’s silent brisk eve  
For the deer’s stealthy approach from the snow covered trees  
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drum it beckons from the land of river crossroads
The land where men come to bring and trade their canoes loads
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Dakelh – You are the people who learned how to barter
You are known as the people who travel on water
With gathered roots you weave fish weirs in the evening air
And you set your high hopes in the chanted salmon prayer

Your children learn from the oral traditions you tell
Chinlac massacres, caves where dwarves shooting arrows dwell
Your widows carry ashes of the husband they held dear
Their Mourning and sadness that will last over a year

The respect for the land for everything you have gain
Though much, and bountiful your harvest some shall remain
The drum it echoes, echoes, echoess, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
A plume of smoke and drum beat come from the distant Northwest
Echoing from the place where the Skeena River rests
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Gitxsan –Your Home is surrounded by snow tipped glaciers
Forests of spruce, hemlock, cedars, and subalpine firs
Your chieftain name and duties you hold for a short time
Other Wilp members are only ‘children’ in their prime

Like the rivers your families closely intertwine
Each account told is a lesson that is sublime
Each Wilp has your story told by a tall totem pole
Your History affects and moves you deep in your soul

Deer, Moose, and small mammal in the wild woodlands you stalk
You pursue the Mountain goat through rugged peaks of rock
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drums incessantly pounds as I take to the sky
Urgently calling from remote islands of Haida Gwaii
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Haida - You live in the pacific northern islands
Your fam’lies Belong to the eagle or raven clans
You watch the tide rise and fall over the rocks and sand
Great mighty sculptures you have created with your hand

With strong healthy cedar trees you made your long dwellings
The entrance way totem your history is telling
Your warrior canoes glide through the rolling waves
Through victories and battles you have prisoner slaves


The sound of the drum beat is mixed in saltwater spray
To Vancouver Island’s west shore I must fine my way
The drum it echo, echo, echo’s, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your vast, and memorable territory
In the soft twilight air I watch the sunset’s glory
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Kwakwakawakw- So proud you are of your mother tongue
Born in this beautiful land your ancestors came from
Noblemen, Aristocrats, commoners and your slaves
Your narrative exists among your forefathers graves

Your canoes bow is carved into animal features
The whale, otter, salmon and other sea creatures
You hunt with such heroic assurance all year round
In the shapes of well carved masks their likeness will abound

Your long homes are protected by the oceans embrace
First nations, my people, you are a amazing race
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I leave your land of legends in a misty gray veil
And on the horizons comes change’s white sail
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The Europeans came into your isolated lands
Dividing your people into tribes, reserves, and bands
Before their arrival you lived mighty, strong, and free
Now your children fight to reclaim their identity

The drum will echo, echo, echo through time’s core
It will whisper a rhythm of time, change, and war
The drum will echo, echo, echo through your core
It will whisper a rhythm of time, change, and war
sometimes I don't like being a loner
but I guess its better than being a stoner
I am caught in mellow drama
kids these days hooked on marijuana
I will not smoke *** with you
but I will read you pride and prejudice
I like my books better than oxycontin
My Clarry and Jace more than your straight ***** and chase  
I like books more than people
reading is my choice drug
while yours starts bringing you down
on your addiction is frowned
mine is making me looked up to
yes I am a loner
my walls build from Stephen kings
my heads not clouded with weirs the ****
no I guess I am not a stoner
but fictional people are better than real ones
I wont **** for a too finger bag
but touch my paper back and ill have your ***
Terry O'Leary Jun 2013
A cruel Jack Frost blows icy floss
          (in front of spring a’ burstin’)
while shiftin’ sheaves of withered leaves
          near freezin’ streams a’ thirstin’.
A pack reviled runs roamin’ wild,
          the alpha wolf wakes howlin’
then scents a lean and lonesome scene
          while on the lurk a’ prowlin’.

A cloud revolts with spangled bolts,
          and starry skies start closin’
as wild geese soar beyond death’s door
          neath naked moon a’ posin’.
Electric shafts, like fractured rafts,
          sail night’s cathedral caldrons –
their cracking curse makes herds disperse
          in random splayed and sprawled runs.

A she-wolf sighs with hungry eyes;
          the ancient wolf waits, bayin’ -
with weary back, he’s lost the track,
          his bandied legs betrayin’.
The brood’s somewhere in shrouded lair
          with mama left to mind ’em -
the wolf, a’ drag with empty swag,
          is on his way to find ’em.

The pack rejoins with weary ***** -
          perhaps its days are numbered.
In evening’s night, he’s feeling tight,
          with aches and pains encumbered.
As morning nears, with shaggy ears
          (one droopin’ down, hung over)
he’ll set the course with renewed force,
          for, yes, he’s still the rover.

When snow enshrines the timberlines
          and skies are ripped asunder
though young, lupine, they’ll stifle whines,
          as gullies fill with thunder;
mid echoes in the mouth o’ death,
          they bid farewell the lair
while panting puffs o’ crystal breath
          float, hanging in the air.

Their path is black (they can’t look back
          for herds long gone a’ missin’)
as dusk profanes the snow-bound plains
          the sinkin’ sun was kissin’.
Neath northern lights, with barks and bites,
          he keeps ’em all in motion –
the speckled scars of fallin’ stars
          display the night’s devotion.

The sky’s a’ blushin’ in the east,
          and hollow wind’s are sighin’
while buzzards freeze in gallows trees,
          a’ roostin’, rapt and eyein’.
These ghouls of prey, they’re spooked away,
          like tumbleweeds a’ blowin’,
by tilted head, white fangs tipped red,
          and warnin’ wail’s a’ growin’.

With snout upturned the moon’s discerned
          as well as wafts a wendin’
and muzzled growls and shriekin’ howls
          mark wolves in quests unendin’.
With fragrant hint, the wolf’s a’ sprint,
          the pack begins t’ rally –
in swift descent they’ve seized a scent,
          that’s flowin’ down the valley.

The wolf moves on behind the dawn
          and shades the pale horizon
as she-wolfs vet his silhouette
          each time they lay their eyes on.
With trek discreet, a trail is beat
          across a river frozen –
when day’s complete, just mice to eat,
          a choice despised, but chosen.

A stillness jeers the shaggy ears
          (one droopin’ down, hung over),
while caribou, with much ado,
          drift, seekin’ blades o’ clover;
the wearied pack picks up their track
          (with stony stomachs pangin’)
through endless seas of barren trees
          with ice like daggers hangin’.

The wolf invades forgotten glades,
          the pack stays close behind ’im;
the caribou, in his purview,
          seem far too far to mind ’im.
Above, a baleful moonbeam wails,
          “oh god he’s gonna’ catch ’em”;
the scene is grim, the Reaper dim,
          the night has gone to fetch ’im.

A moanin’ mynah’s crying loud
          as birds of prey are preachin’
to cravin’ ravens prayin’ proud
          and wide-eyed owls a’ screechin’.
The wolf, unrushed, is breathin’ hushed,
          his hollow eyes a’ narrowin’
and focused hard in fixed regard
          on herds they'll soon be harrowin’.

The morning breeze is ill at ease,  
          a surge brings sudden silence –
then haggard swarms launch poundin’ storms
          and hurricanes of vi’lence;
the herd’s surprised and paralyzed
          all over hell’s half acre –
the leadin’ buck’s run out of luck,
          he’s soon to meet his maker.

The old wolf creeps, the old wolf leaps
          on prey he’s been a’ trackin’ –
a deer adorned with branchin’ horns
          is torn by beasts attackin’.
The morning quakes, a shadow shakes,
          tined antlers left a’ lyin’,
and spattered spots and scarlet clots
          repaint the point o’ dyin’.

A magpie flies with frightened eyes
          (on ebon wings a’ wavin’),
spies wolfin’ jaws and sated maws
          of wolves no longer cravin’.
The snowdrift clears, a cool wind veers,
          a dying breath, moreover –
a wraith appears, with shaggy ears,
          (one droopin’ down, hung over).

Dawn’s sunbeams crowd, ignite a cloud,
          its threaded strands a’ weavin’.
The pack awakes and twists and shakes,
          for soon it’s time for leavin’;
it’s bleak, it chills on shallow hills,
          as she-wolfs come a’ nuzzlin’,
but north winds scold, the wolf lies cold,
          the pack stands back a’ puzzlin’.

On crimson snows neath perchin’ crows,
          the pack abides a’ guardin’;
while nights are tight with Harpy kites,
          the she-wolves wait an’ harden,
until a groanin’ blizzard stones
          the barren forest stowin’
his shaggy ears beneath the weirs,
          with icy hails ’a blowin’.

The storm abates and terminates,
          the glacial wind’s subsidin’;
the past is past or passin’ fast
          and life goes on abidin’.
The herds, today, roam far away,
          not thinkin’ of the dyin’;
the pack’ll stray from day to day,
          ’a stalkin’ hard and tryin’.

As spring sneaks forth upon the north,
          they’re lean without their leader.
A she-wolf (bound with belly round)
          strains neath a budding cedar.
Upon the morn a whelp is born
           (the future forest drover)
in new frontiers, with shaggy ears
          (one droopin’ down, hung over).
You can not stop me - for long
I will overtop your weirs
I will bust through your walls
I will seek your lowest point
And
I will succeed (I will succeed)

You can not harness me
Unless I allow it
You can not outride me
Unless I allow it
I am the creative force
I am the unstoppable creative force
And I flow where I will
You can not outrun me
You can not retreat from me

I am
I am the power
I am the power that
I AM THE POWER
That powers you.


c. 2014
Roberta Compton Rainwater
(Remembering H. Katrina)
Martin Narrod Feb 2014
Hours. Back. Tideless extreme. Gaunt. Happy face, good luck, forever ago. A go-go. Breakfast. Preference. Slip stream mock tidal bliss. Humpback seal stardom, infinite provocative immortal. Catches me. In between the teeth. Cool, Mach 3. Sumptuous extravagant human meat, flesh game. The flesh game. Heroes air-freight. Wash cloth. Hot breaths. 'ths' and plastic bag I-280 North ***** and sudatorium.

Pick a pepper.
Cow Palace.
Moth ***** and mouth *****.
Tea bags and sore throats.
Presumptuous candid                                            story-telling anomalies, trite

/masterful caustic limping brick-pedaling life-goers in major metropolis wearing leather sandals, whistling\

Whistling deep cavernous chasm bellowing hollowing, in out in out arithmetic.
        
                                                                                        Sand gathers boulders.

Women gather warmer wethers. The weathered. That ton. One of the asinine                                        

                                                        and aesthete.

Curious. Before
clause. The story god.
                                                        The kick of Achilles

                 and the Satan prance. Bleat of the squeeze.
                                        Course set. Picking up the pieces and going spelunking. French maid syndrome. Wan. Wielding the anatomical dollar of the "this-just-didn't-work" childhood.

                                                                                                Wears gloves. Has colds.

Breaks molds, and reads fortune cookies.

Limps                            lifeless, heavy as a Tuesday and digging its own grave. It owns gray. It

makes
meals
and carries them through broken towns,
over smoky ridges,
helping out and just- helping.

The line wakes it.                                        One traffic light.   Three thousand three hundred lakes.

Steals a cell phone. Goes quiet for days in the forest.

Kills a wild pig. Bares a feral hog.

Opens up a can of sour condensed milk and still makes caramels. The open fire. The children gasping and favoring the brave. The score is limitless.



Hours go by.

                                                        ...    ­                                      ...

                      ­                    ...

                                        ­                                            ...

Mites dig into the skins, and the shins of the subtle. The men come back. The palm fronds make excellent roofs. Raised. Reared. Canned food makes abhorrent constipation forest dwelling; syndrome. And excrement. The crowns carry over.

The bejeweled mid-rim equator

                                                               ­                                                 providence.


Ki­ng and queen.
Prince and princess. Knees bend and over and over. Mirthy trammeled lots. Egg white clouds scurry through towns scurrying through. The bastion wall. A romance connecting. Two lovers. The lot. A burrow in the ground. Short-haired hares: run, jump, skip. Life settles. No one comes back. The skin starts to itch. Gratitude is and is not. Worry steps in. The chimes glow through the rorschach tree tops. Fires and combustion. Great oversized bells. Who hears the ringing?

The canopy overcome with splinters, the eyebrows are furnaces that never spit out the light.

Spectacular plight. Unbelievable nights. Feeling fowl in the palms of another                                                        
                                                                        land where weirs and wilds
and roaring waterfalls
                                                decorated with cowards collecting honey
                                                                                                              combs
through hair-strainers, so brave    soo brave, to brave, to hunter-gatherer
African mission-syndrome types in white long coats and sometimes and dangerously called doctors. Do not stop for lines. Do not stop for lions. Or

                        when stuck in the cauldron of the c t a         & cia

do not weave heavily through traffic, railing divorce into the cellular phone of man        . NO ZHE DOES NOT. NO.

No one eats, anymore.
The pleasure is moved.
The happy have landed.
The girl of my dreams is foretelling, foretold. She climbs into a lunchbox and heads to work. She digs her nails into her skirt and chimes for dinner.

All is sentimental and elementary. No one is everyone. There is something human in the air.

Something cumin in the water. I love in French in English. In Germanic.

I'm in the water. Feet stuck in the mud. Hands flailing, I'm naked contemplating making shark moves, one hand flat-out, vertical, putting on a show for ducks and swallows.

The women return. The girls come back. Catastrophe and the merriment of the seven deadly fellows.

I run around Sue
and move back.                         I come to the coast to see what's the matter. It's blue. A cinder blanketed snow home. An igloo. An ice tale of curiosity, of  

                two cities, twisted cities. Mad dragons and weirder wizards that rear silver and portage the weirs of Elk Grove, thru the elk homes
humming bizarre cantatas, making Raspberry jellish and relishing

inthelast
lightsofthemorning

of an

interruption. The wanton exercise. The carnivorous machismo.
We work out with our quirks out and lead with the flaws. A tailored finite saw. A ringing through the air. Who can hear the ringing?                

Makes the men to swine, to mew muses. And get choosy on cabooses while

saving Moose.

                                                  maybe like Salvatore Dali would have done

He would halve none of it and brim over with it all.
Make cape flight from coastal waters. Riding the thermal winds of

North Africa, Tomato, and Japan;                              

BEARDEDfrogOFprinceGENEALOGYneededTOO     ...  ...  ... ....  .. . . ... ..

To sew buttons. To bring the water from the well. The shrimp from the levy. We all go to war on Sundays. We hate on Tuesdays,





but the women never come with the water.


                         [now you're supposed to ask if they keep it for themselves]

sad-leis         'end nose.'

I can't but we can. You don't and I hate you for it.

I smell you on socks

                                                          ­                          .On pillowcases and bullet casings. I'm hot and hard to handle. I lay down in front of forklifts trying to bulldoze shopping malls. I am too and too sentimental. I have a 25¢ ring from a vending machine. I love it. I love you. I go to the bottom room. Blue carpet. **** carpet. Tilted blinds. I find the moors and the heaven. I put my books and a sweater in a sack and I start moving. No ones ever seen me move like this. It's like I had revolution for breakfast. I sip a small glass of orange juice. Orange colored juice. I'm off like a stereo and walking through and through up into a story. I'm making life easy with my purple crayon. I draw a canyon and a boat too. The boat can't float so I draw myself an ocean, a coastline. I call out for my friends and no one is there, so I draw friends. I draw the seashore, the plateau. I make other ships. I shift in my seat, it's uncomfortable so I make it leather. I write a letter but it flies away with a pigeon. I'm stuck on a peninsula, crying. On the front step of a friend's tenement and I'm sobbing. I'm waiting for the waif and she's not coming. I think her over with coffee all alone in a diner, and eventually I have to leave. I trail like an autumn sun, splashing bits of earth with my tepid light. I plash in the sea and still I'm very alone. I run my fingers through my hair and find a find a crown to make myself king. I'm heir to my own home, but it's not good enough. It never was. I grow curiouser and curiouser. I don't know what to do, I'm without. I'm without use. Eight months on top of six years, on top of the second floor of a third floor building, it's hot, and I'm locked out, I'm fighting off weakness and indecision. I'm starving and I haven't eaten in days. I'm confused and the ******* seems the rite. I've got no one to call and I start swimming. I start swimming in circles. I get verbal. I start crawling and drawling and soon I'm weeping in a brutal drawl. And I can't hear you. And all I have is the coastline and the ocean, a plateau,

a yacht club full of empty vessels. A flotilla of friends but there's


eh                                                            ­                        eve             nobody home.

And I see you. I meet you. I mean to meet you. But I can't. I can't move or be moved. I can't speak or be made to speak. I am gripped by your love and yet wrapped in fear. In the rapture of fear. Its rancor grips me. So I stand up. I'm halved and naked and half naked. In the sea. And I see you.

And I seem you, to me. I seam you to me.
Ken Pepiton Mar 2018
No quibbling siblings musing in the shallows, patriotism must be dealt with at it's route markers. They are all twisted. It is the duty of right thinkers to untwist
and shout,

All ye, All ye or Oy ye, Oy ye Outs (never Ox) in free. The ransom has been paid, the game of hide and watch is played. Touch, eh?

Nature's what? Original state? Perfected state? Fractured state patched with circuit breaking dams and weirs.

Nature's God, the mind behind Nature.

whose were the buffalo the servants of christmas replaced with sacred cows offered and eaten in Outback Steak Houses at Indian Casino Super TAs from sea to shining sea? Whose God commanded that? Whose God permuted that?

Who has sown bullheads in the squash? Shall we pull them up?

Let the children pull them up. Teach them to see the tiny round leave, which is to be squash or watermelon, sosweet, or water-stealing, sticker-making ****. Goatheads in little running feet all summer long, ouch. ouch. ouch.

Knowledge is power. Power is not lost. Is that enough to know and grow to know more and to spare? Is enough abundance enough to spare and share? Yes. On a broken planet, men of both model may make enough of anything they desire, or sire in their best happy ever after scheme or schema. That part never broke. The tongue-mind interface, that fried. Listen. Wisdom never shouts, you know.
Part of a series with Indian, American Indian, Native Aboriginal whisperers
FunSlower Jul 2021
Oh werewolf with woollen wings,
Whimpering in the willows.
Thou vile voice a vice grip
Stuffed inside her pillows.
Yours is a violent cry for help
One should never have to hear.
So dare come near, just know it clear.
Your fleer; my leer. For tears, jeers and
Featherweight fears will never break weirs that
Forever fill wells deeper than the darkest hole
You gouged in the lightest soul.

Your sword; her shield. My words; wounds healed.
I’m ever bending moonlight to set it right.
Go haunt yourself through a never ending night!
A single silver bullet shimmers in her sunlight.
The same one you shot upright.
Falling fast into the broken bed you made.
Now let it embed deep in your head. Well played.
There once was a wolf who cried “boy”.
And once should have been enough.
It’s time to torment yourself instead.
Hurting her never made you tough.
Terry O'Leary Mar 2013
While I gaze in your eyes, cool cerulean blue,
Sifting night, straining stars through morning’s sweet dew,
I can fathom the depths of empyreal skies,
Angels fluttering by, riding wild butterflies

While I gaze in your eyes, changing, aqua-blue greening,
I’m ****** into chasms, cascading, careening,
And yield to enticements which meekly disarm,
Seeping virtuous beauty, sad sensuous charm

While I gaze in your eyes, bleeding fiery blue
Ever tempting with treasures, with pleasures for two,
Being caught at the core of a blazing sapphire
Possessing, enthralling, aflame with desire

While I gaze in your eyes, misty emeralds, deep green,
Veiling laughter and banter, and echoes between,
Then I dream, so it seems, in whatever the place,
Of your scent, of your breath, of your radiant face

While I gaze in your eyes, at times placidly blue,
Near’ as calm as the weirs in the woods all bedewed,
Forty winks relegate to a shimmering lake,
Gently floating on lilies, while waiting to wake

While I gaze in your eyes, caught engulfed in the greens
And consigning my fate unto verdant ravines,
My reactions, at length, become shyer and shyer
Reminiscent of ravens at risk in the briar

While I gaze in your eyes, restless, hesitant blues
Overwhelming sensations with turbulent hues,
I’m succumbing to waves of a storm battered sea,
Being cast like a plank, never meant to be free

While I gaze in your eyes, shadowed, Midnight Lake green
Glowing hazy with dreams, misty thoughts so serene,
Sudden silence befalls me, a fast sinking stone,
Looming lost in your eyes, I am never alone

While I gaze in your eyes, saddened, lachrymal blue,
Spilling trickles of rain, pearls obscuring your view,
I’ll attend to your anguish and feelings morose,
Lightly kissing your tears, touching, holding you close

While I gaze in your eyes, pulsing infinite green
Of the earth and of heaven and all in between,
It is simple to see that my hands can hold all
Of the treasures I find which so humbly enthral

While I gaze in your eyes, when they’re bountifully blue,
I’m reminded, love’s lightning is granted to few...

While I gaze in your eyes, when they’re blindingly green,
I’m reminded, love’s lightning cannot be foreseen...

Yet I hope... and I wait...
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.

There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.

He hears: no more remembered
In fields where I was known,
Here I lie down in London
And turn to rest alone.

There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
DOWN by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white
feet.
She bid me take love easy, as the leaves grow on the
tree;
But I, being young and foolish, with her would not
agree.
In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white
hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.
John Hosack Dec 2010
Have you ever seen a moonlight rain,
a blue-lit mist of lost arcane?
Have you ever seen a daylight star,
shooting swiftly from near to far?

Have you ever seen a grizzly's tears,
fish obscured by new built weirs?
Have you ever seen the eagle laugh,
as across the sky, clouds paint his path?

Have you ever seen the ocean stale,
a roaring beast behind a veil?
Have you ever seen a forest bland,
of broken limbs and blackened sand?

Have you ever seen the midnight light?
sun amidst dark, and the sky ignites.
Paul Gilhooley May 2016
Silent Tears
                     Secret Fears
                                          No one Hears
                                                           ­        Downing Beers
                                                           ­                                    Filling Years
Needing Cheers
                             Judgemental Peers
                                                           ­    Emotional Weirs
                                                           ­                                   Prying Ears*

                            Depression is not a phase or a project,
                            It's a cancer to be beaten, step by step.


                                       © Cinco Espiritus Creation
                                                             2016
A lifetime in the building industry
and with hands as hard as ebony
dad took hold of me
and we walked upstream
to catch our tea.
Fish we caught a plenty
quite illegally
but such a lovely tea they made.
and mum made tomato chutney for salads
a ballad of our days
plays out frequently
in a memory
by the river.

Now it's gone into a more modern time
no weirs to walk across
no islands where we swam too
just a rushing torrent
tormenting me
a misery for all to see
and we used to have such good fun there.

Dad's gone too sometime back in eighty two
and the river stays
plays again
rewinding
binding me to the past.
Nothing lasts for long except those snapshots
of have and haven't gots
and I had lots of both.
Kareena Feb 2014
She fears him, and will always ask
   What fated her to choose him;
She meets in his engaging mask                  
   All reasons to refuse him;
But what she meets and what she fears
Are less than are the downward years,
Drawn slowly to the foamless weirs
   Of age, were she to lose him.

Between a blurred sagacity
   That once had power to sound him,
And Love, that will not let him be
   The seeker that she found him,
Her pride assuages her, almost,
As if it were alone the cost.
He sees that he will not be lost,
   And waits, and looks around him.

A sense of ocean and old trees
   Envelops and allures him;
Tradition, touching all he sees
   Beguiles and reassures him;
And all her doubts of what he says
Are dimmed with what she knows of days,
Till even prejudice delays,
   And fades—and she secures him.

The falling leaf inaugurates
   The reign of her confusion;
The pounding wave reverberates
   The crash of her illusion;
And home, where passion lived and died,
Becomes a place where she can hide,—
While all the town and harbor side
   Vibrate with her seclusion.

We tell you, tapping on our brows,
   The story as it should be,—
As if the story of a house
   Were told, or ever could be;
We’ll have no kindly veil between
Her visions and those we have seen,—
As if we guessed what hers have been
   Or what they are, or would be.

Meanwhile, we do no harm; for they
   That with a god have striven,
Not hearing much of what we say,
   Take what the god has given;
Though like waves breaking it may be,
Or like a changed familiar tree,
Or like a stairway to the sea,
   Where down the blind are driven.
I love this poem because it makes me see what would have happened if I went back with the other one. Life would have been so unhappy, but I see that breaking up stung and hurt a lot, but it really was for the best.
Adam Kinsley Jul 2016
I left my heart in the sand
On a beach, named Weirs
With a plight of distaste
And, a demon for every freckle on Her face...
Jackie Mead Aug 2018
The River Exe flexes and flows, as the water meanders sometimes fast and sometimes slow.

It opens it's arms and stretches wide, wriggles its toes and opens it's eyes, to greet a brand new day.

It glistens and gleams on a bright sunny day as it tumbles slowly from A to B, everyone smiling at how it flows so freely, making them stop and take some time, helping them find peace, become free of mind.

On an overcast day it appears angry and dark, it sounds so loud, like thunder it roars, making each of us aware of its presence, it can bring down trees and power cables, making us feel very unstable.

The rains fall heavy and the River Table rises, we have done our maths there are no surprises, we have built Canals, Reservoirs and Weirs to contain the extra additional fallen rain.

Still this may not be enough, the River Bank is Mr Tough, it will burst it's banks without a care, leaving us in it's wake, no prisoners it will take.

But the path it flows is lucious and green, it's a beautiful spot very serene, birds and fish swim in its waters, flowers and trees grow by it's side, adults and children play in kayaks and canoes, it's somewhere to go where there are lots of things to do.

As the River Exe Ebbs and Flows sometimes fast and sometimes slow, mimicking the pace of life, sometimes fast and sometimes slow, we all need a place to go, where we can feel peace of mind, relax, sitback and unwind - where do you go to find your peace of mind?
eddys

sound eddies around my ears
radio sound
pounding hammer sound
the water of two days ago
eddies in ghostly markings left in the sand
energy eddies around me
camellias of all colors and styles eddy through pine trees
their dead blossoms eddy
amidst the detritus of pine needles and dry branches
the talk of friends, their voices full of wonder,
eddies through the tree branches that reach into the blue
flowing in, inundating, eddyfying
creeping into the lowest spaces
crawling over weirs into emotional wells
churning, then eddying
as the ebb begins dragging everything loose with it
everything unnecessary with it
pulling the teeth out of the mouth of God,
to keep,
to treasure
to remember the eddys
each in turn.

c. Roberta Compton Rainwater, 1998-2009/2017


streams

a dry leaf dances in the stream as it eddies around the stones,
crosses the hilltops, careens off of trees immersed in it.
the stream moves fast and cold after the rain.
I hear it all around me,
the prayersong it composes and decomposes,
recycles and rebirths every moment. It delights
in the light, moves the light across lichened stones,
smoothes it through my hair and across my face.
everything moves with this stream;
there is dance, here is dance,
yonder is dance.
dance and song reverberate
in my heart
as I sit on the rocks in the midst of the stream.
it reaches up and over me, whelming some of me,
cleaning most of me.
above the valley, I am cleaned and Loved into Being.

c. Roberta Compton Rainwater, 2004-2009/2017
Adam Kinsley Feb 2019
'I left my dreams in the sand...
On a beach, named Weirs
With a plights of distaste...
...and, one more demon for each freckle on Her face'

The smoke cleared between my eyes
I wrestled with each plagued notion of solace
My indifference indentured every passing second--
Here, I am the only fool

There is no place to flee from this silence
The past is all that speaks
Reflection is Epimethius' lover:
I am staggering to relieve all which haunts me

This callous heart of stone defeats me
I deceive my own endeavors
These two eyes have seen far too much
As they fall back into their defense...
Ryan O'Leary Nov 2022
.           Smoking Salmon


     When we retire it gives us

      ample time to look after

     our failing health faulting

     minds and broken spirits.


     Constipated thoughts are

    the blockages preventing

    us from interacting as we

   did when we were younger.


Some of us become reclusive

   we hide away from society

  our self imposed quarantines

become permanent hibernations.


Expatriation, migration, diaspora,

    the ones that got away fish

always wanting ever wishing to

get back to the spawning ground.


But alas, as is often the case, the

  dam weirs get taller, our lungs

shallower we end up foul hooked,

gasping at the gills, struggling for air.
Lawrence Hall, HSG
Mhall46184@aol.com

           Reading the Magna Carta Will Make Us Smarter

                  (And it bans fish weirs in the Thames)

The Kings have been subject to the law since 1215
But are American presidents? That remains to be seen
In Defense of King George | Smithsonian (smithsonianmag.com)

The President Can Now Assassinate You, Officially | The Nation
What is love?
Heartbeat racing, a pulse increasing,
Thoughts of her name
Jean!

Love is a river flowing towards the sea
Carrying your hearts, forever onwards
Caught in a seething maelstrom swirled around
Unable to hold them breaking free

Two hearts two minds, forever flowing
Weirs and dams
Waterfalls and rapids
Failing to stop them

Love growing as the river grows
From the mountain tops
To the sea below
Love and rivers growing old

Into the sea they both flow
The river that carried them
Failed to stop them
John and Jean forever bound
This poem was penned, purely for my wife.

— The End —