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Raymond Johnson Jan 2015
the year is two thousand and fourteen and something isn't right

in the supposedly post-racial united states of america

the only thing this society seems to be is post humanity.

black americans are routinely treated with barely a shred of human decency.

stripped of our agency under the iron fist of white supremacy

post the cold blooded murders of Tamir Rice, Michael Brown, Trayvon Martin, Ezell Ford, Eric Garner, Kimane Gray, John Crawford, and countless others-

these are the strange fruits that hang from our nation’s poplar trees.

the year is two thousand and fourteen and something isn't right. or is it nineteen sixty four? many a time I have opened the morning paper to see headlines that would not be out of place in that era of bloodshed.

more care given to a cotton cloth flag than to the black bodies that lie battered and broken in the streets.

"think of the businesses!" they scream, mouths afroth.

but won't anyone think of the black children murdered for carrying BB Guns? won't anyone think of the fathers? the mothers? the sons and daughters whose lives are cut short by those who are supposed to 'protect and serve?'

I will stop "making this about race" when the police stop giving me reason to fear for my life simply for existing. it is not enough to be peaceful and innocent anymore.

does this conversation upset you? can you not cope with these atrocities that go on every day in your precious land of the free?

In a sick way it almost makes sense

that in a nation built from nothing upon the backs of the enslaved

that it would take a bit longer than a hundred and fifty years to stop feeling the pain.

the whips and chains that once bound us were not broken, but merely transformed.

our shackles are now student loans;

plantations were exchanged for privatized prisons and lynch mobs now wear blue uniforms.

the year is two thousand and fourteen and something isn't right.

maybe it’s got something to do with the way that all people seem to care about nowadays is iggy azalea’s new hit single but not the way that white rappers want to be black so badly up until it’s time to fight for us. to march with us. to die with us.

miley cyrus can prance around onstage fetishizing black bodies like modern day hottentot venuses but when black bodies are being violated by the police she’s strangely silent.

the year is two thousand and fourteen and something isn't right.


but there is a light that shines through this darkness. that light is within me, and you, and within the hearts of every single man and woman of all colors and creeds who raises their fists and says "No more."  

our fight is not over. the road will be long. it is very possible that more will die along the way.  but their deaths will not be in vain.

the year is two thousand and fourteen and something isn't right. but it will not be this way forever.

and and fourteen and something isn't right

in the supposedly post-racial united states of america

the only thing this society seems to be is post humanity.

black americans are routinely treated with barely a shred of human decency.

stripped of our agency under the iron fist of white supremacy

post the cold blooded murders of Tamir Rice, Michael Brown, Trayvon Martin, Ezell Ford, Eric Garner, Kimane Gray, John Crawford, and countless others-

these are the strange fruits that hang from our nation’s poplar trees.

the year is two thousand and fourteen and something isn't right. or is it nineteen sixty four? many a time I have opened the morning paper to see headlines that would not be out of place in that era of bloodshed.

more care given to a cotton cloth flag than to the black bodies that lie battered and broken in the streets.

"think of the businesses!" they scream, mouths afroth.

but won't anyone think of the black children murdered for carrying BB Guns? won't anyone think of the fathers? the mothers? the sons and daughters whose lives are cut short by those who are supposed to 'protect and serve?'

I will stop "making this about race" when the police stop giving me reason to fear for my life simply for existing. it is not enough to be peaceful and innocent anymore.

does this conversation upset you? can you not cope with these atrocities that go on every day in your precious land of the free?

In a sick way it almost makes sense

that in a nation built from nothing upon the backs of the enslaved

that it would take a bit longer than a hundred and fifty years to stop feeling the pain.

the whips and chains that once bound us were not broken, but merely transformed.

our shackles are now student loans;

plantations were exchanged for privatized prisons and lynch mobs now wear blue uniforms.

the year is two thousand and fourteen and something isn't right.

maybe it’s got something to do with the way that all people seem to care about nowadays is iggy azalea’s new hit single but not the way that white rappers want to be black so badly up until it’s time to fight for us. to march with us. to die with us.

miley cyrus can prance around onstage fetishizing black bodies like modern day hottentot venuses but when black bodies are being violated by the police she’s strangely silent.

the year is two thousand and fourteen and something isn't right.


but there is a light that shines through this darkness. that light is within me, and you, and within the hearts of every single man and woman of all colors and creeds who raises their fists and says "No more."  

our fight is not over. the road will be long. it is very possible that more will die along the way.  but their deaths will not be in vain.

the year is two thousand and fourteen and something isn't right. but it will not be this way forever.
Firefly Oct 2014
I saw thee once- once only- years ago:
I must not say how many- but not
many.
It was a July midnight; and from out
A full-orbed moon, that like thine own
soul soaring,
Sought a precipitate pathway up through
heaven,
There fell a silvery silken veil of light,
With quietude, and sultriness and
slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on
tiptoe-
Fell on the upturn'd faces of these
roses
That gave out, in return for the love-
light,
Their odorous souls in an ecstatic
death-
Fell on the upturned faces of these
roses
That smiled and died in this parterre,
enchanted
by thee, and by the poetry of thy
presence.
Clad all in white, upon a violet bank
I saw thee half-reclining; while the
moon
Fell on the upturn'd faces of the roses,
And on thine own, upturn'd- alas, in
sorrow!
Was it not Fate, that, on this July mid-
night-
Was it not Fate (whose name is also
Sorrow),
That bade me pause before that garden-
gate,
To breathe the incense of those slum-
bering roses?
No footstep stirred: the hated world
all slept,
Save only thee and me. I paused- I
looked-
And in an instant all things disap-
peared.
(Ah, bear in mind this garden was
enchanted!)
The pearly lustre of the moon went
out:
The mossy banks and the meandering
paths,
The happy flowers and the repining
trees,
Were seen no more: the very roses'
odours
Died in the arms of the adoring airs.
All- all expired save thee- save less
than thou:
Save only the devine light in thine
eyes.
I saw but them- they were the world
to me.
I saw but them- saw only them for
hours-
Saw only them till the moon went
down.
What wild heart-histories seemed to lie
enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a
hope!
How silently serene a sea of pride!
How adoring an ambition! yet how
deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank
from sight,
Into the western couch of a thunder-cloud;
And thou, a ghost, amid entombing
trees
Didst glide away. only thine eyes
Remained.
They would not go- they never yet
have gone.
Lighting my lonely pathway home that
night,
They have not left me (as my hopes have) since.
They follow me- they lead me through
the years.
They are my ministers- yet I their
slave.
Their office is to illuminate and enkindle-
My duty, to be saved by their bright
light
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which
is Hope.)
And are far up in Heaven- the stars
I kneel to
In the sad, slient watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
I can't believe I couldn't find this on HP!
at the risk of being weird
I want to ask you to **** me
Even though it is only 5am.
6am comes…and I do not
And you are still asleep
And I would like to be
If my ****** wasn’t aching like an empty stomach
throbbing like a sore tooth.
Spooning is sweet but I want go get out of the cutlery drawer.
It is 7:28 and you have rolled away from me
And I can’t help but wonder if having
Me in your bed is no more than a child holding a bear in his sleep.
But stuffed bears can’t feel insecurity.
The women of your past have been beautiful and immaculate
                          (I saw the **** picture one sent you before we went to sleep--
                            instagram filters can't even make me look that good)
like
stone Venuses, lovely despite the fact that they were made from **** foam.
And I am neither immaculate or made of stone
as you well know
since you have put your hand on my stomach so many times.
And I do not want to be needy but I can’t help but think that
The reason you are away from me
asleep at 7:35
Is that the ghosts of these models that haunt you look nothing like me.
I saw thee once—once only—years ago:
I must not say how many—but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness and slumber,
Upon the upturn’d faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe—
Fell on the upturn’d faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death—
Fell on the upturn’d faces of these roses
That smiled and died in this parterre, enchanted
By thee, and by the poetry of thy presence.

Clad all in white, upon a violet bank
I saw thee half-reclining; while the moon
Fell on the upturn’d faces of the roses,
And on thine own, upturn’d—alas, in sorrow!

Was it not Fate, that, on this July midnight—
Was it not Fate (whose name is also Sorrow),
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred: the hated world all slept,
Save only thee and me—(O Heaven!—O God!
How my heart beats in coupling those two words!)—
Save only thee and me. I paused—I looked—
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses’ odors
Died in the arms of the adoring airs.
All—all expired save thee—save less than thou:
Save only the divine light in thine eyes—
Save but the soul in thine uplifted eyes.
I saw but them—they were the world to me.
I saw but them—saw only them for hours—
Saw only them until the moon went down.
What wild heart-histories seemed to lie unwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep—
How fathomless a capacity for love!

But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go—they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me—they lead me through the years.

They are my ministers—yet I their slave.
Their office is to illumine and enkindle—
My duty, to be saved by their bright light,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in Heaven—the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still—two sweetly scintillant
Venuses, unextinguished by the sun!
Raven Feels Apr 2021
DEAR PENPAL PEOPLE, never and I mean ever skip a song because of a childish intro!!!LISTEN TILL THE END:>


blame me for my blind eye

hesitant on the hearing not the see it dies

blame me on the reason

my last years gone depressed season

began so dull so dumb a childish try

turns out to be so **** hard to deny

drunk on the chorus that switches its motives

its so called focus

pleasant for the ear

a fancy for the crescent defeater

one with a furious raged demeanor

on the mind a wild falling pleader

thief of previous cherry symphonious instrumental feeder

to be a runaway to the arrogant feels a betrayal

when it absolutely sways the Venuses to the ultimate portrayal

to be so precious a part in the hallway gone crazy gone jealous

to be so malefic in the addicting becoming a bit waste of the Chellos

to be so lonely on the glared faults

on the failed dreams of filling constant thoughts

repressed upon charmed up lingering past fonts

plastered on the admit

flustered on the submit

a fine line between

some

savior a haven an unknown felon

some

killer a torturer soured up lemon


                                                                       ------ravenfeels
Raven Feels Apr 2021
DEAR PENPAL PEOPLE, why does it seem like we abandon the other planets?:)


threatened on the nights

on the skeptic luxuries they ignite

other insecurities come to highlight

abandoning wants of dark carries that were once in hindsight

not sure if marvelous from the precious of the might hopes tied

clouds of mutual Venuses or Mercurys to collide

on backgrounds of relate of lonely to define

styling a vintage glass of polished wines

not a drink but the dime

not a dime but the inside


                                                                                  -------ravenfeels
alaistair Jul 2014
step one: you must realize that
villains are the protagonists of their own stories;
ergo, everything does revolve around you.
you really are not worthless.
why should you care
what the people trying to overthrow you think?

step two: use your anger to create.

step three: or use it to destroy.

step four: allow yourself to feel.
allow yourself to
hide.
you are not wrong for shining in the light or for shying from it.

step five: you must realize that
this too shall pass.
in one thousand years louisiana will be underwater
and new landmasses will rise from the sea like individual venuses.
geologic time will march on, inescapably slowly, on clocks you cannot read,
regardless of you.
we are still only in the holocene era.
the universe doesn't care how many times you try;
the universe doesn't care if you try; but
someone has to, and i believe it should be you.
on the word-a-day desk calendar of existence,
humans only arrived on earth on
the last minute of december thirty-first:
whatever pain you're feeling is temporary.
Jeffrey Pua Nov 2015
Count, my friend. Make them count.
Limit your words to ten, or less,
As though to conceal a panorama
Of thoughts inside a dreamcatcher,
Or the stars to a wallflower, I wonder,
If you infuse all flavors that there is, altogether,
On her doubled lip of plum, the herbs of your country,
An Asia of spices squandering her mouth,
Will she smile? Hunger is key
To her heart. Use it.

Rhyme, my friend, toy with the galaxies,
Unleash the behavior of a predator, an annihilator,
Ready to swallow the moon for her love,
And burn the Venuses of the Universe,
Her doubts, her insecurities.

Blind her with the imagery of love, her true self,
For love is blind, and is yet to see the light
That she emanates. My friend, flatter her
With the colors she was deprived of.

And then, slowly, unbridle your soul, your spirit,
The white mares of your chariot. I say, set foot
To your heart, my friend, and set your self free.
The constraint of words is the constraint
Of affection. It is to chain the Divine
To the old, old pillars of ambiguities.
     Remember that.

For it is with an I love you
That you write the poem of love, my friend,
     On her wrists, waist, her chest.

          Now, tell her that.*

© 2015 J.S.P.
Draft.
Crestfall Mar 2019
You shall dine well, Fabullus, at my house
in a few days, if the gods favour you,
if you will have brought with you a good and large dinner,
not without a shining girl
and wine and wit and all your laughter.
If you will have brought these things, I say, our charming one,
you shall dine well: for the purse of your Catullus is full of cobwebs.
But, in turn, you will receive undiluted loves
of anything which is either more delightful or more elegant:
for I will give to you perfume,
which the Venuses and Cupids gave to my girl,
which, when you will smell it,
you will ask the gods so that they might
make all of you, Fabullus, a nose.
(C) Crestfall
My translation of Catullus' Carmen 13.
We are, we really are headed for hell
Whether its a fiery pit or a prison cell
We are not free, we will mot lead
We will wake up failing, incontinent, and weak
Unable to change a thing
Angry and deranged, restrained and detained.
Mismanaged and feeling plagued
In disdain, major pain
Meanwhile we refrain from doing anything about it
We sit back, **** it in and remain in a cage
We are tainted at point black period,
We are jaded from feeling inferior natured,
We are unique, geniuses
with mars, penises
******, venuses
Universal Uranus anuses
Hated, degretated, segregated, underrated.
Cursed with little patience
Pain traveling through the Twilight zone slash clones
Holding microphone titles I own my home the throne
No soft bones since I gotta love jones lyrics thrown
On vocals the smooth baritone Barry White stones
Medallion shining intellect mining digging the signs
Sky eyes double visualize my enterprise thighs
I bake to a hotter degree extract the women's energy
No **** charge just a vape charge inhale exhale
Unleash my love from pains jails warden to scorn
Hell born surrounded by fire no water slaughter
The natural hatred daughters capital  gaining borders
Orders in check CoVid 19 just another scheme
Political beams give wild dreams ain't no team
In self learn thy wealth musical genius venuses
Sitting by the porch head nods gripping on odds
Against evens worlds tryna give ya false readings
To Believe in the afterlife toxic strife is chaos wife
Ain't no leveling reality fantasy bred for false imagery
Switch the scenery special delivery advocate devilry
Across the loss minds clogged spines w/ 33 lines
Chakra divine ultimate master live out side life paradigm
Topi Jun 2020
I've been staring at the minus signs
In the mercury towns
Near the bridge where the venuses sing their siren song
You found wounded love in negligees
Now these coal trains push through your pinprick eyes
With the carton teeth
Chewing the filters


And the corkscrew eye child
By the side of the ridge
Left there to eat the skin of his mouth to survive
And the man from the corner growls
The disease has been passed along
He'll be fine but
Good'll never be good enough
Zywa Jul 2020
Dew
The morning dawns, I step out of bed
Because I want to feel it, I go through

being born in public, I undress myself
in the street and it feels funny

I caress my goosebumps, it's embarrassing
that I have to *** on the waterfront

We're standing still not to fall
Shoulder before shoulder all together

We're standing still for the picture
like athletes at the start, we stretch, forget

the small hard shelves, the extending toes
and the cold iron between **** and legs

We're standing still as if we hover –
an arch of bellies soft

stretched over the canal
Venuses for a moment
Leliegracht (Lily Canal), Amsterdam June 3rd, 2007 (Spencer Tunick)

— The End —