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Glassed with cold sleep and dazzled by the moon,
out of the confused hammering dark of the train
I looked and saw under the moon's cold sheet
your delicate dry *******, country that built my heart;
and the small trees on their uncoloured *****
like poetry moved, articulate and sharp
and purposeful under the great dry flight of air,
under the crosswise currents of wind and star.
Clench down your strength, box-tree and ironbark.
Break with your violent root the ****** rock.
Draw from the flying dark its breath of dew
till the unliving come to life in you.
Be over the blind rock a skin of sense,
under the barren height a slender dance...
I woke and saw the dark small trees that burn
suddenly into flowers more lovely that the white moon.
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
Grumbling engine underground
Again
Rotates and repeats.
The echo
The steamy yawn
Mellow fiend unseen
Creeps
Bearing teeth in metallic joints.

A fat snake's yawn
Blows and bellows quietly.
Uncoloured ornament at ten feet
Floats through that crawling wind
Full from everything it could eat.

***** sand in the far east
Rustic in the sense of dripping spit.
The blue walls painted over the white plain
Are scratched
White walls slain.

Drilling ripple
In the black pool
Ink
Coloured the lonely riddle.
A cold under the sun
Blinds our noses
Disguising away our senses.
© Teri Darlene Basallote Yeo
SH Dec 2011
Have you ever looked through frosted glass,
and tried, with futility, to define
the outlines of a distant subject?

All my life I have done so.

My eyes are the icy glass of isolation:
They awaken me to empty human shells that,
Despite their sharp scents of smiles and summer,
Are uncoloured with a vague sense of fogginess.

For if you thought them geometrically similar,
Outwardly identical and biologically matching as I:
Just as you would not expect one to talk to animals,
I find myself equally inadequate and

isolated.

I yearn to smash: first, this glass I look through.
Then, the shells of the first body I find.
In hope that, the blood of non-isolation,
Of non-emptiness can wash and flood,
Drown and dissolve the despair
Of an inability to reach across,
Of living behind a glass,
Of fading
away.

All your life you have looked through this glass, and
All your life you have lived in this claustrophobia,

Smashing futilely.
The meaning here is so obscure, partly because of the nature of things discussed here and my inability to express it. I am trying here to talk about human isolation, and how the inability to understand anyone (their true personality, intentions, motives and feelings) is frustrating to me.
alienobserver Oct 2014
You thought I couldn't see you
Hiding on the other side of the window
Catching my breath
Through the curtains
It's in the air
Green eyes looking for me
Stop thinking and act as you feel
Through the glass and the uncoloured
I still sit at the table
I still drink black coffee
I still look back at the invisible
I still bite my tongue
Your hands and your flesh
There used to be something inside
You don't have to say my name
I understand
Sorry for the long time offline.
aurora kastanias Oct 2017
I was born in a city and time where and when
things were described by their name in the name
of realism and truth, uncoloured nouns of honesty
depicting society as it was fearing nothing
while no one took offence, as none was intended

in the atmosphere of autocriticism and self-
deprecating humour. In the countryside village
peasants called my father the Greek, as there were
no aliens other than us and the English man
who lived down the valley. Black skins

only existed on TV, and Africa was far more distant
than maps ever suggested. Our Ghanaian origins
were a mesmerising fable to the curious ears
of those willing to imagine exotic airs, indefinite
populations they had never seen. Italians

were used to migrate abroad in search of dreams,
though no one came to dream in Rome until, they did.
First strange faces appeared for myths to become
realities integrating slowly fast-forwarding thirty years
to see, Filipinos housekeepers, cheaper butlers,

Rumanians and Moldavians caregivers to our elders,
Chinese empires beginning with restaurants and shops,
Selling almost anything one could ever think of affordable
to all, now expanding to own bars creating jobs,
employers of impoverished locals and new arrivals.

Bangladeshis taking over once-was Italian grocery cash
and carries working hard, a 24/7 policy just for some.
Those who don’t are found selling umbrellas on the road
a minute before the storm, or taking polaroid pictures
of tourists at night when the gypsies come out

of nomad camps to sell, unscented roses to lovers
unnaturally blue for the day is reserved, to picking
pockets on public transports everybody knows,
signs are put up for those who don’t. Lebanese
hairdressers hiring young Italian girls, eat in Turkish

kebab fast-foods buying halal ingredients in Iraqi stores.
Only blacks in Rome own nothing but their shoes
and reputation. Those from North African countries often deal
on sidewalks for drug addicts playing instruments
sitting next to dogs on Tiber bridges as they beg

for one more dose. Though Egyptians mainly deal
with chefs, closed in restaurant kitchens learning
pizza-making skills, while Pakistanis make excellent
dishwashers. Turning back to blacks Nigerians,
Senegalese, Malians and many more improvise

themselves as clandestine street vendors
of jewels and fake bags, the latter secretly supplied
by Italian mafia-like wannabes. Often spotted running
away from police, packing goods in white sheets, held
on their backs as they flee, leaving fallen merchandise

behind them. Finally some remain unseen, straight
from heart of darkness and surroundings they stay
strictly on TV, passing from satiric sketches of the past
to NGO adverts crying out, for help against famine,
poverty and sickness, calling for action two euros a day

via sms to keep, consciousness clean, as we close
our eyes not to see, pretend we do not know, hiding
behind words we call, politically correct not to face, take
distance from reality and truth, disguise inconvenience
and uncomfort with ridiculously embellished, jargon.

Some exceptions obviously exist, as many manage
to live outside the box, though alas and do not blame me
for speaking the truth, they remain to date exceptions
dear to my heart, as are all the characters of this portrait,
scattered pieces of humanity, pieces of me.
On political correctness
Riya Walia Apr 2014
It would be much too dangerous to talk about
Or remember at all
That night

A piercing scream from behind
A clatter of fallen crockery on the floor
Crimson fills the apron she wore
I do not yet think to ask how or why
My heart beats a silent cry
I kneel beside to feel her warmth
All I feel are empty eyes slice into my soul

My eyes look over the pool of red
Gathered by the drops her body shed
But for the blood, she can be lost in dreams
I think, as I imagine her pale in peace
Grabbing a mop
I cleanse her of the damaging dye
Her body now remains uncoloured, untainted
Of that which still inflames her quintessence
She's been marked, I realise
In an irreparable scarlet
All action, all words- scattered on the tiles
Lying broken and futile
Reflections I feel.
Reflections that steal like a thief in my eyes.
In a day full of highs...reflections are low.
Sometimes I wish those reflections would go.
Another wish unfulfilled like a dream I once had,when things weren't so bad and all I could see when I was looking at me was a young man on the make.
If I could take back the years and the time that has passed,the ref...lection I see couldn't possibly last.

But now I see deep inside..where Devils and Angels play games and in those hide and seek names they remind me of Heaven and Hell.
The Sunday School bell.

I look for a while and realise all is well and that this is the way I suppose it to be..
..in reflections of me..
...I can see shattered stones,mountains of bones and dry river beds, uncoloured sky and a time that won't die..a peace blown apart.

A start an an end
A refusal to bend
A message I know I must send to apologise.
In a day full of highs..
..Reflections are low.
PK Wakefield Jul 2012
mouth quickly incredible tripping with youth meekly feels
moist, single, and crimsonly accelerates two bent velvet
lengths of lip, mouth, singly imports a kneading on my
short lanks of uncoloured. Dear,

                                                          who small, wan, paleness
                                                          of cheek is writ with the
                                              quiver
                                                          of
                                                                cupid's
                                                                               pricking,

                                                    treads
                                                               of thy nostril, lip, and ear silver
                                                               hangs a curving set of beads from
                                                               thy nose

                                                                                 and the back of your
                                                                            head
                                                                      is
                                                              nice
                                                     under
                                                 my
                                           hand
                                     pressed
                                  thickly
                                 into
                                 cotton
                                  and
                                    your
                                       back
                                         ,which,
                                            slithers
                                              and rolls
                                            says,
                                                      "hello, destroyer"
PK Wakefield Jul 2012
come, undie, and summer you're like
don't sleep (at night even) in moon light
rushes straight lengths of uncoloured
flowers pale at bite of big with, same as
cheeks, mouth that agile flutters with
gossamer limp of sugar's hue and glowing
waft, O
                Summer

like naked, me, like you, I, each parcel
each languor of thy dark eyes is a house
holding my strained dust of burns with
incessant girl needing powder to coat
every petal dusted in my unprim lewd
often slight grin that wants for unbroken
never felt barren pages of wordless girlskin
and dig a ******* into monthly blood
Camilla Peeters Dec 2018
everything pink forever please
put your hat on it will make no
difference in me that is now
unsigned of long fingernails and
curly shawl driving through the axis
of your eyes in a sixties suburbia

in me that is now uncoloured curly
smile i twist my thoughts in
paraphernalia that they might fit a
life fathomable by authority i sit
knee deep between surfacing
sheets i want erasure posture
means darkness my spleen
disagrees each morning
body-thoughts and you-suit

i sat on the edge of a rectangular
ear my feet the teeth to bite white
nights to whisper how self-lies and
love hands me nothing but life and
a weak notion that nothing of more
than a bleak scarcity is coming
written on my skinny toes

how do i walk laterally
you raise your head and tail
coincidentally like a skunk is always
perhaps faded like you are always
howling for yourself pitiable
madman how the world is a tragedy
unlike thee how do i stop thinking i
am going to die
8/8 -a series loosely inspired by 'Tighten the Reins' by Puzzle (more parts to come)
Jacqe Booth Feb 2010
cammo

I'm swimming in blue cammo
Eyes closed
a vision within.

(Just holding each breath)

A million bubbles
trapped beneath
a sealed and silent
surface. My lips. Languid desire.
                                                  (I can feel them/behind my eyes)
Blue and black
Shades of grey                            (sweet disguise)
myriad moments
uncoloured by time                      (in blue, everything is you, disguised)

Only trapped like lime
in stone.

I cant breathe when i'm swimming in you.
PK Wakefield Apr 2011
without nearly mercy the strange brawn of sinuous boughs thickly forested thoughts. wreathing simple futile furious thoughts. wearing sluggish fatty
eyes prepondered coloured and uncoloured (right in their middles) disks
flinty gristle they're black right in the median outside inside upside downside
left and right and left. my heads wearing them and more flush with nose
and just below them it's there and just below it, lips are waiting slightly
parted waiting to guzzle sickly the ruby hard cords on your face your face
is there with lips and eyes and teeth are there on your head and hair to
is coming right out the top of your head where my fingers go amongst their
limber stocks and digging slightly digging into the pale soil of your scalp
AS YOUR TOUGH STIFF HARD FUTILE LIPS ROIL OVER MY
stupid ugly soft lazy lips, over my dumb wonderful bloodied lips
Rowan Silverwing Apr 2019
Scrapped bits of paper
Are like picking up
Uncoloured-in bits
Of reality.
Poetic T Jun 2016
luminosity had all but weaved its last
expiration, where it kept that which
converged on its illumination as it
receded in distance but never removed
from its enclosing embrace.

For when these lighthouses in the darkness
succumb to the inevitable throws of
consciousness and descended with in
themselves. All was consumed and
expelled in exasperating frustration.

A single lamination was all that what once
was. Its sorrow began to preoccupy all
that was burdened in to the sorrowing
retribution. All fell beneath it, exhumed
from there places into nullity, and tears fell.

So many illuminations once lustful in there
symmetry had now become tears of creations
unweaning. forfeiting there once gleaming
stance, only one was left in a lagoon of nothingness.
Frail and weak watching all dance upon its breath.

It instituted its falling, as a tear of purity fell.
But in its descending  it became as onyx and
this juncture was now preordained. Not one
to fall to the whims of others, she just uncoloured
in form and faded into herself becoming no more.
This is about the light of the universe conceding to the darkness and ones fateful last fight
Tatenda Ncube Jan 2021
First and last pages coloured differently,
black the other, white the other
and inbetween i'm still colouring
a subtle grey im working on currently
heavy with rains i've coloured the clouds,
now what colour should i use for the thundering?
I flip to the next page and i flip back,
how could i forget to colour the raging wind,
and the ships it has wrecked
the tree that lightning just struck, should i colour it black?
Or better yet let me leave it uncoloured, why express its scars when it has already suffered its worst
Three pages later i'm still colouring.
from the three pages i left one blank,
not that i wanted to but because i had no clue as to what colour to give to death
Or should i go back and colour it too the colour of birth?
I woke up…
The darker shades of the clouds became the crux.
The soot sought some soothing.
Mother finally became unease –
She puked at the amount colour she had to recycle.

I woke up…
The silence became more deafening than the cry of a banshee,
Gourmands grew some alternate appetite,
Yokels had become warriors –
The exit of envisaging begot our harangue

I woke up…
The uncoloured divagation vilipended;
The conflation of bonds of the sunk,
With past scars as its bellwether…
The sun finally begot shadows.

I woke up…
Troubadours gave soul to drumlines –
The grind for our nimble, unfed stalwart.
Bisons and kind marched –
The sequel to buried gamut.
Lily Jan 2021
I see you in the rain as it falls
willingly, bursting against the pavement.

I see you in the trees:
knocked about by careless winds,
browning under sunlight,
shivering in the winter.

I see you in milky, uncoloured tea
sloshing coldly, splattering everywhere.

The more I leave it alone, the less appetising it becomes.
[Written in 2013]
Jelisa Jeffery Jan 2020
My heart of a whittler’s hesitant interest
A ficus among all the shiny canoes
A journey unknown, both wandering and lost
Its song bellows out for not one ear to witness

Perhaps, unsure of them who walk on two feet
It’s thump resonates with the owl and the hare
It’s chorus harmonizing with melodious gust
The wind knows it well, matching rhythm and beat

My aura, uncoloured, holds true an inquiry
Am I fated to flee from grasps of eminence?
Fated to avoid the stained foot steps ahead
And follow the will-o’-the-wisps inside me?

My heart of an artists blank canvas prevails
Unscathed and untampered at what cost
Questions of when will it learn to play rough
My human carcass held anchored as my essence sets sail

— The End —