it falls through the glow of the wintry trees
building a cover under the breeze
luminous lights sparkle and hatch
snow pack high on the briar patch

pine cones fall from rustic fir
squirrel and robin shuffle and stir
sitka spruce at tunnel bluffs
ravens roost on the cedar rough

dusted peaks at hurley pass
snowline cuts the avalanche
fox and lynx are on the prowl
hollow eyes from spotted owl

cool winds up the valley trail
whirling snow round diamond vale
chilling flakes in candle hands
moonlight shines across the land

northern lights in krypton green
the sounds of verve are bitter sweet
curtains hang from a cold dark sky
counting stars, a lullaby

the walls of the inside passage
look the same from sound to straight
tugs and plugs dot the coastline
as the quartermaster rolls
giving time for evening glare  

pods are in sequence
as the high tail smashes and jaws at the krill
white bellies and sea cows bob and weave
as bow heads glide over haida gwaii  

northern lights dance
and tlingit chant
as the tide settles softly on savory shores
their getting hungry in hoonah
as the blue back and beating drums
mark the life blood of the sea  

driftwood nets
and sitka spruce
surround the cook house
ravens and tinhorns
man the scullery
kerosene lamps flicker
as clam shells roast
on open flames  

villagers stroll
on pebbled sand
in the harbor of souls
where ships set sail
on might and mass
into the steady winds
of the golden skies

ice fields (to the north)
of kryptonite blue
cutting hills at
a glacial pace
knuckle clouds
above the snowline
where warlocks
craft a hidden trade  

trappers, skinners
muscle shoals
grizzly feasts
in kodiak bowl
determined pilgrims
on a dead horse trail
in search of gold
the holy grail

(a travelogue)

He stared down through
the unbroken silence
lapping the shoreline
Water skippers dart around
the rocks and windfall driftwood
settled juxtaposed in cattail reeds
and emerging broadleaf sprouts

A petrified heartwood timber
lie fallow waiting bare barked,
hushed like a pining lover’s
     timeworn love seat,
     rubbed smooth as
     the crystalline waters
     of  half-moon lake

Lingering for a while  ―  
like a hidden stalker,
a perched wildcat waiting
for the full moon’s  
swooning spell to saturate
the thickening dusk quietude;
     arousing the urgent
     call of the wild —
exhaled from the held breath
of the wilderness nocturne
    on half-moon lake

The stillness was scattered
with the soft downy hairs
of the sleeping cattails,  and
the newly shed catkins
a spring gust bestrewed
from a tall resin birch tree
nigh the Sitka willows

     He  sat  quietly ...
     time out of mind ―

tossing his eyes up into the sky;
taking the time to read the stars ―
catching  them  each  again
as they fell into his gentle hands,
to show him who he was

Seeing their sparkly tracers  
trail-out above the cattails,
     from a distance
they resembled falling stars
unable to perceive their own renaissance ―
plashing lightly upon the still-water
     on half-moon lake

A lone shadow glides stealthily
near mid-tarn,.. swimming  
enchantingly with the grace
     of a blackswan
Appearing to glance shoreward
at the glowing low stars
rise and fall, as his eyes
twinkled skyward over
     the moonlit lagoon ―
heavenward of its moonlit ballet;
the lone sleek dark shadow
     slipping through
     a faint circular ripple
stirring the smooth as glass waters ―  
disappearing like a fleeting moment
     waning deep aneath
     a subtle silent wake.

When all the clear lines blurred,
he knew it had been so long ...

     but hearken !
… an interceding
     long drawn out wail  
     echoed  a feral ache
     across the stillness,
     breaking the silence ―

as the shadow reappeared;
     his tears surrendered
to the undulating call of the wild;
he felt the spirit of the sole Loon,
     as black and white
     as the moonlit night,
stir deeply in his wanting heart ―
     lay bare the silence
in lengthy yodeled psalms
to the god of the moon

Diving down deep yet again,
keeping the light he’d been given,
vanishing into the lifespring
sanctuary of half-moon lake


harlon rivers ... May 2018
travelogue: 4 of some more

From this island
water and more tiny islands
heavily treed with Douglas fir
landing ground for ocean otters
while orca whales glide by
spout and spray
the beach, broken shelled
puddled wells of tide pools
filling, spilling over again
brown bauble seaweed mingles
round algae rocks, barnacle shingled
here where the air breathes salt scented
water running wild with salmon.

i go through this daily plot
waking, working, trudging
first world ease, office walls
wheeled chairs

afternoon run
tupperware lunch
dinner the night before

home again, dinner
dishes again,
play again,
daughter picks up
new phrases, new looks
vegetable strainer toy
"umbrella," she says

i see those eyes, my wife's
and i wonder

what is this place?
these walls, these roads,
those sitka pines and shrinking
glaciers?

how 'm i supposed to be a father
with all these things stretching out
vaster than reason, than comprehension

those talking heads, ranting this or that
liberty's *****, freedom's snatched,
the world warms, the world cools

Filipinos scream in the face  of angry
winds, the prim cut weatherman wildly
gestures at a colorful map, powerful
he says, historic
he says

more dripping mouthes,
government want guns now,
more money to ****** our phones
to send unmanned drones

our president's muhammad,
or jesus, or kenyan, or raciest
a genius or incompetent
everyone knows

just back home
a tiny algae grows and foams
thrashing in the autumn water
brown oxygen choking life
never found on our shores before
kills fish,

i imagine so much more

i hold my daughter in my lap
reading mother goose,
run my hand through her
thin smooth hair,
sometimes afraid
of what she'll see and hear
with her mother's eyes
and her father's ears

Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.

Stink up the beer house with unadorned putrid self-thoughts.
Poppy-eyed and hating others is easy for blue bottled buggers.
A sweet thing for you!
A growing circle of six-legged empty.

Filled to the brim with puffed up space. A white brim with a shiny red exoskeleton.

Oh, what a dreadful sight!

Hair strewn across a face and hooked into the teeth of the blushy lullabied insect screech.
Clear liquid not blood, but blood all the same on an empty stomach with full vein-shot bones.

Not milky bones with calcium-love..

A dead, deficient, cracked, neglected, insufficient skeletal frame, limp.

Yellowed with hate-smoke and old book notes.
Splintered, crazed and buzzed through the gridded bulging eye-window of every single one of those insect like Self-Loathers.

Chosen out of pure sympathy "We should talk more"
.......To the sun, the moon and the stars?


Every star mocks,

Every beam scoffs

and every moon likes to deride on the pain that hides beneath the lies of human bug eyes.

A simply formed pound of vertebrate flesh leaks soft plasma on the scaly moth floor.

Oh how we are dusty and unsure!

Forestry consisting of a Sitka Spruce and of a Japanese Larch was a claim I made from the start.
Over gardens of attention arachnid lurking selfish bugs and even those half winged "friend people".
The bell has rung the scariest of chimes and with every soul wrenching 'ding' a furry fang digs at the blotchy eyed, softly fleshed girl.


Oh such a sweet thing to be surrounded by selfish bugs who spin webs with tear stained tissues!

In animal death, a breath of relief
Tunnelling through the airways for one last
Sigh of non-defeat, of exaltation and release
Not to be, or better, to be free of mortality
Made immortal with passing life
Taking strife by the neck and repeating

I am no longer your victim

In animal death, a universal strength
Where no obstacles lay before happiness
And instincts are not policed
Your fanciful dreams of green treats, fulfilled
And failing kidneys can rot as they please
Please, shed only a handful of tears
On the graves of decomposing beasts
Released from the shackle of domestication,
For the ones that suffer are surely the living.

There's a sharp frosty switchback that never sees the sun in winter
  skies of blue. The frost heave cut-bank rocks tumble down to the
side of the road,  in the ice shard mottled ditch lay frozen stiff

Tall Sitka spruce marbled gray shadows mat the sparsely traveled
  corridor, paved with potholes, where the roads have no names
Sometimes listening quietly to the bare stillness, there are
  rhetorical questions heard in the silent reverie's say:

                        "Have you ever been afraid?"

The tree-line gaps above the jagged gray stone ravine, disappearing
  down the rugged mountain shade, falling into the pillow-top fog bank blanketing the canyon's murmurs below — headed towards the ocean

Crystalline spring waters gurgle up roadside — out of nowhere,
  where tired boots stand in reverent contemplation as it all sings out  harmoniously to the trees in the key of silence;   it was there
  in a gust of restless forbearance heard the frozen peacefulness  say:

                         "Have you ever felt alone?"

Gathering a deep breath of marbled gray shadows, silence bears
  a loud holler's scorn — echoing back and forth down canyon walls,
with the spirit of a voice a multitude strong,  evanescent
                             as winter's outgoing tide.


                      January 2019 — Jesse Stillwater

Remember art class in the big room
with spray painted concrete ground
where you were given a tiny mosaic
square and asked to recreate it on a
much larger piece of canvas when
you knew full well you weren't an
artist and you never would be? You
spent the time mixing blue and white
acrylic paint together on a small piece
of a former gallon of milk, adding and
adding until there was more than you
would need but the color matched
perfectly and of that you were proud.

Now you're older and you know a bit
more about hue and saturation and how
difficult it can be, working with imprecise
mediums, to do that, to make something to
fit a very precise set of guidelines with no
missteps, no miscalculations, no question
as to its perfection. You wonder if the color
really did match back then, or if you are
remembering something that never really
happened, if you wanted it bad enough
that it changed your recollection.

That day, everyone's large square canvas
pieces went together into designated
spaces on the wall to make a composite
image and all the blues were different
shades and that made you frustrated
and nervous and disappointed in the
other third graders sitting around in a
circle on wobbling stools wearing dad's
old dress shirts as smocks and throwing
brushes at each other and giggling as
eight-year-olds do. You stared at the
tidal wave on the wall made up of all
these disparate pieces and you told
yourself that you'd notice when things
matched as though they were meant, as
though they were destined and divine.

You see the waves lapping at the beach as
we stare out at the vast Pacific. We stand
on the shore and you tell me that my eyes
match perfectly the colors of the Sitka spruces
reaching their arms out wide behind me. Your
flannel shirt matches the gray November sky.
It took all the way to Oregon until it happened
again, but you keep your promise to yourself.

You notice the matching colors. You
smile to yourself and look down at me.
You grab my hand and pull me closer.

spruce grown in Iceland
makes up half of Ireland's trees
the sitka spruce tree

He was a mighty Sitka spruce
In the dense forest,
Always stretching for new heights,
But I was nothing but a bonsai tree,
Small, beautiful to look at, yet
Extremely fragile and insecure

Every day I set sail on a stainless steel ship.
It’s a little too heavy to float but every day is just short enough where I can make it out and back before sinking.

But I’d love to see the sun on a longer day,
so I cut down the sitka spruce planted on the day I was born,
and I whittled it until I had carved a wooden heart the same size as my fist
Now I sail in my little boat with my beautiful new wooden heart to keep me afloat.
I still have to use every ounce of myself to focus on keeping me above the water but the sun shines brighter and the days stay longer.

One sunny day I found myself castaway along your shore.
I still had my wooden heart to make sure I would get home safely and I was keeping it oh so close to me.
You introduced yourself with a smile and all I could bring myself to do was give my wooden heart to you.
I only left once every trace of the sun was gone from the sky

to return home.

Now my boat is holding water just as closely as I held my heart.

no sounds made
watching sitka deer
tiptoeing