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Ayeshah Mar 2010
procrastinating is my hobby,
ask
someone if you don't believe me ,
baby i lay around  
as i please
&
work at my own leisure,
incredibly you fail
to understand i am me

and

i love more then like the way that i am-  gorgeous courageous
coco golden skin,  

painfully
i know you feel the threat of  

my  momentous  appeal  
keeps  
you you & yeah you --  mystified.

guaranteed  your days are filled
with shock and frustration,

haa haa hee

how very exciting to me seeing your not as experienced as  I,

unlicensed  to tame what i'd never give
freely,

repetitiously you've played the game,
failure must be a sweet pill sallowed whole huh?  

adequately i compel my strengths --  my naivety makes
my appeal that more interesting,

call me uniquely imperfections
rarely made in to what  many can never comprehend,

my life is my dialogue to my very own daily soap opera

la di da da--  it's more then my  sultry walk
as i pass you on bye.

in this corrupted jungle
you have to win or be inhibited by  
what others  may call taboos,

whew  weee your so serious,

chasing prey only to tease--  lingering doubts?
catch me--  i bet you can't.

innocently the line's been crossed

yet
speak not of what should be!

only--  this--

is what you'll know ; procrastinating is my hobby!
I Am The Lioness!

(some may be lost on what i wrote&say; but ok lol)

Always Me Ayeshah
Copyright ©
Ayeshah K.C.L.N 1977-Present YEAR(s)
All right reserved
William A Poppen May 2014
No sickle bar churns
repetitiously clanging two notes
while grasshoppers and field mice
scurry to survive the blade

Now yellow bulldozers with humongous tires
roar like thunder in a rainstorm and
scrape away black loam leaving
clay as red as fresh beets

There is no funeral for the hay meadow
that is dead and put to rest
without a tombstone
I am open to suggestions for a better title.
Shawn Dec 2010
i have a soft spot
for cough drops
that are cherry flavoured
in the wintertime,
savour the moments left,
watching the outlines of my breath,
wondering why we step
out of ourselves constantly,
wanting another place,
chasing another dream,

dream of heat in the winter,
dream of frost in the sun,
dream for the end of **** exams,
tears well up when its done,
satisfaction can be found
in cherry-flavoured halls,
light shining on a fresh snowfall,
swear you're not high on the menthol,

real ice, in the moonlight,
makes that bling on their necks look amateur,
unsure of stability,
you lay down, and watch the sky,
starlight, mixed with cherry-halls, and your
breath in the wintertime,
savour moments like fine wine,
might as well just stop trying,

take these moments, take that breath,
take that flavour, take what's left,
focus on it, don't take a step,
live just for the sake of it,
forget the consequence,
and all responsibility,
and other 6-syllable words,
that we're fed repetitiously.
Copyright SMK, 2008.
Nat Lipstadt Jul 18
<>
it’s not even 6am, restless night, or wrestled night, ain’t much difference, see the **** geese on the water’s edge, I dutifully slip out of bed, awakening no one, dutifully slide in to my slip-on sneakers, grab the white umbrella next to the front door, dutifully, steadily, my first chore of the day, walk deliberately (and carefully) to make them get them get heck away, into the sound, and to cease polluting the grass where children may play…

standing at the waters edge, task finished, the sky commands examination, there is within the cumulus textured, multi-pastel, thick curdled pastiche cloud banks, overhanging the world as far as one can see, a substantive hole appearing in the sky revealing a blue heaven….what one believes, prefers should be, but what is, in fact,
not a…given and we are a but, partly cloudy day, a partly clouded observant person…

this reminds me that there are holes in all places, everywhere, in my disturbed sleep,  where I spend hours of triangulating in dreams, what I cannot pin down:

who I am, what I am, my purpose on earth, though I know where
I am, though not even, most critically, why I am…

is this a poem?

this thoughtful cursed query sits behind my eyes, frontally lobed, perpetually asking, judging me, these words, repetitiously heard,
one is not fooled,
it is a simple self-evaluation test, only an ask,
what are my justifications, ma raison d'être,
(reason for being) which is an amuse, for I discover

in French, ‘reason for being,’
is a feminine word,
(qui en Français,
c'est un mot féminin…)
and that makes me smile,
for I’m a woman-centric man

(I have no gender confusion,
this is not one of the holes
to which I refer)

perhaps it is, or, perhaps it is a rambunctious rambling of no worth, for no answers are obtained, given, deduced, and holes, skyward and inward are deep, none delimited by neither bottom or a top, just widening gaps and gapes in my existence…and answers are not
forthcoming…

<>

5:50am
Thursday July 18
Year Two Thousand and Twenty Four
Nat Lipstadt Jul 2021
muse,
she/her has no master, only a mastery;
she, comes compulsing, a physical pounding,
a throbbing impervious resistant to logic or medicine,
which is the so very ever, the peculiar throbbing
of a principled particular “present participle,”

write of compulsing is her mocking suggestion.

a presence, punishing urging, pas de choix, obey,
submission; write freely but not free, compose or
decompose; is there a difference, no, not, and so ordered,
demand surrendered, how? how? this taking and giving,
can a single act dichotomy be so fulfilling and so emptying?



<>

wake daily to water canvas, the waves, dabs of paint
protruding, irritating. provoking yet presented silenced,
repetitiously calming, motioned framed within the
white edged sand, the bound-surround of the living painting.

eyes alight, eyes delight, this daily emergence unto
a tapestry devoid of human interference suggests
a differentiating reality; now I understand the how of a
world’s imperfections constituting, tooting its own perfectionism.

this is not lake water; no single flat stone skipping nor
a concentric rippling to a slow death; this is seaward-
bound, an oceans subservient tributary, contributory,
a river, bay, sound - precursors to a vast atlantic infinity.

this is metaphor; this a still life of the perpetuation metamorphosis.

<>

the muse exhales; as do I subsequently; what difference?
none, she replies to herself, tween painting artist and
verbalizing poet, the un-still life creation, always, always,
different, the essence of diversity in a singularity sameness



                                                     ­     






7:13 AM Thu Jul 29
2021
S. I. Sound
when you are given the choice of no choice,
you write again and again of the same vision,
the same view that presents upon awakening.
saranade Nov 2017
Ten years miserably passed before..."At last!"
Four eyes dizzely cast into blue and brown,
and four, no, six legs on the ground.
Wistfully down a park laid sidewalk, we walked
to meet one another, blissfully.

We walked inside the dried canal, a river of the desert.
It hurts that we go there, no more, to flirt
with the dirt and our companion... infinity.
Is it you with me as I find kin company
in the molecules of divinity?

Repeatedly, I go searching the vicinity and nearby
For anything with similarity that I can call you by.
Any tree, light, shadow or star in the proximity
of where we met that belonged to you and me.
Or a feeling of solidarity that I cannot see.

Son, don't let me now survive ten years expeditiously.
Destructively alive, left with the intangiblity of life
that we left at that decision tree at 5:45.
Repetitiously I continue to apologize,
but apologies won't bring you back to life.
Seeking the sureness of his afterlife.
Nat Lipstadt Feb 2015
a shredded bath mat, a Dead Sea salted bath, and a cold root beer
you want vino veritas vignettes,
color commentary, stray dog thoughts
time lapsed into a ****** single poem wood,
ha ha ha you can't handle the falsified lies
that constitute a sad man's disfigured truths

nobody cares that failure contretemps
inhabit every other thought,
his own sounds of silence sung repetitiously,
every severed second a new verse
coughed up and cursed,
emptying your verbal purse,
snorting with disgust
at your own claptrap vetted pomposity,
who gives a ****...

what I got is the ability
if you can call it that,
to cerebralize verbalize
every eye picture, inputted impulse,
knowing in the fullness of the unwell
that hash for breakfast ain't
suitable for mass consumption

a shredded bath mat,
a Dead Sea salted bath,
and a cold root beer
begat a poem of knowing nowing
a pretend poet meowing what he seen,
what he got temple pounding

Fogelberg sings Auld Lang Syne,
swig down the root beer,
thinking that is one freaking good song,
a life reviewed on the HP stage,

his lyrics modified
with only a tune he can hear

no one will like this,
as it should be,
don't like it me neither,
double negatives for rule busting emphasis,
the only point, ending circumscribed,
curcumsized  by children who don't love,
an ex wife hateful ***** man-enslaver,
this close || to losing your job,
*** is the new ***,
ain't it pc
to singalong
standing on a shredded bath mat,
fresh from a Dead Sea salted bath,
and having drunk a cold root beer,
Crosby Stills & Nash chiming in
teach the children well
their father's hell
will slowly go bye


and this is a poem

that I didn't write,
just reported the here and the there,
and the nothing in between
Sajdah Baraka Dec 2012
Same goal. Different intentions
Same start. Different positions.
Same mind. Different dimensions.
Same faith.  Different religions.
Different decisions yet the same results.  
Just like me but not at all.
Same beat just different paces.
Same path just different places.
Same heart just different phases.
Same judge just difference cases.
Difference faces, with similar eyes.
Same hearts matching in size.
Similar books only difference in chapters.
Yet it is mind over matter.
So I ask myself, what really matters?
Repetitiously stuck in mazes with the same, old faded pattern.
Same climb with different ladders.
Same language. Different grammar.
Got focus but no communication.
Same eviction, mine without notification.
Just like me yet not at all.
Same trip. With different falls.
Same road. With different stalls.
He's just like me yet not at all.
Danielle Rose Jun 2013
Hair raising sensation
Invokes a beast that wishes to feast
and lusts for flesh
A dream where bodies mesh
and sweat
As heat rises and falls
Repetitiously
A gentle brush of lips
As hips dip
and limbs twitch
Overwhelmed by a pleasure haze
Minds drift and displace
Launched to a higher place
Where souls intertwine and reach like vine
To mountains of tremendous energy
Lovingly exploring the mystery
In an act to create and share life
Danielle Rose May 2014
The waves of music flow
like smoke through the rays of sunlight
peaking in the shades
It twirls and curls like my hips as they sway
and all I can do is gaze upon the ceiling
Feeling bold although I have nothing to hold
nor to call my own
Reality slips and fades
in my heart I am a bird freed from it's cage
Flying high on a song of hope that plays
Repetitiously
to distract me from the dismay silence brings
inevitably
Sweet tones ring out in heavenly peace
Creating a beautiful outlet of release
PK Wakefield Nov 2010
by keen edged light do slice and fray the knotted chord of sanity
shed miraculous logic
for 2 bold fantasy, thy fancy of bulging rainbows,  a serrated pillar
of luminous children
midnight is a laughing thing, a great greeting lassitude, as carefully
collapses silken hair
for who's art i slaughter apprehensively motion, becoming prone
a receptive son             of the calming burst of gleaming fur
i stoke repetitiously the cambered vertebrae of fire
and by fingered velocity i stroke about the brash sliver of hair
  bashing aggressively from thy stupor of unclad flesh(a bastion
slight fragranced as aphrodite, the hollow of thy lip brimming
incandescent droplet

     a treat
                    i thee
                                oral
)...!
Wisdom, my wife, my beauty,
How long you have kissed me, left me, returned, and drawn my tears.
Wisdom, she sits caressing my face, crying also as she pulls my hair into a fist with the other hand,
Tells me we are married, then tells me in the same breath we were never to be.

Her enemies, Tongue and Pen, have called her names and torn her tenderness.
And I have cried after kissing their fair, lying lips, loving what does not love at all.
Wisdom, it pains me to watch you suffer at my hands repetitiously.
My love, my beauty, killed daily in spoken word and abrupt action.

She whispers as I hold her in my arms, breathing her death rattle,
"You have met love and know it not at all."
I weep and whisper in her right ear,
"I left her coldly for the mistress Judgment."

I lay her into an empty tomb but do not seal it,
Waiting for her to arise again,
Calling to those who met my pen,
"Forgive, and let her arise again."
Nat Lipstadt Sep 2014
(For Sia Jane)

once he wrote:

"Writing is more important than any of the individual senses that feed this (writing) addiction. Without sound, sight, touch, smell and taste, I can (still) live quite well."

and she loved this,
for well she lived this ideation

so textual emendation
for this girl,
one of god's human poems

irony kick in the head,
truth driven home by body of late,
crossed and staked,
weeks pass, I cannot taste or smell,
eyesight distorted by streaming eyes, no matter,
sight, sees only a decrepit man lousy
repeating repetitiously older spasms of writing,
all this time he is one
who touches nothing lest he infect the world,
with something other than joy...

all thanks to some insidious bacterial invaders
and one or two Lifetime Movie Channel dramas
playing out in full color in his own sad reality

so let me amend my prior write,
for this time, I make no overly boastful claims,
for I could pen nary a verse all these hours,
that was deserved of your affection...

write I could with any one of the five,
if four were repleted, deleted, none elited,
but one is
this man's de minimus

need at least one to function,
to master the bronco impulse to create...
don't matter which one,
which orifice writes the code,
all sensory inputs end up residing
in your heart and soul

but gotta have at least one in order to
express my love for love...

and if I can't do that,
then experience shows,
no way can the being supersede its
thrumming, hum drumming, existence,
motoring along highways circularized
of watching old tv shows

if I lose my hands I will write with
elbows, nose or toes...

my tongue cut, my mind will love more,
its recollection of your taste, delicious twice over

blinded and bereft, my mind's eye
will do double shifts, get paid overtime,
for reliving connecting your birthmarks

my jesting muted, my seers closed,
my nostrils sealed, even terminated,
dare you think, that I cannot hear or
smell my thoughts,
of the pleasure of a world in which
loves existence demands we heal the sick at heart,
so we can
extend love to ourselves and others
beyond the mere limitations
of our corporeal senses....

one, but one, all I need,
any one,  in order to
sense who I am,
to love, and be loved,
therefore,
to write
Sept. 7, 2014
but what if forced to choose one sense above all?
Once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.

Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
Stanley Wilkin Nov 2015
As cold as another age, wracked with solitude,
A slow start to another beginning,
Unreliable cloud coats the sky
And the sea repetitiously roars in,
Cuffing cliffs,
Pounding rocks
With calamitous roars
Playing endless riffs across the sand.

We walked together down the beach
Troubled by the surf
Chewing on cigarette stubs, sullied by the wind
New ghosts in the half-light
Bearing years like backpacks.

Grown old in the gathering twilight
We chattered together, our footsteps picking
Wounds.  Barbed words
Like greetings, cheerfulness like an accusation.
******* a shared and interesting memory,
We cuddled together in the scouring wind
Enjoying each other’s casual warmth.

It was a time for reflection,
When love is a scab on evolving friendship,
Heartlessness the price of redemption.
The contrived book of your beauty,
The gilded ceramic of expertly rendered features
The undulating film of your gestures, coded and decoded
Through time.

Beauty is finite, crumbling to fleshless reminiscence
Fixed to canvas and celluloid
With tireless labour. In the end, signifying another thing-
Of little interest.
An artist’s casual thought, a director’s cut.
They barely remember your name,
Your laughter and wildness gone, missed by the
Senile artist’s transitory brush,
Clotted with hundred-year-old varnish.

A small house by the sea
Surrounded by flowerbeds sparkling with summer colour
Self-absorbed children, with whom we exchanged affection
And parted from, holidaying in Bangkok
With lovers of all sorts.
As the sea rolled towards us
And evening gave way to night.
Stanley Wilkin Dec 2016
As cold as another age, wracked with solitude,
A slow start to another beginning,
Unreliable cloud coats the sky
And the sea repetitiously roars in,
Cuffing cliffs,
Pounding rocks
With calamitous roars
Playing endless riffs across the sand.

We walked together down the beach
Troubled by the surf
Chewing on cigarette stubs, sullied by the wind
New ghosts in the half-light
Bearing years like backpacks.

Grown old in the gathering twilight
We chattered together, our footsteps picking
Wounds.  Barbed words
Like greetings, cheerfulness like an accusation.
******* a shared and interesting memory,
We cuddled together in the scouring wind
Enjoying each other’s casual warmth.

It was a time for reflection,
When love is a scab on evolving friendship,
Heartlessness the price of redemption.
The contrived book of your beauty,
The gilded ceramic of expertly rendered features
The undulating film of your gestures, coded and decoded
Through time.

Beauty is finite, crumbling to fleshless reminiscence
Fixed to canvas and celluloid
With tireless labour. In the end, signifying another thing-
Of little interest.
An artist’s casual thought, a director’s cut.
They barely remember your name,
Your laughter and wildness gone, missed by the
Senile artist’s transitory brush,
Clotted with hundred-year-old varnish.

A small house by the sea
Surrounded by flowerbeds sparkling with summer colour
Self-absorbed children, with whom we exchanged affection
And parted from, holidaying in Bangkok
With lovers of all sorts.
As the sea rolled towards us
And evening gave way to night.
The Eagle's wing gives us feathers supreme
Stroked against the face
Such a loving grace

The Owl's wing gives us knowledge best
Touching breast
Makes the ******* stand up to test

A Falcon's feather slim and fast
Teases the senses of all the lass
Stroked between the legs
And the young girl begs

And the sauge goes on

A Mockingbird's feathers
Between the toes
And soon soothing giggles
Just explode

Then twisting behind the knees
Oh mercy !
Only if you please

But the Dove's feather
upon the eyelids
Such pleasure !
Dreams are made of these

Now the pinpoint of any quill
Repetitiously pointed at will
Makes then shudder
before they squeal

And that is how you make
A Bird of Paradise
Shake , quiver , and utterly
Entices her will
Chris D Aechtner Nov 2021
7
Write some fallen leaves
without overly detailed imagery

and place them
in catchy hooks
on a non-descript lawn

Construct a rake
from unused punctuation

and use it to gather
the leaves into a pile
under the guise
of poetic license

Record the crunching noises
while stepping into the leaf pile

and turn the sounds into tracks
that are played on repeat
until the soundscape inspires
more fallen leaves

Then share the loop of fallen leaves

In that direction
don't worry about limited métier
or imagism
or geography
or that pixelated
worms are numbers
Interpretation will take care
of the wormholes
and the melting iceberg theory
will make sense
in the imagination of people
who include climate change
in the worlds that sprout
around the fallen leaves

There will always be a place
where evergreens grow
in a soil enriched by earthworms
that churn ornamental detritus
into beds of gut feelings
and blood mixes with sap
when fallen needles pierce the skin

It's a place
where the tops of river rocks
are bleached bone-white
when water runs low
because the sky rests for no one

It's a place
where it's difficult to discern between
the dried veins of fallen leaves
and moth's wings
shredded apart
on the deciduous bark
where you called her name
to only hear your echo return
that day

It's a place
to repetitiously re-learn
our contradictions

and where breath
erodes the anxiety
that clings onto
unconscious summits

until the reasons for being
are revealed
First published in SWITCH Poetry/Prose #1, Hallowe'en 2016
Nat Lipstadt Jul 15
June was a disastrous month, with no direction but home,
as if it, home, was magnetized, and every escape/avoidance
attempt was refuted, and the irrevocable demanded my time,
my presence, in the city, where all my troubles lay pus~festering
lesions,  yanking me from my refuge, my peace of mind tattered
with bacillus interruptus

She called June the month of clusterf—ck, accurate and uncharacteristically, unlike her, a violent, ***** epithet

but correct.

July, the month that the gods of Cesar jealously rule,
bring Les Surprises, and the pattern recommences and
the mind surgically thinks calm yet knows no peace,
and sleep is contaminated, the dreams violent and
repetitiously, ******… a sure sign of the tumult within…
the eerie and  the unstable interrupting my writing,
breathing and ever constant denial of the peace afforded by
successfully lying to myself…

a minor action bring flaming, flashing warning lights on
my human dashboard, seemingly unconnected, but perhaps
a single sensor has gone detective… for the uncorrelated
stability of this vehicle, my anti-skid system have been triggered and the dread check engine light is ominously continuously yellow…implying worse is yet to come, before the finality of…red

symbolism us everywhere; inescapable, unavoidable and
irrecoverable and perhaps, alas, the worst - irreconcilable!
all this is the slowest excoriation of excruciating…and it’s
everpresent, omnipresent, like an angered finger pointing
a constant thunderbolt of guilt, which points transfixedly
at me…with the sneers of thunder preceeding its electricity

last year, around this time, the heart was near to dare explode,
with no overt warning that was paid proper heed, now I pay
and pay but there is no specialist available to cure, let alone,
properly diagnose what’s ailing me…even though I know
exactly, I cannot openly confess the origins of My Malaise

I recover old poems, mine, that delve into the mysteries of
solace, and they should  offer comforting direction, but the
sticking place is strong within my chest and all topical
creams cannot penetrate sufficiently to offer relief, let
alone, let alone, let a l o n e, provide an effective curettage of
removal…

symbols come before my eyes in formulas I do not understand,
which renders them worse than useless, for if a formula cannot
begin or end with = sign, what good is it, what good am I,
and now post-reparation, my heart speaks to me volubly
with such troubled sadness, I am nearly and dangerous
close to being a being who is nearly *frightened unto death
Jermain Jones Dec 2018
Run, run, run, spiritually, psychologically, and literally.
Run as fast as you can.
But I still see you.
I still feel the pain that you left me with.
Your body heat I can still feel you.
Your stench I can still smell you.
Can't wait for the moment that I am able to exorcise this demon you  left me with.
Never thought I'd breathe again as you tried to execute life from a body that God's spirit was still with.
Lying dormant as you stood over me defenseless like a rabbit under a ravenous wolf.
Set to devour and consume me licking your fangs flawlessly  benefiting from a successful ambush.
Now you run, run, run but you can't  outrun divine justice better known as karma.
Your out of sight but I  still see your treachery barreling down on me in an attempt to exalt yourself through an act of dishonor.
Repetitiously the scenario plays and it's like I die everyday and try to scream, "run!" as I look on at the impending tragedy but it's always too late.
God protected me and I  survived what was supposed to be my demise.
Your untouchable and out of my reach but I feel you even to this day.
As you run, run, run, your destiny now drags what survived of my former self along anyway.
You can run, run, run but I don't think you'll ever be able to get away.
Ryan O'Leary Apr 2020
Tide recession, timely occasion
to groom a golden mane which
hung upon a barnacled rock, a
jutting berg above water where
but for her an Albatross be perched
in audience to a chorus of Gulls
echoing, repetitiously.

An absence of Wind O' Meters nor
a solitary sail nor tree nor cloud
nor leaf marking uneasy solitudes.
But tresses !

Still. In my observation from a
cavern where drift wood goeth,
salt sea air de misted eyes,
blinked diffusions, a vipers stare.
Idem Manequin.

A risen breeze wings watery surfs
to bubbling froths lapping splash
formations of halo's to sun kissed
auras then colouring rainbows.

A whisp' of current air, a backdraught
slipstream of Monroe Magic revealed her
defoliated midriff, where Maid met Mer
an indelible impression appeared from the
distance. A Cornucopia of Corona Roses,
budding to blossom, perfuming Spring.





12/04/2020


ps.

Sometimes in darkness one can
imagine light, vivid memories
illuminate unwanted seclusions,
bright patches between moon missed
clouds, forested fire breaks, spared
margins of blotted copybooks!

A strand of earth separating sea
from land is where I've escaped to.


https://iskeroon.com/
Ryan O'Leary Jul 2018
Literature.                        

         The beauty of poetry lies in
      clarity, the choice of words and
    how effectively the thought flows.

                           Rugby.            

   One could liken it to a sentence of
dyslexic composition over punctuated
too long and repetitiously palindromic.

                             ***.                                                                

             Frenzied spermatozoa
          trying to fertilize an ****!
Bianca Bach Oct 2020
My mind carries deep thoughts of
emotions that overpower me.

It intrigues me to think of the depths
in which we correlate,
the mind to spirit energy,
that repetitiously,
carries electricity,
that some associate with entities.

The ignition of the conscious mind,
that no species can replicate,
or machine can generate,
our kind of fears,
on the edge of fate being near.
There is no eternity here.
Ryan O'Leary May 13
.    Because You Cannot



  You can silence our voices

   You can quench our fires
  
     You can seal our wells

   You can darken our days

  You can shorten our nights

  You can burn our libraries.

    You can knock our walls.

                   But!

    On every brick, in every

    Mound, a word is written,

     and one day, a Jig-Saw

     of Masonry Lego will be

Assembled, then, everything

Which wasn’t audible is going

    To be touched and seen

    And heard, repetitiously,

      Because You Cannot,

       (((((mute an echo))))




Ps

Poem for Palestine.

— The End —