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the repetition of a repetition
is
the repetition of a repetition
is
the repetition of a repetition
is
the repetition of a repetition
is
the repetition of a repetition
is
the repetition of a repetition

which means:

doing drugs daily
being trapped on the quest
for the first high
YouTube: "Beautiful Relaxing Music for Stress Relief • Meditation Music, Sleep Music, Ambient Study Music"

There's help: Unprejudiced and for free:

www.aa.org
www.na.org
www.ca.org

Today is a good day.
Julie Langlais Mar 2016
The monotony of life
Repetition
Repetition
Repetition

As crazy as it sounds
It gives me purpose
When I steal
A moment for myself
To enjoy my hobbies
It increases my appreciation

I do love what I do
Which helps
With motivation
Of my...
Repetition
Repetition
Repetition

Waking up
To the sounds of my alarm
Shower
Eat
Traffic
Work
Supper
Sleep
Pressing repeat
5 days a week

I find meaning
In what I do
An inviting challenge
Each day
Bringing new layers
Varied scenarios  
Frequently hectic
Sometimes stressful
Often...
Repetition
Repetition  
Repetition

Still...
Always a fresh day

Perhaps...
To some
I hop along
In the dull clouds of life

While, I find
I swim along
In my stream of stability

Jl 2016
Day Oct 2011
we had this identical spat of words
not thirteen hours ago,
in my dimly lit room, with your dimly lit eyes;
I am sure I had wondered if you were present at all.
as desires spilled from my guts
and into empty space to linger,
I am sure they had not entered your ears
because those eyes were on my cigarette and the fruit fly
buzzing ‘round and ‘round.
I wandered to the bathroom sink to stare at my face;
I pretend to be you
and pretend to care about me.
lather, rinse, repeat to get my hands clean,
once, perhaps twice, and I am free;
but how much repetition will it take for you to hear me?
I'm just kind of bored and kind of annoyed.
Amelia Crake Feb 2014
i don't want to die,
i've just lost my will to live.
surviving is the most i can bare.
day in and day out it's the same **** thing
get out of bed,
get dressed,
go to school.
drink some tea.
where has the zest run off to?
why don't you understand that i'm trapped?
trapped in the routine of my mundane existence.
trapped inside of my very own mind.
repetition helps you learn
repetition makes you see
repetition repeats
so as not to forget
repetition stays the same
repetition
repetition
repetition
i need change
to keep me alive.
im sick of repeating myself.
repeating my actions.
repeating my words.

i don't want to die,
i've just lost my will to live,
surviving is the most i can bare.
day in and day out it's the same **** thing.
Mr Ribeiro Nov 2016
I'm coming back to you
Just like before
I've been a lonely boy
Since I walked out your door
If there's a life for us,
I don't know
But I can't live like this
Anymore

The time I spend alone has nothing to give
It's repetition
I'm coming back to you
Repetition
The only thing I can do

I'm coming back to you
This time to stay
If I've learned one thing
It's that I can't stay away

The time I spend alone has nothing to give
The life I lead alone has nowhere to live
It's repetition
I'm coming back to you
Repetition
The only thing I can do

And I can still recall
How you would hold me
The way a vast wave
Broke so slowly

It's repetition
I'm coming back to you
Repetition
The only thing I can do
Repetition
And we can see this through
It's repetition
I'm coming back to you
Written by Paul Robb • Copyright © Warner/Chappell Music, Inc, Universal Music Publishing Group
Cory Ellis Jun 2013
Hey guys. This isn't truly a poem but a paper I wrote for English class. I wanted to share this view with people and this is the only vehicle I knew to use. So here it is. I hope you enjoy it.
-------------------------------------------------------------­--------------------------------------------------


The amplifiers were turned up to ten. The young and fresh crowd looked at us with anticipation.

What were they waiting for? As the music began I noticed the subtle movements and growing tension in

the crowd. Men shook their heads and we shook ours in a violent duet between the crowd and

performer. Women and men flailed their limbs as they awaited the ******. We knew when it was

coming; they did not. When we decided to let it all go I witnessed something crazy! There was a brief

pause in the music and when it began again we kicked it into overdrive. We shook our heads with a

more frantic pace. We jumped about like madmen. The crowd erupted; it became its own entity. You

could feel the heat and power of this new creature. We were locked in a violent psychic-sphere of

crazed young teens and when the ****** was over there seemed to be a sense of relief and happiness

in the crowd. Had my after school hobby become a healing agent, even if only temporary, in society?

This papers purpose is an attempt at piecing together the phenomena of catharsis by merging

philosophy, psychology, history and spirituality.



First, to understand the psychology of catharsis we must think back to the roots of this behavior. Since

human life has existed we’ve formed crowds for various reasons. The first reason held the sole purpose

of protection. Tribes of people, men as hunters and women as gatherers, teamed up for the benefit of

human survival. Erich Fromm says that “the meaning of life is not to be found in its fullest unfolding but

in social service and social duties; that the development, freedom, and happiness of the individual is

subordinate or even irrelevant in comparison to the welfare of the state.”(Fromm, 1947, page 51) This

states that a crowd is actually very necessary to the function of human life. The second reason crowds

gathered was in form of revel, shamanistic healing and worship of deities (Ehrenreich, 30). Men and

woman would often enter trances, speak in tongues and become involved in a collective ecstasy while in

worship of their God. In later years, politics, entertainment and rebellion or protest was a main factor in

the gathering of people (Ehrenreich, 102). People gathered at Festivals that were in the midst of being

suppressed and would dance in mockery of their Kings or leaders.



What exactly is catharsis? Catharsis is a purging of emotional tension brought out in a crowd through

the viewing of a tragedy or tragic play. In the article “The Power of Catharsis” Kearny says the following

More specifically he (Aristotle) defined

the function of catharsis as 'purgation of pity and fear'. This comes

about, he explains, whenever the dramatic imitation of certain actions

arouses pity and fear in order to provide an outlet for pity and fear.

The recounting of experience through the formal medium of plot,

fiction or spectacle permits us to repeat the past forward so to speak.

And this very act of creative repetition allows for a certain kind of

pleasure or release. In the play of narrative re-creation we are invited

to revisit our lives — through the actions and personas of others — so

as to live them otherwise. We discover a way to give a future to

the past. (Kearny 1)

I figure that, even though he states that it is a purgation of pity and fear, it could also be involved with

many other suppressed emotions. Take my introduction for example. These kids were not releasing

pity and fear, they were releasing their angst! They were releasing their desire for competition.

They were making up for the violent feelings of agression they felt in their body that had been

suppressed by society for so long! They were revolting! Could catharsis also be used to purge other

emotions as well such as ****** suppression or communicative issues?





How would one come about actually attempting this catharsis that I speak of? We need to first look at

some ways in which people have controlled crowds in the past and realize that crowds form by

themselves but often look for leadership due to what Nietzche called that “herd mentality.”

In the article “Seducing the Crowd” by Urs Staheli it mentions that repetition is a key factor in beginning

to control the crowd. (Staheli, 69) This means that through repetition you can get the crowd to side with

your beliefs. The crowd could begin to think about what your suggesting and potentially be swayed by

the other people that are now following your ideas. It could also be repetition of body movements as

well. What better vehicle is there to sway a crowd than music? It’s repetitive in instrumental and lyrical

form!



Another way to “******” a crowd is to act like a madman! Specifically how I stumbled upon this in

the first phenomena place.

The leader himself is possessed and hypnotized by the ideas

and visions he holds, obsessed to such an extent that he cannot rationally exercise

control over the crowd. Instead, he devotes himself to fascinating the

crowd by more ecstatic means.8 He often resembles a madman but fascinates

by the mere power of his determination. What distinguishes the leader from

the rest of the crowd is his will alone, not any particular intellectual capacity

or a superior morality. (Staheli, 68)

The theory is that through mythological story telling or acting tragically and in a spectacle, we can

actually release negative emotions and potentially even heal neuroses or psychic ailments. Later in the

article he goes on to say that a shaman was actually documented to have cured a woman with a blocked

birth canal and in labor by telling her a story about a warrior trying to exit a cave that had monsters on

the outside trying to get in.

The function of a shaman is to heal his tribe. He uses drugs or plants to change his state of mind and

then by going over to the other side of reality he invokes spirits that help to heal.

In the séance, the shaman led. A sensuous panic, deliberately evoked through drugs, chants,

dancing, hurls the shaman into trance. Changed voice; convulsive movement. He acts like a

madman. These professional hysterics, chosen precisely for their psychotic leaning, were once

esteemed. They mediated between man and spirit world. Their mental travels formed the crux

of the religious life of the tribe. (Morrison 1967 pg. 71)

This shows an ecstatic crowd dancing and chanting while one man acts out a tragic spectacle. Through

this spectacle the shaman acts like a madman. This causes wild emotions within the crowd and allows it

to release their built up and suppressed emotions. Also, the dance and chants bring them to a feeling of

unity and oneness!



One may not believe in the spiritual shaman because of their own beliefs about God and religion. Some

may not believe in the other world that parallels our own.  It is a skeptical concept without a doubt and

there are probably many people who disagree with the legitimacy of the shaman. Is there a way that we

could think of the phenomena in a psychological sense rather than strictly spiritual? The answer lies in

Carl Jung’s theory of the unconscious mind and dream therapy as well as in Nietzche’s philosophy on art

and aesthetics.  



Carl Jung believed that there is a conscious mind and an unconscious mind. The conscious mind is the

everyday mind that occurs in waking life. It is rational and helps us survive. The unconscious mind can

be found in dreams or whenever you experience a déjà vu (Jung 1964 21).  He also believed that through

the study of dreams you could heal certain aspects of your psyche that have been altered by neuroses.

Symbols and archetypes make up dreams and the unconscious, and often you will find that archetypes

appear in the form  of people. Jung believes that through living in society that men and women have lost

touch with their feminine or masculine characteristics depending on their gender. Dreams can help us

get back into union with these lost roles through connecting us with our anima(female) or animus

(male) through symbols in our dreams or unconscious minds. Jung wrote that when society was

formed people took on roles and caused a dissociation in their psyche and caused a duality rather

than a unity when they suppressed one side of their mind.  He mentioned that at all times the

unconscious mind is connecting us on a psychic level.



How does this tie into shamans and catharsis? It seems like something completely different all together

right? My theory is that the shaman or crowd leader brings forth a forgotten union of the masculine and

feminine forces in the universe. Nietzche believed that there are two polar forces that are natural in this

world and in art. These forces are given the names of deities in his book “The Birth of Tragedy.”

The first is the Apollonian force that is masculine. This force in art governs form and dreams. The

Apollonian artist directly takes ideas from his dreams and brings them to life whether it is in form

sculpture or poetry. Apollo appears through an oracle often in tragedy or in visions of the waking life.

The second force is the Dionysian which is feminine. This force governs intoxication, revel and ecstasy.

Dionysian artists are improvisers and dancers and are usually tragic figures. Nietzche believed there are

three different types of artists: Apollonian, Dionysian and the fusion of both (Nietzche 1872 14). This

latter artist is what I believe the shaman is.



Through connecting these polarizing forces he fixes the psychic neuroses in his own mind. He becomes

a unified artist, or a magician of duality. The shaman, as stated above, takes drugs to intoxicate himself.

Often the drug of choice is wine or alcohol though it could be hallucinogenic drugs as well. This tied with

repetitive revel is the Dionysian side of the spectrum and also helps draw the crowd’s attention through

spectacle and repetition. Everybody is ecstatic and experiencing the collective vibrations of the crowd.

Through his intoxication he is able to go into the unconscious mind and produce dream symbols in

reality! The crowd follows the leader into this unconscious mind and brings back forgotten wisdom of

mythology and archetypes. This is the Apollonian side of the spectrum because it deals with the

unconscious mind and dream images. It also could be this “other world” that traditional shamans speak

of. Now the psychic duality is merged and a tie is formed between the masculine and feminine forces of

nature! People feel at one with themselves and the crowd and the societal suppression is vanished

briefly. All the neuroses caused by the suppression fades away in the ecstatic revel. This is the appeal of

the rock concert. Notice how many leading figures of rock bands have androgynous features and

shamanistic nature. This is because they have fixed the psychic neuroses in their own mind and become

at peace with the masculine and feminine duality of their psyche.



Stumbling upon this phenomena in my rebellious youth was very eye opening. Ever since I have been  

very excited about this theory and I’ve been trying to piece it together. It seems to be coming along

further and further in my study of this. What exactly this ancient wisdom is; I don’t entirely know. I

do know that I have witnessed this in reality and the subject is interesting and fascinating. My theory

still has a lot of work before it is completed but I think that within this article I’ve given a decent

amount of history about the topic as well as my own thoughts. Whether this phenomena is true or

not, we can leave that up to the psychologists and philosophers to decide, though I think many may

agree. Either way, catharsis surely does exist and it is a fun way of entertainment as well as a

therapeutic option for many stressed out individuals out there
Paul Butters Feb 2
Repetition is the best petition.
Drive that refrain into your brain.
It’s my mission.
Driven on by Stewart Copeland the musician.
Drums and dance
Send me into a trance.
Transcendental music
Any way you choose it.

Repetition, repetition, repetition
Just as potent as nuclear fission.
Sometimes, for me, it’s just too much.
As crazy as Screaming Lord Sutch.
Yet here I make a telling submission
About the power of repetition
As beautiful as a painting by Titian.
A composition to appeal to your cognition
To get you into a better condition
Without transition.

There are four hundred and ninety rhymes
Of repetition
And that’s not something from superstition.
But I’d better avoid a war of attrition
Even with your kindly permission.
It’s great to prance
And have a dance.
I’m glad you’ve given
This poem a glance
To give its rhythms every chance.
My aim is to enhance
And cut through the boredom like a lance.

Poems are music
Poems are Romance
So let’s advance
Then make a stance.
That’s my position.

Paul Butters

© PB 2\2\2020 (first line written 31\1 then notes made 1\2). Final line added 3\2.
Inspired by Stewart Copeland's TV Series "Adventures in Music" BBC4.
John Wayne Gacy Sep 2010
Repetition, follows life
Repetition, what does it mean
Repetition, the exact same thing
Repetition? Here we go
Repetition! Over and over

The events of the past stand over us so tall
But the events of my past
All feel so small
Life is short
So you have to dream big
Yet why do I feel like I’ve not accomplished.

Even the verses go back and forth,
As if they show failure
Retorting
To what they once were
Getting smaller and smaller
Time is running out, and all I find is repetition.

Discovery is what we thrive for, innovative ideas
Something to be remembered
Something new and fresh
Something big
Not small
To leave a legacy
That will thrive and grow
And make us feel like we’ve accomplished.

The best way
Is to break the mould that’s been set
Think outside the box
Change the lines
And leave not only ideas
But a new way of seeing things
Without sight, without rationality
Look at things with meaning
Emotions
Passion.

I stand tall, a revolutionary!! A recognizable figure
I stand out
I stand proud
copyright JWG 2011

Reproduction in whole or in part is strictly prohibited.
Poetic T Mar 2019
If I always relived the same day.

                                  The only thing
that I'd never get fed up of seeing
                                                 is you.
M Seifert M Mar 2013
I want you
I want someone to want me
but
you don't want me

please want me

don't!
I'm broken
you don't want a leaky faucet
that
self repairs
with duct tape and silly putty

I'll recite you the backs of cereal boxes
and
throw away the locks on the doors of our common places
I'll keep a smile on mine if your face feels too tired from the weight of what your mind is speaking out your eyes

Everything.
Every string
that hangs off of well worn sweaters
snags on finger nails and pealing calluses.

I'll draw the curtains
if
and ONLY
IF
you first admit that you
are
BEAUTIFUL.
and i know it.

Your doubt should drown.
We'll drink it down.
Sipping wine only to set the scene
because
WE
already ditched our inhibitions
and
we decided that what was best for each other was to feeds each other's needs with the other's body.

This letter.
This note.
To you.
The long lost women of my dreams
the shape shifting goddess
who floats freely through the open windows of my memories.
Will this be enough to summon spirits to lift me to your level without being beaten to life by a trigger happy judge's gavel?

I built my prison to your specifications.
The measurements may be off
but
the bed...
The bed is warm
and cozy.
And
it fills my heart to see your cheeks turn that rosy
rosy red
that same
rosy red
that fills my heart
and
flows through yours.
Kept inside
but
peaking out in moments of vulnerability.
Shed your false
heavy
layers of security
toss them in the water and...

Flush skin of lips and finger tips
other places where my mind can only wander
wondering where in the world we will
meet again.

It's half past ten or some other hour,
I don't know and you don't mind
because
we're alive!
and our heart beats will set the pace
keeping time in place.

THE STORM IS LOUD
MY VOICE
is softer
now...

Okay--

Alright--

*
I'll give you your space{













But
YOU
BETTER FLY.
And NO MATTER HOW HIGH
NOW IS YOUR CHANCE TO SHOW
to TRULY KNOW the color of your wings.

And
I'll continue singing
because
someone else may be listening.
And
although these tears won't quench my thirst
I'm learning more about myself through my time searching
through my ***** laundry:
Bags of rags
and forgotten junior high and high school notebooks.

Failed jokes took to heart
the stinging silence of laughter kept inside.

Broken funny bones
NUMBED by repetition [repetition]
DUMBED down
COMFORTABLE BEING SUBMISSIVE

Well, I'm not sorry
NOT SORRY
to tell you
this mouse
whose mouth you shut is now stirring

Stirring the ***
Kept at temperature
All the right spices and slices and dices to enlighten you as to what the taste of life is.
.............................................................­.................................................
Please sit, here is your chair.
I love what you've done with your hair!
let me know if you would like seconds
but
that depends on if you brought your appetite.
I know I'M Hungary [hungry]
but
I won't slurp my soup if it offends you.

We'll take it slow
because
I know that
I still don't know you that well yet.
And I think we both could cool it down on the unnecessary judgement.
I'd really like to know you well, so I won't try to sell you anything that you're not buying.
And call me out if you think I'm lying, but I promise to be as honest as you want.

But it's a two way street
and I know you're probably tired from running down it so long
in which case I would gladly rub your feet
or your shoulders if you'd like to be a bit more discrete.

However, it still may be too soon for that
in which case I'll take a couple steps back.

Do you like music?
How bout dancing?
It doesn't have to be romantic
I just enjoy the feeling when I'm moving to the rhythm in time with other bodies.

Does you mind maybe feel clearer now that your body's moving free
or
are you holding back because you falsely feel that you lack the ability to let the music move

Your soul's of you feet.

Let go
and hold on to me.
I won't let you fall unless you're ready
but I'll catch you
please don't worry.

We are free
here.

Let's just be
here.

Forget fear
and see where that takes us
in a year.

Or more
Or less
Or until you decide
that your dress
is not
the most comfortable thing
you
could be wearing...

I'm just glad we can share the same air
and not care that our hair's getting messy.

But...
This...
is the best I've felt.

In a loooong while...

Spinning out of control
Lying
With you here next to me.
Mitchell Duran Sep 2013
The retainer where she was put
Was made of concrete. My father told me they had
Dug the grave first, then poured the concrete in, waited for
It to dry and harden, then hammered in six
Circular spikes in the four corners, two on either side
Of the middle. They lifted the concrete cast out with a crane.
My dad was going to be charged 300 dollars a day for the rental,
But because of the circumstances, Home Depot let us have it for free.

-

Where was she?
Where had she gone?
Would I see her face again?
Would she want me to
Meet her on the other side of the river?

-

I answered my cell phone.

"Make sure to bring flower's."
She had been crying. Her voice wavered the way sun light
Does on moving water.

"Make sure to bring flowers," she repeated, "And
That you wear what your father and I bought you."

I nodded my head with the receiver pressed up against my ear.
We both let out a sigh. My mom hung up. I put my phone in my back pocket.

-

Lately, I had been seeing a shrink about repetition. He liked to use the word cycle.

"Everything is repeated," I would tell him.

"Life is a cycle," he'd disagree so to get me talking.

"Can cycles be identical?"

"Technically not. Some cycles are extremely similar, but no two cycles are
Completely the same. Are two people's lives ever exactly the same?"

"I wouldn't know. I don't know that many people. Maybe."

"You know lots of people, Camden. You have told me about many of your friends."

"Are we talking about the seasons?" I asked, changing the subject, "Like fall, winter, spring, summer? We are born, we live, we die, and we are born again?"

"That's a very natural way of looking at it."

"I know it is." I inhaled deeply, swallowing air and wondered what time it was.

"If you are so sure, why look for validation from me?" He liked this one, I could
tell. I imagined him shopping for clothes and then exploding in aisle 16 because of a sale on jeans.

"The word cycle is used by people too afraid to use the word repetition. Everything is
Repeated for the next generation, the next group, the next of the next of the next. We shift things
Around, give things to one another to shift life to make it look different, but, things remain the same. Everything contains the primal function we were all doing and living from the very beginning, only now, there is more of a separation. Music is still music, words are still words, paintings are still paintings, love is still love, death is still death, only done differently and more intensely."

"We are talking about man furthering technology because we, as people and creatures, are
Statistically more prone to flee than fight?"

"Why do you think it has caught on so quick?" I touched both
Corners of my lips with my tongue and suddenly realized I hadn't eaten breakfast.

"It is a theory," the psych nodded, "A theory with, I am sure, many
Palpable facts you could make a very nice report with to prove...something." He
Was at a lost for words and I felt guilty that my mom was paying him $75 an hour.

"We are very split. There are too many of us. Too many hands spinning the china."

"Who is we Harry?" The psych hadn't looked up from his pen and pad of paper, until now. I could
Tell he was annoyed with me either because he was making no progress or because the session
Had just begun and I was already digging into him.

"Culture. The government. You, me, my dad, my mom, the taco bell cashier, the geniuses at Apple computers, a paper weight, my dead sister. We're all apart of these shifts, all putting in a certain amount of energy and lies to keep the protection of the projection going. The question I keep asking myself is: do I want to use my strengths to be apart of this cycle or not?"

His eyes flared open for a moment like he'd swallowed a firefly, not at the question I had posed for myself, but from what I would soon see was from the mention of my sister. He had something.

"I was notified by your mother that you may not want to talk about your recently deceased sister. Is It O.K. if I ask you some questions about her?"

I was leaning forward on the couch with my hands clasped in between my legs. The psych had looked up at me now. He was sweating at the top of his thin hairline. Observing that I was staring at his building perspiration, he, trying to be nonchalant, took out a thin, white napkin from his grey shirt pocket and dabbed the top of his head. The napkin looked like cheap toilet paper. I'd have offered him some water, but I had no water to give and I didn't know where the sink and cups were to give him any. I figured he did - it was his office - so I asked him for some. He pointed me in the direction of the bathroom. I got up and found a stack of paper cups. I poured myself a cup and went back to the couch, but instead of leaning forward, I sat back, relaxed, and let the expensive leather couch take the weight I had been carrying away.

"So," the psych maintained cooly, "Would it be alright if we were able to discuss your sister?"

I lifted the paper cup over my head and the psych's eyes, after I poured the water over my hair, my face, and clothes, was a mixture of what my mom's eyes looked at the funeral, defeated, confused, and with a loss of faith and hope. My father's eyes had only held hate, anger and the need to lash out at someone, but the only someone that would have fit the bill would have been God.

"Sure," I answered, "Let's talk about my sister."

-

I finished drying myself in the car. The psych had let me keep the towel.
I leaned out the window to look at myself in the side mirror. I looked fine.
Presentable. Accountable. Like I had been through something where I had
Faced my soul. Like I had used and abused my emotions. There was comb in my glove compartment, so I took it out and rushed it through my damp hair. Slicked back. The sun
Was out, no clouds, burning up the inside of my car. That taste that comes after
Finishing something that's supposed to do you good didn't come. I was left with an unsure hand.
Putting my keys in the ignition, I turned them, and felt the engine rumble in front of my legs.
The sun sat in the sky like a lazy hand and I had nowhere else to go but home.

-

"Let's go to the river today," my dad said over coffee and two over easy eggs on top
Of burnt wheat toast. "I'll drive and you and your sister can sit in the back and sing."

I looked over at Ally. She was gazing into her fruit bowl she had prepared for
herself because dad didn't understand the concept or how to make it. The lamp light above us
reflected in the smooth apricot yogurt and the flecks of granola scattered on top
looked like beige, jagged rocks. My dad's offer hung in the air and neither
of us bit the lure. I had just woken up and was unable to speak clearly, a decent
excuse. Ally was simply choosing to ignore him.

"What you think there Ally?" I asked her. I sipped my coffee. It needed more cream. I got
U, got it and brought the carton to the table.

"We can take the truck down there and load the back with the fishing poles and tackle
And inner tubes. We haven't...done that...in a long time," he said, chewing his food as he spoke.

Ally poked her fruit bowl with her spoon, silent.

"What you think, Cam?" My dad was desperate. He knew I'd say yes.

"Sure. I've got no plans this weekend."

"No schoolwork?"

"It can wait till Sunday. Only math and some reading."

"Ally, what do you think?" my dad asked, leaning over to her. I could see he was
Trying to be as courteous and gentle with her as he knew how to. I felt bad for him.

"Sure," she muttered, "That sounds like fun." I could barely hear her, but somehow,
I could tell she sounded happy.

"Perfect," my dad smiled, "We'll pack the car up Friday,
Drive up Saturday morning early, camp one night, then get back Sunday afternoon." He
Took a long sip of his coffee and swished it around in his mouth, then dug
His fork into the dry toast and ran his small steak knife over the eggs. A silent pop came from
The egg and the light orange yolk spilled out. "Perfect," he repeated, "Just great."

Ally poked a grape from her fruit bowl and dipped it into the yogurt.
I took another sip of my coffee and looked up into the fan, spinning above us.
We were going to the river.

-

"Your sister turns five today," my mom told me, "And that means
I want you to be on your best behavior."

I nodded, unsure what the point of a birthday was. I had had one before, or at
least I thought I did, and all I remembered was that I got presents and the colorful balloons
and the cake we all ate with fire kind of floating and burning above it. Somewhere
in that moment I remember thinking that the cake was going to catch on fire, then they, everyone,
some that I knew and some people I had never seen before, yelled and shouted to
blow the fire out, so I quickly did, but not because it was for a wish, which I later found out it was supposed to be for, but because I truly thought the cake was going to catch fire and they wanted me to take care of it. At that point, I was unsure what it meant to be alive or why to celebrate it all.

"This is her day, Camden," my father told me, "So I want you to be happy for your sister."

"I am," I said. I was wearing my favorite white and blue striped t-shirt and
New shoes that my mom had bought me for the party.

"Sometimes you have to think of other people," my mother continued, "And today is one
of those days. I don't want any crying because you didn't get any presents or that none of your
friends are at the party. There are going to be a lot of Ally's friends there, but not many
of your's...do you understand?"

"Yes, Mom."

"Do you understand, Cam?" My father repeated. His skin was the color of a burnt
pancake and he smelt like stale sugar and sun tan lotion. He was in front of me and was
holding a thin magazine with a man in a boat holding up a fish on a line on the cover.  

"Yes, Dad," I said again. I was hungry. I wanted mac n' cheese, my favorite food.

I had been on the floor, laying on my stomach watching Ren and Stimpy. They were standing in front of the television and I remember trying to wish them out of the way. Behind them were two, large bay windows where three palm trees stood in a row like tropical soldiers. I could see there was no wind because the three of them stood still, as if posing for someone. Their leaves were bright green, a mixture of the neon green Jello I used to love to eat and the orange Jolly Rancher my dad would always have in a tiny tray in the middle of the dining table. My mother hated having them there because it always tempted Ally and I, but he never moved it until he moved out.

"Do you like your show?" my mom asked, turning to see what I was watching.

I nodded, absently. Ren was licking Stimpy's eye because he was complaining about having
an eyelash in there. Stimpy was completely still and smiling like he does - dumb and content.

"Interesting..." my mother trailed off. She walked to the kitchen behind the couch and
Opened up the pantry for something. "You hungry, Camden?"

"I'm starving," my dad said, "Let me go check on Ally in the bedroom. She should be up
from her nap."

I got up from my stomach and sat back on my legs, "Do we have mac n' cheese?" I asked.

"Let me check."

She reached up for the cabinet over the stove where I could never reach and
Opened it. I rose slightly up from where I was sitting to see if I could see the glorious dark blue and orange package, but wasn't able to see over couch. I hovered there, still like a humming bird.

"You're in luck," I heard her say, "We've got one box left."

"Yay!" I screamed and got up, running into the kitchen.

"But," she smiled, stopping me, "You'll have to share it with your sister."

"No! I don't want to! I always have to share."

"What did we just talk about Camden?" she said, lightly stamping her foot.

I tried to remember, but couldn't. I shrugged.

"You need to learn to share, Camden. You also need to listen better when your father and I are talking to you. You and your sister are going to know each other a very long time and I want you to learn how to share now, so you two can be happy in the future."

"The future," I asked, "What's that?"

She paused, then said, "It's a time," she paused again, "Ahead of us."

"Do we know where it is?"

"Not exactly," she sighed.

"What's it look like?"

"No one really knows. People can only imagine it."

"Is it very far away?"

She opened the top of the blue and orange mac n' cheese box and poured the dry macaroni into a large silver ***, lifted the faucet, and let it run inside for five or seven seconds. She placed the *** on an unlit burner and turned to look at me. Her eyes looked far away and right there with me.  

"Closer then you think," she said and turned the burner on.

-

I turned into the taco bell parking lot. There was something I was trying to remember that was in my trunk, but I couldn't recall the picture. A haze blew over the windshield that was a mix of heat and wind; I wished to be somewhere else, someone else, someplace else, but, there I was, sitting there underneath the sun, like everyone else. If I was able, I would have unlocked the door to my car and opened the door and walked out - but - there was something else lingering underneath my fingernails, something I couldn't name.

"Two tacos," I said into my hand, "And a water."

"Pull to the window," the voice buzzed over the muffled speaker.

"Yes," I said through my split fingers.

In front of me, over a patch of clean cut green grass and a yellow, red, and orange Taco Bell signature sign, was a fresh gas station with a willow tree *** near the front entrance. He had a sign that hung around his neck that read Juice Please - Very Thirsty. How I knew this was because I had seen it every time I had been asked to fill up my dad's car every other Sunday. I had never given the tree a dollar, yet, I felt that I owed him something. I tried to pull up to the window, but my clutch was grinding and a cloud slunk overhead. I was tired and only wanted to eat.

"That'll be a two twenty-five," the voice said through the thick, clear glass.

"Yes," I said to myself, digging into my wallet for three dollars.

I ****** the three onto the thick plastic platform. A quick sweeping plastic brush pushed the bills toward the asker, and the bills were gone. I had no food. I had nothing. My money was gone and all I had was a gurgling car in front of me and an empty front seat beside me. A pair of clouds waded by my front shield window. A shadow drew itself out in front of me like a **** model. A beep. Sudden and behind me. There was sound. I looked over my shoulder and a black  2013 Cadillac was sitting there, windshield tinted grey, the driver a shadow. I was unsure what to do...so I pulled forward six inches, hoping the offer would be enough. I wasn't in the best neighborhood.

The window to the left of me slid open. An arm erupted forward with a plastic bag,
"75 cents is your change."

The hand dropped three quarters next to the plastic bag. I grabbed the bag with the two tacos and three quarters and quickly wound up my window. The face in front of me was a dangerous blur: smiling, frowning, not caring either way what happened to me next. The hands had gobbled up the three dollars and I was happy to see it go. Who needed money? I tossed the plastic bag onto the passenger seat and sped off two blocks for my grandma's house. Salvation. The holy land. A place with free hot sauce and two dog's that were stolen without paper's. Eden.

-

"What are you learning right now?" I asked Ally.

She hesitated, then said, "Something to do with science." She paused," Lot's to do with rock's."

"Rocks?" I stammered, not remembering a time when I learned about rocks in school, "What kind of rocks?"

"I don't know," she grinned, looking up at me, "All kinds."

I laughed and kicked a stone into the river. The sun was out and reflected on the water like an unpolished diamond. We had grown up a quarter mile away, but still, it felt foreign to us.

"I like it. There's some things you could see that you would never think to read about it in books."

I had read plenty off books. Most, I took little from, but Ally, I could see, had taken plenty.

"What are you doing in school?" Ally asked me.

"What do you mean?" I
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play set run self forget coming hope word future dead wish burn music emotion rain stop gaze pleasure glass one's what's lies sense wake hit remain real work bad stay open brain art seek space present happy spent acid pill social we've they're half-light used land held gotta help lie path finally listen actually longing rave water cold seeking caught energy reflection information anymore venturous goes came red hide start truly hand evil divine subtle matter kind lonely yes told eternity keeps line black edge ego context dusk horizon gonna spiritual tripping dimension data die white **** seen means care getting saw places sure freedom looking hurt fool wind flow search chance la took broke existential summer content flowing belief praise empyrean empathy discovery chemical aeon couldn't who's turn forth bit question eye judgement pray passion sound personal worth memories sanity accept universe embrace lack knows free makes rise language decide consider temporal society gain wander conscious stuff religious comprehend particle psychedelic metaphysics you've entheon absurdia entactus maybe ready fate realize family meant return perfect learn miss spirit doubt rest loved minds health moving mortal bring expression sleeping cast lines purpose quiet known strange infinite king months madness haze depths ate party patterns oneself psychedelion inside guess crowd later silent clear soft breath hours hate dust forgotten arms drink fast year war longer close searching morning ashes calm beauty darkness different justice fell friend shadows knowing fine youth heavy standing sweet enjoy explain vain simple chasing hidden ends smoke gold heaven follow point person breaking necessary today relief action cool possible bass generation lying listening machine yeah substance hath engine forlorn problem subject intangible study effort quantum definitions dopamine psychedelics we'd sigma cybran apotheon isn't empathion clouds practice gave warm wanted stand poem wait storm met asleep course skies crime surely grow depression write loose fair ecstasy knew dreaming humanity waves share taken simply faith playing sands view fix winter afraid began wise welcome comprehension sought late big zero table says bliss changed repetition everybody blame unto maze understanding mr explore states ignore addiction venture define teenage american humans billion she's wasn't 'til sonder walk smile tonight speak dance skin blood breathe fears illuminate worse peace girl crave easily emotions feelings **** having force ways lets catch meet hair doors worlds hearts destroy heard walking near hurricane wisdom lights second suicide ignorance fresh waking sadness grand happiness appear rising scared save join adventure neon outside alike liberty particles wonderful compounds killed somebody grace merely closer company desert master twisted realm respect trance ridiculous *** exile pondering noble dangerous absurd nation progress culture contradiction perceive irish urban 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ethics survived definition reasoning internet feedback vibrancy serotonin cyclone hacker sardonic surreality virtuality here's he's sunyata temporality ******'s empathos apotheotelos flash shining green forever anger carry son moon selfish written supposed feed ya quite loop hooked pure feet hole paper flag sick voice burning attention fly utter wicked tremble endless form infinity talking piece shores verse chest rules food placed plan hallelujah called gun fading drinking emotional measure inspiration suffering belong west read sly instead bear erase furious shame conclusion drunk roll ******* depressed calls taught died defined tire everyday answers sacred acknowledge speaks perfection games ground spoke stood motion sway keeping pretend hell movement magic park key spin kick sake jump hanging animal begins orange streetlights fade crazy honest warp puppet chained survive apathy chains claim prey science diamonds begging grip tale hang powerful wonderland heal dealing plant twice painful daylight mastery desires recall school conviction miracle yearn empyreal weekend actual court value chalk hurts humankind rabbit eggs potential offers temporary pupil atlas nostalgia serenity happens yearning ponder hypothesis worthy witnessed ideas azure tools alpha curiosity consume singularity typhoon revelation stimulant liberate application projection criminals communication throes fraternity enables actuality starshine ethos apotheosis sardonicism aren't mind's teleology empatheon entheos hear mydriatic transcendention fight tear ash minutes wanna taking nights forgot tales lest desire lust darkest single shine slow allow destruction money comes anxiety contemplate nostalgic offer continue happen ink brings brave created holding create thunder produce talk sail philosopher creating distant illuminating drive dancing ease wishing higher pass excuse figure essence angel hopes child ahead sigh using door vast loves awaits strong tornado ok sorrow immortal ghosts certain remains stained insane reached lot discovered plain poison streets killing ending tried session vs poor woke stare watching grass slick emptiness falling box painter series children virtues awareness clean rolling reach advice heavens rend half cherish bay started relax focus laughed ashamed fiend melody drop exhale void occurs beneath win chose robes thrall shield ended sons normal sunrise road forged onward burden actions unlike colors curious street observe chosen silence shades returns technology race vengeance swept bag civilization strive reconcile trouble cloud described replaced substances whilst finding euphoria dear chemistry events deal message eternal masses beliefs vision apparent honestly dr seeing idea domain soar books frames rule law pleasures eat dread bare blaze raise compassion kindness wandered objects expressed sin declare mistake smoking drum heavenly honor lands fountain renew happening aspect gotten issues divinity teach matters pills goal follows significant job romantic gazed envelope elements identity group sell foolish lucid dimensions brothers owe education november difficult recognition express properties glitter considering illusion appreciate discover resonance derived transcendental buzz notion risk scares riot rainy teaching drizzle direct experiences elation normality quote evolution versus lamplight method reflective endeavour cloth eats teenagers eventually haul club result relative breed threat subjective concerning solstice interpretations allows rational ultimately basis aligned numbness hypocrite charade morality dope chaser continuum undead exploits aeons research freeman appropriate ion ****** teachings dilation binge beatific intuitive transcendent escapism psychedelia metaphysical beta untitled mescaline otherworldly dreampt contextual experiential symbiosis codex dissociation cybernetic weren't life's let's mirror's well-being any-more entheogenic junkiedom signifiers mescalito zero-summing won't 'pataphysics window 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current raised travel scratch haunts played women apathetic conquest naught goodbye midnight asking passed waste loss fallen rapture absolute positive walked mistakes lately bound patience nurture fog stranger men wants prevent forfeit asks arose easy quick sing allowed prove pitch mad closest deeply tides praying root poets sentence pulse nightmare deem coffee commit golden insert mock innocent whispers offend low tea strength captured attack stories baseline joint innocence neural chemicals plains blanket dripping reflect blink concepts psychosis plucked tidal radiance roar bathed wonders thrown moves suffer unspoken exists glad shroud plunge scorn bane asunder enslaved harvest possibly fail allure drank danger unsaid veil gravity assume sum receive bloom reveal odd whispered likes news fractured wisely gathered seraphim intention wrought plane weeks mere haunting aspects ha distance hungry eternally swaying eden foretold breach advance pains balance design event forgive significance confidence error alter paying unreality cost chronology thoroughly resembles vivid steal poetic illegal understands maelstrom temples amidst perpetual lesson pathos behold reborn produces scale heaviness ascend talked **** forsake valuable andor relinquish dismiss usually kid nervous sort fierce disguise demands abandon encourage avoid minor relentless identify loneliness web alchemy cosmic rhyme coil suffered basking dropped standard spark mates hearth swore steam myth native wonderfully occasionally solace ventures determination galaxy opportunity justify political prophecy steadfast healthy forsaken chapter facebook worried ex struggle shatter gentleman including convinced profit comfortable twine deity responsible adrift sage fortune immortality theft damage examine deliverance ultimate immersion response access test physics magnitude occur member relation acts theme signal shivers mire coin planet anybody vicious nirvana pendent applause glimmering benediction consuming glint refrain renewal myths manifest nocturnal reflections limitations teenager naturally material matrix columbine giveth inseparable singular proving lifestyle coherence humane ideals starlight sincerely prudence underworld infamous perspective presented pretends excitation viewed regard enhanced zen reverence arcadia theory realization typing construct statement subjugated exploration vote hazy reaper **** streetlight artificial trespass definitive device exceed complex finality surreal petrol proposition inspiring totality originally recurring narcotic cometh juxtaposition reckoning represent inability proclamation syntax continuity nevermind avoidance irrelevant veracious arcadian commence rumination aesthetics ubiquitous nonetheless variable exploit experiencing underlying villain cola rictus ketamine corporeal electronic graciously input cannabis manifestation comprised socially proportionate insofar ethical hedonism junkies vicissitudes cognitive determining psychiatrist palindrome lucidity remix reduction dissociative reclamation detract aer enhancement intoxicants qualia world's shouldn't wouldn't other's nothing's man's summer's today's who'd everybody's y'all 'the all's t'was ethereality thought's drug's noumenon skystruck shroom alexithymia transhuman you- -the in-between self-sufficiency -one zed's 15 11 liminality immanence adrenergic symbionts sublimeoblivious medina's buckfast psychonautes determinative serotonergic psychedelos skyglow cyclica 5-ht2a noumena pharmahuasca jeans role proper loud aching grows concrete cruel strains conversation ill paint wet couple calling mouth kiss senses case keeper torn pause middle setting whats pulling bone reminds likely remind wrath karma reading sunlight prone ***** phrase enemy familiar levels careful source adolescent small straight driving courage rush flaw suppose starting deny stayed weary worship trust turbulent troubled letting absence leaving wearing college proclaim spirits gather ear lady hey garden boys winning alcohol pay foolishly banish song cross encounters plays belonging famous shift burst alice tunes hood flickers glimpse gleam fleeting grant ride deja vu anticipation spot switch boyfriend order faded wrapped definitely short fish beach clock older dusted block station anchor longest deserve passing mark awhile lovers muse ache island totally existing comfort pride phone greek apollo bleeding unknown psychic powder remembrance tree train helps painted gambling tide tired acting blow build apologies silver fabric especially suspense band cascade flawless heat hunger nearly numb bread bright minus wide looks differently dive beating veins settle turning couch holds saying impression suspension meaningless plastic rich pointless occupied brief tiger sticks stones mask cake bitter concentrate drown forbidden shell dry walks unless regardless moved type shirt lone burns songs negative momentary staying police swing unseen ability analysis worries determined dreamt sink hopelessly chances abuse palm week existed ignorant blind dice sheep agree joke spy spill odds immeasurable *** pushing wanderlust softly midst presents blade guided ripped round ball lovely rhythms beats cars glaze wash fates evening vein gloss juvenile sides faces graces month circular rung wheel rises permeates father supreme portal liked rip fades october sitting grin showing surrounded explored opened confused wall quietly deftly scene sighs lingering radio altered evaporated suns dreamed vibration important appetite exactly devil inhabiting brains ordinary beckons constant local organic soothing linger meditation moonlight lads height ethereal simplicity kinda cigarette suggest violence blew bombs arise trips predict surface guy movements grey car stepped large bank forward landed lied ancient purely crash direction inspired release warned melodic rhythmic telling mysticism blues riddle blur floating drama neck lover nerve poisonous glare factory wage character suburbia escaped gates suspended followed pierced hall marks ruled influence functioning contained losing stopping effect electronica relate fed temper facts dependent malleable convey bent delve horror wolves won lacking certainly fooled temple oblivious watches extension molecular random subtlety rem price sear covers truths judging stage frost conditions victory millennium realised confront trickster eve daughter defines awoke terror remembere
Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
Paula Sullaj May 2014
Repetition
Repetition, repetition, repetition
A dancing circle...
Round, around, round
Sun, rain
Sun, sun, Rain rain, Rain, sun.
Repetition
Life- Death, Death-Life
All as part of one.
Repetition...
https://www.youtube.com/watch?v=wNCMDZ4grR4
rosered Jul 2011
We’re so good
So good at repetition
Make the same mistake twice
Broken glass still mirrors ice
Wrong still feels right
It was never easier to fight
So darkness hides all night
And good never shows its ugly face
And with every rattling chain
Weighed by rattling pain
We’re caught up in yesterday’s familiar embrace
The past reestablishes its place
We’re so good
So good at repetition
Devashish Kumar May 2015
“Repetition", he said, "bores me.
I like things new and fresh.
That’s why I never get committed.”
“No", she said, "that’s not the reason.
Don’t you enjoy every time you watch a sunrise?
Don’t you enjoy listening to your favourite music on repeat mode?
Don’t you like reading novels?”
“I do listen to my favourite music over and over again. After a few repetitions, I will change it certainly.
I do enjoy reading novels. But every time I read, it is new one.”
And there she stood clueless,
Looking for right reasons for him,
As he walked away,
Probably thinking he won a battle,
Without even considering
That he may be losing the war-
A war within himself.
“He didn't mention sunrise though.
Did he forget to mention it or
Did he leave it purposely?”
She wondered as she watched him blend in the crowd.
Repetition is often perceived as boring, But beauty lies in repetitions. Someone people find it difficult to commit to someone. If it is so, you, probably, haven't found the one.
like know just time mind feel life world say people things lost we're does love think there's away long way thought night got words want better day human left right remember man dark end reality memory experience going make really eyes place 'cause good death tell great feeling soul home high consciousness live pain thoughts fear understand fall thing city sky believe god meaning thinking lose change oh felt hard ask heart times years shall need past light living existence choice use dreams power days cause poetry talking state we'll alive knowledge **** true moment little hope old wrong mental stars wave ago gone broken look brain dream far given truth feels head you'll best sensation baby try leave forget young sleep face stop escape blue dare drug lives wish doesn't drugs work earth new acid game nature bad sublime gods break beautiful ah writing hold born trying coming friends hold writing ah space daze burn body reason rain real moments wonder music memories exist psyche control waiting dawn future act philosophy word choose emotion lies deep one's difference self score truly perception actually finally what's story sure spent play happy greatest help start used lie took listen touch run belief fool glass hurt we've gaze goes cold set seek they're yes information anymore longing lonely qualia social land water afraid kind getting came dead hit present keeps gotta pleasure reflection free rave line held pray path sense art black half-light wake question quiet remain longer pill stay course open ego matter places worth lack horizon saw dusk beauty hand makes energy looking gonna data told seeking die **** seen subtle bit caught venturous means freedom yeah divine eternity empathy later rise perfect minds edge comprehend spiritual write couldn't evil care ashes summer knew turn content context accept existential white red sound chance who's consider hide judgement friend 'til realize dimension cast gave tripping praise health la enjoy search universe winter broke empyrean gain family personal spirit flowing wanted point poem lying wander loved wind knowing sleeping rest stuff doubt flow began embrace months knows discovery society hate aeon darkness chemical surely searching meant oneself infinite share forgotten fell late person religious conscious *** you've teenage blame eye instead different clear bring follow known decide forth strange cool stand we'd miss psychedelic passion today wasn't language catch purpose patterns tonight subject madness temporal ready simple sanity asked entheon absurdia entactus psychedelics metaphysics humans particle unto skies inside arms drink smoke bass youth breath listening close depths intangible expression mortal nostalgia practice return loose maybe dancing shadows king war answers morning silent dust ****** party generation near judge define asleep quite machine lines moving learn hath fate ate crowd standing haze guess brought certain fair read ways hours irish scared fine reckon possible ain't year psychedelion ******* apotheon substance isn't study bliss selfish ends warm dopamine explain fix addiction culture respect wisdom calm hurricane problem contradiction heaven forlorn vain gold sweet hidden effort fast she's breaking changed engine faith dance maze alas girl sigma watch grand heavy justice wait tried doors appear phenomena definitions somebody ignore feelings process sonder cybran soft depression chasing taken throw answer action relief having wandering compounds quantum necessary effects empathion ethos begin everybody rising clouds emotions indigo falls ecstasy fresh american walking glow outside speak force grow physical says view voice happiness shame sought age understanding lay individual billion explore crave pretty lights comprehension tears big sands crime waves taught forever venture adolescence welcome humanity comes zero storm wise claim swear sounds pass **** met he's internet mr table company repetition heard playing ***** mirror lets awake sorry doing dreaming states pondering ridiculous simply greater heal hear natural mydriasis mydriatic substances fades asking measure worse scoreboard destroy erase blood leaves worlds abandoned skin twisted walk grace smile fading illuminate hearts bed food ignorance admit drunk spring exile apart killed talk master meet waking chose neon adventure join **** mist aren't breathe psi laughing feet river trance wonderful floor hair desire breeze birth desert fade looked urban continue nation probably second belong willing alike criminals progress cyberspace sole survive names pills fears beginning digital you'd sadness easily depressed perceive surreality poets merely remains sober closer prose fact growing died save insanity defined session soon realm empyreal taste suicide science skins quality peace raise ashamed azure quit yearn piece notions absurd noble liberty entheogenesis reckoning feedback particles object reconcile baseline chain sardonic false weather hallowed intoxication wasted ******'s here's express cover green witness anger treat sacred pure cure ethics code objects level happen room addict smell fun climb pupils mere ok quest roam park meaningless form hour reasoning cyclone laugh nostalgic inspiration takes attention drop written sigh hole statement sand keeping thunderous sight despite grasp lived called drinking west heads spoke daylight staring song calls hell shivering kept recognize granted weekend problems decided aware happened hacker forgive sea key single moral sway definition caused connection channel difficult media strife dangerous ones cleanse imagine running utter ground spend vibrancy trees changes rhythm everyday group deal foolish hurts anxiety painting proud brother crazy amazed value temporality decision journey spinning making ha acknowledge learned scars apotheosis sort serotonin poet safe experienced potential lucky sunyata condition poor witnessed history doth barely pretend taking hero superposition plus suffering prefer offer won't medium empathos essence events reflect apotheotelos actual determine house issues worked begging virtuality swore gleaming sly gentleman wicked abyss feed lands tea moon miracle honest streetlights tale lust nights early chained allow placed life's actions emotional plant plan drizzle speaks spin hypocrite conviction watching rules jump application chains forged angel fail reflections lot illuminating flag grip fly sick wonderfully create freeman shine job supposed eggs draw pupil dripping tremble mescaline singularity subjective darkens alpha needed atlas orange discover rabbit warp joint wonderland perfection ponder souls silence ahead roll magic ease bag sorrow escapism sake chest magnitude chaser cloud infinity replaced revelation survived vs carry yearning school slip games begins curiosity heavens powerful typhoon furious theory hypothesis apathy serenity mind's marks window humankind cybernetic fraternity liberate cut movement excuse stopped thunder tire apparent mastery occurs motion paper masses throes falling race hanging bear follows sardonicism endless burning idea ideas burden court ya verse consume kick method stood temporary flash realized eat kindness occur advice shades properties shores hang shining ink rolling minutes street deem tools autumn empatheon entheos reach echoes remix diamonds gets worthy identity thoroughly stuck happens recall conclusion choices fiend dealing finding gun son stimulant experiencing depth twice starshine whilst chosen thereof hooked confused enables painful desires serotonergic teleology prey loop wishing relation neural animal hallelujah ultimately projection communication actuality significant experiences remind transcendention notion proposition works illusion puppet offers chalk series occasion calling degrees ended sin figure slick ending ash sentence glance rend november eve drum rainy destruction romantic drawn shadow observe ghosts bodies wandered atmosphere box familiar children honor road serve beliefs strong avoid lessons returns poison relax exhale whispered intention liquid stare dope needs ****** smoking club relative glitter reached fractured stones junkiedom aspect ketamine heavenly scares domain excess robes vast euphoria grass thrall elation buzz renew dr waste let's morality wanna bottle immortal owe intuitive wouldn't teachings transcendent nocturnal education eternal divinity drive aligned illegal lamplight sell sail insomnia curious beatific seeing insane continuum kiss beta void soar roar fog basis **** town cost regrets appropriate brave threat using emptiness fountain short stole shield riot shade ghost numbness stained steam dreampt october ion derived hazy money message sing quote metaphysical scene swept plain colors nirvana alright unlike dear low teens nonetheless pick considering teenagers beneath door electronic kids build pulse teaching kid mistake teach tear contextual political civilization vision dissociation completely tells normal nevermind raised brings laughed melody spot streets holding coffee praying violence appreciate vengeance law trust exploits slowly trouble mirror's refrain compassion eats recognition discovered blaze otherworldly pieces darkest angst brothers sit win buckfast vicious binge breaks undead forgot demands able notice lucid dimensions evolution sunrise plans philosopher killing produce working cloth produced painter gazing favourite track bunch haul arrives started chemistry prevent awaits definitive strive versus rule dread bare slow stayed onward altered helps lifestyle losing followed woke fight event innocence charade child ventures higher y'all acceptance pay any-more bay vicissitudes codex cannabis pleasures planes doses awareness steal beat zero-summing narcotic lest strength matters reading easy sons drift solstice half formed normality weren't hungry hopes declare research tales envelope regret tired breed release honestly haven't it'll blow entheogenic stories amidst insofar technology direct binary pushing gotten patience danger symbiosis dilation gleam untitled risk remembering aeons contemplate suppose allows goal certainly virtues well-being popular regard result tornado mescalito usually distant creating skyglow behold manifest psychedelia representation endeavour excitation transcendental resonance odd growth hedonism possibly focus proper assert formation described interpretations reflective determination rational consuming cherish expressed pathos psychoactive eventually significance dissociative strings author experiential specific oxytocin loves glimpse frames loneliness elements created 'pataphysics craft betrayal typical built wall wonders concerning critique signifiers books failing assume effect 'auld subject-object lethe scorn wants shroud understands enhanced ascend tides finality collapse lake reclamation beach proclamation justify junkies hood teen streetlight caressing lips other's comprised harvest midnight blink aching lesson responsible native fortune mistakes nurture grown healthy test mock especially badly boring walked gorgeous innocent villain giveth benediction stone rictus nightmare skystruck insignificance struck **** nothing's thrown unspoken den shatter loss subjugated angels myth fallen demon temples reborn irrelevant thousand clothed plains whispering insert telling everybody's ultimate expand immortality small rapture bound dry comedown starlight whispers contained watched attack mechanism questions palindrome perpetual surreal theme perspective bane heathen basking singular physics sighs rhyme deity sincerely goodbye fit asunder naught comfort adrift -the radiance plunge rock planet twine applause current enhancement zen profit terrible ill weary leaving fierce alchemy luck speed opportunity men arose prophecy steadfast captured sage demand weird estates gathered distance all's foretold sold wrath kinda relentless advance coil anybody columbine ocean drown spoken ancient eden wet blessed crimson concepts yesterday evening deeply whisper flicker enter book apathetic streetlamps trespass spun turned clean underworld disguise viewed despair tunes melancholy reverence unsaid noise o' groups turning swallow dropped lead confident veracious offend talked switch teenager shouldn't paying allure variable humane inspiring ex 11 matrix flickers offering receive signal news chant exhaustion access background commence summer's arcadia deja vu complex realization vivid stick sublimeoblivious deliverance belonging creed symbionts pendent sane smiling rumination plane glint resembles conversation web corporeal solace theft burned they'll sensations shivers satisfied enslaved mire comfortable shattered arch medina's fragmented plead achieve woman stage swaying dismiss entire numb lord type chapter infamous conquest aspects proving leads bloom floating precipitation artificial renewal spill beating midst petrol mad hands exploit movements examine women sublimation occurred eternally notes dizziness perceptive guys haunts spark poems poetic pull remained gazed vagabond presented blanket cried stranger glad lucidity turns sum details pour valuable exceed represent surprise continuity occasionally relinquish gravity likes weeks wrought gathering entirely reaper rays aging root laid balance four-twenty provide double-edged ceased exploration mates world's walls alteration faces breach million grey tidal unknown price absolute garden haunting train jungle aloud allowed habits closed syntax difficulty alter scratch glimmering drifting quenched explained forfeit in-between clearly ideals ubiquitous chemicals happening abandon supreme drifted soothing reveal alcohol stimulants psychonautes indescribable conscience closest dying andor travel gentle foodstuffs tree worried demons pair recognise inability ensure including hey graciously prove logic rhetoric 15 galaxy lately hearth ethereality forsake wanting steps memorable 'round player moves del you- encourage finished suspect frequently intoxicants acts aer veil qualities animals remembered karma kissed burying shooting bold scattered input howling design forsaken banish seraphim wide cola united democracy meandering -one zed's hot commit self-sufficiency thought's psychosis flows unreality immersion aesthetics realms struggle wisely immanence absolutely member add writings coin avoidance naturally boys inseparable standard convinced concerns passed prudence quick external suffer choosing produces letter proclaimed myths pains shroom bright absurdity awhile prospect sad distribution recreation responsibly ghb adrenergic minor neurotransmission cyclica lonesome foolishness cometh 5-ht2a beings golden pitch cathinone suggest conclude cognitive motions ethical condensate precious abuse compound underlying adult bask push damage attachment originally determinative heaviness concept facts today's regress detract step ugly absence cosmic note imagination psychedelos noumena noumenon reader haunt determining error questioning habit measured limitations manifestation learning arcadian joke hallucinogens material diethylamide mysterious exists 'twas response proportionate quantized nervous anyways identify qualify device analysis moderate moderation alterations accompanying totality fascinated gradually 'the represented brief juxtaposition played t'was resides tribe stead vote period liminality delete recurring mirror-neurons alexithymia craic ar positive drank maelstrom pharmahuasca wondered reflecting lovely facebook typing quale implicit dispute occurring fallacy treasure exactly reduction distinction discussion man's construct couple contain lovers failed confidence writer's integrity worst psychiatrist sesh rare chronology scale drug's definitely title sesh-heads who'd asks unable tomorrow plucked picture alphabet named coherence task pretends inevitable contemporary trips graces wrote entertain vice elicit psychoactives feens conform deface replace grin h-bomb atomic bleeding 20 bloodless unequalibrium following quench hunger bent euphoric display interstellar vertigo influence waited sunlight explored paradise soaring faded sitting unafraid aqua tinted source itches optional differently stem rich greed forbidden negative privacy react earned ails charity gift couch courage endlessly fascinating boyfriend phrase movies hopelessly loud admission inherent hypocrites intoned devil laconic sinful vein surrounded movie contempla
Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
J Oaks Sep 2018
They will not be heard
with their many words
Don't think like them
They will not be heard
with their many words
Repetition
of their assumption
Jesus is not against
repetition
My father
let me pass
as you will
Men keep watch!
Don't think like them
Their flesh is weak
They will not be heard
Meaningless repetition
Many words
They will not be heard
Thorn in the flesh
God does not have a one prayer
only rule
Dear God
I can never say that again
Jesus is talking about
hearts
that we badger God!
Pagans!
Ten thousand!
My Mary
Our fathers
Beads on a chain
moving down the line
repetition
Leverage your words
to
move
God
Good gifts for his children
With many words
They will not be heard
Crooked Youth Aug 2015
I resent the fact that my life seems to have become a constant struggle against Repetition.

I resent the fact that my life seems to have become a constant struggle against Repetition.

I resent the fact that my life seems to have become a constant struggle against Repetition.

Dont let it consume you.
You've simply got to spice it up a little.
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Sometimes Ally Jun 2014
i do not write to please people
i write to escape my tragic reality
for i am living a life that is not my own
i am not myself
and i have not been for some while now
it is hard to remember
who you were before depression

i do not write to please people
i write to escape my own tragic reality
telling me others have it worse
will not make my pain go away
the ache i feel inside me is never ending

i do not write to please people
i write to escape my own tragic reality
repetition makes me feel
e m p t y
not sure where i was going with this one, just writing whats on my mind
Nat Lipstadt May 2013
For Al, who left us, Nov. 22, 2014

With each passing poem,
The degree of difficulty of diving ever higher,
Bar incrementally niched, inched, raised,
Domain, the association of words, ever lesser,
Repetition verboten, crime against pride.

Al,
You ask me when the words come:

With each passing year,
In the wee hours of
Ever diminishing time snatches,
The hours between midnight and rising,

Shrinkage, once six, now four hours,
Meant for body restoration,
Transpositional for poetic creation,
Only one body notes the new mark,
The digital, numerical clock of
Trillion hour sleep deficit, most taxing.

Al, you ask me from where do the words come:

Each of the five senses compete,
Pick me, Pick me, they shout,

The eyes see the tall grasses
Framing the ferry's to and fro life.
Waving bye bye to the
End of day harbor activities,
Putting your babies to sleep.

The ears hear the boat horns
Deep voiced, demanding pay attention,
I am now docking, I am important,
The sound lingers, long after
They are no longer important.

The tongue tastes the cooling
Italian prosecco merging victoriously
With its ally, the modestly warming rays
Of a September setting sun,
finally declaring, without stuttering,
Peace on Earth.

The odoriferous bay breezes,
A new for that second only smell,
But yet, very old bartender's recipe,
Salt, cooking oil, barbecue sauce, gasoline
And the winning new ingredient, freshly minted,
Stacked in ascending circumference order, onion rings.

These four senses all recombinant,
On the cheek, on the tongue,
Wafting, tickling, blasting, visioning
Merging into a single touch
That my pointer finger, by force majeure,
Declares, here, 
poem aborning!
Contract with this moment,
now satisfied!

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.
__________
(this poem more than most,
for its birth celebrates
my loss, your loss,
which cannot be exonerated 8/7/18)


__________
written at 4:38 AM
September 8th, 2012

Greenport Harbor, N.Y.
zebra Aug 2018
im a self describing a self
a face on a liquid surface
a plasticity
a brain
a three pound infinity
always remodeling itself
and making new copies

a copy
of
a copy
of
a copy

a massive  accumulation of copies
each a slight distortion
from it's original eminence
a history of minute alterations
all subtle deceptions

my so-called reality
a memory
of
a memory
of
a memory
a repetition pouring the self out
self corrupting the self
until it is somebody else

a fibbing shifty double-dealing soft machine
trying to remain intact
it's signature
a disjunctured awareness

my cells talk **** about each other
i'm more microbes than human
every synaptic light of the divine casting a shadowed past
a devil to the true origin
a mangled remembering
my pillar of reality
spirit from matter
not the other way around

i no longer recognize myself
am i human
or perhaps a robot
an alien
a walk in
that left the original inhabitant
disembodied
to wander perplexed in a netherworld
lost and crying

or, just a bad copy
of
a copy
of
a copy
of
a co

py

of

a

a

co
pluie d'été Jul 2014
i keep getting lost
on the trail
that winds
through the forest

green
green leaves

rough trunks
in neat rows

repetition
repetition

like a stuck record

i keep
stopping
without going around
Ziggy Zibrowski May 2010
the passage through time is quite uneasy
imbedded in concrete; consciousness dreamy
faces skewing, anemic monsters
intricate patterns, enhances, obscures
repetition, repetition, repetition, repetition,
incomprehension, incomprehension
i can't continue, can't vacate
i'm only human, my souls to take
i discovered what it means to be
when you can truly see
the epiphany of heavenly monstrosity
visions of a black hole theory
i've seen all of time in one moment
the future, the past, times of atonement
lucid and frightful
enlightening and grateful
heartbeat steadies
i think i'm ready
to explore the world from a different standpoint
and fully know this is not an endpoint
it's forever changing
and we're made for adapting
our primal nature's to live
i will never be held captive
copyrighted February 2010.
Giuliana Modugno Sep 2015
14 weeks
14 weeks
14 weeks
Repetition is what keeps me in check.
Repetition is what reminds me.
Repetition is what convinces me.
Convinces me that you're gone.
Gone
Gone
Gone
8|9|15
Tommy Randell Dec 2017
Living is repetition in the flesh and in the bones,
The season of growth ending with the forest newly combed.

Repeated days of dry not dry then wet,
The fields knowing the dark to come drawing breath.

Fog laying over the hills like lovers' arms in bed.
Frost paving our dreams, carpets of spider webs.

It is what it is and I am happy to feel the bite
Of the wind's teeth on my cheek as I age into night.

It will be what it wants to be this Life as it spins,
It will be everything and then it will be nothing -

But what goes on into my future only this I know,
What goes on of me after my Life, is not flesh but bones.
To-day we have repetition of parts.
Yesterday we had yesterday, tomorrow morning, we have tomorrow morning.
but to-day, To-day we have the repetition of parts.
While spies under the guise of dark, disguise our art.
To-day we have the repetition of parts.

To-day we have retaliation of their arts, yesterday we had yesterday, tomorrow morning, we have tomorrow; mourning.
But to-day, to-day we have replication of parts.
Bright minds might find a start, but requital is the name of our art.
To-day we have a revenge on our part.

To-day we have the reappropriation of purple hearts,
yesterday we had yesterday,
and the morrows sorrow follow furrowed brows on our enemies part.
Harrowing barrows and gallows are swallowed, by the dark.
Redundancy is a common commodity of ours.

To-day we have a thorough reconnaissance of our purplish hearts, yesterday will bring young blood to further our course.
to-day we will re-vitalize their wars, and re-cycle their arms.
We will retaliate, for every heart they have scarred.
To-night we will light up the dark. Insha’Allah.

To-night we have reciprocation of parts; re-coil; re-load; re-align reticle,
re-coil; re-load; re-align reticle; re-coil; re-load; rinse and re-peat.
a place of peace seems preposterously far,
as we keep firing into the dark.
To-day we have reciprocation of parts.

To-day we have repetition of parts.
Yesterday we had yesterday, tomorrow morning, we have tomorrow morning.
but to-day, To-day we have the repetition of parts.
Writing as part of a Creative Writing course at my university.
Inspired by and adapted from Henry Reed's *Naming of parts*:
http://www.solearabiantree.net/namingofparts/namingofparts.html
Maggie Emmett Aug 2014
The poor keep moving
as if relocation
could reframe the algebra.

They cannot see that repetition
traces patterns
in their life.

New beginnings become as hopeless
as stale finales
of debt and desperation.

Wishful thinking makes for certainties
gambling against the odds
of possibilities.

Whispered prayers and incantations
leaves no space
for reason’s compass to steady and settle.

If they stood still and mapped the moment
both sides of the equation
would simplify

and they might construct
a new geometry
of anger.

© M.L.Emmett
Rockie Dec 2014
Touch Upon My Insanity
She whispers
Into the white walls
Touch Upon My Insanity
She cries
To the men and women in white coats
Touch Upon My Insanity
She screams
At the white buckled jacket
Encasing her
In a never-ending repetition of
Touching Upon Insanity
D'Shawn Carter Jan 2015
I think It's fun to use repetition
Repetition.
Not to mention
It can get annoying
If you really choose to listen
Extra bored
Nico Reznick Jan 2016
(In response to "Howl" by Allen Ginsberg)

I have seen the best minds of my generation destroyed by sanity,
seen bold new visionaries resign themselves to clinical long-haul deaths,
drug-numbed to their own suffering, and everyone else’s;
seen raving revolutionaries give up, retire to minimalist Swedish-designed armchairs,
and never move again;
seen the horizon dim and draw ever closer,
and the tenacious lunatics with the wanderlust to stray beyond
become fewer and further between.

There are uglier destructive forces than madness:
Consider cognitive rehabilitation.
Consider absolutely nothing immeasurable.
Consider utter rationality.

Ritalin, lithium, risperidone, duloxatine. [I thought I heard a man speaking in tongues,
then I realised he was simply reading out loud from a pharmaceutical directory.]
Imagine a generation of loan brokers and loss adjustors;
Hicks gone these past seventeen years and Leary still alive;
sharks floating in formaldehyde;
all true human significance lost in pretentious symbols,
and repetition
and repetition
and repetition,
and no one raging.
No one raging for real.

Where are Plato’s maniacs now?
Where are their lunatic songs?
I hear only the steady, rational tapping of the accountants’ calculators,
occasionally, some lost and lonely *** crying out for one more shot,
and the PA system calling the next patient through, the doctor will see you now,
or asking would the owner of a light blue Honda Civic please move their vehicle,
as it’s blocking in a black Lexus full of lawyers with an ambulance to chase.

Is there really nowhere between here
and the bellow and buzz, the shiver and shriek of the asylum?
Someplace between this sterile, static, silent, windowless room
and the fizzing frenzy of the electroconvulsion suite,
there must be somewhere we might have paused and breathed and set up shop,
where we could have been happy – if we’d wanted to be –
and no more or less sane than we chose.

Dr Thompson saw it coming: the dawn of this new Age of Equilibrium.
He knew that football season was over, for good this time, and made his ballistic decision
to go stalk peacocks and hound Nixon through the Kingdom Hereafter,
assuring us, ‘Relax – This won’t hurt’.
He was right.

Safe and stable and sanitized, we can no longer follow your desperate, ***** verse.
Straitjacketed by reason, we perceive our world only in terms
of quantum and co-efficiency, of the logical and logistical,
of what can be conjured in the duration of the average commercial break,
of what can be computed to at least two decimal places.

We are the chemically castrated.
We are lobotomised by mutual consent.
We are the perfect ones: regular and moderate and so healthy, so functional.
We are the white strobing smiles of the toothpaste ads,
the poster children for good mental hygiene,
the footsoldiers of no more conflict.

We have lost our skill for the alchemy
that once distilled genius from the seething crucible of lunacy.
We medicate those whose vision would otherwise put our own to shame,
leave them as myopic and blinkered as the rest of us,
the breadth and depth and distance of their sight no longer a worry to anyone.

Give us back our madmen: we need them.
Give us back our crazed anthems, our burning shrouds, our leprous one-man-bands.
Give us back the fire and the filth and the fornication that kept us howling through
those endlessly polluted nights of Windscale and Watergate, McCarthy and motorcades, Hanoi and Hiroshima.

Please.  Give us back our madmen.
I have seen the best minds of my generation destroyed by sanity.
This poem is featured in my collection, "Over Glassy Horizons", available here: > tinyurl.com/amz-ogh
Seth Keplinger Jul 2018
I keep pretending I'm alone.
Even after losing my seat
to her new prince.

it's spellbinding,  
enough to make the ole' dog wince.

I still love the sad songs
her puppy dog eyes dispense.
it was never her truth, per usual;
per his glimpse,
into the future of my demise.
I pretend to appreciate the gent in the white coat.
A self diagnosis wouldn't compromise
my vulnerability.  
Don't, she won't, undermine my competency
it lends itself to my daily routine,
I self prescribe- a precisely perplexing potency
abide, at least you tried
an unprecedented golden rule.
This wasn't premeditated,
nor an act of repetition.
We've been classically conditioned, so
I implore and drool.  

I keep pretending it's a new found happiness.
it's for the canaries,
the relievers
and deveivers.
I believe it's for the ignorant
the boring
those of you chasing an
American Dream-
the people with white picket fences
and golden retrievers.
Beware of the conformist
they who did well on geometry tests
their smile so luminous  
like diamonds between her *******.


I'm a brittle leaf in autumns first frost
hanging on the edge of winters righteous freeze.
the shackled, the .22,
let it be me.  
I'm a warning sign, Cuba 1963;

I can barely sleep as it is
from this dusty room
I garner for clues inauspiciously
the obtuse path back to the life i once lived,
obstructed by the 4 seasons, the 4 reasons, the 4 walls,
the 4 grains in this whiskey.

Life outside of her box is a bargain.
Before the flies, where my heart lies;
her highfalutin jargon.
Coping with this void gives me nightmares.
joe shakes my daydreams
they fall from my dilated pupils
and anxiously I begin to slur.
I wish he'd stop cutting his pen through the air,
reminds me of my geometry teacher,
lecturing vicariously through a sorcerer
maybe the boring one's preacher?
everyone in this coffee house likes to stare.
Allie May 2015
Forever falling
Always falling
Repetition is our game.

We're two players never winning
Two heart beating  
Always reaching
Never meeting

As we just go on repeating
Same mistakes
Same old lies

As we're talking
Hands held walking
Round a circle make of glass

Glass is shattering
We stop walking
Stop hand holding
Then start falling

Forever falling
Always falling
Repetition is our game.
This day could be the worst of my life.
Green eyes and blue skies and this day is a start and an end.
This day could be the rest of my life.
This repetition discovered a why.
If this day could be the best of my life, would I change anything?

If I had a dime for every time that I’ve heard this song, I'd have nothing more than a reminder of why every day means as much as the first repetition signifies.

No regrets is a lie!

This day could be the worst of my life.
Green eyes and blue skies and this day is a start and an end.
This day could be the rest of my life.
This repetition discovered a why.
If this day could be the best of my life, would I change anything?

If I had a dime for every time that I’ve heard this song, I'd have nothing more than a reminder of why every day means as much as the first repetition signifies my life.

The endless day is over, and now there’s no need for choices and no regrets is a lie.

Now I can say the reason why I choose to live life.
Maddie D Apr 2013
writing over and over again
like a naughty schoolboy, repeating
i will not disrespect the teacher
i will not disrespect the teacher
until the lesson is scarred into his mind and the paper

except i'm not a naughty schoolboy
i'm a brokenhearted, ignorant girl
trying to get it through my head you don't like me back.
i have no feelings for you
i have no feelings for you
i have no feelings for you
i have no feelings for you
i write.
and write.
because that's what you told me.
not ceasing until i will learn the lesson myself,
but now it's my heart being scarred
pluie d'été Mar 2014
You listen
You don't listen
Do you

Whisper
The words you hate to say
I will nod
And smile
And you will
Never notice
Darkness
Tainting them

Your words
Stopped making sense
Weeks ago
And I'm sick
Of your rhyming
aa bb aa
a b a b a

Repetition
Leave me
It's easier
To believe in a dishonesty
When you hear it
Over and over
Tyler May 2019
The past’s mistakes do not go on gently,
They bask in desire and superstition.
So i mourn old memories turned deadly,
That still compound now with repetition.

My Sins are never truly repented.
They surface each day, with new renditions;
Only to be instantly lamented,
But regret submits to repetition.

Lust and greed and especially vanity,
All fated for contentment’s demolition,
All that I’ve loved is lost so damnably,
Through the wickedness of repetition.

All these words are merely an admission,
For action—still follows repetition.
Sunshine Jan 2015
Shortness of breathe
and weakness of knees
unable to blink
and unable to think.

My heart is bleeding out
and the blood is freezing around my rib cage
and I thought you were cold blooded.

Repetition
repetition
repetition
bad poetry
and sunken ambitions.

Change comes in a blink of an eye
but all I can see is our past
since there will be no future.

— The End —