n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"

Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "

Vernarth passed his house, opening his skylight, he soon felt that his parents were fighting, being able to realize that those aggressive words came from generational hindrances that anticipated the luminous tubular Omega, in the global level split from its lower part, (ω) above and it happens at the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate from the metric unit of the numeral Myriaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand less than the horsemen, total thirty-seven thousand less than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriad Myriaz of Falangists undermined by their Xifos in the area of the right instep of each man faithful under his command, before facing the Achaemenides. Being Omega and Micrón in the warlike primer of their cause, within the prophetic in all necropolis of tiny omega (ω), towards an Omega that reaffirmed the upright hand in Saint John the Apostle to rewrite the Apocalypse twice, being the same one but with the voice of Vernarth commanding the ten thousand Falangists, who made up the inter-generational gaps, but of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride chloride, at solid angles of Ω, in what was Virgo institutionum / Oarion-entity that was intruded by the projections and leaks that converged on the strut of the omphalos of his celestial father dealing in frequency and bleeding of immortality, becoming from a helper to the planes of subconscious reprogramming and perspective. With his arms raised, and in each hand a sword raised to pierce the vanishing point, between the spaces that were assigned, under the solid projection, from an observer that inhibits ad limit the biomass in all the masses of aqueous filter and lumens, towards the throne of the angelic guardian of avant-guard by the stereotype and the sclerosis of Zeus in dissociated physicality, even though it is an amorphous entity and with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in his humanoid apocalypse transfigured from a solid point in Hyperdisis as a direct escape settlement to Oarion, towards a conical vestige surface in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse.

Vernarth distracted the emeritus stars in the corner of his room and in the convexality of the points of his celestial parents in conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from his common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions as a culmination of imagination and apparent angles, viewed from any point the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth sang with Sophocles in choruses after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing the hemo-verses with his own blood, which traveled meters and that shrunk from the anti-verses, scarring their declaimed intra-breath, in choruses that only the wind clarifies of what precedes and happens towards suffering, in the metrics of the Areimos chorus that lectured anti-verses, which they tried to ****** from his hands to Sophocles, in the immortality that refined him by abandoning him in sub-units. With masks and mythical cycles he mixed the metaphorical facsimile of the momentum of separation of friendship with him, seeing it in an episode of his works, and instead of Vernarth's transcript, sheltering origins of volatilization in his choirs, converted into physical waves of a dramatic order -oracular. Gods re-transformed into divination and futuristic germination, who hid asleep and forgotten in a time of subconsciousness of the Selenite heritage, felt in Colossi of signs of parliamentary, where the oracle leans on the lines of the vibrational words and how they cough their " páthis ”in the place that speaks the language dissociated from the heart nucleus. In misguided divination, the oracular mantic brought the cold of solitude and the heat of fire that divines the forests on laurels of oracular daphnomancy, towards the ironies that banish the degrading systematized of frantic nervous suffering, burning in defaults of neurasthenia, before an omega elixir and neuro-analysis, given the ontogenetic passions, before cutting the nasal protrusion that crosses the fallopian tube, for the healing by fragmenting with the smell the existence of other genetic amphibologies of myth-genia, and that bifurcate the challenge of anger and disappointment of taking him with him in this suffering, taken from smell to disenchantment after thousands of unfortunate lunations against the tósigo that fills with appetite and perfidious reptile, on who walks on our destiny without knowing who it is that creeps.
Vernarth omega sets himself up as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein on the alert of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography of ancients traveling in disintegrated emotionality and ****** Hellenic neurotransmission, “Two men omega in omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure for tripartite meso-form and roughing of routine Alzheimer's losses, lost in routines of the sympathetic and para-sympathetic, with the probability of loss of Hellenic gray matter; that is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours and hours of vehemence, with brightened dangers of reliving umpteenth times in the twilight of omega, transcript and biological bend towards the man heavy with anguish, and more distant in all the lacerated ones that have mutilated or almost mutilated the conversion of the sternocleidomastoid, crushing the shoulders and the magical healing on the nasal sinuses, which strangle the pains in the face of selective suffering, indicative of rational martyrdom and temporary unhappiness in " extreme combat of dissatisfaction ”, allowing to channel resilient neurons that transit towards the neck for reasons that not even the neck understands, lobbing as it is not foreshadowed, neither in oracle, nor in its frustrating focal matter.
Vernarth, was already narrowing on the tracóntero Eurídice, to save his pains, deposed in terms that would renew anti economies of supplying unsustainable liquefactions and synaptic melts, extra energized of molds of purely natural law of the eyebrows and lunation that rests in the inter millennium, beating with ecstasy in the Buddhist Suttas, and in the adaptation of the flesh in the hypersonic fissures of the Metelmi and in the attachments that still beat on the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and cuts it over the Sutta or sermon that imitated the lunation to the compass, making this a sabotage of redemption and anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overestimating the tricks of the same utilitarian tragedy, defeating itself in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of joy.
From here Vernarth opens the gates of hell, eight hundred times going mad with omega value, which by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and in a body-only Asleep of omega concavity, superimposed on golden transfinite chests, which rearrange the natural numerals with those of transfinite ordinal omega, but on frictionless wheels of other omegas that break the recirculation rules on Alpha, on supra Omega levels like Parados -Estásimos- Episode and paradigmatic Exodus Vernarth-Omega.

Prologue Omega I:

Once upon a time, amidst the rain of clouds full of drama, in a time that was of the oriented regime of the Subacal of Betelgeuse and Aorion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternating event of imprisoning past and future in an episode of the present act. The expectant was curious about the retouched makeup and superlative consonant of the drama, in a disembodied place, but with a good narrative source to bring it to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Isimous.

Párodo I: "For the submissive words in the proscenium of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames by unequal numbers, peoned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers
and Dionysian dances holding on to the Pufios; in Baquiana and ceremonial liturgy near Vernarth, taking every seven minutes a glass of animadversion, in the tasting of his little finger, which screamed of organic pimping, together with the dancers raising one arm and directing the palm towards the sky, while the other remained down with the palm facing the ground; in this position that was already like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter and from autumn to winter in fifteen times agreed with Sophocles, hanging from the third to last towards the entrance with his trembling voice desalted..., swallowing in his own tragedy)

Esthasimo II: "Through the right half body, Vernarth intoned what his laterality exposed him in harsh gloom, as Hera brandished oats and sweets clouds over his existentialism, which in the homily liturgy personified the stasis, in between coral bearing his hands enraged with tragic passion in his frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes of stirring up "

(Vernarth says: “submitted to parts that are not its parts because my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as an applauded public are invested, who sentence the opposition of other lesser stars than They cheer what does not shine. The principle of the voice violates the normal parenthesis, which is governed by the omega voice, mocked in a modal by four magistrates, in the martyrdom of an idea of the procession, each one wearing his toga of super deprivation, before me that I will not be the one who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of the judgment, of him that they annul the first, the coryphaeus directs his promenade from the countryside on his Alikanto Horse"

(Vernarth says: “I have instantiated the steps that in the future my chestnut crossed with you if I am to sing with a sorrowful voice, no choir will be able to follow me when you are no longer there. However, I have to guide what personifies who more than a thousand miles carries with him the chandelier that opens the light of your gazapa gaze... "

Alikanto wailing says: "From the luster of your heartbeats, I dazzled the jailer from your ribs, for the preference of those who take you even further in stormy prose pro-agonist"

Exodus I: “Sometimes the endings smell like lavender fields, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the afternoon dialogues with their twilight, as well as stanzas that smell of anointing of lavenders, separated into syllables and tonic that arch my charm, not to say that I was anointed with Lavender as a child "
(In fifteen times, and syllables and rakes, they are sterilized in the sentences of their paragraphs, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the stasis that never purged the omission of the syllable that is not proscenium or trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

I watched you live,
I watched you die.
I watched you laugh,
And I watched you cry.
Every winning moment,
Or whenever you fell.
I watched you silently,
I watched you dwell.

Learning to walk,
Again and again.
A new experience,
With every new step .
There were times,
When you lost yourself.
I watched you regain
That belief underneath.

I watched you rise,
To the extreme horizons.
I watched you stumble,
On calmest of roads.
You'll fly some day,
To the skies unknown.
I just wish I'm a thing,
You'd like to own.

The sad eyes
the hopeful hands
wrapped in the ends of long sleeves
scales for fingernails
silver purple hues
axiom eye brows
proscenium arches
the eye lashes are curtains
stained black
the scent of whole milk in tea
a kind mistake
the sarcastic cries from singing speakers
like dogs at beaches
the **** of leaches
realistic vampires
in pools of waiting water
leaches on my eyes
salt on your fingertips
lost on mine
paper cuts from my own skin
Chinese Jim Carrey on my mind
not my idea
I just heard it and agreed
the sand mouth
scratching the roof
paper *****
origami
and Japanese ***
animated octopi
and ocean park aquarium blues
I’ve been equated with
spherical spaces on my palms
the pope preaches a phobia
and he is loyal to all of his children
except some
and accept cards when they are given to you
with nephews and nieces who can’t speak
yet still sign their names
the cold shoulder
I hope you think of me
in the shower
and when you drink beer
the naked alcoholic
is like a godmother to me
he brings me
experience
the fathers speech impediment is inconvenient
like parties we weren’t invited to
the brother is loyal
the mother is not
like candy floss
sweet to the tongue
then gone
like rose-coloured contact lenses
the modern age will die
like grandparents
the enthusiasm
falls like stars
and you make wishes
on coffee circles
she is going to India
(I am not)
I am going to rot in hell
such a stench they will kick me out
the boots
thick and black
shining in the sun
like tarmac
the big nose
snorting *******
with the small
fairies are real
and they ****** us all
The suicide hopeful
that breaks promises
like bread
back to church again
‘Let’s save the gays and make them straight! The prostitutes too’
As if they didn’t have enough problems already
The teenage ignorance
and underage rage
under-rated and staged
The attention seeking wave
if you want them to see
better you were a tsunami home wrecker
at the age of sixteen
than a ripple in the ocean before you were me
the attractive son-of-a-poet
***** trick
the hairy crotch with diamond juice
the one you love love love
the Starbucks umbrella you stole
the girl who loves horses
the drummer who can’t swim well
the secret lesbian
who I’m 95% sure fancies me
and the barber who cuts hair outside the school by the concrete
in the woods

Your sad eyes
make everything else
seem pointless

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when the earth touched our life, being able to see how the cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from the other taste of self-observing and seeing ourselves in the face of the Horcondising anti material And Universal Biomass. We preexist under science that models the energy and matter system in causes of the ancestors, with which their life and ours sneakily crashed. Gravity made us a great paternity in Vernarth Biomass, being in the Dodecanese, being the cosmos in the arcuate curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also the time2-space2 that has not been afflicted at the origin or in the abscess of the stars that move irregularly in zig zag, for the fractality of its component, which is clearly aramaic blue light, in circuits of cumulus movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young with gratitude’s "

The distribution of the nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are percentages of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a frozen present specific. Its final station is to stake the Zig Zag Universe on the re-expanding medieval crestomatia, in qualities of gregarious Sub-mythology, already settling here in Archangelos. The implosion of my gravity, has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring from the hexagonality the primogeniture of the passage, which from Jerusalem goes to Bethlehem, where the Davidian prism, of whose Original fractal is attributed in the two-dimensional shape of a line of the Mediterranean fractal flap, resembling the gems of the crown of the King David to that of the Messiah, appearing to be similes, but of irregular geometric formats, to build gems in landscape spines, basically sub dividing into equal conical funnels, and then being randomly displaced towards its central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to B ethlehem and then to the Church of the Shepherds in its fractured hexagonal base, figuring to be snow falling on the cusp of the roofs, where in the Kafersuseh manger, the Mashiach emerged and died in the abstraction of the One-dimensional Beams in the foreign eyes, eroding those who are mortal and do not see it with divine eyes in the self-likeness of our hypochondria and the failed plan to increase the size in the unknown analytic of this new implosive moving dimension of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailing in their nature and in the natural infinity, here the new privileged world was envisioned for self-similarity in the speculative and cosmogony functions of Vertnarth, at intervals in each space of shadowy walls , bringing accelerated bombs of messaging from Gethsemane among mutated olive trees to other humans. "Its correlation is infinite fractal with reversible observable time, and with the patronal belonging of mobile echoes of a space, which is occupied by Vernarth as multi monograph and integers between the fractional integers”

Finite is the curvature, between the time that walks between the grove of the Duouniverse as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, what is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the Beams One-dimensional of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change of arduous colors in gradient in Avant Garde, for its confines of perspectives of verbality, and of amendments of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the reaction disturbances and recreation of multiform plasmas of Christian cosmic savior. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of error of the current universe losing itself, in the second thousandths of figures that separate us from the Universe,but all of them being more than time ...!, remaining at the expense of the wick of all electro-matter "

The sub-mythology having already been established, Hestia appears, after having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was already two meters away from him she looked monumentally huge, but with a versatile physiognomy, therefore it was already appreciated in recent years. Footsteps, with her domestic Goddess figure emanating light years from the chimneys of her habitable galaxies. The critical immanence that would happen would preexist the perfectible plan for the Zig Zag Universe and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great ratio of proscenium in the vicinity to Tsambika, between Mind / Meditation for Wisdom / Meditant constant mechanism, according to the cosmological constant, taking them perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range; therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backwards advancing between the dizzying lights of creation. Immediately afterwards, the Universe is torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in her prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, “Prytaneum”, smoothing the light in the clarity of the faith of the owners of the hamlets that were founded when they arrived at Tsambika, in search of Vas Auric, cheering with the omphalos stone, that marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterwards. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between distances that discount minutes of the Hestian space, for such a corollary of approaching its finitude, and inaugurating the sub-finite, which will never be the source of a term in a disconcerting end of time that is not equationally physical. "This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)"

People wish to be settled. Only as long as they are unsettled is there any hope for them.
-- Thoreau

My life has been
the instrument
for a mouth
I have never seen,
breathing wind
which comes
from I know not
where,
arranging and changing
my moods,
so as to make
an opening
for his voice.

Or hers.
Muse, White Goddess
mother with invisible
milk,
androgynous god
in whose grip
I struggle,
turning this way and that,
believing that I chart
my life,
my loves,
when in fact
it is she, he,
who charts them--
all for the sake
of some
as yet unwritten poem.

Twisting in the wind,
twisting like a pirate
dangling in a cage
from a high seawall,
the wind whips
through my bones
making an instrument,
my back a xylophone,
my *** a triangle
chiming,
my lips stretched tight
as drumskins,

I no longer care
who is playing me,
but fear
makes the hairs
stand up
on the backs
of my hands
when I think
that she may stop.

And yet I long
for peace
as fervently as you do--
the sweet connubial bliss
that admits no
turbulence,
the settled life
that defeats poetry,
the hearth before which
children play--
not poets' children,
ragtag, neurotic, demon-ridden,
but the apple-cheeked children
of the bourgeoisie.

My daughter dreams
of peace
as I do:
marriage, proper house,
proper husband,
nourishing dreamless
***,
love like a hot toddy,
or an apple pie.

But the muse
has other plans
for me
and you.

Puppet mistress,
dangling us
on this dark proscenium,
pulling our strings,
blowing us
toward Cornwall,
toward Venice, toward Delphi,
toward some lurching
counterpane,
a tent upheld
by one throbbing
blood-drenched pole--
her pen, her pencil,
the monolith
we worship,
underneath
the gleaming moon.

Musing at my bedroom window
proscenium to the street scene
parents in the back room snoring
St. Michael's sandstones frowning
at poor sally shambling shuffling
from secret shadow to moonshine
bottles clanking - guilty glancing
bulging stout bag - liquor dancing.

Standing at our poet's corner
spectators pilgrims commentators.
Ectoplasmis streams rise and flare
hot heaving lungs to cold dry air.
They stare - prepare explanations
poltergeist premeditations.

In light of last days—
Mountains breaking through the clouds,
Song in the birds' flight . . .

Musing at my bedroom window
proscenium to the street scene
parents in the back room snoring.
St. Michael's sandstones frowning
at poor Sally shambling shuffling
from sectret shadow to moonshine
bottles clanking guilty glancing
bulging stout bag liquor dancing.

Standing at the poet's corner
spectators pilgrims commentators
ectoplasmic streams rise and flare
hot heaving lungs to cold dry air
they star prepare explanations
poltergeist premeditations.

Kaitelka was in the Equinoctial Aftó, she bathed but always oriented herself as an Argonaut star bathing in the Aegean while waiting for the ******* of Áullos Kósmos. Between both Aulos and Citara, she modeled the auletic- citaristic, in glimpses of her Psychic Trisomy.  In effect of the existence of an extra chromosome in a diploid organism 158, for a number of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting her chromosomes of normality in the genetic proximal when entering the bay of Skalá that she was waiting for her native, where the art of navigation danced in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, mimetic was thrown towards the art of the unknown sea, collapsing and disoriented by its territorial similarity, and maritime per se of its Otolith that brandished it in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the auletic to infer Ballenid genera, which acted precisely between the island and the Bay of Patmos with the same name as Skalá.

Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that rotated on the backs of all the borer beetles, being Scarabaeidae that delimited towards a dialectic, and paraphrase of a qualitative satirical one, especially in the form of Vernarth's sub-mythological subgenre. To commend all the hypotheses of this whale, it sang with the native cephalization ultrasound, where it continued to harmonize media in its cranial cavity, and in the muzzles of its larger fins that transmitted waves of parapsychological regression towards Vernarth, parodying the transparent sendal ballads that it made. with his transit through the water, however, not having members that strengthen his controversial cetacean passerby by waters of a melodious literary language, such as a great inspirational propeller, and satires that host greenhouses in most of the jubilation, related to rudders that furrow his verbal poetry, easing restrictions, and possessing the genome that was deprived him in his gestation, of a maternal expropriation victimized with fears of an end, and Apocalypse hungover by the sea and freshwater. They piloted their heart valves, mere and Dantesque with Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirizing formula additions, and a piece of dull wood on its spur that was It bore like a whale, it was carrying its weight in a literary category where there is no way to test it. Without hindrance, she laughed alongside the breakers in the manner of a belligerent tendril in thick keel skins, dramatizing him and perhaps delaying the investiture of Vernarth's Himation Proskynesis, peering jocularly and foreshadowing his encounter with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single Down Whale destination, ******* with her dorsal to exhale genome rearrangements with Cinnabar, refining hormones and stereotyped whale chromosomes.

The concordance of the Satirical subgenre, and the polarized gender correspondence inanimate Kaitelka, usurping the intentionality of the sub-mythological drama, in two roads of Skalá that appeared to lose the standard of their ears, in tragic representation versus the comedian staging, harbinger of an interlude between two areas that struggled to have it directed towards three comedies that plunged into three tragedies, missioning the furrowed features of the ideals of survival, with preceded parables of the psychic-linguistic being, due to its canonical supernatural modality by blending itself with disciplined domains. Of a rhetorical poetics, rectified in religions that grant Orphic and messianic structuralism; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, comparison, or image.  Song and poetry, song and prayer, prayer and ritual forming an inseparable phrase of meaning in it, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; "Make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for those who feel vibrations under his belly in his orphic water, portraying semis or semiotic cathartics of their own trisomic roots, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he told her about the melting of Horcondising, seeing in them friendly glaciers that included her within the storytelling of provinces that sensitize the culture by rebirth on spherits and plasma hematocrits, for an apologist that admits inanimate corporality actor. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, commanding them ibid to the inter-dogmatism that it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Borker  Nótos. "Evil tears their veins heal their goods and relegate the forgetful in the tradition of existence alongside the demiurges, incontinent to their ills that enjoy making creation sleep, soothing it in innocuous myths that are often more than a truly supernatural!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of light that distorted his view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and the phenomena of the underwater stones were relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish, brushing against systematic hermeticisms of what was infinitesimal. All this dialectical journey towards inevitably alternating molecules of his genome, to re-establish himself in his hybrid status upon reaching Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale but in interrogation. …?  Based on Leiak's sexagesimal nanoscale extension, endowed with a fractional comparison that collects mythologies within them, for the uncertain truth. The only burden of etiological myth in Kaitelka is a consequence of her suffering, which is offered in psychic trisomy, for being **ized by three chromosomes, disorganizing her reality as a specimen that unfolds as a congenital disease.

Kaitelka says: "Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and honeysuckle, which tell a story ****** under the tripod of Herophila.  Authoritarian truth that will bow before the pig to become, smelling here the tragic essence in truths that are hidden in symbolic denial"

Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that the self encourages to plunge into diluvian tears and moan in the scenarios of uncertainty, in the judgment of pouring out real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that lifted it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous polymorphology. With joys and hilarious meltdowns on the mountains, she approached everything when she reached the pleasant Skalá, escaping from the cosmogony that bound her ungraciously on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimicry gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on disturbed waters, a dipsomaniac leitmotif in early Christian justice. Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will remain Kaitelka Down, but Patmos will arrogate her Thracian gift from her Orphic origin to her, for purposes of radial preeminence in the Ballenids that hoist sacred sites. The adventure prescribes a univitelino twin, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into a rainy sphinx on the thick bronze roof when the coins are broken, towards a seduction stop that is enthroned in the gloom of the minotaur, in the numinous hands of a daffodil and on the face of the Epsilon. Or crawling in mitral of valvulopathy with the carriage messengers, with the swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually more than multiplied towards her, with the amazement of her animal consorts, which are dolphins, and Thracian pigeons, a priori of being covered by the Pythia of Delphi that is migrating in murky triumphs of the Achaemenides in Gaugamela.

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

i love it so much when you see a looker and walker in the sun and wind
looking straight ahead or slightly down
with eyes sliding up sometimes to see again for the first time the tops of buildings always entered at the lowest runoff point
sliding down sometimes to interrogate turnless stones

this eye wandering distracts and more sharply attunes the looker and walker to the smile
the smile that is trying to kickbox its way onto the proscenium of the eyes, mouth, and probably the hands and the whole body
and to the spark that started all this kickboxing in the first place

Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral. The Sybilla who acted as stellar consort would be Herophile with overtones of expansion and her brilliant metric mass that would take her through Betelgeuse Orionis allied to a multifunctional instrument such as the entrance Aulos, expelling hydrogen-like an Ace in 240 harmonic scales, and sounds of light that they boomed towards the Pleiades and the Milky Way where it would be the supposed first state of paradox where Vernarth would utter: "Give me a little Gála and I will be more than Zeus". This is where he will experience the diarthrosis of his synovial joints in the process of Hyaline cartilage, allying himself with the two bones and synovium to hunt down the Trapper Aurion in advance to wake up from the feared defenseless world that he feared since everything he abandoned despite having his Purg discharged, he kept sensing that if nothing would work for a lost world. Here Vernarth would hold Alexander the Great's first childhood vision as an infant at Péla using his scapula with the force of rubbing discs at the Olympiad making the sky his Odyssey-encrusted Constellation of whips, and sullen Hellenistic being by May in the amber trunk trapezoid and in each hand a Xiphos and Dorus.

The pathologies were at the forefront with dexterous inclinations of his Kopis to the west when he throws it and the whistle of return makes him see that the meteorites reached as far as his gaze could observe the latitudes of the Tyrrhenian. He takes his bronze-brass cudgel with the corrosive breath, filing the odysseys on the concupiscent ******* of Eos, Goddess of the dawn, opening the heavens of the eager natives of Gála, by sipping raw milk from the right edge of the corner of her upper lips before the first dawns of the world, when Eos would be in grains or grasses that brandished from the bronze club that Vernarth waited for before leaving Gaia, or rather the fertile land of Patmos that officiated at him. Mega hectares appeared that threatened Enopion's revenge, disturbing his eyes that shone in Hesiod's striae by advocating for him in the Duoverse where all deities would be annulled but his psychic ramifications as stellar humans would be covered by the action of Helium gas. In this way Vernarth was already bidding farewell to Saint John the Apostle with his rounded eye set on the shine of both pupils between Mintaka, Alnitak, and the third shine of his pupils united in communion with Vernarth when arriving sideways at the pale shine of Alnilam (The Three Mariah) fourth star to follow in Orion as the brightest of the three on Vernarth's neck like a necklace of precious pearls. In this way, he climbed the steps to measure the slow brilliance of the immensity of the celestial solstice that raised him with the expedient Sun that also led him towards the twelfth lunation of the celestial vault attached to Pléyone in his bolometric oceanic matrix, which will arise between the stellar limitrophe between the Canes Mayores and Menores, and a priori in the measurement of the eye of Aurion always harassing the Pleiades. The intrigue will be reborn for the second time from the Duoverse's momentum that Vernarth will have to leave in the biosphere oscillation wasteland of Prometheus already freeing himself from life in community, and from an extreme sensitivity of major psychic connections that will flow throughout the immensity of inaccessible time. , on the atmosphere of the earth like bronzes that twist in the necks of the oxen that urinate on the endowments of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles as flagrant Amphibology. The Kanti Steed and the Aorion nebula to the beat of a waltz will ionize chemical portents of ions free of electrons, on the neutral molecules of Betelgeuse to propagate in the nerves of the shoulders of the bronze club ad limit of harmonious praxis, and net compromise by supplying steps to the nebula and art of the Duoverse that shows the primeval daily days as in his alchemical armband, germinating astral Lynothorax and axillary armpit that held him in his maximum club, cutting down roots of Olivo Bernar after Barnard's Loops in between of fugitive stars that go regimented in their ionized bleeding esplanade, like Stellae Novae that transfers astronomical cults in the formation and pretext of going through the darkness to sleep near his parents Poseidon and Euryale, acclaiming him near the gramineous fields to paste him with explosive clay on the portfolio of such a smiling face drunk with Ionian wine, in precedence of the disemi nar by the new and expandable Duoverso, Vernarth was already on the last steps of the stairs similar to that of Florence in the Medicea Laurenziana as well said to feel alive when going to paradise next to the Messiah who came to pick him up. But at times electrifying residues would vanish over his field of vision in small beams or flashes, which would prevent him from moving forward to the last stirrups without looking back where all the Birthright was watching him for one last time.

Sitting on the edge of Andromeda, Zefian was waiting for him to meet him in his dark chamber, since the most intimate and primordial causality of his metaphysics emerged from the bases of the reason for all things that should exist, before everything was created and that it has never had pre-eminence as it is in this case of the parasitic chamber of Zefian in the company of the Auriga, which also came to wait for him in the calash running wild as prescribed by the Duoverse in the structures of luminosity in the midst of this colossal inter-planetary chamber, between molecular agitated points that will venture through the axon of infinity longitudinally unpredictable for light-years even though it is so. The thermal outcomes of superheated remnants over the entire luminosity will speak of the catastrophe, and of the inherent emptiness in the eyes of the eternal hothouse very close to the supernovae that can only strengthen the fusion of the space disks of the Universe-Duoverse long before the explosion between Orion and Andromeda. The axes of time will be dislocated between both astral components in this dissonant chaos that will contract with Vernarth's levitation whenever he has stepped on the last step before entering the Hydor chamber in every dark portion of the Universe, making both constellations the ferrule or ring that will yield to the underbelly of Betelgeuse, dispossessing the boasts of the appropriate Commander Hetairoi of his Lynothorax to resist the ravages and turbulence of the Apokálypsis, which brought the immense loads of matter that discharged all its constant energy through the circulating nuclear power plants, and tangents that caused galaxy changes pierced by Hetairoi Aorion clods satirizing expenses for retracting the galaxies below Soldier's precept and super homeostatic mass attracted from their distance on astronomical scales of 2.5 million light-years.

The galactogenic galaxy made use of great prominences that would cover the greater proportional that is outlined in Andromeda of the strands of the Universe adjacent to the spiral that rolls on the underbelly, deferring to telescope sections, and the gravitational field to execute its nocturnal translation like the Hyperdisis Galaxy that collects the bubbling of the belt in conjunctions of minor stars making star mechanics by exaltation, and magnetic disorders creating other leading atmospheres in those detached from the cord of Andromeda, the Milky Way, and Orion. Vernarth was still holding on to the transparent hand of the Messiah while he was climbing the ascension steps to Hydor that would transport him to travel with him through the globular clusters, they will form the perfect delay in transfusing the lineage and not another, in this way the Lynothorax or bleeding pectoral de Vernarth continued to flow from this polynomial tractatum between all area subjugation guidelines, and refinement of the sagittal profile of Hyperdisis in the inter-galactic reversible staked Duoverse.

Lenticular to irregular above the nails of the trapezoid, it spread towards Aurion's right armband, sequentially making the centric radiogram hiccup, despite taking advantage of interstellar matter to self-generate its own transmission light, this made it refrain from emanating the hybridity that came out of its body by vibrating above everything that expelled from its center towards the right rectitude of Orion, thus making the multiplied speed of containing itself of both parts of the null hemisphere of its free will when verifying that it never existed, that it was only an illusion of doubtful matter that would soon Go away like gasified water on the galactic repulsions that would settle on Patmos as devotions of Skalá, and Astro-omegas that would be adhered to the Xiphos and Kopis, who were still united to their being rather in the contour of the perimeter of his soul two meters floating like invisible quantum universes. The totality of everything was inciting the fields of omega-stars that would begin to advance after becoming visible from the spur of the sword that became denser with the viscosity of the Hebrew Adom, which trickled from Orion to Hellenic lands as an Omega age for Vernarth which is conceived early when it carries Hecate's Kleidia or keys to the Omega world towards the proto-galaxies that provide ultramarine loaves, knowing that the Milky Way and Andromeda come so close in their stellar mass that they can collide in a few million light-years. The Duoverse of Hyperdisis was predicted in the visual reality of a fusion of change to interact with each other as it dismembered but re-transformed into the new theoretical core of the Duoverse as a large Black Hole embedded in the center of Patmos. In such a way all the inhabitants began to worry when phenomenal masses of warm air that began to take on the appearance of the Universe plagiarized each other generating incoming earthquakes, not affecting the Opistodomos or the Primogeniture, nor the crowd that was waiting. of all the monstrosity of monks who were grouped kneeling on the top of the Profitis, floating the shattered shaggy skein parts of the Himation. As it was dyed in the albi-color of Calígine, demonstrating the darkness of the intrinsic terror of whoever plows later to free all the succumbed who fell throughout Greece and Judah, exposing all the origins of appearance from the internal now in the converted Universe that was reimplanting itself in the helical of polarity, and bifurcating by pretexting all the reincarnations and polishing the stagnant cessation of darkness towards a luminance that could warn them and observe where their feet could move, sheltered from the monumental litter of calorimetry, and chromatics that was linked in romances trivial with the residuals of the angel shark galaxies where Aurion's progenies will deliver in candelas per square meter: LV waking is the luminance, measured in Nits or candelas per square meter (cd/m²).

• F is the luminous flux, in lumens for the Andromeda triad, the Milky Way, and Hyperdisis in conjunction with Orion. From here Vernarth will supply all of them as the one who will dwell in it in the preface of his Fables of Calígine with the following: "Ex Calígine Chaos: ex Chao et Calígine, Nox, Dies, Erebus, Aether", which transliterated means "Of Darkness: Chaos. From Chaos and Darkness: Night, Day, Erebus, and Ether", Decreeing the (Burning Darkness) before Chaos as flow F, is he also the only one who divinized this abstraction, conferring a proper meaning to the word. And then make of the normality of dwelling in the darkness that is the irrevocable opulence of the desire to maintain the radiance of all the forces that devour eternity. From the remote aces came dark families of flying Lepidoptera Ditrisios, lined up with countless other species that carried dimensional eyes that will be devoured by ocelli or giant eyes that come from the chaos of Vernarth's Caligine to appease the effects of ultraviolet rays, which started from the Nimbus Iridescent creating a layer of protection between the new dimension of the twilight of flight that was already beginning to ignite from the Aurion's scaly fingers.

• dS is the surface element considered the triad Kímolos, Rodas and Patmos. While Vernarth is distracted, he manages to dissipate the twilight of the inverted Erebus between Eleos and Ezis, personifying Clemency and Sadness, where they border the worlds that are not yet riddled with chaos or Calígine, who exalted himself over Erebos with the redemption of Eleos, who was getting ready to swallow the sadness of Ezis. Therefore Kimolos, Rhodes, and Patmos will consolidate their hegemony of unalterable lands where Eleos' piece of clemency will bring the support that makes Ezis's faceless portent, close to the hybridity of the Itheoi gods, in the Transversal Valleys of the Horcondising, with the Norns and generosity of Apollo who had given them after long stays in Hyperborea as female spirits once again as advocacy and imperishable protection of the legacy of Smintheus's travels by providing the company of Dísir, Uror, Verdandi, and Skuld as a female entity, of the past, current and future that should occur by order of Skuld. This will allow the three to unite with the Ds to merge the three as a complement of three female entities that will safeguard all climate change on future disasters in the Dodecanese.

• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse. From this premise, the worst of Vernarth's fears was to let go of the Messiah's hand and fall into the anger that blushes even Hetairoi Hero from Deimos, when the night reverts to the rest of the demons and the night adopts those who go perceiving in Vernarth that perhaps he was holding hands with Ares for the battle alongside his brother Etrestles, under the orders of the savagery of the metaphysical engines of panic. From this vision, Vernarth manages to open his eyes with the desire to show those who were watching him and to be able to show that he was aware of being a prisoner of his emotions and escaping from himself in the illustrious suffering of thousands of arrows, which ran around him like fleeting meteorites to the flat field of Tisiphone's revenge. The luminances became and became colors that were molecularly twinned with disparate tones that were capable of differentiating them, and at the same time nullifying the power of obscuring Vernarth's countenance to take his right hand and take the arrow to break the darkness that was lunged at him.

• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light-years), Nemesis or Ramnusia as the retributive coercion of disobedience, being aware Vernarth became more and more of a being adopted by balance Nemesis for balance to command him to his senses before entering the field of limpidity of his soul in transit to liberate himself from all the chained who used to be happy, but sad that no one acclaimed them except Aionius Itheoi of Vernarth who translated the messages that from now on will move diametrically from Andromeda to the Milky Way, without any of these two portions being invaded only under the order of Nemesis, and Vernarth abiding by the retributive justice of The luminance that can be defined from the radiometric magnitude of the radiance without more than weighting each length of the wave by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of Vernarth's eye in the underbelly of Betelgeuse, spilling plasma and magnetic bruises on the galaxies and Eyes of Orion.
Meanwhile, it manifested itself as a personal universe, not excluded from time and space for a metaphysical causality that will not be able to compose the mentality that is measurable in the joint senses of a Zig Zag birth from this same calígine emerging from another creature of self-observation and see the physiognomy of the anti-material and mass Universal Horcondising. From which we pre-exist to waste of science that models the system of energy and matter in causes of ancestors with which his life and ours that were propelled furtively. Gravity made great paternity in Vernarth's active Biomass, being in the Dodecanese and cosmos in the verification of curvature that makes us with the moon of its romantic astrophysical swings and exaggerated geometry of a Zigzag.

We are versatile multi-dynamic mass that expands simultaneously in the void that pauses in the Nothofagus Obliqua of Vernarth's Horcondising, and also of time2-space2 that have not been attributed to the origin of the stars that move irregularly in Zig Zag, for their immature componential that is clearly of Aramaic blue light from the Pealim of the Abba, circulating with bullets movements skimming the air of the grasses attracting the attention of the entire order of the hypnotized universe, making appear before them the duplication of the universe itself; in Duoverse, which is the recently shaken Universe and of gratitude in the distribution of nearby galaxies that are keys to the paleo kosmous already arranged in macro waves, which are percentages of the spaces of the Tri-solated energy fields, which interact with the phylogeny of the Mashiach in Gethsemane, lying now in a stagnant decomposed future, in a frozen present specific to the peri Kosmous. Its final station is to wager the Zig Zag Universe on the temporal middle Ages chrestomathies re-expanding in qualities of gregarious Sub-mythology, already settling here in Archangels to activate. The implosion of gravity has procreated worlds of visibility of magnanimous astronomical longings, in some fractions of time in Zig Zag by millions of fractioned light-years, as an irregularity that resembles the measure of everything quantifiable, being omniscience or not acquiring the hexagonal of the primogeniture of the fragment since Jerusalem goes to Bethlehem, where the Davidian prism whose Original is attributed fractal in form.

The personification of longevity was trapped by Geras, always escaping from the obfuscated universe or temperament that could be represented in humanity that relied on the antigens that served as support for the reversibility of every hero like Vernarth, who tried to glorify himself in the fullness of life in Heraklion or in the sand that was dyed red-azure when the soul of Alexander the Great would rise together with Vernarth with the Mashiach. The fractal beating line of the Mediterranean towards a vein resembling the rhinestones of King David to the Ziziphus of the Messiah simulating to be irregular symmetrical formats, to build gems in thorns of landscapes that basically subdivide into similar conical funnels, to then be randomly displaced towards its central point shared with King David's five o'clock Incorruptible crown, recursively reiterating it in each square until the eminence of the desired detail was reached in the curve that joins the landscape to Bethlehem and then to the Baptistery of the Shepherds in its hexagonal base, figuring to be the sleet in the final Crown of Rejoicing falling on the top of the roofs "Doroteo or theological gifts" in which the Mashiach's stable of Kafersuseh burst and agonized in the abstraction of the One-Dimensional Beams with foreign eyes, and own tissue eroding to mortal frowns that can be seen with their divine eyes in our own likeness, and of the planet n failed to increase the size so unknown and analytical in this peripeteia of the implosive ideology of the bubbling of the Verthian Duoverse.
The nature of the snowflakes in Bethlehem are natural fractals detailed in their nature, and in the natural infinity that here was envisioned from the new privileged world for self-similarity in speculative functions of Vertnarth, by intervals in each space of shadowy fences, bringing accelerated courier bulbs from Gethsemane in intermediates of olive trees transformed towards other humans.“Their correlation is infinite with reversible observable time, and paternal belonging to mobile gagged echoes of a space that is obstructed by Vernarth, in such a monograph and integers among the fractional integers "Finite is the curvature between the path that walks through the thickness of the Duo-Universe as an alternative of Zigzag and Duoverse energy, which is unleashed to our subconscious observable orb, and what a great beacon reflecting eye that ignores and prescribes extreme distant and focal parts of the One Dimensional Beams of Kafersuseh in Ein Karem. The Duoverse is the rehearsal Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse Orion, changes of arduous colors in gradient and Avant-Garde, for limits of perspectives and verbally of amendments of physical fields framed by an external gravitational means. The macro waves are exposed to matters not contained in the abrupt changes of the Mashiach optical selection with the One-Dimensional Beams, attracting selection crystals to atomize them in reaction disturbances, and recreation of multiform plasma saviors of Christian astronautics, examining the double of the macro waves and equation of them on the axis of the universe converted into Duoverse, already in millions of light-years, they will continue in the Duoverse, to reconvert from ectoplasm with large margins of assertiveness. Cartography is the error correction of the current universe, getting lost in the second thousandths of figures that separate us from the Universe, but all being more than time…!, remaining at the expense of the wick of the Cirio with all its electro-matter” Having already established the sub-mythology, Hestia appears after having slept a great dream, when she appeared before Vernarth in Tsambika she was seen changing size, when she was six meters away she looked tiny and when she was already two meters away from him It looked monumentally enormous, but with a versatile physiognomy, therefore it was already appreciated in the last steps with its domestic figure of a goddess that emanated light-years disserted by chimneys and its rooms. The critique of immanence that would happen, would pre-exist the perfectible plan for the Zig Zag Universe and Hyperdisis as Hyper-Hestia, bringing torn words for those who were approaching the main altar of the Vas Auric, which consisted of the great ratio of the proscenium in the Teodora vicinity of Tsambika, between Clairvoyance/Judgment for Wisdom/Meditating constant mechanisms according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called the Triverse. The oscillation of all these fantasies was observed by Vernarth, but he knew that he would have to collide with this finally, already precipitated by temperatures that acted on the average of the normal range, therefore it was imminent to mutate him into the proselytizing provisional Duoverse, which moves backward between the lights vertiginous of creation. Immediately afterward, the Universe has torn apart and lost among those around him, establishing units of millions of years of compressed light from the piccolo Aulós, which Hestia carried in one of his pale hands, his prytaneion was lighting up with the flames of the heart of fire and passion of consanguineous love, "Prytaneum", paving the light in the clarity of the faith of the owners of farmhouses that were founded when they arrived in Tsambika in search of the Vas Auric, acclaiming with the omphalos stone that marked the navel of the world with defiance wandering to the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face always walking to and from her home unscathed in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones who were staying in the cold fire of her climacteric losing fertility after his father swallowed them, and then they were expelled from himself regurgitated in flaming matches from a blessed house full of indemnity, giving the Duoverse another category calculated with angles never contained vibratingly sliding between distances that discount minutes of Hestian space for such a corollary of approaching to its finitude and inaugurate the sub-finite,  which will never be a source of terminus in a disconcerting end of time not finished flush with the physical equation. “This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is consummated and restarted in a process that does not end (sub-infinite).

Vernarth was a few meters from entering the Nimbus, when suddenly his soul darkened and his panic flared..., suddenly he felt a scream from above and below he saw how everything was made of rubble. Courage blinded him, not wanting to observe what the evident end of the world and rubble intended to consume him if he said goodbye to his most beloved beings, until the lines of infinity approached those of the earthly world, intending to eliminate all traces of his family lineage. In this way, he begins to run through his hands the reflected Hydor of colors that pierced the skylight of austere words. He manages to see Calígine del Apokálypsis farther from the mist, detached from all gravitational force, only being able to see his mother among the smoke, who was coming up by a ray of light, Vernarth tries to free her from that moment of expiration but does not reach the synchrony of catastrophe in what pretended to be from the hand of Eris as the disagreement that did not allow him to put his survival weapons in order, believing that this instance would not allow him to ****** her from the goddess Eris, if he could believe that it was inevitable that his mother Luccica became a granite coat of arms, after the dark night that threatened to unravel her from her flimsy solid state, and then crumble to the ground turned into the ground that was crushed from roots that postponed it to be consumed by the gift of the light of life, and end of a light that is visible in all the roots of the earth when consumed by the infinite that vanishes in the existence of all being.

Vernarth, when a moment of clarity allows him to see his mother, tries to rescue her, realizing that his father Bernardolipo was with her, between them they would try to redeem them from the spread of Nix and Calígine, who behaved with great pain by mocking the edges of the Ether that they received Crono, they could not be victorious in arriving in time to rescue them, if from the harmony of a troubadour of the Mashiaj he observed him see if he would return with him to enter. They became visible in their parents as they contended before an avoidable awareness of this indivisible event with the aggressor words of hindrances and generations of millennials who anticipated the omega of everything in the lower part, under the feet of their parents appearing insignificant one (w) that precedes and succeeds the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate to the metric unit of the numeral Myríaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand fewer than the horsemen, total thirty-seven thousand fewer than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriads of the Myriaz of Phalangists undermined by their Xiphos in the area of the right calcaneus of each faithful man under his command before facing the Achaemenides. During this period, Vernarth took extreme steps to rescue them and stop the numbing effect of all organic matter, not being able to rescue them, only granting them in the image of each one when they began to turn stone from feet to head until the fragile solidification of their eyes. when for the last time, they looked at each other only making it clear that it was a belated rescue gesture. The omega was ineffable even beyond the omicron, being Omega and Micron in the warfare primer of initiation of its cause within the prophetic in all the necropolis of lowercase omega (ω), towards an Omega that reaffirmed the raised hand in Saint John the Apostle to rewrite the Apocalypse twice, having to be the same but with the voice of Vernarth commanding the ten thousand Phalangists that made up the intergenerational gaps, more than mimicked alien ancestors. In such an effect, as is known, the Duoverse opened the skylights with its sheathed pillars and with the strings of tetrachloride of chlorine in solid angles of Ω in what was Virgo institutionum/Aurion, an entity that interfered by projections and leaks that converged in the strut of the omphalos of his heavenly father dealing in frequency and bloodless of immortality, consisting of an auxiliary being towards the planes of subconscious reprogramming and perspective. With its arms raised in each claw, a sword raised to pierce the vanishing point between the spaces that were ascribed, under the solid projection from an observer that inhibits and limits the biomass in all the aqueous filter pastes and lumens, towards the throne of the angelic guardian of Avant-guard by stereotype and sclerosis of Zeus of dissociated physicality, still being an amorphous entity with magnitudes pulverized between numerosities of Pi and Aureos, fading without area or volume.

Saint Jerome of Estridón: “Vernarth, I come from Bethlehem to help your life because I have detected the subsuming of the chains where your parents made the alliance from where your life has been erected from Sudpichi, Transversal Valleys in the temple that bears my pseudonym. The only rune that will determine that your parents can remain united, is through the action and direction that has been consecrated to me. No dead language will unsay what a dead soul cannot interpret. Our Mashiaj has entrusted me to free the languages that have conspired at night, and low luminance where Calígine has been uncomfortable seeing me knowing that it is my favorite environment, the memory of the chains want to incarnate in the stones that surround your parents, but  they are typical of a response that I will get to conclude by urging your mother and father to recognize that here they made the alliances, ordering, and reconciliation of your world that concerns us all in endless dictates to be agreed, I know very well that the point has not of allowing your atonement to have been prevented by this cosmological affront, here are the transverse Valleys in the favorite place of the Spirits lie the treaties that will move my greatest interest to re-marry your parents from the true chains of the complacent scholar, thus all the vastness that afflicts you will belong to your servant Jerome”

Vernarth replies: “At your service, his majesty, here I have been since dawn arriving at the town to meet them when they contracted their marriage. I know I shouldn't be here, rather I know that decades of inquiry had planned it that way. Of such conviction that their chains were anointed from the heights of the Kanthillana whose partiality emits the partials close to your direction? As is known, my very extensive walk through these dusty paths must recognize that the personality and nobility of its burial mounds will strengthen my presence so that everything that is incomprehensible if it is brief by making it neighbor to my reason”

Saint Jerome of Estridón: “everything has been planned like this, and as time drags on I know that your wounds burn in my epistolary like Latin and Greek voices that reluctantly direct me to your aid. Everything is beautifully comparable, and first to what should not be said..., but to do to the genre that above all it practices, the second to one of the ways with the above all that it practices "
By the reverse of the expletive to the insurmountable destiny, Vernarth takes his hands and Saint Jerome withdraws them telling him that it was not time for greater vain for the equivalence of minor desires to please him if he had not appeared before him. It shows him to celebrate him and to want to make of him the permutation of his golden polysemy or interpretation of the world's Apokálypsis by not changing his axis of change, by redirecting them to stated comfort interests. Namely; the leaders of the world in their world of annulled freedom of will to practice following as they please when interpreting the Apokálypsis only as a revelation, and not as a destiny that exalts the senses and compensation that will reconquer the consistency of the nature of the Apokálypsis that adheres to humanity as golden that will consolidate humanity fearful of its own ******* and excess of greed, just as it was just a few steps before entering the Temple of San Jerónimo in Alhué hand in hand with Vernarth already fully healed of his Lynothorax pectoral. They go to the ambo and Saint Jerome essentially takes out of his pockets chaff that was from the escape of the mass of stone that had not yet finally hardened, allowing them to generate a mystical sermon so that their parents return to the nave of the temple in person to surpass farther from the spring of awakening of the Kantillana requesting the unification of the ashes of his father Bernardolipo and Vernarth, to rescue his mother from a poor abundance, and is transposed by the metaphor of the life-giving spirit. Immediately afterward, Saint Jerome pours the chaff of his parents all over the surface, a great noise is produced, the doors and windows of the temple are suddenly closed, and his parents can be seen walking along the central row of the nave, where fiction could testify that everything was a fantasy, rather a great testament that would exhibit the union of two juxtaposed flanks prior to an invaluable crossing of smiles and flowers that fell from the upper altar on their crowns, they came holding their arms like open borders with the procedure before the harsh reality of a metaphor made real in the future of two beloved shepherds who crossed the limbo of their fingers, with the ferrule or the act of engendering rings of family procreation. The crosses of Lisbon and Saint Jerome resembled the monograph in beats of her wealthy feet that were consistent with the nubile gesture of her lips and then released with all frenzy towards the meeting of her beloved Vernarth, the three of them dancing together on the central pinnacle of the obese light that sheltered them, meaning from the testamentary Hebrew the Aleph on the way to Sudpichi after the Raphaca “Healing” ceremony until the diastole that adheres between the middle of the gap that was produced when the three confronted each other and the word “Heth” again He was bent over to take them like gigantic camels to meet his relatives and ghosts that surrounded him when observing the heights of Kanthillana at the assent of all this.

Because of all this similarity, the tribulation from Patmos was raging with very strong resistance, leaving totally clear of the conditionals of the flint or flint, which enveloped the parents, began to fade from their bodies while it was recomposed of seven elemental forms in relation to the transcription and identification of the three as a family trunk enormously of its exegetical possibilities. Tangent to the transcription, and if it is the case identification of the names that we stick to reunion and redemption of their parents, like all anthropology that was chained to the figures and characters that cordoned off the top of the temple when the three met they hugged and held hands as a sign of illustrative demonstrations of never surpassing oneself. Beginning with the compensations in the fullness of the tables, and completion of all the facts that showed that nothing of language escapes what an eye can observe; that is to say, as long as there is a speaking light, it will always be necessary to listen and then observe in the presentation of the mechanics by the lines that expressed the figures, which were increasing the number of letters that were possible to decipher; called stichometry or measurement of the lines in the texts that Saint Jerome that they were ordering to order a vade mecum or memorandum of this unbridled situation, which in any case had to simplify it whenever it is indicated for the reading of three beings that would meet in what literal of four spirits articulated in the continuum, in such a way that Vernarth added his bilocation to this symmetrical experience to meet again with the Mashiach who awaits him on the third step before entering the Iridescent Nimbus.

His parents will be the co-princes gathered on the Supichi road bound for the Horcondising, where Vernarth all Austral Winter Solstices will come to ask his parents for an audience in the Kanthillana Heights where they will summarize the exact day, that everything happened from a Thursday to a Sunday in the first hour of the most certain Saturday in which the twelve unnatural candles will be incorporated into the Duoverse from the branch of the Raedus Codex, specifically from the Antiphon that accompanies them to the compromised one, and sinuous height that was misted by the mist of snow, and vehemence that was perceived in the greatest regulars of Spílaiaus, having a ring of lights as if such were a gesture of Jerome and everything that was named in the concordance that could be confusion that slipped from the metaphysics of new space by beginning. From such a root emerges the Eta or value number and Vernarth symbolized as  N times from "8" to the entire value of the figure of 800 "w" or Omega, which will be the values of figures and numbers to predispose the alternation of the visits that will take place. to have with his precursors each Solstice, after alternating with the Elves of Archimedes, and to cross with them the manifestations that made him lighter than air, as could be expected before the imposition of everything that he imagined to sleep to the badly gestated world that had been altered, even with a remote Faith that symbolized the decisions of Saint John the Apostle by disposing of the salvages of the vestiges that had been destroyed in the physiognomy of a cause that proved more eloquent than a mere revelation that was never believed which would awaken from its very Semitic superlative. In this case, the allegory surpassed the prototype of all curly visual language that emanated from Vernarth's decision for the humanity that needed him, on the one hand, Saint Jerome already resolved, and Saint John the Apostle in the division of two events of the same story that It was melting into the complexity that would be unspeakable for two Saints in the middle of Vernarth, demonstrating that he had taken them with all the power of the force that is capable of pulling and manipulating until arriving at the darkness of the senses where all understanding and reasoning fall asleep. only allowing the silence to take them in the ellipsis recently emanated by the Nothofagus that were walking on the flaccid snow, the three went with graces of faith and satisfaction, Saint Jerome escorted them with everything healthy that made the incomparable awakening of two latitudes explode who managed to revive in invisibility, after resisting the latent verbigrace of the Apokálypsis that showed that the incomparable topic denoted the ma Greater resistance to everything destructive and Omega with the only subjection that only the verb "Love" does. They reached the icy and stinking gases similar to what Santa Rita de Casia emanated, which at the same time would be dividing breakers like those declared by the Corinthians about the Israelites when they were blinded by the radiance of Moses. The same would happen in the veil of little snow that was left behind his last steps when everything was white as a growing incident that would be attached at once to Patmos and Sudpichi, as well as Kanthillana and Olympo. He says goodbye to his parents and they carry their impulsive agreements to meet on the next Solstice together with Saint Jerome and Spilaiaus on the plateau.

Pursue anxieties through the arches
Grand clothes, in all, proscenium
Marks the flesh of fiction of which
We wear in pride and tears, breaking
At whimsy the sacred real. Born in
That repetition, the rebel who rips
With rage and striking tongue solidity
All to null. We hold the soul of the earth
In balance just as we know every second
And intense authority, conscious of the body
To mold the putty of your lives.
Absurd boheme! But this magician
This contradiction with no delusion of self
As close as any man may get therefore
To perfection in our nihil.
Running, running all alongside
The misted face of high Olympus
And greatly gathering elements
And crafting, as any god to waltz
In history and awe, Absolute from
Absolute None.
Meet us when, meet us when
All the words like leaves do die
We’ll leave you with the seed of it
From drama comes drama
To drama it will go.

The breath from her lips my enchanting vice.
She calls with silent motive in fluid flight, My name
I hear my name on the crest of her *****
In the break of the wave I'm an Argonauts Knight
Beckoning to my Siren.

My Heart races in the ocean foam
My blood marches to your pheromones
She's the promise, a prism of Masters eye
Mystique proscenium.

Her smile floods my thirsty soul
Jealous as the west wind embraces
Truth is you're more than mortality speaks of
You bathe in the full moon of my mind
Where visions echo dreams
That make me race to you at night

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in the pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

Will ye hear what I can say
Briefly of my Julia?
Black and rolling is her eye,
Double-chinn’d and forehead high;
Lips she has all ruby red,
Cheeks like cream enclareted;
And a nose that is the grace
And proscenium of her face.
So that we may guess by these
The other parts will richly please.

Having arrived at Patmos, on the southeastern ***** of Skalá, Wonthelimar observed that the Seleucid ships were there. Already knowing of the myth of Seleucus and of his Divinity, since her mother Laodice, according to Vernarth's parapsychology parallel account, and aligned with Wonthelimar, that she had presumed that her son Seleucus had been conceived by carnal union with Apollo. These oracular dreams separated them from Vernarth, for a certain Antigone of the imperial Seleucid with the anchor of the ring that Apollo had captivated from the gematological extract, now wading in the quantum of Chauvet, which had been identified from Gaul.

Wonthelimar says: “from such a thigh such as a Vas Auric you will be anchored at your anchor, in a proud fallacy if you have been engendered by Apollo if it is that your mother temporizes in a hallway idyll or Antigone, and not of someone wearing a ring that smells like broken neo-Hellenic dreams in one that anyone believed, born of one being or another like me from a mythological Iberian, but being carried from a very young age on the haunches of a Bucephalus. Here I believe where Laodice would be or would be caught by knowing that creatures like me, spawned in the darkness of a cave, should wear that ring, but in the seventh ring of the horns of my paternal Ibez with its antlers constantly growing, and in my forehead having one of them in the antlers of the female that fed me in the reign of darkness and in the heights of the mountains. Upon leaving Chauvet I embraced her suspended antlers, and when I separated from the sixth ring, my female nurse with her pale neck offered me the seventh so that I would do it with brown illusions to be like her in the maternal ***** of the Rhone that in altitudes Thousands leveled out over seven hundred meters, with each ring being the power of a reign of darkness filled with light and undeserved talent. In the autumn, my female mother would get involved when I timidly approached from my cavern full of aldehyde, eliminating it through my mouth and eyes, creating from them the brave fear of misunderstood symbols..., if you saw it, your Seleucus...? You would abandon your divinity with a single breeze of the elements when you would recover your anchor rings on the roads. On the other hand, I wake up in his ring because of the meager light that intimidates the converted mountain beings, who interpose me in their combats, if an antler was or is torn from one of my attempts of frustration, after not seeing what it is not noticed even in thousands of distant blushes, and not even in the emission of the eyes of a hypothetical Apollo "

Behind the philastic zoomorphic of the exalting from Seleuco's mouth, the bilocated Epidaurus on Patmos was lowered by the steps of an amphitheater, bossed around in the conclusive closing of his story behind bars or horns that splintered his revoked mention of aspiring to a ring, which is not and will be nothing more than a synonym of despair, more than an immortal that is now abbreviated from the stigma of co-founding itself in meaning as a temporary truth of Hellenism, deducing to qualify its origin as a plus part and ascendant servant, but not descendant in shirts that have to transvestite him on the Epidaurus proscenium. Seleucus began to doubt his converted eagerness to lash out the mythological divine lineage for a sanction, in which the lightning bolts of the stunning sky themselves demystified their annoying gales of submission, by dynasties of the proverbial Kleos for the purposes of fame, and politics that open the loaded winds with cots of gold to marry with diligent nebulosity in transliterated and linked tripods in cumulus universes, where the first two abuse the fulcrum of the obverse that falls by gravity on no man's land..., here is the myth of anchoring and not of to aspire to a ring or earring that will drag us to heights where the icy cold wind crowns you on legs of bronze and not of gold "

These coins were carefully observed by those who observed them from a gorge, capturing the humility and infallibility of a being that came from the entrails of Chauvet, interpreting courses that awaited Seleucus. The appendages were detached from the koilones and tiers that jumped over it, to press and narrow the diazomas or corridors that were already deployed like a laser in the cubations of the consciousness of Megarón and the Vas Auric of the Hexagonal Primogeniture, which already was made ubiquitous. It was released from an Alexandrian Greek fire on the jaws of the hecatomb of the ex-generals of Alexander the Great. Here in funeral periphrasis, few prostitutes rusted behind his inheritance, each with their bronze panoplies and banners in favor of Leonatus in the hands of the Satrap Antigonus, Ptolemy, and the most outstanding applicant of his divine inheritance, Seleucus. They all meet outside the Eurydice ship in Skalá to settle decisions and franchises of ancestry, for the purpose of divinizing the destinies of their tasks and interests, to sink them into the first stone under a base of faith, and of those who will come from the return of the Anastásis like Greek resurrection of bread and wine, Psomí kai krasí…; "The Mashiach for being of whoever and whatever"

Seleuco says: "Psomí kai krasí, Bread and Wine for all." We have revived our leader, who in good time should resurrect us all for his mentions of the new future of fallen leaders and heroes. We are not oblivious to your expiration and perhaps your negligence in Babylon, but the steps of a king require other Seleucid measures and their oriental legitimating, being oligarchies that should morally do what is known. Antigonus, Ptolemy, and I appear here with me, preserving periods that leave us of mediumistic notions of the grim, who does not allow us to close our eyes. We confer the denounced ambiguity of previous riches that do not fit in any silo that can contain it, nor what happens to the secondary after diving early in the morning mounted on your Bucephalus, full of its manes swollen with the posterity of a Roman emperor besieging it, without advancing by requirements or where he rides now in steel wastelands, and not through upholstered steppes of the cautious ensign on your guard and in the solemn light of life that the **** leaves behind in your symbolic sarcophagus! We want you to join us, and to be able to banish our distinctions from where Apollo has given his eternal sleeper in the sense of an ephemeral truth, which makes light of flesh colors in the fiery figure of your coat of arms.
We have stolen the traced areas of Judea and from there Maccabees have donated us inscriptions back to my threat to you and Antigonus,... to my enemy debtor, but even so, I come to repair unevenness and want to repair idylls more remote from the Euphrates to settle in the ranks of Ptolemy. We have all sinned to look for you in our slogans, gaining fleeting territory, but we have lost your lux, already well said in my sanctuary in Didyma, but in seconds that continue from the first, already raising flags and heralds that increase your vox, more than a David that defeats a colossus; that from his own death resurrects...! "

All perceptibly dismayed looked at Alexander the Great who was behind a canopy listening to everything with his ear attached to the canvas that separates him from a presumed truth. He draws the curtain and pounces before everyone with stealth and courtesy, incontinenti he speaks to them after inhuman efforts to move away from the stagnant sub-understanding of his former commander.

Alexander the Great says: “The aureoles of sanctity have dislocated my Beelzebub, and the brambles brush against the Scabious flowers like widows that sing in the cenotic lines of my hands from a purgative cathartic in its graceful subfamily that makes my eyes heterochromatic de facto, between the thistles that are spiced between the aromatherapy of the Scabiosa cretica. In their oblong shape with pincushion flowers, they make the basting their nailed pins waiting to be used so that my desolations are not lost even after being just reborn. After the annual Attic calendar in Elaphebolion where they walked on me to resist the deer of Artemis, in attempts to get up and ***** me in the sessile voices of Scabiosa dispelled by Vernarth that have raised me in the involved species, like a chalice of unstitched shreds in seven holes, leaning back to the Aquenio in his fruit tree that is stained with lavender-blue, and the Lepidoptera bringing Vernarth from Gethsemane and the anti-Sarnic clothing that makes him exalted. Now from here, I harangue you, like immaterial troops that do not move their courage, with enemies that are left open to the fear of my walk on them, on rams of the imminent danger of warbling victory with steely Falangists. What a nationalist Faskéloma attribute as obscene fuss and Pashkien that reorders the armies that invade its headless stadiums, in raised nightingales that chirped the sadness of seeing myself fallen on the nose of the common soldiers and full of scabies in Arbela. I have to fly with you my lost flocks ready of Apollo surrendering twilight fire, and of moon-sun between the legs of a colossus forged by greater fires, speaking to me of Macedonian triumph, under the yoke of the crackle of a people that lies taciturn with the satraps in Hercules's cunning conquering in the cheers only after three laps they made debits from my left, while I saw the light of Uriel coming towards me in the Lepidoptera with his sheathing, and entirely of a horse placed Beelzebub, to transmigrate him with me from Cinnabar chains and honor what serves the world also that dies with me in Thrace or Alexandria Bucephalus, after the south of Corinth, regardless of me, who already sensed that he was anti-diadoco..., being at that time a leader of the Sacred League of Delphic Amphibian, after feeling so much pain immediately from dying..., I still had life left in the Scabiosa flask and in bronze vessels that I removed from the swirling wind of the s Thermopylae, leaving me stranded with nothing but chimeras of winning the world, but losing a Life that had just begun "

Meanwhile, at the dawn of Vas Auric was projected at relative height, Syrmus's light and resounding fall were shown when he attacked the back of Macedonia -... here Alexander makes a gesture of modest resilient power... -, after he glimpsed to Saint John the Apostle how he moved with his staff the tricolor clouds transmitted by the troops of the Tribalios and that was crushed by the carnal battery of Macedonian cavalry that immolated them before their knowledge, and then after their three thousand victims..., which according to some outstanding Hypaspists also rushed them far beyond the Danube where they were engulfed in the confinement of the Getas in thousands, and in greater proportion but with leather rafts, the Hellenic troops crossed this same river and with a few thousand they conquered them filling their saddlebags..., not gold... !, but brandy that burned all the pastures where no Bucephalus crossed by fire.

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in the pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in the pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

My Prospero, I admit
is, yea, badly drawn

& keeps falling off
his lollipop stick.

My Caliban, on the other hand
well drawn and forsooth...sticks to...his stick.

I wiggle each
character’s characteristic

and they come alive
speak the lines, I pray you,

trippingly upon my tongue
“Come to me with a thought!”

I command my paper people.

“Your thoughts I cleave to!”
they flash into my consciousness.

“Ariel, my Ariel...”
fine-tooled from foil

that comes from fabled Consulate
& Woodbine packets.

“Ah, my trusty sprite...”
dangles from a purple thread that

is borrowed from
me Mam’s sewing basket.

All is well
in this my make-shift

Shakespeare theatre
made from Kellogg’s

Cornflakes packets.

See the great **** crow
under the proscenium!

Weetabix boxexs
construct the wings.

Rows of Nite lights
serve as footlights.

And, so...let the Masque begin!

I hum bits of Adeste
Fideles....then sing

as Prospero & Ariel
do their thing.

“Solua domus dagus!”
my voice rings out

but see how
dangerous a nine year old knee

can be
to paper theatre.

The floodlights being knocked over
the stage flames in amazement.

My patchwork Globe
of Cornflake and Weetabix boxes

burns to the ground

only Ariel survives
in an all too blackened shrunken

crumpled piece of foil.

I exit
( pursued by a clip on the ear )

the profession of producer of
the plays thereof the only begetter of

this ensuing story
lost, alas my lack, to me!

But wait, is this a football I see
before me?

Then play on Dinger Dwyer!
And ****** be him who first cries hold!

We cry "*******!" and let slip
the dogs we are!

**

I was afraid that people might be offended by the word "*******!" so I pushed Prospero out onto the stage to apologise for such language but as usual he was completely off his stick. "Oh Puck..." I cried but Puck said: "No way am I going out there and apologising for your ***** work....no way" but anyway and anyhow push came to shove and he ended up on his rear on the boards and had to come up with something!

"If we shadows have offended...." he blurted out and me and all the other characters cheered him on. I gave him a big hug when he came off stage! Caliban just jeered and said: "What's wrong with rowlocks?" "*******!" we said and Caliban just scratched his head and went away singing "Ban Ban Caliban...got a new master...got a new man!"

Sometimes it's hard to keep the characters in check...don't know how old Shakey did it! "Where there's a Will...there's a way!" as he always said to me over a pint of Guinness.

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in the pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

a word from thy mouth
is the spectral arrow
from nimble bow.

risen are the caryatids,
unsheathed are the swords,
molested are the gladiola
by the night's harsh *****;

the proscenium dislimns
as the iron curtain sea drowns
their blasphemous orations!
the thespians alerted
by a wordless hunt

   as i rise like the dew
  lambasting the autumnal grass
   bedecked by glistening wheals
    of ripe luminosities;

  this damp hour, the mercurial
     assault of declarations,
  fastens every word underneath
    tongues of river-deep stone.

Riding the hills
Wonder of reflected light
Shine on those
Dear near and far
Fast under the same spell
Momentarily struck
Out of the present
Into past’s stillness
 
Once on a summer’s night
Clouds – like
Grey cut-outs
Held in the trembling hand
Of a paper puppeteer -
Moved left to right
Across a proscenium of sky
The stage winged by trees
An old mill a backcloth
Of chimneys and angled roofs
The narrow bridge
Its river breathing
In a pit of darkness
 
The set on which our actors stand
 
In the space between heartbeats
The spirits of Basil and Peggy
Catch the silver orb
As it flies behind the clouds
And just like that falling star
Place it deep
In a pocket
Never to let it go
Never

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in the pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

Kaitelka was in the Equinoctial Aftó of Áullos Kósmos IV after geomancy was oriented as a star Argonaut bathing in the Aegean while waiting for the ******* of various sectors of Áullos Kósmos. Between both Aulos and Citara, she was modeled with the aulética-citarística, glimpses of her Psychic Trisomy. In effect of the existence of an extra chromosome in a diploid organism 158, for a quantity of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting herself with her chromosomes of normality in the genetic proximal, upon entering the Bay of Skalá, which was waiting for her native again, where the art of navigation flourished in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, she mimetic, she turned towards the art of the unknown sea next to Wonthelimar who endorsed her with his favorite, collapsing and disoriented by their anti-gregarious territorial similarity, and maritime per se the Otolith that brandished him in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the aulética to infer Balénid genres, which acted precisely between the island and the bay of Patmos with the same name as Skalá, to meet everyone and be a participant in the construction of the sanctuary.
Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one again carried the Demiurge Ezpatkul, with his prominent Augrum or Gold incisors that turned on the backs of all the borer beetles, being Scarabaeidaes that were delimited towards logic, and paraphrase of a qualitative satirical, especially in the modality of the subgenre, and sub-mythology of Vernarth. To commend all the hypotheses of this whale that sang with the native cephalization ultrasound, where it continued to arrange means between the middle and in its cranial cavity to the percentage of the world map, with the muzzles of its larger fins transmitting waves of parapsychological regression towards Vernarth, and parodying the transparent cendal ballads that he did with his passage through the water, despite not having members that strengthen the controversial cetacean passerby by waters of a melodious rhetorical language, such as a great inspirational helix, and satires that house greenhouses in most of the jubilation, akin to rudders that I furrowed in his verbal poetry, easing restrictions, and possessing the genome that was deprived of his gestation, of the maternal expropriation, victimized with fears of omega, and of Apocalypse hungover by sea and water candy. They piloted their heart valves, mere and Dantesque with the Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirized aggregates of their formula, and a piece of stony wood on their spur he braced himself like a mammal, he was carrying his weight in a literary category where there is no way to test it. Without hindrance, she was hilarious next to the breakers in the manner of a belligerent tendril with thick keel skins, dramatizing him, and perhaps that would delay her in reaching the investiture of Vernarth's Proskynesis Himation, some looked out jocular and foreshadowed to meet with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single destination of Balénido Down, ******* with her dorsal that exhaled rearrangements of the Cinnabar genome, clarifying hormones and stereotyped balenid chromosomes.

The concordance of the Satirical subgenre, and the inanimate polarized gender correspondence to Kaitelka, usurping the intentionality of the sub-mythological drama, in two Radas of Skalá that appeared to lose the standard of their ears, with tragic representativity versus comedian staging, heralding an interlude between two areas that struggled to have it directed towards three comedies that pounced on three tragedies, missionizing crossed features of the ideals of survival, with parables preceded by the soul-linguistic being, due to its canonical supernatural modality when it was mimicked with disciplined domains after of a rhetorical poetics, rectified in religions granting orphic messianic structuralism bis of the equinoctial aft; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, or in comparison to imagining. The song is one poetry, and the song such a praying too, prayer and ritual forming an inseparable syntagma of meaning in her escaping from Arbela's zither, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; Orpheus says: "make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for whom in his Orphic water, he feels vibrations under his belly portraying cathartic and semiotic of his own trisomic root, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he tells her about the melting of Horcondising, seeing in them friendly glaciers that included her within provincial storytelling that sensitizes the culture being reborn on its spheres and plasma hematocrits, for an apologist who admits acting corporality and inanimate. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, ordering them from the ibidem to inter dogmatism, in which it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Nótos of Borker. "Evil tears their veins heal their goods relegates the forgetful in the tradition of their existence alongside the demiurges, incontinent to their ills who enjoy making creation sleep, soothing it in innocuous myths that are often more than a supernatural truth!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of a cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of lights that distorted the view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and in the phenomena of the underwater stones, they relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish other than Theseus, brushing systematic hermeticisms with the gloomy and infinitesimal. All this dialectical journey towards inevitably alternating molecules of his finite genome, to reestablish in his hybrid status when arriving at Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale, but in the interrogation after being swallowed…? based on the extension of the sexagesimal nanoscale of Leiak, equipped with a fractional comparing that collects mythologies within them, for the uncertain truth. Kaitelka's only etiological myth burden is a consequence of her suffering, which is offered in her psychic trisomy, for being bastardized by three chromosomes, disorderly the reality of her specimen that unfolds her as a congenital disease.

Kaitelka says: Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and vines, which tell a story ****** under the tripod and vapors of Herófila. Authoritarian truth that will bow before a pig to become, smelling here in the tragic essence, and in truths that are hidden in its symbolic denial?
Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that self promote her to blink in deluded tears and moan in the scenarios of uncertainty, in the opinion of pouring real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that raised it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous poly morphology. With joys and hilarious meltdowns on the mountains, she approached everything when she arrived at the pleasant Skalá, escaping from cosmogony that linked her weightlessly on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimic gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on troubled waters, a dipsomaniac leitmotif in early Christian justice.
                                            
Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will continue to be Kaitelka Down, but Patmos will arrogate her Thracian gift of her of Orphic origin to her, for purposes of her radial preeminence in the Ballenids that hoist all the sacred sites. The biological diagnostic prescribes an univitelino twin whale, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into the rainy sphinx on the thick bronze ceiling as she breaks in the minting of the coins, towards a stop of seduction that enthrones in the gloom of the minotaur, and in the numinous hands of a daffodil on the face of the Epsilon. Or crawling in the mitral and in her valvulopathy with messengers, carriages, and with swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually multiplied in excess towards her, with the amazement of her animal consorts that dolphins are, and Thracian pigeons, a priori being covered by the Pythia of Delphi that is migrating in the murky triumphs of the Achaemenides in Gaugamela.

I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in the pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

A quiet revolution
Flashed its little white flames across the distant hill,
Its pockmarked mirror throwing
From its sudden arrest
The furry, the passion, the tumult
Back.

They burn, foreseeably fade
Such its pastiche make-up, a portrait
Of lonely little people, effaced by a vague hope
Faintly the earthen hues in which he melts.

Do I dare look with him, with her,
Towards that jutting alcove upon which
Its determined optimism finds its end
Recurrently?
I run my finger along the surrogate river line:
A whole, telling narrative—
Makes me question the lack of detail, the crude
Blotches casting shadows, deforming
Reforming, waylay the blankness
I swear, is put upon.

Hands, it says, I say,
Were once in one, drawn together as drawn in twain:
Instantaneous, as a second thought—
The cold bound them together,
Blue is transfixed on the exhaustion of intensity
They burn frigidly against
Cast from the Eden of their own hearts
Their, the single one, intensity
Leaving them bled out and scattering into the world,
Helpless to the waves of idle chatter,
Helpless to directions, east-to-west,
Helpless to the fantasies of mauve peaks abroad
Goading the stars to glimmer filthily
The feeling whose glimmer thusly ceased
If only circumstantially.

They become one with the road, recovery
Surely falls fat fruitily, under cover
Of evergreen arms, protecting ‘till then, pagan sprites,
Make due—
If you cannot hear the sound of the city far off
If you, faithless, in the endless road
You will understand when one with the earth
The forest promised emptily,
As my gaze just handed them off
To nonexistence.

Take breath of the almighty pearly city!
It holds its own hand, all they could drink in
Drunk off their own
Drunk off blithe luck—to be drawn into the world
Blurring with careless craft into the other;
Toast to our contrast!

I raise an invisible glass with diffidence—do they hear the music?
Do they dance in the eyes that hurt their hearts
Do they wonder of the other? Of what was sacrificed
To inspire quiet contemplation?
I’m witness as this reluctant martyr
Contemplates their eternity, bereft of salvation,
The other may, in the tip of the brush, alighted with red
Soaked, flecked like whiskers
With collusion and abandonment, still call out.

But, the spectacle can only fade; their gates were closed
And I am, sudden, brought to the other pockmarked mirror,
The rude proscenium, marring and barring
Those hands from ever touching.

Never should this have been the foundation
For the house of faith.
And out into the world, I tread,
On to see it tomorrow, cast in similar light.

From a vessel of mercury stained with Cinnabar, they brought next to Vas Auric, an ocher figure from the environment posed by the sarcophagus, to the detriment of the meats that resisted the Larnax or ash sarcophagus that came in other larnakes from Persia. The colors were specified in nature from a new terrarum upon the arrival of this prehistoric substance, in Neolithic pride, as it shone in the ceramic that they had been climbing from the hill of Patmos. Post-mortem, they were aedicules that were already established with pecuniary obols, to coin the solidity of the disputed and risky lands of the Camels; Gaugamela in the ambages of the bodies that must have remained standing, but with their staunch resistance they ended up colored by the ocher of cinnabar, and the rust of camels looking for traces of the mercury trickery that snatched them in the fleshless tombs, in thick and vivid sight of the Ghosts of Shiraz, who mostly accompanied him from their stagnant warehouses in Jaffa. In the northern Governorate of Zefian, the bodies from the Tel Gomel siege, in particular the Cinnabar embalming funeral company and mobile, came alongside Wonthelimar as pieces of Lord Hades' grave goods, mutilating the diaphragm with little light than in any eye that could observe, binding to HgS sulfur; Cinnabar that was already decanting from the last reduced specimen in the Hellenika Necropolis, Kímolos. Being ocher that glowed, and was complemented by the hyper chlorinated red blood cells with the Aldehyde, to micro-inseminate in mischief from the sketches of the Infant from Kalymnos Raeder, which appeared in some masonry sketches in harmonious earthy alchemy, removing the Larnax packages that they brought the ashes of Alexander the Great, and in others the anatomical of the others that were only simulated, since they could never reunite their symbolic bodies of osteology, which was diagnosed before all along with the Larnax of the Emperor that would be revived by the Vas Auric.

From the Hellenika necropolis in Kimolos, the spectrographies of the sarcofaghus of the fallen in Tel Gomel were indicated, there were five thousand Macedonians who were transmigrated from the Lepidoptera sarcophagus that was injected by the psyche that covered them from the fifth house of the Necropolis, or the “V” courtyard (fifth sarcophagus) of Hellenika, the favorite place of her Erichthonius or fetish serpent who was her consort of Athenea. Here the chemical elements of Prometheus crossing all the ages of time, and the age that oxygenated him in its chains in support of the Neolithic, were represented. Vernarth's Zefian computer brought sodium, magnesium and aluminum, Borker silicon, phosphorus and chlorine, Leiak Calcium, iron, and Potassium and finally Kaitelka throwing graphitic carbon through space. The chemical shadows of Hellenika's fifth courtyard varied them with ultra-trace of Labrys or double-edged axes swinging on the pendular in front of Prometheus as the savior of man, and the abstract demiurge of Hellenika's philosophy. The red blood cells with their links stained the ink of Aeschylus of ruddy color, and of an Oceanid orange hue like a glanders viaduct that turned iron towards the narthex or transmigration portico of Helleniká on the way to Patmos, to finally transport the mercurial bodies of the five thousand, totally covered with sulfur cinnabar in all its bone structure. The scapulae of some Hypapists had eagle claws that exported the sacrum of another in one claw, agglutinating into little crows that grappled with the jambs of cubes and humerus in the hemipelvis of the one who avoided it? But it lay split in two, almost pointing with its index a versicular of the Hebrew Vulgate. Some femurs of some Hoplites histrionized in the spectrogram and iris of Zefian who analyzed them, and who ventured the right ulna of a Macedonian to Tartarus, an undamaged Hetairoi as acrostic white bleeding from a distal epiphysis that was seen to be crowded with red blood cells, in order of Zefian and the grace of the serpent Eriction, for temporary sedimented colorations, and then to is taken to the zygomatic where a flabby Leonatus had embedded itself in the bronze, as a temporary fauna in the left, while Athenea relieved them after the post-exhumation.

Zefian with sodium, magnesium, and aluminum ritualized raising them in each of the morbid dances, but relieving the stains in each of the affected areas, with a pinch of Mashiach Cinnabar, for the post-mortem effect that was coming in the galloping efflorations of the Nótos de Borker, which bore a replica of a diadem of the skull in perforation of its forehead with the “V” mark, ibid, Athenea being a favorite and born from the forehead of Zeus. This rubric was made on most of the bodies that were sewn with the hides of raptors that protected them until it was time to exhume them with the basal chlorination of Cinnabar and Antiphon Benedictus.

The surface of the Helleniká solid was made up of lavish kinetics, and nuclei to react in hydrogen sulfide, in ionized particles of greater growth to the development of a mythical embryonic and updated, in Promethean neo-policies of the transcendental size of distemperance, which rose in carts of mass photons, by the Heracleian ultra theater trying to emancipate a concentric character in the tragic proscenium, and of an antagonistic whole as an actor of institutionalization of the surviving scenic works, flagellating images that are not of his intentions, nor by whom erected them or by whoever takes them to the ultra gothic scene, or of demigods who save man from his siege in contemporary total disappearance, subjugated to the enslavement of a utopia, and not of the seasonality of Gods made men, with policies, made in the cookbook measure of tasteless soups in invisible realms.

The formulas and equations were re-coined in the bones and columns that are erected by the dynamics of human demand, which revives him on pilot scales that wander unchanged from the Theater of the Epidaurus, and in the memory appendix that is subtracted from the West: Dyticá (Twilight of Leiak), a species of Prometheus of the Forests, but this time not stinging any sip of liquids with entomology, and Lepidoptera of Gethsemane in flocks that come to clean the scabs of the heroes, who are only capable of resisting such effusion of subtle prophylaxis, in this neo-Ambrosia Mercurial.

reality is all that exists.
context is the curtain edge of
the proscenium.
the play is
you and I
performing every day.
ovations and uproar
are all just noise in the end.

.
I have lost my sun,
Though I still orbit in a strange attraction.

I have lost my music,
Though I know my heart sings sound.

I have lost my vision,
Though I see in dreams an impossible beauty.

I have lost my sense,
Though this world has never tasted as sour.

I have lost my purpose,
Though aimlessly, I write in pale drear of twilight.

I have lost my reason,
Though I chart dangerous courses without a crew.

I am the last falls of the loveliest red proscenium
curtain.

I am over, undone, a foundling, lost,
Without you.

Therefore, the Lord himself will give them this sign: "A ****** will conceive and give birth to a son, and she will name him Immanuel." From this calami lapse, all of Patmia was refracted in the chromatics of Emmanuel, alluding to Isaiah as an infallible God of Salvation after having sent Sennacherib's mesnadas to his turn. His ministry came to be established along with all the soldiers who did not finally confront each other, but he came to support them from the waters that came from the eastern sea. The kingdom of Judah appeared in glory and solemnity anticipating seven centuries before the Mashiach came to the world of Israel. Hezekiah appears again after seven centuries in Patmia, to decline the fraternal help of Isaías, to save the collective quasi shipwreck in the mountains that would strike the edges of Patmia later after the conclusion of the battle, Etréstles intervening from where he entered the Hydors, as the sixfold brightest star of Aquarius of the Gulf of Skalá to protect all the landowners of the Oikodeomeo, litigating the swells of the sea that should refer to the synchronous beats of the Ruach Hakodesh. Etréstles entered the pointed mansards on the tops of the allotropic waves, carrying a scarlet ribbon in his right hand and in the other with an indigo hue when he swam he did not hold back from moaning for fear that the whole island might disappear, he deprecated while He floated imploring in Hellenic all the Prosas of Rhodes, thus leaving hanging on his neck the suffering of mercy that looked at him from the expectant shore, but the scarlet ribbon cried out for the Emmanuel who would be born among the cerulean granules, concomitant with the Mashiach that clung to him on the blue ribbon when a fragmented chroma emerged from the rib that divided the seven colors into fourteen, from where he propelled Etréstles over the calvaries of the water that prevented him from seeing how undaunted Saint John was reflected with his staff. The Vernardicidal ***** harassed the ministry of Isaiah who came to save Vernarth from the Hercules vortex, where everything will guide him with the conception of Vernarthian and Saint John the Apostle, with from afar they encouraged him saying: "Epoikodomeo" with the aim of building geomorphological waters of the Dam or blood of the Mashiach, forging, increasing wisdom and security to preserve and encode them with the Talmudic essences of Spirit / Pnevma that is the essence of the Messiah to make the ephemeral phase of Jesus with the prosopon of the fit in the primordial scale of Patmos, along with all those who entrusted their ministry to him. Isaiah stated that from a Maltona the Messiah will be born soon, the same one who has accompanied Vernarth throughout this journey par excellence from Judah when he sublimated the iconography of Saint John the Apostle on his return to his inheritance, thus the requiems said that Isaiah had been sawn. by Manasseh, indicating that his prophet's remains would gather on Patmos to materially reintegrate themselves before the panorama of any, beyond the scriptures, only the Pnevma prevailing, which ingratiated itself with the apocryphal papyri. The laws of the sea opposed the arms and chinstraps that Etréstles wore in the joints of each arm, creating with them psalms that indicated the presence of the divine mother of the Mashiach, with the divine contribution that embroiled the scriptures by the Psalms of Etréstles by besieging at once on the cusps of the waves, making use of the same phalanxes and of the Apsidas Manes with watery and ****** meddling by Sennacherib's troops, who by a narrow imbalance in the authorship of the debate segment on a defense that was with the angels, who had already slipped through the opening of the dying parapsychology, to enter the purging compass of the blanket with a Venerable who would speak to them in the first person about the lashes of the breakers enclosed in the annunciation of the Emmanuel that was going to radiate with his counterpart Jesus Christ in the scarlet and indigo Hydor of the Kosmous water compendium of all Patmia. The exegetes were all in their robes on the top of the mountain, they were all and at the same time, they were not. Isaiah wanted to predispose the messianic perception to unite the generous ends of the Majestic Tikun and the Gam zu Letová, so that the scarlet tekhelet itself merges with the chinstraps in the joints and Etréstles that came from the Seventh Cemetery of Messolonghi, to present them the chants of the seventh parapsychological regression of Vernarth's wounded hands that he could barely hold, having the Pisan Verses of Ezra Pound, agglutinated with the Psalms of Etréstles saying thus:

“Humiliate your vanity, You are nothing more than a dog beaten under the hail, just a swollen magpie in the fickle sun, half black, half white, and you can't even distinguish the wing from the tail. Humble your vanity, Petty is all your hatred nourished by falsehood. Humble your vanity, eager to destroy, greedy in charity. Humiliate your vanity, I tell you, humiliate it. But having done instead of doing nothing, this is not vanity. Having decency, called for an obtuse to open, having picked up a living tradition from the air or from a magnificent old eye calls it undefeated, this is not vanity. Here the error is everything in what was not done, everything in the shyness that hesitated ...

Etréstles answers with his Psalm:

"In the main, I attend to his voice that undresses small when they fall cliffs ...when the fierce sentinel hides the Xiphos from the evil ones who shield them inthe iniquity here on Patmos of his tongue-lashing sword that spills bitter blood,that she is thrown on famous vices of Pronoia and dry crops in the storehouse ...
with dormant grasses between lashes of hunger, thirst, and angry sleep.

This is where the Mashiach sleeps and does not lavish the drowsiness of the world! that he shoots and is not afraid of spitting a splendid Hercules cloaked with fullerides of necromancy and flashes of unsustainability in the bitter Pashkien eating the sores from the ferments of his hemlock fingers.

Who will be in the glory that calms his fingernails over the joy of Anubis? inquiring pustules of bolted injustices that stagnate in the
Sagittarius tongue flaring up trilingual on their own languages ...
If there is the blood that I can retain, it will be by submission with declined sphincters or not! seeing where everyone is without pressure or punishment of stuttering or fact that will never happen on a Patmian Reichstag, understanding that their voices
They are the proscenium of the Elohim containing the glory of the fallen when the periphery of the incisive tenebrosity are slices of the Vernarth Psalm, and of Rabbi Masoretic that shelters you when you sleep, however in a thousand years ...

I've been stragglers collecting extreme remains of immortal bones,
In invisible frames with the vanity of seven verses that escaped from my hands, thousands of them being built away from my Duoverse of love towards them atavistic ... almost become adopted children of Masoretic ignorance ... and in the confusion of the
Elohim translated into a genome after an open heart between the Alef and the Tav, between the arrow that serves as accommodation in her mind, unable to sleep if she is not there…! but high up where I can dwell, I see and I abide by being silenced in my vanity, seeing that nothing is mine and of those around me on the battlefield, who sublimate themselves by walking a lifetime on the side of my enemy wounded by the Dorus, and that I have never tried to take it off completely with slight iniquity, only avoiding zafrales and scrutiny in its search.

My vanity will perish undefeated but failed to revive itself with dazzles and sagites that pierce the saps in your children and mine, being poles of renewal of a Hoplite Raeder, cutting the thymus of the cattle and saying that their wounds are the same splendor of the Sagittae Parvulum, like Seraphim children prior to a hyperonym, fracturing sacred bravery that they enumerate him to lose himself in the numbering of infinity ...! As gladiator children, eternal infants and children of Zeus, also being Seraphim of Zeus and Cherubim who will make mustard its fragility, unstitching the time that it carves from the thyme trying to be the Kashmar "

From the eye of heaven, everything was supplied when Emmanuel himself, who was tried at the end of the battle of Patmia, was recognized. It was six o'clock in the afternoon when the omnipresent presence of Isaiah's interface antiphons was marked from where he would make them hold onto the mega Nazer as the offspring of the uncontrolled branch of his hyper parapsychology that expiated itself from the trunk of the descendants of Vernarth, alluding to to Wonthelimar as one of them who was on the wheel of Capricorn as an internal element of Hydor when it was made effective between the golden hands of Isaiah, with full genuflection enumerating from sinister to right the upright derivation of the Psalm of Etréstles with the Nazer, which is It would take refuge in the foundations of omission as a new shining principality, from where the light of the fifteen hundred years between the seventh heaven and space of this same inaugurating the stolon from where the angel Gabriel would make of all the natives of the Notsri of Nazareth the energy that surpass the masses of matter above the average of its brightness, implanting the Duoversal advance where the Mashiach. From Ofel will come the palmar remains with Marie de Vallés propitiating from the Notós or the South of the Mandragoron of Patmia, like a Bull of Concession of collective rights from Jerusalem with the remains of Isaiah in his living Status. The vernacular spirits of the Bethany journey were incarnated as the ruling planets, which would thus all be similar to Saturn, leaving all the rest with the same unrestricted semblance of cosmic materiality, with this transfer of Saturn's atmospheric outer pharaoh overshadowing all others. planets, under a stepped level towards the Messianic primogeniture, dislocating the vibrational levels above the primary embankment of the lithosphere, like a Qliphoth or shell of Saturn's debauchery when experiencing the bonds of emerging Christianization of the emotional state that made up this external preferential layer, of which of this genre they would create multi-natalist phases with the Qliphoth of the configuration of the vibratory cessation of the physical body of Patmos. In this way the seventieth Qliphoth or farfara of the compendium of exteriority and interiority would culminate, giving way to the Fos or light that would constitute the hybrid Greco-Hebraic componence on the braids that lowered from the Tekhelet of Etréstles when it levitated towards the Megaron, specifically the Naos that It would incite an end that just headed the engagement of the spaces that will be covered by the reviewing archetribe on the acroteria as the Lux of the beginning of the transfer of quantum of energy, which would begin to form the browbones and chin of Euclidean incidence in the cockades of Etréstles, by structuring itself in the cosmic rhythms of the tzitzit of its right hand, and in its left the Tallit that westernized all the supreme dogmas of eternalism, that carried a brand new covering of Áullos Kósmos with this mantle of hegemony, hanging from the tzitzit that would finally be the dragging ropes of the body of Etréstles to the cosmic ridge of Skalá. From a Genioglossal Muscle; where the Etréstles stimulation tendons were inserted, great impulses of language opened towards the pre-Adamic gates, radiating like wide puffs of the superior process that strangled the phraseologies that indicated error of omission, making everyone could conceive of each other before heading towards conversion, and to be able to aspire to the Naos from the Megarón. The most experienced used to expectorate and move sharply with their jaws when the membranes of this region fled from the tip or hyoglossal of their mouth, shuddering from its sublingual base when they saw that the Mashiach carried Etréstles half-dead from the sea, amid so many prosaic waves consuming him from a breath that was separated from it by a thin layer of adipose cell tissue, and by the Middle Septum towards the definitive Seventh Heaven of God, speaking to them of spaces that will be filled by the magnanimous who have reaped him from his Eternalism. This was neither more nor less than the protruding border of the Messiah speaking through those mouths with insignia of enunciation, and portents of words of reconversion.

MUCH ADO ABOUT SOMETHING

My Prospero, I admit
is, yea, badly drawn

& keeps falling off
his lollipop stick.

My Caliban, on the other hand
well drawn and forsooth...sticks to...his stick.

I wiggle each
character’s characteristic

and they come alive
speak the lines, I pray you,

trippingly upon my tongue
“Come to me with a thought!”

I command my paper people.

“Your thoughts I cleave to!”
they flash into my consciousness.

“Ariel, my Ariel...”
fine-tooled from foil

that comes from fabled Consulate
& Woodbine packets.

“Ah, my trusty sprite...”
dangles from a purple thread that

is borrowed from
me Mam’s sewing basket.

All is well
in this my make-shift

Shakespeare theatre
made from Kellogg’s

Cornflakes packets.

See the great **** crow
under the proscenium!

Weetabix boxexs
construct the wings.

Rows of Nite lights
serve as footlights.

And, so...let the Masque begin!

I hum bits of Adeste
Fideles....then sing

as Prospero & Ariel
do their thing.

“Solua domus dagus!”
my voice rings out

but see how
dangerous a nine year old knee

can be
to paper theatre.

The floodlights being knocked over
the stage flames in amazement.

My patchwork Globe
of Cornflake and Weetabix boxes

burns to the ground

only Ariel survives
in an all too blackened shrunken

crumpled piece of foil.

I exit
( pursued by a clip on the ear )

the profession of producer of
the plays thereof the only begetter of

this ensuing story
lost, alas my lack, to me!

But wait, is this a football I see
before me?

Then play on Dinger Dwyer!
And ****** be him who first cries hold!

We cry "*******!" and let slip
the dogs we are!

Testimony of the Love of Life

Ludwig ...: “Today ..., tomorrow and the day after, will be the today that walking has taught me through the experience of running through the months together with the years, and I have not feared the divine or the unknown. Today I have seen the greatest reflection of light, which enlivens, guides me, and will show me a space of trust, perhaps one of those who come here in summer, and singles are linked together. And possibly the other is the one who does not speak to me, nor does he expose himself like those in the summer, they only appear radiant or multi-stimulating, giving opportunities. Like other times, his inspirational work is repeated with something poetic ...: "And where you are blind, that the light bathes my eyelids with a deep glow ... Just keep quiet and speak with your eyes ...just look at, for the strange and watery feel …and so be the ear who perpetuates the sound. And so it is that in the static, it is impossible to accept ...how ironic that laughter opens to wards arousal ...When you turn on the light, and see the fearful darkness I perceive the new knowledge ... "

Ludwig ...: How many more times will I have to endure changes, such as those that come against my will ...?

But I know well what I represent and what I have to join, and thus alleviate my life and do not disapprove of what I feel in poetry, or perhaps the meaning I see in it seems rudimentary. Above all, the doubtful, the interested, the most enviable thing that a person has, that is multifaceted does not manifest itself specifically, but goes straight ahead to hide the verisimilitude, and only entrusts to others or another the worst armed evil of today ... "The tiredness of the targets, that if they remain close they move away, distrusting the worst cruelty ..." Well, now, get away from me cursed and cruel. Let me let you sleep in the sweet comfort of sleep and finally fight for me. Until I get angry with others, but everything is bearable. I don't want to think too much, I'm afraid to forget, or maybe I don't want to fear anything, I just know that I will ruin the attempts since there will be nothing to cheer for since I was born not to live and build absolutely nothing (End). Almost leaving the same thought, brief in content, but great in prosecution, he feels the voice of a flute and its faithful sound.

Fernando ...: Friend ..., as soon as I knew that you came I was very happy, especially now that, who knows if we will see each other again? The truth is that in a week I'm going back to Germany, I've already confirmed the flight. But make me sad alone, no I want to enjoy this moment of this place with so much bustle, so many hours under the sun and good friends.

Ludwig ...: Life is so short, everything happens so fast and we continue to yearn tirelessly, we continue to tirelessly squeeze memories. Sometimes, I feel that time does not pass later and I would like to grow old later, or if some accident or illness has to come, let it come. Or sometimes, I am interested in childhood, but I am more interested in Today.

Fernando ...: Play the flute today with something from yesterday that is so beautiful .--- Take the flute and play without stopping as if it were falling into the water.

Ludwig ...: I'm leaving Fernando, I hope we say goodbye before you go .--- Fernando tells him logically I'll go to your house to say goodbye. They both go back to their homes, and in them, some desire for company animated. It was the gentle company of the sea breeze. But in Ludwig Antoinette boiled like her attractive spiritual force, which is extensive to explain.

Ludwig ...: It was very nice to see you, and I wish you good luck.
Fernando ...: Thank you, also for you.

They hug and say goodbye. Each one moves away, Fernando goes happily where his parents, while Ludwig has no one, except Antonieta, who would see later and this time in the beautiful landscape at night. He walks and walks, until the crosses of the night of the great lighted city, indicating that he was close when he passed near the Park. As he passed by he longed to see Antoinette at the fountain, but he went on and crossed the underpass and approached his beloved home. Upon reaching the front yard, he saw Antonieta sitting.

Ludwig ...: Antoinette ...! But how can you be out here? We agreed to meet at seven and I know it's seven-thirty, sorry for the delay.

Antonieta ...: Don't worry, it has helped me to know your environment, and how wooded it looks.

Ludwig ...: You're right, I call this the Flower Forest of my Green City.

Antonieta ...: If I understand now, this is very different from everything.

Ludwig ...: Although now I am fixing some parts that remain of my parent's old house. So I am going to repair the most essential.
Antonieta ...: It will be very nice in this beautiful, beautiful and picturesque place.

Ludwig ...: Well, what do you want to do? , go somewhere or stay here.

She replies that she wants to stay and Ludwig tells her that as she wishes, so he takes advantage of inviting her to a celebration of the anniversary of a Film Institute. She tells him that she would confirm him these days, but that she does invite him to a trip to Calypso Lake. Ludwig agreed and then invited her to roast a fish and some salads.
Antonieta helped him and then they ate the exquisite menu, they sat by the edge of the fire to talk.

Ludwig ...: One day I was coming from Sara's house, and on the way, I found a run-over dog, I took it and brought it here, where I assumed the food chain would be. In effect, that way I felt as if it were a clean place, open as a field of ecological habitat, the current city that I have. As you can see here, it is wide, its extension reaches one hundred and fifteen thousand hectares.

Antonieta ...: Your Ecologist city is very big and it also has a lot of beauty. It is an ideal place.

Ludwig ...: Do you know if I die I will donate it to people who wish to cultivate this fertile space.

Antonieta ...: I hope you don't die Ludwig so later, I would like you to always keep your property.

Ludwig ...: How nice to hear that!

Ludwig takes her by the head and hugs her for a long time. He tells her that if he was okay and she tells him that he made her feel that way. He intimately thought ...: “How much I miss running through the hills, sliding down the slopes until I reached the top and raising my hand to cool my phalanxes in the mountain air. But still, my phalanxes are warm hugging her, who shares the peace with me. When he finished thinking, he began to look at the small flames of the stove and suddenly the smoke on his exhale. Ludwig followed the fumarole that lost him, that astonished him. Antoinette was asleep, so he left her stretched out in the fire and followed the walking cemetery smoke. He left behind the pool, the orange groves, the oaks, and the eucalyptus, always following her as if she were an oil stain on the water. But he did not understand the bronze glow, but he did like to get away from the world and he did that in his redoubt. He says ...: "I want him to speak to me, to name this spot, but he makes me follow it everywhere." The fumarole was deposited on a large stone, and it reached here, then it disintegrated. Ludwig reached out and touched her, feeling that she was warm. And he says that what was there was very valuable and that something would come out of it ... After coming back the same way, he felt a certain suspicion on his back, it was how lonely and quiet the forest was, not even the owls cawed, only the cold of the night circulated. Upon reaching the pool, he skirts it to the other end, where he ducks it, seeing that some were there.

When suddenly in the mirror of the water, the aureoles of gray rain appear irrigating the lagoon. He says What a sensational ... what a pure rain ...!Then he goes to the path to his house, where Antonieta was sleeping. Now she was coming back to life, to the jungle, the drops produced the formidable sound of her falling, of the largest waterfall that exists. When he reached the extinguished stove, he saw that Antonieta had taken refuge under the willow tree.

Antonieta ...: How could you let others take over something so yours, right ...?

Ludwig ...: This is beautiful, it has also healed me of many ailments, actually I love it like everything that exists here.

Antonieta ...: What do you want from me ...?

Ludwig tells her that he liked her just the way she was and that she was something similar to what she was extracted from the wooded place.  She says how beautiful it to hear that, and asks him to share as much time as they could .--- Ludwig tells him that she thought like an exemplary mother, he says ...: Don't you know how I like to hear that it be so? Uh ... I think it's time to leave you. You are right, I have to go to work tomorrow, she answers him. They call a taxi, and Antoinette leaves Ludwig at midnight. When she got home it was still raining and the cold was freezing more than ever, Ludwig warns her about the invitation on Saturday. Antonieta receives him like this, but she wanted to say something to him before, Ludwig is left in suspense waiting ..., and she gives him a big kiss, with the same desire to give it to him. When he returned home, the rain was a great spectacle, it was a bit of a joyful feeling and a bit of sadness at the same time. Because that's right, it could be temporary or drizzle, this time it was with the body of a Cyclops with its neck twisted.

Ludwig ...: How I love her! just like that time in that poem after the rain everything seemed beautifully damp, very still, very decisive of harmonious peacefulness. Yes, after it rained, everything is more beautiful ...! He gets out of the taxi, after walking down the sidewalk and feeling the water on his shoulders, he enters a restaurant. In these days of light legs and impetuous silence, he saw how he treasured his gifts on his behalf. The rainy night was majestic and close to a resurrection. Millions and millions of icy drops and Ludwig drank the hot coffee, with thousands of thoughts all alluding to the wonderful watery element. He wanted everything, that is, what surrounded him made him want more, although the distrustful mania, did not let it open Totally, like those sleepless nights, of not being able to reconcile posture and sleep. This night that blackened like ink, made him think about that rock and what would come out of it, maybe everything would be solved with a hammer or a chisel, or that a lightning bolt would transform it. He also prowled Antonieta, Fernando, Debra, Sara smiling, Roberto with his rag, and Víctor with his shyness. He imagined his parents in youth who left them the gift of today to transmit what they lived while alive. He also thought that he was normalizing himself and that he had Antonieta very close to supporting him. In the thought of long analysis of him, he could see how the world has taught him to love and respect, and those things with beating hearts caused the greatest breakdown, the greatest erosion, that which has been abandoned and inactive. So the earthquakes, so the wars, so brotherly hatred, and self-consciousness and let us return to our primitive existence, retreating to humility. Whether it is out of love or envy, destruction marks us, whether it is because of the lust for power, isolation, and whatever remains to happen. He takes the second coffee and goes out to wander without knowing where ...? Walk and walk, pass near the Aula Magna, keep walking until you reach the end of the road, where there is no cement, only the accompanying earth that was coughing from a cold, which assimilated the minerals where death could wait for him and cut his throat, or he would simply walk away. long steps through the countryside. As he traveled the surroundings, along rural roads, when he passed some houses with canopy lights, he saw how they inhabited their houses seeing the smoke in the chimneys. After a long walk, he approaches the escarpment, when he sees that someone was coming to meet him, it was a fisherman who came with his fishing device at a slow pace. And so it happened, the man of the sea only pierced like a dark bolide.

Ludwig comments how strange he was, he seemed an enigmatic being and not a fisherman. Maybe he's a caretaker or an Augur. It was incredible how he was wet, it was necessary to get indoors. With no other alternative, he descends the gorge until he reaches the beach, which now seemed all sea all water, beyond the limit. Now this space seemed alien to him. But what may seem uncomfortable, it was a vital necessity, that he wanted to be alone in his house. Ludwig wanted more than ever to feel the experience. He needed his body to rest, and he wanted to relax, forever he wanted a surprise, and he just appeared done star then another and another, until it clears and the rain stops. Ludwig is amazed at having come so far, looks for some dry branches, and sets fire. He puts the coat to dry and sleeps like an angel, before falling asleep he begins to remember ...: The stone ...?, He crossed himself with his numb hand and wrapped himself in his arms. The wind blew softly, carrying and bringing various aromas, until the sleeping voices with their gnats say good night ...: “Me Ludwig, I will not speak very close to your ear, but I tell you that where you have arrived in our proscenium, is the high observing of the emotions felt and lived. And today you have done it allowing the push of your vague spirit, which pulls you, taking you wherever your spirit wishes, you only accept his opinion. Today dear Ludwig, the immortal issue is valid, and what you have reached is infinite ... "

The sleeping light is gone, along with the others that supported it. Ludwig closed his eyes and said goodbye to the sleeping voices, while his body floated in the warm air and his voices manifested gratefully from his friends. Around her, the wind carried and carried, carried and carried. In the morning she had a fever and looked like a real frosted corpse. It could be helpful if you took off your coat overnight and dried it. Still, the first beams of lights were enough to revive him and begin to wake him up. When he was warming up more, he got up and went back to the city, but this time he did not do it through the rural road, but rather went along the coastal beach, to the sea huts. He sometimes looked back to see where he was. In the sand he saw more than his footprints, he saw a penguin and a beached whale, he saw innumerable algae next to the white of the waves, he saw how the gulls carried minnows in their beaks and the sea lions dove. Beyond some dolphins danced in rounds, one another lined up as if they were children with playful youthful souls. Some with their pigtails beat the foam that would cut like globules of insipid foam. This time the wind brought from all sides, the ceiling was populated with little clouds, with cirrus clouds resembling the angry Oblong milk, and above all this air simulated being freshly made, it was breathable and stimulating. Those species thrown out of their own environment, would not return from their home, they would only be after the last effort to revive, but everything had remained that way. Everything was reduced to footprints and those of the whale was furrowed as if asking to have feet and get rid of the executioner. Over and over again he turned his head to see what distressed his feeling, but he couldn't do anything, even he knew that he was like them dying ... ”When above his face rotted without healing from leprosy, below his legs became thin. This is how death attacks, if not from the center, it destroys us on the other hand ... " And his continuous odyssey, at the top of the crown, he saw the summer cabins, indicating that his redoubt was close by. His house was approaching by leaps and bounds, he no longer wanted to look, or eat, only to gather his little strength to sleep.

When he arrived he did nothing but go to the humus to sleep. The road continued with himself and a long way traveled, without a doubt this path was the one he undertook without asking anyone. All that made him seek more in him, is the agitation of himself, nothing more than losing what has hurt him so much, society, sinister men, slave factories, and the cohabiting environment in general. His emigration is indefatigable, he goes where the misunderstanding has left him, but this time he is very refined without belligerence, only what he has collected from him, which as no one can pay the right to put aside all resentment and accept that we will always be subject to be squeezed like another object in between and people. Maybe, Ludwig, is the one who will each of us go to the link with humanitarian sentiments. How many times will you continue looking for something different, what gives an answer to the intrigue of being normal or wondering ... If we are part of normality ...? Our restlessness takes us very high, sometimes it is difficult for us to descend from the highest, of course, everything goes gradually because everything happens like this, but who takes care of the changes caused by ourselves ...? It was late when another of the sleeping voices made him soak her cornea, still with a sea breeze. Despite the autumn rain, it hadn't dampened the ground and the air temperature seemed to be springtime. In the afternoon he went for a walk nearby, until he reached the Abbey, the one he saw succumb in his dream, the one threatened by the deadly light.

When he entered he saw how the warm and thermal suns lodged in its walls. He saw how they remade the image of Christ and saw how everything in the neat incense, he sanctified. He contemplated how the face of the most sinful person was going to ask for mercy, being able to see that the venous Christian hand was forgiving. Here everything remains the same as Nazareth or Jerusalem because it accompanies very attached to the heart, not only the pious but the well-affectionate. I know that he will not disappoint me, I know that I cannot assure the believer of his Faith, that because of the silence that dwells here, what this sacred place claims to contain will continue to be unfathomable forever. To Christ himself, to the superiority that we all need to have.

Ludwig ...: Does everything seem so still ..., so static ...?, But at the same time you can see dynamism, like pilgrim logs in their pilgrimages, or in that common sob to all, to the need to regret the yearned for. When his smallness magnified him, making him more deified, but as a human that he was, nothing in the world. The pain in the face of suffering is the indecision of our Faith that irrevocably resembles the face of Jesus, which we need to represent the mortal pain common to all humans, called "Sons of the Lord".Of the consequences of the facts is the answer to the others, who wander uncertainly on the worldly path ambitioning the favorite and magical Sermon on the Mount. The feasibility of being relegated by a human being is nothing more than a trifle, it is nothing more than being disoriented. Therefore, everything that comes from another it is nothing more than an abandoned wind. His attitude towards others always dies, when he could not cling to another creed or has been dependent on religious neutrality.

Vessels  and Wine menus of the archaic formulas seemed from the new Universe that was approaching them vertiginously, concelebrating the unitary form of the union of the pilasters of the Opistódomos with Hellas , which was constituted as an inter-dimensional state, for two strategists universal and immortal that provided the beginning of a new Christic language, based on the relationship of the unified polis but with an infinite calendar perspective. The courage to start an end with a beginning full of excitement and celebration where clearly the dances would be from beginning to end to treasure the influences of endless complacency, and that would hold commemorative celebrations of station processes, being established fiercely in the treasuries of Metroon ; as a duplicated and bilocated agoras on Patmos, besieging all the documents of the glorious past of Mythology towards the new preservation of Submitology, where the people of heroes and anti-heroes of all the Pleiades come to life from the Vernarth transcript, as a multidimensional memorial archive housing in all the concerns of eternity written, and preserved tangible and intangible that would transport them to the annals of a sanctuary that would agree with the repositories of everything that was and will be of this Myth annex beyond a fantastic reality, going back to the Hellenisms that they will compose next to the Beit Hamikdash Temple, as a sacred mansion where the ceiling and the floor would rest in total communion. The dimensions will be given in the own open foot that will standardize the buttresses that would make up the access chambers to the privileged place of Rea, with dimensions that could be displayed in the confines of the inflection of Orion, naturally illuminating the vault of Greece in the head of the Agora and from there to Theoskéspasti, to then be triangulated with the Doric and Ionic colonnades specifying the Vernarth chamber, which will have its quantum progression and multidimensional link throughout the Archaic Hellas to all of Judea that will re-sanctify the possibilities that the heroes will parade eternally for the waters and lands that are proper to inertia, where Athena and Nike will make the pots with mead in the rejection of more miracles that will flow from Galilee to Patmos. The etymology would be of Hellenic customary avant-garde, evidencing realities where every day the peasants sharpened their sickles, as a feast that celebrated the first-rate courts with the first-grade olive oil with the Almazara or oil press that will bring the fruits of the table. The flapping of the pelicans would tie laudable sounds from the Thuellai worshiping the phonograms that were emitted from the Metroon, attracting the classical periods of the conformation of Greece when it was only Chaos and Seas in conflict. From this mythological proposition, everything was a reality where the lack of custom proved as a cultural character, it was the vertical cultural basting coined in the gloss of the signifier, rather than the meaning, leading everything to these festivities of edibles and drinkable towards the Panhellenic that it would bring new vigor of expansive territorial function, towards Macedonia and Delphi as a holiday that could celestially have more than twelve lunar months.

Meanwhile Vernarth was hugging a rattle more than two meters high and one in diameter, this resonance implied the inaugural sound of the Symposium of the Athletic Agon that together with the Almazara would run rials of oilseeds, to anoint the attendees as all Sacred of the jubilee of the Opistódomos and the Hamikdash, towards the new Submitological Era Duoversal between the events that will delight everything that concerns accompanying the pairings of liquids and solids in this competitive challenge, so that the mythical hero becomes the credible hero stationed in the ninth laurels that would make up the foundation and inauguration of the games, after the victory of those who never threw the victor's crown. The votive offerings and monuments joined the agonal journey that referred from the perspective of a soul that wanted to compete with its existential soul, and then reluctantly redirected itself through the unusual temples that seemed to vanish amid the crowds, making this festive ritual the greatest expression. of all the votive festivals in Patmia. In practice, the meals would once again be rewards for the support of the sky by the Matakis, as a snowy reflection in the pouch that does not display any icon other than a numismatist that sniffs the pieces of bronze that were surrounded by the other derivatives of the terminal of saturation of Zeus, seeming to identify that Matzoh would fall from the sky, and Manah that will highlight the laurel artifice when the conceptual of the sages give the beginning of the activities with a meta-praxis that will stand out from the full stomachs, and the bladders supplemented with oenological colors, eradicating physical competitions for those of the allegory of Dionysian pleasure that suggests a human and mythological hybridism, Submitological-supernatural. Everyone became restless and ran along the golden trails of the iridescent nimbus creating capacities to unfold the time of Kairos and at the same time re-inaugurating the feat of noble bread and the skills of collecting the green fords, where Persephone refrained from an illegitimate pressure by leaving the intellectual bulwarks for the destiny of the force that subtracts the will, but if it defines the feminine character that caresses the tongues of the soulless and they call us with the features of competing prostrate to a Goddess who worships the eternal shine of the wheat field that refers, and what makes the ibidem in the conferences of a hero who smacks the features of all the sculptures that will follow the cause of reason of the allegorical agoras and the competition where the meek will only toast when nobody sees them face inhibition itself of what is and is not.

What the languages uttered became shouted to sit near the inns and tables with dairy products and wines from which they all stood up with a cantiga in unison, ***** in the joy of being called to the Hellenic invitation to compete, to make dynamics and refer to physical skills assiduously to the constellations that made them awaken the intellectuals. The attributes of each one were a trigger to celebrate and laugh before the divinity of the new Age, along with the solemnity of Himation. This lasted twenty-eight days exchanging the full moons that would bring the shooting stars with boiled genetics that were forged from the Souvlaki prototype, and flashes that would take them to the symposium where the feasts were dimensions that surpassed the entire width of the galaxies, to praise and cheer the crowded Pleiad of assistants fully compete in the intelligentsia, before the various rituals and spells that were prepared with the consecration of the Symposium that would bring together Alpha and Omega, as a Semitic language that filtered through the iridescence nets that manifested from the Nimbus where they remained the vaporous entity of the Mashiach.

Vernarth imbibed, above all, a segment of space that allowed him to look without being distracted towards the height of the Nimbus, creating in the tract of languages that they wandered between Aramaic, Greek, and Hebrew, after that the extra-biblical witness Marzeah would designate in the liturgy of celebration of the Symposium, always noting that the allusive rhetorical conversations at the side of the Symposium meeting, understanding that they would become a brotherhood of tasters of the ethyl elixir, which would flow from the iridescent tract between seven iridescence that would translate into bittersweet solid foods and rolls with thyme from Kalymnos. The ingestion in two portions was lived from arm to arm in the jars of hand, reciprocal in the distractions that Vernarth made looking at the Nimbus, and offered him with his Khaire, promoting distraction and jumping over the dark clouds that were tinged with purple tones of the ethyl elixir, creating dance forms that revived the altruism of euphonic auditions that divined that the world could be all Wine and Matzoh, which was lavished on those who would not be excluded from the drinking of the sky that flowed as food from the fermented Hydor, alongside some concave stones with toasted chickpeas, fresh fruit, and Lepanto beans. Saint John blessed food considering that Eurydice, Circe, Medea, Hecate, and Walekiria would be incorporated into the festive Andron, although the feminine essence should be reserved for other stages of the solemn festival. The expositions of contentment were to have the vessels permanently facing the sky of the Nimbus, because from there holistic ethyl liquids would constantly fall that would shine with their deferred colors, sensitizing what the ear wanted to hear more than their collisions of Epichisis and Enócoes to pour and serve. in geometric ciboriums from Laconia. Vernarth would walk around the Profitis with Askos full of the essence of the Mashiach wine, which served them with the seven cosmic thoughts, thus frequenting the distractions for those who did not skimp on Apollo's delirium of dipsomania, distracted in Vernarth with the dancers of music by Hetera. Vernarth filled the glasses of all those who carried Guttus and Lecitos who relaxed and brought their Cretan flavors in the chirps of their pharynxes coming out from their mouths with verses that seemed the same as those of the Heterias, which the soldiers of the phalanx influenced the Small groups in a circle to applaud the gift and virtue of celebrating with improvised cheers, which in the bedrooms invited even the dissuasive shadows of their own evil that wanted to seep into the symposium. The afternoon was reinvented from the agora and the proscenium that attended for all from all the borders that would bring the storms of the ethyl nimbus, inviting new tides from the Aegean that would add to re-condense in the parasites that swarmed deserts with the rhythm of one night in all the borders and optics of the world, being able to be seen clearly and precisely to be reissued. The comedy of Dyonisius was present with all his court of Syracuse, and Dionisio was reiterated with Thespis and his supports that spelled ruffian verses between bitten, one being King the other being a God, sticking to his origin as a demigod in the feminine inheritance of a mortal, to come to serve in Cantharos to Dyonisius, where they roar in his mortal consciousness. The parasites bustled through the floodgates of intoxication that could be textualized and verbalized in the shrinking of colic, or perhaps boldly sitting on a tripod to imitate the Sybillas if they were to be supported by the effluvium of Alcyoneus, covering with snakes that they would carry potions in the wine glasses when representing the banquets that would falsify to be scenes of a feast, with the criterion of an over-relief.

like rain through sweetness
  uttered above in
  steep vertical,
  
  i am many arms
       many fingers
       many feet
       many eyes

       many arms of stems
       that graze the wide-eyed
       morning are my arms
  
       many fingers of grass
       weighted by dew's
       volatile stupor -
       my hands and a sea of
       touch alone wired
       to the same rain's phalanges

       many feet of dancers
       through vertiginous music
       as the moon, our audience,
       peers through the window
       don moonlight or no light
            at all

       and in the same proscenium
       are many anonymous eyes
       for stars,
       of many lovers,
       in becoming one from
       the manifold of love's
       surging amplitude,
      

       my love has made my form,
        and these are my
          movements.