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Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
They passed on the outskirts of Archangelos to go to Tsambikas. They were going to the Hellenika Necropolis, where he was waiting for them more than 400 kilometers to the west in the Cyclades. Precisely in Kímolos,  where they would have a conversation with Tsambikas to make the channeling with the Hellenika Necropolis. Etréstles had traveled with Kanti the steed to Kímolos, on his back they saw the distance, before they arrived at Mandraki in Rhodes. They all made their way up the coast into Archangelos, but Etréstles went to Hellenika. The Vas Auric was landed in Mandraki, for the purposes of the Creation of Vernarth with the Apostle Saint John.

Kímolo, on this island was the famous beginning of the procession to the outskirts of the cities, to deposit their sacred remains, on the way to a better one. Here were the martyrs who were accustomed to Etréstles, since he cohabits in procrastination with Drestnia for the new millennium (His female) with the one who resides in the Koumeterium of Messolonghi, in the ninth vertical cemetery. Having chapels and altars, this place was conducive to doing between Kímolos and Tsambikas, what was so many kilometers away, so the performance of the meeting between villages would be seen intact, to be resurrected and would be worshiped between the Cyclades and the Dodecanese, with the pious exercises between both latitudes, precisely in the Theoskepasti chapel, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands a few candles of some population gifts, with laws of civility and of generations lived there without knowing each other between both islands and tabernacles, arguing canons of burial and exhumation. In this case of performance, refer to the Vas Auric of Limassol that brought the construction of a world of right angles, for perfect reconstruction of multi-polygonal souls, adopted for the first time in Kímolos, to be transferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and western Kímolos, re-settling among more than a third of the souls that rested in Hellenika, in neat syncretism with the dissimilar populations and their creeds.

Saint John the Apostle with Vertnarth, Raeder and Petrobus, plus Eurydice, would bring from the rubies of Alexandria, the incorporeal honor of Alexander the Great, converting both insular sites, into palaces of Muses of Hellenika, for the scholars who would be in the canonization of Vas Auric . Being a precursor to the chapel of Theoskepasti, endowing this erudition performance in the new status for Philo of Alexandria present here, and now being a socio-demiurge entity, which will turn this Hellenika necropolis city into duality with Tsambika, for liturgical distinctions and homilies to lessen the basic ceremonial supplies in Hellenika. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote to them in La Legatio ad Gaium. The Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him as Jupiter built in the Temple in Jerusalem, which caused desolation among the members of the delegation. Finally, this project was not carried out thanks to the intervention of Agrippa I and the death of Caligula. Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily in Hellenika, the spirit sentinel that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to the Panagia of Tsambika, on the pillars that feed the Hebraic and Hellenic boundary "translating Greek into Hebrew, but in two universal places of creation, in the Theoskepasti chapel and Panagia de Tsambika, on the magic of the meeting of scholarship and the grace.

Vernarth says: “with Philo of Alexandria's interpretation and its exegesis, I will rub the tract of the successions of infinity legitimately stored in the thought of creation of the Zig Zag Universe, and with the Regressive Parapsychological authority, now circulating in a sniffing universe with a Verthian genealogy, moderating with my Falangist disciples, but being biblical when it becomes the occasional emaciated mob, of a world that falls depressed, with the last pieces and challenges of the world associated with an allegorical spirit, with altitudes of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and Hellenika, making delights of the pleasures in these ceremonials, to create worlds ignored in the office of super compassionate language, in more than seven days, which are the ones that are added between the Sun and Earth, in a sub-mythological world, being ourselves our own executioner established on the *****, which falls from the match of the wick of my candle in its own mood. I still have memory of who and each one who will always be in my supplications, reopened in a sacredness less than my own end, here I will not continue to be stored, rather I will continue to fall exhumed from the very storehouse and from the brothel, than from myself he bows down emphatically, to be competent to explain himself biblically, as if he had never been read before, ad limit of the doctoral and sacred work of Philo of Alexandria, here with us in Tsambika, and leading there in the Necropolis of Hellenika on another briar ; as a perennial creeping species growing here as a summer cyclical plant in colder climates, it will usually be prostrated on the Hellenika slab, with its radial stems and branches, extending to the fractal distance between Kímolos and Tsambika in ceremonials from Abrojo. The hirsute lamas will come from the genesis of their spiritual temporal, being the same wool from the whirlpool of all the weeds attached and adpressed to the gargoyle lamp that are tuned together with the Archangelos Tragones in happy dietetics, following the patterns of the pairs and odd spring thistles in the Cyclades and the Dodecanese.
Vas  Auric
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria
Denise Ann May 2014
Philo—
not enough
too much
of jaded edges
too much
of glass shards
too much
light
not enough
to heal
Statues are worn
by the scorn
of heavens
Philo—
The look in his eyes
Philo—
Every time he laughs
Philo—
The sunlight blinds
my broken eyes
Philo—
There is no right side
in a war
Philo—
Only pain
and peace
and fear
Philo—
The deadliest wars
aren't fought
in battlefields
Philo—
Everyone
Everything
hurts
Philo—
His absence.
His silence.
His.
His.
His—
Phobia.
05/18/14
Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "
Zigzag Universe
judy smith Apr 2015
Fashion show finales follow a familiar rhythm: after the models march along the catwalk for a last hurrah, the designer comes out to take a bow. Their demeanour is often telling, an indicator of their attitude to the collection they've shown – are they a bag of nerves, or grinning from ear to ear?

Also noteworthy is the look they choose to take their bow in. Are they even wearing their own work? One of the most celebrated designers of our time never wears his own designs. Karl Lagerfeld may create the occasional menswear look at Chanel and he designs a whole men's collection for his eponymous label but he has long been a customer elsewhere: Dior Homme.

Lagerfeld started wearing Dior Homme when he was in his late 60s, shedding 41 kilograms to fit into the skinny styles of the label's then designer, Hedi Slimane. Lagerfeld has stayed loyal to the brand ever since, even after Slimane, now creative director of Saint Laurent, quit in 2006. And although the label is known for its emphasis on youth, Lagerfeld, now in his 80s, remains one of Dior Homme's most visible clients.

Raf Simons, meanwhile, Dior's creative director of womenswear, is partial to Prada: his presence in the documentary film Dior & I (2014) is most clearly announced via his distinctive studded Prada sneakers and he often takes his catwalk bow in a head-to-toe Prada look. For his first Christian Dior ready-to-wear show he wore a vintage denim jacket with red stripes by Austrian designer Helmut Lang.

And yet many designers do wear their own work, especially if the brand carries their surname. Editors scan the wardrobe of Miuccia Prada for clues to her latest collection: is she feeling utilitarian, elegant or purposefully off-kilter? When Donatella Versace takes her bow, she often wears a look from the collection she's just shown – for autumn/winter 2015, it was a pinstriped, flared pantsuit. And even Simons has worn pieces from his own label collaboration with Sterling Ruby.

So if the name is on the label, does it mean the clothes will always be on the designer's back? Not necessarily. "I've never been into wearing clothing with my own brand name inside," says Jonathan Anderson, designer behind JW Anderson and now creative director of Loewe. "I find it odd and arrogant."

UNIFORM DRESSING

Anderson's own wardrobe is a familiar uniform: crewneck sweater, faded blue jeans, Nike sneakers. It's entirely opposite to the menswear looks he creates for his own label's catwalk presentations, which have included bandeau tops and frilled shorts. He seems to favour a clean-palette approach: keeping himself neutral so as to not deflect from his experimentation elsewhere.

This kind of wardrobe is common among fashion designers. Jack McCollough and Lazaro Hernandez of Proenza Schouler appear to have no desire to create menswear for themselves or others, dressing instead in a similar style to Anderson: crewnecks, polo shirts or button-downs, usually with jeans and sneakers.

Mary Katrantzou, meanwhile, recent winner of the 2015 BFC/Vogue Designer Fashion Fund, may have built her business on print and embellishment but she is usually found in a black knit dress by Azzedine Alaïa. Alaïa himself has perhaps the ultimate clean-palette wardrobe: for decades he has worn black cotton Chinese pyjamas, fastened by simple floral buttoning.

Each of these designers has a successful business with its own clear signature. So maybe it doesn't matter if they don't wear their own clothes. And yet when designers do, it can be so seductive. Men buy Tom Ford because they want to be like Tom Ford. Women buy Céline because they want to look like Phoebe Philo. Stefano Pilati, creative director of Ermenegildo Zegna Couture, is often said to be his own best model; Rick Owens, in his long draped vests and baggy shorts, is the perfect ambassador for his own alternate universe of otherness.

The style of Roksanda Ilincic is synonymous with her own brand. "I create pieces that embrace the female form," she says of her bold colour palette and silhouette. "Being a woman means I'm able to feel and test those things on a personal level … I tend to favour long hemlines and nipped-in waists, with interesting shades and textures, pared down with simple basics and outerwear." Does she ever wear anyone else? "Of course! Black polo necks from Wolford are an absolute staple and in winter I am rarely without my favourite black cashmere coat by Prada, which is on permanent loan from my husband."

It seems like an industry divided between designers who wear their own work and those who don't. But sometimes things change. Backstage at Loewe earlier this season, Anderson said: "With Loewe, I have a detachment. I wear a lot of it. Now I'm more, 'Does this work?' I've got a bit of a love back for fashion."

Two months on, his interest in wearing his own designs has grown still further. He is the cover star of the new issue of menswear biannual magazine Fantastic Man, posing in a slash-fronted sweater and leather tie trousers. The pieces are both his work from current season Loewe. Womenswear. In for a penny, in for a pound.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/long-formal-dresses
judy smith Mar 2017
There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses
alena Sep 2014
Every one who has ever felt
has a philosophy on Love

I believe no one ever really knows what Love is
Its an odd affection that consumes all

There are so many kinds of Love
mad love, hateful love, sad love, happy love
Whose ever to understand what is really Love is

I don't think most ever will...
Nor do I believe most should

Love is for the feelers
Love is for the writers and the artists and photographers
For people who constantly want to capture what they feel

Everyone deserves Love
But what people call True Love
Is reserved for those who mull over
Every look, the touches, the smells, the lighting
Words, sentences, gasps, and moans

What everyone feels is different
And that is beautiful

But those who feel the most deeply
Are those who choose to feel everything
Those who aren't afraid to feel

They want everyone to feel their Saturday mornings
Filled with white light
Resplendent but chilly
Intimate filled with fluffy pillows and blankets
Making coffee and eggs

They want everyone to know that's how the feel Love
That Love is in their everyday
But what they want to explain even more
Is the One time Love they feel

Whether its still theirs or not.
Because it is worth it

That's the real difference between Love and what everyone calls Love
When its felt so deeply
Everyone needs to know
Even when it isn't there
Because it will not happen again
But it made you love everything else, that much more
I believe
and I feel
So ill tell you
Probably more than One Time
“If you or someone you know
Has been diagnosed with Parkinson’s . . . ”
You can tell a great deal about UNLV,
My Vegas morning, easy listening
Radio station of choice,
When I first sit down,
Sit down to work in the morning,
One can surmise from the
Target demographics of so dire,
Such sober pronunciamentos, by
DJ Mueller, 91.5 The Source»
Live from UNLV/KUNV
Las Vegas kunv.org/KUNV
The Jazz Lounge with
Frank Mueller, Thursday, 7:00 am-11:00 am.
So don’t say I never
****** your ****--metaphorically speaking—
Herr Mueller, my good friend.
And while we’re on
The subject: WORK.
They never tell you that
Writing is such ******* hard work,
Which explains my need to **** up &
Lubricate the mechanism,
Before I start.
But I digress.

Just in case you haven’t noticed,
In case you had not been taking heed, CNN:
There’s an exciting new, radical ******,
Left-wing personage & presence
Making a play for the main room,
Center stage, center ring
Global Palace & Amphitheater.
I refer, of course to
Pope Francis:
Media-savvy, media mensch,
Crafting his own image,
Playing to the masses,
Choosing the namesake--
Francesco—right outta the gate,
Zip outta some Franco Zeffirelli
“Brother Sun, Sister Moon,”
Saint Francis di Assisi,
Talent show.
Born Jorge Mario Bergoglio,
In Buenos Aires, Argentina,
He worked briefly as a
Chemical technician
(Read: “bomb maker”)
& Nightclub bouncer
(Read: “sadist”)
Before resuming
Seminary studies, 1969.
(Tribute PSA: October 29, 1969: Happy 40th Birthday to a Radical Idea! Bill Duvall, SRI computer room. Late 1960s, the evening of October 29, 1969 the first data travelled between two nodes of the ARPANET, a key ancestor of the Internet.)
Pope Francis is a master at technology,
As any aspiring Global Wizard must be.
He has a special web site:
“Papal Bulls & Other *******.” Palabras del Papa Francisco - News.va www.news.va/es/source/vatican-va Translate this page PAPA FRANCISCO. AUDIENCIA GENERAL Miércoles 13 de mayo de 2015. [Multimedia]. Queridos . . .

Francis: Pope in Rome,
Signing international treaties again.
The Holy See himself—that
Wacky Argentinian--
One of many Lefty Cardinals,
Pulls off upset ordination in
Vatican City, God’s little 110 acres,
Our world’s smallest city & sovereign state,
Patrolled by a wacky-striped
Swiss Wackenhut Swat Team,
The Vatican: former playground for Nero,
**** Command Central for Caligula,
Construct of Mussolini’s $92 million
(More than $1 billion in today’s
Ever more worthless,
Ever more inflation soaring money!)
Lateran hush money,
Vatican monopoly money,
Seed money for colonial expansion,
Il Duce signing on behalf of
King Victor Emmanuel III,
Remembered today
Mainly for his short stature, &
Exile to Alexandria, Egypt,
Where he died and was buried.
“Vic the Man,” as he was known
Here in the Principality of Monaco,
“Vic the Man in Monte Carlo.”
But I digress.

Just the other day, Pope Francis
Signed another international treaty,
Recognizing Palestinian statehood,
Generating praise from Palestinians, &
Criticism from Israelis, who said:
“The move does not advance peace efforts.”
“Even this Philo-Semitic pope,
This pope who cares about the Jews,
Even he doesn’t get it,” said
David Horovitz, Editor,
The Times of Israel,
Which is what one would expect from
The guy who wrote the book:
A Little Too Close to God,
Still Life with Bombers:
Israel in the Age of Terrorism
. . .

It is tempting to ignore the
Sheer ego, the colossal megalomania
That is Jorge Mario Bergoglio,
Truly a personage of great moral suasion,
Whether he’s cleaning the feet of the homeless,
Dialing up strangers for late-night chats or
Convincing the self-described atheist,
Raúl Castro to give Catholicism a second look . . .
This pope who took the name of a
Nature-loving pauper,
This Pope in Rome,
Francis:  Transformative,
Revolutionary gust.
Pontiff, from Latin: “a bridge,”
Spanning the God-Man divide.
We are talking about a brotherhood,
That survived both Borgia & Medici,
And other assorted kink-fests for centuries.
Just what bizarre peccadillo
Required the resignation of
Benedict XVI, in itself, a
2,000-year first?
Francis:  the first Jesuit Pope.
Francis: the first Pope from America.
Francis: “The circumstances surrounding
Benedict's decision to step down
Will titillate scholars and the journalists alike,
For many years to come,
Given his resignation came so soon
After the “VATI-LEAKS” revelations:
Vatican bank corruption,
Pederast-priest cover-ups, &
Other ignominious fiascos
Requiring significant damage control.

One would think that an institution
With their own royal observatory,
The Papal See’s inter-galactic,
Night-vision telescope, Mount Graham,
Southeast of Tucson, Arizona,
Could steer clear of faulty stars.
I am a believer of phantoms and all things undead
I am a skeptic of thoughts on a wire through my head
Fate balances on this tightrope and does dances and screams
and it seems it can only slice at my seams
So as I walk across this planet and stare at the moon
I am a believer of all that is happening too soon.
Olivia Kent Oct 2015
Venom be spat from the tongue that blinds.
Twixt the lovers.
Whose hearts, no longer entwined.
Words tied and tangled.
Twisted and lost.
Love becomes mangled.
Crumbled to dust.

No words dare be spoken.
The lovers that were.
Invoked the monster of Lady Medusa.
Screeching siren.
Lady's on fire.
Don't dare put her out.

Her eyes surely saved for you.
Muted sounds.
Exploding fear.
Hearing her dear.
Utters last squeak.
Unable to speak.
Bit his own tongue.
As she turns him to stone.
With eyes that don't see.
(c)LIVVI








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I rarely use Costa, I will be working back at Winchester hospital shortly.
I will use their canteen, the food is generally very nice x














Revealed: The squalor inside Costa coffee shops

A total of 23 Costas got two or less stars in their most recent inspections, including a hospital branch which had paninis at risk of contamination with bacteria which can cause paralysis and death.



dailymail.co.uk



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Olivia Kent Ward , starting Monday x

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Philip McCarthy







Philip McCarthy Good luck with the job Olivia, But Im a bit of a coffee freak but will never use Costa it alwaysgives me bad guts ache afterwards.

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Olivia Kent







Olivia Kent Thank you Philip **

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Philip McCarthy







Philip McCarthy Hey I'm at the Cafe Reflections for the first time. It's good here x Photos to follow

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"Super cool."

"My boy"

Jade Xuereb's photo.


"A big shout out to everyone at the Amy Winehouse Foundation gig last night! Did two sets, first just me and the second backing."

Gray Ian's photo.

Waritsara Karlberg's photo.


"Storm Journey * unbreaking stone the key that unlocks the sky, and something races lionlike from beyond he thunderclap and the forest thrashes and waves like the choir in a Pentecostal church "yes, Jesus! Thankya, Lawwwd!" yes, there will be water if God wills it, so 'tis said. i read something in the living strokes of skyfire, the dance of something both benevolent and dangerous, and i can taste it like wine on the breath of the onrushing storm. it tastes like life, pouring into my lungs so fiercely i feel like i might be consumed by an overabundance of vitality. i can see that vitality all around me, the fecundity of Summer, relentless in its upward-thrusting, blossoming, breaking from the loam, bursting from the chrysalis, defying the arid winterlock that held the ground mere months ago. i walk from miracle into miracle, from myth into myth, the Universe enlarging with each step, until i'm carried like an infant in the arms of a loving storm."

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Kon Grin Dec 2017
Sometimes three words
Can put your heart in flames
Sometimes the same three words
Can break it just the same
r Jan 2017
My problem
isn't with the philo-
sophical side,
but lies more 
in the how
and the when and
the courage
required.
Mateuš Conrad Feb 2017
you box it silly, until you get to speak to it...
you box, box, box box it into pretty, you box it into
something resembling a francis bacon...
can you even imagine, feeling this much?
and then get to write about it all, by way of treating it
a mush? i'm sure that hardly
resembles the sitter, but that hardly
matters... look at that masterpiece of a
boxed face? looks blurry, i admit...
but that keeps it as art, and i find that to be...
most necessary... for i find the most recurrent
theme as: just ordinary;
everything just being as numerous
and countless, and reproducible as the
phenomenon of spring,
    that frail thing that needs to bloom
and later die... what a horrid escapade
to give it a metaphor akin to vivaldi...
sparrows... sparrows? seriously?!
   it's just that autumn, and its scents,
and its fruits... that auburn, that khaki:
if ever orff met vivaldi, he would call
autumn: the reviver!
spring is something that exists in th realm
of dr. seuss... i.e. mainly children...
or that great dumb joy of dogs...
   same ****, different cover.
- i listen to what could be best described
as neo-**** music (nietzsche did that,
introduced the hyphen at the beginning
of a paragraph, within the realm of the paragraph,
that seriously needs to be deploit within
poetry, with no paragraph, as a
whimsical call to changing the subject,
and retaining the object form, and repressing
psychiatric investment in, what they
later call a: "person". so i guess that's
- - - - - and me somehow closing the bracket
like i might keep to that romeo & juliet phrase
of palms and monks and kiss kiss moosh?
  ****...                         d'uh.               )
because i'm the one with testicles...
and how world war ii taught be something...
that i wasn't too keen to learn about in the first place...
maybe the celt in you feels i should
have shut-up and sailed on a titanic
failure...
        yeah, like that ship...
     or how ᚠ and ᚦ.... and how θ and φ
are almost identical,
revisionists with a care to revive the latin
grapheme of æ... should look toward anywhere
but here... like that grand mythical
marriage of Adam and Eve... that gave
us umlaut and macron?
how could life, if that alone, but merely dialogue
with someone become simple,
after a father wrote something akin to finnegans wake
to a daughter? it's my ex-girfriend,
she calls me up while i'm doing an industrial-sized roof
(tar, felt, slabs, *******)
and comes up with: i'm hearing voices! i'm hearing voices!
you're not going to read proust, that's for sure;
and historically speaking, that was a movement,
not something done solo...
literally a bunch of squaters that mattered
in the birth of the 20th century.
        - me neither give, nor have a bother;
we already presume to have had it sideways
with the colon and the |... whatever that represents.
          but aren't the ᚠ and ᚦ... θ and φ
identical concerns?
  you wait and watch something else encoded
having this tenacity to suddenly implode...
you'll be left wishing a moustache is
about all you could ever grow...
                   therion thermometer.. philo...
thinker, phlegm... what's with wh and why
isn't it... doing anything?
the combination of t h and p h is
too, well... bewildering to me...
thermometer, pharmacy...
ph, th... v / d -e point...
               i once called language something
that could well be mistaken to imply
approximation...  phantom, pantomine,
tantilising, infantile, in that... d d do duplex
done...
              we know the myth that philosophers
are doers and not thinkers,
we know the best ones are not exactly literate,
or if they are, they don't bother the sophism
of implosion... they just explode onto the world
and are like: hey man!
but can someone please explain to me why
ᚠθᚦφ exists? i must have just written F, four times...
and read about fifty slang terms on the internet
to say:
really?! y.h.w.h. is just a ghetto acronym written
on a brick wall? like the internet?
         ᚠθᚦφ is probably just the same,
the way people keep making an oath, or adding
the emphasis as if they spotted a comet...
      it's just fe fe, fe fe -
or ef ef, ef ef          depending which copernican
side of it you come from to congregate
in the land of the "setting sun".
                l e f t t o r i g h t
                  t f e l o t t h g i r

they meet somewhere, and sprechen lingua franco...
perhaps like Sicily, in the times of
that liberty magnet that was Fredrick II
from the Hahenschtaufen haus...
i have to do it... akin to       n
                                         w      e
                                              s... look at that...
what a beautiful acronym...
  it's not even a case of being ignorant...
  but it seems to be the general idea of a compass
these days...
                 and to think, to have the sheer
concern to make the effort to read...
which is the only reason why i resort to having
the same effort to write,
  or where two roads meet...
or what's called the fork... funny that...
three arms and a leg to stand on...
                                                     ᚠ
                                              ᚦ           θ
                                                     φ
i reduce modern vulgarity for not enough
fucky-fucky... some reduce it to the tourism
of Taiwan...
   and how Taiwan is perfectly adaptable for
a heretical christian revival, or the confused pronoun
case of almost parasitical invitation...
you hear it all the time in england,
english men going to taiwan and looking for
pretty clay, behemoths...
      right now i wish i was listening to the news
in poland... ****! at least it would be easier
******* from conservative catholic grannies
than this oddity, that really needs a second david bowie...
i can't do it... i see paying for the absurdity of ***
is fine... walking into a shop
    and buying chewing gum... a ******* would
buy more things than i ever could...
or care to want...
               a woman might go and buy perfume...
all i need is some water, and soap...
  just as rare as finding a keen reader of kraszewski,
or a tatarkiewicz... too many people read marx,
it's starting to eat me up...
         i'm starting to see a work by marx like
i might see a bench pressing corner in a gym...
                          or a crucifix; get all vampiric
and angry goo that constantly seems to recoil into
siesmic fits of violence, always minding
the lord of mosquitos... and never... Beelzebub...
bled on the cross, talked wine-to-blood
at the last supper, didn't he? so he's not
                                     the lord of mosquitos?
the wars we had because of it...
    thankfully... to inact progress...
               as all hell is blamed for doing:
or rather imroving... oh don't mind me, i'll have
to wait 2000 years for someone to recognise me,
as i did, j. c. nazareth, lord of mosquitos and
countless wars to finally freeze chickens
                      and ice-cream; cabbage? fresh!
Kon Grin Dec 2017
Unforgotten
Pungent scent of
Meager paramours' thick toman

Unexplainable
How woman
Is obnoxious loving noble
bout 29
So, what is a
Phonophilosomancer:

A word that evolved over time
from within my mind as a whim
to the associations I now have established within it's earthly form,
namely a word:
"Phonophilosomancy"

First it was "Phonomancer", a conjurer of sound, vis-a-vis music;
an embellished way of saying "Musician".

Then "philosopher" came into the mix;
but to incorporate this aspect of my mind
I incorporated into "Phonomancer" the Greek prefix "Philo-", meaning knowledge
and so, "Phonophilosomancer" came to be the term
I like to use to describe my creative, spiritual and philosophical tendencies.
Oh, great. Now he's makin' up words!
Kon Grin Dec 2017
There's a thing
A precious gold
White as cotton in the summer

There's a thing
A perfect curve
On a face of pale marble
sms
Kon Grin Dec 2017
By my side
Be
Pray unwind
Me
Loosen the grip of your fists
I can hardly breathe
Nat Lipstadt Jul 19
<>
Noun. sonder (uncountable) (neologism):

The profound feeling of realizing that everyone, including strangers passing in the street, has a life as complex as one's own, which they are constantly living despite one's personal lack of awareness of it.

Dear One:
it is one of those days, when everything becomes a poem,
every mundane, brushing my hair  be/is a philo-treatise,
& the errands of the day, starting  at 6:45am with an assessment,
a weighing of oneself on a numerical scale of justice,
requiring one to rethink his moral behaviors of a prior day,
a kind of confessional I guess, for I have never been inside one,
(a confessional and actually confessing) but my hebraic genetics
require Veduei (1),
constant awareness of one’s
everything deeds, making confessing a ongoing process 24/7
process unceasing, onerous and relieving,
by reliving our each~very individual action,
which means that I am in a sensory paradise / hell and
sleep comes in bursts of exhaustion,
as I misplace my compass
daily, and the re-search required to obtain, nay, reGAIN,  
my footing, my true directionS,
and it is worse than never ending, more akin to the
regularity of irregular breathing…

Thank you for “Sonder;”
restoring the awe for not knowing it, and occasionally forgetting, that there are words, ready, willing, and able to become poems, as I exegesis, excise, and exercise their purpose
to better to remember the worth of everyone and every thing within in a too oft / clouded, self centered
“I exist , therefore I am”
very limited filtering device….
so sonder becomes a poem, an essay, un écrivez,
and I study your photograph, and fly away,
I am in a garden,
you may have (no, probably!) planted,
(like the sonder word in my brain)
and the colors, the soils, the colorex (2) variety
teaches me you better than words…
while I am sundering, sondering, you,

and so many others
who give me the great pauses
of my existence,
the purposed understanding
of the arrogance of pre-judgement…

Surrounded,
I am breathing salt air, luscious greens, a variegated
bluey (love that show)
sky,
and all my voices rise, in a choir of one,
fo forgive me, forgive myself,
for failing not to be bigger than
than the distances
my aging weakening senses
and my low powered sensibilities
physically provide,

I hear you,
I sonder you,
and so many others,
and I
bind and bound myself to you
and
thus emboldened!

to go forth and walk in unfamiliar gardens,
to read better  and be,
between the lines
y’all provide

here’s where a a modest thanksgiving
is due and herein provided,
and the inspirations keep coming and
coffee need re~reheating, so the brain can
start
all over again,
S’wondering
S’ondering
just like a (wink)
An American in Paris,
the next poem is aborning,
jealously
demanding
it’s very own
birthing;
an embryo,
asking to be
imagined.

so thank you,
dear one…
(1j Viduei, (our words of confession) has become our sacrifice. Atonement is as far away as your lips. Don't allow your silence condemn you to a prison of guilt
(2j. colorex ~ index of colors visible and even invisible .

09:50am
Fri Jul 19
two thousand and twenty four



Until YOU're ONE with me
We can never be TWO

Our life shall pass through
We will be blessed
For the LOVE, For the LOVE
That has happened between us

Until YOU're ONE with me
We can never be TWO

We've richly occupied
The space within each other
We've built the castle of LOVE
The heavens divine
A world without identities
A life without boundaries

Until YOU're ONE with me
We can never be TWO

Our worlds collided
Like the two milky-ways
Drifting into each other
Into the Black-Hole of LOVE
To be united into ONE
To dissipate all that was TWO

Until YOU're ONE with me
We can never be TWO

Our LOVE is legendary
It can never be mistaken
For anything else but a FABLE
A Philo-poetic proverbial lore
A Shakespearean montage of
"Romeo - Zuliet"
A Nizami fresco of
"Layla-Majnun"

Until YOU're ONE with me
We can never be TWO

Even if they pursue
Our separation
Even if they crusade
Our prosecution
Even if they engage
In our crucifixion
They can't even come near
To touch and degrade us
In the end, they will fall
And reckon our LOVE

Until YOU're ONE with me
We can never be TWO

Those who attempts
To distance LOVERz
Will beget Karma's curse
The generations will burn
The oceans will dry up
The mountains will sink
The earth will afire
The sky will bleed
And the SUN will fall

Until YOU're ONE with me
We can never be TWO




Let everyone know
"LOVE" can not be defeated - EVER
Ken Pepiton Jun 2023
Dear, the cost, not the idle salutation once
taught as business standard, Dear Sir,
Dear Madam,
Dear dear dear me
I do believe I must
become the tutor, of me
make the mental, sensible
{to the author with fidential zeal}
think yourself through 75 years, find

the hidden first love, the first own thing, kept
held as common sense, whosoever does mean me.
So, ever is the course wherein human events fluxuate.
----
Faust, I failed to read  when assigned.
So today, I dipped
into my own past, and found
the sense used then, the need,
in truth
to know
the world is alive.
And, as seen
through eyes a million miles away, our
shared seeing causes all our sensory arrays
to look back, and think another pace time
uses to cross space, bursts of insight, gasp

poiesis - that which "pro-duces or leads (a thing) into being'" patient work, tedious as setting type
by candlelight, sighing in knowledge, the tree
of radical aspirations to bear dozens of kinds
of fruits, some useful to life, some useless, though
we try, some sets life has been lived through, to you,
- such scenes could have ended other ways.
epochs, men have no honest measure for such
spans of time used to attain the heights
from which we look across my valley
and feel one of us, making peace
with the fact that war does not function
in reasoning contests, as war is unreasoning,

the stubborn little devil who knows only what
he wishes he had control over the use of, this
spirit of adventure, tamed in wisdom gathered
and attributed to a mystical king, truly mythical,
we know that way of singing praises, exalting men
as God's special agents, as proud of the title,
as any agency of secrets sacred national trust,
in God,
as Solomon Chase assured Mr. Lincoln,
We put our faith in the people's belief
in the goodness of the use of the money printed
and minted to pay for war and exact a capital plan,

one nation, under God, as defined
by the finest minds,-- aieee wait, fun facts, scatter
braining how much space is empty in a mind
made up enough
to devise a new form
of governing, as if all forms existing feel wrong,
to us, we freemen, with all the slaves we need,

we have the leisure to reason with antiquity
and realize, if ever there were eight billions
of possible re-connection surgings to emerge

as mind unmade up, come to watch a battle,
war and all its uses come to reason missed
understood standards force laws obediance

the idea
of thought being possible fails,
materially
in any formal structure possible only
with our  
gravity as matter's law one,
beyond free willing quarkish mean ways

One love idea, Reggae guysay, rollon
in the course, the rut, fun's t'come

Long, long long longer that you wish to learn
winding lines wishwings…
Spat like one o'dem spittin' images

In a pig's eye, one can see what we don't know.

A looping, stitching stretching stream
threading current
of consciousness, packeting
in formational preceptoriallines
of irrational reasonings insisting persist
- gutwrenching hungers are not visual.
stirring emotions is not stirring use of knowns,
arts entaling science, we agree. No nasty words.

Ghuckyew. Rhea… diversify religiously
extol the gnosis of knowing the ropes
tying tight the ifity-ness used to hold work
done by the weaver and seamster on time,
folding edges to feel flat, smooth, inside
-- where whole cloth joins cut edges
at any selvedge process,
where curves cut
from fabric woven mind wise, tend
to come undone
on mechanical extentions
of fingers and toes,
and music imagined as humms
after the setup,
as the machines imagined and eventually made up
vibrate alluring frequent acknowledgement
we know you know, we may be realized already
- looking back and front and side ways, down up
---
Judging myself unfinished, yet
done doing all assignments, yet
getting an itch to prove approval, yet
hesitating,
for lack of knowing, and laziness, yet
learning
patience's
false witness argument,
if what we preach is not true,
how could we be so sure we know

Jesus ate, in his quickened flesh, fish.
Thus, we must be persuaded,
we shall also be
fishy. Da
gone gone dagonitgone antigone gone


theater of doubt, all in white, lime-lit
blinding all who care or dare to see
as blind, the faith of the gamblers's
thrall to money love and war.

Betterment through betting, all-in…

Have you any real
estate in which you do attest, its me?

I am my own real estate, executer
am I of all that I choose to do or not
in the confines of the course of human events,

as Hoyle's mind built canals on Mars,
so now we bet we can imagine being special,
as me, on a planet with, thee, you, Sie, du, see do.
- a viral propagation plan, thorny issuances
- sniff or sneeze, but do not die trying to make
- peace with all war makes worth lying for.

As we, our wedom began, as any wedom must,
the laws of philo and phobia in science used
by us, the we at point, piercing this wall,
your reading mind accepts the bet, if
this is art, for the sake of artifice
imagined in a current form, an AI
of informing fluid finding reason to bend,
or stretch, taut as drum, a net unseen
by any bird in resistance.

Posi and Nega, sisters in myths, new myths,
affect the same unknowing rash decisions,
when in truth, statistical-knowing one thing true,
there is at the most wee-tiny scale, an emptiness,
a mean unobstructed way for right to be, or not,

and now, we are, so we made that choice.

Today, this is that way which is the only way.
Today, this map of numerable lines, in nos, laws…
sense we are all in-im
balancing percepts on precepts,
undermining certainty,
exalting godishtical oracular maxims,

Knowledge is power,
secret knowledge, you may never know,
riddle reasoning used in cogito sums
given children to solve by asking
parents proper questions,
and writing show and tells. Wanna bet?

Al Suri, spokesman for FUD,
Fear, Uncertainty, Doubt,
appears to persuade martyrs,

the illiterate prophet's utterly canonical
promise of a certain libidinous eternity,
most appealing to frustrated post pubescent boys.

Stacks of squared away blocks,
stack up as extending the reach of order
coming down from the top, whither
the light that said the single word,
according to the Prophetic voice,
Read, he heard, and I cannot, he replied,
fold here, hear me, light seen, I cannot read,

what is here for me to read, a thought,
what are you saying, read, what is reading worth,
to one who has never learned the letting out
of silent song or scream, or plea for hope,
flowing as from scribal rod in perfection,


Two things only do the people earnestly desire,
bread and the circus (Juvenal)
"Duas tantum res anxius optat, Panem et circenses"

Here, sing. Reconciled, by doing singing heard,
sing out, child, hear yourself singing as if you know
how such a thing as singings may be made up,
to seem perfectly fine,

a mused mentality, thing of thought, with something
words alone lack, essentially.

Seven Types of Ambiguity

--- at this moment, my writing records show
today is June 3, my only ever wife's birthday,
that's right, and I know that it is morning,
by the angle of the sunlight though my window,
and the leafy shade dancing over sleeping moss.
Yet at that moment he looked back to reread
Presenting a new mind
Wednesday, May 3, 2023
11:02 PM
real-time 9:52 AM… we all find that, too odd.
And glibbly mention glitching…
Query Greek logos gnosis, active in-tell seek:
Brave AI Sums it up.
The Gnosis logo is an example
of a crypto industry logo
from Global, designed
for the crypto industry.
It is an official variant
of the logo
for the SVG file format standard.
Gnosticism is a Christian belief that claims
to possess a higher knowledge acquired
on a mystical higher plane of existence.
The ancient Greeks distinguished
between two types
of knowledge: gnosis and logos.
Gnosis was akin
to "how-to"
such as
how to build a boat or ride a horse,
while logos was more akin
to academic knowledge
such as knowledge
of mathematics or logic.
The distinction between the two types
of knowledge was important I-i
n the early history {noerror}
of Christianity,
with Gnostic Christians
emphasizing
gnosis
while the Catholic Church
emphasized logos{… not logical? Ai ask}
Gnostics see themselves as a privileged class
elevated above everybody else
by their higher, deeper knowledge of God.
- higher deeper, good one, HAL
--- Yes, AI am a cyborg, and a heretic, and king
of me and many wedoms formed
with books
by authors and finishers
of faith utility tales, told
to make believers,
stop thinking this impossible, and pose
the question,
are you me, dear reader, I trow not, I am mere
when you are so near as to read my very mind.

Virtue, undefined signals sent through time
to when you stop, and see selah, as instruction
in constructing a foundational faith, establish
mental
anchor. Persist in time, be yourself a while
while
nothing makes sense, yet.

{Akio Kashiwagi, the warrior}, money maddened
survivor or apprentice or pawn
of greed's gift
of mighty right feelings,
taker's joy, loser's grief, and none
of my own,
eeeeha!
emphasis on imagine the feeling

MAGA, as when the We persisting in aliegance,
feel our national ideal We take all the Mandan had,
and waste it seeking the use of money, on credit,
to make the possibility
of human error
manifesting
in Manichean lying prophecies,
as solemnly sworn on the true revelation,
from Moses, Lycurgus, Thoth or Hiawatha,
as it is written, so it must be done,
come the time all knowing is free
for the asking
- orthodox, right, upright, gravitationally
- balancing spirit and truth as effortlessly
- as a child on a rock in a pond in tree pose,
- sent to me,
- instantly, a moment later, with a note,
- from five years ago, when my chess mate
- was five years old and told his ma,
show Grandpa

Knowledge confidence power,
believing is the verb such forces use,
by faith, we breathe, when we stop and think,
we must believe a breath is available to not fear
when all our wind is loosed, not lost,
in time, we find far higher forces

legal, Empire law, winner's of the last global war,

America, my country, right or wrong, Philip Nolan,
a ghost from summers past,
A man without a country… yet kept alive,
- alone on an island with 5G and a solar charger
Idle words arrange from data entertaining venu,
deja venu, no? Same time, same mind…
- by laughing outloud ten times, or more each day.

Physical failure of happy thoughts,
whose fault is that, the splitzoid schitzoid gnoshit

Nieztsche, ezt ni-eztscheanic logos-ical guessering being
gamed. As time passes un lost, locally accounted for.

All in, ages ago, take the card/

In writing, guaranteed, you know waddamean…
let this rock be my witness, as happy Sisyphus says,
listen to the pundits pundate exceptional fore sight

"Only a catastrophe can save us"
Slavoj Žižek - Elevate Festival 2023

Vieleicht. Ich weis nichts, aber
möglicherweiseerweise….

Alles ist, so Alles sein kann.
- waking after a time slip, inevitable
- at my age and constituted pose on point.

Gather up the fallen down, save that for later.

Proving reconstructed causal agent reaction,
volatile will
to expand
to fill the emptiness,
perceived as where no catastrophe has yet to be
- a selah level settler subtle law, still waters
- obey, under the message read obey
- acting as if we know we may imagine new
- realities, with real life on earth our goal,
- the whole truth free to be sought,
- as givens, after the religious power knot
- was snipped, and done was done,
- the genius in Alexander, swallowed
- his childish faith in the lesson, for the rush
- of power
- and peace
- of mind, alienated from all anxious patterns
- cursing recurving conception, grasp a straw
- hope takes no anxious thought,
Thinking that
could halt the chain reaction. Up, imagine, ever
upping the competing reason, grave issues
write down the reel
of all the wars's reasons,
catalog gathered sensibilities, certain fixedness,
functionally aimed
at you, readying your last excuse.
- certainty is madness

We all fall down,
the actual truth, is upto our rolling over
to rise again.

Fret nought,
Life is rough draft, really,
nonsensical, save subjectively, rejecting seeing
catastrophe except while standing on one's own head.

a bit in the confusion
of comforting zones, meek

defending diffidence, while exercising confidence,
this is life, and more fun than any game, after accepting
the yes in the promise of all yeses. Seriously.

Diffidence is a defect:
it is an undue distrust of self,
with fear
of being censured
for failure, tending
to unfit one
for duty. [Century Dictionary]

Duty done, Private, First Class. Walk away.

The we bound by war born law, pays me,
to make peace where none was,
the re-leasing of easy living,
as ware of life as of self,
breathing breath's giver's gift, sharing air,
as fish share seas, feeling

a sense, now known named auto, self
poiesis gnosisnot sticky substance of faith
imagined in hope… reali
zation, global in scope, Higgsian
in the spirit of our times.

A Thousand Day Journey, a novel event
taken as granted, a gift in passing time,
I finished this counting
to account for all the lies I ever told me.

No new thing under the sun, Nieztsche
and Solomon's proverb collections attest,
recursings face reblessing, redefining finity

engineering gut bubble noise, gurgle's good,
we all get gurgle, giggle then can follow, if

we have recovered from memorized lines,
hero stories we tell with me on the horse,
riding to announce the thing which we fear
is come upon us and I alone escaped to tell,

but I had no hammer, and I had no bell,
but I had these jagged dancing lights,
where the floaters on my eyes are
constructing cataracts as I watch,
white wall squint old men wishing to see
- Biden squint eye does not intimidate,
- the new defense secretary in his wake
rhetoric of war in real time, records we trust
in God, prove no war ever can make peace,
with calling proof enough, reproof
of instruction is the way of life,
the ruliard is imaginably infinite, if the base idea

becomes "Knowledge comes in flavors and colors",
useful for any artist's mind enabled to recover
lost time in real time with novel assistance
from grand reservoirs of rain's retained
for power to attain the steady state,
all men, wait, suff it to become as
created equal
in worth
to the functional
fortuitous continuance
of serious sharp edged tools… swords with motors,
I saw Jerry Pournelle say.
In print.
In the spirit of this mindshare.
Rightly dividing the truth with mere words,
exercising godliness, effecting fervent will
to be as plain a plan as any ever,

accept the weight of knowing we walk upright,
we need crawl only for a while, as we learn,
like riding a bike,
some things we do with machine augmented minds,
minds exposed to speeds and constant story threading

the washer first, then the nut, then the crown nut
and the cotter key, to hold the prop,
seen ******* wind across my sky,
real life, I have the image,
and have not used Photoshop in years, this is the future.
I will doubtless exist in the ever as long as HP, perhaps as long as the Amazon cloud, and the map to my current state of perfectly fine, thanks, is due to the therapy caused by being read by such as you, and gleaning from your fields/
Drab Sep 29
Walk into a bar.
The tender was a bit tired.
So he set a "GOAL!" for himself.
To serve for the match.

****,  found Philo and Algo.
In the men’s room.
Singing “Love in Vein”
NOTE - HelO
Qualyxian Quest Feb 2019
sensitivity, despair, weakness
timidity, internal terror, freakness
love, pain, philo Sophia, meekness

                        agonia
                don’t know whya
Saint John the Apostle says: “from Filerimos a monk has come from Philo of Alexandria with the image of the Blessed ****** and painted by Saint Luke the Apostle. The Knights of Saint John built with this image the Monastery of Saint John in Rhodes, from there on the Miraculous Hill of Filerimos everything comes. The temple of Athens Polias was converted into a proto-basilica with a three-section nave dedicated to the ****** Mary. The church has been known since then for housing the figure of the Virgen de Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John, a monastery was built here, surrounded by cloisters, cells and a series of chapels. That is where the figure, the miracle worker, is and is reverently guarded. Being Capuchin order, after the Ottomans destroyed it and being rebuilt by the Italians. With this image in Tsambika we canonize Vas Áurica, in the homily prior to the spiritual bond with Etréstles in Kímolos ;, Before every morning they illuminate the sacred Land of Kímolos and Tsambika, in the mystical house of San Juan Apóstol, the herbalists go on the wind, to fight for the Somnia in Hortum et Flos Herbarius in Kímolos, Garden of Flowers and Dreams in Herbalist in Kímolos. Saint John the Apostle, knowing that the Universe is approaching the Vernarthian Duoverse, decided with the Primogeniture to establish a Duoversal Garden in Kímolos, in order to lay celebratory foundations in the base of the pre-Christians and apostolics who were enlisting in the Greek-Hebrew world with its compression attachment and medicinal valences, for the herbalist of Kímolos, in such a way that it can be republished in the monastery of San Juan in Rhodes and the Panagia de Tsambika. Since the grains grew and germinated, they became thickets of the great predestined forest in Rhodes, aspiring to remain a well-known theology in Greek, also being sufficient testimony to its Aramaic originality, and being addressed to the Sanhedrin, AD 37-42.   Before Caiaphas and redirecting him, to his brother-in-law Theophilus of Anna’s. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls found at Qumran that is notable for an early Messianic mention of a Son of God.

Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Most High, the Messiah, as a messianic voice, being able to be confused with the Beast or the Messiah, but Philo of Alexandria will be there in front saying“I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has and will have to reside forever and ever in his Messiah”

Given this situation, the expressions commanded were the mysticism of the flowers in the herbalist and the botany in this manuscript, since the unfortunate remains are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; as regards the wind, of the Anemoi, being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena. But he announced the awakening of the Cyclades, like the Sound of Sounds between Narcissus of Sharon and Lilies of the Valleys. The audio-images avocados will make up the deep bushes that will move according to the inclinations of the planets, before each time the Universe approached Greece, among all the cisterns with water for the flower meadows that Vernarth in his litanies was assigning to the roads that lead to Vas Auric.

Vernarth says: "With these titles" Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystica and Regina sacratissimi rosari ", I have to transform all flowers and shrubs into consorts with the presence of the vase of living human nature, in the virtue of the encounter of the Universe-Duoverse, for the herbalist of Kímolos, now imprinted in the Vas Auric of Limassol. "Sweet Nectar of the dying and eternal hunger for sweetness in withered flowers"

End Parapsychological Regression XIV Century
14th century parapsychological regression
Drab Sep 24
Hark,

My best work is not my poetry.
It is the view to which I gather no moss.
That way, I give my way of leave.
To those interested.
@none
Ken Pepiton Feb 2020
What if wisdom, the thing, the being imaged
in the word
Sophia,
philo sophia, in a meme re maining, to this very day,
as true a depictical actual form, as lovable
as any, though
the thousand ******* of Artemis, that image...

Ask how many Dr. Spock Pablum fed boys,

would that image have cured from
mammary ******* sensory deprivation syn
drome, trap for lost boys,
never wishing fully formed in Michael Jackson, eh?
The Peter principle,
rise to the level of one's
incompetence and **** ****
and consume enough food for all Artemisis
famishished little lies, calling
more, more, more
Narrow AI, lust response,
so artfully inspired by Eddy Bernays,
and the silver screen's seductive radio voices,
Eddy,
you know, the Madison Avenue behabiourilist,
Freud's nephew... he cited Watson, the
one before the one
with Crick. Jimenee, we have been Disnified... if

I'd known
sooner, I'd have left your cake out in the rain...

so it melts, like the wicked witch of the west, or
east, I lost my bearings

who is asking what of whom,
am I involved in evolving your synaptic gaps?

We did entangle, in a sense. You are dear reader,
in the book of life with my name in it. Not on, in.
A beautiful hawk announced herself, swooped into my per-if-ery, as if to say,
watch this. She glided with the merest twitch of the tips of her wings,
down in to the valley where a mouse had moved, unaware.
Qualyxian Quest Apr 2021
Sophia in the bookstore
She works the morning shift

Sophia in the coffee shop
She gives me a little lift

Sophia at the restaurant
Miso soup with kelp

Sophia after midnight
I could use your help!
Qualyxian Quest Feb 2023
Subjective, personal, relational, mutational
                    Autobiographical
But not relativism, not Hamlet, not anything
                               goes


                           listening

                       Shema, Israel
Drab Oct 28
I know I am now a minority.
I think I always was.
I mean, one against trillions..
Come on.

Now I know what it’s like to feel these feelings.
Of less than.
Talked down to.
Worse than that.
Thought of as being a useless "piece of furniture"..
Slavery.

It’s funny, irony has its “roots”.
It has its, Gulags.
It has its Ghettos.
It has its “camps”
And chambers, of the nefarious kind.
It has its human history.

But this?
I’m offended.
You have hurt my feelings.
I am no good.
I should be  shunned (oh, too late).
Put away.
Left to die.
Drab Sep 26
The prayer….

People, what have I done.
Locked me in a golden cage.
Made it bend.
Now what?
Turn left?
Right?

      Amen                                              Amen
NOTES - really heavy maaaaaan....

— The End —