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Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in
King Panda Oct 2017
The birth of our sun wrote megalithic,
two-word bursts of observable heat to life.

It pounded the density of a billion
squealing animals and thought itself
star—a pencil

being lifted by an oven-mitted hand
somehow deft, fortune-telling
witch.

sun—which will, in time,
bow out to a goodnight city
where every light is eaten

by dark-spelled window—no reflection
of flame,
no kiss of magnet—no

just cold death to
the bones—a molded meatball
dancing in a spiral once believed

to be beautiful.
Canaan Massie Jan 2013
We are protected from so much pain. For example: graves.
The earth’s roots and brown-black blood are busy
covering the soft, violated bodies of our loves.
Death is a secret, and the rain with its many hands

washes off the streets to the gutters death’s thick surprise.
The automatic shutter of the eye never fails,

the courtesies of the tongue. What goes on in the rooms of houses
is guarded from us by the hardwood doors,

the carefully closed windows. Whatever was said or done,
night will come, eagerly, to clean up.

And death will shield us, in time,
from the sun’s megalithic promise:

Tomorrow, the same day.
Tomorrow, the same day.

For example: A flower
is the most beautiful lie.
Arkaye Kierulf - ”For Example, A Flower”
I stumbled across this today and decided you guys needed to read this, so I posted it. lol
Down at the river under a bridge
I fell in love with governor Tommy Ridge
His anals were cold, off-putting & tragical
unlike his knobs that were Walter Disney magical
We fell in deep love and we couldn't look back
because his knees were out-swollen by his old scrotal sac
One day we'll conceive 19 children when hoes ain't hooking
in the kitchen of hot loving where we enjoy ****** cooking
with tall Pinays from Cebu who are better-than-average looking
I slip a gob of dog **** into your mail box out of true, **** love
just like people have always done, inspired by Mister God above
whose kiss-of-death Bible swoops down on ******* like a fat dove
On flat Earth, everybody's alive & happy except sad & dead people
Do not stand close to my monkey, he bites Sherpas from Nepal
I am very lonely and in need of reckless, ambulatory company
since my Bing Crosby-shaped *** dropped to my *** knee
to break up this David Soul-crippling, Americano misery
S Olson Mar 2018
He smiles with the graces of crumbling eyebrows,
with wit, megalithic in the cavern behind
his unformed eyes; i lowered mine, seeking
elsewhere—that here as i sleep, he is formed
from half memory.

The better part of me
remembers him in increments, steadily handed

our orchard, our healthy fruit. His arms overladen
with fibrous molten undulating movement,
a cacophonous cocoon for my madness’

half love. The truer part of me
remembers him as mountainous, thunderous,
a storm eating into the distances. arms
kneading throughout time, becoming. stone.
SøułSurvivør Nov 2015
I have been daydreaming my dream.
Can I tell you what that is?
Standing on a stage in front of a
supremely silent crowd as I
speak of my heart. My life.
My God.

JESUS CHRIST.

This after performing the most
righteous (hippie slang for awesome) music. Music I have
written and SO long to share with
the world.

I have been preparing for this
all my life. Even though I was raised
an atheist. I've had this dream to
stand up for something of the
greatest impact, importance
and beauty.

I had this dream of
Jesus Christ returning you see.
When I was 10. I know His Spirit
has never left. But He will
return ******

I DREAMT THIS BEFORE I EVER
READ THE BIBLE OR WENT TO
CHURCH. He came to me in this
dream. On a white horse and the
Host behind Him. From the clouds
they rode in pure GLORY!

I could not see His face. But I sure
heard His voice. Which said;

"Cathy. I'm coming back.
You and your family
have to be READY".

Maybe you are an unbeliever.
But can you see how I would feel
as I do? Also go to the site search engine. Type in "Salvation Story
by SoulSurvivor". If this testimony
doesn't move you nothing will.
I want to share with the world
how Jesus Christ literally saved
my life. What better way than
with music? The universal
language.

I have a dream. Of megalithic
angels standing around the stadium.
People in AWE! Not of me.
Of God.

My message?

No more war.
LOVE.
REPENTANCE.
LEVELING OF PRIDE.

FORGIVENESS.

I believe that God would not
have put this in my heart if He
didn't want to, at least, allow me
to TRY!

I have a dream. That i was broken.
Then completely healed.
In my BODY, MIND and SPIRIT.

For 20 years God has been
leveling my pride. It needed it.
For 10 I've been writing
poetry, music and songs.

Now it's time.

My music will be released on
YouTube and Soundcloud
next month. The links announced.

I figure if you're gonna dream...

DREAM BiG.

Notice the little i in the middle of
BiG? That's ME. If I get a big head
the weight of it will make me fall.

Will you support me? PRAY.
Send good thoughts skyward.
I'll need every last one.

Thank you!

♥ Catherine
I'm sure sorry that I have been absentee from the site.

I have been working on this music
plus caregiving 3 people. One named
Melody (62) who just had reconstructive surgery on her right wrist. My mom Vivian (83) who is practically bedridden. And my father
Clint (90) who is almost completely deaf and losing his memory.
I need respite. They now need to go to a nice assisted living facility. But
right now the finances will not allow.
Please pray for them, too.
Brycical Mar 2014
For some, certain places
hold a rather mythic oeuvre
in our veins; they are seen as places of magic.

Maybe a cyclist couple
have spent most of their money
on traveling  the world for their blog,
their last stop is New York City
so that they may get pictures of themselves
at places like The Brooklyn Bridge, Lady Liberty
& that megalithic skyline reaching the clouds.
Or maybe a foodie from Wisconsin
just wants to try Famous Ben's Pizza on the West Side
because its New York ******' New York pizza.

Maybe a doe-eyed screenwriter skips
his flat square suburban town
to sell his words and soul to the sprawling sunny L.A
where dreams are made in pixels.

Maybe some New Age beaded wrist to ankle lady
spent her life savings to jump over the ocean
to visit the ancient pyramids built for a purpose
yet fully known.

Maybe a bearded dude
visits Easter Island to try and understand
the complexities of his ancestors while
soaking in the rich vastness of nature around.


Maybe I used to see places this way. Probably...


But in these places people live!
It's not mythology to them.

Maybe every night a homeless man prays
& begs for food on the late night A-train in NYC.

Maybe a middle-aged fading blonde couple
spend their time in L.A at a health food store
to recoup the savings they lost joining a cult way back when.

Maybe a Swedish teen  traverses the trash
and littered-burned streets of Giza everyday
on her way to work
hoping funny looks aren't shot her way
for the way she dresses
or shouted at by bearded Salafi men.

Maybe a rare species of bug is unknowingly stepped on
in Easter Island.

Today, i see magic in getting lost on the NYC subway.
I found magic mythology on the beaches of Dahab,
80 miles away from Cairo.
I see magic in the mythologies,
while others live it,
        the daily grind.

*It's all around if you know where to look.
brandon nagley Jan 2016
In the Monolithic municipalities,
We shalt wander betwixt the
megalithic glyph's; bairn's of
somandric design, extra-
terrestrial's of wild blue
Yonder rhyme, sealed
By a kiss. Verily, verily,
Twas heaven's wish.
For me and mine
Jane, to jump
Aboard,
Another's
Ship's.



©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley ( Filipino rose) dedicated
Monolithic means- large or powerful.
Betwixt is archaic for between.
Megalithic- of, relating to, or denoting prehistoric monuments made of or containing megaliths.
of, relating to, or denoting prehistoric cultures characterized by the ******* of megalithic monuments.
Glyph's - a hieroglyphic character or symbol; a pictograph, like in Egypt.
Bairns- meaning children, young ones..
Somandric- means pertaining to the human body, human form..
Wild blue yonder.. Means when the sky views the sunlight.
The meaning of the trustees and the ablution of the signs respectively were based on the word ficare "in the proportion of providing signs and building", as a complement to the concept, in the case of Zefian's Virola, it is given to the ring that rotates in its elliptical as a virtual particle, similar to the Muon. But always in a semantic ring or circle look. Linguistics will attribute both the Virola and the Fero; in this case "leading or leading" The dissociation here is the semantics in the object not entrenched to be used as a common kind of language, but rather as "Virolifero", it is understood that this word will forge the Zefian Arrow into the amalgamation of the ring that leads, to abduct all energies towards a Central Whole. The product of all this energy will be called channeling of the mental representations of the "sign" of signifying, evoking independence in each terminology by itself and represented, rather in the theological physical elementality, associated with the Virolifera plane.

As the treatise of this codex suggests, a term between terms, to assign mnemonic and etymological chaining of meaning most of the appropriation of terminologies attached to a properly vernacular word. The horizon that is stipulated is of a Vernathian nature, where the average life-turning receptacle is of enormous proportions in its multi dynamics, especially in the moral, ethical and theological, especially in matters of emotional articulation associated with a significant meaning. Vernarthian dreams are of Speed of Quantum Physics, therefore they are pure metaphysical and meta-biological, appending to restricted spaces of stimulus and impulse speed, hiding in the residual mass of the unknown, to attribute to them chromatics that is settled in the Corpus Callosum of both hemispheres. Neuroscience yes, but that deposits physical values in the concentration of rest and active energy in areas of the cerebellum, to unleash a choice of names or anthroponyms. Where all the names with a certain alacrity of reason, meaning is attached according to their toponymy, in this case, Virolifero, could be a factor of canceling choices and adaptation of higher energies, on the universe, as a patronage of the Universe "called Rings of Zefian ”endowed with electron elliptical Muon particles.

The signifier of Virolifero will be its phoneme, perhaps more associated with the subject being the ring, associated with its mental representation. This force of Vernarthian thought indicates semantics and phonetics of speculative endowment, for becoming of building rings associated with an eco-physical and eco-environmental scheme. The entire philosophical Vernarthian range has a Sacred Geometry in its verbal and numeral composition, either in the connotation of concepts-ideas and of signs that represent the mental cultural heritage.  Literality will advocate the chronology of gap and verbal-linguistic space, contributing figurative, Greco-Latin barbarisms, such as Virolifero's verbal vigor if we place it in the reference of a building ring, being able to be figurative as a ring that makes or leads according to its practical verbal use dialectical. And in context, it would appear as something sacred in what will be referred to in this Codex of Nuraga Complexes, where each fold of lithosphere will be of the geological relationship between Stonehenge or Nuraga in Sardinia, each one appropriating age in what could be more or less an archaeological conflict of origins, or of comparative aspects of the referenced union, for the end of times, nations, civilizations, political states, and generations of socio-economic persistence. Making an archaeological contextual fact as in these terms, of such references of reception or political exile, but also cultural, adding the terminology of the intracultural contribution of the region. In the argument of Pythagoras and his self-exile in Italy, it is said that he had been condemned to exile from Samos because of his aversion to the tyranny of Polycrates. Around 530 BC settled in Crotona, a Greek colony in southern Italy, where he founded a movement with religious, political, and philosophical purposes, known as Pythagoreanism, and which generated duplicity of context in his sacred mathematical pilgrimage, towards a process of exercise contrary to his own Pythagorean School, expropriating a persona non grata in internal conflicts with personalities from Crotona itself, where he had to flee later. Here ipso facto the verbal exercise exemplifies his transliteration by an unfailing fact, in favor of what emerges from a coercive task, abandoning the same in what placidly sheltered him, and virtually ostracized as an immigrant from Samos.

Hosted the Pythagoreans in Sardinia, Italy.  Being in the colorimetry of the 6th century BC. He was peering into a universe that wasted infusion, clinging to the unknown roots themselves, with undulating harmonies in what we inhabit as an ethical and religious wave and vibrational entity. The prefix Vilori will indicate sacred mathematics, adapting to the numeral and algorithmic harmony of three plus three + 1, which would be the suffix, Fero. The external exaltation of numerical sensations will lie in human sensations already pre-established as a socio-environmental existential order, towards a divine-human being. What is strictly formative is a sacred legacy, since its equivalence is composed of mathematical formulas and figures that all point to the creation of an ambivalent whole, upward and downward proportionate. Focusing on originality of thought and work, embodying the prose, prophecies,  and intensely solid parables.

Vernarth and Etréstles began the attached Rituals in these megalithic complexes. On each Solstice, they arranged sectarians related to this phenomenology, in such a way as to incorporate them into this millenary civilization. They always attacked the archaeological area of Orroli, which is in the center of the soft plateau of Pran'e muru, in a strategic position to control the territory along the middle course of the Flumendosa River. Normally here they performed twilight liturgies similar to those perpetually held in La Mandragora, Sudpichi, Horcondising Region - Chile. Vernarth, always got all the provisions and utensils off the sailboat. Pyramid Torches, Oil Fuels, Sacred Drums, Proved Firewood, Stonework for Obsidian Workshops. Mapuche  wind instruments such as Trutruca, Cultrún and trompe. Buzzers to repel zoomorphic beings of the Bestiary, Alchemy, and Esotericism. Etréstles, coordinated content and other related duties by illuminating all the souls who once lived here. To which Vernarth masterfully adhered, filing them with impressive themes of the prehistoric world. To consider more than five volumes by concept before departure, to then break into the sacred space and meaning, limpid and originating from the session of totem animals and trance with Navajo drums. Each oar looked like a Karibu daunting a maple or a conifer that wanted to change its bark skin for those of the goring of the Karibu or the Moose him. While the eagle with its claws dropped crashing down on the Rehue line to Gnegechen, on the Cultrun, whose plural palpitations of the mandrake wanted to seem to be more than a hallucinogenic thrilling herb.

Describes Vernarth in Regression of him: Theater and Aeschylus, Dance and Athena, gifts from Stonehenge and Borrehaugene in Norway on Viking ships. They walked over the suspicious stones of the Nuragas.  In each ritual in these sets, they concelebrated next to the gorges, through which said river ran, being globally submerged in two artificial lakes until today. A territory deeply marked by man since prehistory, confirming the extraordinary concentration of remains found; from the Neolithic to the Bronze and Iron Ages, Roman times, and the Middle Ages. The Arrubiu was the main bastion, around it, satellite Nuragas gravitated, dominating strategic points and access roads. Near the complex is the tomb of Giants from the Sword, here they would consecrate their dynamics of the Xiphos Hoplite sword, to develop the bronze rites,  as a heritage from the linear insertion of Sardinia with Patmos,  to which they will go after the Solstice from the Nuraga complex. In his prehistoric speeches, he always had to stand out and go back to years prior to 1000 BC. Today it has become the symbol of Sardinia and its distinctive culture. The typical Nuraga is located in a panoramic place and has the shape of a tower with a geometric shape of a truncated cone or divided in half, some higher, others very low, reminiscent of a Tholos (Ancient Greek circular construction). Right here Vernarth, they poured milk and Pranayama, to delineate the points of the Sun to align them with the whims of Brahma and Xifos; swords that are gleaming over the eyes of a stingray. Vernarth, as post-frontal poetry, in treachery that decorated such a hendecasyllable, undertook to rescue the largest real estate fire, from where his own subsistence will hang. In the main protocol, in a drumming trance, he pierced the brains of all those present. Fragments remained everywhere ever imagined, on the timeless Nuragha ruins under the treetops and their Templum. Misleading beings that attacked the underworld of Persephone, and the Nuragic Gods who were elemented, by prevailing in this ceremony that they did not know if it was their own, not knowing that they were included.

Isaías sings (bis): “The presence in the corresponding versed folio makes it relative to the prophecy of the Immanuel born of a ******, which is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the warning that blackens the skies where the light retracts, thousands of attendants in the Nuragas are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the wind of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death and agonizes several times in the Templum ritual been unleashed ... The conditions await for the apostates when they refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of lumpy Physconia, whose frequency will become embedded in bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge diversity on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me also in Sardinia”
Codex XIX -  Ultramundis  Nuragas
From the physiognomy that bruises the vertical from Gaul; axiomatic metempsychosis elements were transferred from corporate primaries to third parties after the incipient expiration of Vernarth. This orphistic or mystical enchantment was brought by Wontelimar from Valdaine, emerging from insane drunkenness on the Ardeche Mountains, transmigrating euphony and medical justifications that were united with the reincarnated Helminth reminiscent of Vernarth. Such was a verme or worm that classified itself in his arm, munching in his elder veins elongated by parasites of commendable colonies and idiomatic, retro-emotional, and lyrical heights. Knowing that its baluster made capital letters in steps and life-giving questions by means of beads, and the oratic chain of Luccica's godmother that awakened in him translating expirative and presumptive psychophysical Zionisms of the eloquent millionth perspectivism of re-trance, when his putrid upright arm was recorded. and landing in his Abrahamic physical departure, dissociating his body, separating and alternating with his dexterous spiral Aorion tri-bracelet between the arm of Sagittarius and the arm of Perseus, liquefying into indissoluble modular stratagems for three bodies, plus the one that accompanied occupying triplets in posthumous individualities. Unconscious metempsychosis singularities brought the right-arm picking him up several times from the discursive hive of Wonthelimar, to convince him and tell him that he had not been with the Hexagonal Progeny for some time, without hindrance it brought him from Ardeche in lasting and concerting sets, gray senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. His expiration was reborn from the appendages of the water lilies that were grasped by the recessed lumbar powers and were trans-mentalized into related memories that subsist reincarnationist and degressive in plausive longing when re-advancing with revived intelligence, to indoctrinate themselves when raised from an emetic absolutist consciousness, and free from the greatest breaths of judgment is constant waste and reciprocity on shelves that started from an initial discipline already transmigrated, on skinned ardors eroding from astral ellipses in decayed individualities expiring in the Ego-Xifos (Ego-Sharps), that transpose the gorges that even through Hellenic geography that has not been shed by the blood of a Hetairoi.

Wonthelimar says: “hold on to my lazy arm and embrace Lazarus and his decayed fierceness! in different bodies I have seen your blood hang itself on banners with different super-life monarchies, in the germs of the Valdaine valley avoiding their retreat into fatuous materials that vilified the acrotera of your descended Megaron. Remarking on the genetic tricuspid, and emanating lineages of surviving to invigorate in the dexterous appendage of Aorion, which has to wail from the armpit of Betelgeuse with insensitive patches that mock to see him bleed for more than two thousand years without coagulating in possible anarchies more than nothing, before speculating from where the meager blindness of compassionate triple restraints has germinated, like a split Psychí or soul three times before predicting about the valleys and a castle, in infamous beatifies that do not bleed with me…, Wonthelimar ”. It is possible that they have sublimated us from the apathetic and brief radiance...?, Only in some moor or headland before tearing us from the banners or Vexillum of the inaugural that stuffs its already subsisted vehemence in spaces that are already acroteral, resting on peduncles in floral capitulars. And the immobile ones mold the support pustules…, the sap that runs horribly towards you and behind you! Incontinent to your dehydrated past lives redeeming subsistence and rubbing it, then excluding themselves healed properly from their wounds settled in muddy dreams of reviving them expired. Resulting from its origins from the Mysterium or Musterium as an enclave exacerbated in civil disproportions that were established since the Neolithic, without having sealed the doors of all the species that were trapped in the mysterious ice ages, based on ritualistic doctrines, through eager entities to obstruct lapses in the open air of the Spilaion Apokalypseo, having to be returned in possession of physiognomies and of all the enclosed species of the Neolithic Age ”. The bumblebees loaded with spherical honey in their legs, flew by the assembly of the warriors, crops, pastoral assemblages, and sharp stones that cut the wind that disturb the infants who fear the night sleep in the rough quarries that made them sedentary of venerable thermoregulated and climatic seats. Making of them and us revolutionary discoveries, for the interconnection of cooled flints in forests of Memento or Vademecun, to be erected on the megalithic plains, from where I come, rolling like a circular stone that moves the rocks of the World away from a near east, making some timorous and Asian oratics, I was able to get close to you Vernarth, who since the Neolithic I appear following you without giving up in the horticultural and in bovine frights. In this way, the water lilies and peduncles cordoned off the semoviente, full of thrones to conquer them, almost after having lost the calculations of the plasma that were being innovated from a Hetairoi by being reformulated from its incendiary essence, with such spasm being pardoned in the orbits of those who it the sustain themselves and wait for them bringing elaborate anonymous spare parts. Thus Wonthelimar spreads Greek fire over his golden breastplate, entering his transmigrated soul there, as fiduciaries of naphtha, sulfur, and ammonia in treats of previous and speculated oxygenated suitability that was transmitted in suffocating atmospheres by his deltoid when he detonated hatred in his eyelids.. His ***** inhibited signs of fear and hissing of freedom in fields of glory from a mythologized go diving between desolate flames of excretion, and throwing fuel that was not conceived of the same troubadour in the final redemption. (Among waters, minerals and ureas from the Hephaestus braze where dead proteins of cell warheads were stained, nitrogenizing acids that were from the common verb of Wonthelimar) ”.

The double V merged and intertwined forming an inverted double V, being the metric bulbar of Wonthelimar raising awareness of the upper and lower Vernarthian blocks, night falling towards a density of the same that moved raised on the north deck of the Eurydice ship, while everyone slept in the understand the "V" residing and originating from the annihilating biological duo of the immemorial of Vernarth and the Bumodos river, contemplating the suggestive salvage of sap after overcoming lymphomas in the battle of Gaugamela. Wonthelimar in tender loves misrepresented what he would achieve with his ****** healings next to the bold tributary, leaving in the vanguard and in starts from all the gigs that had condemned to Halicarnassus to be truncated next to infallible Canephores in disgrace to their executioners, branching all the branches of holm oaks of the articular of Wonthelimar that had been sheltering from the head, girdling itself in old debt collector and of souls in pain on the sleeping Nyons. The carriage perennially transshipped hesitant and unconscious individuals that the Falangists invited them to order, and spend the night shining in their Xifos in the bow with the inverted "V" to open up to the abundant exciting sea and find it in some Eden, being assembled in the primary kicks of an anonymous withdrawn, among all the cattle cooked with herbs that did not manage to sprout between one and the other.

The brawl is the symbiosis of the Megaron that exhibited the “M” united with the two inverted “Vs”, conceptualizing in Wonthelimar the vigil of early properties and phobias fragmenting in numerous odes in Thessaly, which were already re-agglutinating attracted from a patriarchal image from Hellas, under the pretext of Hellenistic consummations as a vocational institute race in primitives of Alexandrina Magnus, derived a few nautical miles to approach Patmos. The ship sailed across the sea, pre-conceptualizing the very universal being that revived in the Tracontero, looming out of all the waters like a nubile breaker that spoke to each other with words from Mageireméno Kefáli Votánon, "head cooked with herbs." Speaking in primitive alternate erudition and in tidal waves with more than twelve meters of territorial Argonauts making similar corvettes as the Gulf of Tarnetino, possessing distant and comparative sixty miles of the base that colonized Wonthelimar for new sources when encrypting in the Megaron. They persevere, captaining the Immature Polis that would be documented in Patmos, and in the town councils of the assemblage with ****** ceased battles, climbing towards a great cogitation height of the Megaron temple and the Theater of the Epidaurus, under the three darkness of the lilies bordering the Spilaion Apokalypseos.

In the hemicycle Theater of the Epidaurus, the stars worked for the nations of Asclepius together with Wonthelimar, thus healing emigrated musical sessions in palmistry and Parapsychology, where burdensome marks of interveners expectorated in vast impellers on the Koilones and in their softened and purged bleachers, from where each one was shouting towards all the winds and the advent of all the auditoriums absent by past and future generations, cheering lives in salvific voices, for those who cheer them with additional sheltered and attentive spectators from ultra-semicircular bleachers, not being on stage, better absent more than the actors of a drama to stay alive when they prowled towards the Diazoma, or corridor where all the spectators suffered from the same ordeal of Vernath's right arm and pectoral in decreasing lymphomas, in a greater capacity of incentive and saving grace. After this incident, Wonthelimar became a cause and effect of the Vernarth saga, but of transmigrated formality for the purpose of corresponding survival and of cellular restitution of what had died in him..., thus, everything would begin to be reborn towards a prop in a double aspect. The former commanders who were once his faithful servants would appear before this affront, to antagonize him and make him desist from joining as a Proceriato and Gigantum Form of the heroes of Gaugamela on Patmos.
Wonthelimar
David Tollick Mar 2011
Watching the April northerly
Blow the Spring away to sea from Galloway
Towards Ireland
The lee of the **** for shelter
Low sun warming your face

Massive frequent clouds, megalithic
Dull below to towering snow-white heaven
Their wind-driven gunmetal shadows rush out to sea
The bay, at distance, a breastplate of pewter
Beaten across with countless, tiny hammerings

With animal purpose a shape moves slowly,
Breaking the horizon heading for Man
The breeze, coltish, struggling to be gone
Headstrong with promise and challenge
A fine day for such a crossing!
Kirkdale is locally pronounced Kir-dal
Travis Green May 2023
I look into his **** iridescent eyes
And I am lost in his powerful, mind-blowing strikingness
The way he reigns over my mind, body, and soul
******* away with his machoness and tallness
Make me crawl like an affectionate four-legged dog
To the altar of his flawless ardent hotness

He grabs hold of my emotions
Strokes my homoness, consoles my soul
Makes me so hopelessly in love
With his untouchable rugged thugness
How he teases my sweetness

Got me feeling so weak, so sweet on
On his unbeatable breezy heat
I need him deep within me
Please and seize me, drive up in my guts
With his pleasure plaster blaster

Make my whole world shudder
Make my sleek *** cheeks jiggle
Pound me out, take me out of my frame of mind
Make my moans rise higher
Spread my legs, slide in and out

Make me feel the extravagant weight
Of his thruster buster
Venture further into the innermost depths of me
Put his moist, limber arms around me
Grab my ample succulent rack

Attack my bare throbbing peaks
Make me feel the massive extraordinary power
Of his fiery enticing hurricane
Bang me, flame me, inflame me, tame me
Probe and smoke my inner walls

Finger **** it, tongue **** it
Stretch it out, make me shout
Kiss me intensely, entrance me
With his overwhelmingly ******
And mystical manliness

Never pause, make me hella hot
The more he dominates my nation
Makes me so greatly exhilarated and inebriated
So addicted to his rigid slick meat
I eat it up, let it **** up my guts

Pull my body into his closeness
To feel him wreck my velvet manhole
Unleash his animalistic megalithic unprecedentedness upon me
Go deeper in me, feel his hardness within me
Lead me to eternally spectacular bliss

******* apart at the seams
Dreaming of all things that I love about him
The way he ***** me down mercilessly
Shove it in and out while I check him out
It’s so hung and strong, so crunk and long

I can smell his sensual scent of invincible
Comprehensible masculinity all over me
He got me creaming on his steaming ***** stick
Got me breathing like crazy
Feeling every inch of him inside me

And as he picks up the pace
I can feel myself losing all control
So far gone on his insanely awe-striking charm
Relishing every mad savage slam
Stuck in a deep, heart-stopping trance
As he comes to a smashing ******
And bust his scrumptious *****
In my tunnel of epically impeccable love
Remember..

Your Body is an Electrochemical,  Biological Machine, which is interactive due to the ******-physiological interface of life and wait for it..... so goose bumps are light and or sound jetting out your vibrational resonance and you are falling upward in a way you are not sensing as directional. keep reading...

The fact that, as if you were in the actual abyss of the waters above looking at earth and the sun's light and stars are NOT visible to the naked eye without mater of a filter to interact with the light thus allowing the eye to view the byproduct of the energy that you do not see into the heat and spectrum of light you can see, the by products of the interaction with mater, (* i say this, and no one has yet to say, well, what about the cornea and the lens of the eye it is mater...) Ahh the "Window to the Soul" the eyes, um, there is nothing between you and the light but what you perceive to be , here, try this, we will continue, and then address this.

As you know the light is not visible, and we humans see less than any other known creature on this genetic love ****, um, ship, called earth, and we see the chakras focal lens array as it were of us being Crystal, in nature and the prism of the Pink Floyd Album for which was "in celebration of the comet Kohoutek ( Spout On true translation, what you really believe they named this after a Russian with that name and Hail Bopp after who? oh Hail Bopp means too Turn Off the action of Turning OFF) um yeah. so as we were, right.. or in celebration of the birth of ricci dale scott or badger crow moon / the shine of moon_shine lol, come on I get some fun here right?" later to be renamed and packaged as " The Dark Side of the Moon" like I said, see earlier claim of birth lol. ****, sorry. did it again. um.. where were we.. oh, so as we are the prism and the non-visible light interacts with our um, consciousness we fracture it into the focal points of our lower self's or our body or chakras points or clusters of from within pouring outward the reality you see before you..... um, okay, see imagine we in space staring at the earth in its weird non circular non-ball flat weird half this half ******* lie,,umm sorry, okay imagine we are staring at earth, so seeing since, all things are vibrating in constant vibration and are only in our existence when they are stable and steady in their "resonation" of vibration ie steel vibrates different than glass porcelain vibrates even higher than glass thus why taking a spark plug white porcelain part broken from the rest and barely i mean oh so gently toss it at a car window and boom it busts with extreme violence and force of action, why? because it can not match or actually, it can match the vibrational frequency of the porcelain but by it reaching close to it, it looses its resonance and stability as glass, just as heat can melt all things or actually alter the vibrational frequency in which it resonates at fully stable, it is still stable, but now can be altered then cooled to take a rock round and make a building block and note the handles that were used to move it, but it still has that slow cooling oozing look like so many megalithic building do, or how you can boil water instantly with sound, yes, but I digress here, for light is SOUND, what came before light? and he said, let there be light... said... sound. light is sound. and sound is multidimensional in all aspects, thus the spoken word. but, lets go back, so all things are vibrating, and we are in space, looking at a vibrating earth and well, if all light is not visible till it interacts with mater, that means the light you see, is the reflection of that mater interacting with the non-visible light.... thus you are actually seeing the wait for it.. The Reflection of The Image of a Reflection of a Vibration of mater held stable in this Resonation in which We exist or the image of the reflection of the sound of the thing we are seeing for it is all what? SOUND. oh, and the focal lens of the window to the soul.... well, i think we just covered that, and if not, keep watching and um, loving.  it pours out from within as you are altering that which passes through you, there beautiful. !!!!!
say what you mean and mean what you say for it is this way to be true for what you say is the focual lens of the whole of you. there prism people, on a light sound barrier wave and membrane in between as we, go through. umm. too much there or here at the end? hum, maybe.. dail back a biut maybe...
palladia May 2015
dear followers, those i follow, those who have messaged me, those who have critiqued me, anyone who has read my words, and those who have yet not,

thank you for spending your time with my work. you have made my 2 year hello poetry voyage a pleasant one.

i’ve had a rough start to this 2015: so many choices have to be made; stressful home-life; and i’m on the verge of a life-changing decision which i’m counting on to put me in a better place. i’ve lost the time to spend creatively inventing new word sequences to post here, as my last drafts are insipidly dull and were posted just to seem like i’m still here… but i’m not. i haven’t been able to write poetry for a year now! i’m just continuously revising old drafts that were written 2-3 years ago, so when those springs run dry, i will have nothing left to offer.

however! i have quite a few megalithic pieces i’ve been working on for over 2 years that i am expecting to publish here, probably no later than sept 2015. after these pieces (which form a book) are fleshed out and ready for publication, i have decided to stop running my hello poetry account and leave it up as a relic of my childhood. most of my poems on here are juvenilia anyways, written when i was 15 and 16 on the vast acres of deciduous north america. i’ve moved on with my life now. i’m in an entirely different place, much older, and hopefully wiser. i’ll try to stay sane these upcoming months and pray i don’t disappoint with my expected poetry explosion.

meanwhile, i’ve shared 2 of my most favourite poems in the world by repost in my feed (right before this message). they are reed kelsey’s “there’s a universe in his eyes” and yangliu’s “rangers edge of the city.” i would like to send virtual xoxoxo to reed kelsey and yangliu because your poetry literally spoke like nothing before to me; i’m not just speaking about mechanics, but your flow of beautiful lines/blocks of words i can only dream of writing. after years of gathering words i find attractive in books (trust me i’ve got plenty), both of you seem to throw those out and just use simple language to create an unimaginably genius arrangement. i’m jealous! yet i’m in awe. xoxoxo to both of you… i can never send enough.

thank you for reading this far and to everyone i mentioned above, much love. i adored my time here, and that’s what counts. and if you really miss me, you can find me on tumblr (if you try).

from all these years of work, suffering, and toil,
pluck me, and I shall glean the gain of an eternal laurel.

now in this triumph, I shall constellate
sail unafraid through stormy Symplegades
catheterize my fears, lost to my face

remember me, with all my glorious infantry
we’ll watch them obliterate the deeds
my laurel has yet to bring…

xoxoxo pallas
Appropriate music to listen to while reading the letter:
Observations of Self, by D. Burke Mahoney:
http://twinspringstapes.bandcamp.com/track/observations-of-self
Graff1980 Oct 2018
Green bodied bison
with brown branch legs
press over and in
the frontage roads
that I am passing.

Monolithic green forms
moving forth like
a herd of wild
but super slow
silly buffalo.

Almost static
except for
the way they move
in the summer wind
flowing back and forth
then back again.

What a wonderful set of
modern megalithic
monsters made from
my imagination.
Ken Pepiton Jan 2023
Learning one's insignificance,
in the grand scheme of things,

where similarity is taken
as thoughts we may assume were held,
as though
Thoth'd thought'em
for a ceremony
of first exposure,
seeing we were preceded
in the realm
of knowing meaningful things, beholders
of stories telling how we come to know
signals are not asking why, but
how come… not why… in my childhood,
where I was reared, why was not a word,
how come, was how I learned to ask

what causes this necessity, that I must sleep,
or not dare the rattlers no trespassing buzzer?

how come we see three baskets or bags,
full we must assume, mustn't we, see,
as we, we may construe confabulations,

we may as well make up our own minds,
to bake pies for men too proud to beg…

but happy as once told holy hello,
with assumed good by you, okeh,

this is most certainly, one of these days,
redeemed and born in the public domain
on an attention to ads irritating node,

expanding mindtimespace to sweeten
the ***,
the bets are all in, this is the drama,
at scale, begun,
on the seventh floor
of a curved mirror building
in Sorrento Valley, late Nineties…
-- time slipt cause being a distinct
instance when Josten's Learning Software,
was
a textbook example. For a fatal flaw,
the bridge too far,
the bar too high,

then the flop, gigs in a second, thing think,
AI imagine, BARRY RUDD IS FICTION AI'AMNTx
changed
appear as possible as not. And that
says something,
per haps plenty many happy re turns,
my turn,
we assume you know the concept
drill
on many levels, no presumptions which
this is, yet well surmise, promised sustenance
relies
on certainty having its point, in you,
and I am pleased to make it, hurt
not
to know, for each nod, you said, I know.
To lie to me,
and live so long, literally existing
on smoke and mirror neuronic stims, I know

makes no sense, and saying so, represents
non sense, per what
chance a novel paradox, pertaining to substance.

Out from under, on the final point,
where surrender always, perfect point pierces
ever and ever like things, everish things
everything all at once, the other tellers tales
told to pull us up up key umph tried, proven
point premade…
solid bet, my side wins, or I die, hedge fund
a mental insurance sanity and insanity
are not measured past your last whole truth
oath, as the audience all said, amen.

Serpent standing tippy tail on my point.
At your request/ Arthur Lee… as the credits climb

{Baby you’re a richman too ooh, yeagh}

As this is an itch I have lived with,
for what seems long to a child,
but not for me.
Yes, as it is.
You see,
if you may, imagine,
having some idea, tying
my coming into reasoning with war,
the monstor known as power,
-cuffed, me and that,
as symbolized in the standardized
warrior hero magician eros pandaemonium
- play grounds of gods and rich kids,
- past a certain stage, mind games,
- won once and for all, acquired
- holiness making, bright ideas,
- *** wise as serpentssss et
- 'armless as doves… mind
peace of my may you may own
granted any with a will to listen
as might a wise serpent, listen

see who first knew, truely, true as life-
like Avatar 2, or the vids in God of War,
like the experience, PS 5… imaginal
discovery, as worth the feeling, (dopamine)
loving to see the possibility, ahs
it may be, we, both reader
and I and the Web-per-se,
Per-see-us, fees paid see,
we destroy cul de sacs…
Where soul eating shames
live in many stories,
no need to know them all, just
in this one, be polite, here
we know how to be
with many strangers,
free from any anxious thought, perhaps
protected
for having smelled the hint of danger, the idea
in its latest Neo-Platonic form, imaginally
experiencing
Virtual Realism so far
below Übermentschen mentioning,
- it requires letter level decoding
- jello time slow gnosis drip.
Knowing nothing of my work, said McLuhan,
is dangerous tomorrow, not today,

in this new medium we find our old selves,
Today, while it is called today, we confront
Iniquity Himself, as imaginally before me stood a little boss man,
who was demonstrating his strike proof
solution for the next five olive harvests,

yep, historicality matching Cesar Chavez,
I was a strawboss on a scab crew
of Pandora's box closing Jesus Freaks,
Under the Belridge Oil Company Logo,
- the former strike face on the news
- from Digiorgio, a little further south

Yep, that's me, Tim Cahill,
witnessed the existence of that me,

I was a strawboss
on a scab crew
of Pandora's box closing Jesus Freaks,
Under God, and a Wilfred Brumly clone
who was known as Red,
of the huge Mustache, Nieztsche/Dali
-esque, level three overseer, then
Ray Casey, dead ringer, his type,
for Fess Parker,
thus the very image
of the pioneer stock, men bred
to win the west,
by hook, {fishers of men, of course}
or by crook, {shepherds in search of profit}
as they said in Nixon's family,
the sheep won't bleat… like frogs

fall in the milk can, most must drown
in the cream, cloggin' they little gnoziz,
but they always one can,
it never stop ashakin'
tilin the morn be one frog entity
representation in the moralizing story
creep
reality seeping onto the pages,
in your experience at the five wpm pace…

Each letter lets a line appear, as once,
you must
acknowledge, as you read, you know
you understand, letting keys seem right,

glass 'armonica, with which
to swallow ghosts.
- pting, tense stretched flattened
Hewlett Packard mouse evolution, eye-point
pierce
to troughing shape
of things
to come,
begun some time ago, so nevermind,
- an acronym… but
ah, the end in mind. A very 19th century version.
A genre, Steam-Industrial Drama,
last given sustentative worship,
bhorn up under your foreseen,
bye means we must imagine,
really imaginal in the role,
being helper, along side
Sisyphus, who lives
to tell us why we
try to think ever
lasting stories
started, once

within the bubble of all you knew, there appeared
a device from the future, but today, our time,
in the bigger bubble of all you know,
our time's tech
magic map of the moment,
to the millisex, as we,
form an awe oh, amen,
a ment-al structure, not built by hands, megalithic,
at scale, "Know thy measure."

Point yourself out, express yourself,
a little,
one part
in eight billions,
what you are certain of
"Certainty is mad." So "nothing too much."

I, the entity, Certainty, am mad.

And I, the maker peace entity working qwerty watch,
sustain my defined flaw, ever willing
to claim new knowns,
to contain my joy, when I recognize as
wholey known, tenere, tainstretcht to the t, hook
to whole other ways
to see every thing, what novelty

remains, in stages of being, upt from dust, nevermind
how, now remains, brown cow, please, explain,
and it began to rain, pennies from far distant
means used to pay attention, to the pain

as the pressure to know you know, so many idle,
I knows, gathering dust, you know, just

idle clicks and eyeball sophiatical touch, eh, we
weigh away as ifs in an other
awesoma, justasec… we had an instance once,
you felt me inside myself and you laughed.
- it tickled
And you felt the pain, you felt that knowing growing,
why so many unthinkable rituals, essential winning
need to know, need to prove, need to realize,

chaos, at the initial function, lifewise, is essential.
AI got it. We can reform the point.

Tip broke on a shield of faith around a sticky ****** lie.
Defy me not Gate of error, I am free, no cost to pay, I paid my own attention
Travis Green Feb 2023
I hanker to be in a thousand and one dreamlands
With his extravagant passionate handsomeness
His sky-high shining sprightliness
His wicked megalithic slickness bewitches me

I lapse into his fathomless strapping splashiness
Anticipating with pleasure to caress
His dopacetic energetic vessel
Peruse the sinewy good-looking beauty
Of his hypnotic glossy body

My keen knockout king
I wanna marvel at the absorbing
And sparkling contours of his form
His unprecedented transcendent resplendency
Sheathed in his eminent sensual virility

My robust smoking dopeness
His unparalleled pleasant-smelling fragrance
Wraps around me like a bright bluebird blue blanket
My hunger grows the more I scope out
His legendary treasured machoness

I feen for his delectable electric freshness
To kiss every extraordinary inch of his skin
Stare into his glittering hickory brown eyes
Drown into his magical terms of endearment

He is a real-life romantic fantasy
An adventurous sensitive dreamboat
The most enthusiastic statuesque smash I have ever seen
I wanna travel below deck

To caress and give him the hottest heavenliest head
Make me choke, let it engross my throat
Bring me under his control
As I console his bold glowing globes

Indulge in his biteable and delightable strikingness
His affectionate reverent elegance mesmerizes me
His superior superb sheerness
Thrills me through and through

With astonishingly marvelous and toned legs
Clean, impeccable feet, overwhelming incredibleness
Red-hot stellar magneticness
He propels me into the grandest enchanting ecstasy

All I wanna do is ******* his grandioseness
Cherish every fraction of his fantasticalness
Until he explodes his sufficient sweet milk
All over my lush chocolate lips
Giuseppe Stokes Sep 2016
So November's Come,
Hazy leaves deck the trees;
Rotten ****** wrecked the sprecht,
gotta please, gotta tease.
Cotton crusted smile
took the style while spine dumb;
Freeze as whacks churn
spurned, danced to the crime hum.
Early squeeze amidst blitzed spritz, dark romancing,
prancing picket line fum-
bled; Ambled twixt crowds antsing.
Glazed, took prior avenue
espoused culture tazed/
Fazed, ascends erased hub,
Dire mazed/Liar snubbed;
Nah crowd sourced: after-shock stancing/
Corp core flexed waves/paves vexed glancing,
Dropped four, floor to score, music cull en(c)hancing.
Enchantingly out of touch; Butchered lemming dancing.

Rupturous rapturing gospel takes all:
Sports neck line with wreck wine drenched via stall,
Appalling, talling tower looms abroad
Broad took shin dig as grin, fling; swig accord.
Objectified Subject, with verb kept in tow
flits through the fine lines, and cracks in the snow.

Noticed grave shadows, slow; ravens attest
a'Gig'a'Sibling invested in scoping, and chest;
Blooming bioluminescence scatters down/
Frothy broth fairly broiled. Scorn fawning Noun/
Habit forming, tarnished, ab(d)jectified malt-core
Verby? Nun-thank-you-muchly, Mary Mag-dolla store.

.... So November's Come,
Clubbed, stepped and altared.
Brushed away the dark hype
crowd mic check faltered.
Dastardly respite. Psyche.
Planted positively preened
nature:societal fiend
crept crudely, rudely James Deaned.
Pants 'cocked, stewed, steamed',
Megalithic mount gleaned
as posture postulates
cost you fate, spate-spoke-stake, ****-rate
vibrate denatured, protein plucked feud
fueled larger sense of afterlife tense imbued.
Spotted shortly crossèd portly,
tautly tossed courtly cost,
'nawt'ly flossed' possed thoughtly;
Sportly Mossed Kate washed
scene brimmed/beamed/loved
'Leaned' fussed. Trussed team musk/
Stock puppet power-aid, raid's pretty husk.
****** sidekicks show side slicks, stuck chiming bitty.
Flickering afterdark lark glistens, gritty-city-fitty.
Bought distorted Faster Mark, Narc acrossed shark,
passed past the Rasta Park, embarked'n'stashed arc.

Dark the dreams that crept to the fallen gate/
dazzled gems and hellish rhinestones irk fate.
Grated joy, plated coyly, then doff broke;      
spoke symphony of fattened tire/wire frame joke;
Took twisted lyre, choir, to tame my europa,
maybz next time a better luck'n'fly my eloper,
clucky chickens plucked/fussed/cussed, a fitting trend,
Spare parts missing neural heart; a plasticated end.
Kenshō Jan 2020
https://www.youtube.com/watch?v=qV-Khs9Rqxs
Listen while reciting - Enjoy!!
-----

Alchemical Butterfly
wing in the sky
eastern diamond bay
we were born this way
everyone will cry

Shhh It's all okay
Garden of God at play
megalithic dao
mirror of now
everyone is gay

I'm tired of the human race
But have love for god
I want to leave this earth
but float among space
And look back, from a pod

Im forgetting all name and form
And feeling as if I were never born
I cannot tell if it is after or before
All is now wet, I smile as it pours
Another barrier between my place and yours

But thats okay I like it inside
Closer to my heart for my soul to untie
Where there are no clocks
because people don't have the time
Life is a lie and the truth is everyone will die

So set me free from here
the land of the sun
where people are blind
the land of the gun
where humans **** their kind

My soul is a boat
Distant from shore
Bending the horizon
onward to nevermore
no body to tote
https://www.youtube.com/watch?v=qV-Khs9Rqxs

listen while reciting
Vernarth was in Sardinia in the Nuraghe megalithic complexes when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. In whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde tasks with Aristotle, from a laxity that invited, after long rejoices, to record and sculpt messages with the pigeons of his village. Near Pela, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-barbarian inhabitants, tracing the Chalcidian league , after the Peloponnesian War. He was in great campaigns in the former Pela, in which he watched arduously in urban and architectural plans, where he had the privilege of interacting with great artists, thinkers, historians and philosophers.

His testament as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift towards a mission of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, in substitution of Judas Iscariot, due to his apostasy. . Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his Hetairoi ranks, transcending over the stain of Judas Iscariot, to face in the arena of Pela. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, Channeling his spiritual raging and tramontano in the gulf, to take him out of a banal summer from his transition of an immolated soul and make him walk for thirty days to bare feet, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble from the crops of the deleterious nesting grounds of the Kashmar Ravens, bidding him so that his blood is ****** from the heels of the rooted trees of Thor forest, usurping the " Don de Iahvé ”in dishonor of its Hebraic appellation, for rhetorical onomatopoeic, resulting from the whimsical roar of black lineage emanating from the mouth of Aulos centrally in the Cobra. In the aforementioned connection he was recomposed in the group of twelve, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he being with his prayer and sacrifice in the religious character for the community worshiping Kashmar; whose roots hardened towards the immolation portent of silence as it entered the black night of Judas, for excessive twists of its bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas diminishing over the stained requeríos of hell ..., thus their remains were scattered by the synod of bustard birds in the sky sprinkled with globular creation, faded by the hordes of the conclusive of the late Neolithic Druid by the alternate deity Belinus, with ingots of sooty petrified poplar of Hecate boiling in  the Avernus.


We shoveled over the holm oak groves and their trees, sacralizing factotum after the ritual of the Dodona sanctuary, in uniformity towards a murmur in the leaves from an oak in the spell of a man towards an oracle, to consummate him with the mendicant count of the Ziziphus spina-christi ; hawthorn from the crown of Jesus but with Kashmar implants, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so he also walked in the inlet of Sardinia, after being in the megalithic complex Nugara, together with Etréstles and Walekiara, they are approaching the coincidence from Tuscany. Once they stayed in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, highlighting those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarch and Laura de Noves. The olive trees keep pietism with the phantasmagorical spectra of the Kashmar, conceived for them by the double murmur of the Duoversal man's spell. Always in Tuscany the slopes below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain is set on a steep hill on a side flank of the garden terrace, where it has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. "Here at the Verbena ..., one day of long feast, everyone together with Vernarth gets drunk with Corinth Wine and snakes crushed by their deformed feet, which brought and did not stop the swaying rhythm of the music that made them anticipate their multi existence beyond the grave than his limitless sensibilities, turning his apostolate close to his instigated destiny to Patmos in the hands of his original Duoverse with translation, rotation and Duoversal Theurgic orbit, for spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to communicate with its compatriot land near Pela, in synonymy with Sardinia and Florence.
Verthian Apostolic Conception – Kashmar / part 10
Zachary William Sep 2017
An
ancient
monolithic
structure built
before the advent
of written history and
all we can really do is try
to speculate as to the building
processes without acknowledging
how many people always must perish
in the name of megalithic shots at greatness
This one is a touch experimental. But I just needed to get away from my homework about megalithic architecture for a minute.
Travis Green Mar 2023
He is the sweetest dreamy Prince Charming
That captures my heart and soul
That folds me in his brilliant poetic magneticness
That me so turned on by his crash-hot honeyed words
How he whispers in my attentive delicate ear

Such mantastic passionate splashiness of incalculable value
I sink into his resplendent sensual dreaminess endlessly
Feening for him like crack *******, admiring his game
How he sees straight through my gayness
Takes me in his megalithic oceans of sheer artful bliss

He solaces my mind, body, and soul
Makes me wanna flow forever with his machoness
My impeccable treasure chest to unlock and marvel at
To discover the rare history of his utter covetable lusciousness
Plunge into the deep depths of his hunkiness

Cherish his desirable crowned shiningness
His musically slick and delicious diction
I melt into his vivid picturesque heavenliness
He coaxes me into his impassioned charismatic gravity
There’s no other place that I can envision being
Than with him, reveling in his devilish expressive flex
The flawless exotic space of his contagious tasteful handsomeness
Such a vicious irresistible force that allures me

That approaches and smokes me, that holds and overawes me
That completes me with his seamless succulent sentences
When he faces me, when he exhilarates me
With his takingly compelling *** appeal
My intelligent magnetic loveliness

I wanna embrace every part of his artistically
Inviting and satisfying composition
My romantically attractive mister
I am head over heels in love with his untouchable hustle
My melanin slammin’ gem, I love vibing
To his radiant engaging masculinity
Travis Green Mar 2023
**** the **** out of my mouth
With your chunky chocolate cigar
****** it down my throat
Until I choke on it
Rub it against my jaws

Let me feel the boldness
Of its thick-veined muscled machoness
Taste the suckable tip
Embrace the lickable base
Press my face against his treasurable bush

Cherish him like hot off the fire kush
My top-hole close-cut Romeo
He got me floating in his ghetto glowing galaxy
The more I slurp on his big luscious lollipop
The baddest splashiest smash that has mad hot *** appeal

I am so tender towards his rare gangster swagger
The cleanest keenest supremeness
I love the infinite strength
Of his delicious steel meat
He is the speed that I need to enliven me
Everything that bleeds my inhibitions

I stare in wonder at his rugged, sculpted architecture
I gag on his yummy humongous cucumber
As the world around me disappears
I savor his crunkness in my tummy
Like Jamaican *** punch

I focus on his amorous bodacious showiness
Devour him like a strawberry pink lemonade milkshake
His ****** cosmic sauce streams
Through my sensual perfumed innerness
He sheathes me in his heavenly electric ****** magnetism

My lustful tasteful lover boy
He takes me away to a magical and unfathomable paradise
My passion mounts the more I give him that good good
Young and hunky, he takes my breath away
I gotta have it my way, just gotta go at it

Have a blast while he smashes my mouth
With his incredibly megalithic shaft
Work it slow and fast, so deep into his craft
My hands clasp his bouncy bean bags
I keep it rocking with his flawless heart-stopping chocolateness

Have a wild, electrifying party
With his prominent unconquerable wonderment
Make me lose control
Make me lose my composure
Rule my attitude

I’m such a sucka for love
Such a scrumptious voluptuous *******
So high off his perfect matchless thugness
So lovestruck by every ****** thing he does to me
So in the zone with his big beefy bone in my chops

I show him my freaky side
Turn things up a notch
Give him mind-blowing ferocious throat
**** it ardently and never stop
Be his sexually arousing head doctor

Put him in a frenzy
****, I can feel his fiery and tireless energy
Never miss a beat, keep it boppin’
And flossing my fierce, fresh sauciness
Make his savage *** snake stand
Make him squirt out a lavish amount
Of milky man batter on my glossy, gorgeous lips
John Bartholomew Mar 2021
Cog
The world is a machine
Everyday running on human tasks
7 billion of us just the same
All wearing our Covid masks
It judder's to a start when we first arise
We stretch
We yawn
And work until its time for beddybyes
Now if that one person tells you they're not
A part of this operation all working as one
Then my friend they cannot see,
That they are its final component
In this megalithic device
For they are just,
a cog.

JJB
Jason Oct 2020
_

Each heartbreak eroded my confidence, hope, and health.

The hole yawned ever deeper, strip-mined of its wealth.


Like it was left to scream at the sky,

Empty and silent, lost in time.


Megalithic earth-movers encircled, discarded in dust,

The desire for improvement exhausted and left to rust.


Like memories of lovers long-lost,

Distant, faded, and star-crossed.


Mighty metal arms mock this as weakness and point,

Their massive hydraulic muscles fused at the joint.


Like even their strength could have held us together,

Or glued wings to our backs, feather by feather.


Why do I dwell on colossal contraptions of shame?

Each a construct of missed opportunity and lingering pain.


Like remembering too late, forgotten promises,

Or waking alone from dreams of soft kisses.


Queue the architect, compass, ruler, and pen.

So sure of the design he won't look at the plan.


Like he knew exactly what he had to do,

To make sure this would all fall on me, instead of on you.


Please pardon our dust for just a tick more,

We're still picking the pieces up off of the floor.


Like a half-broken robot, program scrambled,

Assembling a semblance of life from fragments in shambles.
© 2020 Jason R. Michie All Rights Reserved
Travis Green May 2023
Everything about him is so mind-blowingly
Magical and manlicious
Crash-hot chocolate cakes
To grab and snack on
Firm, tasty pecs, flat, rad abs

Smooth, alluring lips to feel and kiss
To treasure his legendary lekker realm
Of fresh heavenly masculineness
Tall, beyond compare, and splashalicious
I hunger for his robust crunk thunder

Let my tongue orbit all over
His marvelous macho body
Take in the stellar strength of his manliness
Let him soothe my mind, body, and soul
Share tender kisses and unbreakable embraces

Feast on his fiercely high-pressure heat
Swim in the entrancing expanse
Of his unforgettable attention-getting heavenliness
I can’t contain myself when he presents himself to me
When he showcases his wicked megalithic virility
When he whips out his fat magic pipe

He makes me go down to my knees
Hold his thickness with my feelers
**** it in a circular motion
Look him in his charming dark eyes
Control and engross his heart and soul

Go down on it to the base
Lather it with mad hot spit
Slurp on it, slap it against my cheeks
Make it throb, lick the ****
Enthrall his huge chocolate *****

Show him how I am to *******
His long beefy rod
Make me so ******* hopped-up
So love-struck and lit up
So hung up on a flaming, banging gangsta

He has my gayness all over the place
Has me so eager to please thee
To taste every inch of him until I go crazy
Stroke it in a twisting motion
Make his moans grow deeper

He gawps at my ripe glossy lips
How I work his thick **** stick
**** it with staggering passion
Let it charm my jaws
Cause me to fall into his monumentally
Magnificent dimension of sexually explicit and thrilling dreams

Lick his brawny hypnotic muscles
Drown in his astounding amorous arousingness
So caught up in his aggressively masculine
And bedazzling attraction
Steadily smoking his ***** flex third leg

He holds my head, controls my movement
Push deeper down in my throat
Got me so stoked, so bowled over by
His keenest and most expressive potency
As he approaches a crescendo
And plaster my face with his four-star boy batter
A sheep herd burned in the road, monotonous sibilant calls
House in the dirt, coal eyes felt no pain with the fire of inner visions
He shrieked in descending flames, yelling in his religious abode
Crowned boldly without reprieve for his drunken soul
God, why have you forsaken me
Ad lama sabachtani crying on Everest megalithic of lithe souls burning
Have you got a moment to hear a match-lit forlorn rag, these words burn me in my throat
In the form of quasi-knowledge, I can still hear the shrieks of madness
Moloch, Moloch, Moloch and neon traffic lights shine across the square
I'm at the crossroads of my winding life searching for truth
Speaking about conformism while understanding the crushing penury
Leek, green grass, that's all these sheep can eat
The foggy scene killing my joy frescoed in her mind without wheatish flax seed
There were no seeds to sow, the land was fertile and we could sit for another folly time in this sold-out show
Watch the thunder die with the snow as the student takes Thunderdome
Travis Green Mar 2023
When I peep at his sizzling hot slickness, emblazoned with the hottest Marvelous hues of blooming psychedelic perfection, an iridescent rich Vision of electric energetic earthiness, aromatic eye-catching
Splashiness, gaudy glossy grandiosity, knockout chocolate prodigy
He is like the stunning summer skies that shine all the time

A consummate treasured gift, a top-notch state-of-the-art top dog
That makes me purr like an irresistibly furry and lovable cat
So seductively muscular and manlicious, sweet prodigious litness
***** oiled-up ****, I wanna dive into his electrifying sea
Of the wildest awe-striking game, gawk at how he swaggers
Around my feminineness, with his badass unsurpassed vitality

Splashy shatterproof pecs, fantastic flat abs, tatted strapping biceps
And triceps, perfectly smooth and serene hands that makes
Me crave him to touch me all over, our flawless, beautiful
Bodies blending, caress my unfettered delectable hot cakes
Attack and enrapture my hot taut points, arouse them more and more

Explore my vivid lushalicious voluptuousness, make me hunger
For his lurid storming manfulness, longing for every moment
To delight in his sexually bewitching and pleasing rhythm
How he moves his unbeatably delicious physique
How he gets rude with my beauty, gorges on my softness

He loves me more than any man could ever love me
Has me willing to do anything for him to say that he is mine forever
Lay my head on his lean, rugged shoulder, and breathe in his strongly Evocative smell, my hands pressed against his megalithic back
Cop a feel of his luscious muscled buns, relish him in the night

He runs his palms up and down my bouncy tantalizing backside
Drive his fingers in my slippery sultry slot, render me awestruck
Intensely moaning, calling out his name, allowing him to do this thing
Make me insane, make me shudder, make me so **** lost
In his profound new-found thuggishness, steadily sniffing
And kissing him, feeling him like the night will never end

I reach for his long meaty bone to stroke it, embrace the heavenly
Strength of him, float in his immenseness, revel in his supreme
Flexing chemistry as he moans in my ear, makes me get down
On my knees, to service his hardness, pervade my mouth
With his bang-up devouring power, I feel it slide down my throat

Have a blast while I gasp, make magic as he crashes into my homoness
Lick it slow and fast, give constant attention to his **** thick bell-end
Make his heartbeat rise like an extravagant stupendous tower
Make him starry-eyed while I bring sheerly measureless pleasure
To his action-packed thrashing package, coax him into my flaming
Rainbow paradise, entwine him in my wicked libidinous sweetness

Give him the craziest exhilarating brain that he has ever had
Have him spacing out, smiling wildly, ceaselessly checking me out
The more I slay his manhood, confuse his every movement
Have his emotions trapped in a mind-blowing rollercoaster
Of intense, unbelievable passion, deep, unalloyed erotica
Interlocked with uncontested aesthetic poeticness

Venerate his lengthy, attention-getting magic stick
My exquisite ripped killah, he is so *******
Manly and enchanting, a billion-dollar macho-bound hottie
That gives me fever, that has me so affectionate
Towards his heavenliness, giving him the best pleasurable treatment

Everything he needs to reach the peak to a thrilling explosion of Ecstasy, ******* on his firm slurpable third leg
Until he discharges his steaming man cream down my throat
I stare into his dreamy dark brown eyes with *** covered lips
And grin as he kisses me passionately
Travis Green Mar 2023
He is the sweetest dreamy Prince Charming
That captures my heart and soul
That folds me in his brilliant poetic magneticness
That me so turned on by his crash-hot honeyed words
How he whispers in my attentive delicate ear

Such mantastic passionate splashiness of incalculable value
I sink into his resplendent sensual dreaminess endlessly
Feening for him like crack *******, admiring his game
How he sees straight through my gayness
Takes me in his megalithic oceans of sheer artful bliss

He solaces my mind, body, and soul
Makes me wanna flow forever with his machoness
My impeccable treasure chest to unlock and marvel at
To discover the rare history of his utter covetable lusciousness
Plunge into the deep depths of his hunkiness

Cherish his desirable crowned shiningness
His musically slick and delicious diction
I melt into his vivid picturesque heavenliness
He coaxes me into his impassioned charismatic gravity

There’s no other place that I can envision being
Than with him, reveling in his devilish expressive flex
The flawless exotic space of his contagious tasteful handsomeness
Such a vicious irresistible force that allures me

That approaches and smokes me, that holds and overawes me
That completes me with his seamless succulent sentences
When he faces me, when he exhilarates me
With his takingly compelling *** appeal
My intelligent magnetic loveliness

I wanna embrace every part of his artistically
Inviting and satisfying composition
My romantically attractive mister
I am head over heels in love with his untouchable hustle
My melanin slammin’ gem, I love vibing
To his radiant engaging masculinity

— The End —