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Donall Dempsey Dec 2016
INTO THE INELUCTABLE MODALITY OF THE INELUCTABLE VISUALITY

Leopold Bloom
tousles my hair.

Tells me I'm a
"...grand little fella altogether!"

His large black eyebrows
look as if they will leap

off his face and land on mine
chew my mind.

Of course he is
only Milo O'Shea.

Actor extraordinaire
from Strick's ULYSSES.

Some concert in the girl's gym
has mad him appear here

before me
quaking in fear.

He is the first man I see
in a tux.

Our class is to recite
THE NIGHT BEFORE CHRISTMAS.

Was I not nervous?
Jaysus I was so I was!

The spotlight a Medusa
turning us to stone.

An audience a many
headed monster.

I...I...I
petrified.

I throw my voice
out into the dark

like throwing a mad dog
a bone.

"As dry leaves that before the wild hurricane fly,
When they meet with an obstacle mount to the sky."

Guy beside me starts to cry
wee running down his left knee.

Now it's over and I
am returned to myself again.

Meeting Mr. Milo
is just a happenstance.

Later he will will become
Durand Durand

trying to **** Barbarella
with sheer pleasure.

Now,  Zeffirelli's kind friar
in ROMEO AND JULIET.

But for me
he always blossoms

into Bloom
tousling my many many curls.

"A wink of his eye and
a toss his head.

soon gave me to know
I had nothing to dread."
INTO THE INELUCTABLE MODALITY OF THE INELUCTABLE VISUALITY

Leopold Bloom
tousles my hair.

Tells me I'm a
"...grand little fella altogether!"

His large black eyebrows
look as if they will leap

off his face and land on mine
chew my mind.

Of course he is
only Milo O'Shea.

Actor extraordinaire
from Strick's ULYSSES.

Some concert in the girl's gym
has made him appear here

before me
quaking in fear.

He is the first man I see
in a tux.

Our class is to recite
THE NIGHT BEFORE CHRISTMAS.

Was I not nervous?
Jaysus I was so I was!

The spotlight a Medusa
turning us to stone.

An audience a many
headed monster.

I...I...I
petrified.

I throw my voice
out into the dark

like throwing a mad dog
a bone.

"As dry leaves that before the wild hurricane fly,
When they meet with an obstacle mount to the sky."

Guy beside me starts to cry
wee running down his left knee.

Now it's over and I
am returned to myself again.

Meeting Mr. Milo
is just a happenstance.

Later he will become
Durand Durand

trying to **** Barbarella
with sheer pleasure.

Now, Zeffirelli's kind friar
in ROMEO AND JULIET.

But for me
he always blossoms

into Bloom
tousling my many many curls.

"A wink of his eye and
a toss his head.

soon gave me to know
I had nothing to dread."
Donall Dempsey Sep 2018
THROUGH VERY SHORT TIMES OF SPACE.

The red door of No.16
North Frederick Street

slams behind him as he
enters into this newly minted

morning
sunshine so thick

one feels like a fish
swimming through it.

Sunlight spangles
a tiny puddle

turning it into a jewel
that only the eye can cherish.

Ahhhh "...the ineluctable
modality of the visible."

He turns right into Upper
Dorset Street

pulling an "Ahhh...howya!"
out of the man who makes the false

teeth!

Then turning left into
Eccles Street

giving the nod to No. 7
Bloom's house in ULYSSES.

Here in its run down state
though still shining in his fictionality.

Soon they will knock it
down and what will the tourists

do then
poor things.

Sure some bright spark
will rescue it from its rubble

and the door will live again
some streets away again.

Ahhh...." the ineluctable
modality of the visible."

I go to Quinn's gym
to get my Molly

(  Philomena her name is )

a cottage cheese with pineapple
on a Weetabix base.

It is a 16th of June
somewhere in the 80's

as I retrace my own earlier
Joycean footsteps.

Rat-a-tat-tat on Bloom's door.
"Are ya there Leopold?"

But the bold Leopold
doesn't answer.

The 16th of
forever I am

"...walking through it
howsomever."

The sun smirks
as such Joyceisms.

"I am, a stride of  a time.

A very short space of time
through very short times of space."

A horse and cart as if
from the past

saunters by
timelessly.

Ah "...the ineluctable
modality of the audible."

My Molly who is really
a Philomena

spoons the deliciousness
of the creamy dessert

into her
and yes she says

mmmm...yes....mmmm

Yes.
Donall Dempsey Oct 2018
THROUGH VERY SHORT TIMES OF SPACE.

The red door of No.16
North Frederick Street

slams behind him as he
enters into this newly minted

morning
sunshine so thick

one feels like a fish
swimming through it.

Sunlight spangles
a tiny puddle

turning it into a jewel
that only the eye can cherish.

Ahhhh "...the ineluctable
modality of the visible."

He turns right into Upper
Dorset Street

pulling an "Ahhh...howya!"out of the man
who makes the false teeth.

Then turning left into
Eccles Street

giving the nod to No. 7
Bloom's house in ULYSSES.

Here in its run down state
though still shining in his fictionality.

Soon they will knock it
down and what will the tourists

do then
poor things.

Sure some bright spark
will rescue it from its rubble

and the door will live again
some streets away again.

Ahhh...." the ineluctable
modality of the visible."

I go to Quinn's gym
to get my Molly

(  Philomena her name is )

a cottage cheese with pineapple
on a Weetabix base.

It is a 16th of June
somewhere in the 80's

as I retrace my own earlier
Joycean footsteps.

Rat-a-tat-tat on Bloom's door.
"Are ya there Leopold?"

But the bold Leopold
doesn't answer.

The 16th of
forever I am

"...walking through it
howsomever."

The sun smirks
as such Joyceisms.

"I am, a stride of  a time.

A very short space of time
through very short times of space."

A horse and cart as if
from the past

saunters by
timelessly.

Ah "...the ineluctable
modality of the audible."

My Molly who is really
a Philomena

spoons the deliciousness
of the creamy dessert

into her
and yes she says

mmmm...yes....mmmm

Yes.
As the old woman on a bicycle so perfectly puts. . .

Ineluctable – that which cannot be escaped from.

modality– A condition like eyesight. Hearing is a modality. However, from each condition a limitation can also be implied. As eyesight is a modality, it also implies the limitation of not being able to hear, or being limited by the quality of our eyesight.  A modality only offers a partial reality.  Eyesight doesn’t give us reality in its entirety, because it can’t give us hearing or taste, both which add aspects to reality.  Eyesight, hearing, and taste are all visible modalities, and all limiting, even together.

By its nature of being visible, it is an ineluctable modality. That which is visible is limited because it’s being observed by a modality which implies a limitation.

This is the entire sentence as it appears in Ulysses:

“Ineluctable modality of the visible: at least that if no more, thought through my eyes.”

This means his current thought is only about what he is observing through his eyes.  “at least that and no more” implies the limitations of eye sight and he is saying here that there is more.  There is an old saying that goes  “there is more than meets the eye.”

Now...imagination on the other hand. . .
Crow Sep 2018
the dark approaches as if it is an ineluctable storm
created by thoughts falling like dominoes

or explodes into existence in a breath
detonated by a word innocently spoken

an eclipse constructed of your fears
like locusts eating all the light

with hooks and claws they grasp the air
pulling it up from your lungs

fighting blind against attacks from every side
weapons fall from your trembling grasp

I still see you dimly, enveloped in despair
you no longer see me at all

I have become a phantom, intangible
dispersed into powerless anguish by your terror

my voice is only a murmur to you
a far-off echo, indistinct

defenses and barriers you have labored on
transform into spun glass latticework

shattering through them without knowing
shards left embedded in your skin

stumbling blindly in the darkness
you are swallowed whole into the void

once more you are ripped away
imprisoned in the Stygian, pitiless hole

the emptiness turns its gaze to me
mocking laughter blisters my flesh

I can only wait and call to you
how long till you return

to me
Donall Dempsey Sep 2016
THROUGH VERY SHORT TIMES OF SPACE.

The red door of No.16
North Frederick Street

slams behind him as he
enters into this newly minted

morning
sunshine so thick

one feels like a fish
swimming through it.

Sunlight spangles
a tiny puddle

turning it into a jewel
that only the eye can cherish.

Ahhhh "...the ineluctable
modality of the visible."

He turns right into Upper
Dorset Street

pulling an "Ahhh...howya!"
out of the man who makes the false

teeth!

Then turning left into
Eccles Street

giving the nod to No. 7
Bloom's house in ULYSSES.

Here in its run down state
though still shining in his fictionality.

Soon they will knock it
down and what will the tourists

do then
poor things.

Sure some bright spark
will rescue it from its rubble

and the door will live again
some streets away again.

Ahhh...." the ineluctable
modality of the visible."

I go to Quinn's gym
to get my Molly

(  Philomena her name is )

a cottage cheese with pineapple
on a Weetabix base.

It is a 16th of June
somewhere in the 80's

as I retrace my own earlier
Joycean footsteps.

Rat-a-tat-tat on Bloom's door.
"Are ya there Leopold?"

But the bold Leopold
doesn't answer.

The 16th of
forever I am

"...walking through it
howsomever."

The sun smirks
as such Joyceisms.

"I am, a stride of  a time.

A very short space of time
through very short times of space."

A horse and cart as if
from the past

saunters by
timelessly.

Ah "...the ineluctable
modality of the audible."

My Molly who is really
a Philomena

spoons the deliciousness
of the creamy dessert

into her
and yes she says

mmmm...yes....mmmm

Yes.
I

How should I seek to make a song for thee
When all my music is to moan thy name?
That long sad monotone - the same - the same -
Matching the mute insatiable sea
That throbs with life's bewitching agony,
Too long to measure and too fierce to tame!
An hurtful joy, a fascinating shame
Is this great ache that grips the heart of me.

Even as a cancer, so this passion gnaws
Away my soul, and will not ease its jaws
Till I am dead. Then let me die! Who knows
But that this corpse committed to the earth
May be the occasion of some happier birth?
Spring's earliest snowdrop? Summer's latest rose?

II

Thou knowest what asp hath fixed its lethal tooth
In the white breast that trembled like a flower
At thy name whispered. thou hast marked how hour
By hour its poison hath dissolved my youth,
Half skilled to agonise, half skilled to soothe
This passion ineluctable, this power
Slave to its single end, to storm the tower
That holdeth thee, who art Authentic Truth.

O golden hawk! O lidless eye! Behold
How the grey creeps upon the shuddering gold!
Still I will strive! That thou mayst sweep
Swift on the dead from thine all-seeing steep -
And the unutterable word by spoken.
Daniello Mar 2012
At a party [many people, dressed nice, cocktails
going round] someone I guess awoke to my presence
as if I’d just appeared out of nowhere or something
and asked me [totally circular eyes, spearing pupils]
like this: And what do you do? I looked at him, and I
don’t know what face I made, but what I wanted to
look like was something to this effect, matter-of-factly:
Well, what do you think I do? Obviously, I simply
try to avoid, day by day,
a wretchedly hopeless case of dismal ennui.
I try to endure, as stoically I can, the
inner doggerel convulsions
and mawkish throes educed by the
realization of transcendental insignificance
(or, otherwise: paradoxically substantial nothingness)
that imbues all hope of Elysian ecstasy and
reduces it to but the terrifyingly
ineluctable fact that we are essentially
impotent holograms functioning by the fixed fractal geometry
of a dynamic and chaotic, kaleidomosaic-like reality,
which, as eternally self-transforming and
forever utterly inconceivable,
is devoid of any certainty, absolute truth
and, most of all, compassion.
Furthermore, when I look at you, I see a deaf-mute
reflection of a reflection of myself, and
to be morbidly honest, I don’t
know what I can tell you that would
make any difference to the fact that, freely or
not, we are both, you and I, just passing
through our lonely, fathomless, patterned
deserts, blinded and lured by the Fata
Morgana of our sadly sublimated
consciousnesses, due to which, undulating up ahead
of us in a chimerical haze, we are
conditioned to think, fatuously, that we know,
or that it’s possible even to know, that
it means something to love or not to love, that it
matters at all whether we are alone or
not, and that, at the point of death, there will be
something, somewhere, that will condense
somehow out of this
nauseatingly numinous fog and, like a deserved,
blissful wash of our “souls”—like a salvation!—
will come to justify the inanities
and insanities of our mundane life as just the
confusing buildup to a final and triumphantly
epiphanic crystallization in which, at last,
we will truly understand, unquestionably, the meaning of I,
the meaning of you, the meaning of truth,
and the meaning of meaning—I mean, honestly sir.
What do you do?
That’s what I hope my face looked like, but I guess it
must’ve looked like something else, or maybe I said
something, because the man just raised both his brows
[his left one slightly more than his right] and stared
me down in mocked awe, on the verge of superciliousness.
His eyes slowly receded like a tide imperceptibly towards
the back of his skull, his lips pursed, parched, and pitying.
Then he nodded complaisantly, too energetically, saying:
Oh, how interesting! Did you always see yourself getting
into something like that? Mmhmm. Hmm! [and so forth]
And how do you like that? Mmhmm. [and so forth] And
the pay? Mmhmm [etcetera]. After I’d finished answering
some of his questions, I said: If you’ll excuse me, I just saw
a friend of mine, I really should go and say hi, but what a
pleasure it was to talk to you, sir. Take care!
And I excused myself.
WS Warner Sep 2011
Verdant eyes, translucent pearls
speak in silent witness,
wounds unfurl
meaning revealed,
interrupted girl.
Safe in solidarity
prolific eccentricity,
the scandal of particularity.
Pouting mouth
grief - filled lips
alluring, set sail a thousand ships;
tempt me to leave harbor.

Arousing euphoria as such,
resistance, amity and distance
amour sans touch
her sense of humor transcends,
appeasing the mind’s thirst
a vogue sultana,
seasoned swagger
hair resplendent flame,
alternating cool, black
asymmetrical coiffure;
nonconforming demure
the renegade metaphor -
singular for sure, no cure.

Muted vanity, bathos piercing
the jaded circumference of banality;
pale protagonist servitude
the sapient palaver of the urbane,
covered patina of pretense,
induced coercion,
the commodity self
appearing abased
wearing lesions of lassitude.
Artistic chattel - eminent domain
preempting genius,
subsidiary of consuming narcissism
external locus of control;
surrender to the tentative,
fettered pendant, Venus in chains
arrested visionary bane
sterile savant, edifice of pain.

The soubrette, dubious incarnation
gravid ingénue of prevarication
imperceptible venue -
theatre of the absurd;
withdrawn siren,
solitude of necessity -
skin - slender veil of shame,
nearness loitering redemption;
moments envisage
the appointment with the soul;
ambiguity eschews clarity
awareness; ineluctable anxiety,
imago - centric confession
sacred pardon, seraphic venation
intravenous textures presume,
the tactile margins of liberty.

Therapeutic retrieval,
Sanguine,
beneath the portico of
individuation;
Your smile I hear,
recovered autonomy
blessed emancipation,
The scandal of particularity;
peculiar treasure
ironically captured
film, canvas,
prose profundity.

Ciphering as an ambling book,
I peruse you,
rendered captive
hypnotic avant-garde fiction,
spectator of denuded opacity
analogous reflection, I Mirror you.
A modest proposal - pontificate the imperative,
forgo the disposal, adapt your narrative,
the scandal of particularity -
resonate the echo, cogitate our propinquity
Love, imagination and destiny.

©2008 & 2011 W.S Warner
Eleete j Muir Jan 2012
Sagaciously gloaming melanite eyes
Resonating euphoniously ululated memories;
The shadow land of illusion
Rising out of the ash of an acorn
Wallowing in the blood of wars strident refuge,
Gnomic relics errant of an
Enigmatic almondine heart
Offering an olive branch upon an
Altar made of oak.
A ruminantly nostalgic requiem
Sedititiously traversing the firmament;
Ineluctable reprobation
Ineffably manifested,
The doves of meta-morphosis
Embracing the silk garments of love;
Sound minds cacophany
Devouring the delusional devout
Veridically inspiring ascendancy
Decieving serenities whisper throughout
The dominions audaciously
Rousing ambivalent fears.



ELEETE J MUIR.
Wynter McKinney Dec 2016
When I peered into my soul

I saw nothing but darkness

An assumed emptiness

However I came across an enigma

A rift in my mind emerged

My thoughts in a sudden state of insecurity and suicide

An ineluctable pool of depression and anxiety

What I thought was a dark void of nothing

Was a tar pit of confined emotions

Feelings and thoughts unquestioned

Locked away to be dealt with “later”

The facade of my mind had been degenerating over time

The damage irrecoverable

Passing by my reflection

Such a poignant moment in time

Who was this fragmented girl?
WS Warner Jan 2012
Frozen moments,
embraced,
visions of
luminous things,
unpretentious
pearls dancing;
embers of memory linger,
elegy of the lachrymose,
this horizoning self
lying low in saturnine
tranquility
and repose – paternity lost
to the provisional.

The cross of lassitude,
forming
scars of loss;
estrangement,
preface to
ineluctable autonomy.
Earthen treasure - immortal
footprints, the migration
of fair maidens across my
effusive heart.

Venus trio in bloom,
aesthetic allusion,
ephemeral incarnations
of beauty - perishable fruit,
transcending the plebeian.
Aerial substance-
the hermeneutic,
betraying desire’s
ambrosial tyranny;
The permuted passage -
savor the sojourn, submit
to the fated peregrination.

Purple orchids blossom,
immortal creatures,
culminating
in perfection
from the sheath
respectively,
each plume,
singular,
the continuum of
splendor, mediate
the inviolable.
Eternity compounding,
time and essence suffuse
the already and not yet
into an
orbiting mosaic.

The susurrant devotions
of a satellite father,
summon the quest -
both, and,
absence and proximity,
conduits of
distress and peace
ironically,
solace and
terror
traverse the
same path.
Plunge though,
deep, the depth of pain;
deeper, sweeter
the taste of pleasure.

Engender and witness,
window into
preeminence,
surface azure,
the sacred -
inimitable gravity of
grandeur,
ma petite,
you - are
lived poetry
seen and heard;
cosmic order,
a mediating heuristic -
to love is to see,
in the dismal,
gift of distance.
child of delight,
evermore, Don’t I hold you?

Beauty and strangeness,
music found
in linear,
secret places
beyond the tangent,
purview of limitation,
arousing imagination -
infinititude as near
as it is far.

Long loneliness -
dissonance that
resolves;
perceiving,
the tertiary refrain -
as exquisite verse,
and matchless liqueur,
sublime gratuity
derived
through
doors of surrender.
Daughter,
in adoration and wonder,
I hold you.
Muse Serenade Jun 2020
I never met a person like you
But you stole a special place in my heart
We are to fortunate to have you because
you are the person who cares your
loved ones more than yourself
you are are so bona fide  and unique
you are ineluctable to anyone
I wish your friendship should continue for long time
Happy birthday to my cutie pie
JE VOIS QUE TU SALIVES.
TU AS ENVIE DE MOI ?
SERS-TOI DONC !
PRENDS-MOI COMME TU  VEUX !
PRENDS TOUT CE QUE TU VEUX !
ETIRE-MOI, CARESSE-MOI, BRANLE-MOI
VIDE-MOI, LECHE-MOI
AVALE-MOI
MA SEMENCE A LE GOUT DE VIOLETTE
IMMORTELLE
ET SI TU VEUX
METS-EN QUELQUES PERLES DANS UNE FIOLE
ET METS-LA AU CREUX DE TES HANCHES
POUR TE DEPANNER AU BESOIN
SI UNE PETITE SOIF VENAIT A SE FAIRE SENTIR
ET QUE JE NE SERAIS PAS LA POUR TE SERVIR
DU PRODUCTEUR AU CONSOMMATEUR.
HONORE-MOI DE TA JOUISSANCE
MOI JE RETIENS MON JUS DE JADE POUR TOI
IL NE FAUT PAS GASPILLER CETTE MANNE EN VAIN
ELLE EST A TOI
N'EN  PERDS PAS UNE GOUTTE
ET MEME SI CHAQUE GOUTTE QUI GICLE
ME RAPPROCHE DE LA MORT
C'EST AVEC JOIE ET DELICE QUE JE MEURS
INELUCTABLE
CHAQUE FOIS DANS TA BOUCHE
ET QUE JE BANDE ET DEBANDE
SOUS LES ASSAUTS DES POINTS ET DES TIRETS DE TA LANGUE
QUI ME DECODE ET ME DEGUSTE EN MORSE.
French is just like morse or any other language. A code. A code you have to master. Decode dash and dots or sounds or lights. And *** is also a language in that mattter. Google the text anayway you might- get some clues if not the jade flesh and gold bone texture!
Here 's the link to the poem in morse code :

http://morsecode.world/m/eJw9jssNAjEMRCUOVLAFDHeWFpBJRmxQPhAnEf1XQrIEbuN59pMPx2V5EC05xasSpULFu0a9jCwKxuYIS4TkcIUy61p6tCkanPDMjFbXAU0KYTc01vcfoaRaYPjTT8jiMsfZGUYyVedwyxL9ntGcnaWn2b6dNJk0SP8lMHaz9AXc0wdWnzNf
with what sense does
this sea of read
pirouette on?

the soot leaving black
blotches on the ****** sheets,
lampposts do not complain
of sudden twitches
as cacophonously, a line
of machines with their ravenous
machinisms create a seam of
crimson to a slender
rose's architecture.

i leave my engine on
so as to hand this road
my readiness,
Ely Buendia on the tattered radio
leaks outside the ajar windows,
chasing the dream of rearing
movements
as my flesh remains dreamless,
stationary.

there is a sequined gathering here.
erratic simulations of
naked eyes pierce the musk
of the austere air's gravity
of existence.

all of us
occupying space
and our attendance is our
sigh of dismay as our homes
decompose in waiting,
as our beds remind us
of our body's aging clamor,
as our ineluctable senescence
opens the dungeons of our frailties
with its trembling, wrinkled hands.

we are our waiting's consummation
as we are left here,
wary of our precise proprioception,
left in
the tongue-tied dark.
Traffic in Manila, Philippines in absolute worst.
david badgerow Nov 2013
Lured
by unspeakable, ineluctable gravity
Kisses, vehement, and by no means our first,
speak of experience, a wordless wisdom that now gives flight to innocence,
unprecedented familiarity among two who have spoken so little
a gentle tug of war between souls, transcending feeble sensation, arriving at conversation
Solid, fervid, with perfection of cadence – a meter aberrant, fantastic, unimpeded by numerical confines

Now
a limitless tickling between two souls
like courting doves
And the smoke in your mouth became sweet,
your saliva a quenching potion of forgetfulness,
And at this moment neither past nor future have ever existed,
There is only this delicious wine of our lips and the nonsensical *******
of two sipping souls.
Writing prompt of the hour: mandrake

oh poison, what poison doth whisper in my ear

race through my veins like molten metal

cause the hottest summer to season in my mind

echoes a terrible trembling in my tingling limbs

it is mandrake, oh such deadly shade of night

that raises me to the floor luring my knees to my face

in unequalled gross distortions

oh mandrake, thou art a shade so deadly

as to make the blackest night quiver

now this poison makes strange ineluctable rhythms

gradually and patiently enter my body, my thoughts

like a gradual orchestral cadence of static melody

subtly wisping around my whole being.

destructive mandrake now scampers in my blood

becomes inseparable and lives in me

in fiery flocks of hallucinated concepts.

it fires through my body like burning sulphur

this mandrake, this poison

that has prolonged persistence

makes an experience of antediluvian treachery

from another time, not of this time, this present, this now

this here

mandrake has embalmed me to

the red roguish clay

I die ghastly from a writing prompt

mandrake, mandrake, deadly nightshade

fuqing mandrake
Donall Dempsey Jun 2023
THROUGH VERY SHORT TIMES OF SPACE.

The red door of No.16
North Frederick Street

slams behind him as he
enters into this newly minted

morning
sunshine so thick

one feels like a fish
swimming through it.

Sunlight spangles
a tiny puddle

turning it into a jewel
that only the eye can cherish.

Ahhhh "...the ineluctable
modality of the visible."

He turns right into Upper
Dorset Street

pulling an "Ahhh...howya!"
out of the man who makes the false

teeth!

Then turning left into
Eccles Street

giving the nod to No. 7
Bloom's house in ULYSSES.

Here in its run down state
though still shining in his fictionality.

Soon they will knock it
down and what will the tourists

do then
poor things.

Sure some bright spark
will rescue it from its rubble

and the door will live again
some streets away again.

Ahhh...." the ineluctable
modality of the visible."

I go to Quinn's gym
to get my Molly

( Philomena her name is)

a cottage cheese with pineapple
on a Weetabix base.

It is a 16th of June
somewhere in the 80's

as I retrace my own earlier
Joycean footsteps.

Rat-a-tat-tat on Bloom's door.
"Are ya there Leopold?"

But the bold Leopold
doesn't answer.

The 16th of
forever I am

"...walking through it
howsomever."

The sun smirks
as such Joyceisms.

"I am, a stride of a time.

A very short space of time
through very short times of space."

A horse and cart as if
from the past

saunters by
timelessly.

Ah "...the ineluctable
modality of the audible."

My Molly who is really
a Philomena

spoons the deliciousness
of the creamy dessert

into her
and yes she says

mmmm...yes....mmmm

Yes.
Asim Javid Jul 2015
I hanker myself to find illumination within myself.
The more  I  explore,
the more  I confront the ineluctable iniquity.
Being cognizant of my enmity,
I wish to be ignoramus of myself.
Anais Vionet Dec 2022
My roommates are all up and about. It’s finals week and everyone is hustling about. Lisa came in from an early exam, it was snowing lightly, she looked right at home.

“How’d it go?” I quizzed.
“E-Z,” she replied, shedding her long navy coat and mango cashmere beanie. After dumping it all on her bed she joined us in the common room. “Blue State (coffee) is closing,” She announced.

Leong gasped, “What?”
“Three of the four Blue State locations are closing,” Lisa confirmed, “not Orange Street.”
“Why?” Leong moaned.
“What are you why? Lisa queried.
“They’re so popular!” Leong exclaimed, “There’s always SO many people in there.”
“That’s real,” I chimed in, “those places are packed and noisy.”
“They got bought out,” Lisa attested.
“By whom?” Leong wondered.
“By another coffee company.. maybe,” Lisa guessed soothingly.
“Oh, I hope so.” Leong stated, sounding depressed.
“You know what? Lisa added, “rumors were thick that Book Trader would close too.”
“No!” Leong bemoaned.
“I’m happy to announce that they’re not.” Lisa assured, “That’s something to celebrate.”
“I love studying at Book Trader.” I professed.
“And their bagels..” Leong mentioned dreamily.
“Oh, yeah,” Lisa agreed, “so good, so cheap.”
“Change is ineluctable,” Anna sighed.  
“WHAT?” Leong replied, looking confused.
“Inevitable,” Lisa told her, “change is inevitable.”
“Then just say that.” Leong grumbled at Anna, who shrugged.
“I need to go support my favorite coffee shop soon,” I declared.
“Which is?” Leong inquired.
“Coffee with a K,” Lisa and I blurted out, both at once. “It has an intimate, date spot vibe,” I explained, “and the chairs that are perfect for putting an arm around someone.”
“The Benjamin and Acorn (two on campus coffee shops) are going to be so crowded.” Sunny stated, joining the conversation as she started putting on her shoes to go out.
“True THAT.” I agreed.
“Common Grounds Cafe,” Sophie revealed, coming from her room, drying her hair with a towel, “bought out Blue State,” she confirmed. “it was in the Yale News.”
“OK,” I pronounced, satisfied. “Perfect.” Lisa declared. “Thank God.” Leong agreed.
“Coffee’s important.” Sunny proclaimed, picking up her coffee cup and book bag. “See ya!” she waved to the room absently, with her coffee cup, as she opened the door and stepped out.
BLT Marriam Webster word of the day challenge: Ineluctable: an unavoidable fate, inevitable.

A writing exercise to see if I could recreate a multi-person conversation, from memory, without using the verbs “said” or “asked.”
By Jennifersoter Ezewi

We eld daily not knowing
Who will take care of us
Until the time comes.

If we care for one,
Another will care for us
Even when the beneficiaries
fails to reciprocate
Because we are also benefiters.

The things we do counts.
The moves we make presents
there costs.
Our decisions records our fate
in the midst of all.

Echoing the promises of our
deeds,
Before the counsels of time
Whose duty ensures that we
savour the fate we deserve.

Wherewhital our conscience
Who sends us on certain errands?
Will they be able to exonerate us?
Before the unusual timing
Who stirs at our actions.

The children we bore
may disappoint.
Our expected saviours fails
But the help we render
Stands the test of time
When nothing else counts.

They come as visitors in
different forms.
They come surprisingly
Putting smiles on our faces.
They come as rewards for
Jobs well done.
They are the now!

But we are the things we do.
We are the things we see.
We are the time and season
Yet we ask: "how?"
THROUGH VERY SHORT TIMES OF SPACE

red door of No.16
North Frederick Street
slams behind him as he

enters into this newly minted
morning
sunshine so thick

one feels like a fish
swimming through it
sunlight spangles

a tiny puddle
turning it into a jewel
that only the eye can cherish

Ahhhh "...the ineluctable
modality of
the visible."

he turns right
into Upper
Dorset Street

pulling an "Ahhh...howya!"
out of the man who makes
the false teeth

then turning left into Eccles Street
giving the nod to No. 7
Bloom's house in ULYSSES

here in its run down state
though still shining
in its fictionality

soon they will knock it down
and what will the tourists
do then poor things

sure some bright spark
will rescue it from its rubble
and the door

will live again
some streets
away again

ahhh...." the ineluctable
modality of
the visible."

I go to Quinn's gym
to get my Molly
(Philomena her name is)

a cottage cheese
with pineapple
on a Weetabix base

it is a 16th of June
somewhere
in the 80's

as I retrace
my own earlier
Joycean footsteps

rat-a-tat-tat
on Bloom's door
"Are ya there Leopold?"

but the bold Leopold
doesn't answer
the 16th of

forever I am
"...walking through it
howsomever."

the sun smirks
at such
Joyceisms

"I am, a stride of a time
very short space of time
through very short times of space."

a horse and cart as if
from the past
saunters by timelessly

ahhh "...the ineluctable
modality of
the audible."

my Molly
who is really
a Philomena

spoons the deliciousness
of the creamy dessert
into her

and yes she says
mmmm...yes....mmmm
!!!!!!!!!!!!!!YES!!!!!!!!!!!!!!!

*

Fo­r Jemmy de Joist whose day the 16th always us and the words give him their gifts. This is my little bit of living in his moment and walking the streets he walked.
Mike Essig May 2016
follow the yellow brick road...*

The terrible freedom unleashed by typewriters.
Condition of complexity judged without criteria.
Radical provocations. Urinals and prams. Contingent.
Anarchist aesthetic. Not truth nor beauty but freedom.
Materiality of language. Multi-hued wheel barrows.
A cuttlefish. A crate. A cassowary. A cigarette. A ******.
Paratactic order. Particular phrasing. Pulsing pastiche.
An infinite conversation without resolution
as with the stupid friend who won’t shut up. Ever.
A transcendent dialectic based solely on proximity.
Ineluctable modality of the near. Only that. Buck it.
An unquiet ghost endlessly self-questioning. No answers.
Moaning in the meaning. A simple stuttering. Sibilant.
Turbulent and unpredictable as waddling wolverines.
Words that only mean whatever is seen. Juxtaposition.
Dissolving into desired dissonance. The magic chord.
Absolute verity in the experience of the fraudulent
for the same reason as the ubiquity of toothpaste.
     The poem as its own universe, complete and whole,
     fodder for the mind, not balm for the soul.
Julian Mar 2019
Flippant polymaths exude the frippery of travail for lapsed inordinate surgical gains in temporal but temporary acclaim that owes its provenance to the gullarge accentuated by the guttural tempests of silent windfalls that wrestle with sharks and snarky cagamosis with pilfered fame without rulers for rules that own the profligacy of a cineaste game

We cannot surpass our talents with ease when the treecheese of inevitable distance between equipoise and insanity is a tantamount inanity of prolixity for the sake of freedom rather than servitude to the slow meandered steps of trudged verbigeration that needs to be exorcised from the seat of authority for the plodding inconvenience of time earned that shakes the listless yearning people who lie and spurn

Demagogues are trifles because they are anoegenetic and care not for the abligurition that consumes the energy of a dismal life lived on fringes rather than reaped with grimaces for binges that continue to absorb the painful pangs of twinges that hedonists are of interest

We cannot exorcise the demons that give stygian weight to exchequers beyond the gamut of money but rather the currency of velocity of thought that owes its weight to weightlessness of spaces between the spacious and the limited tract of isolative territory that many mendicants looking for sustenance travail in insolence and in perjury of their solemn duties for self-serious honesty they lack a vista to see their crimes as more than just a pettifoggery of disputatious wranglers that wrench and then contemn the objects of their moral scruples to contend with nothing but the vacant expanse of a limitless injury for a momentary slip of cultivation and countenance

Frippery is hard to cobble with lapidary wit because succinct grievances are fallow ground for the permanence of atrocity and the temperance of felicity to conform to the desiccated pathways of limpid but livid excoriations of willful ingenuity met with aleatory rambles that sprawl incalescence with words as a dying occupation that is resurrected from the abeyance of its pragmatic utility to distinguish class from crust.

The triadic fatuousness of snarky sharks recruiting the gullarge of paranoiacs to deputized alacrity lead many strident vocations astray as they pilfer the nullibiety of spectral ignorance and defy the gravitas of the primiparas of a swollen technocracy, an outrage that scarecrows with prevenance have adumbrated against with strident accelerations of sublime velocity

So we swim in perilous straits against the demiurge of inclemency in fated rittles for the turpitude of wraiths and engineer every aborning day a new foofaraw of unalloyed atrocity
Now more than never should be deployed to ensure that the castigation of scoundrels and guttersnipes that exert a rip tide to those stranded on the shores of littoral desiccation might find the pristine beachgoing public an amenable treat proffered by exorcised sheepishness in reiterative bleats that quarkswarm only the antinomy of sentient masteries by shoveled civilizations proctor to horological insistence in design

So we designated an abeyance of heydays to create a rippled nostalgia that creeps in the winter storms that singe even glabrous ignorance with the twinges in absentia of the regal crows that circle the sun as the sustenance of the alighted moon as we reach for the heaved Richter teeming with ablution for venial commination of prolix croons that exert a Palo Alto rhyme

Phenomenological fields distal to the cephalocaudal origination of limber and the ironic counterpoint to that strife in excess rather than dearth of the henchmen behind the exchequer showcase that fluid thoughts surpass the limits of the dentistry of cosmetic cosmology simultaneously a scientific boon but a coarse albatross

We are criminals in a world stranded by ****** apostasy because of the sincerity of minstrels meets plodding human ignorance as exemplars rather than the apotheosis of divine excoriation of wastrels and flattybouches who webdoodle their way into the extinction line in some computer file swiped from eccedentesiasts who often in uncouth barbarity forgetfully abide without the temperance of floss

So what are we to make of magisterial wits of wiseacres who pilot tenable objectives like Indiana Jones flexing his comical whip when the gunfire of cacophony inundates our ears with a lisp of cockalorum imposture rich in chewing tobacco and its ungainly gripes and tenacious grip

Should we seek salvation from the treecheese of arboreous terrain amenable to the newfangled windfall of agricultural whims that dare now with caprice but not quixotic disdain to reconfigure the parsimonious levered engagement of melliferous fungible transaction between sabbaticals and chief financiers dubbing the vociferous limn of the primeval fulgurant incandescent ethereal quips?

We strive for palaces issued with dimes, dozens and scores of retinues that retain the patina of sophistry as the gullarge makes the vangermytes cozy in their defensively mechanized citadel buffered against the unheralded malversations of mammon intersecting with primordial chemistry that give the philanderer a guise of philanthropy despite professed gainsay that perjures because hucksters are winsome with fiduciary risk

So we calumniate with lapsed puns and Potter’s Spells as we dredge the indemnity of bustling heydays that extend beyond the bailiwick stated because of the prolonged trace of nostalgia that frazzles our voluntary expeditions with misanthropy as each libertine instinct becomes subject to stop and frisk

How to balk at such a garrulous repartee as proffered by swanky intransigence that shakes it off in a quaky town that hates the Swift refrain that endangers the fatalism of recuperated foresight borrowed from the armamentarium of corrupted killjoys who swim in a dalliance with the itchy myths that drift from powerlessness to voguish debauchery of insouciant internecine fringes frayed by the tomes that decry Stygian drift

Shiftless and rooted in rintinole absolved by plackiques that enchant the voyeurism of repined squalor of industrious frippery deracinated from the aureate complicity of largesse calibrated to mobilize the skittish mercurial yuppies to a dance with divestiture, taxes and an earthen death, we sprint the evergreen mile toward the scrupulous invention of enthusiastic euphemisms arbitrated by the procrustean silt of the leaky faucet of enigmatic timelessness etched by chiselers to beat “Us and Them” and warn the vanguard of the front rank about the thespian rift

Exhaustive rescue squads prepared for the dearth of monetary heft in times of perilous drought denigrate the authors of famine to the indulgent parents of inordinate sabotage of narrative for riskless arbitrage that is the outrage of sciamachies between platonic indifference and the tantrums of the feckless in the dangerous hearth of the cavernous wilderness of limitless imaginations that stagger so far beyond orbit they become satellites to vagrancy and whittled paragons too distant to dissolve in the ethereal chemistry of incalescent uproar sadly flanged by the Dopplers of ephemeral fate

Squandered by the desuetude of a snarky intervention I issue invective at the proctors of deafferented limbs for barbarous swine meeting expediency in demise, bemoaning the placid distaste of rectified cries that issue candles for each acrimony beyond the permutation of the staid inflexible limit of 88’

Bashfully we careen through argosies of curiosity to fossick the stalactites of timeworn intuition and reckon with their converse ironies that drip faucets of mildew that remain hidden unless poked by plucky flashlights to inspect the paragon of erosive filigrees of a bewildering paradox of polarized design that one meets the ceiling at inception and the cousin strives to clamber empty space to know with faint certainty the bulldozed irony of superordinate coexistence

Now we return to the majesty of a spurned wiseacre that evades the snappy parlance of a wrenched friction between the physical and the metaphysical elements that constitute a commensurate reality so supernal that its ostentation creates lifetimes of reiterative growth that spawns crimson red and bloviated blues to find a fulcrum of balance between the malversation on one hand of criminal sinister machinations and on the other hand the execrable self-righteous ignorance of a hidden vehicles of dexterity that are subsumed by a subtlety of legislative graft that owes its forbearance to the sanctimony of perseveration without the laurels of persistence

Now we wed the concepts between the ambidexterity of a monolithic titan who wanes rather than waxes himself because his glabrous head already exposed requires nothing new because the empire that struck back is denuded by the thorny imbroglio of a sunken Rose

Timmynoggies are perfect for haberdasheries of saccharine and glib excellence as measured by the ****** cacophony of unmerited applause that strains the resourcefulness of the silent mastery of magistrates in mellifluous alcoves surrounded by the soundproofed rigors of an execrable dereliction wilt into the imaginations of the few that watch movies with errantry rather than pleasantries of gaudy nonsense enchanted by a striptease of the wanton zeitgeist that some balk at but everyone knows

Time earns the spangled banners of sloganeering because of the fastidious creations of pole folders that maneuver between quips borrowed from antique movies and swindled affectations of yearning of many of all fears inevitable with the malevolent passage of the technocracy from cheers to vehement inveighed jeers

We should fear the watershed because it necessitates the evaporation of winsome ambition and implores the subservience of a guiltless fascination with abominable regress concomitant to the acceleration of money preceding a whipsawed downfall ensured by the funereal spates of requiems to oneironauts who plunged to their deaths on headlong flickering whims past the craggy landscape of lunar concordance and through the abeyance of qualms to flabbergasted self-importance in the eradication of provident fears

Memorials exist encoded in the temporal twinges of agony that straddle the cardiovascular throbs of impermanence that sweat with each simple beat to blather about the repetitious nature of a livid nature scrambled in exodus of the emigration of senseless blather to the subroutines of regimented sleepless paragons of travail in every pedestrian feat accelerated with each passing foot traversed by vigilant and eager feet

Tempests crowd the cluttered hamartithia of dredged incompetence leading to the foreclosure that precedes the simple derelictions that amount to grievous uncertainties that squawk in the plumage of the frippery decay of an autumnal fall from gracile riches landlocked without room to sprawl rigged against every track that is a surefire gleeful keepsake to meet, greet and serenade the claques adorned with the monikers of the Greeks

Trembling beneath the weight of mellifluous sauntering dingy designs that exude the anguish of our provident but incidental remonstration against the plodding indifference of the artistic clerisy we sputter against intransigent annulments of the emotive human engine calibrated with creaky pistons that rumble with furor of abrasive protest in timely haphazard elemental designs for vanguard ears

Tridents shed the fossicked leaves that are divisible by two but not inevitably glue that solders the identities of people congregated around a situation of gleeful sprees rather than wistful regress into a temerity without regret that gets dangled in the purview of the spiteful wings of armies that drawl when they sing vapid songs for vaped bongs but not the soberly cheers because of the deafening din of conformity oblivious of the honorific crescendos that still peak after so many restless years

Confederates line the avenues of bustling caverns of cumulative human disdain so willfully flouted by the wrenched corrosive frictions of vibrant deformation of the cultural narrative that encapsulates the collective bubbles chewed and jettisoned like bandied candy and then defamed without justice because  hurricanes churn up the reclusive emergence of protective vanity chased down as a sunken cost for a siphoned glory of tribal pride despite the strictures of logic

Creeping with insistence is a subaudition of governing gravel that entombs many steadfast lies that embodied people living delusory lives under a paradigm that has been subverted by the feats of science into a morass of irrelevance and the chances are many of those so deluded still breathe the air now more polluted but balk at the memories of the fallen passengers on the convalescent train that accelerates sunblind but respectfully toward a systematic engrossment of swollen intellects whimpering about the tautologic

We finance our prescient rodomontade with rodeos equipped with zany clowns who spurn the tridents of Poseidon because of the iridescent gloss of sheepish and flippant zealots who churn against the wrestling match of televised irony with accentuated eccedentesiastic disdain amended by a tolerable diversion of ennobled gallantry zip-zagging among the many valid quodlibets and missing the mark entirely on purpose to vacate the possible raillery of those who balk at time’s chosen serpentine tracks because of limited pedagogical tracts

So lets solder a forceful brunt against the senseless regalia of modern omphalos and return to the plenipotentiary fields of resourceful human inquiry into the chagrins outmoded by convenience but amplified in vociferation by the prosthetic extension of a grangull humanity outfoxing itself into a zugzwang inevitable in the future with collateral losses because of senseless invidiousness orchestrated by the immiscible dermatology of divisive facts often about race and ineluctable tax

We conclude with the optimism that refineries become gentrified by the superlunary squadrons who bask in beatific beams of anonymity and that the pollution preceding our evolution is just adventitious rather than central to the amelioration of wavy screens ennobling so many upstarts to teach themselves the majesty of lucid dreams and to capitalize on ludic ideals divorced from the urchins of radical idealisms that ironically poach rarefied air with smug pollution of narrative scares

Without trepidation we can muster the largesse of civility to create a progeny that has a recursive progeny of heirs that defiantly imagine a world bereft of specters of the soporific imagination enforced by the lapidation of insight from termagants who stride with ursine acrimony naked bare and envision a global meliorism that is careful, picaresque, pragmatic and filled with meritocratic care

With those ornaments of an aureate measure in mind


We leap beyond the enumerated infinity in time's proper design
Strange ineluctable rhythms have gradually and patiently entered my thoughts
Like a gradual orchestral cadence of soft melody subtly wisping around my whole being
They scamper in my blood become inseparable and live in me
Flocks of hallucinated concepts
I become possessed of ever changing moods
The catatonic calm
The delirious frenzy
The ungovernable mania
My pleas, my questions, are ignored
I live
In wondrous chaos
In disturbed turbulence
In manic colors
In the the Darwinianism of shapes
I experience a feeling of high elation
A complicity in my adopted position
Intoxicated by the prospect of my duality.
Leslie Philibert Sep 2015
At twentythirtyfour
On the eleventhofseptember
     a neuropathological tracer

Jumped from the box,
Lost poem; a title over rain
    men waving tins at a tractor,

And the later sleeping wihout
Rest; rooms full of waves,
    the ineluctable modality of water.
Published in `Icebox Journal`.
K Apr 2017
My mind is numb.
That little voice in my head is gone.
Silenced
By the ineluctable feeling
Of being
nonexistent.
judy smith May 2016
Arriving, I find her briefing three press assistants on her upcoming catwalk show while simultaneously rifling through her closet — a dressing-up box filled with animal print and lacy confections — to choose her outfit for our shoot, while Desert Island Discs plays in the background.

Tucked at the end of a row of terraced houses close to London’s Portobello Road, Temperley discovered the six-bedroom property was on the market two years ago through her close friend, the designer Jasmine Guinness. The unique two-storey villa has a studio-style extension on the back of the property designed by the Victorian architect, Richard Norman Shaw.

She moved in 18 months ago with her son, Fox, 7, and her boyfriend, Greg Williams, 43, a portrait photographer, along with his two children from a previous relationship. ‘I’ve always been a Notting Hill girl at heart. I love that it’s so green, I love the market and my offices are around the corner.’

Temperley cites the interior designer Rose Uniacke (the creative genius behind the Beckham’s Holland Park home) as inspiration for fashioning her own interiors: ‘Rose has beautiful taste, sleek, clean but still really soft.’

The house’s all-white interior provides the perfect backdrop for Temperley to hang her beloved antique cut-crystal chandeliers and floor-to-ceiling mirrors sourced from Golborne Road’s Les Couilles du Chien — famous for its historic bric-a-brac — and the Clignancourt flea market in Paris. The most striking of these is an intricately etched diptych of French brasserie mirrors that sits proudly over her living room sofa.

For colourful accents, she looked to her archive of textiles, which ranges from heirlooms from her great-grandmother’s travels around the Orient to remnants of past fashion collections: ‘I have big haberdashery drawers, which are used for storing my collection in a warehouse in Greenford,’ she says. Having such a vast collection gives her the chance to indulge in some serious upcycling; a Mexican rainbow throw livens up a plain cream sofa while a wedding cloak from Turkmenistan makes a quirky wall-hanging.

Despite the global influences, the Union Jack is a recurrent motif: ‘When I worked in New York [in the mid-Noughties] I was called ‘Little Miss English’. I loved using materials such as lace and lots of references to Victoriana — all very British.’ Look closely, and you’ll find red, white and blue accents everywhere — on teacups, Roberts radios and on silk cushions.

‘To me, being British represents being able to be individual, eccentric and not taking yourself too seriously.’

Temperley was born and grew up in Somerset on her family’s cider farm in Martock, before moving to London aged 18 to study fine art at the Royal College of Art. The countryside has an ineluctable pull for Temperley and she carves her time between her office — ‘probably 80 per cent of the time, 10 per cent of the time here, 5 per cent in Somerset at the moment, and 5 per cent everywhere else’.

But if her west London home is all breathy shades of Farrow and Ball, Temperley’s country pile — a sublime 5.6-acre regency property called Cricket Court that was once the media magnate Lord Beaverbrook’s home — is the opposite: ‘In Somerset my sitting room is dark burgundy, we’ve got black bedrooms and an ochre-coloured library.’

To bring a little of the country back to the capital, Temperley peppers her house with beautiful bunches of wild flowers, sourced from florist Juliet Glaves, who grows her own blooms in Shropshire: ‘I always loved The Secret Garden and as a child I spent hours collecting flowers and drying rose petals on every surface. I am a hopeless romantic at heart and I love British country gardens and their flowers.’

Another great passion of Temperley’s is reading and no corner, staircase or table in the house is complete without stacks of books and fashion magazines: ‘Sally Tuffin [the British fashion designer-turned-ceramicist] has got an incredible fashion library at her home in Somerset and my dream one day is to have a room lined in books.’

As for the rest of the London house? It’s very much a work in progress, ‘especially being a working mum. It’s more collecting things and putting them together in a very relaxed way. Like in fashion design, when it comes to interiors things either work together or they don’t. I have a good eye and don’t like to be constricted to just doing clothes — I’d like to go into interiors. That’s the next chapter’.Read more at:www.marieaustralia.com/red-formal-dresses | www.marieaustralia.com/black-formal-dresses
Julia Jan 2014
There's nothing I'd rather do
Than take back those times spent with you
Wipe my slate clean
Forget about old dreams
All those mistakes
Wasted days
The manipulation
Overbearing
Never caring
Bitter selfishness
Spent forever
Searching for what I thought I knew
Never thought I'd regret
Learned the hard way
It's ineluctable
Always exposing itself
*jm
Julian Aug 2015
Affinity for the sharks attraction to the squeeze
Apotropaic lyrics cure an ineluctable terminal disease
Traversed time repent and rhyme
For every dollar exists a crime for every penny lost cured with wine
I serenade the world with lore threadbare and cloying but earnestly transcendent
Linger longer in evanescence so I can see the rainbow’s intent
Confederate putsch subverted by transnational push and supreme wonder
Tactless assault on the unadulterated truth a sheepish blunder
Ennobled and regal they gentrify the legal
A European tyrant fishes the sky to capture the preeminent eagle
Kings of the jungle turning us gradately into desert
Desiccated promises elicit the thirst but **** myself they can be so curt
One eye to see them all
One conqueror beyond the confines of linearity hogs the ball
Shoot the three when two will do
Missing every time when the sky is completely blue
Shrouded in the clouds are souls wafting to the sky
Concealed in the Dow a dry rain turns the dust extra wry
Moments clash with movements and chaos erects a monolithic lie
Sold in every shop consumed by every cop it keeps us landlocked on the verge of flight
Rescue the contempt needed to override the wrong and enshrine the right
Abdicate the war, annex the score and appear to soar
Words cannot corral the present anymore than the future can ignore
The past becoming present presents us throttled to the wire
Cartels own the news but the periphery is harder to conspire
We scour the earth looking for rebirth
We tower over the worthy with a catchy mirth
To all law belongs the defeat of malcontent with a begrudging consent
To any miser nothing is more miserable than avaricious but impotent intent
Invisible prison with visible prisoners beset by bars established by BAR exams that we fail to apprehend
Zero sum collapse contingent on the motives of the tyrants that cannot break or bend
So stand to grow the earth with elapsing sand and synchronize the beating of the drum with the actions of the best possible invisible hand
Choice monopolized by a garbled voice trying his best to be the lead singer of the smartest brand
Wary of the scary and contemplative before the boast
We align with design streamlined in serpentine time and on that sinuous path we coast
So we find time for a dream that proves God is a dreamer
Only to find out that all the teams play for the teamsters
Bribe yourself and renege your own wage
Depriving yourself of the ink needed to fill the page
But many words are impotent
When few will do
All you truly need in this world is an emboldened you and a chosen few
Emma Jan 2019
Right now it is easy to love you.

You crawl into my arms, and let their strength pretend to shield you.

You let me press my lips to your temple and act as though I can comfort you,

Your head tucked against my breast.

I love you fluently,

Feeling your patterns flow over my hands, their weft and weave,

Like god in their clarity and warmth.

I cannot spin us into what we want, each of those things so opposite.

And I can buoy you now, but without you near it creeps upon me again and

I am so afraid.

I see it striding confidently forward, coming down the road to meet us,

Neither a swagger nor a barrel, but

The ineluctable approach of the pain that will crush me again.

I left you.

Couldn’t you have let me?

Because I don’t believe that you want me.

And when this passes, as it must, you will cut me to ribbons.
uranus Sep 2014
Let heroism be obstinate; thy revolt ineluctable.

A ruthless outbreak draws close.
Zealous men synchronize in ready formation.
Raise thy flag towards the heavens, above celestial palettes.
Red is for the vengeful blood of her countrymen.
Black for the horrors brought upon by her tyrant.

Her fabric is coroneted with cries of liberty and gunshot, emptying the sight of well-being.
Seas of anger are bound, led to feeble flames.
None are favored, all are distraught.
Augmented desires fall dramatic and melodious, in prowess and in memory.
Rivers of anguished souls plummet against countless nemesis.

Evoke hope, remain unyielding!
Be mindless of defeat!
Caress glory in triumphant death!
Glenn Currier May 2017
Why is it my mind gets wrapped
around my heart and squeezes it
seizes it and sends it into isolation
until it is languishing in its cell
to the point of desolation?

It's not that my mind is blind
going everywhere without care.
Fondness is in there -
a word my mind knows -
but it is consumed and subsumed
by the focus, fascination
and interest of the moment.

This sharpness of attention
dulls the part of me
that can get lost
in the sweet aroma,
white softness and brilliance
of a magnolia bloom.

But oh this moment of writing
and gazing on that bloom
expands the room of my heart
warms, softens, and awakens
the rush, the transfusion
the perfusion of grace.

In this writing,
this moment of pausing
I have again found
my heart
the ***** of my ground.
I hear the deeper sound
of violas and cellos
feel the embracing warmth
the ineffable touch
of emotion
I forgot to pack
for my trip
into the ineluctable grip
of technology.

“Technology’s Grip,” Copyright © 2017 by Glenn Currier
Not so sure about the title of this piece, but the poem reflects my experience the past two weeks trying to get a new computer and set it up with apps, etc.  It was quite a hassle and frustrating, but I am hoping it will ultimately be worth it.  If nothing else, the whole "living life" thing was beneficial in that it ended up with my writing this poem this morning.
WS Warner Aug 2016
Existential ache,
Visceral and immediate
Occludes all reason,
A fated Solitude.
The myth of dearth,
In prose retold
Retaining fictive resolve,
Tacitly confessed.
Ineluctable Torpor
Petitions my
Ardent supplications.
Present,
Beckoned in the dulcet
Confluence —
Beauty and affliction
Freshets of silence,
Redressing the fallow
Surface of my soul.

© 2016 W. S. Warner
like men in parks

let us

greet the oriole-filled
morning with an ineluctable smile
and go merrily with argenteous waters and their rustling freedom,

be as flowers are, thirsty
for life, quenched by sweet ambrosia from the Earth's
hermetic vessels,

sojourn and watch slender fulminations of dawn ******
against the oleanders, the cypresses, the children tawny
with laughter, and the sparrow swift in wind's deepening hush

sing with the string of birds
and wait for women for us to
gaze at in their lush pelisses
as the heavens gather a mound
to graying, reckoning rain through
sills imperatively shut
as rain slowly announces its arrival

like men in parks
treading gently are
the passing flight of herons,
    their unnamable wings
truncating their
       journey as the day closes
its wide eyes and sleeps!
Maha Salman Nov 2015
It is incredibly hard to describe how much you have made an impact in my life,
my words are pitiful when compared to the beauty you unknowingly emanate,
such effulgent rapture grows within your heart
as I clumsily pour words together to form a poem
like an intoxicated man hiding inside himself,
I can only feign my pride at myself
when inside in turmoil I struggle to come to terms with
the ineluctable truth
**That my poetry is a measly attempt at trying to convey the essence of the
poem your life is for me.
Jh Aug 2014
I am tired of this pervasive madness
I am not so sure one can sense it
Although it bursts through my meridians
As it is now
It is our ineluctable destiny
And I have grown to be so familiar with
Your temperate attention

I dare you
To think that I would not tear down
Your mother's curtains
And spit on her jewelry
While you are weeping at her grave
But I knew god ****** well
That somber room was no place to call 'home'
If my trembling hands could speak
They would tell me I am
Estranged.
Julian Feb 2018
Flickering like a tentative alpenglow corraded from profaned time
A whisper jostles through a crowded rumpus prescient of teleology and design
Jolting with pangs of panic a screech emanates from the brontides of tomorrow
A chagrin outpaces the gingerly apprehension of a peevish sorrow
Among the ruffled plumes quaffed from pedigree and put to disuse
A banausic electricity galvanizes the ****** of the amalgamated acuity pinched from the sordid, the obtuse
Refracted like off a darkened moon that clenches the darkness in an abstruse tomb
Combs through sentience of Saturn presiding over ineluctable doom
A silence louder than a plangent ****** of phantasmagoria debased
A looming victor erodes with the putrefaction of sworn and utter distaste
How to obtrude on the evening with triaged fulmination
Is an affront to the rudders of a piecemeal civilization in tatters with exacting doddering calculation
Graveyards bustle with the eidolons of scurrilous spite
Congregating around a blackened epitaph on an alabaster palace gilded in the swanky pinnacle of light
Scuttling the outmoded flanks of an abortive war
Against a henchman of state too ostentatious to hardly ever ignore
We clamber with insistence hoping on fortuitous deliverance
Yet we are deranged of the clasped distance between the crevasse of the clerisy and the satisdiction of futures passed with meticulous diligence
Absconding with furtive furrows on a wizened guild an entrusted world we helped build
We witness the silence creep over us like a trepidation contained as lethal killers of the cartel willed
That which frightens a self-fulfillment is a fatalism gone awry
Someday soon omens excavated from immolated tombs will beseech a more universal backlash, an alienated sorrow that will one day cry
But until that fetched disaster occurs
Let us meditate only on the process of emanation among wayward words
That dance with a destiny that the hegemony of momentary circumstance much prefers
Noon M Imad Nov 2012
You walk the halls of the universe, wander galaxies far,
Where death doesn't happen and past, future, myth and fate intertwine on sheets of light and covers of darkness,
But you walk the halls of a deviant mind, dead for ages now,
And the pulse in your wrist is a hollow drum's thud, where nothing but a false living keeps you from a hereafter,
You aren't the one nor only, nor are you the last,
I've been wondering about your wicked dreams and when would you see that my walls protect the dead,
I've wondered if you ever held a gun to your head but your visions of seconds after paralyzed the trigger,
Have you seen it all? Do you know it all? Is this it all?
Do your shadows hide your empty eyes?
Does the music in your head repeat the words "What else"?
How many undone thoughts and broken limbs?
Are you sorry you never came back when your body stays?
That your feet refuse to move from a place that isn't yours anymore,
That you never got back your soul that went with its own winds,
The ineluctable pause when people realize it's a game not a life,
The parenthesis that cage your anger but leave a new line for the inevitable despair,
The slow breathing of an unexcitable, uninspired person,
A dead one.
This is about a person who isn't afraid to die because he believes he is dead.

— The End —