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Frankie Gestone Feb 2018
By: Frankie and Christine

He knew as soon as she walked out the door that he would never see her again. His heart sunk down into his stomach as he realized the only thing left to survive on are the memories of her. Fists clenched, blood pulsing through his veins, he set out for the only place that had ever made him feel sane--the docks. He kneeled down, head facing the water, he saw her reflection over his as his memory tasted her cherry lips. She whispered to him, something distant and vague that he couldn’t decipher. Confused, he nervously reached into his pocket, and the key to her apartment flew out and into the water- he had forgotten he previously stole it from her room. “What did she just say?” he wondered.

His palms sweating, and hands shaking, he reached for his cell phone anticipating a call or text any minute now. He contemplated giving her a call, searched for her name in his Contacts List, and realized that her name was no longer there. “The nerve,” Gianni thought, “how dare she erase her number from my **** phone? Now what am I going to do? Well, it’s better if she contacts me first anyway.”

Days passed and no phone call from Gabriella. Frantically biting his nails, he figured by now she has already moved on with another lucky guy, while he has been completely erased from her heart and mind- what a bitter cold thought how cruel life can really be. “Honestly, though, wouldn’t she at least want her key back?” he asked himself as the bitter cold swept upon his raw, cracked cheek. “And furthermore, how the hell did she get back into her apartment? No one else was home,” he tried to think rationally.

Gianni needed answers, and despite feeling crazy, he ventured back to the neighborhood where their love once was shared--would she be home? For what felt like an eternity, he ran towards her home, but he slowed down once he reached the door face-to-face suddenly feeling hesitant to ring her bell. Fingers quivering, he slowly pressed the small, black button. His body aching with the thought of the worst possible outcome, he turned around and slunk out before he could even see if there was a response.

Gianni found himself sitting on a bench a few blocks away, lonely and insecure. He looked at the time on his watch, it was 8:45 pm. He exhaled-it was so cold, he could see his breath -and in the vapor, he saw the image of Gabriella’s face. Then, the phone suddenly rang in his pocket- he reached hoping to see her mystical number again, but it was his mother calling for dinner.

He made his way back home, through side streets that he hadn’t ventured in years, finally to come home to see Gabriella in her baby blue peacoat waiting for him outside his stoop. There, he saw her, standing with open arms and a smile awaiting his presence. He walked towards her, but as soon as he put his arms around her embrace, she disappeared like the cold vapor from his breath- it was a dream- it was all just a dream.

“Was it a dream though?” he thought to himself, “or am I hallucinating? Is there a difference?”

The food on the table repulsed him and he could not eat any of it- it was steak and mashed potatoes again. He felt an urge to *****. There was a knock at the door, which jolted him in his seat and shook him to his core. He ran down the stairs to open to the door, only to find, Raymond, the UPS man, delivering a package that he needed to sign for. To his surprise, the return address was from New Mexico with just the name “Moretti” on the upper-lefthand corner--Gabriella’s last name.

He hesitated if he should open up the package, but his hands were opening the box before he could think again and he found two blue onyx gemstones with a note. “Gianni---the night we last spoke, I impulsively packed my bags and hopped on the very next plane to New Mexico. Maybe one day we will meet again and I will feel for you what I once felt. Have a wonderful life.”

His heart stopped, and he remembered how they used to just spend some summer evenings on the floor of her bedroom listening to Mother Nature’s Son by The Beatles from the White Album- a tear dropped from his left eye onto the backside of his dry hand like a raindrop onto a cracked drought ground. Humming along to that tune, he Googled what blue onyx gemstones are used for. These stones are especially good for people under mental and emotional stress and they are said to improve one's intuition and natural instincts, eliminate bad habits, give the strength for and to change, and to experience an overall feeling of inner rejuvenation.

“Guess she’s trying to tell me something,” he thought. He felt so dead inside and wondered how could she have left during the lowest and weakest point in his life. Tossing and turning all night in his bed, he remembered how he was once told how people put crystals underneath their pillows at night. Why not give it a shot? He put the two gemstones underneath his pillow, laid his tired head down on the cold side of the pillow, and suddenly drifted into a dream.

Up floating in the cosmos, Gabriella appeared to him surrounded by a baby blue light, the same shade as her peacoat. He began elevating up towards her level as he looked into her aquamarine sky eyes, as if it were her eyes that elevated him, and then he began swimming in the air with the pink fish and the violet dolphins. Then shades of orange, amber, metallic green, silver, and gold swam in circles around his soul, while a mirror came down in front of him and he saw his reflection of half black and white. All in the background surrounding him were various shades of gray. Gianni then began to hear Gabriella sing their cosmic song and suddenly he now could understand what her mirage had once whispered to him at the docks: We are timeless and you are now here, not with me but as me, inside me. Let go and burn out like the flame in the wind. You are nowhere. You are we. We are both the lock and the key.
Love, Dreams, Colors, Blue Onyx, Heaven, Hell, Peace, Surrealism, Universe
marriegegirl Jul 2014
Ça a été une semaine de l'absurde jolis traits .mais puis-je vous laisser sur un petit secret ?Nous aurions enregistré un des meilleurs pour la fin.Judy Pak .Loli événements et Matthew Ree sont que quelques-uns des grands noms derrière ce printemps swoonfest .et vous pouvez visiter la galerie complète pour beaucoup.beaucoup plus .Vendredi heureux .mes enfants !xoxo\u003cp\u003ePartager cette superbe galerie ColorsSeasonsSpringSettingsGardenStylesRomantic de Lauren de Loli événements .Bien que brève .printemps à New York est toujours rajeunissant et passionnant .Tout semble plus lumineux .plus heureux et tout plein de vie .Ce tournage a capturé exactement cela avec une parfaite dose de glamour et de fantaisie .Les beaux motifs des jardins d'Old Westbury était une évidence comme toile de fond .Tout y est luxuriante .réfléchi et tout simplement magnifique .Notre objectif en tant que fournisseurs de mariage de luxe était de capturer une certaine beauté grave tout en s'amusant et profiter du moment .Il est si facile de se laisser prendre et d'oublier de faire une pause et de prendre dans votre environnement .Cette séance est consacrée à créer un peu d' esprit d'aventure et un besoin de juste prendre une profonde respiration lente .

Photographie : Judy Pak | Photographie : Matthew Ree | Floral Design : Tashi et Bobo | Robe : Jenny Packham | gâteau : Ana Parzych | Coiffeur : Seonghee Park | Bridal Boutique : Gabriella New York | Location de robe : petite robe empruntée |postiches : Emily Riggs | Maquillage : Seunghyn robes demoiselles d honneur Seo de KAKABOKA | Props / table : Caverne de coquelicots et Posies | Styling / Set de table design: Loli Evénements | mariage Lieu: Old Westbury Gardens

cadeaux COURS

Dernière chance pour entrer mariage Styles Modcloth Fonds ContestHoneymoon de Registre annuel rêve SweepstakesA collier pavé de diamants disque JoyWilliams - Sonoma de voyageurs " Les jeux de Clay PotTWO de détente à DEUX SMPers chanceux de Duffield Lanea ensemble de flashcards de Apprendre à parler de mariage

Ne manquez pas les remises de cette semaine .

PostableSquarespaceAbbey Malcolm typographique + DesignZola

Pour nos épouses Australie .Ne pas oublier de s'inscrire pour gagner une séance d'engagement à la plage sud de Curl Curl de Poli Mariages

Pour nos épouses Californie .Réductions de Jonathan jeunes Mariages et Dr Diaz .

Pour nos Brides.Discounts Canada de Blush \u0026Gray.Renata De Thomasis et Christine Arnold Photographie

Pour nos épouses Midwest .Réduction du restylage Locations de cru et La Belle Fleur événements

Pour nos Nouvelle-Angleterre Brides .Un rabais de Aster B. Fleurs

Pour notre Sud-Ouest Brides.Make sûr de confirmer Royal Occasion Chateau Cocomar nuptiale Open House ( Ce week-end ! )

Pour notre Tri-State brides.Don 't oublier de s'inscrire pour gagner Photographie + vidéographie Collection de NST Photos et réductions du New Museum .Femina photo + design.NY Sourire spécialistes et HowAboutWe pour les couples PLUS ne manquez pas Gabriella Newhiver échantillon Vente York !

Et bien sûr .heureux gagnant

http://modedomicile.com

de cette semaine .
Félicitations Alexis qui a gagné 100 Day Challenge paquet d'or de mariée corpsEmily Riggs est un membre de notre Look Book .Pour plus d'informations sur la façon dont robe de mariée 2014 les membres sont choisis .cliquez ici .Gabriella New York Bridal Salon .Loli événements et Judy Pak Photographie sont membres de notre Little Black Book .Découvrez comment les membres sont choisis en visitant notre page de FAQ .Gabriella New York Salo nuptiale ... Afficher les événements PORTEFEUILLE loli voir le portfolio Judy Pak Photographie voir le
Marshal Gebbie Feb 2023
Vermillion streaks in stratus, dark
Against the very heart of night,
Bands of deep red in the shroud
Portend approaching cyclone's might.
Morning shards of  fractured cloud
Stream across a shattered sky,
Smothered sun in shadowed orb
Against where apprehension's lie.

South East winds arising now
Tussock billowing in dale
Trees commence a windward thrash
In lieu of kiss of coming gale.
Greyness of a leaden sea
In the lee of storm's approach,
Beneath the streaming sand dunes
The seagulls shelter, in reproach.

Mounting gusts of boisterous wind
Cascade along the lamp lit way
Schoolgirls shriek as skirts fly high
And ominously, skies turn grey.
Supermarkets, in the city
Teem with queues in panic buy,
Grab bags now the urgent item
Just in case the flooding's high.

Traffic blocks the bridge and byways
Wan in headlights falling rain,
Anxiously, the need to be home
Frought anticipation's pain.
All the birds have disappeared
Vanished, in the sudden still,
Eery in the misting rainfall
Frightening, in a mystic chill.

Havoc as she sets upon us
Howling wind and teeming rain,
Horizontal onslaught blasting
Gabriella's Song by name!
Bridges under siege with flooding
Trees down over roads,
Monstrous waves in tidal surging
Causing coastal overloads.

Imprisonment by sandbags
As flooded rivers overflow
In blinding rain of maelstrom teeming
Anywhere and everywhere you go.
Inundated cars on freeway
Flashing hazards submerged deep,
Rescued souls lost, bewildered
In sudden-ness disaster reaps.

Massive trees are torn asunder
Blasted foliage thrashing wild
Torrents rage through streambed gullies
Gabrielle, destruction's child!
..............
Aftermath of horror's silence
Hollow eyed and gaping jaw
A nightmare for your sanity?
Nay,  Gabriella's Song.... is flawed.

M@Foxglove,Taranaki NZ
A direct hit by Cyclone Gabrielle on a vulnerable New Zealand, adrift in the vast South Pacific Ocean
Nat Lipstadt Feb 2019
being a poet is not planned

~for Gabriella Garcia~

~~

a sixteen old soul says she understands,
being a poet is not planned,
forcing an old mans re-collection of the first time,
he made love to a virginal white
papyrus with muscles trembling,
body bent, chest bursting a rockets red glaring,
eyes marking the sheets with salty drip spots

what possessed the wrist veins
to wrest a cheap ballpoint pen to transfuse pain,
in a semaphore of uncoded ink blotches,
what was he thinking

was he thinking?

that it was an ejection
that it was an *******
that it was a tribulation expiation
that it was a tribute explanation?

that it was an injection
that it was a circumspection inspection
that it was a circumscision surgery of emotional complexion
excising an infection with a written genuflection?

try, but no might, the first is subsumed
by the thousands that followed dutifully
though his one poem  flawless, expertly recalled,
it will always be the next,
and unplanned just like this one too

who anointed his brow, the hair and forehead,
with oil pure, dripping down onto, into his cut cain marker,
who is not answering a query relentless
is this his plan, his appointment,
is this his flawed excellence,
is this his imperfect penance perpetual?

knowing well and full
now

the unplanned is his plan,
it’s his faceted flaws
that refract his coloraturas


~~

upon this he reflects,
praying that
god protect the
young poets
from planning
____
https://hellopoetry.com/poem/2893127/unplanned
I blend cry not,
An antic land, lest not
Trot
Blot
On a sparkling terrain
Epitome Heaven,
Lo!
That I hearken an Archangel yet?
Gabriella tears, rears, near:
I saw a stag, reindeer, lag, and flag in the distant snowy mountains…
martin challis Nov 2014
...and going to state...action.

The jade edge of the writing compartment showed luminescent in the venetian-split rays of an afternoon sun.

Pillar Vas-Gurta gestured a heavy mop like hand towards the cigar case.

Take as many as you like, he mouthed. But everything suspicious
caused in me an urgent decline.  You are always too generous Pillar,
I uttered with feigned diplomacy; the dense undertow carrying off the forfeit.

Why are the Arm-ericans not displaying a greater sense of co-operation,
Pillar questioned the telephone in thick Polish, and to me the single nod of a telephone rung off, his reply was as good as a grunt.

As he finished the call; Ah now, come sit young Valentin, if you’ll none of my Cubans come sit and sip Cognac with me at least, spend a moment with an excellent mint.

Untroubled by the American question, Pillar, eyes like hurricanes, hair curled on his forhead with the oil of a whistle, teeth forged, as if by a village blacksmith, patient and keen to devour conversation, was not a man to be declined twice in one afternoon.

Pillar was a man who’s stubble grew as he considered each of his thoughts: and the skewer fed silence that connected fear with steel.

I sense Valentin you are withholding something, are you troubled, rumbled the Polish border, is the Cuban smoke a little too dense for your sensibilities, My friend, my friend you are troubled, so tell me.

Please. I answered for the cognac. And for the writing compartment.
I see it is from Gabriella.  His flash, dense and swift as a school of minnows turning their escape into silver, caught me unaware; the weight in my question.

He loves this woman. Here it is then. Even Pillar is vulnerable.

You do not answer Valentin. No I’m sorry, I mumbled. Something troubles me. Please tell me Pillar, why am I here, why have you called me.

Ah the question that cuts to chase the rabbit. As you say. Or something like that, no. You are here Valentin because I like you. You may think, there is nothing I like, and that also may be true. But the cigar must be smoked to appreciate its fullness.

And it that moment, Pillar reached for the razor in his sleeve. Before he was aware, I had seen the gesture. The heel of my shoe captured his nose. The cognac glass filled slowly; a distortion of colour. Pillar sat motionless at his desk. Draining with the final swill. The jade edge of the writing compartment offering a seal of approval; Gabriella's last kiss.
The cigar case remained open and untouched.

I had taken as many as I'd liked.

...and Cut..
This was an attempt at a 'thriller' poem written a while back.
Autumn Sep 2016
The first time I saw you
I thought you were a boy
January ten, you had just arrived
now the wild nine year old that I basically raised
too much energy, but eats too little.
the lego playing, dragon-loving, wild-life biologist
who loves Alexander Hamilton
she laughs at my jokes, she's my light
Jessica Burgess Nov 2016
The night before
Was gone for longer
Periods of time
Men on horseback
Soon arrived
My eyes sought
On the knights
For they would not open to doors
As the walls circulated around me
I fear the worst
As I cry out for I feel trapped
Because
The night before
was gone for longer
Periods of time
judy smith Feb 2017
It’s an annual tradition that London Fashion Week opens every February with the newest of the new—the bang-fizz of The Central Saint Martins’s M.A. graduation show. These are the people who are destined to shape the fashion world—not least because they are talents gathered from everywhere. The class of 2017 has students from China, Taiwan, Bulgaria, Slovenia, Gibraltar, and the United States as well as Britain. This is just normal in London, a city that has built its reputation as a creative capital on the strength of talents from all over: all backgrounds, all nationalities. In the face of Brexit, and its possible future curb on immigration, London has its Muslim mayor Sadiq Khan, the city’s elected representative, who stands up for the vitality of diversity and interfaith harmony every day with his social media campaign from City Hall, #Londonisopen. In his words: “We don’t simply tolerate each other’s differences, we celebrate them. Many people from all over the globe live and work here, contributing to every aspect of life in our city.”

Nowhere will that be better demonstrated than in what’s to come in London Fashion Week. In defiance of dark times, its youth and multicultural camaraderie is about to roll out the welcome mat. Expect to see it coming from all directions, in kaleidoscopic variety. On the Central Saint Martins’s runway, there’s Gabriella Sardena’s wildly decorative glam-femme collection to look forward to, for example (she’s the one from Gibraltar). Day one, there’s also the opening of The International Fashion Showcase at Somerset House, where emerging designers from 26 countries, including Ukraine, Russia, Khazakhstan, India, Romania, Czech Republic, Egypt, and Guatemala, will put forward their viewpoints on the theme “Local and Global.”

Stand back for a blast from New York, too. Michael Halpern, one of the latest Central Saint Martins M.A. graduates (class of 2016) will unleash his first multi-sequined disco-fabulous collection in a presentation that is being aided and abetted with volunteer help from Patti Wilson and Sam McKnight, held at a posh venue laid on for free in the heart of St James on Saturday.

Fighting gloom with glitter is a London thing. Ashish Gupta, born in India, longtime London trailblazer for LGBTQ rights, is the king of that. Given last September, when he took his bow in a T-shirt emblazoned IMMIGRANT, admirers will surely be packing his Ashish show to the rafters. These times demand a standing up for pride in identity. Osman Yousefzada, more quietly creative, with his strong art-world following, will be coming out with a statement about his British-Asian roots: “Before, we were rarities, trophies and exotics from distant lands…some of us fleeing famine, war, or persecution,” he writes. “We were thought of as good labourers, businessmen and women—hungry, reliable and eager to succeed…and then some wanted to close the doors. Today, I bring you colour, opulence, texture, tailoring, a modern woman in different hues who isn’t scared to stand out and have fun, and embrace the beauty and difference around her.”

London is open to more newcomers. The Ports 1961 women’s show has relocated here from Milan this season. It’s actually a homecoming of a sort: This collection, placed on a woman-friendly lifestyle-centric wavelength somewhere on the continuum between The Row and Céline, has in fact been designed by the Slovenian-born Natasa Cagalj (also a CSM M.A. alumna) from a studio in London’s Farringdon all along. Two more “returners” to the schedule are Hussein Chalayan and Roland Mouret, long rooted in London since the ’90s, who are repatriating their shows from Paris.

It’s a whole London creative community picture, in fact—one that makes a complete commercial nonsense on every level of the “Little Britain” xenophobia of the send-them-home faction in U.K. politics. Cohesion and creativity, the welcome and support given to the newest, from everywhere—that’s the flag that flies over London Fashion Week. Scotland, Ireland, Greece, Austria, America, Serbia, Canada, Syria, India, Germany, Pakistan, Nigeria, Turkey, Ghana, New Zealand, Portugal—come one, come all, says fashion. There’ll be protest and prettiness, resistance and humor—that’s a given this week. Here’s glitter in your eye!Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Natalie Jan 2016
in a world where we're all so conditioned to believe that the only thing we should strive to be is the gabriella, we become so disillusioned when it is revealed that we're a sharpay. we fail to realize that supporting characters are individuals in their own right; sharpay has her own story and her own motivations. and who are we to demonize her for that?

what are you supposed to do when you grow up realizing that you're the mean girl that you're so conditioned to hate? you're to aspire to be everything that regina is not, yet you turned out plastic. but is that wrong?

these negatively portrayed women are still women; women with desires and passions that they hold true. these women exist in life. those mean "popular" girls, who seem to never truly have friends, are titled "popular" so no one feels bad about tearing them down.

these women exist and are more than a plot device to force the perfect protagonist into her perfect love interest's arms.
jo spencer Feb 2013
Still Gabriella swears by the colour red,
Torn sashes of yesterday can only consume
the mindset of  her forgotten azure,
as the neck of dawn sneaks accidentally,
Yellow's parody the greater shame,
no school or satchels of mouldy black,
behind the lumme
she needed more time,
like a fulcrum balancing taciturn's turn.
Elaine M Smith Jul 2015
"...This will be a humbling experience for all of us..."

"...The purpose of the wall is to prevent rocks from falling onto their homes. The houses are built onto the side of a mountain, and earthquakes and tremors occur often..."

"...I think one of my favorite parts about the mission trip is winding down at the end of the night, reading through the Book of James, and talking about what we saw/thought that day..."

"...This morning's mass really hit me- the first reading had a line ,"...For God likes cheerful givers..."."

"We went to one of the local restaurants, ordered donuts and drinks. I mean, there's no harm, right? We're all allowed, so might as well take the chance.
It's not like two Cuba Libres will be a bad hangover..."

"...A couple members of our team went to help at a preschool..."

"...We took our lunch break early and took the opportunity to hand out rosaries, toys for the kids..."

"...the work stopped just because los gringos had never seen a scorpion before!"

"It's the end of the night- time for a debrief with Randy. We read the first part of chapter 2, all about Sin of Partiality. As he read this line,"...have you not made distinctions among yourselves and become judges with evil designs?" (James 2:4), the first thing that came to mind was prejudice..."

"The main message tonight was this: Are we willing to leave our comfort zones and show others the love of a Christian?
Something to pray about."

"...we played with the 2 and 3 year olds. They taught me a new word today- la pelota..."

"Going to the zoo tomorrow! We're going to have about 20-25 children from Pamplona with us..."

"The bus rides to and from were great, too! Despite the language barrier, we were all laughing, singing, having a good time."


"[She] nicknamed him the Fresh Prince of Pamplona."

"...I think the best part of this trip is bonding with the girls..."

"Considering we didn't meet each other before the mission trip, we've gotten along pretty well this past week!"

"...We skipped the work site and visited a school called Cerrito Azul..."

"...It's really amazing to see the community in San Juan de Miraflores, more specifically [him], help the people with special needs..."

"Azul- Blue is the color for autism awareness.
Cerrito- literally means "little hill"... the name of the school directly translates to "little blue hill""

"... a line of people passing rocks... breaking up boulders... mixing cement. It was a busy mountainside!"

"There's major progress on the wall- and not only that. We've made connections with the locals in Las Violetas that we didn't imagine would exist 2 weeks ago!..."

"What we do with our time here is so valuable. The wall keeps them safe, but the connections last a lifetime!"

"...I'm surprised by all the American music they listen to..."

"...The people of Pamplona have stolen my heart..."

"... I've never really had the desire to go on a mission trip before this..."

"...That good feeling you get even tough you're exhausted... There are no words to describe it..."

"...I'm going to miss the community of Las Violetas in Pamplona.
Gabriella, who calls [him] "chico malo".
Her mom, who is very wonderful.
A young mom with a very happy little boy!"

"...We went to Alegria en el Senor (Joy in the Lord), which is a school for physically disabled students..."

"It was such a special experience, to be able to see how happy they are despite their disabilities.
They see them as a blessing..."

"...Pan Para mis Hermanos (Bread for my Brothers)..."

"...It's a way for the street vendors to feel appreciated and loved. The volunteers go out once a week and hand out bread and whatever drink they have- hot tea, hot chocolate, water.
They also pray with the vendors."

"...This trip has been very humbling overall, because the things that I complain about at home are things that I take advantage of."
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
Xan Abyss Oct 2014
Lit by the stars, she came as would a dream
On velvet wings, so celestial
Beneath the pearl white moonlight
I saw her in the sky
And as the sun set below the edge of the world
I saw a divine panorama
The night sky, full of sorrow and majesty
I see

I long for the night to be gone
And the day to return
In this sorrow I burn....

In the dark of the night I see her there
In the absence of light I feel her stare
She will not be the one to set me free
She returns to torture me
When I close my eyes I cannot escape
The dying eyes in her beautiful face
I am locked in silence though I want to scream
When I am forced to dream

Like an ice-cold fire she dwells within
Freezing and burning my heart all at once
And oh, how the darkness bleeds its way
Into my fragile soul
And the shadows of the past
Are reflecting in the mirror
These eyes, saw her die
Beneath an ebony sky

Now depression settles in
And it dwells beneath my skin
In this miserable life
I long only to die

And my dear Gabriella, she appears in the stellar
Light that shines upon the pale creation
Resting in the autumn night
My angel of depression, I am sure that she was sent down
By the heavens to destroy my mind, my heart, my soul
She has

And in the dark of the night I see her there
In the absence of light I feel her stare
She will not be the one to set me free
She returns to torture me
When I close my eyes I cannot escape
The dying eyes in her beautiful face
I am locked in silence though I want to scream
When I am forced to dream
I write a lot of late night ghost love songs.
....Continuation from Part One

Do you know what it feels like to be me,
So many things the world is blind to only i can see
Cursed with injustice, misconceptions, conspiracies
Even now without the chains i still hope to be free
Even now that my voice can be heard it seems the audience could care less despite their oh so very subtle gestures signalling each other to ignore my high notes(pause#sigh#) EXSISTENCE!! You still anticipate and wait for me to react to
Subliminal provocation intended to give me discomfort.
The audacity!

(CLEAR my throat as if delivering an important message at a rally. Gabriella get inspiration from ****** or mlk to unleash the power of the words below)

I blame the system! i blame miseducation!
I blame fabricated history!
Let the *****, coily hair i possess release a mighty frequency,
Connect with the gods and master the ability of this forgotten ancestral contingency
Unfold the truth hidden in between the lines
Acknowledge the struggles and weaknesses of our predecessors; sold their souls and heritage for a mysterious briefcase fit for a coffin for bribery. Hidden and buried beneath the half hearted stamped agreements sticking out from the shimmering dimes.
and so begins the misery,
Banished from using our hands, conditioned to a life of being fed
Restrained from using our heads, conformity weaved us together like thread

Previously, dispersed,  Discarded and fowarded in shipments
so they could use us as a contaminated abomination the world should dread.
Obstructing all efforts to spread to our sentiments.
The darker the flesh then the deeper the roots rip tupac
What good are the roots when they wiped out all evidence leaving no proof

Done by Gabriella kundiona
(Afrikka)
They said baby come home,
Worried and anxious about how you living alone,
I said i'd lost patience sick and tired of waiting for your dreams to come along,
And so i packed my bags, wrote a note and i was gone!

what does it feel like to be me?
When you stare at my reflection what'd you see?
A smudged painting, ripped canvas that's all i could be
An error in your work of art
You forgot i chose my life
I am glad i let go because now i can breathe

They said baby come home,
Although It's not the same, people ambushed, still put to shame
Killed for sport, life cut short used as the governments pawn,
I heard a baby wail, a mother cry gunshots that have left a wound that will take 5 generations to heal,
An orphaned child grown but immature to fulfil his fathers will
Hate, revenge and melancholy is all the heart can feel
Numb to love , peace, joy because he was raised in a warzone
Homes become barracks
Relatives become comrades
Friends become foes
Prying over deep rooted pains feeding off people's ignorance so long noone knows
But i know,
The soil bleeds me, when night time comes i listen to the moon console the land beneath me
I transform into a Goddess, strong and ready for battle,
The lines on my face and the past i carry is fatal
Remember abantu!!!
Remember abantu!!!
We can no longer fight for what rightfully belongs to us, that time is past
Ndezvedu!...

To continued.

Done by Gabriella Kundiona (Afrikka)
Ryan P Kinney May 2019
Assembled by Eli Williams and Ryan P. Kinney
From works by Lennart Lundh, Gabriella Ercolani, Vicki Acquah, Ayla Atash, Russ Vidrick, Chuck Joy
Additional original content by Eli Williams and Ryan P. Kinney

Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.

They walked upon the new Earth
Like they did on the Old
Tugging along their gravel hearts
On freshly laid asphalt
Their eyes slowly
Moving towards the new sky
The clouds, like curtains, unfolded
Their feet freshly cleansed of old
Traditions and assumptions that they
would never make it to this great moment
But no one knew what was past
That port of no return
The ship sailed away,
Faded out of view
The lights one by one dim
The music softens
The actors bow,

Bewildered is the conscience of a dancer
whose unified self wishes to remain true
to a lover,
to family,
a social circle.
Yet a facet of the face must make love
to the masses;
each hungry audience that idolizes the mask,
she slowly exposes.

Another layer chipped away like
Hardened clay
The people here aspire to be
Nothing more than alive
The lives of the New World
In the hands of strangers
Coexisting within each other
For fear of never existing again
This is their lifeline, their blood
They are all in this repopulation
Together

They are husband and wife, or lovers.
They are childhood sweethearts
become best friends against adversity.
Or supplicants, praying for tomorrow.

But when your empty heart is weighed
"what are you really worth?"

I am vapor
An ethereal mist that permeates through all people
Unknown that I have infected them
That my heaviness weighs on their soul

You stand here, asking me,
“What do I want?”

I want to be light
Free,
Not a particle that jams up people’s souls
But something that invigorates them

She presses her hand to the bulletproof safety glass
And meekly whispers,
“Well, what do they say?”

They say I shouldn’t be so tired
They say I should get a job
They say I should get off this couch
They say I shouldn’t be a blob

They say I should feel,
Live
Create
His hands move wildly in the air
Miming a paint brush; a hammer
A tool of destruction; creation
He weaves his hands as though he is dancing to his own genesis


Simple and intense
As the splattered paint on a Jackson ******* canvas

we see others as they are
we see ourselves at every age
and all at once
Ryan P Kinney May 2019
Dancing Without Invitation
Assembled by Rick O’Donnell, Eli Williams, Josh Romig, Danielle Romig, Kevin F. Smith, Casey Kizior
From works by Lennart Lundh, Gabriella Ercolani, Mark Fleming, Ryan P. Kinney

It’s lurking, not surprisingly, out of sight,
and even a quick turn of the head won’t suffice
to bring it from the darkness into focus

This is how we lived:
Dancing without invitation
at a local food store grand opening.
It’s what we felt like.

I woke in the shower singing morning
You were disarrayed Again
from our evening love making
when I went to join you

Grant in me the chance
to brighten an otherwise monochromatic galaxy
by recreating your beauty in another

I write to the woman
whose curiosity is
a blooming flower
sugar
magnolia wrapped in
Ivory ribs,
that dances sporadic
with her splendid panting laughter

-------------------------------------------------------­---------
I think,
There I am Ryan.
I am better than anyone I have ever known.
As the clouds begin to part in my mighty presence,
I can see the only one I have ever truly known
Is myself…

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney May 2019
Assembled by Danielle Romig
From works by Vicki Acquah, Mark Antony Rossi, Ryan P. Kinney, Dr. Benjamin D. Anthony, Gabriella Ercolani, Sheena Zilla, JM Romig

Splash, Splash I was taking a bath during global warming;
How many times has rain ruined my day
There enough pain to make the whole world shed tears.
I’m still plodding on
One foot in front of the other
Cracks are wide open; slipping through them is easy
Hear the sound of fighting to the south and the west
We all stuck here waiting to be casualties

As you wipe the days work from your forehead.
In the empty spaces
everything fades to black.
If time is fluid, like the oceans
Then maybe I’m glancing over as a wave breaks
I know that you may not see it now, but time really will heal these wounds.

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney May 2019
Assembled by Ryan P. Kinney
From works by Gabriella Ercolani, Dr. Benjamin Anthony, Heather Munn, Vicki Acquah, Tanya Pilumeli
Additional original content by Ryan P. Kinney

Bewildered is the conscience of a dancer
whose unified self wishes to remain true
to a lover,
to family,
a social circle.
Yet a facet of the face must make love
to the masses;
each hungry audience that idolizes the mask,
she slowly exposes.

Then he saw the little movements where her belly was and now were taut muscles barely holding back guts and little faces with eyes shut snakes tiny tongues clicking, tails wrapping around

Atlantic waves
Soothing
Tsunami crashes; my mental health strews memory about like road sand.

A child asks for two dollars
To help me from his heart-
My maintenance software
Opens to error messages-
"Man pushes glasses up
On his nose-incidentally";

Resistance subdued
Take her then
Junk in the corner
She's worthless to me

This is no kindness in this man.
He is gluttony incarnate.
Consumption just to flaunt his aristocracy to the peasant.

You enter the world empty-handed and you will leave it empty-handed.
Stuck in a community
Stay an outcast or pay for immunity
Jelousy, greed, selfishness, slander gover ns the majority's behaviour
Masquerading as saints that worship christ the saviour
Men intended to play the role of the head
Exchanged roles with eve so he could disguise himself to gossip instead
Left the women wandering with an identity crisis
Seeking the mens attention charging different prices
Unveiling a community built on its vices
Brotherhood and acceptance publicized to distract you from the hateful plotting practised in closed doors forwarded through their devices
Running their mouths so that they can gloat
Exaggerating events to undermine you
Walking on water like Jesus forgetting to mention the boat
Fabricating a life of stability when most of them clearly stuck the picture with glue
Achievements and awards are hanged on the wall
They despise your discretion, if you display you become a fool
Premeditating your demise, they watch you intently anticipating your downfall
Why are we so determined to destroy each other?
Inferiority complex imherited from our forefather?
Have we redefined the meaning of brotherhood?
Is this the reason behind the new breed of men afraid of fatherhood?
Why the women feel it is alright to be misunderstood?
Hegemonic masculanity taking over after Eve took a bite of the fruit knowing everything except sisterhood?
Why we love what is bad and doubt what is good?
Obsessed with fattening the body with junk no longer enjoying the taste of spiritual food?
Gotta stay alert in such a neighbourhood!
It takes a certain man to teach how to be far from the hood,
But to understand the street.

Done by Gabriella Kundiona
(Afrikka)
Inspired by putra perdana closed knit community comfortable with ignorance and self hate
Hank Love Jan 2022
Poetry lies in the fields of Brazil
Within my heart yet to reveal.
It is beauty that one can smell,
A sweet aroma that surrounds Her well.

And Her eyes, tho I have not seen,
Perhaps in them the sky holds its blue,
Or perhaps She has stolen
The emeralds green.

Poetry is beauty for one to touch,
Her velvet skin, Her heart to clutch.
And while I knew Her, for some short time
In another world, Her heart was mine.

And Her beauty, I've seen only in dreams,
I still can keep her image well.
And Her name, the seraphs they sing
And call Her by the name of Gabriella.
I envisioned the world as an art gallery exhibiting different types artwork. I obsessed over the thought so much i worked on an art piece i imagined displayed in the hall of fame show room. The desire became stronger and i kept going back to the drawing board. I was frustrated! All i just wanted was to design a masterpiece!! I penned down my disappointment ready to give up,  i scribbled my few feelings and the words seemed to rhyme, a form of artistry that would eventually lead me to the creation of my masterpiece. The art of poetry. From then i mastered singing the writeups the art of music. I painted wonderful pictures through the use of my words, it was an influential choice of art this could be it. I wanted to discover more of my artistic ability. I watched myself become that very thing i wanted to create. An artist who began to transform into a piece of art. I became art personified. if words failed me, i sang. If the mic signature faded, i became a incomplete canvas smeared in ink subtly revealing the my passion for art. All along i was the masterpiece, an embodiment of everything art. Since then the art gallery displays my idiosyncratic
artistic composition. Yes, aristole was right , "we are what we repeatedly do".  

Done by Gabriella Kundiona
(Afrikka)
Ryan P Kinney May 2019
Assembled by Casey Kizior
From works by Ryan P. Kinney, Heather Munn, Gabriella Ercolani, unknown

I am passion, energy, and volatility
Mangling nuance out-of-order.
The will is infinite and the desire, boundless
Live every moment like you mean it,
Or you might as well be dead.

I will violently and passionately take exactly what I want
I imagine the melding
Of your face and mine.
Beautiful Blasphemy
To die by your side
Well, the pleasure – the privilege is mine
And I would accept no less

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Mateuš Conrad Jan 2019
em...
what do you get when you

mix an
eilidh barbour

   &
        a
   janice fiamengo?

more like:
robbie williams
  party like a russian

and nothing,
even remotely
related to
    gabriella climi's
sweet about me...

and that's certainly
not a dog *******'s
fetish
coming from
breeding a breed
of dog borrowing
from an alsatian
and a labrador...

   and just ever so
slightly not
wanting to invoke
a rottweiler...

   dobermann?
   1980s *** symbol...
and in all honesty?

  i'd never think up
cutting a rottweiler's
tail off...

come at me again...

what do you get
from mixing
a     eilidh barbour
   &
        a
   janice fiamengo?

o.k.,
i do have a soft-spot
for someone like
  a monica roccaforte...
(i used to date
a girl who reminded
me of her)...
aria giovanni:
****... used to date
a girl that reminded me
of her too...

esp. when the lights
were dimmed...

       now:
i'm all for ******* off
the ego that's a ****
that's the *******
in writing of
some 20th century
gay poet...

             well...
   that's what kissing a *******
for an hour does
to a man...
           just 2 hours prior
she was probably
entertaining
a sadist who'd choke her
and **** her till she'd
start spewing:
                         hurt me...

now the me,
the ***** and the ice cubes
stay...
              
i've come to realise:
everyone looks
like a mug
                      when looking
at himself in a c.c.t.v.
backfeed
in a supermarket
automated checkout...

yeah, that: i used
to be thin and pweetty...
     thank ****
i bypassed
the need to ingest
metaphorical viagara
pills for that:
perfect suntan and
toned amps and excesses
of limbs...

no latex no
***** *** noir scenes...
i'm almost thrilled,
but certainly tantalized
by having plebeian
pleasures:
kept intact by
  being repressed in
the form of:
      sorry...
i'm not in the queue
where
people forget the polite:
excuse me...
and barge...
             elbows first;

if only love was
like the sort of love
in eric clapton's:
wonderful tonight...

       two word ending:

texan cleavage:
sometimes i can't
tell apart
the pair of *******
from the ****
    of a whistling
                 ***-crack...

'ola templar chants
and a shrimp-sized-****-shiver
of a shiver...

          boy turned man
via the football supporters'
attire of a golf cap...

   fore!
yonder:
   while an eagle took
           a shy't(e).
You believe your deceived wrappings it in plastic is packaging dope
No hope its insinuated it's a rubber for
The **** bout to poke a hole in your throat.
Drastic is savage how you manage bad tactics like a crack head in a black bed. Light your trap house with gas and matches soak your mattress like a can of nitrous gents a black wire set to blast ****. Have it you blackhead attack and stab like bed bugs attack female abdomen. I'm a savage kid.
Your bout as average as a sadness in a hinder concert
Get nickleback to frame your picture in their photograph so your last day on earth is bout as happy as the *** you never had *****. **** it I'm a habit you cant grab so I'll wreak havoc on your planet. Stash your body parts and dismantled *** in the trash can next to the Pepsi cans you had next to my mash potatoes you *** **** stuff your prison up your ***. Go **** your dad and. Cry about the drugs that enhance the logic that your trapped in
Let's agree on one thing after this happens we gotta manage as ateam or crash and burn in damnation like damaged plastic afire and smoking toxicity gasping like a snoop dogg ***** flick with ******* laughing at your *** crack I must be forgetting passion they asking what's your rebuttal. Something subtle or drastic. *** this game of masking your existence to be free of guilt is actually fuck8ng classic but your gonna your asskicked oh it's going to be drastic wrapped like caskets burgers chips and dips and every ******* single thing I want like devils glass
******* and massive grass to grab like plants of madness in my field of dances... your up ***** cant wait to laugh it. Have it.


Split personality hey denial itself
Concocted script you knew was wrong.
I live it well so sit in hell
And **** your self
Slit your wrists and listen to the
Rythym of your heart since your so smart you only get yourself.
Furthermore. Evicted from your prison I ******* built so well. Eventually you built yourself. And the prison clothes youfitso welll
So sit in hell.
You selfish toy that never helped
Go fist yourself it fits you well.
You got stabbed by **** so well. You cried a little bit poor boy you've been through hell.
But heres no love your plate of **** can spill. Drastic plans of rapid cracking of limbs and body tissue will fill my hope with love and devotion to promote my open self. Go to hell.
My boat is well. Stash my *** in the trash *** I'm *****. And that's my *** as well. Grab it well. Romance is swell. But dancing with the devil is a dance with chance that actually matches well with how you have yourself.
**** **** your *** is *****
Cancer tip you have your **** you laugh at **** that lasts like bicks at psrtyd where theres random kids blazing massive spliffs
Cant handle it
The tactic is. I'm eradicatingrvery center of power you managed to position ammunition in a plan to have me blasted *****. I outlasted satan's plan you think you have a squint and grabbing any chance at this
Your dance exists for two minutes
Heres my *** handle this your switchblade is fuckingmanly ****.
The plan is this I'm sick as ****. Of surviving always asking forascrap of esteem from god or passengers on this path we get. Its laughing capacity I couldmanag3 actually with out you in my family. You actually tactically kept my fragile self in happy health and fuckingtoxicly mis managing and tragically opposite of what I want romantically halftime guysaroundme ******* want me actually I'm amazed gods brought me Hope's of life beyond senseless prisoner bitter denial depression and insanity.
That ravaged me so savagely
You laugh but it's not funny its very sad to me.
You gladly and happily where my protector when my fragile soul was grappling with battles unmanageable damaging. But now you've grown insatiable and practically so terrifying I'm afraid I'll pass my life with drugs and suicide and no love left for my boyfriend kids or family. My uncles passing came like blasts from heaven that wrapped him in an aura of glowing light with magic like gravity to keep his soul in heaven when god was mad at me.
An angel he took to heaven. One good friend and sacred family.
Darcy your practically a massive black hole that sits empty like a blackness cavity in the center of my anatomy
Tragically
You battled cancer but god never waits for Angel's. Specially when he has to be. The watcher of creation and defender of reality.
Happy me I wanna see you in the realm of angeps with my beloved family and laughter fills our gasping lungs with guilt free cancer at lungs max capacity for exhale detonation placed so much buttons in this rhapsody its practically packaged labelled match me up on tinder let's get this freaky **** happening I know you want me so bad you practically attract my *** like a black hole collapsing in a pocket of a space attracting madness to your black ****
Savage get my *** licked. With a passion for romance like candles make a blanket feel like panic in a disco. Like let's go into abyss and finish what we started. Let's pump this heart. And get *******. Who's the marksman whose the target. Regardless I'm going to be the smartest your the hardest. I'll see when every card revealed and my darkness becomes your heartless target in the part so ******* even Gabriella and serial killer valentine's yo smart and scared to watch it.
Slowly marshmallow
My hearts jello.
This parts mello.
I start with hello
Smart but metal
Is a complex
In my mind that never let's go
With a pencil scripting truth like dental floss keeps teeth from being yellow.
Instrumental suspenseful
Pen on metal like mulisha
Intentions like mental
Retention on forgetful
Eventual. The devil
Of hello.
With fangs like ivory moon
By silent
Silent but dreadful
Incredibly lead soaked
To bad that the rest of his buddies
Are dead yo
A weapon of settling with ***** status
And learning your not a devil nor god nor king of the temple.
So your the chosen sent message.
Of god and his men. But you feel weak and resentful. *** you were tough.
And no one told you an order.
So your slowly learning submission
Let go of your heads load.
And focus on worship
Regret is a dead flow.
The rivers stagnant no growth in contempt the fish dont go where
Lifes not willing to let go. Embrace totality of god surrender and be s member of gods home.
Were not known. But so hot yo. Cant wait to watch for the hope of having myself back in order. Pray I'm not alone in the journey you fought so hard to watch me walk home with slot of love you brought home to my top dome. My heart a hot zone of love your like a rock show.you talk so gravy you and god saved from a rotting talk show where I never ate hotdogs and pretended to love nachos.
Where oprah unfolds before my eyes I'm in a foreign body. But I reject it and fu kingwalk home
I dont want those. I fuckingwant home.
Be awesome when I get to heaven I fought the devil. Awesome wish but god ill accept any gift you give me. I know it's not home
Unless god knows
We all have roles. If I'm the door greeter I'm never gonna talk slow.
If I'm feet warmer I'm a make them feet go from hot cold.
Server of elixir. I'll drop half the tonic on the furnace to ignite a flame *** fall out boy obnoxiously thought so.
Like I'm the slowest to complete the list but different in every box that's chalked or marked and oprah's talks full
As they judge
Miss Ashley judd...
Do eth onto some
Judith doesn't use
Judas love or Jewish tongue
I knew thy son...
Hebrew beauty in a blue eyed
Tomb concluding
He truly proved my son
Was sacrifice...until
The dawn of kay what
Kayla gambles
Using gabertils gun
Like Underhill was hobbit
Talk for a hill
To climb and earth to love
So John's fore vision
Of long term mercy love
Has mountains
Seas and values ******
So valentine
Sees omuercas slumber sprung
As supposed God jehovah
Watches numbers come
From under suns
You can't discover ***...
Your under an umbrella
Of cloud cover...
Gabriella with Jenny
Mother love
Jade the ice
Justice of the mother tongue...
That runs a river
Sliver in a country run
Discovery
Of able bodied
Plumbers ***
The fox of Terry
Tears of Tierney
Swift fox that runs...
Like faucet *** the water
Flow like my goddess tongue
The water ****
As children of
Detox from
Poison discovery of oxen blood...
The oxygen in surface..
Embryo of toxic tongue...
Call Michael he's still the hottest
Blood being... with a ****
Oh God he's hung
But I'm glad he's found
His love...
She's lucky... so I'm positive
Hes got his son
Should he watch with love her body
Curves.. and talk her love
I bless his koffin
With all the love in
Gods keep he has awesome come
And 3 6 9 like stone cold Austin
Drunk....
Thats Steve..  repeat... dont sleep
On product of the watchful dumb

— The End —