'' In Love With The Euphrates''. (Eng.: 'yufreytiiz ", Greek: Ευφράτης)


A Love-Eternal, as long as its waters flow, far before the 'Now'.
One tiny soul, yearning at the River’s banks, below the palms with their soft, feathery foliage, waving in a languid breeze.
Staring at his bright shining surface, the emerald translucency ,here underneath the azure sky and shining golden solar disk.
The curves of its lines, made of very fine, soft sparkling sand and swaying reeds ,the alluring splash of its waves.
The mighty Euphrates smiles, beckons with the spirit of its life-giving waters:
'' Come, ... come to me....''

"ONE CAN NOT BE IN LOVE WITH A RIVER!''
…a furious mass, roars, somewhere out in the gray, remote coldness.
But this glowing heart beats every earthly comprehension and that-is-what-common.
A body, unclad as when life first began.
Sliding into the silky warmth bringing waves of its waters, and floating, blissfully drowning and surrendering to Euphrates' tender caress.

Nothing so sincere and pure….

The rapture of this insignificant, transient creature ....
The mighty Euphrates beholds, with his empathetic, loving spirit., as with a fatherly smile ...

And both enter that fathomless centre far beyond matter, time and the sublunary.
Euphrates’ clear blue whisper mingling with the energy of that passionate violet light, which is softly about to explode in radiant scarlet and purple rays of light and energy.

A Dream about the River Euphrates.                                                              

As far as the eye can see.
Sandy beaches, reeds along the River’s shores, widely stretched out sand coloured  rock formations, plain desert grounds.
Lone palm trees rise up just as other vegetation randomly sown, throughout the landscape.
Just one soul behold this beauty.
His sapphire waters gently flow.
Shining  brightly with dazzling radiance.
Changing colour into a clear emerald translucency.
The scent of his liquid embrace fills the heart’s desire to Love.
Afloat on Euphrates’  whispering stream.
Warm, soft and smoothly.
Blissfully.
Is it me who is that lost soul?
It seems it is.
It feels that way.
Time, space…. they seem to have vanished , they are just absent.
Just  being there together.
Mighty Euphrates, beckoning  to enter into his soft waves…
Sensing Euphrates’ sweet caress while the  heart unfolds.
His waters softly cuddling.
Feeling  his soul –healing powers.
He could drown me, take my life….
But he does not.
Weightlessly floating through his  tranquil, bright emerald.  
Golden rays of sunlight enter the realm of his translucent flow of life.  
As body and soul surrender ….
Unclad as on the first day….
Euphrates’  sweet caress …my soul breaks adrift.

Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

Bride of the desert
the indomitable town
Solomon’s Kingdom

            
Lost in history, I wander through a city that was fortified by King Solomon, raided by Mark Antony and ruled by Queen Zenobia who made it the capital of an empire, only to be captured herself and paraded through Rome in gold chains.

Civilisation upon civilisation are entombed within Tadmur; in a huge plain of carved stone blocks, massive columns arched in rows or standing alone, a Romanesque theatre, senate and baths, dominated by a great temple whose origin dates back four thousand years.

Due to a clever mistranslation from Arabic by the euro-centric traveller who ‘discovered’ Palmyra, the city also has a modern name.

Here for millennia, a tribe of Bedu have camped within the folds of these desert steppes and blackened Tadmur’s ruins with their camp fires, to trade camels or herd goats and sheep. Walking the divide between city, desert and the more fertile steppes, I search for their surviving descendants and find a black woven goat’s hair tent with its edges raised to capture a cooling breeze.

Hamed and his sons, huge and wary of foreigners, welcome me to sit within on  carpets and then graciously serve dates with innumerable small glasses of tea. I indicate ‘enough’ in the traditional manner by rolling my right hand and the empty glass. Hamed continues to voice his concerns about the lack of feed for their sheep and the prices achieved at market. I readily succumb to several small cups of greenish Arabic coffee, before being allowed to take my leave.

For millennia the wealth of this city was based on tariffs levied on goods flowing out of the desert aboard swaying camel caravans. Today, these once proudly fierce tribal Bedu no longer breed, train or ride camels.

The Bedu greatly prize their reputation and the respect of their peers. Their traditions are the foundation of these small tribal communities and may predate Islam;  a life now undermined by borders, nationalism, government settlement plans, conscription, war, television and tourism.
                                         *+     +     +      +      +

Black torn empty shells
swept by Mount Lebanon’s shade
Cannabis Valley

As I recall a haiku of ‘images’ of  my very first journey to Damascus, from war-torn Beirut through the lushness of the Bekaa;

in the here and now
a dark suit and Mercedes
cross the Euphrates

Defence Minister, Rifaat al-Assad is in town with his fifty thousand strong Defence Companies, complete with tanks, planes and helicopters.  A coup d’état is in progress to assure Rifaat’s succession to the Presidency of his older brother Hafiz al-Assad, now recovering from a heart attack.

Last year, Rifaat massacred some forty thousand Syrian citizens when he ordered the shelling of the city of Hama. Nobody in Damascus will be underestimating him.

All political and military power is in the hands of the al-Assads and key generals, who command the military and police. The majority of whom are of the Alawite minority Muslim faith from the rural districts near Latakia in the North. Before their revolution, governments came and went in weeks.

My friend Elias is allied to Rifaat’s cause, by simply doing business with the son. Now he and his family share the risks and dangers of this coup failing and stand to lose a fortune. Monies paid locally in Syrian pounds for goods delivered to government agencies.

Elias’s connection with Rifaat and Latakia, as well as his confident presence, humour and love of life, still allows us easy access to the Generals’ Club. Sadly, there is to be no table and floorshow, but a closed meeting with two senior Generals, where we learn that Hafiz has recovered enough to take charge and is now locked in discussions with his younger brother.

The decision is therefore made for us. We say our goodbyes and drive to Latakia.

On Sunday Elias meets his brothers, then with his family, we visit his parents small holding and enjoy a meal together. A wonderful fresh mezza that includes my favourite, courgettes stuffed with ground lamb and rice, in a yogurt sauce. Syrian food is amazingly healthy and my cuisine of choice.

It is a cloudless Monday morning, as I, Elias, his wife and children drive into the docks to board an old 46 foot motor cruiser. Huge cases are stowed as I make my inspection, then start the twin diesels and switch on the over-the-horizon radar. Our early departure is critical. We cast off and the Mate steers for the harbour entrance below the cliffs that guard it. As the Mediterranean lifts our bow in greeting, the disembodied voice of the Harbour Master tells us to return as we do not have permission to sail.

Ignoring the order, I increase our speed through the short choppy surf. We are sailing under the Greek Cypriot flag and in an hour I hope to be out of territorial waters.  At 14 knots we are a slow target.

Fifteen nautical miles from the coast of Syria, I leave the mate to follow a bearing for Larnaca. Elias has opened a bottle of Black Label. I quaff a glassful.

Later noticing a noisy vibration and diagnosing a bent prop shaft, I shut down the starboard engine. Our speed is now a steady 8 knots, so I decide on a new heading to discern more quickly the shadow of the Cypriot coastline on the radar screen.

Midway, the mate and Elias begin babbling about a small vessel ahead and four separate armoured boxes encircling it. Ugly Israeli high speed gun boats or worse, Lebanese pirates. Should they board us and find stowed riches, we will be killed.

Leaving the Mate to maintain our course, I go on deck to play the ‘European Owner’.  The vessel they have trapped is long and lean with three tall outboard motors but no crew are in sight.  Leaving them astern, our choice of vessel now fully exonerated, I and Elias throw another whisky ‘down the hatch’.

With us holding the correct bearing, I ask Elias to wake me as soon as we near Cyprus. Feeling utterly exhausted I collapse into a bunk.  

I wake unbidden, to find the Mate steering for the harbour entrance. Shouldering him aside, I spin the wheel to bring the vessel about. Shaking, I ask them why there are minarets on the ‘church’ and did they not notice our being observed from the top of the harbour's hillock, below which a fast patrol boat is anchored?  The Mate sprints to the Greek Cypriot flag and is hugging it to his chest; Elias wisely prays.

I command the wheel as we motor directly away from the port of Famagusta and Turkish held Northern Cyprus. We later change bearing and pass tourist beaches, it is night fall before we moor-up in Larnaca.
                                         +     +     +      +      +


Later that same year I am called to a last urgent meeting in Cyprus with Elias. He calmly tells me that he will be arrested when he rejoins his family, who have returned to Syria. Elias asks me to take full control of his Cypriot Businesses, then returns home and ‘disappears’ with his brothers.
                                         +     +     +      +      +


Since sacking the two Arab General Managers when they tried to get control of the bank accounts, it has taken more than six months to locate the prison holding all the brothers. We obtain the release of all except Elias, who has been tortured.  We then ‘purchase’ him the exclusive use of the Prison Governor's quarters and twenty four hour access for Elias’s family, nurses and doctors.
                                         +     +     +      +      +


Over the last two years, I have honoured my promises and expanded trade as far as Pakistan. Elias is still imprisoned.
                                         *+     +     +      +      +

Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :
Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
* ALL COPY RIGHTS RESERVED BY RAJ NANDY

Eid in Babylon sits on his high chair, on knees of snow. Grandparents smile for the beloved alleys of Babylon and overlook the mighty Euphrates. Eid in Babylon is a bright face of dawn.  Magic smiled on his hands like the hearts of the Babylonians.  These civilizations have occurred here, do you not see all these lighthouses and the sounds of eternity? Don't you see dew hearts where lovers' poems here mired in their dreams? At sunset, we will bid farewell to the spirit of rebellion. At sunset, a new Eid will be rise in Babylon.

Hear now a curious dream I dreamed last night,
Each word whereof is weighed and sifted truth.

  I stood beside Euphrates while it swelled
Like overflowing Jordan in its youth:
It waxed and colored sensibly to sight,
Till out of myriad pregnant waves there welled
Young crocodiles, a gaunt blunt-featured crew,
Fresh-hatched perhaps and daubed with birthday dew.
The rest if I should tell, I fear my friend,
My closest friend, would deem the facts untrue;
And therefore it were wisely left untold;
Yet if you will, why, hear it to the end.

  Each crocodile was girt with massive gold
And polished stones, that with their wearers grew:
But one there was who waxed beyond the rest,
Wore kinglier girdle and a kingly crown,
Whilst crowns and orbs and sceptres starred his breast.
All gleamed compact and green with scale on scale,
But special burnishment adorned his mail,
And special terror weighed upon his frown;
His punier brethren quaked before his tail,
Broad as a rafter, potent as a flail.
So he grew lord and master of his kin:
But who shall tell the tale of all their woes?
An execrable appetite arose,
He battened on them, crunched, and ****** them in.
He knew no law, he feared no binding law,
But ground them with inexorable jaw:
The luscious fat distilled upon his chin,
Exuded from his nostrils and his eyes,
While still like hungry death he fed his maw;
Till every minor crocodile being dead
And buried too, himself gorged to the full,
He slept with breath oppressed and unstrung claw.
O marvel passing strange which next I saw:
In sleep he dwindled to the common size,
And all the empire faded from his coat.
Then from far off a winged vessel came,
Swift as a swallow, subtle as a flame:
I know not what it bore of freight or host,
But white it was as an avenging ghost.
It levelled strong Euphrates in its course;
Supreme yet weightless as an idle mote
It seemed to tame the waters without force
Till not a murmur swelled or billow beat:
Lo, as the purple shadow swept the sands,
The prudent crocodile rose on his feet
And shed appropriate tears and wrung his hands.

  What can it mean? you ask. I answer not
For meaning, but myself must echo, What?
And tell it as I saw it on the spot.

As one who in his journey bates at noon,
Though bent on speed; so here the Arch-Angel paused
Betwixt the world destroyed and world restored,
If Adam aught perhaps might interpose;
Then, with transition sweet, new speech resumes.
Thus thou hast seen one world begin, and end;
And Man, as from a second stock, proceed.
Much thou hast yet to see; but I perceive
Thy mortal sight to fail; objects divine
Must needs impair and weary human sense:
Henceforth what is to come I will relate;
Thou therefore give due audience, and attend.
This second source of Men, while yet but few,
And while the dread of judgement past remains
Fresh in their minds, fearing the Deity,
With some regard to what is just and right
Shall lead their lives, and multiply apace;
Labouring the soil, and reaping plenteous crop,
Corn, wine, and oil; and, from the herd or flock,
Oft sacrificing bullock, lamb, or kid,
With large wine-offerings poured, and sacred feast,
Shall spend their days in joy unblamed; and dwell
Long time in peace, by families and tribes,
Under paternal rule: till one shall rise
Of proud ambitious heart; who, not content
With fair equality, fraternal state,
Will arrogate dominion undeserved
Over his brethren, and quite dispossess
Concord and law of nature from the earth;
Hunting (and men not beasts shall be his game)
With war, and hostile snare, such as refuse
Subjection to his empire tyrannous:
A mighty hunter thence he shall be styled
Before the Lord; as in despite of Heaven,
Or from Heaven, claiming second sovranty;
And from rebellion shall derive his name,
Though of rebellion others he accuse.
He with a crew, whom like ambition joins
With him or under him to tyrannize,
Marching from Eden towards the west, shall find
The plain, wherein a black bituminous gurge
Boils out from under ground, the mouth of Hell:
Of brick, and of that stuff, they cast to build
A city and tower, whose top may reach to Heaven;
And get themselves a name; lest, far dispersed
In foreign lands, their memory be lost;
Regardless whether good or evil fame.
But God, who oft descends to visit men
Unseen, and through their habitations walks
To mark their doings, them beholding soon,
Comes down to see their city, ere the tower
Obstruct Heaven-towers, and in derision sets
Upon their tongues a various spirit, to rase
Quite out their native language; and, instead,
To sow a jangling noise of words unknown:
Forthwith a hideous gabble rises loud,
Among the builders; each to other calls
Not understood; till hoarse, and all in rage,
As mocked they storm: great laughter was in Heaven,
And looking down, to see the hubbub strange,
And hear the din:  Thus was the building left
Ridiculous, and the work Confusion named.
Whereto thus Adam, fatherly displeased.
O execrable son! so to aspire
Above his brethren; to himself assuming
Authority usurped, from God not given:
He gave us only over beast, fish, fowl,
Dominion absolute; that right we hold
By his donation; but man over men
He made not lord; such title to himself
Reserving, human left from human free.
But this usurper his encroachment proud
Stays not on Man; to God his tower intends
Siege and defiance:  Wretched man!what food
Will he convey up thither, to sustain
Himself and his rash army; where thin air
Above the clouds will pine his entrails gross,
And famish him of breath, if not of bread?
To whom thus Michael.  Justly thou abhorrest
That son, who on the quiet state of men
Such trouble brought, affecting to subdue
Rational liberty; yet know withal,
Since thy original lapse, true liberty
Is lost, which always with right reason dwells
Twinned, and from her hath no dividual being:
Reason in man obscured, or not obeyed,
Immediately inordinate desires,
And upstart passions, catch the government
From reason; and to servitude reduce
Man, till then free.  Therefore, since he permits
Within himself unworthy powers to reign
Over free reason, God, in judgement just,
Subjects him from without to violent lords;
Who oft as undeservedly enthrall
His outward freedom:  Tyranny must be;
Though to the tyrant thereby no excuse.
Yet sometimes nations will decline so low
From virtue, which is reason, that no wrong,
But justice, and some fatal curse annexed,
Deprives them of their outward liberty;
Their inward lost:  Witness the irreverent son
Of him who built the ark; who, for the shame
Done to his father, heard this heavy curse,
Servant of servants, on his vicious race.
Thus will this latter, as the former world,
Still tend from bad to worse; till God at last,
Wearied with their iniquities, withdraw
His presence from among them, and avert
His holy eyes; resolving from thenceforth
To leave them to their own polluted ways;
And one peculiar nation to select
From all the rest, of whom to be invoked,
A nation from one faithful man to spring:
Him on this side Euphrates yet residing,
Bred up in idol-worship:  O, that men
(Canst thou believe?) should be so stupid grown,
While yet the patriarch lived, who ’scaped the flood,
As to forsake the living God, and fall
To worship their own work in wood and stone
For Gods!  Yet him God the Most High vouchsafes
To call by vision, from his father’s house,
His kindred, and false Gods, into a land
Which he will show him; and from him will raise
A mighty nation; and upon him shower
His benediction so, that in his seed
All nations shall be blest: he straight obeys;
Not knowing to what land, yet firm believes:
I see him, but thou canst not, with what faith
He leaves his Gods, his friends, and native soil,
Ur of Chaldaea, passing now the ford
To Haran; after him a cumbrous train
Of herds and flocks, and numerous servitude;
Not wandering poor, but trusting all his wealth
With God, who called him, in a land unknown.
Canaan he now attains; I see his tents
Pitched about Sechem, and the neighbouring plain
Of Moreh; there by promise he receives
Gift to his progeny of all that land,
From Hameth northward to the Desart south;
(Things by their names I call, though yet unnamed;)
From Hermon east to the great western Sea;
Mount Hermon, yonder sea; each place behold
In prospect, as I point them; on the shore
Mount Carmel; here, the double-founted stream,
Jordan, true limit eastward; but his sons
Shall dwell to Senir, that long ridge of hills.
This ponder, that all nations of the earth
Shall in his seed be blessed:  By that seed
Is meant thy great Deliverer, who shall bruise
The Serpent’s head; whereof to thee anon
Plainlier shall be revealed.  This patriarch blest,
Whom faithful Abraham due time shall call,
A son, and of his son a grand-child, leaves;
Like him in faith, in wisdom, and renown:
The grandchild, with twelve sons increased, departs
From Canaan to a land hereafter called
Egypt, divided by the river Nile
See where it flows, disgorging at seven mouths
Into the sea. To sojourn in that land
He comes, invited by a younger son
In time of dearth, a son whose worthy deeds
Raise him to be the second in that realm
Of Pharaoh. There he dies, and leaves his race
Growing into a nation, and now grown
Suspected to a sequent king, who seeks
To stop their overgrowth, as inmate guests
Too numerous; whence of guests he makes them slaves
Inhospitably, and kills their infant males:
Till by two brethren (these two brethren call
Moses and Aaron) sent from God to claim
His people from enthralment, they return,
With glory and spoil, back to their promised land.
But first, the lawless tyrant, who denies
To know their God, or message to regard,
Must be compelled by signs and judgements dire;
To blood unshed the rivers must be turned;
Frogs, lice, and flies, must all his palace fill
With loathed intrusion, and fill all the land;
His cattle must of rot and murren die;
Botches and blains must all his flesh emboss,
And all his people; thunder mixed with hail,
Hail mixed with fire, must rend the Egyptians sky,
And wheel on the earth, devouring where it rolls;
What it devours not, herb, or fruit, or grain,
A darksome cloud of locusts swarming down
Must eat, and on the ground leave nothing green;
Darkness must overshadow all his bounds,
Palpable darkness, and blot out three days;
Last, with one midnight stroke, all the first-born
Of Egypt must lie dead.  Thus with ten wounds
The river-dragon tamed at length submits
To let his sojourners depart, and oft
Humbles his stubborn heart; but still, as ice
More hardened after thaw; till, in his rage
Pursuing whom he late dismissed, the sea
Swallows him with his host; but them lets pass,
As on dry land, between two crystal walls;
Awed by the rod of Moses so to stand
Divided, till his rescued gain their shore:
Such wondrous power God to his saint will lend,
Though present in his Angel; who shall go
Before them in a cloud, and pillar of fire;
By day a cloud, by night a pillar of fire;
To guide them in their journey, and remove
Behind them, while the obdurate king pursues:
All night he will pursue; but his approach
Darkness defends between till morning watch;
Then through the fiery pillar, and the cloud,
God looking forth will trouble all his host,
And craze their chariot-wheels: when by command
Moses once more his potent rod extends
Over the sea; the sea his rod obeys;
On their embattled ranks the waves return,
And overwhelm their war:  The race elect
Safe toward Canaan from the shore advance
Through the wild Desart, not the readiest way;
Lest, entering on the Canaanite alarmed,
War terrify them inexpert, and fear
Return them back to Egypt, choosing rather
Inglorious life with servitude; for life
To noble and ignoble is more sweet
Untrained in arms, where rashness leads not on.
This also shall they gain by their delay
In the wide wilderness; there they shall found
Their government, and their great senate choose
Through the twelve tribes, to rule by laws ordained:
God from the mount of Sinai, whose gray top
Shall tremble, he descending, will himself
In thunder, lightning, and loud trumpets’ sound,
Ordain them laws; part, such as appertain
To civil justice; part, religious rites
Of sacrifice; informing them, by types
And shadows, of that destined Seed to bruise
The Serpent, by what means he shall achieve
Mankind’s deliverance.  But the voice of God
To mortal ear is dreadful:  They beseech
That Moses might report to them his will,
And terrour cease; he grants what they besought,
Instructed that to God is no access
Without Mediator, whose high office now
Moses in figure bears; to introduce
One greater, of whose day he shall foretel,
And all the Prophets in their age the times
Of great Messiah shall sing.  Thus, laws and rites
Established, such delight hath God in Men
Obedient to his will, that he vouchsafes
Among them to set up his tabernacle;
The Holy One with mortal Men to dwell:
By his prescript a sanctuary is framed
Of cedar, overlaid with gold; therein
An ark, and in the ark his testimony,
The records of his covenant; over these
A mercy-seat of gold, between the wings
Of two bright Cherubim; before him burn
Seven lamps as in a zodiack representing
The heavenly fires; over the tent a cloud
Shall rest by day, a fiery gleam by night;
Save when they journey, and at length they come,
Conducted by his Angel, to the land
Promised to Abraham and his seed:—The rest
Were long to tell; how many battles fought
How many kings destroyed; and kingdoms won;
Or how the sun shall in mid Heaven stand still
A day entire, and night’s due course adjourn,
Man’s voice commanding, ‘Sun, in Gibeon stand,
‘And thou moon in the vale of Aialon,
’Till Israel overcome! so call the third
From Abraham, son of Isaac; and from him
His whole descent, who thus shall Canaan win.
Here Adam interposed.  O sent from Heaven,
Enlightener of my darkness, gracious things
Thou hast revealed; those chiefly, which concern
Just Abraham and his seed: now first I find
Mine eyes true-opening, and my heart much eased;
Erewhile perplexed with thoughts, what would become
Of me and all mankind:  But now I see
His day, in whom all nations shall be blest;
Favour unmerited by me, who sought
Forbidden knowledge by forbidden means.
This yet I apprehend not, why to those
Among whom God will deign to dwell on earth
So many and so various laws are given;
So many laws argue so many sins
Among them; how can God with such reside?
To whom thus Michael.  Doubt not but that sin
Will reign among them, as of thee begot;
And therefore was law given them, to evince
Their natural pravity, by stirring up
Sin against law to fight: that when they see
Law can discover sin, but not remove,
Save by those shadowy expiations weak,
The blood of bulls and goats, they may conclude
Some blood more precious must be paid for Man;
Just for unjust; that, in such righteousness
To them by faith imputed, they may find
Justification towards God, and peace
Of conscience; which the law by ceremonies
Cannot appease; nor Man the mortal part
Perform; and, not performing, cannot live.
So law appears imperfect; and but given
With purpose to resign them, in full time,
Up to a better covenant; disciplined
From shadowy types to truth; from flesh to spirit;
From imposition of strict laws to free
Acceptance of large grace; from servile fear
To filial; works of law to works of faith.
And therefore shall not Moses, though of God
Highly beloved, being but the minister
Of law, his people into Canaan lead;
But Joshua, whom the Gentiles Jesus call,
His name and office bearing, who shall quell
The adversary-Serpent, and bring back
Through the world’s wilderness long-wandered Man
Safe to eternal Paradise of rest.
Mean while they, in their earthly Canaan placed,
Long time shall dwell and prosper, but when sins
National interrupt their publick peace,
Provoking God to raise them enemies;
From whom as oft he saves them penitent
By Judges first, then under Kings; of whom
The second, both for piety renowned
And puissant deeds, a promise shall receive
Irrevocable, that his regal throne
For ever shall endure; the like shall sing
All Prophecy, that of the royal stock
Of David (so I name this king) shall rise
A Son, the Woman’s seed to thee foretold,
Foretold to Abraham, as in whom shall trust
All nations; and to kings foretold, of kings
The last; for of his reign shall be no end.
But first, a long succession must ensue;
And his next son, for wealth and wisdom famed,
The clouded ark of God, till then in tents
Wandering, shall in a glorious temple enshrine.
Such follow him, as shall be registered
Part good, part bad; of bad the longer scroll;
Whose foul idolatries, and other faults
Heaped to the popular sum, will so incense
God, as to leave them, and expose their land,
Their city, his temple, and his holy ark,
With all his sacred things, a scorn and prey
To that proud city, whose high walls thou sawest
Left in confusion; Babylon thence called.
There in captivity he lets them dwell
The space of seventy years; then brings them back,
Remembering mercy, and his covenant sworn
To David, stablished as the days of Heaven.
Returned from Babylon by leave of kings
Their lords, whom God disposed, the house of God
They first re-edify; and for a while
In mean estate live moderate; till, grown
In wealth and multitude, factious they grow;
But first among the priests dissention springs,
Men who attend the altar, and should most
Endeavour peace: their strife pollution brings
Upon the temple itself: at last they seise
The scepter, and regard not David’s sons;
Then lose it to a stranger, that the true
Anointed King Messiah might be born
Barred of his right; yet at his birth a star,
Unseen before in Heaven, proclaims him come;
And guides the eastern sages, who inquire
His place, to offer incense, myrrh, and gold:
His place of birth a solemn Angel tells
To simple shepherds, keeping watch by night;
They gladly thither haste, and by a quire
Of squadroned Angels hear his carol sung.
A ****** is his mother, but his sire
The power of the Most High:  He shall ascend
The throne hereditary, and bound his reign
With Earth’s wide bounds, his glory with the Heavens.
He ceased, discerning Adam with such joy
Surcharged, as had like grief been dewed in tears,
Without the vent of words; which these he breathed.
O prophet of glad tidings, finisher
Of utmost hope! now clear I understand
What oft my steadiest thoughts have searched in vain;
Why o

So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
  “I see thou know’st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart            
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron’s breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.                  
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?              
Thy years are ripe, and over-ripe.  The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed                
With glory, wept that he had lived so long
Ingloroious.  But thou yet art not too late.”
  To whom our Saviour calmly thus replied:—
“Thou neither dost persuade me to seek wealth
For empire’s sake, nor empire to affect
For glory’s sake, by all thy argument.
For what is glory but the blaze of fame,
The people’s praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol                          
Things ******, and, well weighed, scarce worth the praise?
They praise and they admire they know not what,
And know not whom, but as one leads the other;
And what delight to be by such extolled,
To live upon their tongues, and be their talk?
Of whom to be dispraised were no small praise—
His lot who dares be singularly good.
The intelligent among them and the wise
Are few, and glory scarce of few is raised.
This is true glory and renown—when God,                    
Looking on the Earth, with approbation marks
The just man, and divulges him through Heaven
To all his Angels, who with true applause
Recount his praises.  Thus he did to Job,
When, to extend his fame through Heaven and Earth,
As thou to thy reproach may’st well remember,
He asked thee, ‘Hast thou seen my servant Job?’
Famous he was in Heaven; on Earth less known,
Where glory is false glory, attributed
To things not glorious, men not worthy of fame.            
They err who count it glorious to subdue
By conquest far and wide, to overrun
Large countries, and in field great battles win,
Great cities by assault.  What do these worthies
But rob and spoil, burn, slaughter, and enslave
Peaceable nations, neighbouring or remote,
Made captive, yet deserving freedom more
Than those their conquerors, who leave behind
Nothing but ruin wheresoe’er they rove,
And all the flourishing works of peace destroy;            
Then swell with pride, and must be titled Gods,
Great benefactors of mankind, Deliverers,
Worshipped with temple, priest, and sacrifice?
One is the son of Jove, of Mars the other;
Till conqueror Death discover them scarce men,
Rowling in brutish vices, and deformed,
Violent or shameful death their due reward.
But, if there be in glory aught of good;
It may be means far different be attained,
Without ambition, war, or violence—                        
By deeds of peace, by wisdom eminent,
By patience, temperance.  I mention still
Him whom thy wrongs, with saintly patience borne,
Made famous in a land and times obscure;
Who names not now with honour patient Job?
Poor Socrates, (who next more memorable?)
By what he taught and suffered for so doing,
For truth’s sake suffering death unjust, lives now
Equal in fame to proudest conquerors.
Yet, if for fame and glory aught be done,                  
Aught suffered—if young African for fame
His wasted country freed from Punic rage—
The deed becomes unpraised, the man at least,
And loses, though but verbal, his reward.
Shall I seek glory, then, as vain men seek,
Oft not deserved?  I seek not mine, but His
Who sent me, and thereby witness whence I am.”
  To whom the Tempter, murmuring, thus replied:—
“Think not so slight of glory, therein least
Resembling thy great Father.  He seeks glory,              
And for his glory all things made, all things
Orders and governs; nor content in Heaven,
By all his Angels glorified, requires
Glory from men, from all men, good or bad,
Wise or unwise, no difference, no exemption.
Above all sacrifice, or hallowed gift,
Glory he requires, and glory he receives,
Promiscuous from all nations, Jew, or Greek,
Or Barbarous, nor exception hath declared;
From us, his foes pronounced, glory he exacts.”            
  To whom our Saviour fervently replied:
“And reason; since his Word all things produced,
Though chiefly not for glory as prime end,
But to shew forth his goodness, and impart
His good communicable to every soul
Freely; of whom what could He less expect
Than glory and benediction—that is, thanks—
The slightest, easiest, readiest recompense
From them who could return him nothing else,
And, not returning that, would likeliest render            
Contempt instead, dishonour, obloquy?
Hard recompense, unsuitable return
For so much good, so much beneficience!
But why should man seek glory, who of his own
Hath nothing, and to whom nothing belongs
But condemnation, ignominy, and shame—
Who, for so many benefits received,
Turned recreant to God, ingrate and false,
And so of all true good himself despoiled;
Yet, sacrilegious, to himself would take                    
That which to God alone of right belongs?
Yet so much bounty is in God, such grace,
That who advances his glory, not their own,
Them he himself to glory will advance.”
  So spake the Son of God; and here again
Satan had not to answer, but stood struck
With guilt of his own sin—for he himself,
Insatiable of glory, had lost all;
Yet of another plea bethought him soon:—
  “Of glory, as thou wilt,” said he, “so deem;              
Worth or not worth the seeking, let it pass.
But to a Kingdom thou art born—ordained
To sit upon thy father David’s throne,
By mother’s side thy father, though thy right
Be now in powerful hands, that will not part
Easily from possession won with arms.
Judaea now and all the Promised Land,
Reduced a province under Roman yoke,
Obeys Tiberius, nor is always ruled
With temperate sway: oft have they violated                
The Temple, oft the Law, with foul affronts,
Abominations rather, as did once
Antiochus.  And think’st thou to regain
Thy right by sitting still, or thus retiring?
So did not Machabeus.  He indeed
Retired unto the Desert, but with arms;
And o’er a mighty king so oft prevailed
That by strong hand his family obtained,
Though priests, the crown, and David’s throne usurped,
With Modin and her suburbs once content.                    
If kingdom move thee not, let move thee zeal
And duty—zeal and duty are not slow,
But on Occasion’s forelock watchful wait:
They themselves rather are occasion best—
Zeal of thy Father’s house, duty to free
Thy country from her heathen servitude.
So shalt thou best fulfil, best verify,
The Prophets old, who sung thy endless reign—
The happier reign the sooner it begins.
Rein then; what canst thou better do the while?”            
  To whom our Saviour answer thus returned:—
“All things are best fulfilled in their due time;
And time there is for all things, Truth hath said.
If of my reign Prophetic Writ hath told
That it shall never end, so, when begin
The Father in his purpose hath decreed—
He in whose hand all times and seasons rowl.
What if he hath decreed that I shall first
Be tried in humble state, and things adverse,
By tribulations, injuries, insults,                        
Contempts, and scorns, and snares, and violence,
Suffering, abstaining, quietly expecting
Without distrust or doubt, that He may know
What I can suffer, how obey?  Who best
Can suffer best can do, best reign who first
Well hath obeyed—just trial ere I merit
My exaltation without change or end.
But what concerns it thee when I begin
My everlasting Kingdom?  Why art thou
Solicitous?  What moves thy inquisition?                    
Know’st thou not that my rising is thy fall,
And my promotion will be thy destruction?”
  To whom the Tempter, inly racked, replied:—
“Let that come when it comes.  All hope is lost
Of my reception into grace; what worse?
For where no hope is left is left no fear.
If there be worse, the expectation more
Of worse torments me than the feeling can.
I would be at the worst; worst is my port,
My harbour, and my ultimate repose,                        
The end I would attain, my final good.
My error was my error, and my crime
My crime; whatever, for itself condemned,
And will alike be punished, whether thou
Reign or reign not—though to that gentle brow
Willingly I could fly, and hope thy reign,
From that placid aspect and meek regard,
Rather than aggravate my evil state,
Would stand between me and thy Father’s ire
(Whose ire I dread more than the fire of Hell)              
A shelter and a kind of shading cool
Interposition, as a summer’s cloud.
If I, then, to the worst that can be haste,
Why move thy feet so slow to what is best?
Happiest, both to thyself and all the world,
That thou, who worthiest art, shouldst be their King!
Perhaps thou linger’st in deep thoughts detained
Of the enterprise so hazardous and high!
No wonder; for, though in thee be united
What of perfection can in Man be found,                    
Or human nature can receive, consider
Thy life hath yet been private, most part spent
At home, scarce viewed the Galilean towns,
And once a year Jerusalem, few days’
Short sojourn; and what thence couldst thou observe?
The world thou hast not seen, much less her glory,
Empires, and monarchs, and their radiant courts—
Best school of best experience, quickest in sight
In all things that to greatest actions lead.
The wisest, unexperienced, will be ever                    
Timorous, and loth, with novice modesty
(As he who, seeking *****, found a kingdom)
Irresolute, unhardy, unadventrous.
But I will bring thee where thou soon shalt quit
Those rudiments, and see before thine eyes
The monarchies of the Earth, their pomp and state—
Sufficient introduction to inform
Thee, of thyself so apt, in regal arts,
And regal mysteries; that thou may’st know
How best their opposition to withstand.”                    
  With that (such power was given him then), he took
The Son of God up to a mountain high.
It was a mountain at whose verdant feet
A spacious plain outstretched in circuit wide
Lay pleasant; from his side two rivers flowed,
The one winding, the other straight, and left between
Fair champaign, with less rivers interveined,
Then meeting joined their tribute to the sea.
Fertil of corn the glebe, of oil, and wine;
With herds the pasture thronged, with flocks the hills;    
Huge cities and high-towered, that well might seem
The seats of mightiest monarchs; and so large
The prospect was that here and there was room
For barren desert, fountainless and dry.
To this high mountain-top the Tempter brought
Our Saviour, and new train of words began:—
  “Well have we speeded, and o’er hill and dale,
Forest, and field, and flood, temples and towers,
Cut shorter many a league.  Here thou behold’st
Assyria, and her empire’s ancient bounds,                  
Araxes and the Caspian lake; thence on
As far as Indus east, Euphrates west,
And oft beyond; to south the Persian bay,
And, inaccessible, the Arabian drouth:
Here, Nineveh, of length within her wall
Several days’ journey, built by Ninus old,
Of that first golden monarchy the seat,
And seat of Salmanassar, whose success
Israel in long captivity still mourns;
There Babylon, the wonder of all tongues,                  
As ancient, but rebuilt by him who twice
Judah and all thy father David’s house
Led captive, and Jerusalem laid waste,
Till Cyrus set them free; Persepolis,
His city, there thou seest, and Bactra there;
Ecbatana her structure vast there shews,
And Hecatompylos her hunderd gates;
There Susa by Choaspes, amber stream,
The drink of none but kings; of later fame,
Built by Emathian or by Parthian hands,                    
The great Seleucia, Nisibis, and there
Artaxata, Teredon, Ctesiphon,
Turning with easy eye, thou may’st behold.
All these the Parthian (now some ages past
By great Arsaces led, who founded first
That empire) under his dominion holds,
From the luxurious kings of Antioch won.
And just in time thou com’st to have a view
Of his great power; for now the Parthian king
In Ctesiphon hath gathered all his host                    
Against the Scythian, whose incursions wild
Have wasted Sogdiana; to her aid
He marches now in haste.  See, though from far,
His thousands, in what martial e

In Kitale
A town in Kenya,
Lived an English man
His name was Lord Hitchcock
He owned over a thousand acres of land
He took for himself
During colonial times
He had hundredfold of workers
Hitchcock had very beautiful wife
She was called Queen Victoria,
They had two sons;
Hitchcock junior and William,
He had a passion for work
He always woke up at ****-crow
Only to retire back at chick roost
Natives of Kitale had respect for him,
They secretly envied huge udders
That his five thousand fresian cows had,
They also loved him,
For he killed the flying snake,
That had terrorized natives for years,
Hitchcock just pointed a long stick
At the flying snake,
The stick which looked like cooking wood,
Then smoke and thunder came out
Only to see the snake coming down
Tangling like a rope
And fell down in a thud!
It is when the natives gave him a new name
Mango wa nandemu; meaning the snake killer
Natives also had an issue with him;
He likes putting  mucus in his kerchief
And then put it back into his pockets
Instead of throwing it a way
Direct from the nose,
His nose were slender and long
They wonder why he could not used it
In proper thrusting away of the mucus,
Men folk on his farm were always day dreaming
Of any chance to have *** with Queen Victoria
As the women folk too fancied of William
Marrying their daughters,
His favourite worker was Onyango,
The Luo man from shores of the lake
He liked Onyango most
Even  he promoted him
To be a tractor driver
Other than cleaning the cowsheds,
The gossip was that maybe Hitchcock was full,
Or not circumcised like Onyango
Hence is passionate preference Onyango,
But no, they don’t knew,
The germ was in Onyango’s workmanship
Onyango worked like a donkey,
Onyango also had a beautiful daughter
Her name was Ilingling Atineo Nyarpondo,
But workers on the farm called her Atieno,
It is Hitchcock who broke her virginity
A secret which queen Victoria knows not,
Hitchcock just popped in at Onyango’s shack
One after noon, after Lunch
He found Onyango, Atieno and the mother,
He didn’t talk a lot,
He only ordered Onyango and his wife
To go out and hang around
For him to have Word with Atieno
Onyango walked out minus haste,
The wife followed suit, after cautioning Atieno
Not to disappoint the Lord; Hitchcock,
A minute never passed,
Before the Lord took Atieno into his arms
He carried her to Onyango’s bed
And effectively penetrated her,
Sweetness gripped both of them
Hitchcock on his ******
Began to  moan like an aphrodisiac animal;
Atienoo! Atienoo! Atienoo!
In turn Atieno also screamed
Like a caged monkey;
Lord! Lord! Lord!
We are on my father’s bed,
Onyango and His wife
Were out keeping sentry
Lest Victoria finds Hitchcock
In the act of deflowering the ******,
When he finished,
He called Onyango and the wife in
Then he warned them
To keep the mouths shut,
Or else he ejects them from the farm,
And indeed they kept mum,
Hence the friendship
Between Onyango and Hitchcock,


Hitchcock never like two of his workers,
Josef Sasita and Wavukho Masafu
He didn’t like Sasita because of one reason;
Sasita brought along his brother to work
His brother was called Kalenda
When Hitchcock was taking the master roll
He asked Kalenda to say his names
Of which Kalenda said his two names;
Kalenda Sasita,
Of which Hitchcock never understood
As these two names are a Kiswahili sentence
Meaning it is lunch time at end moth,
Hitchcock understood Kiswahili very well,
He thought Kalenda was implying for a pay
And Lunch Allowance
When he had only worked for three hours
It was not lunch time neither was it end month,
Hitchcock was overtaken by anger
He slapped Kalenda with all energy in his arms
Kalenda fainted and collapsed like a dead bird,
Sasita thought the lord had killed his brother
He began wailing, he boxed Hitchcock
More than five hundred jabs
in a couple of minutes,
Then Sasita got off on his heels,
Running away at a speed of a kite,
But unfortunately he was arrested
By a white police and brought back to Hitchcock,
Hitchcock flogged Sasita two hundred strokes,
And ordered Sasita to resume his work,

Hitchcock’s detest for Wavukho
is due to nothing else
Other ceaseless malingering,
Wavukho always takes
a minimum of an hour
Every time he visits the toilet,

So Onyango is the only guy on the firm,
A boon to which Ndiema, farm worker,
Is very jealousy of ,
Ndiema believed Onyango is using charms
Or love potions or Voodoo to lure the Whiteman,
Otherwise how can Whiteman love a black worker?
With such passion in the way Hitchcock loved Onyango,

One day Ndiema approached Onyango
He asked him the secrete behind his fortune
Onyango became sly and lied,
He told Ndiema that it was only magical charms
He was given by his late mother,
That made Hitchcock’s heart to swell with love
For him and his family,
Ndiema believed on the first hearing,
He became selfish and begged Onyango,
To give him the charms also,
So that he can also enjoy the Whiteman’s love
Onyango accepted to assist but at a fee,
A fee which took Ndiema salary of two months,
Then Onyango brought Ndiema a ***** of an Alligator,
He told Ndiema to put it in his underpants,
Every time he goes to work,
Ndiema complied,
That morning Ndiema woke very early,
He walked to his work station
Very happy and confident
Sure of enjoying the Whiteman’s love
Given the voodoo under his pants,

At ten in the morning Hitchcock called Ndiema
To join him in repairing the maize miller,
Ndiema was a hand boy, a toto,
Ndiema was to hold the engine
As Hitchcock tightened the nuts
But the engine was oily with grease,
Ndiema’s hands slipped every time
Hitchcock tried to tighten the nuts
Hitchcock got irritated,
Especially by the papyrus cowboy hat
Ndiema was wearing,
Hitchcock cautioned Ndiema to be serious
By tightly holding the engine,
But when Hitchcock began tightening
The engine again,
Ndiema’s hands slipped
And the engine moved away,
Hitchcock punctuated this with a nemesis;
He jabbed Ndiema with an art of Olympiad boxer,
It was one tremendous fist
The fist of the century,
When Ndiema wanted to cry
His five teeth jumped out
And when he said I am sorry my lord
He woffled; iywi mwu sovwi lodwi
Hitchcock clicked and walked away,
Ndiema walked home
With a humongous gap in his bucal cavity,
Ndiema reached home and went to bed
His wife, Chepsuwet was already aware
She only prepared porridge for him
As he had no teeth to munch solid food,

When Hitchcock reached home
He found his two sons in a strong fever,
They were panting like desert dogs,
He asked them what was wrong,
Both boys began shedding tears
In torrents like river Euphrates and Tigris
Flowing across the Garden of Eden,
What is the problem?
Hitchcock roared,
The big boy then featfully responded;
We were given sugar cane to chew,
We were given by Ndiema the farm worker,
It was yesterday in the evening,
That is why we are sick,
Ok,
Hitchcock nodded his head,
He took his whip, made of wires and rods
With a sting at the end,
He jumped on his horse
And shot off to Ndiema’s place
At the speed of forty five kilometers per hour,
He found Ndiema trying to swallow some porridge,
Come on Ndiema! Roared Hitchcock in full voltage
Of ire, anger, fury and mad petulance,
When Ndiema came out
Hitchcock pulled out his whip
He flogged Ndiema terribly
They were strokes and strokes
Strokes fell on Ndiema’s back
With a sharp sound like a thunderclap
Ndiema cried like a baby,
Begging for lord’s mercy
Chepsuwet looked on in fear,

When Hitchcock jumped on his horse
And went away clicking, frothing in anger
Like the waters of river Nile
Departing Lake Victoria to Egypt,
Ndiema was on the ground
Writhing in pains from the flogging,
He sobbed and sobbed,
And finally he mumbled;
Witchcraft don’t work against an Englishman,
His wife Chepsuwet did not understand.

There is a cross

Overgrown

In a stand of trees

Next to the bank

Where

The Tigress and Euphrates

Became a sea



Upon this splintering frame

Hangs a sign

Bleeding from the weight

Of the name

These nails must bear



It marks the gate

Where an angel once stood

To remind us all

What we left behind



But there is still life here

They welcome you with open hands

Grab you by your weary shoulders

And usher you inside



Sweet melodies fill this place

There is dancing

And shouting

A constant celebration

Of what we call

Mankind



All rejoice the fact

That all they need

Is at their fingertips

Everything to make

Everyone feel

Identical



And here you sit surrounded by

These dancing fools

In silent awe

When into your hands

They place a

Fruit



You peel back the skin

And find that

This is filled with

Color coded

Pills



Share our food

Share our feast

We love you

Don’t you see?



And so teeth sink in

Finding home

In this forbidden fruit



Here in the garden

Where

The Tigress and Euphrates

Overflowed

There stand a cross

Bearing the name Eden



It is the last marking point

Showing where humanity

Washed away from

I've known rivers:
I've known rivers ancient as the world and older than the
     flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
     went down to New Orleans, and I've seen its muddy
     ***** turn all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

I’m walking up hilltop, two men pass, one says,
'**** the French, they never have the bottle for a fight’.

To have got here they passed the old Cathedral.
Did they glimpse it as a relic - exploded by incendiary,
ostracised in dubiety, seen fit to feature
only in the focus and snap of foreign tourists?

It is two days before Ramadan. Tonight Tornados
will tear between the Euphrates and Tigris
to illuminate Babylon... live on CNN.

At the top of the hill I pause,
staring at stained glass fragments
still suspended in the apex of frames
and view snacking office workers,
seated upon the benches that have replaced the pews.

Persia,
The land of God,
Where God stayed in person,
As he traversed desert sand dunes to Irag,
To have a look at rivers Euphrates and Tigris,
When Adam had just finished playing the first human ***,
With Eve, the non ****** companion he gave him,
He then meted out to them eternal nemesis
Out of his anger and selfish jealous,
Other-wise what was wrong,
For Adam to have a ****,
With the unclothed eve,
Any answer please,
Or no please,
Persia,

Persia Now is Nuked,
A nuclearized oil exporter,
She has a Koran, oil-wells and Nuclear,
She also has no-nonsense masculine Arabic culture,
****** grounds in which mushrooms the messy Islamic soup,
Blessed and Glorified by my good ****** brother; Barrack Obama,
Who was once God and sent the inverse of angel Michael to Laden Osama,
To impregnant the ****** mother of death that sired laden’s demise,
Game in which Obama dwarfs Netanyahu a global dweeb,
Left on a wrong inglenook in a dwaal at Jerusalem fire,
Biasly blessing the Israeli Nuclear and Hydrogen bombs,
As security of the world, and condemning Iran,
Calling their Kosher Nuclears a threat,
To the israelized world security,
But his Gaza **** is not,
His refuge camps
Are not

Blessed are the Nuclear stuffs of Persia,
They are blessings of Allah to those that are guided,
Maunderings of the jackanapes like Netanyahu is not news,
For he has more nuclear in Jerusalem, hydrogen bombs too he has,
Then arming Persia must a usual game of violence not anything of his sort,
For  they are Koran, the nuclear, the oil wells, and the woman,
That will frame up the Islamic state to stable counterzionism,
To stave mania of European Jews for settlerism
To eat what they deserve un¬¬-rapaciously,
To at least breed homespun respect,
For those that differ with them
In faith and skin
Like afro-persians


Persia,
Your nuclear stuffs,
Are blessed and glorified,
For they are counter-apartheid,
To the Zionist apartheid in Palestine,
They are acts that resemble the acts in the past,
By those that oppressed, colonize, imperialize for settlerism,
For a line in Shakespeare’s king Lear has some blessings for you;
The un-armed (Arabs) provokes (Israeli) enemy’s attack,
Thus reality of equal nuclear mighty and strength
Will nurse thought for de-imperialism
Sense of respect and discipline,
By those who belong to God,
To those who don’t,

Who Bombed Charlie Hebdo?
And what of the Yankee Twin Towers?
Was it Al Qaeda or the Israelis, can I blab or not?
O, there were also Nuclear stuffs in De Klerk’s White South Africa,
But when blackness came to corridors of power, the nukes followed color,
What of what I was dreaming yester night? About Netanyahu,
He ployed for the European hatred against Islamic statesmen,
He bombed Charlie Hebdo, masquerading as an Arab,
For European war on Islamic state to intensify,
Then it intensified, but God only knew,
The truth; Islamic statesman are only mouthy,
But foolish in war and offense,
They didn’t bomb
Charlie Hebdo,

Boris Nemetsov,
A Russian speaking Jew,
Was shot dead in Moscow,
(RIP) Boris, for the human soul must die,
Death and grave is the kismet for us the living,
But why were you weak as a post hatch cackling hen,
To make noise and preen around as a jade in the land of fox,
The African sisal fox that ate all the Crimean chicken,
Noise of a hen cannot fetter fox’s appetite,
Noise of a hen cannot shake culture,
Of Nuclear power in Iran and Korea N,
Why live in Russia, but you love Israeli?
I don’t need the answer dudes,
But always oppression
the oppressor always
it kills,

Alexander  Khamala Opicho
Lodwar ,  Kenya

Dear Poet Friends, we are all born rich with plenty of time in our hands taking it for granted till old age arrives; when time begins to run out gradually going beyond our reach! Time is the only thing which we can never accumulate or save during our lifetime.  Yet each passing moment remains priceless like the effervescent dew drops of time! Kindly do read the short Notes below, which makes it easier to appreciate this poem you know! Thanks, -Raj

               TIME THE TRAVELLING GYPSY MAN
TIME you travelling gypsy man won’t you like to stay, and park
your magic caravan here just for a day?
You have been travelling without stopping through vast eons
of time,
Over the Tigress and the Euphrates Rivers, to the Valley of the
Nile;
Nile that longest river of the world, and Egypt’s life line.
Passing over ancient pyramids and the sphinx with raised heads.
To the Valley of the Indus where civilizations of Harappa and
Mohenjo- daro had once spread!
Across the Great Chinese Wall to visit the civilizations of
Mesoamerica; -
Those of the Ancient Mayans, the Aztecs, and the great Incas!
With your long flowing beard as white as snow,
You old gypsy man you surely require a rest you know.
Time you old gypsy man won’t you park here for a day,
Best of food and drinks and a bed of feathers, I have spread
out for your stay!

TIME the gypsy man with a wan smile replied, “Thanks for the
invitation my friend but I must decline, simply because I have
no time!
Since the Big Bang like an arrow I have started to flow,
I cannot stop now and forward I must go!
With your sundials, water clocks, and the hour glass,
You try to enslave me, but I shall always remain in a flux!
With your caesium atomic clock you accurately measure me out,
But weather I am real or illusory, there remains a nagging doubt!
But if ever mankind reaches that magical speed of light,
Only then I would appear to freeze and stop moving forward -
as time!
The only breather I get is inside the ‘Womb of Eternity’,
Where I keep pulsating and breathing before I can break free!
Then I am reborn as future time once again,
Like your Sisyphus I have been cursed never to rest my
friend!” *
                                                              ­                  -by Raj Nandy.
NOTES:
Speed of light is 186,000 miles per second. According to Einstein’s Theory of Relativity this speed can be reached only theoretically, but if reached, time would cease & the hands of the clock will stand still! Now should this speed of light be crossed, time will being to flow backwards.
Arrow of Time = Western concept of time is linear which moves forward like an arrow. The Hindu concept of time is cyclic, where time moves in a repeating cyclic motion. I have explained both these concepts in my ‘Introduction to Indian Art in Verse’, for those who may be interested.
SISYPHUS = In Greek mythology Sisyphus was punished for his greed & deceitfulness by being forced to roll an immense stone up a hill only to watch it roll back again, thereby forced to repeat this action for eternity!
*ALL COPY RIGHTS ARE WITH THE AUTHOR RAJ NANDY

"O GOD ! only hand--- only leg
bleeding, hanging to the chopped body --o god !?!"

enough ! to discharge the debt of the soil.

"o god!
these little babies who are supposed to be the metaphor of passion,
are forced to be the product of flesh trade !
these tender hands , supposed to paint the alphabets
are made to clean the riffles !
o god !
they are eating mud--
they are drinking the ***** of animals...."

yes! the survival is important
to break the shackles of this soil.
"O GOD ! O GOD ! O GOD ! O G>>"
no !. no!. sympathy? charity ? i am not the beggar !
do not come on the wings of eagle holding the dove.
if you have a human soul..
demand those who are shedding crocodile tears.
i demand the answer , not the bread of consolation.
do the sons of my soil robbed these big-brothers at any time?
tell them not to declare the renegades as the protectors of my land.
* * * * * *
tigris and euphrates, ganga and godavari
amazan, dandakaranya
somalia, rhodesia---- red with blood
santiyago, madrid, -- echoing
tahir square, beijing, brasilia... burning--
* * * * * * * **
i may be falling down-- but i will rise ...
o big brother... you are not god
you can declare yourself as jesus
i am the child of spartucus

"o god ! are you a terrorist? are you a revolutionary?"

ha ha ha--- let it be.
now , the deserts having oil in lap
the forests having minerals in heart
the voices demanding the natural justice
are these the shelters of terrorists.. revolutionaries ?
let it be!
i am a revolutionary........
to discharge the debt of my soil !!

We came from the forever sea then we walk the land and after certain days we are again called
To The sea as the natural sea it is vast its waves its ceiling dazzle the eternal structure pulsates
Mesopotamia encompasses the land between the Euphrates and the Tigris rivers that again
Depicts life it rests between all powerful rivers these natural rivers have their head waters in
The mountains of Armenia in modern day Turkey our head waters are in the ancient spiritual
Dwelling of all power and glory we don’t live in yesterday or tomorrow we live in the moment
These special moments when we embrace touch cheek to cheek this releases waves of love and
Emotions I live then as no other time the faraway doe’s crash on our minds as great water from
A powerful waterfall we feel delirium our knees weaken we press hard against one another
Forcing more exhilaration we draw back and look into one another’s eyes we are subdued by
The beauty we behold with abandonment we plunge into these deep waters created by the
Special and completeness of one another it contains a slow swaying an engaging wonder
Develops its boundaries are from your head to your feet I touch your hair it is finer than silk my
Fingers tremble my voice is filled with exaltation golden words flow paying you homage they
Course through a heart filled with love at that moment I am capable of feats of expression
Drawn from my lips by the truth you seek silently I am attuned to the depths of your soul
Without voice you make demands that I know only in dreams and the essence of cherished
Thoughts explode over head true riches that can’t be exploited hear my cry hear my sigh it all
Bleeds together I stand before you I put my hands to my face I speak and **** frost appears I
Kneel I ring your feet with it as a garland where your heart goes my whole being follows
Yearning to be close what is life without you in my eyes you are dressed with crest and plume
Of sea birds exotic the beauty of sun and water hold you transform you into a vision that is
Mine alone your soul is as chimes that bear the sounds of angel wings all the glory that they
Brush against music divine holy utterance makes my mind go blank you stand silent not
Disturbing this awe filled space it all leads to a kiss it’s not just the pressing of two lips its hopes
Robed in bliss you have a treasure the last steps is only to surrender let go of all fixed points
Immerse your all to one another in this act you have mastered life and all questions I thank you
And I am beholden to you with my whole heart if I see the day that your life is at its end and it is
Poured out back into the overriding sea my heart will always wonder the sea shore its
Completeness disallows total destruction I cling to those moments and they will rise like
Peaceful waters that rush into my soul they will have such realness of you I will for brief
Moments know unbroken joy you continue to hold my heart in your hands without end

(Commemoration of Earth-Day, 22nd-04-09)

Earth hath
Been Weeping!
Nature lacerated & pleading?
Extinct species beseeching;
Antarctica mercilessly melting,
Noxious gaseous emissions heating.
Have you ever wondered?
“Of the Greek mythology!”
women warriors of Scythia astray burned off the
Right ***** to try
to habituate the bow and arrow in sly,
arsenals of terror abound harsh shear ploy!
Hitherto, the atrocious force upon Nature ne'er stops.
Wherefore-now the lost leaf of the conifers?
Searching for the nearest route to the Savannah Plains,
Waiting pro the long anticipated cascades of the tropical rains. Babylon wrests & clinches intimately thy adored hanging gardens that black slaves tend no more hasten. Euphrates in the Persian Gulf wanders uncertain; Everest looks down in pitiful scorn…
As it wobbly looses its molecular activity in pain.
Humanity squirms in an enamored Trance
to heave a foundation Of conscious Purpose
That Earth day waits Upon us
To elucidate a divine Hypothesis.



~~/|\~~

Namaste'

~~\|/~~

Spring grapes die on withered vine
Wine of wrath flows bitter red
Isis' son seeks Babylon
Avenge by death the deed of Set

Along Euphrates course they fled
From march of madmen to the throne
And wine of wrath flows bitter red
Eagles flock to hawk by drone

Hung within a garden high
Black masks the march of death
Give new life to Levant's lie
And wine of wrath flows bitter red.

r~ 6/17/14

Symphonic
My fist was first five fingers
Flowing Favonian into the palm of my radiant mother
As cheeky as a sprite, soon I revelled in the
Crisp light of the fridge and all its chilled visitors,

A skin-deep draft last week, a raging harmattan yesterday,
Barren among the fruitless lands of Mesopotamia.
Crawling, my sergeants and I led the way through our childhood fantasies.
Ali Baba's fortress, the ruins of Babylon, and up to the lately perturbed Euphrates.
I dropped my automatic rifle,
hurriedly snatched it up in the unforgiving desolate,
just in time to
narrowly dodge the absent onslaught of enemy gunfire
Only to witness a serpentine strike and an explosive splash
Of metal violating my infantile hand, a hand that was trusted and was caressed
Now merely a bludgeon to satisfy the steel-clawed slash of the shrapnel
A buffer to the skin of my wide-eyed physiognomy.

Waking up in the loose sheets of a completely unremarkable beige bed,
With the deoxygenated breath of the novice surgeon liquidizing in my veins,
It was almost too much to handle (if you'll pardon my pun).

These days it is
The good hand with which I
Uncork, pour, and serve.
It's with the utilizable limb with which I
Ignite, shift, and steer.
It's with my brain that I
seethe
And it's with my stump
That I knock.

The cicada husk of the crescent moon sheds in cyclides light,
Molted whispers of life, spread like perfume behind the ear,
Or like silver earrings unadorned and scattered around the night-lit table.
Here too, the garden gown of Babylon lies heaped in soiled ruin,
Beaten down to sand at the foot of the bed of the Tigris and Euphrates.
  
Though the dunes are its aerial, root-bound springs,
Though the underground nymphs tend with cicala wings,
And underspurt of incessant summer song to lure
The resurrection rose of Jericho to bud once more,
In desert-faith for the hanging garden of a full moon.

We were on a road trip , on our way to meet the cousins of my father for the first time. I couldnt help but be curious about how they looked like. What they were like.  Year by year I'd discover more family members that I never knew about.

"Mom, they lived in Basrah?"

"Yes , they had."

"Huh..Basrah" I said sarcastically.

"Are they good people?" I asked.

"Yes they are, why wouldnt they be?" She said with a confused look in her eyes.

"When was the last time you saw them?" I asked, not ignoring her question quite much.

"Years ago." I was still confused because she did not number the years.

"How come I didnt meet them when i went to basrah with dad 2 years ago ?" I asked.

"Last time I had seen them myself was before we came to this country." She said.

"8 years." As I realized.

"I dont think so mom. People of iraq changed. A lot. From my latest visit." And perhaps the last visit it would be, I thought.

"Trust me on this dear." "Their father is as elegant and as royal as the head of ministry. He used to manage the biggest hotel in Iraq before he had retired." She said.

Suddenly the old images of iraq flashed in my head, and along came the current image of iraq, The comparison in my head between how great iraq used to be, how rich and beautiful the land Basrah was and how it is all gone. No admiration left, it's all an intricate matter.

The stories I hear about Iraq and the wars and the people of iraq, are close to infinity if you saw the destruction that occurred. The beautiful past, is all we have.

Sometimes, I feel like home doesnt even exist.
"Iraq". Those four letters , it's like thy dont mean anything to me anymore.
A home is a place that holds you, that keeps you warm. When did iraq ever hold me? Other than holding me backwards not forward. Other than leaving the poor cold and the rich hungry too. Where did all the blessings go? Where are the beautiful green lands? The River Tigris and Euphrates ? Helicobacter ?

It's hard to IMAGINE a country with such power, such good , such greatness , such grandeur,  magnificence, fall. But it's even harder, to WATCH it fall , and having nothing in your hands to do about it.

Such blessings, that got destroyed , on the hands of those who envied it once. The enemies destroyed the only thing that I had to believe was home.

"You know mom.. Sometimes I hate Iraq."
"Why?"
"Because it ruined our lives."

Silence filled the car for a couple of moments before anyone spoke. It was true, Iraq did  destroy us along. Iraq ruined our lives and everywhere we went our identiy was exposed but not lived by others. We once had a wealthy country, now the country is dying and the people are shattered. Mother knew it was true, even more than me, because i was just a child who couldnt remember and didnt live half the events mom had to go through. She witnessed it all.


"No one can hate their country dear, it is still your country."

It was true too, wherever I shall go, I will make my country proud, and not just a maybe, one day,Iraq will rise again, and I will have enough faith in my country that it will.
My country is not destroyed, my country lives peacefully in my heart. The people may ruin it, but it will always be as great as it used to be in my eyes.

Contrary to popular belief,
we have found WMDs in Iraq,
whose Tigris and Euphrates rivers
once flowed into the Garden of Eden.

But true to popular belief,
these WMDs were not weapons
of mass destruction, in the usual
meaning of that phrase,

They turned out to be wars
of mutual destruction, fueled
by fear and anger against
the most vulnerable within our reach

It matters not that good
intentions guided bombs
and tanks to destroy the
land and lives of innocents

To a man who buried his
family in the smoking ashes
of his ancestral home, or that
vengeful reprisals have no

Other cause, to a mother who
sheds tears upon her favorite
photo of her dead son, whose
body has come home

But whose blood was spilled
into the Tigris and Euphrates

And it matters not
that treasures spent
in futile efforts to fix
what through unfounded

Belief was broken,
by laying siege to
vanquished tribes
to form a nation

Foreign to their own.
And though livelihoods
and communities have
been drained of hope

And promise at home,
there is no end in sight
for wars still fueled by
fear and anger against

The most vulnerable
within our reach.

The ghosts of old raindrops
mock and scold.
Their scorn writ large
on these dusty roads and in these dusty throats.
To tote the barge but not lift the bail
ain't no kind of protest.
Spit in the well and
hope the master draws up that bucket-full.
Wishes.
Still, the giver of life
serpentines through this valley
like the Euphrates did
in that one book, but
it does not matter
since the scythe swings
in such wide circles
this time of year.
We can bring in sheaves until dusk
then fish for men in the morning but
our souls are still corrupted.
Our hearts are rotten like old pears.
I'm so thirsty.

Power of a Picture

Little girl from a place far away in the world do you know that you are a part of forever you stare so intently does it mean you are one who sees beyond the common bonds of your home. The field is small the house barely marks the world you hold a emblem of wood covered with art from your culture it is in the form of a cross is this meant as a grave marker to one that you have lost. Or is it the touch stone you use to contact the Great Spirit that lives in the mountains and valleys. They speak of such places on the earth where the raw power exerts such force as you open yourself mystery and reality come into focus its only a deep valley a barren land a high mountain but in these climes as in no other the vestiges of the long forgotten seep into the curious mind fertile pollination lightly brushes inquisitive petals from this small impetus ever wider do the rings expand from just the single tossing of a small stone.

The wise know a road that seems to wound aimlessly through the heather across the moors its reach spans the globe it is home in the Gobie as well as the great cultured cities that as diamonds shine with brightest thoughts words to ignite the mind of the seekers. To all who make a purposeful sojourn from humble villages to the ends of the earth? The mind has no equal problems its meat with digestion then the course altered it is fixed it answers only those who believe there is rich and soulful meaning to the world no matter how cold and brutal the abrasive veneer may appear can this life be less than the total of the wonders to be found in every vale and sun drenched corner that has had the greatest evidence of the divine because there is found the foot prints of man. Whether Redeemed or not together the world and man are intertwined by glorious holy design.

What a great world you are part of we would be incomplete without you, a small unknown stream somewhere will join the great Euphrates or the unending Amazon or the sweet tender flow of the Brazos but all are an integral part of a larger whole dust was thought to be nothing then the dust bowl happened Steinbeck immortalized this tragic upheaval in the Grapes Of Wrath. So thanks little one you speak a lot with your eyes of innocence.

Imagine a world.
What do you see?
Do you see a place of paradise?
Do you see the rivers?
Tigris and Euphrates?
A place where all is bountiful,
And the sun forever shines
And darkness is forever lost.
Or do you see a world drenched in fire?
Overcome with the emotional grief
Of the death of it’s natural resources,
Of echoes coming down the corridors,
Starved bodies lying on the floor,
And villains run amuck?
A long time ago, a man wrote about a Lady and a Tiger.
His mission is mine.

No longer let our voices fall to a whispering
march of death. Jam your baritones and
inflections through songs for a god gone
dead

Make the earth shudder under your footsteps
as you let the wind take the pages like
a flickering flame

Make your presence known through the howling
sleet and rain - scream in the faces of distorted
kings, spit on their robes and **** in their eyes

Cast your fury like the waves and witness the smoke
of god vanish in the shadow of a cat, feast upon the
words that wither like the grass

Smear the self indulgent prophets in sweat and mud,
drown the child of the Euphrates and **** on his
holy stone

Go horse in your burning wrath, ******* wretched
Isaiah, suffocate him in the wallowing tears of Job,
let the blood of your hatred flow like wine

Drink of your consummate supplication steeped
in rage and disgust.

Let it sustain you to shake the pillars
and columns of his temple to the ground

Dictate your commands and bask in the boundless
power your existence brings to bear upon the weak
and know you and the fake god you hate

are one.

*This is an old one from my depreciated poetry blog found here: http://www.letthewords.blogspot.com/

Hakim sat
on the banks of the Euphrates,
his discarded newspaper
lifting, page by page,
on the warm wind.

He had been reading of the countless dead.

Of course, his mind played first
over those he had known.
An uncle, two brothers,
his mother
and a grandfather of ninety six.

All of them,
definitely gone.

But according to the paper,
atop the official body count
some twenty thousand souls
may or may not
have survived the conflict,
and his head swam
with this crowded limbo
and the knowledge
that no-one knew.

Enough people
to populate a small town,
possibly dead.
Not important enough
for anyone to be sure.
And Hakim, eyes
glazed in the dusty sunshine,
began to wonder
whether he was one of them,
the uncounted,
the unacknowledged,
wandering vacantly
through his outstayed welcome,

simpy waiting
for someone
to write down
his name.

In a picturesque setting the idyllic complete essence where love is born stored and reborn a forest valley
With trees so rare breathtaking nobility rises and rightly so nothing less would be right in this cradle
Where true love takes it first breath and the mountain that rises as a great covering and protector and it
Adds to this magic spectacle an extraordinary water fall that is made from this moistness it goes back to
Adam when he first saw Eve tears of joy formed on across time this represents loss love forward and
Back to the beginning of time and continues to this day it is the tears of the prince while he had the
Taj Mahal built knows this as you read this it was not just the waters of the sacred
Ganges that went into the mortar no copious hot burning tears ran down his face into
This masonry the adhesive where first evidence that a closer look will reveal to eyes of
Lovers alone that bits of human heart is part of the mix that holds for all time loves true
Illustration into the greatest act known to exist some will be surprised to know that you
Carry an inward picture of your true love and it is now and forever bathed in moonlight
The romanticist can produce this as undeniable proof if it bares these markings one has
Truly transcended through immortal decree you have risen to esteemed revered status to
Know love in this favored position you have crossed to experience a profound
Knowing elevation that speaks feels the inner life of exquisite well being this charge
This power electrifying is the completeness that two people only can know through
Undivided love and commitment These words are all flowing out of a granite mountain from an
Unknown source that has been the keeper of thoughts and emotions since time began all things present
That is growing under the feet of these lovers draws its life from this water the grass the fauna is full and
Rich it has spices that were carried by caravans across the great Sahara from India and the flowers note
The silk from the mysterious Orient two loves entered impoverished lone figures they will be adorned in
Richest silken robes made right before their eyes it commends one who has been alone on the
Euphrates and then allowed their hearts to be bound as one then they have eaten from that fruitful
Valley that was the birthplace of mankind these words this place this love sprang from a Holy hush now
Find and live yours it is your birthright it exists at the intersection where to hearts collide and life is
Discovered like no other

Having arrived at Patmos, on the southeastern ***** of Skalá, Wonthelimar observed that the Seleucid ships were there. Already knowing of the myth of Seleucus and of his Divinity, since her mother Laodice, according to Vernarth's parapsychology parallel account, and aligned with Wonthelimar, that she had presumed that her son Seleucus had been conceived by carnal union with Apollo. These oracular dreams separated them from Vernarth, for a certain Antigone of the imperial Seleucid with the anchor of the ring that Apollo had captivated from the gematological extract, now wading in the quantum of Chauvet, which had been identified from Gaul.

Wonthelimar says: “from such a thigh such as a Vas Auric you will be anchored at your anchor, in a proud fallacy if you have been engendered by Apollo if it is that your mother temporizes in a hallway idyll or Antigone, and not of someone wearing a ring that smells like broken neo-Hellenic dreams in one that anyone believed, born of one being or another like me from a mythological Iberian, but being carried from a very young age on the haunches of a Bucephalus. Here I believe where Laodice would be or would be caught by knowing that creatures like me, spawned in the darkness of a cave, should wear that ring, but in the seventh ring of the horns of my paternal Ibez with its antlers constantly growing, and in my forehead having one of them in the antlers of the female that fed me in the reign of darkness and in the heights of the mountains. Upon leaving Chauvet I embraced her suspended antlers, and when I separated from the sixth ring, my female nurse with her pale neck offered me the seventh so that I would do it with brown illusions to be like her in the maternal ***** of the Rhone that in altitudes Thousands leveled out over seven hundred meters, with each ring being the power of a reign of darkness filled with light and undeserved talent. In the autumn, my female mother would get involved when I timidly approached from my cavern full of aldehyde, eliminating it through my mouth and eyes, creating from them the brave fear of misunderstood symbols..., if you saw it, your Seleucus...? You would abandon your divinity with a single breeze of the elements when you would recover your anchor rings on the roads. On the other hand, I wake up in his ring because of the meager light that intimidates the converted mountain beings, who interpose me in their combats, if an antler was or is torn from one of my attempts of frustration, after not seeing what it is not noticed even in thousands of distant blushes, and not even in the emission of the eyes of a hypothetical Apollo "

Behind the philastic zoomorphic of the exalting from Seleuco's mouth, the bilocated Epidaurus on Patmos was lowered by the steps of an amphitheater, bossed around in the conclusive closing of his story behind bars or horns that splintered his revoked mention of aspiring to a ring, which is not and will be nothing more than a synonym of despair, more than an immortal that is now abbreviated from the stigma of co-founding itself in meaning as a temporary truth of Hellenism, deducing to qualify its origin as a plus part and ascendant servant, but not descendant in shirts that have to transvestite him on the Epidaurus proscenium. Seleucus began to doubt his converted eagerness to lash out the mythological divine lineage for a sanction, in which the lightning bolts of the stunning sky themselves demystified their annoying gales of submission, by dynasties of the proverbial Kleos for the purposes of fame, and politics that open the loaded winds with cots of gold to marry with diligent nebulosity in transliterated and linked tripods in cumulus universes, where the first two abuse the fulcrum of the obverse that falls by gravity on no man's land..., here is the myth of anchoring and not of to aspire to a ring or earring that will drag us to heights where the icy cold wind crowns you on legs of bronze and not of gold "

These coins were carefully observed by those who observed them from a gorge, capturing the humility and infallibility of a being that came from the entrails of Chauvet, interpreting courses that awaited Seleucus. The appendages were detached from the koilones and tiers that jumped over it, to press and narrow the diazomas or corridors that were already deployed like a laser in the cubations of the consciousness of Megarón and the Vas Auric of the Hexagonal Primogeniture, which already was made ubiquitous. It was released from an Alexandrian Greek fire on the jaws of the hecatomb of the ex-generals of Alexander the Great. Here in funeral periphrasis, few prostitutes rusted behind his inheritance, each with their bronze panoplies and banners in favor of Leonatus in the hands of the Satrap Antigonus, Ptolemy, and the most outstanding applicant of his divine inheritance, Seleucus. They all meet outside the Eurydice ship in Skalá to settle decisions and franchises of ancestry, for the purpose of divinizing the destinies of their tasks and interests, to sink them into the first stone under a base of faith, and of those who will come from the return of the Anastásis like Greek resurrection of bread and wine, Psomí kai krasí…; "The Mashiach for being of whoever and whatever"

Seleuco says: "Psomí kai krasí, Bread and Wine for all." We have revived our leader, who in good time should resurrect us all for his mentions of the new future of fallen leaders and heroes. We are not oblivious to your expiration and perhaps your negligence in Babylon, but the steps of a king require other Seleucid measures and their oriental legitimating, being oligarchies that should morally do what is known. Antigonus, Ptolemy, and I appear here with me, preserving periods that leave us of mediumistic notions of the grim, who does not allow us to close our eyes. We confer the denounced ambiguity of previous riches that do not fit in any silo that can contain it, nor what happens to the secondary after diving early in the morning mounted on your Bucephalus, full of its manes swollen with the posterity of a Roman emperor besieging it, without advancing by requirements or where he rides now in steel wastelands, and not through upholstered steppes of the cautious ensign on your guard and in the solemn light of life that the **** leaves behind in your symbolic sarcophagus! We want you to join us, and to be able to banish our distinctions from where Apollo has given his eternal sleeper in the sense of an ephemeral truth, which makes light of flesh colors in the fiery figure of your coat of arms.
We have stolen the traced areas of Judea and from there Maccabees have donated us inscriptions back to my threat to you and Antigonus,... to my enemy debtor, but even so, I come to repair unevenness and want to repair idylls more remote from the Euphrates to settle in the ranks of Ptolemy. We have all sinned to look for you in our slogans, gaining fleeting territory, but we have lost your lux, already well said in my sanctuary in Didyma, but in seconds that continue from the first, already raising flags and heralds that increase your vox, more than a David that defeats a colossus; that from his own death resurrects...! "

All perceptibly dismayed looked at Alexander the Great who was behind a canopy listening to everything with his ear attached to the canvas that separates him from a presumed truth. He draws the curtain and pounces before everyone with stealth and courtesy, incontinenti he speaks to them after inhuman efforts to move away from the stagnant sub-understanding of his former commander.

Alexander the Great says: “The aureoles of sanctity have dislocated my Beelzebub, and the brambles brush against the Scabious flowers like widows that sing in the cenotic lines of my hands from a purgative cathartic in its graceful subfamily that makes my eyes heterochromatic de facto, between the thistles that are spiced between the aromatherapy of the Scabiosa cretica. In their oblong shape with pincushion flowers, they make the basting their nailed pins waiting to be used so that my desolations are not lost even after being just reborn. After the annual Attic calendar in Elaphebolion where they walked on me to resist the deer of Artemis, in attempts to get up and ***** me in the sessile voices of Scabiosa dispelled by Vernarth that have raised me in the involved species, like a chalice of unstitched shreds in seven holes, leaning back to the Aquenio in his fruit tree that is stained with lavender-blue, and the Lepidoptera bringing Vernarth from Gethsemane and the anti-Sarnic clothing that makes him exalted. Now from here, I harangue you, like immaterial troops that do not move their courage, with enemies that are left open to the fear of my walk on them, on rams of the imminent danger of warbling victory with steely Falangists. What a nationalist Faskéloma attribute as obscene fuss and Pashkien that reorders the armies that invade its headless stadiums, in raised nightingales that chirped the sadness of seeing myself fallen on the nose of the common soldiers and full of scabies in Arbela. I have to fly with you my lost flocks ready of Apollo surrendering twilight fire, and of moon-sun between the legs of a colossus forged by greater fires, speaking to me of Macedonian triumph, under the yoke of the crackle of a people that lies taciturn with the satraps in Hercules's cunning conquering in the cheers only after three laps they made debits from my left, while I saw the light of Uriel coming towards me in the Lepidoptera with his sheathing, and entirely of a horse placed Beelzebub, to transmigrate him with me from Cinnabar chains and honor what serves the world also that dies with me in Thrace or Alexandria Bucephalus, after the south of Corinth, regardless of me, who already sensed that he was anti-diadoco..., being at that time a leader of the Sacred League of Delphic Amphibian, after feeling so much pain immediately from dying..., I still had life left in the Scabiosa flask and in bronze vessels that I removed from the swirling wind of the s Thermopylae, leaving me stranded with nothing but chimeras of winning the world, but losing a Life that had just begun "

Meanwhile, at the dawn of Vas Auric was projected at relative height, Syrmus's light and resounding fall were shown when he attacked the back of Macedonia -... here Alexander makes a gesture of modest resilient power... -, after he glimpsed to Saint John the Apostle how he moved with his staff the tricolor clouds transmitted by the troops of the Tribalios and that was crushed by the carnal battery of Macedonian cavalry that immolated them before their knowledge, and then after their three thousand victims..., which according to some outstanding Hypaspists also rushed them far beyond the Danube where they were engulfed in the confinement of the Getas in thousands, and in greater proportion but with leather rafts, the Hellenic troops crossed this same river and with a few thousand they conquered them filling their saddlebags..., not gold... !, but brandy that burned all the pastures where no Bucephalus crossed by fire.

Mirror Image

The pallet of God’s true water colors we pick up the story of creation when God is putting on the finishing
Touches in the forever of his existence he has an inkling a beginning a persistent nagging there has
To be more something is missing as all birthing of the superb and marvelous don’t think it strange that the angels
They to see and feel like a question is floating around in the ethereal mist and it must be sorted out and
Addressed what would make perfection expand to a greater detail this vague formless idea continues
And from the thought formless God made a connection I need to form a world it has to be special
Rival heaven in a conventional way we seem to be shadowed by a noticeable degree of loneliness we have
everything provided for in every way I see to it that my arm of might has brought all this to our realm that’s
It what can be perfect if it’s not shared but where and with what am I not a preeminent father in
Creative acts we need this world and it will be inhabited by my own children yes a family will complete
Me that is the logical dilemma that sought a voice now I hear and I will dedicate all I have to give an
Answer so fine will be oh the shinning yes of course we can’t have them stumbling about in the dark I
Will make the most powerful orb made of gases that will burn without end the black void will be pierced
Its reach will have to be placed properly or disaster could happen even before we get started I don’t
Want to be foolish or have the angels snickering how disruptive what does disruptive mean in the whole
Well of course such a powerful light must have a counter balance thats it I will make a great white globe
To set in the division of light and darkness I will fill in its uses later in the natural event of things. So
Creation of earth once started speeds to a conclusion but we find God as we said putting the final touches in
Place as a master builder he does one thing well and then repeats it around the globe for our story we
Will concentrate on the northeastern United States that would eventually come into existence it all
Comes in a creative rush and with God’s orderly mind all is defined he understands such soil will have to
Be regulated the sky will be enhanced with clouds that will cary water this suggests a natural runoff it has to have a catch basin so our lakes were formed with
Deftness God takes the bottom of his palm dips deep and pulls away significant earth there now a basin this
Extra scrapings will do fine for a mantle to cover the lower ranges of my mountains that jut go high and
Free but their will need to be a surface texture or the water will make a fine mess and just fill up my
Beautiful mirror that reflects already created glory yes a small common plant I will call it grass it will
Cover the whole earth where it is dry well those steeps is going to create a forceful downward run off
There has to be more and they have to be sturdy and surly with heavy population I will have to have an
Answer to eventuality of pollution and need to make them strong and fibrous they can’t be puny and
Hold their own in identity or in usefulness against the mountain’s reign something to catch the wind as it
Passes creating a cleansing affect in heaven reeds front the Crystal Sea well just a little change using
Reed As the root word well tree of course we will give them grand branches the wind comes and then
Leaves poetically they will be known as leafs what more fitting place to put a whole lot of dazzle the
Earth will be turning on its axis this will make natural seasons what a time to bring out my color palate
Beauty will find its free and unequaled expression and the moods let me take a little rustic hue a blazing
Fire filled red can’t forget to give a subtle honor of yellow to the sun a little orange to fuse it all
Together now what has been so long coming back to the free coursing Euphrates I have my best work to
Do in a garden rich and full but needing that final element just like when I started all this my children are
Going to draw their first breath and be my wonderful family.

Time is nothing new, knowing knots will never be undone
Evil crawls in the minds of man, manifesting itself to be beautiful
Accepting and acknowledging all aristocrats who abuse their power
The world is bland, where a woman loses her womanly flower
Covering each other up, taking out the surface not the root, it’s wrongful
Uncommon is the book, imagination in the individual’s ideal of no fun I sit pondering upon these problems, probing a way into fixing all
When a crumpling crucial crumping sound, roared through the skies TV’s turned on, radios turned up, the Television speaks of trumpets
Couples, church-goers, children cry to the camera “Ready your Caskets” Fire and hail trail to the ground, blood blaze behind, Earth in her demise
People jab and judge each other, nobody understanding the Trumpets first call.
As the people panic in passionate rage and fear Everything is going, diminishing, dying, covered in dirt, grass and trees burning
A second trumpets serenades through savage yells
Mountains begin to burn and fall, along with the church bells
The seas slowly from within spoils into blood curling
Every child glances up joyfully as staircases appear. A ten horned beast raises out of the sea, mouth maliciously open with intent
Scrambling and screaming sub-beasts crawl into an unhinged jaw
It rages and shakes the ten kings hoarding on each horn. Three kings crumble, crash to cultivated grounds, their bodies torn. Blood bathed, entitled; enraged the beast takes earth as its thrall. The people scared, scratched, scraped and tortured bent. Blackened beasts bash past the saints
Looking for sin, sinister civil devils
Trumpet three blows, while sitting upon universal long ledges
The demons demonstrating patience beyond the ages
Hells helpful and hazy corruption seen at different levels
Through mans lounging, Wormwood falls to decide fates. The world is weeping through wasted weaves of wind
Disgusting smell of dead rides the tormented tasteless air
Swallowed by the fourth trumpet, bravely bashing through gusts
To find safe haven upon the throne of tusks
No animal though that tasted the tenacious disease will be accepted in care
They will be banished into the cold forever dark air, where they will shiver and cringe. The world is silent waiting, wallowing for the fifth When it comes Angels, breath beneath the blacken clouds
There striking wings linger as they blow three cornets In the sky, seeping through the soundless sky sails comets
A sight for the still faithful all watch in a crowd
As the comets releases Locusts from beneath. Laying lusciously low in a most lucid state, The ***** Her words wager, weave, win through the minds, falling for false prophecy
Ripping right by the remonstration of being The ***** of Babylon
Woman and Man fall for the words, seeking haven from hell hereon
Adult to child, wishing away her whims, she is the spiritual adultery
No newly made Neanderthal seeing her for the devils zany zealotist abhor. With The ****** lies, breaches the Mother of abominations
The one obtuse and first woman to walk in the Garden of Eden
Human at first, ripped apart, away from innocence; Lilith Haste to Hate, Revenge against the rotting earth, taking away human health
The goal stupendous, shaking sorrowfully, any good is forbidden
For killing is her passion, her art, her own Revelations. The sixth trumpet signals the release of the most dangerous Soldiers
The four enticing beings of end that are released from Euphrates the great water
Their massive army mounting at two hundred million minimizes us
Useless and hopeless everyone allows plagues in their bodies with lust
All people want is death, decaying, disembodied from the soul, without a bother
The ***** still preaching, but not a single being is listening to her false words of a philosopher. In the mix of mist and swamps I continue to sit and scrutinize
Every evil endorsing embassy of hell-spawn
Floating and coating, demoting every satchel of thought
As every defecate of remorse leave me in distraught
My mind is distilled where my initial thoughts are withdrawn I empower the sour cowering stare of the devil’s eyes. I cannot look away, the steady statue stare Embracing escalated enmity, fighting for it not to invade my mind
Never knew cruelness existed and brought beings such delight It covers itself in kindness and caring as it wishes me good night
When wrathful vengeance I awake, to aspire, to find
A torture most terrifying, tossed into twisted tarred souls, my religion I forswear. A game of chess, played between each, no physical state
Dictating the defence, drawing out, hitting, harassing and hackling
Pawn for a pawn, the pound of flesh taken from the absence of attack
Everything twists and twines around each feeble thimble of thoughtless comeback
Devil sends soulless soldiers, crashing crazily through bones a crackling. Finding flirtatious moments to pass the queen into the kingly gate. I have lost; no match made on earth can win with the Devil
Although I lost, I still hold onto faith that in the everlasting end I will be acknowledge by my God, I’ll will be shown care
I sit, sore, scarred, seared of my dignity, I pray
In my mind the Lord’s Prayer is the only way I can defend
I know beyond my brave but bashed thoughts that I kept away from evil. The loudest, most holy, mind clearing trumpet rings
The seventh and ending of the biblical war
A hole rips the sky, rendering useless, entirely beautiful though
Angels dash rescuing the ravaged by faithful souls, protection from beasts below I am avenged, my mind repaired from the unprotected un-releasing pain that I can now ignore
I praise to the Lord, lavishing, laying beside his council of twenty-four of forgiving beings.

I saw a vision I stood in modern time on my feet but in the spirit I stood only where immortals breathe in
The sacred land of ancient days the Native American people came to life before my eyes there was a
River nameless but of truth the mighty Euphrates or more correctly the river of life heavy and rich
Were these waters glory stood bank to bank the mesquite and cotton wood seemed to be made of
Silk they flowed dreamlike as flags over a free land the day was far spent and in the dying sun she came
To bathe but not in the natural waters but her quest was to worship the great spirit in which all true
Cleansing occurs she wore the dress of her people white doe skin with red and turquoise bead work
And her reddish skin did glow she sent a treble across the distance to where I stood when she lifted her
Hands of faith and hope skyward in surrender beauty untold before materialized upon the burnished
Sand all of nature fell silent as she called on the Great Spirit stillness took on new meaning vastness was
Restricted drawn back from it natural means to this tiny spot of ground the air charged with the deep
Longing of her soul the trees crackled as heavy mist descended mellowness pervaded this place made
The wood the rarified earthy throne of God himself as she spoke oh the face shown with uncustomary
Wonder did the unexplained become common knowledge for her it did in this grand display of
Emotional release she bridled the breeze before horses were ever found in this land she drew heaven
Down all was quiet and empty in this clearing and she filled it with noble words that honored Him who
Deserves all praise we live on error and garbage when we should be feasting on spiritual riches to know
All that is yours it takes you joining this Indian maiden come not rehearsed and filled with self but as the
Lowy penitent subscriber for his free gifts these most treasured thoughts came as I watched a young
Woman praising our great father remarkable circumstances that are your birthright if you only exercise
Them God bless you