Perhaps the greatest tennis player the World has ever seen
She had won nine Grand Slam tournaments before she was nineteen
Till her marvellous tennis career was prematurely ended in such a tragic way
Thrown from her horse her foot was crushed that's life as some might say.

The marvellous Maureen Connolly the greatest tennis player of her time
Her great career had ended long before she had reached her prime
Nine grand slams as a teenager her record may never be beat
She won every grand slam tournament in which she did compete.

The greats of present day tennis we hear so much about
Though 'tis not on their greatness we ever cast a doubt
But of nine Grand Slams as a teenager none of them can boast
To the late Maureen Connolly we ought to drink a toast.

Great tennis players like the Seasons they come and then they go
But there was only one Maureen Connolly the legendary 'Little Mo'
Nine Grand Slams as a teenager believe it if you may
The champion amongst champions her record stands today.

'O WORDS are lightly spoken,'
Said Pearse to Connolly,
'Maybe a breath of politic words
Has withered our Rose Tree;
Or maybe but a wind that blows
Across the bitter sea.'
"It needs to be but watered,'
James Connolly replied,
"To make the green come out again
And spread on every side,
And shake the blossom from the bud
To be the garden's pride.'
"But where can we draw water,'
Said Pearse to Connolly,
"When all the wells are parched away?
O plain as plain can be
There's nothing but our own red blood
Can make a right Rose Tree.'

(for Cyril Connolly)

The piers are pummelled by the waves;
In a lonely field the rain
Lashes an abandoned train;
Outlaws fill the mountain caves.

Fantastic grow the evening gowns;
Agents of the Fisc pursue
Absconding tax-defaulters through
The sewers of provincial towns.

Private rites of magic send
The temple prostitutes to sleep;
All the literati keep
An imaginary friend.

Cerebrotonic Cato may
Extol the Ancient Disciplines,
But the muscle-bound Marines
Mutiny for food and pay.

Caesar's double-bed is warm
As an unimportant clerk
Writes I DO NOT LIKE MY WORK
On a pink official form.

Unendowed with wealth or pity,
Little birds with scarlet legs,
Sitting on their speckled eggs,
Eye each flu-infected city.

Altogether elsewhere, vast
Herds of reindeer move across
Miles and miles of golden moss,
Silently and very fast.

The sound of feet is isolated in the tunnel.
Echoes of the slow steps of many fill the narrow space.
We march in silence.
Alone among the many.
We do this odd ambitious walk twice daily.
Twice daily this space is filled with the sound of the travelers and the workers.
And what about the times that betwixt the twice daily commute?
An ambiance like no other.
A roaring silence.
For those who have march here
They leave behind an echo,
an imprint of sort.
More ghostly than any ghost.
Haunting these tunnels with their essence
When the sound of feet is not present.

SING of the O'Rahilly,
Do not deny his right;
Sing a "the' before his name;
Allow that he, despite
All those learned historians,
Established it for good;
He wrote out that word himself,
He christened himself with blood.
How goes the weather?

Sing of the O'Rahilly
That had such little sense
He told Pearse and Connolly
He'd gone to great expense
Keeping all the Kerry men
Out of that crazy fight;
That he might be there himself
Had travelled half the night.
How goes the weather?

"Am I such a craven that
I should not get the word
But for what some travelling man
Had heard I had not heard?'
Then on pearse and Connolly
He fixed a bitter look:
"Because I helped to wind the clock
I come to hear it strike.'
How goes the weather?

What remains to sing about
But of the death he met
Stretched under a doorway
Somewhere off Henry Street;
They that found him found upon
The door above his head
"Here died the O'Rahilly.
R.I.P.' writ in blood.
How goes the weather.?

"The beggars have changed places, but the lash goes on."*

I
You probably already know, William,
that it’s pretty much all the same
as when you paced the battlements
and howled to the indifferent stars
"It seems I must bid the Muse go pack!"
, caught in Passion’s cataract –
that torrent of emotive poetic grief.

II
Though politics have changed,
there's still old men in the Senate
who stare but don’t seem to see.
They’re caught in youthful daydreams ---
the girls’ bras’ are too hard to unclasp,
even when employing that agéd charm.
(“But O that I were young again
and held her in my arms!”)
You weren't an exception;
politicians are also subject to the Human Condition.
Perhaps more than a poet,
probably more than a poet.
So I guess you got the double dose, William.
In a split second the State slips,
staggers, and reinvents foreign policies,
only to double-back on itself again and reverse.
I know you remember those you rhymed out in verse:
MacDonagh, MacBride, Connolly and Pearse;
their rifles still ring in the recesses
of the Public’s  miasmic mind –
the haze just dissipated over the Irish Sea.
And it's the spring of 2012.
Gore-Booth and Markiewicz are but marrowless bones,
Collins as well.
His still mix in the grave –
They’ve been for ninety years.
Yeah, it's pretty much the same,
Synge’s ******* is still unpopular.
In fact, plays are largely unpopular,
and playwrights work in restaurants
where sweat lingers on their brows
to eventually drip into an already-unfit meal.
It's hard to imagine a play once
brought Dublin to riot;
you couldn't start a riot now if you had
thirty drunken anarchists
with two Molotovs a piece
watch Godwin’s grave get gutted.
Though information is more accessible,
it's an age of information-apathy.
You'd **** a shotgun to your temple
if you saw the state of education today.
I'm afraid, William, it's all the same:
the gyres still run on ---
I fear they're running out of breath.

III
But it’d be imbalanced to leave you here;
at least you split on a Saturday.
Late-January trembles each year,
as the earth did the day you were consumed
in Helen(“who all living hearts has betrayed”)
’s immutable embrace;
your heart alone she could not betray.
And blind Homer who sang her betrayals
has ceased; mouths ran dry the day you died.
You left before your trade imprisoned you;
before the pen enchanted
your remaining years to a page.
You left before you couldn’t:
before the blitzkrieg;
before the world lost ten million more Robert Gregory’s
and you died from exhaustion mid-rhyme on the seventh-stanza of the five-million eight-hundred and fifty-fourth
elegy.
Regardless, it's really all the same.
Even those beggars are still playing twister with their whip.

THE Roaring Tinker if you like,
But Mannion is my name,
And I beat up the common sort
And think it is no shame.
The common breeds the common,
A lout begets a lout,
So when I take on half a score
I knock their heads about.
From mountain to mountain ride the fierce horsemen.
All Mannions come from Manannan,
Though rich on every shore
He never lay behind four walls
He had such character,
Nor ever made an iron red
Nor soldered *** or pan;
His roaring and his ranting
Best please a wandering man.
From mountain to mountain ride the fierce horsemen.
Could Crazy Jane put off old age
And ranting time renew,
Could that old god rise up again
We'd drink a can or two,
And out and lay our leadership
On country and on town,
Throw likely couples into bed
And knock the others down.
From mountain to mountain ride the fierce horsemen.

II
My name is Henry Middleton,
I have a small demesne,
A small forgotten house that's set
On a storm-bitten green.
I scrub its floors and make my bed,
I cook and change my plate,
The post and garden-boy alone
Have keys to my old gate.
From mountain to mountain ride the fierce horsemen.
Though I have locked my gate on them,
I pity all the young,
I know what devil's trade they learn
From those they live among,
Their drink, their pitch-and-toss by day,
Their robbery by night;
The wisdom of the people's gone,
How can the young go straight?
From mountain to mountain ride the fierce horsemen.
When every Sunday afternoon
On the Green Lands I walk
And wear a coat in fashion.
Memories of the talk
Of henwives and of queer old men
Brace me and make me strong;
There's not a pilot on the perch
Knows I have lived so long.
From mountain to mountain ride the fierce horsemen.

III
Come gather round me, players all:
Come praise Nineteen-Sixteen,
Those from the pit and gallery
Or from the painted scene
That fought in the Post Office
Or round the City Hall,
praise every man that came again,
Praise every man that fell.
From mountain to mountain ride the fierce horsemen.
Who was the first man shot that day?
The player Connolly,
Close to the City Hall he died;
Catriage and voice had he;
He lacked those years that go with skill,
But later might have been
A famous, a brilliant figure
Before the painted scene.
From mountain to mountain ride the fierce horsemen.
Some had no thought of victory
But had gone out to die
That Ireland's mind be greater,
Her heart mount up on high;
And yet who knows what's yet to come?
For patrick pearse had said
That in every generation
Must Ireland's blood be shed.
From mountain to mountain ride the fierce horsemen.

Beer floats
So does glass
And the trains

You pass them every weekday and sooner or later it looks like some sort of tarpaulin or a giant business-white circus tent.
It gets to the point you want to approach one of the security guards and ask how it all stays up there.
But the announcements are on and you have time to keep.

Better to write for yourself,
& have no public

Then to write for the public,
& have no self

l love the ‘Big Yin’
Such a unique personality
As tears roll down my cheeks with laughter
He has an amazing ability

Billy Connolly you are certainly one of a kind
Born in the poor streets of Glasgow
Deprivation comes to mind

Telling jokes as a welder
Working on the shipyard floor
You were destined for stardom
After you walked from out your door

Yes you do swear alot
But honesty is your gift
Your talent is amazing
You give everyone a lift

We have watched you loads recently on the tv
We would never miss your shows
My hubby & me

I am pleased your in my era
You make me very proud
The way you’ve risen to fame from nothing
Entertaining people in a crowd

Through the years you’ve never wavered
You have grown from strength to strength
The best comedian by far
You have beat them all by a length

Nowadays you are failing
Dreaded Parkinsons disease
But you will still look on the bright side
Unable to walk, down on your knees

Billy Connolly you are a genius
As you tell all of real lifes event
You describe it as if its happening
Saying it excatly as its meant

Still pulling in the crowds
Even though you are seventy five
****** Moses thats incredible
What a performer, ‘Man alive’

You will always be a legend
‘The Big Yin,’ you got life right
After you are long gone
Shining like a diamond in the night

Down behind the communal garages,
Our knees were scabbed and scarred,
Badges of honour, to ten-year old savages,
Earnt in chasis' of burnt out cars.

There, on the side of a wall,
Nineteen-Sixteen, had been daubed in emulsion,
Just another target for our ball,
To find its meaning ? we had no compulsion.

It was a circular Nine, like a giant comma,
And the Six was rotund, as well,
Against all the rules Sister Mary of the Immaculate Madonna
taught, in those hand-writing classes from hell.

It was similar to a giant 1690,
I'd seen in another part of town,
On the gable-end of a property emptied,
Before an our street versus your street showdown.

Then one day, the Old Fella' explained,
In 1916 we stood up for ourselves,
A pride in our nation regained,
As the G.P.O. was shook to its shelves.

"Son, we tired of crawling on our belly,
Being beaten, battered and conned,
Surely you've heard me talk of Connolly ?"
I said, Yeh he's me favourite James Bond.

But this was Liverpool, Nineteen Seventy-Two,
And me Da' had been over here years,
What he was on about, I never had a clue,
Though it was the first time I ever saw him shed tears.

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse.
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vain-glorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it
Where long-legged moor-hens dive,
And hens to moor-***** call.
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead.
And what if excess of love
Bewildered them till they died?
I write it out in a verse --
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

They gave their lives for an Irish nation,
Paid the ultimate price for our freedom.
Each of them signing the Proclamation
Which would guide Ireland in the years to come.
Thomas Clarke was the first signatory
With Patrick Pearse and Seán Mac Diarmada,
Also Joseph Plunkett, James Connolly,
Éamon Ceannt, Thomas Mary Mac Donagh.
Alas these were seven of many more
Who died as we fought for independence.
Whose names should be honoured for evermore
By us, our children and our descendants.
Never should we forget their legacy;
We owe them our freedom, our liberty

( Song )*

Europe in the dark age, was swept by an ignorant plague
While Ireland was known for poets, scholars, and saints

Invaders, would have Éire destroyed while only hurting themselves
For it was the Celts, who taught poetry to ancient Greece

    They tried to burn her culture down
    But the ashes of Ireland proved fertile ground
    Green is the pearl, seed of the vine; great garden
    Love Songs of Connacht

Beaten, almost forgotten she was
Her sons sent off to the colonies
And Ná Fíle; her poets, became beggars in the streets

    They tried to burn her culture down
    But the ashes of Ireland proved fertile ground

Thank you Lady Gregory!
Thank you A.E.!
Thank you Will. B. Yeats!
Thank you Ó Rathaile, Ó Carolan too!
Thank you Mr. Synge!
Thank you most of all Douglas Hyde

    Green is the pearl, seed of the vine; great garden
    Love Songs of Connacht

    They tried to burn her culture down
    But the ashes of Ireland proved fertile ground

Thank you Lady Gregory!
Thank you A.E.!
Thank you Will. B. Yeats!
Thank you Ó Rathaile, Ó Carolan too!
Thank you Mr. Synge!

Thank you Standish Ó Grady, and Pearse!
Thank you Connolly, James!
Thank you Merriman, Ferguson too!
Thank you Rua Ó Súlleabháin!
Thank you James Clarence Mangan!
Thank you Tommy Davis!
Thank you most of all Douglas Hyde!

    Of all the nations of the world
    Only Ireland's dream is a poet's dream
    Green is the pearl, seed of the vine; great garden
    Love Songs of Connacht
    Great garden
    Love Songs of Connacht

The Proclamation had met with silence,
he must have known the fight was lost,
But, Connolly, faithful to the Cause,
Was accepting of its cost.

They took the Green, The inns of Court,
the Post on Sackville Street
De Valera stood at Bolandʼ s mill
the place where five roads meet.

Their commander, Pearse, a scholar,
Apportioned his menʼ s lives,
To garrison each strong point
Till the British would arrive.

Their tactics were pure suicide-
They could not hope to stand,
But their strategy was brilliant
Meant to rouse a sleeping land.

Sure to die of a snipers bullet-
Or a British firing squad
These unabashed Republicans
Held out against long odds..

Bloodied by the Rebel guns,
The foe paid dear for ground
The general post office was in flames
as their gunboats shelled our town.

The week crawled past and Dublin burned
The post Office glowed White hot
Pearse watched his troop dwindle and fade.
Faint from shell and shock..


They surrendered to be crucified
In Imperial British fashion
And by dying saved their country.
Their deaths brought her resurrection.

The British with their firing squad
Could ready, aim and fire.
The Brotherhood by dying
Could persuade, convince, inspire

Upon the graves of these patriot men
Was the seed of a Nation sown,
their struggle at the post office
Still captured in itsʼ stone.