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Shadow Rai Jul 2010
She left her bag back at the station
she thought she’d carry on
and the whistle sounded as a watchman found it
he looked but she was gone

“Call for a Miss. Blume, I repeat Miss. Nora Blume
your bag’s at lost & found”

12 hours after a search had gathered
her family standing by
and the whistle sounded as the troops were rounded
up to contemplate the whys

“Ahh, Sherif, you may wanna have a look at this,
could be blood from the girl we just may have missed”

She left her bag back at the station
with a letter she had drawn
and the whistle sounded as a watchman found it
he looked but she was gone

“Dear Mother I am leaving, don’t expect me to return
I’ll love you always this is not a phase but a lesson never learned”

12 hours after a search had gathered
her family standing by
and the whistle sounded as the troops were rounded
up before the case went dry

“Ah, Sherif, you may wanna share this, it’s a note from Nora Blume,
her Mother needs to know that a suicide’s assumed”


She left her bag back at the station
where they came ‘cross a syringe
just one of many in a package
tangled in her wallets fringe

“I saw no need for luggage as I’ve carried more in wait
there’s a final wrath along my path that’s leading to my fate”

12 hours after a search had gathered
a blood trail lastly explored
and the whistle sounded as the troops dumbfounded
covered up her corpse

“Don’t cry for me, ask Daddy then you’ll know the reason why,
just put us in the same plot embracing on our sides”

She left her bag back at the station
she thought she’d carry on
and the whistle sounded as the two were grounded
down six feet moving on...
© 2010 By ♪Po3ticMi$tr3$$♫
Najwa Kareem Nov 2017
There I walk
sunlight reflecting on the ground underneath
Spaces cold and spaces warm
An open place where freedom is felt

I continue walking
my casual stride unplanned
An atmosphere asking for nothing of us
is where we find ourselves

Catching up quickly on concrete
he offers me a flower on a Saturday afternoon
Für dich Es ist eine Blume
A delicate pink carnation I now hold in my hand
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
Jade Jan 2019
Inspired by Judy Blume,  inside Jokes with Liz and the poetry of Alissa Grams (https://alissagrams.wordpress.com/2017/03/06/an-open-letter-to-god-from-an-eighteen-year-old-girl/)

~

God,
it's me--
jade.

I must admit,
I've never read
Judy Blume
or the Bible,
for that matter
(I could never make it
past Genesis).

I am not well-versed
when it comes to scripture--
I am fluent in tragedy
and tragedy alone;
then again,
is there really any difference
between scripture and tragedy?

I was never one
to pay attention in church,
unless the hymns
were of a minor key,
the sermons imbued
with woe and melancholia.

Coincidentally,
as I write this,
it has only just occurred to me
that Lot's Wife
was never given a name
of her own--
it was destroyed with *****,
forgotten amongst the
flames and the ash.


God,
you were wrong
to punish her
the way you did.

Have you never felt the
sting of salt
against an open wound?

Have you never watched
as all the familiar intimacies
you once knew
dissolved to cinder?

(I know you have).

Do you not see that,
if home is where the heart is,
then the heart
must surely perish with it?

God,
has anyone ever broken your heart?

(I think you know heartbreak
as well as I do;
it is the very matter
of our existence).

So I guess my real question is
why?
(and, no, this time, it is not rhetorical).

Truly,
I'd like to know why
you would ever think
to hurt your people
the same way
the archangel hurt you.

You say I sin
against you,
but did you not
create me in your image?

(Like father,
like daughter,
I suppose).

god,
I do not think
I believe in you.

At least,
I do not believe in you
like I believe in other things.

I do not
believe in you
the way I believe in
the beauty of
Van Gogh's sunflowers
(his starry nights, too);
or in dog-earing the pages
of my favourite books.

I do not believe in you
the way I believe in magic;
or in the integrity of
polaroids photographs
and listening to vinyl.

I do not believe in you
the way I believed in my love
during the final moments
before his betrayal;
or in the lingering sensation
of my past lives--
Ophelia.
Mary Queen of Scots.
Frida Kahlo.
Sylvia Plath--
and now,
dare I feel it,
dare I say it--
Lot's Wife.

(With her,
I shall share a name).

I do not believe
you are my saviour
because I do not
believe in you
the way I believe
in Poetry.

god,
it's me--
Jade;
this poem is
my hallelujah,
but it does not
belong to you
(not anymore).
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.come/tickledpurple

(P.S. Use a computer to ensure an optimal reading experience)
Weißer Tagesanbruch. Stille. Als das Kräuseln begann,
hielt ich es für Seewind, in unser Tal kommend mit Raunen
von Salz, von baumlosen Horizonten. Aber der weiße Nebel
bewegte sich nicht; das Laub meiner Brüder blieb ausgebreitet,
regungslos.
Doch das Kräuseln kam näher – und dann
begannen meine eigenen äußersten Zweige zu prickeln, fast als wäre
ein Feuer unter ihnen entfacht, zu nah, und ihre Spitzen
trockneten und rollten sich ein.
Doch ich fürchtete mich nicht, nur
wachsam war ich.
Ich sah ihn als erster, denn ich wuchs
draußen am Weidehang, jenseits des Waldes.
Er war ein Mann, so schien es: die zwei
beweglichen Stengel, der kurze Stamm, die zwei
Arm-Äste, biegsam, jeder mit fünf laublosen
Zweigen an ihrem Ende,
und der Kopf gekrönt mit braunem oder goldenem Gras,
ein Gesicht tragend, nicht wie das geschnäbelte Gesicht eines Vogels,
eher wie das einer Blume.
Er trug eine Bürde,
einen abgeschnittenen Ast, gebogen, als er noch grün war,
Strähnen einer Rebe quer darüber gespannt. Von dieser,
sobald er sie berührte, und von seiner Stimme,
die, unähnlich der Stimme des Windes, unser Laub und unsere
Äste nicht brauchte, um ihren Klang zu vollenden,
kam das Kräuseln.
Es war aber jetzt kein Kräuseln mehr (er war nahe herangekommen und
stand in meinem ersten Schatten), es war eine Welle, die mich umspülte,
als stiege Regen
empor von unten um mich herum,
anstatt zu fallen.
Und was ich spürte, war nicht mehr ein trockenes Prickeln:
Ich schien zu singen, während er sang, ich schien zu wissen,
was die Lerche weiß; mein ganzer Saft
stieg hinauf der Sonne entgegen, die nun
aufgegangen war, der Nebel hob sich, das Gras
wurde trocken, doch meine Wurzeln spürten, wie Musik sie tränkte
tief in der Erde.

Er kam noch näher, lehnte sich an meinen Stamm:
Die Rinde erschauerte wie ein noch gefaltetes Blatt.
Musik! Kein Zweig von mir, der nicht
erbebte vor Freude und Furcht.

Dann, als er sang,
waren es nicht mehr nur Klänge, aus denen die Musik entstand:
Er sprach, und wie kein Baum zuhört, hörte ich zu, und Sprache
kam in meine Wurzeln
aus der Erde,
in meine Rinde
aus der Luft,
in die Poren meiner grünsten Knospen
sanft wie Tau,
und er sang kein Wort, das ich nicht zu deuten wußte.
Er erzählte von Reisen,
davon, wo Sonne und Mond hingehen, während wir im Dunkeln stehen,
von einer Erden-Reise, von der er träumte, sie eines Tages zu tun
tiefer als Wurzeln…
Er erzählte von den Menschenträumen, von Krieg, Leidenschaften, Gram
und ich, ein Baum, verstand die Wörter – ach, es schien,
als ob meine dicke Rinde aufplatzen würde, wie die eines Schößlings,
der zu schnell wuchs im Frühling,
so daß später Frost ihn verwundete.

Feuer besang er,
das Bäume fürchten, und ich, ein Baum, erfreute mich seiner Flammen.
Neue Knospen brachen auf in mir, wenngleich es Hochsommer war.
Als ob seine Leier (nun wußte ich ihren Namen)
zugleich Frost und Feuer wäre, ihre Akkorde flammten
hinauf bis zu meiner Krone.
Ich war wieder Samen.
Ich war Farn im Sumpf.
Ich war Kohle.
Chrissy Cosgrove Mar 2015
When I was 8 years old, my second favorite place in the whole world was the Campbell Public Library. I liked to go in by myself because I was treated like a grown-up even though I wasn’t. I would walk into the fiction section, walking up and down each of the aisles and stopping to look at anything that caught my eye. If I couldn’t find a particular book I wanted, I would use the library computer to look it up and if I couldn’t reach something that looked interesting I would get a chair to stand on top of. I would carry a towering stack of books by authors like Judy Blume and Meg Cabot to the checkout counter, feeling very adult as I used my very own library card and successfully held a polite conversation with the librarian and told her yes, I would like a receipt please because I liked how the due date for my books was written on it. I found my mom parked in her Mercedes Benz convertible that cost far less than she wanted people to think and we would drive back to our house with her desperately trying to fill the five minutes with the sort of conversation that is normal for a mother and her daughter, except unlike most normal mothers and daughters, her understanding of me as a human being went as far as my name, age, and that I was full of wasted potential even as a third grader. She liked to say, “The apple don’t fall too far from the tree,” but I could tell she was disappointed. Every time we were about to pull into the driveway, I would unbuckle my seatbelt in eagerness to escape into the half-dozen books on my lap and every time without fail my mother would ask me where the fire was. It was a stupid expression and I resented it a little more every time I heard her say it. My first favorite place in the whole world awaited me in my bedroom, a snug corner on top of my dresser where I always kept some blankets and pillows for the hours I would spend up there post-library visit. It was a tight space, perhaps a little bit precarious, but it was quiet and it was safe and whenever my mom would come in to check on me (every few hours or so), she wouldn’t know where I was. You would think that after spending the majority of my time on this specific spot on top of my dresser, she would one day figure out that if she doesn’t immediately see me that I would be there like I am every other time she entered my room. But like most things, she ignored what she observed and I could not find it in me to be amused at her ditzy incompetence. Directly across from my dresser was a window with a view of an aspen tree, frequently inhabited by birds who would sit on the birdfeeder that I made a point to fill every few days and squirrels who would scurry up and down the trunk, occasionally pausing to look curiously at me. I liked sitting on top of my dresser and watching them because if you stared for long enough, one of the squirrels would do something really funny like stand on its hind legs to eat from the bird feeder. When something like this would happen, I would call for my mom so she could watch with me but she looked at what I was looking at wrong and didn’t understand. Sometimes if I watched for too long, I would start thinking about things that weren’t birds or squirrels or aspen trees or Judy Blume books. Sometimes if I watched for too long, I would get really sad because it was a Saturday that I should be spending with my dad, whose understanding of me as a human being went much farther than my name, age, and the false idea that I was full of wasted potential even as a third grader. If my dad walked into my room, the first place he would look would be on top of my dresser. He wouldn’t ask me what I was reading or if I was hungry or if I would come out and be social; he would watch the birds and the squirrels with me and he would understand.
b for short Oct 2016
Cold air on the cheeks makes
for a natural blush.
This is a “healthy” look—
I read once from a banned book,
on mute,
in my parent’s bathroom
while everyone else was dreaming.
A “healthy” truth I’ve always
kept hidden under my tongue,
exposed only to moments
matured for keeping.
Licked lips, feel a sting and a dare
to think that I may never really
unlock that door.
That I might just continue
reading words, unapproved,
while other eyes stay shut.
Hiding healthy truths under my tongue
until I’m brave enough
to speak or
swallow.
© Bitsy Sanders, October 2016
Marie Nov 2020
Als die abgekühlten, verschwendeten Träume des Unterbewusstseins
langsam ihre Farbe verlieren,
werden seine verwaisten Hände übertastig,
greifen blind nach dem Fleisch,
neben dem seinen,
das weltverloren aus der verweiblichten Realität atmet.

Im Niemandsland halbwacher Gedanken,
erscheint jene Schaufensterpuppe,
die ihn an einem ganz gewöhnlichen Wochentag,
mit ihrem leeren Blick fixiert.
Plastische Existenz im gedankenlosen Körper,
zum Schweigen gebracht,
damit sie ihr Selbst nicht verleugnen muss,
wenn ihr der rechte Arm auf links gedreht wird.
Im Vorbeistehn schenkt sie ihm ein unbewohntes
Lächeln.
Oder ist es doch sein eigenes,
das sich im Fenster spiegelt?

An den Venusgürtel der Blauen Stunde gekrallt,
hält er die Augen fest geschlossen
Unsichtbar für das Lichte,
nicht sehen,
nicht gesehen werden,
ein Sich-den-Sinnen-verweigern,
im unbemerkten Raum innerhalb der Zeit

Wie der Blaue Blumendichter,
so weiß auch er,
um die Notwendigkeit der Verschiebung,
wenn die ätherische Illusion berührt,
wenn das Subjekt zum Objekt geworden,
in die Nichtwirklichkeit zurückgeschoben werden muss,
damit das lyrische Heimweh aus der
Überlebensverhinderung befreit wird

Wäre sie immer noch das,
was er am meisten bewundert,
wenn er jetzt,
jetzt,
in diesem blutleeren Augenblick,
sein linkes Oberlid öffnete,
nur einen kleinen Spalt breit
?
Wäre sie nur eine der liebreizenden
Schmetterlingspflanzen,
deren sinnliche Blüten begierig mit seinem Unterleib
tanzen,
und die Töne aus seinen Lenden presst,
bis die Musik verstummt
??
Würde er in seinen Weißhaarzeiten auf einer Bank
sitzen,
unten am See,
eine verschlissene, offene Aktentasche auf dem Schoß,
den Kopf tief vergraben im ranzigen Leder
und mit zittrigen Händen

nach einer fragmentierten Erinnerungsspur suchend,
die längst in die Bedeutungslosigkeit geflohen war
???

Er wagt einen halboffenen Blick,
hinüber zur lichtblauen Sehnsucht,
dem gestern noch so gefräßigen Verlangen,
das sich nun,
in gnadenloser Sattheit,
in seiner Fleisches-Unlust ausbreitet.

Ausgelangweilt kratzen seine gierigen Finger an der fiktiven Verkleidung,
bis ihr schamhaftes Blut in seine eigene Selbsttäuschung tropft
und ihre Brüste aus den blaubepuderten Versprechungen bersten,
die er nicht ihr, sondern sich selbst gab.

Im Schein des Morgensterns
glänzt bereits der melancholische Trauertau,
als sich beider Seufzer ein letztes Mal berühren.
Hastig wickelt er prosaische Bandagen
um ihre offenen Wunden

und schiebt das Gestern in (s)eine neue Zukunft.
Blaue Blume = Sehnsucht (metaphysisches Streben) nach dem Unendlichen, dem Unerreichbaren
db cooper Dec 2014
Under the moon
In a unused lagoon
I swim alone
Searching for
A silver spoon
Ive heard rumors
The burial of
Old Doc. Boone
He had a fortune
Stolen from Mr. Blume
They left in his body
A Golden Harpoon
David J Sep 2023
That blue flower gleams in mind
Its luster stark against the golden sands
Standing boldly amongst the famished land.

The flower’s allure snatches me again
With a rush of unyielding visions
My minds eye replete with bewilderment

Recalling the truth of my selfness,
That blue runs in my veins.
A blue flower (German: Blaue Blume) was a central symbol of inspiration for the Romanticism movement. My favorite period. The freedom of fantasy, and the Self in Nature.
girl Apr 2013
I thought it was going to be better
They always warn you
Judy Blume thought she could explain
So you prepare yourself that physically it won't prosper
Maybe that's not what they meant
Did they mean emotionally?
I hoped maybe I'd fall in love
But I didn't
You're still just a boy
And I'm still just a girl
And there's nothing that could have prepared me for that epiphany
Ellowyn Rose Jan 2019
Welcome to my world
Of tragic memories
Where green grass gets gold
And the tulips blossoms never Blume
Welcome to my world
Full of waiting and thinking
Full of my darkest secrets
I keep in a black notebook
Hidden away
From eyes who wish to see my tragedies
Welcome to my world
Wondering and finding
thinking about humanity
Simply
Ending
Welcome to my world
Full of carbon dioxide
Species dying off
And and the oceans that rise so high
I can barely see
The cold sun
R i s e
Eliza Eldridge Sep 2017
"Our fingerprints don't fade from the ones we touch."
                                                  -Judy Blume

I'd rather leave myself behind in this world than to take my knowledge with me. Your legacy is written by what you gave, not by what you have. When you're gone no one will remember what you bought or your paycheck. They'll remember the joy and knowledge you left them. You will be remembered for who you were and how you contributed to others. Arrogance tends to lie on money and I pity those who feel the need to have it all. A chorus is not focused on how many notes there are, but how they sing them. Perspective is key in living life as it should be lived. Once we overcome the hunger for material, shall we learn to experience our lives for greatness.
Marie Nov 2020
Die tauschwere Blume
fällt lautlos
auf den chronisch überlasteten Asphalt

— The End —