how i have ached to walk amongst the evergreens
encased by dazzling quaking aspen
in my rocky mountain home

i yearn to fall again while skiing
and catch a wisp of icy sky blue
snow powder crystals
on my tongue
******* feelings
rise and fall
as they melt
and disappear

i long to breathe in your scent
sitting on the peak of wooded ridges
amidst slate colored boulders
sea salt combined with cinnamon
laced with wildflowers
crisply filling my lungs

i hunger to once again
behold again your red rock formations
creating tender hollows
through which timid coral sunsets peer

i crave hiking at dusk
into your jagged emerald forests
and sit wistfully mid the columbine
while darkened sunflowers juxtapose
against the jet black emptiness
enticing the stars
to etch enchanting paintings
on inky cobalt skies

hankering to be at the sundance film festival
coyly peeking into restaurants
covertly spying on the movie stars
on old park city main

itching to experience waiting patiently
for a moose to cross the street
its majesty splashing gingerly
sending chills throughout the galaxy
magnificence abounds

i pine to have memories gently cradle me
like worn out patchwork quilts
warmed by incandescent fires
wrapping me in soft colored canvas
the past craving transformation
by an echo that’s now dim

faintly crying out for
an old familiar artist’s brush
that still lingers
to snag times gone by
and paint the future in

amalgamating the antiquated
with the present
luring in
my destiny

i dream to don my fringed leather jacket
and hear my cowboy boots
fiercely clicking
against charcoal shadowed midnight sidewalks
while i watch the harvest moon

i’m parched too see your autumn chestnut leaves
against the bloodshot auburn sky
as cardinal hues give way to glistening winter
melding into tender spring

your summertime birthing
tingles down my spine
as chartreus aspen leaves
morph to golden bisque
enticing ute country
to blow in
copper colored indian summers
with cherry fragrant wind

yutaahih you were called
by the apaches
their historic essence
somehow ingrained within
my every cell
thirsty to lie enveloped
like a long lost lover
in your rugged western terrain

once having left your presence
i return to you now
my heart flutters
with wild anticipation
to see your precious face again
utah

©2016janetaylor

Beautiful summer day. You know you're gonna die
that's why you know no joy.
Obsessed with self, there is no answer
unless religion, tv, stories, sports matter.
So what if nothing rhymes and I don't
bring my life into an expressible state
or fight purposelessness, anomie. No one writes.
Running the gauntlet alone. A good day to die, the Apaches say.

For men like us dying's easy, it's living that's hard.
And since dying's much like living, that's hard too.
There's some contentment in letting community decide
your place in it. We're not talking to you.
Really, it's a perfect day. Every leaf is out
that's coming out. The grass is high
and unidentified yet another year. Being knowledgeable
is the best defense against your insignificance.

Can't stop the quince from blossoming
or my sons from smoking, speeding.
The best that can be done or said's a blessing.
Less tv, less guessing
about the effects of your anger unless
you want to be an angry man forever.
Coming from the funeral with friends,
talking on the telephone. OK about being alone.

Alive, almost sure of it. Whether I'm a visitor
to my life or the actual owner.
Mature poets steal, most are masturbators.
This house could use a good cleaning,
dusting for ghosts. I should subscribe
to the local newspaper, do my job well,
do less until one thing's done well.
What would that be? Old, and yet so young.

There are a million poets, I'm poet #500K.
Plenty of mysteries, infinite philosophies,
prayers, laws and unwritten rules.
That's why we go to school, life's complicated.
All I do not know: ATP, probabilities,
the glorious revolution, meiosis and mitosis
and all I'll never see, the bottom of the ocean,
the palm at the end of the mind, a wolverine.

There are certain indicators, undeniable,
inexorable. Forget-me-not, is that all I want?
To get lucky, you gotta be careful first.
To be great, you gotta be willing to sound BAD.
Although we cannot make the sun stand still
yet will we make him run. Brave revelers.
Signed engagement letter attached.
Attachment to self and to things to do.

i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c

Chaucer. Cantebury Tales Thunk Another Time

might be
unimaginable to most

Urbanites of several recent generations
in
These untie-ted states

city folk have never told stories
by the mile,

with piles of rocks marking trail tailin's

so old
that trail, marked by that pile o'rocks been
so long since foot trod that path

only scratches on the rocks say which way we
all
got
here. Today, as we call it.

Hueta, esta dia, right now

here. Walk a while, we're off to find reason
to believe.
Someone I heard thinks we all do.

I believe we do.
---Wha'bou' un believe? D'jewthank we'all'kin?
kin we all un be lieve,
leaven well left alone, hill folk, some say...

...hidden things thought thank worth,
beauty, as an idea,

for instance.

Sunsets.
... ...Yes, and the early morning does
have gold
{}
In'er mouth,
privilege all ovahdat.
Got the rot
all dug

dig it, all dug out cavity, crowned in gold

turn that empty cavity inside out, the wise hermit's cave is paved.
Plenty room for all his eukaryotic friends

then flouride, po-luted our ****** fluids.

Play that song on that ***'ar wit thraystrangs, po'man lute
Jew or juice harp
poing poing poing y'ken?

and keep time wit' the walkin' drum. Do that
dentist drill dance, then sing us a
song o'six penitents
patient sufferers o'the way thangsbe,

left well enough alone.

Strange love was to my tale as, that Bannon guy
might be today. Trump's last quarter email player?
Y'know the guy. He's Youtube famous. Bannon,
(Steve,

or Bruce? )
No, Bruce Banner, was the hulk of burning credulity, the pile
symbol
driver. Digging down to bedrock
.... That's how the Macedonian kid did, at Tyrus. ( ify'wishy'knew)

Pier pressing past the farthest reach of tide.

Past where pearls take graunular expansion to

knackerin' gnosymagi  levels of possible hidden glory believeable by few.

Teller, the infamous Mr. Teller, he taught me duality.
Im balance, make fission, break, slam fuseconfuse, blow

don't burn the whole higgsian bubble to expel the very idea of anti matter, it may be useful,
rightusable or ible

Moby grandular totally tubular, what a clam can do.
According to that story, why not feed swine pearls? I'll tell you.

we may come back to right here, this here here,
if 'n' only

if we do not forget where we saw that

landmark a cient elder mustaset

Straggler mumbler, you okeh? Y'got a story.

I'll listen. It's yetawhile
t' can't we bury it.

---
is the granularity of perception adjustable or ible?

We are li'ble to learn, 'fwee

live so long. Said the old caned creature, in the way back.


-------
At the edge of credulity, eh

how far is how ever, far or ever, time space

same same, but

right. Re
al ity ness realreal reason able ibility

we, you and I, this state of least sharable ible ness
we, at this point,

dancing hermetical waxen winged shoes into flames. Teller level flames.

-------
what lies did I un believe? All of'em.

You seem real. (dear reader)

A pier past the last tugged tide, into the deep

-----

peace, in fly-over country on a sunny day.

Ah, where I live, there in
my peace valley overwitch the marines fly every day

and I talk, in my revery, basking in the sun with my lizard brain in heaven
I talk to the cadre controling machines named for
subjected peoples, Apaches of all sorts.

I knew Johnny. And I knew his brother, Jonah.

Johnny Appleseed and Jonah Whalepuke.

They could been twins, save
the smell and wind's role in the story, when it all

stirs. SSTop and ask, dear reader, is this safe, this place?

Adlebraned idyl word forms framing un imaginable worlds.

Goodness gracious sakes alive gnostic means

you know. Here's one we agree on:

Heretic tic, there a tic tic time you re

call the warning bout finding one's ownself in the book of life?

This is that. You can't get past it on your knees,

this is the bar, you don't pass it, you cross it.

Who inherits the wind if the meek inherit the earth?

inspire expire it is breathing, all the way down.

bubbles. ity bubbles ify bubbles some time bubbles

awefilled imagined bubbles in bubble forever,

mazed bubble pops

those aren't real. Gnostic heretic is one who thinks
he thinks and has all the knowledge

in the real world,

in his hand, and
it ain't even five gee. We can go faster or deeper. You choose.
We gotta understand what standing and under mean as a thing

we can miss. aitia indicates wisdom is not pre packed with
understanding.

She says, you should know by now.

Nothing missing, nothing broken, though ye walk

through the valley of
your own shadow death as I drip drip drip

hear me, gotcha once, gotcha twice

ripples in time can you hear me now?

Thanks.

Seed. Time. Harvest. Information re
garding the entire process

was intentional. You reap what you sow. That is kharma.

Life ain't fair eventually. The good guys always win. It's in the hermit's will.

You can read. It's said, the man
wombed or un, who can and don't's no better armed then than
the critter that can't

read the sign that said stop.

This is for the residents who remember
And for the transplants who
Have yet to be informed
But have got an inkling

Burque has gone from
Bustling to busted
And back again

Growing up in the 80’s
I learned about the
Varying degrees of “sick”
As my dad pointed out
The pekid pachucos perusing
Pharmacy isles
Attempting to purchase
Cough syrup with codeine

In the evenings
Driving home down Central
I would ceremoniously
Count hookers

My parents would
Precariously pack heat
In the trunk of our car
Or even in my mom’s special ***** pack
With the hidden compartment
For her .38 snub nose
Because you never know
Who will be in your home
When you arrive

That’s a given
When flop houses are
Interwoven with prime real estate
And barrio boundaries
Border the bourgeois’ bungalows
And Huning’s Castles

And residents rarely recognize
Or realize
That aside from the locals
The European Jews
Was the only group gutsy enough
To settle here
And create commerce
Despite risks of being raided
By Apaches

And they reaped the benefits
Off Roma and Marquette
Because the rewards
Turned out to be greater than
The risks

And up North
Where Sephardic turned Crypto
Conversions to Catholicism
Kept the Messiah’s spirit alive
But in basements
They still did Chi fives!

I was saddened in middle school
When I realized
That many of our parents
Were too ashamed of our roots
To teach us Spanish
And our
Schools ****** so severely
That most of us
Didn’t learn English either

But hey –
All you need to
Communicate while cruising
Are cat calls
And the thumping boom
Of the bass in the tubes
And the hydraulic drop
When they hit
The hot spots
From Tingley, Kit Carson and
Central to Copper
Each kid dreams that
His ride
Will be the show stopper

I could rant and rave
And rattle off for days
But bottom line –
We have the most
Curious state
With mysterious qualities
And in-depth histories
But most of us are
More concerned with
Bud Light
And Biscochitos
Con Manteca
Because it just tastes great!

THE DREAM CATCHER
(A RED INDIAN LEGEND)
         * By Raj Nandy*

The continent of North America during those
ancient times,
Were inhabited by various Red Indian tribes.
The Delawares, the Mohawks, the Choctaws,
The Dacotahs, the Omahas, the Blackeet,
The Camanches, the Ojibways and the Apaches!
They inhabited the forest, the prairies, the marsh
lands,
The great lakes, the mountains and the fen-lands!
They lived close to Nature and honored their Gods,
With the spirit of Nature all thing were fraught!
If we recall the story of "MacKenna’s Gold",
The ‘Shaking Rock’ and ‘Canyon del Oro’,
Of human greed, - breeding death, and sorrow!
Which in celluloid has often been shown and told;
Yet none could take away that Apache gold !!

Today I narrate a legend of the ancient
Chippawa tribe,
About their "magical net" for a peaceful night!
An old Medicine Man of this tribe,
Wove a ''magical net" with fine gossamer strings,
To catch the dreams as they float by!
He hung this net above the bed up high,
To filter the dreams as they float by,
During those darkest hours of the night !
This wondrous net trapped all bad dreams,
Letting the good ones pass through its netted
seams!
And as the bad dreams got entangled in the net,
The good ones descended upon the sleeping bed!
So should you come across this 'magical net',
Never argue about its price, -
Just buy the one for your bed size!
Then hang the net high above your bed,
For there is nothing to be afraid!
Since dreams shall never ever cease,
Have sweet dreams always, with a good
night’s sleep!
                        - by Raj Nandy

In Ulzana's Raid,
the Native- and European-American concepts of property
      ownership and rights
are incompatible and irresolvable. McIntosh
had no illusions about that. He said hating Apaches for killing
      whites
is like hating the desert for having no water.
I suspect the movie's not a good source of anthropological
      data
and overlooks the commonalities among human communities
to focus on just a few bold characters
as all art must.

I consider McIntosh fortunate
to have died commensurate with the way he lived his life,
rolling a final cigarette, nothing between him and the desert,
and no gravediggers waiting, jesting, defecating. Also,
he is lucky to have had one last, dispassionate friend
to whom there is nothing left to say, the Chiracahua tracher
Kah-ti-nay.

Last night's performance of Beauty and the Beast
may have been the most victorious, ecstatic, cohesive
moment in our little school's history. Emily was Beauty, a
      filament of energy
who doesn't like to be touched and has been known to punch
boys hard. She had memorized her lines until she was hardly
Emily but only Beauty in a blue dress unselfconsciously
hiking up her tights between the Beast's advances.
Is this done in every American town and the world
over so there's no need to feel lost or lonely
ever?

There is no context for a man
outside the platoon or raiding party, home or shop.
When violence comes to the neighborhood,
the hierarchy of communicants will hold or fold
it is then the peace work proves relevant. I noticed McIntosh,
grizzled as he was, accepted the given hierarchy, a raw
      lieutenant's orders,
as he did the desert and Apaches, with a shrug and
      foreknowledge
of the outcome. If there's anywhere with no Emily or Beauty
we should bring them such blessings at the point of a
gun. But there is no place without Emily, not
the least-known prison in deepest space as long
as we do not hate or hurt or shun
the Beast.

Tales of the Texas Rangers:
The Legend of Tom Brady’s Shirt

Texas is rich with tales of old
Heroes, villains, San Saba’s gold

Once Aztecs ruled our shores and bays
And Tejas roamed the forest ways

Here in this sunburnt arid land
Comanches bold made their last stand

Karankawas, Apaches too -
All sorts of tales, and mostly true

Nueva Espana, then Mexico
Rebellion and the Alamo

But the strangest tale, we now assert
Is the mystery of Tom Brady’s shirt

Missing it is, after the game
Who is the thief? Who is to blame?

Dan Patrick, the lieutenant-guv
He swore by all the stars above

And most of all by that one Star
That’s flown in every saloon and bar

He’d catch that creep, and make him hurt
Whoever pinched Tom Brady’s shirt

So in this time of ******* danger
He called upon each Texas Ranger

His voice was low, but cold as steel:
“Y’all brang that mangy cur to heel;

Load your weapons, and saddle up!”
Each Ranger answered with a “Yup.”

All Rangers, now, be on alert:
Somebody rustled Tom Brady’s shirt

Every Texan expects your best
(Tom Brady is our honored guest)

He can’t go home in just his jeans
So find his jersey, by any means

Remember - not a blouse or skirt;
You’re looking for the poor man’s shirt

That’s why you Rangers are paid so much -
Search every ****** and hovel and hutch

Somewhere under the Texas skies
An outlaw hides, and probably cries

He shamed his state and he shamed his mama
And the only end to all this drama

Will come upon him like wind and dust
And a voice will command (with great disgust)

“Stand and deliver, you ugly varmint!
Hold up your hands, and drop that garment!”

“Oh, Texas Ranger, tell me true:
How did you find me? I feel so blue!”

And the Ranger will sing softly:

“The shirt of a stranger is upon you…”1

y colorín, colorado y este cuento se ha acabado, y’all

1Apologies to Chuck Norris

There are no Apaches
With flaming arrows and piebald ponies
There are no writhing jungles round here
There are no lost temples
Hiding untold treasures
There are no damsels to be rescued
By a knight on a white charger
There are no pirates on the high seas
No skull and crossbones flying
Above a deck bristling and glistening
With cutlasses and flintlocks ready
And hook hands and black eye-patches
In the sunlight of the Spanish Maine
There are no interplanetary wars
With hand-held laser guns
And weird creatures from strange worlds
They just do not exist
I learned this when
I was very very young
And I really wanted to be a pirate

                                    By Phil Roberts

There are no Apaches
With flaming arrows and piebald ponies
There are no writhing jungles round here
There are no lost temples
Hiding untold treasures
There are no damsels to be rescued
By a knight on a white charger
There are no pirates on the high seas
No skull and crossbones flying
Above a deck bristling and glistening
With cutlasses and flintlocks ready
And hook hands and black eye-patches
In the sunlight of the Spanish Maine
There are no interplanetary wars
With hand-held laser guns
And weird creatures from strange worlds
They just do not exist
I learned this when
I was very very young
And I really wanted to be a pirate

                                    By Phil Roberts

There are no Apaches
With flaming arrows and piebald ponies
There are no writhing jungles round here
There are no lost temples
Hiding untold treasures

There are no damsels to be rescued
By a knight on a white charger
There are no pirates on the high seas
No skull and crossbones flying
Above a deck bristling and glistening
With cutlasses and flintlocks ready
And hook hands and black eye-patches
In the sunlight of the Spanish Maine

There are no interplanetary wars
With hand-held laser guns
And weird creatures from strange worlds
They just do not exist
I learned this when
I was very very young
And I really wanted to be a pirate

                                    By Phil Roberts

There are no Apaches
With flaming arrows and piebald ponies
There are no writhing jungles round here
There are no lost temples
Hiding untold treasures
There are no damsels to be rescued
By a knight on a white charger

There are no pirates on the high seas
No skull and crossbones flying
Above a deck bristling and glistening
With cutlasses and flintlocks ready
And hook hands and black eye-patches
In the sunlight of the Spanish Maine

There are no interplanetary wars
With hand-held laser guns
And weird creatures from strange worlds
They just do not exist
I learned this when
I was very very young
And I really wanted to be a pirate

                                    By Phil Roberts

There are no Apaches
With flaming arrows and piebald ponies
There are no writhing jungles round here
There are no lost temples
Hiding untold treasures
There are no damsels to be rescued
By a knight on a white charger
There are no pirates on the high seas
No skull and crossbones flying
Above a deck bristling and glistening
With cutlasses and flintlocks ready
And hook hands and black eye-patches
In the sunlight of the Spanish Maine
There are no interplanetary wars
With hand-held laser guns
And weird creatures from strange worlds
They just do not exist
I learned this when
I was very very young
And I really wanted to be a pirate

                                    By Phil Roberts

They wanted to play
with the big boys,
had kicked out the locals
and occupied their houses.
So what the hell,
we first called
in the eight-inch guns
to start the game,
then asked the Apaches
to take out some trees,
but not before Specter
leveled some buildings
with the drone.
We leveled an entire village
and destroyed a whole hillside.
Whoever was hiding
wasn't hiding anymore.

Lesson: Be careful who you play with.

Jonathan Foreman, Daily Mail (London), August 18, 2013
The 16-year-old girl’s once-beautiful face was grotesque.
She had been disfigured beyond all recognition in the 18 months she had been held captive by the Comanche Indians.
Now, she was being offered back to the Texan authorities by Indian chiefs as part of a peace negotiation.
To gasps of horror from the watching crowds, the Indians presented her at the Council House in the ranching town of San Antonio in 1840, the year Queen Victoria married Prince Albert.
‘Her head, arms and face were full of bruises and sores,’ wrote one witness, Mary Maverick. ‘And her nose was actually burnt off to the bone. Both nostrils were wide open and denuded of flesh.’
Once handed over, Matilda Lockhart broke down as she described the horrors she had endured—the ****, the relentless ****** humiliation and the way Comanche squaws had tortured her with fire. It wasn’t just her nose, her thin body was hideously scarred all over with burns.
When she mentioned she thought there were 15 other white captives at the Indians’ camp, all of them being subjected to a similar fate, the Texan lawmakers and officials said they were detaining the Comanche chiefs while they rescued the others.
It was a decision that prompted one of the most brutal slaughters in the history of the Wild West—and showed just how bloodthirsty the Comanche could be in revenge.
S C Gwynne, author of Empire Of The Summer Moon about the rise and fall of the Comanche, says simply: ‘No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.’
He refers to the ‘demonic immorality’ of Comanche attacks on white settlers, the way in which torture, killings and gang-rapes were routine. ‘The logic of Comanche raids was straightforward,’ he explains.
‘All the men were killed, and any men who were captured alive were tortured; the captive women were gang *****. Babies were invariably killed.’
Not that you would know this from the new Lone Ranger movie, starring Johnny Depp as the Indian Tonto.
For reasons best know to themselves, the film-makers have changed Tonto’s tribe to Comanche—in the original TV version, he was a member of the comparatively peace-loving Potowatomi tribe.
And yet he and his fellow native Americans are presented in the film as saintly victims of a Old West where it is the white settlers—the men who built America—who represent nothing but exploitation, brutality, environmental destruction and genocide.
Depp has said he wanted to play Tonto in order to portray Native Americans in a more sympathetic light. But the Comanche never showed sympathy themselves.
When that Indian delegation to San Antonio realised they were to be detained, they tried to fight their way out with bows and arrows and knives—killing any Texan they could get at. In turn, Texan soldiers opened fire, slaughtering 35 Comanche, injuring many more and taking 29 prisoner.
But the Comanche tribe’s furious response knew no bounds. When the Texans suggested they swap the Comanche prisoners for their captives, the Indians tortured every one of those captives to death instead.
‘One by one, the children and young women were pegged out naked beside the camp fire,’ according to a contemporary account. ‘They were skinned, sliced, and horribly mutilated, and finally burned alive by vengeful women determined to wring the last shriek and convulsion from their agonised bodies. Matilda Lockhart’s six-year-old sister was among these unfortunates who died screaming under the high plains moon.’
Not only were the Comanche specialists in torture, they were also the most ferocious and successful warriors—indeed, they become known as ‘Lords of the Plains’.
They were as imperialist and genocidal as the white settlers who eventually vanquished them.
When they first migrated to the great plains of the American South in the late 18th century from the Rocky Mountains, not only did they achieve dominance over the tribes there, they almost exterminated the Apaches, among the greatest horse warriors in the world.
The key to the Comanche’s brutal success was that they adapted to the horse even more skilfully than the Apaches.
There were no horses at all in the Americas until the Spanish conquerors brought them. And the Comanche were a small, relatively primitive tribe roaming the area that is now Wyoming and Montana, until around 1700, when a migration southwards introduced them to escaped Spanish mustangs from Mexico.
The first Indians to take up the horse, they had an aptitude for horsemanship akin to that of Genghis Khan’s Mongols. Combined with their remarkable ferocity, this enabled them to dominate more territory than any other Indian tribe: what the Spanish called Comancheria spread over at least 250,000 miles.
They terrorised Mexico and brought the expansion of Spanish colonisation of America to a halt. They stole horses to ride and cattle to sell, often in return for firearms.
Other livestock they slaughtered along with babies and the elderly (older women were usually ***** before being killed), leaving what one Mexican called ‘a thousand deserts’. When their warriors were killed they felt honour-bound to exact a revenge that involved torture and death.
Settlers in Texas were utterly terrified of the Comanche, who would travel almost a thousand miles to slaughter a single white family.
The historian T R Fehrenbach, author of Comanche: The History Of A People, tells of a raid on an early settler family called the Parkers, who with other families had set up a stockade known as Fort Parker. In 1836, 100 mounted Comanche warriors appeared outside the fort’s walls, one of them waving a white flag to trick the Parkers.
‘Benjamin Parker went outside the gate to parley with the Comanche,’ he says. ‘The people inside the fort saw the riders suddenly surround him and drive their lances into him. Then with loud whoops, mounted warriors dashed for the gate. Silas Parker was cut down before he could bar their entry; horsemen poured inside the walls.’
Survivors described the slaughter: ‘The two Frosts, father and son, died in front of the women; Elder John Parker, his wife ‘Granny’ and others tried to flee. The warriors scattered and rode them down.
‘John Parker was pinned to the ground, he was scalped and his genitals ripped off. Then he was killed. Granny Parker was stripped and fixed to the earth with a lance driven through her flesh. Several warriors ***** her while she screamed.
‘Silas Parker’s wife Lucy fled through the gate with her four small children. But the Comanche overtook them near the river. They threw her and the four children over their horses to take them as captives.’
So intimidating was Comanche cruelty, almost all raids by Indians were blamed on them. Texans, Mexicans and other Indians living in the region all developed a particular dread of the full moon—still known as a ‘Comanche Moon’ in Texas—because that was when the Comanche came for cattle, horses and captives.
They were infamous for their inventive tortures, and women were usually in charge of the torture process.
The Comanche roasted captive American and Mexican soldiers to death over open fires. Others were castrated and scalped while alive. The most agonising Comanche tortures included burying captives up to the chin and cutting off their eyelids so their eyes were seared by the burning sun before they starved to death.
Contemporary accounts also describe them staking out male captives spread-eagled and naked over a red-ant bed. Sometimes this was done after excising the victim’s private parts, putting them in his mouth and then sewing his lips together.
One band sewed up captives in untanned leather and left them out in the sun. The green rawhide would slowly shrink and squeeze the prisoner to death.
T R Fehrenbach quotes a Spanish account that has Comanche torturing Tonkawa Indian captives by burning their hands and feet until the nerves in them were destroyed, then amputating these extremities and starting the fire treatment again on the fresh wounds. Scalped alive, the Tonkawas had their tongues torn out to stop the screaming.
The Comanche always fought to the death, because they expected to be treated like their captives. Babies were almost invariably killed in raids, though it should be said that soldiers and settlers were likely to ****** Comanche women and children if they came upon them.
Comanche boys—including captives—were raised to be warriors and had to endure ****** rites of passage. Women often fought alongside the men.
It’s possible the viciousness of the Comanche was in part a by-product of their violent encounters with notoriously cruel Spanish colonists and then with Mexican bandits and soldiers.
But a more persuasive theory is that the Comanche’s lack of central leadership prompted much of their cruelty. The Comanche bands were loose associations of warrior-raiders, like a confederation of small street gangs.
In every society, teenage and twenty-something youths are the most violent, and even if they had wanted to, Comanche tribal chiefs had no way of stopping their young men from raiding.
But the Comanche found their match with the Texas Rangers. Brilliantly portrayed in the Larry McMurtry’s Lonesome Dove books, the Rangers began to be recruited in 1823, specifically to fight the Comanche and their allies. They were a tough guerilla force, as merciless as their Comanche opponents.
They also respected them. As one of McMurtry’s Ranger characters wryly tells a man who claims to have seen a thousand-strong band of Comanche: ‘If there’d ever been a thousand Comanche in a band they’d have taken Washington DC.”
The Texas Rangers often fared badly against their enemy until they learned how to fight like them, and until they were given the new Colt revolver.
During the Civil War, when the Rangers left to fight for the Confederacy, the Comanche rolled back the American frontier and white settlements by 100 miles.
Even after the Rangers came back and the U.S. Army joined the campaigns against Comanche raiders, Texas lost an average of 200 settlers a year until the Red River War of 1874, where the full might of the Army—and the destruction of great buffalo herds on which they depended—ended Commanche depredations.
Interestingly the Comanche, though hostile to all competing tribes and people they came across, had no sense of race. They supplemented their numbers with young American or Mexican captives, who could become full-fledged members of the tribe if they had warrior potential and could survive initiation rites.
Weaker captives might be sold to Mexican traders as slaves, but more often were slaughtered. But despite the cruelty, some of the young captives who were subsequently ransomed found themselves unable to adapt to settled ‘civilised life and ran away to rejoin their brothers.
One of the great chiefs, Quanah, was the son of the white captive Cynthia Ann Parker. His father was killed in a raid by Texas Rangers that resulted in her being rescued from the tribe. She never adjusted to life back in civilisation and starved herself to death.
Quanah surrendered to the Army in 1874. He adapted well to life in a reservation, and indeed the Comanche, rather amazingly, become one of the most economically successful and best assimilated tribes.
As a result, the main Comanche reservation was closed in 1901, and Comanche soldiers served in the U.S. Army with distinction in the World Wars. Even today they are among the most prosperous native Americans, with a reputation for education.
By casting the cruelest, most aggressive tribe of Indians as mere saps and victims of oppression, Johnny Depp’s Lone Ranger perpetuates the patronising and ignorant cartoon of the ‘noble savage’.
Not only is it a travesty of the truth, it does no favours to the Indians Depp is so keen to support.

therefore ye sons of Jacob are not consumed.

From <https://biblehub.com/kjvs/malachi/3.htm>

What therefore do we claim to know, when I,
who took the text, out of context,
our text for this day between sleeps, out of the famous
tithing message, that merged with the fulfilled jubilee,

lest we forget, serving God is a business, eh, be busy
for the lord, right, be somewhere workin' for the Lord.

oh, the times we was skinned into, me and you, mortal
reader stock given freedom under a personal grace,
taken personally as true, I am in you and you in me,
mindwise, in the spirit sense, felt true, known safe bet.

True, true, word, say the little mind things,
choir of messages

serve, be used, become useful, function as intended, live
and learn uses for features included
with the bubble we live in or
as, skin-bubble, filled first sack  
pops from a forest of possible any body but yous
- the hunger game dance of the oocyte,
- one of the patch maturing each cycle,
- feel it, the tug, this is so big, this cycle,
- live and learn and share the knowing wiser
- than the children of this world, in the end
- when what we know is used to prove we knew,

watch, we, watch, we the sould-enduring coded sign-
always ready, takes a lickin', keeps on tickin'.

It's a TIMEX the working man's wrist watch, tickin'
take a look, why,
it is 11:36

May we depict this as a wave of compression
comprehension of wind in a fist, who wishes
to know
knows the price of the prize is the acceptance
of worth-ship, judged worth value on some scale
courtships on the grandest scale, balling with gods,

AppoloApollo and the gang from ele-useless, giggles, gads
& flies, so wise as we imagine flies being

swarm of us as flies
on the walls in the ****** temples,
making claims analogous to holy secret gnosishit

true wu wu wei past phoneme tagmeme detail umph
tried and true,

the joke, yoke, is on you, and in you, once the details
surface, and some good news, novelties, new things
to see and know, you know, coolshat
coming attractions,
call it what it is,
preview, taste and see, or is it, taste and know?

more the bitter or sweet color and smells, say
eat me, bees, say breathe, seem
me, seeing

systemic functional linguistics adapt to the hero
story as told, to children today,
it only happens to a few, but
if you learn to shoot, like Sgt. York, you shall, surely

buy the farm, the doentological ordered of my class,
warrior,
not servant; freebooter, taker of my share,
ancient precedent Abraham made holy, warriors
who share the battle,
take first share, before the priests of that order
take theirs.

Listen, this is the same story, as true from now
as then, eyes of flies are on the scene, first to begin
the corruption essential to the scene, naughty,
redeem the concept, naught is nada, zilch, goo'f'f'nuthi'n

naughty fruit, rotted, there is a scene like this
in the KJV, zoom, show me… boomsoft in the distance
beat of my heart, hum of the engin enginned and held
ensnared, hooked heartwise, under the aortic channel

feel the flow, rush of blood to feed a mind foaming
gnosis snot, stistical possibility
-soft land
some of us have been this far, and we came expecting
some new thing, while the reality surrounding us, a we
we are as readerwriterworderword, exactly
four ways to see what we mean from now on, awe is us,
this state, taste,
this is the promise, ah, Lou Reed, just laughed at me,

he say hey, Kaffen, you remember this trip?
it ended with hand to hand handgrenades, with Starsiak.

Living in my own peace of mind,
I can sing like Johnny Cash, and know it's mine

know this gravelly voice comes from pounding rocks
into scalpels for the surgeons who make life sacred.

Secret sorting rituals are with us as we breathe,
we can come to, awake, come and see, we breathe,
imaginary breaths, imagine those count,

weave in wind around a plaited strand of cloud,
weave spin spun spun spun runn rrrrun roar

ah, 2022, between Mira Mar and the Chocolate Mountain,
so, those are Apaches, adding to the myth of war,
Sony has a game nearing launch, The God of War,

Manichean at it's core, my bet, but for now, imagine

no? We do such constantly, we, the entertained, we
enter zones of release belief, enable unbelieving.

You participated in a group prayer,
perhaps at a funeral, but you prayed help me unbelieve

any of that ever hap-ends
and we remain, this is us, as a mind, enjoying unknown
knowns, truths veiled by Taliban-level boss-minion-slave
orders considered matters of faith, not fact,
if allah wished you to know you could have heard
the ANGEL - no vision, a word, a command
READ
thrice, read, - you, now, what do you
say,

hey, hey, hey, what
what do you say, read, or be literally powerless
to properly cast contextual spells… enthralling
coming attractions…