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Mateuš Conrad May 2016
repetition, that's a good technique, a form of
reiteration, emphasis, as you like to
move in the river of synonymousness -
i mean, plenty to choose from -
well it's a better technique than rhyming,
it's like Kaiser Karl Lagerfeld said
about Coco Chanel's legacy after she died
in 1971: 'people tend to forget, that,
once upon a time, Chanel was old hat.
it was only Parisian doctors' wives who
still wore it. nobody wanted it - it was hopeless.'
(oh i can be couture no problem,
the other side of me that's into galleries -
even though that never brought me much
luck with the ladies, Beelzebub ******* on my
face and i started to squeeze out maggots
ensuring my face was forever crater riddled
moon - yes, excess white blood cells).
that's the same with poetry, it can't be
love me doo d'ah mushy mushy candy-floss
longing crap - mate, i'm a bus ****** and
this bus is coming but it's already 20 minutes late...
and it's ******* cats, dogs, frogs... Norwegian
acid rain, my anorak is peeling like a snake
shedding its skin and you're rewriting the early
Beatles unleashed on the American public:
shaved, hair trimmed into mushroom bops
all that Rene Magritte **** 'love, love me do!'
forget it, it's not going to happen, rhyming is the last
resort, i prefer the chance rhyme, it sometimes
happens, and it's too cute when it happens randomly
rather than with premeditation;
you can also throw out all the other premeditation
of techniques that poetry is known for...
what's the point? and back concerning rhyming,
you really want your poetry to be discussed by
schoolchildren and an english teacher in between
grammar lessons
                                  rhyming schemes and all?
that's how it goes:
         her name was Dazie          (a)
         she was never lazy             (a)
         i wrote her a sonnet           (b)
         reclining on a car bonnet  (b)
                                                               that's how they
do anatomy on poetry, the forensic team will
be with you shortly, the only reason i can think of
and know of as to why people are abhorred by
poetry (it's a natural repellent, spray it on weeds
             and insects, a natural insecticide,
****, spray it everywhere) is, because people on
the academic level have scrutinised it, analysed it
to the extent that it's not even there, it gets you thinking:
so who the hell was paying attention to the mammoth
novels of Tolstoy? oh right... no one!
the forensics, the post-mortem of poetry,
it has literally been mummified - the brain came out
as porridge ****** out through the nose.
are you familiar with Tenacious D's one note song?
that's what rhyming is to me, ever hear it?
it's the -ing twang
                            it's the -ing echo echo echo echo echo...
halfwit variations, you're hitting the same note,
great if you're penetrating a girl and she's giving
you an Opera of Vowels... otherwise it ends up
in a schoolroom, with an english teacher
and the rhyming scheme of a sonnet is?
                          ABAB CDCD EFEF GG
or?
                                                              abracadabra.
personally though Tenacious D's song kiełbasa,
etymology:
                    kieł       (canine, in polish)
   -basa (i'm guessing: the base of)             -
it's a sausage                                based on canines,
kieł (insert a           w    for the         ł.. tongue tied, eh?)
is a reference to a canine, a sharp tooth anyway,
and with -basa             i just intuitively thought of how
a hebrew would write it (i.e. hiding vowels)
and therefore juggled in an      e                  for -base.
they do, even though hebrew has Aleph (א) it hides
the vowels: S VRYTHNG RDS LK S - or i might
just be bullshitting you.
Mateuš Conrad Apr 2016
i once had a girl from poland over,
gave her the tourism of london,
a daughter of my mother's friend.*

i suffered sun stroke one day out
with her, blonde hair and all,
i was bound to feel the cold shivers,
went to a party with a school-friend
of mine and her...
i was left in a bed shivering,
he later said he didn't want to say it
but did, that they kissed...
like i didn't know the shorthand for
oral ***...
now i'm drinking a beer, write
one poem weeping, another like this
one laughing prior, slapping myself in
the cheek...
two slaps to the face i didn't receive
from prostitutes (**** your moral
relativism, you people only
know that theft and ****** and ****
are equal in the cauldron of einstein's
space-and-time, i accept physical
relativism, but i loath moral relativism,
it's like giving an umbrella to the man
under a champagne waterfall -
and an anorak to a man under a waterfall
of cow ****) -
yep, slaps outside the brothel,
the kind women became knights' sparring partners
for the oath undertaken,
it was a practice among knights to get
a handkerchief to ease the sting later...
but when prostitutes don't slap you
for trying to sort your life in order to provide,
you sort of become two knights,
twin siamese, you slap yourself because
all that st. thomas gospel wisdom went into
***-augmentation procedures and cheap
cancer victims with pill-for-pill profiteering...
leisurely ladies of societies made rich
by easy money, watching operas
but still preferring to notice what
their neighbours were wearing,
the peasant snobism who are more distracted
by what others wear rather than the music...
a herd of wilder-beasts could ease out more tears
at an opera than these "precious" ladies of the new
post-aristocratic society of easy money...
you drink beer, laugh, slap yourself silly on the cheeks
for more laughter... your brain
becomes a monkey in a cage gone mad
rather than turning docile...
so she came over and enjoyed my company,
spotted a fox in an alley to a surprise...
but then i got rudely told that oral *** was a kiss...
well **** me there's a cataphract -
let's ***** slap him silly so no byzantine philosopher
cared to exist.
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
Dreams of Sepia Aug 2015
Apples & plums high on their boughs
autumn is not far off now

nearby, red brick houses
sleep in the after-shower sun

only a few more days
& summer's done

the cyclists are speeding
on their way from work

along the Bristol-Bath cycle path
also ' railway path' called

& with a three year old laugh
a child in an anorak unsteadily sways

I've walked this way in the night
with the moon shining up above

& seen a fox run out in plain sight
into the middle of the path

the street lamps either side
amongst the trees, shining on it's red fur

& in the early morning light
watched a mysterious toad blink it's wide eyes

& walked it all the way
to Bristol town & back

& also to the old Steam trains
out past Warmley

dressed in my old boots
waiting for the sunset & the dark

calling up ghosts
musing on Rousseau

listening to birdsong
& wanting nothing more
This is a real cycle path near my house, which used to be a railway, that  runs between the English towns of Bristol & Bath. It's a lovely, wooded walk, beautiful at all times of the year.

Rousseau is Jean-Jacques Rousseau, an 18th century philosopher most known for his work ' Reveries of a Solitary Walker' & ' The Social Contract'
A harsh wind kisses my fingers into sleeping.
Blurring the movement on the toggles of an anorak,
But my eyes dart quick, oiled and fleeting,
searching for my beloved old salt, looking back.
Funny, how in those footprints,
the piercing night that bites the ears and cries
can feel as soft as sheets
washed in the light of the moon, pulled by the tide.

this darkness which surrounds us.
it makes the world one of thrashing silhouettes
And as the earth breathes in gusts
It gives calmness to a mind, to comfortably forget
this, lulled swoon of nature pulsating hits
the windows, we can't help to be animated.
we cannot be closed to it, cannot obscure it
the call of the waves that past fishermen created.

pausing, that sun-baked, sinuous arm rose
and peering through his cigarette smoke specters.
the steam of my own breathing, softly froze
As the sky illuminated my weary lenses.
the theatre of sky before us fight light polluted filling
My mind left wandering like waking sleep.
These gladiators of light bleed ochre from shining artillery,
Their particles drifting into the night's sea, so deep.
Sparks spat by suns lie suspended above me
held like dew in nets of celestial string.
as the sunlight comes peering through these
the intensity in a pinprick, unearthly passion within.
lancing the sky too are spears of my dreaming
as neon cobras strike and churn to flee.
these heaven-borne beings carving visual song
Cutting luminescent pathways into my memory.

The soundless iron giant is now still as a caryatid.
Holding me before that blacksmith showered light.
an artist plucks flaming dewdrops from the wind
illuminating my foray into this night.
I sensed a small piece of gene pierce his yang
a black taint to his overall brightness.
In my black yin a spark from him i hang
and I'm proud of the infections we posses.
As he narrates this landscape, he narrates himself.
a new side to a shape I felt I knew.
As far into feelings as his masculine paradigm delved
like a square’s seventh face, always hidden from view.
walking the beaches at night as a child, finding my similarity to my father
Chris Jan 2010
Regular as clockwork
the spotters gather there
binoculars and notebooks
as up the track they stare

assembled on the platform
with all the day to spare
they put the world to rights
and wait without a care

clad in finest anorak
tweed caps are in this year
their fleecy inners covering
heads once thick with hair

Every day I see them
sometimes just a pair
shuffling on the concrete
sometimes with a chair

Pensions less than peanuts
Blame young Tony Blair
But everything forgotten
at sight of one thats rare

Life is breathed to tired legs
nostrils start to flare
sweaty palms note hastily
with eager thank you prayer

And oh the day the Queen came
They stood in open air
and cheered to see that engine
sweep in with royal flare

I'll not be hear to watch you
From comfy office chair
From now on I'll be missing
But I know you'll still be there
Olivia Kent May 2014
They're stood on the station,
Full on armed,
with excitement and cameras,
not an anorak in sight,
they have better cameras than most do,
sit down beside them,
please do,
they'll make you so welcome,
just pull up a pew,
if it does it for you,

A wet Friday morning,
yet again the sky cries,
another desperate being dies,
the train got wet,
as yet another one died,
cried not enough perhaps,
inconsolable,

Not a thought for the driver,
and all the survivors,
when they ran out of time,
at the end of the line,
maybe another way could be better,
the sky cries some more,
as another one leaves,
painting the platform crimson,
again,
another one who kissed the train,
only way to cure their pain!
(C) Livvi
Seems to be a hazard of using the trains!
topaz oreilly Jun 2012
The Anorak diviners see
their market jolted, killed off  
Already Magic numbers's 64 and 200
are side-lined and downed,
all they have are memento boxes of
once household brands ,
liquidation like implosion sees,
ISO granularity choice further compressed,
those remaining niched as Professional film
to milk the last remnant of expediency,
in the midst of adversity
they should pledge their mounts
as a salvo to tomorrow.
Earmark them, gifted for
Local History Musems
pristine images from yesteryear.
judy smith Mar 2017
The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses
Aaditya Feb 2019
"Doctor Doctor, help me please!"
squealed Vince little hurtfully.
"What is it?", asked the doctor,
"Why have you come to me?"

"Dr. Lee, I think I swallowed
a little thing I remember not."
in a sheepish tone did he reply,
the only excuse he had got.

"Now now," consoled the doctor
while softly rubbing his back,
"it would help you ease out a bit,
first get rid of your anorak."

"Open your mouth, need to check
it may be removed ******." he said.
To ease the pain he thought something
"Lay your head down on the bed".

Using a flashlight he peeked into
the throat of little Vince Susie.
"It looks like some blue coloured piece.
Now you remember what it could be?"

"Actually," started Vince, "I know what
I had swallowed. It is a Lego brick."
"What?" gasped the Doctor in horror,
"Are you choking?" asked with a crick.

"No, I am serious." Vince replied
stupidly. The doctor couldn't control
his smile. "You need to **** now,
need to get that out as a whole."

"Doctor? Why you cursing me?" queried
Vince, as he thought the Doctor swore.
Doctor clarified he did not,
"Kid, other work to do, I have a lot more."

Gave him a brine solution
and a bucket to puke into
Vince drank the brine with a glug
And now he needed a tissue.

Swallowed the piece, painfully so,
but out came rushing his *****,
pouring into the bucket
Lego brick shot like a comet.

"Thank you doctor, you were most
kind." said Vince thankfully so,
"But now I must be excused, as
it definitely is my time to go."

"Wait up!" stopped Dr. Lee, "Who's
gonna pay your fees, dear lad?"
"I don't think I need to pay, as
My mom says you are my dad."

-awkward silence-
-_-
Nunya Business Apr 2014
eitak**
rhymes with
anorak
because
they shield me
from myself.
help im wounded
alone
and afraid
someone help me
911
my emergency is you
Mateuš Conrad May 2022
well: who would have thought that the Chemical
Brothers
       have upped their game when it comes
to creating new music...
  
              some artists just become lost if you're
exploring alternative music...
the moment the algorithm puked up a song suggestion
from NO GEOGRAPHY: got to keep on...
i knew i was in for a treat: from the whole album...

what initially drew me to go to that Walter Sickert
exhibition rather than going to an opera?
the madness of crowds for once...
i've heard too much singing: terrible singing
football stadium singing
   to want to torture myself with opera...
although i love opera...
   but... enough of one of the senses being
exploited...
      
   i've recently found this acronym for a personality
type: the Advocate...
when i was young: an Advocaat was a boy's
every Christmas dream...
        i like staring at faces... and at a football stadium
fulfilling the role of minding crowd safety:
no one can tell you to not look at them...
but these faces move...

       most of the time i'm more interested in
the crowd than in the football match...
          but like me in the London tube...
i just stare at people staring up at pointless
adverts...
i sometimes do to... my favourite tube map
is that of the District Line...
    i've love to get a poster of it...
     i live about a 20 minute's cycle ride from Hornchurch
station...
then again: i always overused the Central Line:
what... with living in Gants Hill all those years...

but i rarely go by a Critic's Choice in either the Saturday
or the Sunday edition of the newspaper:
but i have to say... waldemar januszczak
                                    янущaк (there? less consonants
for you; better?!)
                                   sometimes gets it right...
he most certainly got it right with Walter Sickert...
i was looking for something alternative to Munch...

i was looking for someone who "predated":
was the precursor of Francis Bacon...
    because i could never get into Lucian Freud
because my alternative to Lucian was always going
to be Edward Hopper...

hmm... now that i think of it: poetry of opinions...
why poetry of opinions?
         philosophy attempted dialectics...
                once upon a time...
  but these days opinions are easily spewed without
being undermined: discussed...
the firm foundations of the two camps policy of
"argument": neither side allowing either
to mould each other...
the discussion is entered and left without
anything being achieved on a Socratic level of:
persuasion... or a change of mind...

hence? my poetry of opinions...
            we've got to try... that's a banger of a track...

no... i couldn't expose my ears to my sound...
i needed something visual...
the clarity of silence of an art exhibition:
an art exhibition that you have to pay extra for...
i tried to watch the people in the exhibition,
two girls tried to get my attention...
but the minute i walked in and saw the earliest
out by Sickert i knew i was in for a treat...
the self-portraits threw me into a kaleidoscope
of: this... this reminds me of someone...

Francis Bacon! i love how art just passed down
a certain signature... a technique from
one individual to another...
because it's not like an art school technique:
the school of Florence etc.:
with those pristine paintings...
   the schools disintegrated... individuals emerged...
those pristine paintings were bound to
disappear with the emergence of photography...

they had to... no wonder painters had to make
things a litter bit more "mysterious": blurry:
almost childish like Picasso or van Gogh...
well: elevated childish...
               but none the less:
   nothing like the "photograph" quality of
Renaissance paintings...
the photograph killed off that sort of painting...
why, would anyone bother
to paint like that if you can take a photograph:
it obviously doesn't carry the same
aesthetic "quality": concern...

                     but... let's face it...
distortion worked much better than any sense
of pristine Apollonian architecture of the jawline
or hands: oculus per oculus: eye for an eye:
but more: like for like...
painting is not architecture...
   it's not engineering...

     sure... there might be some basic schematic
involve: Sickert exposed the use of a square
grid from time to time in his paintings...
Francis Bacon most certainly used geometry of some
sort to find his bearings where
otherwise would gush blood / paint / *****...
but it's not cubism... and it's not certainly
anything akin to *******...

but i needed those 40 minutes' worth of walking
around: with a grin on my face...
if i went to an opera i'd probably cry...
i felt like grinning... i wanted my eyes to eat
something... with each blink i was trying to...

obviously i bought a memorandum of the exhibition:
it cost more than the actual ticket
but... as i've found... certain works of art
look: feel... completely different in real life
than if they are replicated and copied into a book...
you can't simply scan an oil painting and get
the same results of impression the painting has...
there's always that 3D aspect of looking
at the same painting from different angles...

i have to say... whoever curated the exhibition
managed to get the lighting wrong...
light from above doesn't always work...
i had to appreciate some of the works looking at then
sideways... i was looking at the lighting...
then at the painting... then at the lighting...
then at the painting... i was almost slow dancing
around them: my feet were performing some
weird version of Tai Chi...

      one of the Camden Town ****** works initially
prompted me: as seen in the critic's choice
article...
i knew something was up... there was that initial
resemblance of giving birth to Francis Bacon...

oh hell no... i wasn't there to pick up a girl...
i was literally: authentically there for the art...
but i'm pretty sure most of the people in that exhibition
weren't there for the art...
body language: if they can't entertain solipsism
for at least 20 minutes... the art works become less
interesting... they're looking around like they're
lost the plot or regret paying the money...
you know the art is not really important...

add a grin to that... freak...

          ah... welcome thoughts...
                 those ought i's and i wills...
                      finally... some peace...
that last shift at the FA cup final among the Liverpool
fans... great people! all northerners are
great people... the southerners have a massive
stick of authority shove up their *****...
    esp. in London: this... celebrated no geography
crowd...

      but i seriously thought i was standing next
to the Big Ben gongs come noon...
my ears felt fuzzy...
      they were the consistency of vibrating static...
a bit like drilling into a concrete slab
with a pneumatic drill...
      peace... just some peace... some paintings...
once upon a time i had ambitions to become
a painter...
       writing's cheaper...
    and... well: it freer to the imagination:
it's more... mandible... jaw-like...
          it makes conversations with random strangers
more entertaining...
you need to have a specific focus to paint
what you already see...
   when i write: i haven't said anything:
most of the time i write without even having
a premeditative thought: well...
there might be something initial...
but the narrative flow-through is hardly
premeditated...
i like to be surprised...
                hell: i'm always surprised!

- but like i was saying to "someone" today...
"someone": maybe that's why mothers and sons
and sons and father and whoever is blood-related
don't get along so well, is because,
nothing ******-related friction...
nothing weird... because because just become
comfortable, boring enough to have to start
breeding a new generation...

i've found that i've become more and more
inquisitive... and if any signs of dementia kick
in... i'll be? in Amsterdam... ingesting
some magic mushrooms...
right now alcohol is hardly debilitating...
or subduing / pacifying me...
it's actually invigorating me...
it's a tonic!

          so i was saying: and i too would love to
watch more foreign language movies:
with subtitles... but for some strange: ******* reason...
this "genius" entertained the idea
that subtitles ought to be placed at the BOTTOM
of the screen!
  not even the Mandarin write from bottom
up!
   they write from up to bottom!

  the vertical line is drawn from the top down...
rather than from the bottom: up...
this "genius" must have been left-handed...
you get such a better focus on what's happening:
if you just moved the subtitles to the top of
the screen: because it's easier to look down
than to look up after reading a text of translation!

it's this little incy-wincy detail that keeps bothering
me...
      there ought to be a revision:
subtitles ought to be replaced with supra-titles...
at the moment we're watching foreign movies
in the format of chemistry, e.g.
        H₂O...

but we should be watching said movies
in the format of mathematics... e.g.
    Pythagorean... c² = a² + b²

let's call ₂ & ² script: irrespectively...
                   and the "algebra" the images before our
eyes... what would be easier?
looking up then looking down...
or... looking down and then... looking up?!

even the Mandarin barons didn't write from
bottom to top...

slow internet connection stresses me out...
well... £20 for 40 minutes' worth of an art exhibition
or... £120... for 1h (wow! the indefinite
article simply disappears... when you write
it like  that)
                     with a *******...

                             that really does depend...
what horse the modern woman is riding on...
i'm going to ride my horse to death
to eat itself...

that's why nudes of artists sort of bore me...
once you'vre ****** in front of a mirror...
nudes... artistic impressions...
bore me...
            i want to paint the mirror that
like the walls: seen more... heard more
than the average culmination of antics
might appease...

                        i want to paint clouds...
i want to paint cauliflowers as clouds...
and clouds as cauliflowers...
  i want to paint mirrors...
i want to paint glass...
                  and i also want to paint
the contortions of ***...
                  i want to paint trains:
i don't want to wait for them...
            i want to paint rain: i don't won't to
adorn an anorak...
                  i want to paint the sewage works...
but i don't want to paint
taking a ****...

   sober up come 10:30am?
              well... i won't be goose-marching...
that's for sure...
      i'll put on my Thespian mask
and just pretend that i haven't drunk 70cl of
whiskey the night before...
i'll sit in the sunshine and bake... sour...
cabbage-head-reach for sanity...
pretend to: juggle earth, the sun and moon.
The buildings stand high like mountains,
except more defined,
countless floors down,
I stand, blind.

The cars creep past,
a continuous stream,
whilst I wait to cross,
forever it seems.

Times square shines bright,
but all I see,
is the homeless man,
made bed next to me.

I stand in my anorak,
curly hair holding the smell,
how long shall I stay?
only time will tell.

I jangle my few cents,
in my trouser pocket,
I repeat the name,
as if I forgot it.

I left all I knew,
just for you,

my little English home,
and exquisite British tea,
all for you to fall in love with me.

I stick out like a strand of grey hair,
among all the hustle,
of times square.
LeV3e Sep 2016
We all go through this
Life alone.
From the moment our
Consciousness peeks out the door,
Our perception transforms,
Into Pisces... the water broke and
Out poured your psyche.
As unlikely as it is you'd
Think this was lucky huh?
Well I don't think its funny that
God blessed us with suffering.
Stressed out because, well
Sometimes life's a *****, and
Strife can dig a ditch between a
Family and the next regime. Its
Warfare here, at its refinery.
Progress is missiles launched with binary.
Success is swirling liquor at a winery.
Emissions test 400 parts per million
But Americans don't measure in Celsius.?.

We made it here
All on our own.
With hard work
We built a throne.
Having fled here
From our homes.
Wed rather burn
Than change our tone.

Its too late to get the color back
The reefs are bleached
No need for the anorak,
The polar ice caps are basically
A beached whale gasping for air,
And don't ask Japan where
Fukishima dumped its affairs...
Its become apparent that
Nobody really ******* cares, so
I worship death.
We all deserve despair.
(20 minute poetry)

Yellow lines
stand behind them
mind the tube train

over and over again
the parrot squawks

it talks of dangers
electrocution
warns of imminent
prosecution

don't feed the birds
are words just
words to me

keep clear
let passengers by

why don't they try
to be
anything other than
the
same old
me, me, me?

pass me an anorak
there are
rainbows
set in the track

and a *** of gold
down at Old street.

A blonde who's seen
better days
plays harmonica

it's stairways

we fall
or we rise
the sight of poverty
in many eyes

and the tube trundles on
the parrot longs for greenery
I long for some scenery other
than this.

and a carousel ride
around which I could
hide
these thoughts

fellow passengers look blank
they've got the tube to thank
for that.

bewildered in a wilderness
looking for union or
congress

a meeting of minds.
.and so you open your mouth
and let a stream of
hot acid invective
out
because heartburn is not good for
the digestion.

..and then you look to make sure
that
no one's around
no one to listen to that godawful
sound.

In the clear and you can pretend
that like J C himself
you make miracles happen and
happen God did send you here
to turn the air blue knowing no one in
their right mind would listen to you.

I wear my wars on my anorak,
badges of honour
until they attack
then I hide.

If I do swear or curse
or ****** a verse or two
I don't care,
I know that
you
only execute spies.
wear
Morning is moving molasses
seems like I need to wipe clean
the lens 'til it passes
Central line underground blues.

same story
he views
but still likes to choose
the way that he looks at
his life.

Red anorak lady
hold tight quilted baby
sleeping
in tune with the rest

fingernail scratchers
detach me of thoughts
as my eyes itch
to watch them some more.

stale odours
surround me

the Japanese girl
had a face mask on
she got off.

In listening to
the World through you
and your earphones
I come to the understanding
that
I have been standing
forever.

Dungarees a drag on
she's wearing them
a bag on
her shoulder
looks twenty
but
probably older


I think too much
must
have a touch of the Sun
or
a drop of the madness,

— The End —