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judy smith May 2016
Arriving, I find her briefing three press assistants on her upcoming catwalk show while simultaneously rifling through her closet — a dressing-up box filled with animal print and lacy confections — to choose her outfit for our shoot, while Desert Island Discs plays in the background.

Tucked at the end of a row of terraced houses close to London’s Portobello Road, Temperley discovered the six-bedroom property was on the market two years ago through her close friend, the designer Jasmine Guinness. The unique two-storey villa has a studio-style extension on the back of the property designed by the Victorian architect, Richard Norman Shaw.

She moved in 18 months ago with her son, Fox, 7, and her boyfriend, Greg Williams, 43, a portrait photographer, along with his two children from a previous relationship. ‘I’ve always been a Notting Hill girl at heart. I love that it’s so green, I love the market and my offices are around the corner.’

Temperley cites the interior designer Rose Uniacke (the creative genius behind the Beckham’s Holland Park home) as inspiration for fashioning her own interiors: ‘Rose has beautiful taste, sleek, clean but still really soft.’

The house’s all-white interior provides the perfect backdrop for Temperley to hang her beloved antique cut-crystal chandeliers and floor-to-ceiling mirrors sourced from Golborne Road’s Les Couilles du Chien — famous for its historic bric-a-brac — and the Clignancourt flea market in Paris. The most striking of these is an intricately etched diptych of French brasserie mirrors that sits proudly over her living room sofa.

For colourful accents, she looked to her archive of textiles, which ranges from heirlooms from her great-grandmother’s travels around the Orient to remnants of past fashion collections: ‘I have big haberdashery drawers, which are used for storing my collection in a warehouse in Greenford,’ she says. Having such a vast collection gives her the chance to indulge in some serious upcycling; a Mexican rainbow throw livens up a plain cream sofa while a wedding cloak from Turkmenistan makes a quirky wall-hanging.

Despite the global influences, the Union Jack is a recurrent motif: ‘When I worked in New York [in the mid-Noughties] I was called ‘Little Miss English’. I loved using materials such as lace and lots of references to Victoriana — all very British.’ Look closely, and you’ll find red, white and blue accents everywhere — on teacups, Roberts radios and on silk cushions.

‘To me, being British represents being able to be individual, eccentric and not taking yourself too seriously.’

Temperley was born and grew up in Somerset on her family’s cider farm in Martock, before moving to London aged 18 to study fine art at the Royal College of Art. The countryside has an ineluctable pull for Temperley and she carves her time between her office — ‘probably 80 per cent of the time, 10 per cent of the time here, 5 per cent in Somerset at the moment, and 5 per cent everywhere else’.

But if her west London home is all breathy shades of Farrow and Ball, Temperley’s country pile — a sublime 5.6-acre regency property called Cricket Court that was once the media magnate Lord Beaverbrook’s home — is the opposite: ‘In Somerset my sitting room is dark burgundy, we’ve got black bedrooms and an ochre-coloured library.’

To bring a little of the country back to the capital, Temperley peppers her house with beautiful bunches of wild flowers, sourced from florist Juliet Glaves, who grows her own blooms in Shropshire: ‘I always loved The Secret Garden and as a child I spent hours collecting flowers and drying rose petals on every surface. I am a hopeless romantic at heart and I love British country gardens and their flowers.’

Another great passion of Temperley’s is reading and no corner, staircase or table in the house is complete without stacks of books and fashion magazines: ‘Sally Tuffin [the British fashion designer-turned-ceramicist] has got an incredible fashion library at her home in Somerset and my dream one day is to have a room lined in books.’

As for the rest of the London house? It’s very much a work in progress, ‘especially being a working mum. It’s more collecting things and putting them together in a very relaxed way. Like in fashion design, when it comes to interiors things either work together or they don’t. I have a good eye and don’t like to be constricted to just doing clothes — I’d like to go into interiors. That’s the next chapter’.Read more at:www.marieaustralia.com/red-formal-dresses | www.marieaustralia.com/black-formal-dresses
CH Gorrie Jul 2012
Around me architectural mastery:
sycamores, embankments, enduring ionic pillars.
I round a walkway bordered by trees,
enamel thawing, gliding off their low leaves.
Beneath the late-May’s pounding sun,
through the glittered trees’ reaches,
a gazebo crackles into sight.
Children in their prime, sunbathers, a wistful portraitist
encircle it carelessly:
a leisured chimney; the billows of life.
The foliage escapes into the river,
purplish, palpitating, cyclic creases
receive the dewy notes.
Kayaks licking acacia-gum-edged
ripples sputter and slip
through reverberations
of leveled white-water terraces.
Blackcurrants in clotted cream
slide on the plush lips of a young passerby.
The 8 above a doorway
dances motionless, silent in my periphery;
“Nicolas Cage just sold the spot”
pops from unknown lungs
inside the Circus crowd.

Unacknowledged, half-proud
hands built the Roman baths
alone, closed-in by such grace,
forgotten, then as now.
I wander these ancestral lanes
more or less alone, the same.
Brock Kawana Apr 2014
Dear America,

Do not call my generation stupid.
We were the first group of kids to learn a computer.
Think about that society: A group of kids learned this intricate machine.* Yes, I'm talking about the O.G. Apples with the green type where you had to save with a floppy disk and if you put a magnet to the screen it went purple forever.
Yes those, same kids grew up and created everything you see before you now.
Everyday.

Do not call my generation ignorant.
In a short time span of years, as children, we learned about oral relations with interns and terrorist attacks.
From Clinton's impeachment to the World Trade Centers/Pentagon/Flight93 Somerset.
As children we learned; emphasis on the children part.
Our minds grew knowledgeable of a world at hand long before society gave us credit.
We grew up.

Do not call my generation lazy.
When we were sixteen and just received our license, gas rose to the highest it had ever been in our country's history.
We got underpaid and  disrespected jobs:
cleaning up bathrooms and serving your foot-longs.
The ability to travel on our own, it was our new found freedom.
Like the early travelers roaming new found lands:
Our wings were spread.

Do not call my generation weak.
We are the same group of people who entered college or the workforce with the worst economic fall since the Great Depression.
You ask, "What did it do to you?"
Buried us in more and more debt until it consumed our life.
But, we became enlightened.
We majestically thrived in the chaotic times by finding out who we are, what we are capable of and that life will take us our journeys before we even see it coming.
The light still shines even when you are buried the deepest.
It does not matter what you throw at us next.
We will rise and conquer. It's the world's hidden secret.
I'm proud to live in this time.
I hope you are too.
Never giving up is our morale.

Respectfully,

THE PERENNIAL MILLENNIALS.
cc: *(No HashTag Necessary)
1982-2000
~
July 2023
HP Poet: N (Neville Pettitt)
Country: UK


Question 1: Welcome to the HP Spotlight, Neville. Please tell us about your background?

N: "Although I currently post my little scribbles here under the initial N, I once used to sign myself off with my full first name which is Neville and in fact, I may well do so again .. For anyone interested, my full pen name is Neville Pettitt and it is only after much deliberation that have I decided to reveal it here today .. My birth name is different .. The reason for my caution is entirely due to my line of work .. I am employed as a clinical specialist in adult psychiatry, with special interests in substance misuse, personality disorder and clinical risk management .. Consequently, from time to time I may be called upon by the Coroner, local Mental Health Trusts, or very occasionally the police dept, to conduct in depth investigations into serious adverse events for example, murders and or suicides .. I hope the reason for my transparency becomes clearer as you read on (that is, assuming anyone actually does read on) .. I studied at both Middlesex & Hertfordshire universities and have occasionally served as a volunteer in psychiatric facilities overseas .. The longest was a few years ago at Tanka Tanka Hospital in West Africa the Gambia and Senegal to be precise where I managed to last just under six months .. I am as old as my tongue and a little older than my teeth, I was born and currently live in a beautiful part of England by the sea in the county of Somerset and in an old converted Banked Barn that dates back to 1547 .. I know I am very lucky .. I have two grown children .. My daughter heads up the hepatology department at a local hospital and my son has his own business .. My wife was previously a partner at a General Practice .. In 1995 I registered as a Kongo Zen Buddhist and am also a black belt student of Shorinji Kempo which I also used to teach .. "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

N: "I guess I have been writing poetry for the best part of my life to date, certainly from around ten or eleven and I have been posting here at ‘Hello Poetry’ for around three years or thereabouts .. "


Question 3: What inspires you? (In other words, how does poetry happen for you).

N: "When asked what inspires me, I often find myself lost for words because there are so many things, I love nature, people generally, travelling, my work occasionally and those I encounter during the course of just being .. There’s probably not a lot that I have not been inspired to write about at some time or other .. Relationships of course do tend to feature a lot, as do both losses and gains of various kinds .. My lovely parents, now both deceased were also a great source of inspiration too .. I would be lieing if I denied getting pleasure from writing .. I get a great deal of pleasure from it .. and I enjoy trying to give others pleasure too .. Sometimes my muse deserts me for a while and I get those dreaded blank page days but always carry a pen and notepad around just in case something tickles my fancy or I get one of those light bulb moments .. "


Question 4: What does poetry mean to you?

N: "As already mentioned, poetry in many of its various forms has been a major part of my life, if not a friend and comfort for almost as long as I can remember .. I also use it as a means of expressing my self and communicating with others .. However, in the last five or six years, I have been publishing anthologies in order to raise money for each of my chosen charities .. Mental Health of course features, but also for Breast cancer since my wife had this .. More recently however, Brain Tumour research has been included following the death of my sister in law and my little niece developing a similar brain tumour too at age four years .. I currently have eight books/anthologies of poetry in print which are available almost anywhere on the planet from Amazon .. and these are listed in chronological order below a ninth is due out in early 2024 and called A Handful of Ghosts and a Woman in Blue .. a bit of a mouthful I know, but it features an old image of my wife on the cover ..

Turquoise & Other Shades of Blue

Somewhere Behind These Eyes

Victims of Indifference

Beautiful Bruises

The Logic of Fools

Cotton Girls & Paper Chains

Chasing Light

Slaves of Eros"



Question 5: Who are your favorite poets?

N: "My favourite poets are Leonard Cohen whom I kind of grew up with and who incidentally once wrote to me twice in fact .. or to be absolutely correct, the first time, he answered one of my letters to him .. I am also a fan of the late great Sylvia Plath, Charles Bukowski and oh’ so many others both classical and more modern .. "


Question 6: What other interests do you have?

N: "Other interests include travelling in particular foreign travel, dining in and eating out, gardening painting and drawing when I have time .. (hardly ever these days) I still practice zazen as per Kongo zen and I enjoy reading and listening to music .. "


Carlo C. Gomez: “Thank you so much for taking part in this series, my friend! You have truly enlightened us about yourself.”

N: "Finally, I would just like to say what a real and great honour and a privilege it was to be asked to post a little about myself here on this mighty fine poetry site and to express my very sincere thanks to anyone that follows me or reads just one of my works .. Many thanks to one and all .. Peace, Love & All Good Things, Neville"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed Neville's story. For certain I have. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #6 in August!
~
N: "Having been asked to list a few of my own favourite poems has proved impossible .. not because there are so many, but because, I truly feel that my next one will be it .. however, I do sincerely hope that others here who are kind enough to visit any of my scribbles will each have their own .."

Carlo C. Gomez: "I highly recommend Neville's book 'Turquoise and Other Shades of Blue.'  It's an anthology of 200 journeys. Open and direct, Neville allows us to be privy to his disquieting thoughts about life, love, loss, ***, curiosities, and travails; whether they be his successes or failures. The poem  ‘War Is Not for Lovers’ is an essential read."

War Is Not For Lovers:
https://hellopoetry.com/poem/3333072/war-is-not-for-lovers/

Link to book:
https://www.amazon.com/Turquoise-Other-Shades-Neville-Pettitt/dp/1699210268/ref=sr_1_2?crid=3MYUAAWTXINAK&keywords=neville+pettitt&qid=1688237395&sprefix=neville+pettitt%2Caps%2C146&sr=8-2
Tasanee Hermans Sep 2010
There is a reckless quality to Street
bathed in street-
light, hiding shadows

In plane sight angles shift
behind other angles, deliberately Obtuse
as if to say 'Here I am!'

Here I am

Not
(look again)
ottaross Oct 2013
Along the sidewalks of Somerset Street
People pass upon purposeful feet
Rice and noodles up for all
We each hear the call
Come! There is much here to eat.

From the western end we embark
Just near where we usually park
On the street's sunny side
Past diverse shops we stride
Windows hung with ducks roasted dark.

To the place we were aiming to get
A table with chopsticks is set
There we eat such a meal
That it fills us with zeal
A lunch that we won't soon forget.
A little post-dim-sum fun :)
Reece Jan 2016
Crazy starry-eyed mannequin
Taken to the stars again
Heroic catalyst of my youth
Left us with the inevitable truth
proof of the elusively loose and uncouth

I'll see you in the sky
"The truth is of course is that there is no journey. We are arriving and departing all at the same time"
- David Bowie
Eileen Prunster Dec 2012
was a bit hot in somerset today
i sweat
cool breeze off the beach
into the shop
it rains
flowers bloom
men sigh
i cry
Men of the Twenty-first
Up by the Chalk Pit Wood,
Weak with our wounds and our thirst,
Wanting our sleep and our food,
After a day and a night --
God, shall we ever forget!
Beaten and broke in the fight,
But sticking it -- sticking it yet.
Trying to hold the line,
Fainting and spent and done,
Always the thud and the whine,
Always the yell of the ***!
Northumerland, Lancaster, York,
Durham and Somerset,
Fighting alone, worn to the bone,
But sticking it -- sticking it yet.

Never a message of hope!
Never a word of cheer!
Fronting Hill 70's shell-swept *****,
With the dull dead plain in our rear.
Always the whine of the shell,
Always the roar of its burst,
Always the tortures of hell,
As waiting and wincing we cursed
Our luck and the guns and the Boche,
When our Corporal shouted, "Stand to!"
And I heard some one cry, "Clear the front for the Guards!"
And the Guards came through.

Our throats they were parched and hot,
But Lord, if you'd heard the cheers!
Irish and Welsh and Scot,
Coldstream and Grenadiers.
Two brigades, if you please,
Dressing as straight as a hem,
We -- we were down on our knees,
Praying for us and for them!
Lord, I could speak for a week,
But how could you understand!
How should your cheeks be wet,
Such feelin's don't come to you.
But when can me or my mates forget,
When the Guards came through?

"Five yards left extend!"
It passed from rank to rank.
Line after line with never a bend,
And a touch of the London swank.
A trifle of swank and dash,
Cool as a home parade,
Twinkle and glitter and flash,
Flinching never a shade,
With the shrapnel right in their face
Doing their Hyde Park stunt,
Keeping their swing at an easy pace,
Arms at the trail, eyes front!

Man, it was great to see!
Man, it was fine to do!
It's a cot and a hospital ward for me,
But I'll tell'em in Blighty, whereever I be,
How the Guards came through.
mark john junor Dec 2013
her subtleties and jewels
are billboarded for the drawing of crowds
but the faces sketched by the grease lights are not
the kind that such an exquisite artwork of womanhood
like her should bring out on such a soft spring night
so they fold her up and pack her away
careful not to crease her fine linen soul
and place her neatly away in her cedar chest
knowing i will sneak her out later for wine and ballroom dancing
bring her back to the circus of the obscene
just as dawn creeps into the cool crisp sky

a single tear in her eye for her lost teenage years
when she only wanted to rebel a bit
but spent the time posed neatly like a porcelain doll
she was a lifesize lovesick reproduction in technicolour of herself
all thouse years ago
better to have gone away
better to have been a roadside companion
of the weary walkers
than grown old as one of the window decorations of the world
shes there now in the sun faded backdrop to the shopping season
but ill rescue her someday
well live in somerset and sell glass trinkets

her introspection is the short film version
but her poems are the epic novels
of such sweet romance
it sways the most hardened to the tender embrace
to the love of soul to soul kisses

she weaves such a tender tale
but her nights are spent alone
watching a winter moon
cross the summer sky
her hand aching for the hand that once held it
aching for the love that abandon her to this fate
i hope someday to fill that void in her world
wedged between the cardboard cowboy's forever smile
and the caped crusader sleeping off his drinking binge
hodgepodge...that's it...hodgepodge! that's the name for my next cat...hodgepodge!
judy smith Mar 2016
Daisy Lowe‘s body positivity and refusal to bow to fashion industry pressures have cemented her place as one of Britain’s hottest exports.

From international catwalks to Pirelli calendars, the 27-year-old’s career in front of the camera has gone from strength to strength - all because she’s unapologetically herself.

To celebrate her latest endeavour - a partnership with lingerie brand Triumph UK - the model sat down with The Huffington Post UK to let us in on her secrets.

What does having a positive body image mean to you?

Being comfortable in your own skin, embracing all your flaws and accepting that you are who you are.

Being individual is a beautiful thing.

Where does your confidence come from?

It’s definitely something any person living in today’s society has to learn and grow up to achieve. I’m still working on it on a daily basis.

Everything that I put into my body makes a difference. How much I work out makes a difference. Surrounding myself with people I can laugh a lot with and around whom I can be 100% myself.

What advice would you give to those struggling with self-image?

Love the parts of you that you don’t enjoy so much and be kind to yourself - that’s something that I have to constantly remind myself to do. Go and do something that inspires you or makes you happy.

How do you banish self doubt on bad days?

Meditation and mindfulness helps. Having a check-in with yourself and trying really hard to be present.

We can look outside ourselves and think about what other people are doing, -especially with social media - but if you can try your best in the exact moment that’s all that matters, because that’s all that really exists.

What would you like to see change in the fashion industry?

There’s a lot more room for variation as far as models go - we should be promoting that all shapes, sizes and ethnicities are beautiful.

It would be lovely for plus size models not to be called ‘plus size’ - they’re being used for the same jobs. We’re all just models - wearing beautiful clothes that make people feel good about themselves and helping designers to sell their creations. I’d love to see more ‘in-between’ size models too.

How do you decide what to wear in the morning?

The darker and greyer the world is outside, the more I wear bright colours - as long as you’re sunny in yourself! I’m such a creature of comfort – I’m a huge fan of pulling on a pair of stretchy comfy jeans (Lowe swears by high-waisted styles by Paige, Frame and J Brand) and I love a bit of cashmere.

Jewellery wise, I always wear Crystal necklaces or chains by Loquet. I’m also a fan of a cute tea dress and ballet shoes. I love that Brigitte Bardot/Jane Birkin 60s/70s vibe mixed up with a bit of 90s grunge.

What are your favourite shopping spots?

Lark Vintage in Somerset is amazing, and in London I love Mairead Lewin Vintage. Those are top secret - I never usually tell anyone those.

Brand wise, I love James Perse, Cocoa Cashmere, Erdem, Simone Rocha and Ganni - I have a leather jacket from there I haven’t taken off for a year. I also have a troubling Saint Laurent addiction.

Talk me through your daily skincare routine.

I love the P50 W Lotion by Biologique Recherche, it’s done absolute wonders for my skin and makes it much more clear.

I also swear by the Crème de la Mer Genaissance de la Mer serum, moisturising soft cream and eye concentrate.

For my body, I use Aesop A Rose By Any Other Name cleanser and Balance Me for their luxurious moisturisers and body oils made with natural ingredients.

What are your makeup bag staples?

Tom Ford is a go-to. I use the Traceless Perfecting Foundation, which has SPF, and the concealing pen around my nose and eyes.

I like to keep my makeup really simple, so I’ll use the Laura Mercier Paint Wash liquid lip colour in petal pink on both my lips and cheeks.

For eyes, I swear by Tom Ford Waterproof Extreme Mascara and Kevin Aucoin eyelash curlers.

What’s the best tip you’ve picked up from a makeup artist?

My makeup artist would **** me if I ever slept in my makeup. Another great tip is to make sure you conceal around your nose. If your nose is red it makes your whole complexion look uneven.

Also, always apply lipstick all the way into the corners of your mouth to continue the line.

What’s the weirdest thing you’ve done in the name of beauty?

When I was younger I used to make these weird DIY face masks with my friends. We made one with mashed banana, avocado, honey and peanut butter. Peanut butter on active teenage skin was not the best idea.

Any other beauty secrets you can let us in on?

My facialist Arezoo Kaviani is amazing. She’s a real healer at heart. She does a deep cleansing ****** with extraction and LED light therapy.

I also tried a collagen wave ****** recently, which was great.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/formal-dresses
Nigel Morgan Dec 2012
IX

Oh this gradual coming together as sleep lifts away from bodies resting just apart but then a little turn on the pillow knees touch there is the slightest kiss of a nose a mingling of feet hands may rest atop a thigh and touch experimentally This is such bliss all consuming no thought but each body’s press and caress so slightly so gently given until hands and limbs and kisses and the dearest stroking fills us to the brim with that longing which only the deeper kiss can quench Afterwards we watch from our attic bedroom leaves departing their trees

X

The steep steps and Doric pillars eight in all gather us into an entranced gloom only to spill us out into the light and space of galleries filled with Cyprian artefacts an owl with a removable head more porcelain than even your great aunt could look at but in a corner there were these bowls from Syria 12C and earlier Michael Cardew could have thrown and patterned but didn’t One in Iranian green inscribed thus blessing prosperity glory grace joy happiness security and long life to the owner  nothing more surely ever to be wished for ever to be wanted

XI

My Chinese heroine has a soulmate: Jilia’s deer in flight across a page of Somerset Soft White and Tengin mould oh the verse of Hafiz 14C Sufi mystic flowing into the body of this running beast Rejoice you lonely seeker of the scented path out of the wilderness the perfumed deer has come and there was more in different hands paper parchment poems exquisitely rendered into living words In a frame Goethe’s leaves of the Gingo Biloba stuck to his letter of love to married Marianne This leaf from a tree in the East has been given to my garden

XII

Captivating in beauty glowing silvery-white petals flutter down to lay a blanket of snow beneath the flowering trees and miraculously they did and more to make us wonder that negative space could be so powerfully wrought Hiroshige the master in his element of the winter snows eloquent landscapes figures on the Edo to Kyoto road the detail of raised up clogs and warm layered garments of a Geisha walking out with her maid the stone blue waters the pale reflecting skies the delicate embossing of waves and the flow of hillsides the ukiyo-e woodblock prints pictures of the floating world

XIII

Wearing purple and red your near to Advent colours grace this table we lunch at before a final walk through the city full of our time here amongst the towers and chapels and more history and art than we can manage for the time being Again and always whelmed over by your beauty seen against the press and clutter the clustering in the peopled streets the bicycled roads and in this one o’clock restaurant’s clamour how is it that my eyes are wholly on you my ears only hearing your sweet voice my fingers reaching out to touch you again?
A Mareship Sep 2013
I wish I wish
that you and I
Could loosely link our hands -
And fly
To a little house in Somerset,
Where it’s always sunny
And always wet.
It’s green and gold with dragonflies
That whip themselves from sky to sky
With water pearling on their tails.

My sister’s house stands small and frail,
With roses big and peach and pale
Quivering like nervous girls
Encircling her door like curls.

The walls are dreams of drowsy pastel,
From the bannister
Hangs a satchel,
And the kitchen has a wooden table
That thrums with memories of drunken fables
Told in whispers late at night,
(A boy crying, jangling beads,
Overrun with strangling weeds,
His sister’s fingers,
Evergreen,
Plants flowers where the weeds have been.)

And she’s an artist, don’t you know,
She knows which way the colours go,
And long ago
She took some wire
And shaped it with a pair of pliars,
And added beads of deepest red,
Like globs of blood that’s been well bled
'Til it became a piece of art,
A huge
Muscular
Anatomical
Heart,
And she placed it on the mantleplace.

It throbs there at a steady pace,
A beating heart
Like a coronet
Placed on the head
Of Somerset.
just wrote this quickly - been meaning to write about my sister's place for aaages. forgive the weird pace at the beginning...or maybe it's just my imagination...
Third Mate Third Aug 2014
A lot of people think they can write or paint or draw or sing or make movies or what-have-you, but having an artistic temperament doth not make one an artist.


Even the great writers of our time have tried and failed and failed some more. Vladimir Nabokov received a harsh rejection letter from Knopf upon submitting ******, which would later go on to sell fifty million copies. Sylvia Plath’s first rejection letter for The Bell Jar read, “There certainly isn’t enough genuine talent for us to take notice.” Gertrude Stein received a cruel rejection letter that mocked her style. Marcel Proust’s Swann’s Way earned him a sprawling rejection letter regarding the reasons he should simply give up writing all together. Tim Burton’s first illustrated book, The Giant Zlig, got the thumbs down from Walt Disney Productions, and even Jack Kerouac’s perennial On the Road received a particularly blunt rejection letter that simply read, “I don’t dig this one at all.”

So even if you’re an utterly fantastic writer who will be remembered for decades forthcoming, you’ll still most likely receive a large dollop of criticism, rejection, and perhaps even mockery before you get there. Having been through it all these great writers offer some writing tips without pulling punches. After all, if a publishing house is going to tear into your manuscript you might as well be prepared.

1. The first draft of everything is ****. -Ernest Hemingway
2. Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ***. -David Ogilvy
3. If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy. – Dorothy Parker
4. Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home. -Paul Theroux
5. I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide. — Harper Lee
6. You can’t wait for inspiration. You have to go after it with a club. ― Jack London
7. Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. — George Orwell
8. There are three rules for writing a novel. Unfortunately, no one knows what they are. ― W. Somerset Maugham
9. If you don’t have time to read, you don’t have the time — or the tools — to write. Simple as that. – Stephen King
10. Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong. – Neil Gaiman
11. Imagine that you are dying. If you had a terminal disease would you finish this book? Why not? The thing that annoys this 10-weeks-to-live self is the thing that is wrong with the book. So change it. Stop arguing with yourself. Change it. See? Easy. And no one had to die. – Anne Enright
12. If writing seems hard, it’s because it is hard. It’s one of the hardest things people do. – William Zinsser
13. Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college. – Kurt Vonnegut
14. Prose is architecture, not interior decoration. – Ernest Hemingway
15. Write drunk, edit sober. – Ernest Hemingway
16. Get through a draft as quickly as possible. Hard to know the shape of the thing until you have a draft. Literally, when I wrote the last page of my first draft of Lincoln’s Melancholy I thought, Oh, ****, now I get the shape of this. But I had wasted years, literally years, writing and re-writing the first third to first half. The old writer’s rule applies: Have the courage to write badly. – Joshua Wolf Shenk
17. Substitute ‘****’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be. – Mark Twain
18. Start telling the stories that only you can tell, because there’ll always be better writers than you and there’ll always be smarter writers than you. There will always be people who are much better at doing this or doing that — but you are the only you. ― Neil Gaiman
19. Consistency is the last refuge of the unimaginative. – Oscar Wilde
20. You must stay drunk on writing so reality cannot destroy you. ― Ray Bradbury
21. Don’t take anyone’s writing advice too seriously. – Lev Grossman
image – christine zenino
Taken from the Internet
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”

Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
   A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the ***** of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the ***** of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the ****,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the ****** work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
judy smith Nov 2016
Before the hordes of his extended fashion family descended on Somerset House last night, Sam McKnight was pacing through the two floors of an exhibition of his life as one of the great sessions hairstylists. He stopped in front of a formal British Vogue portrait of Princess Diana, taken by Patrick Demarchelier in 1990. “I put on the tiara and had to make her hair big for it,” he remembered. “But, oh, God, then we had such an amazing day afterward. We were chatting and she suddenly asked, ‘If you could do anything, what would you do?’ And I said, ‘I’d cut it off!’ And she said, ‘Well, let’s do it now!’”

Thus, Diana, Princess of Wales, got the best slicked-back look of her life, the cut that defined her chic, grown-up, independent years—and her cutoff from her marriage. “I didn’t realize at the time,” McKnight said, “but in retrospect, with everything that was going on in the background, she wanted a change.” McKnight, after that, became Diana’s entrusted hairdresser. As photographer Nick Knight puts it elsewhere in the show, McKnight has that general effect on women when he’s working. “When he goes near the girls, they relax.”

It’s a testament to McKnight’s popularity in the magazine and fashion show milieu he has worked in since 1977—nearly 40 years!—that so many (who are sometimes so difficult) cooperated and gave permission, and that Chanel and Vivienne Westwood lent spectacular clothes to illustrate the interpretive cut and ****** of what a great hairstylist contributes. Straightaway, as you step off the street into the exhibition, you’re plunged into the next best thing to a backstage hair-and-makeup station and the kind of frenetic scene that goes on minutes before Chanel, Fendi,Dries Van Noten, or Balmain shows take to the runway. In place of the mirrors there are videos—say, of Kendall Jenner getting her Balmain hair look at a recent presentation—which have been recorded by GoPros worn by McKnight’s assistants. Every facet and every angle of the transformations—sometimes with four pairs of hands working on one girl’s hair—are captured.

From then on in, it’s easy to see how this exhibition will become a magnet for kids who want to experience the atmosphere of fashion and worship at a temple of a sublime hair alchemist. Shonagh Marshall, the curator at Somerset House, has run the numbers on the hairstylist’s Vogue covers, many of which are displayed on a faux newsstand. “Sam has been involved with 190 Vogue covers, which is more than any one photographer, or anyone else over that time,” she reported.

That’s not bad for a Scottish lad, born the son of a miner in 1955, who made his way to being a central team player with photographers and editors in the high supermodel years. Glorious images of Linda Evangelista, Christy Turlington,Cindy Crawford, and Tatjana Patitz abound. “It was a golden era. We were on the road the whole time with Patrick Demarchelier, traveling the world with the same 10 people,” McKnight said, laughing. “We were making it up as we went along, really.”

The massive sweep of the show brings out the important collaborations of his career, with photographers Demarchelier, Knight, Tim Walker, and more; with fashion editors Lucinda Chambers and Edward Enninful; and makeup artists Mary Greenwell and Val Garland. It’s studded with celebrity—Lady Gaga, Tilda Swinton, Kylie Minogue—and honors the spectacular shape-shifting talents of Kate Moss, from her early days as a fresh tousle-haired ’90s teen in love on a beach: “Johnny Depp was there,” McKnight recalled.

There are the moments when McKnight changed models’ fates with short, blonde crops—Jeny Howorth’s in the ’80s and Agyness Deyn’s in the aughts. We see his process, with the hairpieces, wigs, and frizzing techniques integral to creating Westwood and Chanel shows, in both videos and installations masterfully laid out by Michael Howells. Right at the end, there’s a room Howells describes as “Sam the Man,” the walls checkerboarded with pictures of flowers from his garden and the ridiculous varieties of wigs he poses in on his Instagram feed these days. It’s testament to the energy and humor of a talent happily adapted to an industry that is constantly working on the new, in the now; an inspirational treat for all those who remember and for all the many thousands of young eyes that will be opened for the first time by this extravagant journey through one man’s career.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/vintage-formal-dresses
A Mareship Sep 2013
Cinderella’s mop,
A fish on ice.
A picture of a
Spinning top,
A neighbour’s lights.

A framed page,
A line of ancient words.
Somerset at five am,
A line of birds.

Foreheads locked
At midnight,
Spent and heavy.
All the lives that
Have been lived
Already.

Bones of sailors
Sleeping through
The ocean.
Thumbtacks sorting out
A month’s commotion.

The moon’s ghostly
Pockmarked
Other half –
Still, moving,
A rebellious photograph.
just a little thing
Rhiannon Clare Aug 2020
I take Jack to pick blackberries.

I’d spotted them earlier
down the lane and through a stile, brambles hanging heavy overhead

We each carry what we could find in the kitchen
Me a jug, he a plastic box.

The clutches of fruit perch on the hedge
Like children sat on a gate
Rosehips and hawthorn berries peep through leaves, biding their time.  

I say, look at the colours
Green then red and then
Finally,
shiny, glowing,
deepest purple

And how the fattest fall just so into your hand
As if they had been waiting

Soft bubbles bursting with juice
Our fingers turn pink

I like the tartest ones, sharp as a high summer sky.

And Jack only looks and me and smiles, nodding,
his hand finding
The blackberries just beyond my reach .
martin Mar 2013
On our bikes, day after day
Wheeling along the West Country Way
From Georgian Bath, that Jane Austen knew
To Glastonbury Tor, our challenge still new

Where are we now, is it this way or that?
Another cool stretch on a railway track
No one fell off, no one got hurt
Except now and then by a few cross words

And so over Exmoor, our longest day yet
It was football, not cider in our Somerset
Sea views and fresh air in Westward **!
We could have stayed longer but on we go

The hills are getting longer, tall hedges either side
Our legs are getting stronger now we've found our stride

The Eden project was on our route
So we had to stop and see
The scene was complete in a bio-dome
With David Attenborough filming for tv

Past holes in the ground where they dug the clay
Along old canals our journey panned out
Then over a beer at the end of the day
Out came the map for the mileage count

On through the ancient landscape we go
Past the odd castle or stately home
Past sheltered coves and beaches of sand
And on to the end  -Lands End-
Where we ran out of land
In this interminable Winter it is good to look back at past Summer holidays. This one was cycling from Bath to Lands End, along minor roads and cycle paths, such as disused railway lines and canal tow paths.  The winding route we took was about 450 miles as I remember, and it only rained once!
Andrew Monroe Sep 2013
Let me tell you what I want….

I want to read Somerset Maugham and Aldous Huxley and Leonard Cohen and Mary Oliver
I want to hike bits of the Appalachian Trail and take long walks in the hills around Snowdonia
I want to ride about in the DC Metro and the London Underground
I want to explore small towns and big cities
I want to eat lunch in quaint little bistros and have dinner at the table in my yard
I want to browse through antique stores and fancy boutiques
I want to play with dogs and rub their bellies
I want to take long drives without a destination in mind
I want to waste an entire Sunday at home talking about everything and doing nothing
I want to build a fire and watch a movie
I want to sit on the couch and sip tea

Most of all, I want to do these things with you

Don't let your addiction take this away
With all the bits of my heart….
judy smith Feb 2017
It’s an annual tradition that London Fashion Week opens every February with the newest of the new—the bang-fizz of The Central Saint Martins’s M.A. graduation show. These are the people who are destined to shape the fashion world—not least because they are talents gathered from everywhere. The class of 2017 has students from China, Taiwan, Bulgaria, Slovenia, Gibraltar, and the United States as well as Britain. This is just normal in London, a city that has built its reputation as a creative capital on the strength of talents from all over: all backgrounds, all nationalities. In the face of Brexit, and its possible future curb on immigration, London has its Muslim mayor Sadiq Khan, the city’s elected representative, who stands up for the vitality of diversity and interfaith harmony every day with his social media campaign from City Hall, #Londonisopen. In his words: “We don’t simply tolerate each other’s differences, we celebrate them. Many people from all over the globe live and work here, contributing to every aspect of life in our city.”

Nowhere will that be better demonstrated than in what’s to come in London Fashion Week. In defiance of dark times, its youth and multicultural camaraderie is about to roll out the welcome mat. Expect to see it coming from all directions, in kaleidoscopic variety. On the Central Saint Martins’s runway, there’s Gabriella Sardena’s wildly decorative glam-femme collection to look forward to, for example (she’s the one from Gibraltar). Day one, there’s also the opening of The International Fashion Showcase at Somerset House, where emerging designers from 26 countries, including Ukraine, Russia, Khazakhstan, India, Romania, Czech Republic, Egypt, and Guatemala, will put forward their viewpoints on the theme “Local and Global.”

Stand back for a blast from New York, too. Michael Halpern, one of the latest Central Saint Martins M.A. graduates (class of 2016) will unleash his first multi-sequined disco-fabulous collection in a presentation that is being aided and abetted with volunteer help from Patti Wilson and Sam McKnight, held at a posh venue laid on for free in the heart of St James on Saturday.

Fighting gloom with glitter is a London thing. Ashish Gupta, born in India, longtime London trailblazer for LGBTQ rights, is the king of that. Given last September, when he took his bow in a T-shirt emblazoned IMMIGRANT, admirers will surely be packing his Ashish show to the rafters. These times demand a standing up for pride in identity. Osman Yousefzada, more quietly creative, with his strong art-world following, will be coming out with a statement about his British-Asian roots: “Before, we were rarities, trophies and exotics from distant lands…some of us fleeing famine, war, or persecution,” he writes. “We were thought of as good labourers, businessmen and women—hungry, reliable and eager to succeed…and then some wanted to close the doors. Today, I bring you colour, opulence, texture, tailoring, a modern woman in different hues who isn’t scared to stand out and have fun, and embrace the beauty and difference around her.”

London is open to more newcomers. The Ports 1961 women’s show has relocated here from Milan this season. It’s actually a homecoming of a sort: This collection, placed on a woman-friendly lifestyle-centric wavelength somewhere on the continuum between The Row and Céline, has in fact been designed by the Slovenian-born Natasa Cagalj (also a CSM M.A. alumna) from a studio in London’s Farringdon all along. Two more “returners” to the schedule are Hussein Chalayan and Roland Mouret, long rooted in London since the ’90s, who are repatriating their shows from Paris.

It’s a whole London creative community picture, in fact—one that makes a complete commercial nonsense on every level of the “Little Britain” xenophobia of the send-them-home faction in U.K. politics. Cohesion and creativity, the welcome and support given to the newest, from everywhere—that’s the flag that flies over London Fashion Week. Scotland, Ireland, Greece, Austria, America, Serbia, Canada, Syria, India, Germany, Pakistan, Nigeria, Turkey, Ghana, New Zealand, Portugal—come one, come all, says fashion. There’ll be protest and prettiness, resistance and humor—that’s a given this week. Here’s glitter in your eye!Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Mateuš Conrad Jul 2017
everyone has them
their ***** underwear,
their skeletons in
the closet...
      i too have mine,
well, one in particular...
and it goes like this:

- somerset (not cornish)
           camembert cheese
- a dash of cinnamon
- honey
- butter
- on toasted tandoor
           baked naan bread...

   come on! it's cheese!
it's not exactly a comparison between
a ferrari and a porsche!
it's cheese! cheese!

i don't even know whether to call
it a dessert or a starter...

why am i being pedantic
           about the cheese?
cornish camembert is harder
than its somerset cousin...
   and naan bread?
  you really expect me to like
the putrid dough of an english slice
of toast?!           *******!
they just discovered sour-dough...
i'm not toasting this load of
    pigeon droppings, moulded
into something resembling
a decent slice of chew...

how many times do i have to say this,
i would not eat in a restaurant
where the chef smoked marijuana...
   as i wouldn't trust a skinny chef...
you need palette numbing additives
to explore,
   alcohol for the carousel lottery
of ingredients...
   and a charred tongue from smoking
cigarettes...
   i'm trying to figure out
how french toast came about though...
the recipe was passed down
to me from the film
    kramer vs. kramer...
     i haven't dared to explore the classic
further.

every time i cook,
i think of being an inquisitor of
anorexia...
            last time i heard,
anorexia was like *******...
well... something akin to eating
through your nose...
            imagine an inquisition
of anorexia, far away from spain,
and then, start cooking -
i'll say, that's better on
the imagination than
the christ metaphor of bread
and wine...
            just imagine an anorexic
strapped into a chair
while you start cooking
spaghetti bolognese (e.g.)...
    if i see an iron maiden, i'll tell you...
it'll probably be the chattering
jaw of the anorexic
   telling me in tongues:
            feed the pigs this ****!
Brock Kawana Nov 2013
Do not call my generation stupid:
We were the first group of kids to learn a computer. Think about that society: A group of kids learned this intricate machine. Yes, I'm talking about the O.G. Apples with the green type where you had to save with a floppy disk and if you put a magnet to the screen it went purple forever. Yes those. And those same kids grew up and created everything you see before you now. Everyday.
Do not call my generation ignorant:
In a short time span of years as children we learned about oral relations with interns and terrorist attacks. From Clinton's impeachment to the World Trade Centers/Pentagon/Flight93 Somerset. As children we learned; emphasis on the children part. Our minds grew knowledgeable of a world at hand long before society gave us credit. We grew up.
Do not call my generation lazy:
When we were sixteen and just received our license, gas rose to the highest it had ever been in our country's history. So, we got underpaid & disrespected jobs at Dairy Queen and Subways across the land cleaning up bathrooms and serving your foot-longs. Yet, it was for our new found freedom. The ability to travel on our own. Like the early travelers roaming new found lands, our wings were spread.
Do not call my generation weak:
We are the same group of people who entered college or the workforce with the worst economic fall since the Great Depression. And what did it do to us you ask? Bury us in more and more debt until it consumed our life. But, we became enlightened. We majestically thrived in the chaotic times by finding out who we are, what we are capable of and that life will take us our journeys before we even see it coming. The light still shines even when you are buried the deepest.
It does not matter what you throw at us next. We will rise and conquer. It's the world's hidden secret.
I'm proud to live in this time.*
I hope you are too.
Make someone's life better today.
The ancient town of Glastonbury stands proud
known for its famous Tor.
And leylines that converge in fertile earth
surrounded by human history.
Mystical, today commercialised they flock
soaking up power and to rock.

As this isolated Somerset town is engaging
colourful characters thrive.
Bringing the past and its history to life
as Pagan and Christian mingles.
Once an island surrounded by marshland
an aura of magic is at hand.

Here there's a sense of timeless wonder!

The Foureyed Poet.
Just a glimpse at an ancient town within the Somerset countryside. Glastonbury! The Foureyed
Poet
Dreams of Sepia Jun 2015
I sang ' Here's to you Mrs Robinson'
downed a pint of Thatchers
while the guitar played

& in the empty streets
there was the Moon
coarse & incomplete

these strange suburban nights
bring back memories of loss
& of the coming of agelessness

I never learnt how to drive
& still rely on the bus
unable to graduate from life

yet I hope my torn sunsets
& wasted loves
have made me wiser

whispering mantras
not afraid of being the outsider
forever drawing maps




*Thatchers is a cider from Somerset, England.
' Mrs Robinson' is a song by Simon & Garfunkel & features in the film ' 'The Graduate'.
David Somerset Jun 2015
You just have to realize
He said to me
People have there ups
their downs, their in-betweens
their plays, their acts
their big dramatic scenes

They play their own parts
Then they are on their way
Sometimes they come back
Sometimes they stay away
Finally to play their part to someone else
In another place on another day

So give your lines
Say them well
And if the world likes them not
Let it go it go to hell!

David Somerset written unknown date
                              Edited 6/11/2015
Be True to Yourself
KD Miller Nov 2015
11/15/2015

it has been a while since
i've been to the wetland coppice
teetering close to the neck of
a somerset sourland hummock

soft rushes and pickerel ****,
wild lavender and marsh elder
a Canadian goose choking on a

birch branch
it died.
it has been a time since I've been there

timber rattler and weasel
playing in the grounsel
September,

like Wallace Stevens: lonely in
Jersey city.
November dead
cold bright annihilating days

i sometimes walk a mile
cutting across dead garden snakes
they sit in the living room, playing

the Nile is full of waste and bile
i wait alone by this little grove,
hoping that my fickleness of

Conversation topics
can help me now
but my mind, it raced

like a dead horse at a betting show
Sunday morning,
Saturday night really

I read Wallace Stevens in the field
And dream about jersey city
The ancient town of Glastonbury stands proud
known for its famous tor.
And ley lines that converge in fertile earth
surrounded by human history.
Mystical today commercialised they flock
soaking up power and to rock.

As this isolated Somerset town is engaging
colourful characters thrive.
Bringing the past and its history to life
as Pagans and Christians mingle.
Once an island surrounded by marshland
an aura of magic is at hand.

Here there's a sense of timeless wonder!

The Foureyed Poet.
A visit to the ancient town of Glastonbury leaves its mark in your thoughts. The Foureyed Poet.
dan hinton Oct 2017
60,3913  N, 5,3221 E, Bergen, 22.05.17

The Germans wear you down spiritually. They look through you with eyes of ice. It hurts when you see your friends turn their back on you. When you see the girl you loved, kissed in the canteen by a *****.  Your heart burns. What has he got that I haven’t? Apart from the muscle that pads out his boiler suit. No-one wants an intelligent man. I sit here sipping coffee in a fishing village café in Bergen. The coffee is hot and my heart aches. Soon we will be making our way up through the fjords to Geiranger. The beautiful fjords that embrace you. There is not so much to bear witness to here. The Gravlax is poor and overrated. Everything is shut. The dreary rain comes down on * A colleague drove me all the way to Hardanger Bridge. The bridge that connects Oslo and Bergen is truly breath-taking. I have seen the Milau Bridge in the South of France, the Somerset Bridge, Clifton Suspension Bridge. However, this is really the highlight of Bergen; unless you are drunk.
17.00 - we leave for G.
62,1008 N, 72059, E, Geiranger, 23.05.17

I wrote to Nan last night. I asked for her guidance. I want everything to be okay with Aline. 05.00 hours I got up to see the Geiranger fjords. They were breathtaking; we passed the Rock God in the cliff face. Or rather; he let us pass. Norway is really a paradise. I think how people only think with their bellies. Helen the nurse abandons us half way up the waterfall. I turn back. The Germans have an acute interest only in themselves. One wonders where love lies. I have found Ole’s café – at the base camp of the waterfall. It is here I feel at home. At this coffee shop I must remember everything properly. I must also forget Helen and how angry she makes me feel.  Mr. Edin said: “It’s the system that makes them so. Everyone is born the same.”

62,0861, N, 6,8687 E, Hellesylt, 23.05.17

I hate my life. I hate my inability to fall in love with anyone and anyone to fall in love with me. These days I can’t stand to look at the face that I see in the mirror. Parts of me crumble away to dust. I feel more and more bitterness, in port, towards couples that have found love – to the point of absurdity. Ice-skating; I drift slowly around the rink. It is the only real time I feel complete when I am alone. I see a couple kissing and happy in love. I feel anger and a bitterness burning up within me.  Why can’t I find someone that loves me simply? Why do I have to do all this **** – the garbage of personal relationships. Hellesylt is truly beautiful. At least I feel at one with nature; even if I don’t fit in anywhere else.

59,4136 N, 5,2680, E, Haugesund, 24.05.17

The war against fat, like finding love, is ongoing. I always feel I am the loser. I am a loser. I am sat in a coffee shop overlooking the red and yellow houses. I try and chat up the waitress;  a beautiful Norwegian blonde. I try and embody the image of a sailor. It works to some extent, but actually only reflects back on myself as a person. The aching has grown less. The coffee helps to balm the dissatisfaction I feel with life; as does the view across the river. There is an English couple opposite. How can you complain with that view out across the river? Twenty-five degrees, surely we must be able to leave our pain behind? I feel myself become more and more alive; back to life. The wounds are healing again. The pain passes.

5,89700 N, 57331, E, Stavanger, 25.05.17
We are going to sit and hammer this out. This book, this journal, bears witness to life. That is its meaning.  Why is it so hard to find love and to be loved? I am only an anatomical structure – corruptible, breakable flesh. Stavanger is quite simply a boring town. You can walk from one end to the other in thirty minutes. There is a church; a freedom monument and slated, wooden houses. Yuliana the Belarusian pushes her body onto mine, beneath the Northern Lights like a teddy bear; she hugs me again and again, never letting me go. I kiss her delicately on the ear. She giggles. I can still hear her voice now and the smell of her sweet perfume. Oh, how I burn inside. How many thoughts and feelings wheel in an instant. How capricious this heart is. I must drink another coffee.

59,9139 N, 10,7522,E, Oslo, 26.05.17
I am on the hunt for a Durian fruit in Oslo. My hunt for Hardanger Beer with the appropriate label also continues. We dock right in the centre of Oslo. The sun warms me. Trust me to fall in love with the only lesbian on board. In Oslo’s most popular café, Kaffebereint,  I think how I get myself into such situations. Maybe it’s because I love long nails on a woman. She has forgotten her scarf. I should really do more sit up and visit the gym. My feet are too busy wandering. Sauna Night takes place onboard – a reward for all those who helped out at the party below the mooring deck. I serve punch and party the night away. For a while I forget the disappointment of people and the strangeness of my body. Oslo is beautifully serene. I walk in the footsteps of Ibsen. I try and make my writing smaller and smaller so that it is almost like Chinese ideograms. I close the gap. I try to be neater; to be better. I walk along the boulevards of coffee shops, wondering how I can be better.
53,35 N, 8,35 E, Bremerhaven, 28.05.17
I am back home (in home port) from the Nordic Voyage. I need to rest up in Hamburg before embarking on the next adventure to the Northern Cape. 21.06.17 at 1700 hours – Bergen. What else is there to report on as we approach the quaint fishing port of Bremerhaven? Home. Only that my ex-girlfriend from Algiers has given birth to a baby girl; she wrote to me. Two years old. Name: Eline. Letters are wonderful. The waves lap gently at the boat. If you ever thinking about writing a letter, you should; we haven’t spoken for two years and she writes to me, out of the blue, because of a Christmas card she picked up in Dar Es Salaam. That is life; life on a boat; life at sea; life on the breadline. A sailor’s life is a funny thing; full of unpredictability.  Even as an enthusiastic merchant sailor I can see the draw of this life. – as tough as I am, what else is there to say? Only that another adventure waits me in Hamburg –

The rest of this transcript, as subsequent potential voyages is lost.
excerpts from my latest book
Mateuš Conrad Nov 2015
again, this thing about the cartesian res cogitans
(thinking thing), substance and extension...
i’m pretty sure the darwinistic expression
of early model does not suit this model,
my own version i wrote once, res vanus (empty thing)
fits the gig better - we who can now snuggle in duvets,
who housebound the wild boar,
who milk cows with technological octopi tentacles,
who switch hot dogs with popcorn in the dark,
who ice-skate at somerset house at christmas,
who take diamond bling and christmas tree bulb bling
to equal the same credit on plastic,
who with polystyrene foam beat nature
by showing nature it couldn’t digest it on whatever
level of insect and parasite,
well have all the luxuries now, and we found them
not so much from thinking but from emptiness,
there is more chance of the eureka in res vanus than
there is in res cogitans - it’s the spontaneity you see,
and less need to narrate: love, lost love, aching love , ex lovers.
what else is there? it’s the easier assumption to have
with the niche topic in relation to kant’s noumenon (thing in itself),
i don’t know why i want to mention this orientation
to further the explanation -
early man was defined by res vanus - the sensual overload,
the prime, being empty and forced into the heat and the cold
and the mystic tiger hunger -
and still as defined by res cogitans, we pause and feel empty,
not so much in terms of emotion, but in terms of thought,
however we no longer gather at the campfire,
few people crowd by a lightbulb to talk fables with a
memory of achilles ajax and hector...
we need neon rainbows to huddle -
whether that be by eros shooting the neons of piccadilly circus blind,
or by televisions or computers,
rarity a fire that crept into the ribcage and gave way to
a macaw song of cross-dimensional sophistication off mayan jungles.
Terry Collett Jun 2014
Janice wore
the lemony dress
her gran had bought her
for being good

at the dentist
it had a bow
at the back
and flower patterns

here and there
I never got a dress
when I went
to the dentist

I said
you're a boy
she said laughing
mind you

I was promised a trip
to the seaside
in the summer
but I think

we were going anyway
so it wasn't much
of a gift or bribe  
I said

we walked on
by the Duke of Wellington
(public house)
and under

the iron railway bridge
which made loud noises
when the trains
went across

especially the steam trains
Gran said
not to get
the dress *****

or I’ll be for it
Janice said
I never asked Janice
why she lived

with her gran
and not her parents
my mother said
best not to ask

so I didn't
where we going?
Janice asked
I thought maybe

Bedlam park
we can watch kids
playing football
or watch those

in the swimming pool
or the tennis players
Janice said
it was a good idea

and so we went
on our way
I can get us
some ices

I said
have you some
money then?
she asked

sure I have
never come out
without a least
a few coins

I said
have to do a few chores
but at least
I get a few coins

to spend  
Gran gives me money
now and then
if I've been good

Janice said
but have you money now?
I asked
no

she said
can't have been good then
can you?
I said smiling

I’m always good
she said
but Gran can't always
afford to give me coins  

we crossed over
by the traffic lights
and went on our way
into St George's Road

I told her about
maybe staying
with my aunt and uncle
in Wraxall

where's that?
she asked
near Bristol
in Somerset

I said
what will you do there?
last time I went scrumping
with my cousin

is it countryside?
she asked
yes
there are cows

and sheep
in the fields
and mushrooms grow
there too

Janice asked about
the place and who
lived there
and asked questions

upon questions
as girls tend to do
once they get going
and I thought

of the chickens
my uncle kept
at the bottom
of his garden

which he let me fed
when I stayed
and fed them worms
and other stuff

Uncle gave me
but I told Janice
about holding the worms
in between my fingers

she ******* up
her nose
and said
she'd never want

to hold
one of those
then we came
to Bedlam park

and went in
and was reminded by her
to keep her
lemony dress clean

so we avoided
the swings and slide
and just looked in
from the metal fence outside.
A BOY AND GIRL IN 1950S LONDON.
The little girl looks at her reflection
In  the train window
She begins play acting
oblivious to those around her

The old man in the corner seat
cannot suppress a smile
Suddenly their eyes meet
And she takes cover

The crowd  swells in  as people jostle for space
The intercom resonates
Train door is closing..
Please mind the platform gap

She  turns to her mother
Pleading to play a game with her
She recites the names of the stations
Novena, Newton, Orchard, Somerset..

The young lad sways to and fro
Unable to control his sleep
He is shaken from his dream
By the lady beside him

Suddenly it turns dark
The train passes a tunnel
The little girl hugs her mother
And eagerly awaits the light

All around people tapping
smartphones and  tablets
Checking out social media and games
Absorbed, riveted and focussed

The girl runs to the window
Amazed by sight of boats in a row
serene waters and blue clouds
Skirted by green trees

Events change along the train ride
one after another like patterns
Of a kaleidoscope
Surprises waiting to unfold



© copyright skm
Terry Collett May 2014
I’d just come back
from Somerset
the night before
after staying

with an aunt and uncle
and was walking down
from the Square
when Enid

was walking up
from the baker shop
off of Rockingham street
I’ve missed you

she said
got back last night
I said
her left eye

was bluey green skin
how’s your old man?
I asked
still thumping

his daughter happily?
she looked away
up at the flats
behind us

I walked into
a lamppost
she said
wasn’t looking

where I was going
I noticed four
finger size bruises
on her arm

but said nothing
about them
yes I know lampposts
kind jump out at you

when you pass by
she looked at me
I ought not
talk to you

she said
why?
my father said
he doesn’t like you

and I mustn’t
talk to you
but you are
I said

besides
I don’t like
your old man either
so that make us

kind of balanced
I better go
she said
but stayed

looking at me
if I see your old man
on the stairs
of the flats

I’ll trip him up ok?
no no
she said
her mouth

staying open
I was kidding Enid
relax
she gripped

the white paper
bag of rolls
in her hand
and looked up

at the flats
missed you
she whispered
glad you’re

back again
and I watched her
walk up the *****
to the flats

the sky was dark grey
promising rain.
BOY AND GIRL IN 1950S LONDON.

— The End —