Dear Vamika,
of a long and a
short
time away. Of the
future, when
your ******* are fuller
and you can finally speak
French fluently.

I hope you are a woman.

I know you
have not changed the world.
I didn’t write you that way.
I’m still
not writing you that way.
For my cheap gel pen
has none of that spark
of Fitzgerald’s and Nabokov’s,
who could bewitch the imagination with
such timeless giants
as ****** and Daisy.

So remember:
you’ll be brilliant
but absent
from any history books.
But still.
You are enough, exquisitely enough,
for the literature
I inhabit.

Hence, I fill pages with your inky
outlines, shade in the spaces
slowly
with hopes and wishes and poetry and dreams.
For you, of you.
I note
all that you are
composed of, so that
even the marginalia
laughs out your lipstick,
your clothes drawers,
your reading habits.

I am writing you as a woman.

I am writing you
as Music. Here is your laughter,
a little smokier now,
unspooling like a work of
Debussy’s. Here are your
fingers, lighter now, like meringues
or dandelions, as they dance
on your silver flute,
better, better, better than ever,
in shiny theatres far
grander than you imagined.
And here are your tiny
scrawled music notes, that with a few touched
keys, echo as tumbling stars
in the ears of thousands
and then plenty.

I hope you are a woman.
So play, compose, laugh and sing; be
Music ‘til your dying day.

I am writing you
as Ambition. It is calmer
than the fire that currently
singes my hands. Yet it’s still as
constant
as the flame you
light, every night before bed,
in front of the Goddess Durga
you pray to.
Your heart still
salivates for hard-boiled
surprises, for lucky pennies
found on pavements, for the
metallic sweetness of, yes,
success.

I hope you are a woman.
So strive, and strive again,
‘til you’re nothing but ash.

I am writing you, too,
as Success.
Surprise!
Those words unhooked
from the crevices of your mind,
are now bound in
paperbacks.
You are a poet, sleeker than
the 17-year-old fledgling
in her dim bedroom.
You are a journalist,
pouring morning stories
like hot tea, and sighing
with honey glee at
your name in
print.
You are a writer;
you fill even more pages, and
you now have a
gleaming, expensive
pen.

I hope you are a woman.
So write, ‘til you have lost
all breath.

I am writing you
as Compassion. How could I not
let you share words (your  personal magic) with
countless sparking children?
And not fill your hands with
gifts of maths, English,
science and art that you can
give and give and
give to them?
An education is as precious and
priceless as Picasso, you say.
A human right, all the same.
A human right.

I hope you are a woman.
So be kind. That’s it.
Always.
I have not forgotten  
to write you as
Justice.
Go out and support,
wave flags and placards,
sign petitions, join many
campaigns, scream out ‘til
your throat can’t bear such
honesty, such
indignation.
Keep fighting.
Never stop. The world is unfixable,
imperfect and
unhappy.
Help it.

I hope you fight for other women.
I hope you fight for other humans.

I am also writing you
as Resilience. So you’re able
to face yourself in that
mirror, even though
your stomach has a stubborn bulge, still,
and you haven’t yet learned
to smile at your nose.
Still.
And I’m reminding you that you do,
yes, you do,
have the strength to cry alone, then
get over it,
to have panic attacks, then
get over it,
to pick yourself up from
life’s many disintegrations and
start again.
You can. You’ve already done it.
I hope you always will.

I know that you are a woman.
So never give up, as
cliché as it sounds. Go ahead and
die trying.

Now, as the cadenza
of this rather sentimental piece,
which I’ve spun as
sweet
as stolen sugar
and the romantic comedies at which
you secretly weep,
I am writing you as
Tenderness.
See, I decided that Love and
Romance are but
bombs. And you and I both
believe in non-violence.
Therefore, you are
a hugger now, with lips
which kiss your husband,
scold your children
and sing
lullabies to the whole silly lot of them.
Your heart is always
swimming
with a good bit of warm wine,  so don’t
question its fullness.
Take care of yourself.

This.
This, above, is all I hope for you
to stay and have and be
until the symphony’s final note, your
final breath.

You are a woman.
Flawed, intelligent, beautiful, cracked, strong, kind, stubborn, soft, honest.
Real.

You are a woman.
So stay like this,
but be just a little more wiser, a little more grown
each passing year.

A woman.
Vamika, that’s all I ever want you to be.

She warns herself
to cork the wine tangling
up all her breaths.
She doesn't want to drown,
she doesn't want to guess.

But she does,
she does.

She realizes,
nauseous, breathless,
that she's stopped looking for stars
in the sky,
but has begun to search for them
in wine glasses and
a boy's eyes.
She desperately doesn't want to. Desperately.

But she does,
she does.

Her mouth is smeared with
straw-gold honesty
because in the morning
it'll be crimson again -
a scarlet as sharp as a
poison dart.
So right now, she enjoys the pale golden.
Fizzing from her mouth and
coursing through her shaking hands and
enveloping her and the lost boy beside her
like a red and blue coat that they can't shake off.
She wants to say:
This is the winter of our denial.
Of our everything and anything and whatever it is,
this thing we can't name.

But she doesn't,
she doesn't.

The Chardonnay isn't
golden enough for that.

All it can gurgle out is:
Don't do it, don't do it.
It'll mean something.

And she listens,
she listens.

She walks back out into the cold night
because she must.
And she collapses into herself
like stars and galaxies do, don't they?
In the morning, she'll paint some false sunshine
onto her face again.
And pretend she isn't bruised all over,
all red and blue,
golden and crimson.

There were two
then another
one feared the new
solitude would bring

one
plus or minus
mathematical as always
is it not?

to those reverent
toward ships
outward faced
yet ported still

'tis asked
no matter the course
or how rough the sea
wherever currents lead

"remember me"

Since when did you fall back into the habit
of making homes out of people?

Stop being so silly.
It's dangerous.

You begin again with your inner monologue:
When will you ever learn?
You've slipped back into the glass comfort of
relocating your heart.
Back from the library into
a girl's blue hair, a boy's ricocheting argument,
so it beats in time,
in time
to the indie music pirouetting out of shared earphones.

But then of course,
you're alone in your bedroom, thinking, realizing.
Those flowers that you've planted
in the skin of one, the eyes of another,
the hands and conversations, notes and
t-shirts
will die one day.
Death frightens you, keeps you
wide-eyed fearful.
A black nothing where
you can't grow flowers.

In all this, in all this,
you've forgotten to sow seeds in your own veins
and take care of your own petals.
You're bloodless and so
your petals lie flat and pale,
dying.
It isn't pretty.
And maybe that's why those homes
where you've nurtured a garden,
planted roses, lilies, ******* sunflowers,
eventually crumble, vanish,
leave.
Before you know it, you're staring at somebody else's home,
somebody else's flowers.
And wishing they were yours.

Haven't I told you
not to make homes out of people?

railroad yard in San Jose
     I wandered desolate
in front of a tank factory
     and sat on a bench
near the switchman's shack.

A flower lay on the hay on
     the asphalt highway
--the dread hay flower
     I thought--It had a
brittle black stem and
     corolla of yellowish *****
spikes like Jesus' inchlong
     crown, and a soiled
dry center cotton tuft
     like a used shaving brush
that's been lying under
     the garage for a year.

Yellow, yellow flower, and
     flower of industry,
tough spiky ugly flower,
     flower nonetheless,
with the form of the great yellow
     Rose in your brain!
This is the flower of the World.  

                         San Jose, 1954

I am much too alone in this world, yet not alone
    enough
to truly consecrate the hour.
I am much too small in this world, yet not small
    enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.

I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everyday jug,
like my mother's face,
like a ship that carried me along
through the deadliest storm.

She who did not come, wasn't she determined
nonetheless to organize and decorate my heart?
If we had to exist to become the one we love,
what would the heart have to create?

Lovely joy left blank, perhaps you are
the center of all my labors and my loves.
If I've wept for you so much, it's because
I preferred you among so many outlined joys.