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Pauline Morris May 2016
Her eye's cast down like a beaten pup
She didn't dare bother looking up
She watched the ground, her every step
The anguish over her face just crept
The wind from her lips swept
The agonizing moans as she wept
What woeful sounds of regret
Her closet is bulging where the skeletons are kept

She had years ago, locked it up tight
Really late in the black of night
For even she couldn't stand the sight
She had already paid the price
So she figured she had the right
With those skeletons she could no longer fight

So every day she can be found
With her head firmly pointed down
Eyes forever fixated on the ground
Wearing her darkness like a shroud
Pauline Morris May 2016
Welcome to her house of many bones
Step into one of life's great unknowns
With broken dreams and shattered heart
In this carnival of freaks she is apart
For the price of a ticket you can see
All the horror, and agony there could ever be

All we ask is to put down your stones
On the left is a kingless throne
No love was ever ment to stay
I don't know why, it's just that way
On your right is the dreams that's died
Where want and reality did collide

In the next room you will find
All the demons that are in her mind
Young man, please step back
These demons will, and do attack
On her arm's you'll see the scars
Made with their talon like sharpened claws

Please don't dottle, let's hurry along
This sad little journey we don't want to prolong
Up next you'll find
Human monsters of every kind
They all wear a clever disguise
You won't even see them unless your wise

Of the shadow men take no heed
Off the sorrow they just feed
The closets doors all are open wide
Not one skeleton does she hide
Please don't be scared, please don't shout
The are free to dance about

Last but not lest I want to show
What happens when the anguish grows
Tormented by years of unbridled strife
In the coffin lies her pitiful life
It's not her body, for she is the walking dead
Heart in taters, screams echoing in her head
Eyes opened wide with years of dread

The light and happiness are always there mocking
You'll find her over there in the corner rocking
Yes she had to be retrained
In the straight-jacket she will remain
It's for your safety, not hers
For the pain she endures
Is not for weak amateurs

Exit on the right
Single file, please don't fight
Enjoy the rest of the attractions
We guarantee a hundred percent satisfaction
Unless in this carnival of woeful souls you are captured
Then your only hope will be the rapture
Maple Mathers May 2016
I've now coined the diagnosis "Portable Hoarder" -  Carrying my life in bags and duffles, pockets and sleeves.

Accumulating more baggage than would fit in a **** terminal.

But now, I am home. Me, and my ***** laundry. And I don't fit anymore. Crammed amidst my past. Falling out the door; Spilling across my floor.

Me, myself, and Marshall.



**So, TONIGHT
I'm cleaning out my closet.
Everything I know I learned from Eminem.

Nobody wanted me till puberty reinvented my physicality. From peasant to princess - my life spun 180. Grade school, a prison; high school; a kingdom. And that's fun. But.

What's the lesson here?

I'm nothing to this world but my looks.
Cam Godfrey Mar 2016
VERSE 1
Portrayed as the girl next door, she'll rip your heart out and manipulate the way your mind works.
Just forget how she looks, it's an illusion...
She's as ruthless as the best of them.

PRE-CHORUS
You'll always love her in the end X2

CHORUS
Darkness falls before you realise all your skeletons have come alive.
These are the thoughts that haunt you, just another mistake you've made on your own.

VERSE 2
It doesn't matter the advice you hear, she's already ****** you in.
You're a victim to her persuasive skills.
It's an art-form of suggestion.

PRE-CHORUS
CHORUS
BRIDGE
CHORUS X2
When I set out to write this song (Skeletons), the core idea was about a girl I'd just met and was crushing on deeply, but the more I wrote, the more I focused inward on how I was viewing the relationship. Now when I read it back, and listen to the song I recorded with these words, it's more an insight of my ocd, and how it affects my interactions with other people.

Link to stream of Skeletons - http://rvrb.fm/1RZ1nXx.
jack of spades Nov 2015
i cant remember a word that you were saying
but i remember every single drop of venom
that fell from your fangs the night that you
infected me with death and decay and refractum,
refractus, broken up or open in a dead language
that still stings in hexes and wills the dead
to life. necromancy is your specialty, commanding
a skeletal army to all your evil bidding, all
collar bones and wrist bones and bony knees
scraped up from all the tripping you've been up to,
running through thickets away from the white lie
of an elephant that haunts your room, conjured
from when you dug up the graves of every single
name that i tried to lay to rest, every action and
reaction and dejection and rejection and destructive
tendency, tendencies, tending to distract from
the subject matter at hand, the rules bent and broken
as you spit your poisonous latin palaver,
empty talk to move the empty skulls of your pawns,
empty threats of empty memories that no longer
have any kind of meaning to me. i laid them to rest.
i held their funerals a long time ago, and there's
nothing you can hold over me besides the skeletons
you left in your closet, that you never bothered to bury.
the dead don't scare me, not anymore, and i've
developed an immunity to your toxicity so that
you don't scare me anymore, not anymore,
because you're just another passed-on memory.
i will never forget the venom that drips from your
lips, but i will not let it run through my veins anymore.
your dead words and dead memories are all uttered
in a dead language, not spoken anymore, not real,
a dead effect that cannot touch anything because
memories lack tangibility, dead regrets in a dead
language that got buried when i decided to stop
listening.
Alana S Oct 2015
we have direct associations of
things long past and no
way to connect random
words. I wonder, then, why I always  think of peanut
butter when someone says winter
or I taste eggs when someone
mentions Christmas. I don't
even celebrate Christmas and
I taste caramel popcorn
and crisp wintermint and
what a cloud would taste
like. why is that? where do
our words go? others would taste fish when they hear
the word tooth
paste, or crave oranges when their feet first
hit pavement. if you're trying to fit the
words together, and see
why the bitter taste of chicory
is reminisced with coppery blood and
love, and you are sure your own word associations are
completely logical, one day you'll come across
the skeletons in closets, the snake slithering in the
greenest grass, things that mean
so little to you yet are bright points
of deep connection. you try to
fit the words together and
suddenly, you'll know. then.
Allyson Walsh May 2015
Your shirt is still under my bed
Right next to your sleepy bedhead
I file and store these memories
Inside my head, used as a directory

Your blanket is still in a pile on my couch
I never want it to leave my house
It’ll stay put until you come back
Or until your mother shows up for combat

Our secrets are still locked up in my closet
I kept them there, just as I promised
They tend to scratch up the door, sometimes
But what’s mine is yours, and what’s yours is mine
For WY
(You can keep my skeleton if you're willing to unlock the closet door)
alienobserver May 2015
I'm eating until I feel whole again
The joy of being unconscious
Has jumped right out of my chest
And it hurts like I've dreamt of falling
And the space you had once occupied
In my heart became flowers
You could have been the first wave
The salt that burns the skin
The grains of sand hurting my face
I miss the sun in the mornings
And the warmth of the touches
And who am I trying to fool?
I haven't been eating for days
I became my own meals
Yet I starve for the stars and the universe
For the green in the grass and the blue
In the twilights
I starve for you
Attempting to write the void away :)
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