If you should choose to kiss, and kissing, turn

Redoubling, consuming in abandon

Then would love, in loving you, prove wanton

While terrestrial forests willingly burn.

Our lips in flames no waters extinguish

Until all love's knowledge itself unlearn;

Our pupils for that flaming lesson yearn

Which bequeaths the heart unlessened anguish.

So loving you, I leave to turn and choose

In naughtiness regained when all is ash

To profit from the loss with naught to lose.

Thus eyes that gaze, unchastened, toward the lash

Must lose, in turn what all the world had gained . . .

Read half-coherent verse—and think half-brained.

Two households warranted an aggression for one another for years,
so much so that some weren’t even sure what the Kingsley and
Callahan household feuded over, but among their vivacious
feud they also presented beautiful daughters.

Rebekah Kingsley, a woman of bold nature,
one with locks of hair as dark as that of freshly hardened obsidian,
skin the color of a soft caramel, lips plump,
and taunt cheekbones that seemed to have been sculpted
by the creator towards the heavens themselves.
She was a fearless woman, brave, taking others by storm,
but her passion and capability for love was ever so fervent.

Juliana Callahan, a woman of fine nature,
one with the need to adventure, and soft features that
delicately spawned from the swells of her cheeks,
her doe green eyes, and the petite frame in which she presented.
Juliana had hair the color of freshly fallen hazelnuts,
skin that was the color of a peachy cream,
and lips that were a natural shade of pink that mimicked
roses at the height of their first bloom.

Two women, two powerful components of the family’s
ongoing war found refuge in one another, hiding their identifies
at a masquerade, able to parade around as who they could be,
not who they had to be in public, and their affections were not
warranted, not in such a time period, but that didn’t stop
their immediate connection, the immediate spark of fire that ignited
even when the slightest brush of fingertips aligned
with one another’s exposed collarbones.

They talked, sharing a connection of one they had never found in
another companion, one they had never felt so deeply in
the swells of their hearts and the depth of their beings.
The were infatuated with one another, so lost
within a blissful cloud of desire, lust, and affection.

Their renditions of culture and rules had become obsolete since they
had laid eyes on one another. They had forgotten their rules,
the public strictures that were placed on them,
aspiring to talk to one another, to share words of
love, of affection, and of a deep connection, and they did.
They spoke, realizing that they couldn’t live without one another,
but such an infatuated love couldn’t survive with the ongoing
war between the Kingsley and Callahan family,
no love could break apart a feud that had been so engraved for years.
No love could be accepted, not in a society where
the romance between two lovers was considered unholy
if it were not between a man and a woman.

Such a feud lead to the death of the poor lovers,
one that was tragically poetic of their love, of their story.
Rebekah’s father had found out about the affair,
exalting his energy in kicking her out, shunning her,
making sure to never see her beloved once more,
but the two had already married themselves to one another
since the moment they laid on eyes on each other.
Rebekah couldn’t handle such an outcome,
so she took it upon herself to retrieve her own
means to end her life.

Rebekah harbored a poison, one potent and as strong
as the thorns that clip at ones skin when procuring
a freshly blossomed rose.

The Kingsley Lady let the poison trickle down her throat, staining her lips,
allowing it to seep into her skin.
Juliana found her lover, cold and hardened, lifeless
and inanimate. She kissed her to ingest the poison,
but it had been too late; the poison had layered itself
deeply into Rebekah’s lips.

A cry escaped Juliana’s lips, and then a whimper proceeded
afterwards, revealing the phonetic boundaries of her broken heart, for
she had nothing left, she had no passion,
no love, no desire, no want. Her lover, her supposed bride
laid before her, dead within her arms.
She was weeping heavily, salty tears staining the tenderness of her
rosy cheeks, so Juliana looked to that of her lover’s corpse,
taking the dagger which rested to the left of her.

She reached out, her shivering palm and fingers clasped
around the object, tightening her grasp as she let her eyes
remain attached to Rebekah’s body as tears streamed down
her face at a persistent manner; she brought the blade up,
uttering her love for Rebekah, telling her
“We shall not be parted forever, doth not leave me,”
she whispered with trembling and chapped lips,
plunging the dagger into her chest.

in romeo
will gather in street here
with gypsum bandeau
that might shed such fear
with our dilatory cling

only where he'll sing
but anywhere nigh
in romeo

if a basket of groupers
never taser hinds
still heed the call
whether love will shine  
in romeo

According to William Shakespeare,
Poor Tom had wits
And was witless
All whilst in disguise

According to David Bowie,
Major Tom left our blue Earth
And got lost amongst the stars
Becoming the titular Space Oddity

According to Led Zeppelin
Poor Tom was the seventh son
He led a life of work and play
But killed his ***** wife

According to The Cab
Major Tom would sing along
Whilst chastising the dreamer
Or, perhaps, seeing himself in young love

According to all these men
This muse man named Poor Tom
This muse man named Major Tom
All suffered an ill fate

According to I,
Arrogant poetess,
I pose a pondering:
What if they were all the same person?

"...and Death to me subscribes--"



(sonnet #MMMMMMCMXX)


How fragile light draws shadows up to fence
Our passage to and fro, ne groundhog's scale
Of is't author'ty? as blue heavns avail
Long naked boughs where last Fall leaves' brown sense
Half shivers or just waits in dead suspense.
This eye of April whose bulbs know th'exhale
Is but a whisper of frore breath own bail
And, buried, shift now to the hours' intents.
If I had inked how gloaming 'gan to stir
As rosy blushes warmed the vacant blue
'Lone on the West ah, what?  I could not, fer
All that, yet wondered as I sifted through
The flour and leavning if dawn would be poor
Or sans a blot as lo, tis for that cue.

02Feb18a

[Sonnet #107 to SouthHampton:  "...thy monument/When tyrents' crests and tombs of brass are spent./"]




(sonnet #MMMMMMCMXIX)


What **!  Write of the violets like t'avail
My soul of cherished hours gone far, far hence
Upon the crueler rending of joys thence,
And Life's dear fabric as it were, and pale
As aught excuse, read Shakespeare--in betrayl
Wisked off, as how those lines rouse for intents
Sweet minutes lingring oer the violets, whence
I lisped "...and Death to me subscribes--"(sans bail).
Lo, I can see all now as twas (in poor
'Scuse, eh?):  blue skies sae warm, and silver dew
Just melted off the shadowed clover, fer
Those minutes I bent down and mused, while too
Thus fingring purple dainties winds would stir
Across sans kissing...and why now anew?

01Feb18c

...the saint he ever is:  with a twisted halo.



(sonnet #MMMMMMCMXI)


Yes, Shakespeare loved SouthHampton.  Likeas they'll
Flout in these twisted days?  No.  Like fr'intents
As David cherished Jon'than.  With a sense
"...Beyond the love of women," on that scale
E'en wonderful (if I'm correct), t'avail
What drove black ink to cry anon that hence
Lo, "...single thou'lt prove none."  and weep from thence
Because his "lover" lacked a child for bail.
Friends closer than aught brothers as it were,
Which gave his jealous erm, contention, through
That, just cause for the notes prefixed in tour
To those long poems, and also therefore, to
His lines about that mistress who'd bestir
Such mincing lies in love's name.  Or, what's new?

29Jan18a

Dearest Ophelia:
Daughter of the murdered man
Sister of the murdered man
Lover the man who murdered your men
This is an ode to your fictitious life

Ophelia, my love, you are divine
Oceanic and loving, you are the blessed petals
Of a plucked flower in hopes of a fortune

Irrational, eccentric,
Your whims
Become the whims of others

The ickle darling
Who needs help most
Dying a death so jarring

Sinking, sinking, thinking
Into the murky depths unknown
By the Queen’s words not shown

By rue,
By rosemary,
By fennel,
By *****,
By columbine,

By regret,
By remembrance,
By foolishness, flattery, and adultery,
By love,
By faith and hope

Her judgement most bitter-hearted
Her judgement most secretive and dry
Her judgement most sweet-scented

Lost to a fit of laughter
By the maiden’s wit
Her act comes to a close
With mermaid-like prose